#her anger was justified

[weenieman25]

mrs sadie adler, widow

[caffstrink]

je n'ai pas peur, je suis née pour faire ça

[queen-morgana91]

Thank you for this post, atlalore ❤

[magicratfingers]

grade digger

[thereweredragonshere]

I don’t typically make ocs in already existing media cuz I’m not one to add characters to shows, but oh my god httyd dragons are just so drawable. I’ve had my girl Prosper for about 5 months now and I cannot describe how much I love her? This fictional lesbian reptile has my heart. (And her mate Hark, but I’ll make a separate post for her :) )

She’s 56 years old, had her right wing completely torn off in a massive battle (she’s left wing politically, ahaha get it left wing because she only has her left wing so-) with the parents of Viggo and Ryker Grimborn that sent the night/light furies into hiding. (Which is my personal hc on how there are ‘no night furies left’). She is the leader of this ‘hidden colony’ of furies, and is basically just the wise, lonely grandmother to them all. She’s also just extremely sad in general. She in in constant pain and can’t fly. I mean I’d be sad too.

She’s also like extremely very heavily against humans, so in my delusional little brain when Hiccup and Toothless somehow stumble upon the hidden colony that’s in a cave (think Minecraft lush cave) she isn’t a very big fan of them funnily enough. Although she does hesitate to immediately fire upon noticing Toothless’ prosthetic tailfin, mainly cuz she’s like “yo tf what yo tail red for? Who is this red tailed child?”

I could ramble for hours about her swckjhisuchuweichiew and she ends up getting a prosthetic wing ‼️

[s0fter-sin]

what up i’ve been obsessed with would you fall in love with me again like every other person on the planet and i can’t stop thinking about penelope’s final verse

she’s so angry; angry that odysseus would dare to suggest that her love for him has faltered or his actions were enough to destroy it. she’s been waiting, working her fingers raw unweaving her shroud every night, not sleeping as the suitors camp inside her home; every day a threat to her and her son, to her kingdom if an unworthy man - and they are all unworthy - should take the throne. she knew they wouldn’t wait forever, that at some point her deception would be realised; her dedication to her husband means she is at constant risk and the first thing odysseus does when he sees her - if this even is him - is question her love for him?

the very first thing he says (other than her name) is, “i am not the man you fell in love with.” penelope asks him if it’s really him standing there or if she’s “dreaming once more”. once more. she’s felt the cruelty of hope before; has looked at her doorway and seen odysseus the same as when he left (which is probably partly why she’s so shocked by how he actually looks) and felt unfathomable pain when her hopes were dashed over and over again. she asks if he is really her odysseus and he says no

yes, in his mind, odysseus can’t see how he can deserve her love after everything he’s done - the atrocities he’s committed, to himself he isn’t the same man, “i see a man who gets to make it home alive, but it’s no longer you” - but all penelope hears is her husband, the man she loves and waited for, doubts the strength of her love

penelope asks what kind of things he’s done and it must be shocking to hear; his actions so different from the man who left her behind even if he did them in name of returning to her. but when she asks him to move the bed, it’s as much a challenge as it is a test. she’s asking him to prove that he is the monster he claims to be; that if he’s changed so much and become so heartless, he should have no qualms about ripping the symbol of their love from its roots. and it’s also her only way of actually determining if this man who claims to be her husband yet doesn’t take her in his arms, is actually him

“just a moment of labour would bring me some peace” - if he does what she asks, then she will know either he’s changed so much that he’s no longer her odysseus or he’s another fake and was never hers to begin with; that her husband didn’t just stand in front of her and claim she can’t love him as he is. but she’s done. she was already willing to die when she stood behind the twelve axes she challenged the suitors to shoot through. she’s so tired. she just wants it all to be over

“only my husband knew that, so i guess that makes him you” - i guess. even after telling her something only odysseus and her knew, penelope’s still not convinced that it’s truly him. how many men came to her door claiming to be her long lost husband, banking on time and distance to dull memory of his face and voice, on her longing and desperation for odysseus to blind her into believing them?

but if this is her husband? if the man she’s loved through decades of absence has finally returned to her?

“i will fall in love with you over and over again” - an exhausted promise, the core of who penelope is and how she feels; assuaging his doubts and his own clear pain

but

“no matter how long it’s been, you’re mine. don’t tell me you’re not the same person, you’re always my husband” - penelope is screaming at him; how dare odysseus say this to her? dismiss her love and her suffering? he saw the men outside, he’s smart enough to know what they were here for and instead of apologising for being gone for so long, instead of begging for forgiveness for inadvertently putting her and their son at risk, instead of embracing her and putting an end to her torment, odysseus doubts her

“and i’ve been waiting, waiting” - the tone shift of penelope screaming at him to lamenting how long she’s been waiting is heartbreaking; it’s quieter as she gets lost in the pain of her grief, her anger failing as she recalls the memories of her long years of solitude. odysseus tries to call her back with his gentle “penelope” - such a contrast to his own exhausted anger at being asked to destroy their marital bed now that he understands why she asked that of him - but she can’t hear him; she’s too trapped in the memories. he tries again, still gentle but more insistent, and this time she does hear him and her anger comes rushing back along with her grief. her “waiting, waiting,” becomes almost accusatory; she’s been alone for so long and it’s bc of him, bc he wasn’t there, bc he left her waiting

that abrupt “oh” at the end of the verse isn’t just a vocalisation; in that moment, she’s realising that she has realised that he truly is odysseus. she knew it was him before she even processed it. she wouldn’t be this angry if he were anyone else; love and grief and anger coalescing in one single divine moment where penelope finally believes her odysseus has returned to her

“for you” - she’s been waiting and waiting, years turning to dust, her sleepless nights and days spent living in fear and preemptive grief- and it was all for him. odysseus is actually here. which means her waiting is over

“how long has it been?”

“20 years”

“i- i love you”

[fishysaltine]

I think one of the many funny unexplored things in DAV is that humans have nothing to do with shit tbh. The Qun isn’t really involved, but where it is it’s still not related to Tevinter/humans. The main beef is elves and dwarves. The humans (including Rook, which arguably makes it funnier) have NOTHING to do with any of that. Going to do Harding quest as a human Rook, bringing Neve or Lucanis or Emmrich is peak comedy. They’re about to be crushed under a mountain, the way Harding’s talking like she’s about to ressurect the Titan’s RIGHT THERE and send the world of Thedas as known into more chaos and disarray…

Harding: The Elves stole everything from us! The Titan’s deserve their revenge!

Human Rook, along with their human companion, about to be crushed by rocks and angry titan crystals: [rapidly patting Harding’s shoulder] HEY! Hey hey hey hey hey Harddinggg

Harding: ??

Human Rook & companion: We don’t have anything to do with this PLEASE STOP TAKING IT OUT ON US

Poor humans in Thedas. Always wrapped up in some ancestral shit they have nothing to do with. They were just there knocking sticks together and making fire when Solas stole the blood from the Titans.

[poorly-drawn-mdzs]

Broken Roofs and Fixed Perspectives

[First] Prev <–-> Next

[alevolpe]

this might be the saddest panel I’ve ever drawn.

Drawing it made me seriously feel for poor Rei, she’s gone through what no kid should ever experience.

[tomurakii]

I kind of hate all the comparisons between kipperlily and like. Those fuckass "affirmative action fucks me over I wish I was [minority] so it would be easier" people because none of that. Is what she said. She said the bad kids already had more experience with adventuring before they got to augefort and it meant they had an advantage. Which is true. Yeah Riz was lower-class but his mum was a COP. Riz, Kristen and Fig had parents who were heroes (Sandra-Lynn is an active ranger, Kristen's parents are paladins, Sklonda is a rogue), Adaine's family was super rich and politically influential, Fabian had both. Gorgug's the only one who wasn't actively at an advantage [IN THE CONTEXT OF HAVING PRIOR KNOWLEDGE ABOUT HEROISM] and she didn't have shit to say about him. Kipperlily was the first person in her family to try heroism, the bad kids are largely legacy admissions.

Additionally to the people comparing it to the "anti-affirmative action" crowd: do you know what affirmative action is. The bad kids didn't receive special consideration on their admissions to aguefort or scholarships or additional financial support or extended assessment times or anything. How could she be mad about affirmative action if none of these people received affirmative action. What they DID have was knowledge about their classes that started much earlier than high school, which is what Kipperlily said in her file that she thought grading should be adjusted for because she did not have that.

To me it's less like affirmative action and more like augefort is like an IQ test. They pretend that it's fair and objective, but you can be taught how to do those things from a younger age, and if your parents took the time to teach you pattern recognition and shit then you'll do better on an IQ test than someone who wasn't trained for it and everyone will act like that makes you innately smarter when it doesn't. It just means someone taught you how to do that earlier.

Barring Gorgug, every one of the bad kids had access to information about heroism and their class at a younger age than Kipperlily did, which primed them for success in their classes. Every one of them got additional information about mysteries from their families (and even direct battle-tactics training from Bill), Riz especially with getting classified info out of his mum. Kipperlily does not have hero relatives. She's the first in her family line to attend a hero school. She knew nothing about it before her first day, meanwhile Kristen was already the chosen of Helio, Adaine had already been attending the best wizard school in the country, Fabian had already spent his whole life training with his father, and Riz was already involved in solving mysteries using info and tactics he got from his parents.

They aren't necessarily "privileged" (except Fabian and Adaine), but Kipperlily didn't say they were, she said that in the specific context of attending a hero school they had a prior-knowledge advantage. Saying they didn't is like comparing the grades of a kid who's academic career started with preschool with a kid who didn't attend until middle school and acting like one of them wasn't better prepared.

[thelesbianluthor]

Getting into bridgerton late means finding out people's rancid takes on my beautiful woman Kate 2 years later and being left baffled and peeved. The way people miss the point of her character completely and dismiss everything she has done and sacrificed makes me want to scream.

And if that's not the unfortunate fate of many female characters.. the amount of people that cannot handle complexity and mistakes if done by women even when they mirror beloved male characters...

Mistakes are part of what makes a character interesting, their baggage that held them back and then their growth after finally learning to let it go. If you dislike Kathani viscountess Bridgerton than you better stay away from me because I will let Anthony Bridgerton's spirit posses me and I WILL fight you for her honor

[dollopheadsandclotpoles]

Aight let's hear the thoughts on the difference between wicked the film and play lol 🙈 I saw the tags and I'm intrigued

Ok so disclaimer, it has been a long time since I watched the play or any of the bootlegs so I might be forgetting some details, but I did used to watch the bootlegs all the time and saw the play when I was in the US, and Wicked was even my foray into writing fanfiction so it's always had a very special place in my heart.

I will say to start that I really loved the movie and thought it was incredibly fun. I love that they adapted it in a way that embraced the spectacle potential of the stage play, and while there are obviously going to be some things I prefer from the stage play (as a long time fan of it), I still think it was an incredibly well done adaptation.

The one biggest difference though, I felt, was in the portrayal of Elphaba. Initially I couldn't really put my finger on what felt off about it aside from the fact that they had her crying a lot more than I remember. But after discussing the movie with some friends who had never seen the play, one girl said that she felt Elphaba's turn-around into risking it all for the Animals felt too sudden. That was kinda when it struck me — she wasn't as angry as she was in the original.

In the play, Elphaba is incredibly angry by the injustice of being treated like she's an outsider just for the way she looks, and when she sees the Animals being treated the same way, she feels an immediate kinship with them. The Elphaba of the play is angry yet resigned (her 'I'm Not That Girl' is more of a resigned 'this was bound to happen' vs. the sad realisation moment the movie made it out to be). She's sarcastic, she's loud. She first greets Fiyero by shouting at him and whacking him on the head with a book. She is hurt and sad also (of course) but it is buried so deep that it is only Glinda that actually sees it, making the Ozdust dance moment the impactful moment that it is.

I then came across a discussion on Reddit where someone was saying a similar thing — that Elphaba wasn't as angry as she was in the play. But someone else responded with the fact that 'it would have been hard to watch a 3 hour movie of someone being so angry.' Another commenter bemoaned the fact that they mellowed both the main characters down because they didn't want 'two unlikeable female leads.' And that kinda got me thinking about how they likely 'softened' her to make her more 'likeable' and that kinda felt off to me... because that kinda goes against the point? The female rage is a point of the story that struck a chord with me. It is a story that allows it's lead to be angry, JUSTIFIES it. There are angry men who have led countless movies and shows and who are celebrated and fawned over and embraced, but having an angry young woman in a lead role is risky? I never found Elphaba unlikeable and clearly neither did most of the other people who saw the play (would it be the success it was if they did?) but now that it's reaching a wider audience were they afraid making her too 'angry' would make fewer people root for her? I do think classifying Elphaba as an 'angry' character is a disservice to the nuanced nature of the character, but I did feel like the movie highlighted the sad/hurt aspects of her character more than they did the side that is angry at injustice, but still strangely idealistic and resigned, still believing till the very end that there is an easy solution and the Wizard can just 'fix' everything that's wrong. And so while I do love the adaptation, I feel a bit cheated that they gave us a version of Elphaba with some of her more sharpened edges sanded off, so to speak. I also think the reason her 'turn around' felt too abrupt was because we don't get to see her anger. If you don't see how angry she feels at the world, you don't understand how close to the surface this outburst was, just waiting to bubble out of her. You don't get to see why it was so easy to paint her as a 'Wicked Witch' for a moment of passion when she's been treated like crap her whole life and had to hide behind his anger in order to survive. You don't truly understand why she was willing to risk it all for the Animals because you don't understand how this is her moment of finally deciding to let her rage free and USE it to make the stand she's been wanting to make her whole life.

I still feel it was a brilliant adaptation, I just felt like I missed that aspect of it a lot and it made her character feel a little less nuanced to me. But I could be forgetting certain details, or remembering wrong, or just be plain off — happy to listen to opposing viewpoints.

[wistfulwatcher]

2.08 IT CHOOSES | 1.03 THE DOLLHOUSE

[multi-lefaiye]

nine lines, nine people tag

hehehehe :3 i was tagged by both the lovely @void-botanist and @vacantgodling! and i was so excited to share more gelf/heat wip content.

have some kylan thoughts,,,,,

cw: references to emotional abuse from a parent and fantasy racism/xenophobia.

There’s a fluidity to Rian’s movements that speaks to years of training, to being handed a sword and taught to fight practically from birth. He’s a soldier in every sense of the word, that much is plain to see. A champion in a clan of warriors. As Kylan watches him, he feels an ugly, twisting pang in his stomach that he recognizes as envy for the briefest moment. But just as quickly as it comes bubbling up in the back of his throat, he swallows his jealousy down, his ears pinning back as he averts his gaze. Still, it continues churning inside him, a festering whirlpool of anger he’s never allowed himself to feel. This is a son that Mera would be proud of, he thinks to himself, taken aback by the bitterness the thought brings. The Spritons may not be proud fighters the way the Stonewoods are, but they produce many fine warriors. And Kylan has always, always, fallen short of the expectations placed on him in that regard. It was rare that Mera ever said so directly, especially to him, but he knew that he wasn’t what she wanted him to be. The half-born son of two warrior clans, too soft and weak to even hold a sword without trembling. It sounds like a bad joke, but Kylan can’t quite find the humor in it.

this is a bit more than nine lines, but idc-

tagging, with no pressure to any of y'all <3: @corvus-rose @skitzo-kero @anexor @paradoxspir1t @albatris @transmasc-wizard @northwyrm @vacantgodling @void-botanist (tagging y'all again because i'm greedy and want more writing /silly)

edit: also tagging my bestie @potatolordofficial bc i CAN!!!

AND YOUUUU DEAR READER. consider this an open tag :3

[sometinybees]

I'm going to scream at some arcane season 2 takes I've seen on TikTok the purity mindset is a curse

Like NO ONE is a morally perfect/good person in this show!!!!! They've all made awful decisions that have hurt people!!!!! That's the point!!! And it's okay and so very normal to like a character even if they've done some really bad shit. The amount of "man they want me to like THAT person after what they did?" Type takes are making me want to pull my hair out like YES! BECAUSE THEY ARE INTERESTING AND NUANCED CHARACTERS YOU CAN BOTH ENJOY WATCHING THEM AND ALSO KNOW WHAT THEY'RE DOING IS FUCKED!!!!!! WHY IS THIS SO HARD

[mingot-studios]

Why do people think Nanami purposfully killed the kitten??

Like, did you see her reaction when it went over the waterfall?

That is NOT the reaction of someone who killed something on purpose.

She was very young in these scenes and clearly didn't grasp the gravity of what she was doing or what would happen after she did it until she saw the consequences too little too late!

SHe was an angry child who had not thought her plan through and clearly, she felt regret for what she did

She's crying and begging her brother to forgive her!

How does one come away from this episode and think she truly wanted to hurt that kitten?!

Noralities, I'm talking to you!