#he’s as miserable as I am

[billythephoneguy]

How Miserable.

[mellosghosts]

in my heart this joke is in the movie, but unfortunately im afraid only we, hughjackmaniacs, would get it 🥀

[wolfythewitch]

hello sailor

[thethoriumreactor]

human alastor

(With a bonus baby al)

(Ignore whatever tf I did with the microphones idk how they work I’m sorry)

[spaghettiplaysguitar]

(ryunosuke voice) people often ask, how do you persist when times are tough?? well……… its quite shrimple really!!!

[poorly-drawn-mdzs]

I've never been more normal in my life.

[First] Prev <–-> Next

[solacestea]

[bunnieswithknives]

Creepy old guy

[vaguely-concerned]

lucanis' most attractive quality is that he's an effortless 'yes, and -- 'er. he and davrin especially 'yes, and -- ' each other constantly, even at the death threat stage, culminating in the 'first talon first warden' grotesquery (affectionate) as its most potent form once they're over that. few things are as charming to me as a willingness to bond over the bit and boy. when you're making weak jokes while facing down an archdemon lucanis will stand next to you and go 'she didn't want to talk, rook!!' like he was born to do nothing else. and that's part of why I love him

freaked out broken grieving, a wreck of his former self, come hell or high water. within five minutes he will say something that startles me into laughing so hard I have to put the game on pause for a while. only purple hawke can equal him in this regard

the darker side of this is that it is also how he communicates with illario but in a way where they lob resentment and self-loathing disguised as levity back and forth without ever really touching it or bringing it into the light, never leaving space for air to get in to stop the wounds from festering. I think it might have been less like that once upon a time -- just the playful bonding part, the mutual back and forth game of it, and not the wounding, since lucanis keeps doing it with others without that layer to it. sort of like intuiting where a river of love once ran by the evidence it left behind in the landscape, before something slowly dried up and left some toxic sludge behind along the floors of the river valleys

[pancakeke]

"can you pet the dog" was not created as a metric to determine the extent a player can interact with the world around them. but if we had something for that I think it would be funny to use "can you start a fire by putting something weird in the microwave"

[0bsequi0us]

Men I think you should be allowed to pick up and stuff in a locker. Men I think you should be allowed to swirlie

[lesbian-thesbian]

absolute shenanigans

🎥 @medium-observation 

[asexualenjolras]

This is an appreciation post for Adam Colbeck-Dunn's Grantaire (24/25 West End cast) and his PANIC ATTACK AND BREAKDOWN during the barricades.

His Grantaire is so wide-eyed during Red & Black, he's so smiley and he jumps around the stage like a lamb in spring. He tries desperately to get Enjolras' attention, and he watches him so intently. And then he loses that innocent, child-like smile the moment it's announced that Lamarque has died. He grabs hold of Gavroche and shields him away from the others with so much concern.

And then there's the barricades...

Not only does he breakdown after Drink With Me and push Enjolras' hug away, he openly sobs in Gavroche's arms before sliding down against the wall to calm down.

He, again, scoffs and pushes Enjolras away after Eponine dies, and sits on the bench beside Marius to comfort him (stroking his shoulder and telling him he's sorry).

And when the battle starts again, he situates himself on the bench and watches everything around him with so much disbelief and pain on his face. He sits there still until Gavroche runs across the barricade, and then he jumps up and SCREAMS "no" at the top of his lungs. He's reassured by Marius and he is so relieved when Gavroche is okay ... until he isn't. And then he visibly pales and carries Gavroche's body so gently to his resting place, and delicately lays him down on the floor.

AND THEN HE CURLS UP ON THE FLOOR BESIDE GAVROCHE IN A FETAL POSITION AND JUST SOBS AS THE FIGHT STARTS AGAIN. And stays there until Marius is shot, which is when he gets up and rushes over to him ... where Enjolras is too. When Enjolras hugs him, his posture visibly changes and he holds onto him with so much desperation, like he's refusing to let go. When Enjolras runs to the top of the barricade, Grantaire watches in despair from the side of the stage, pinned against the wall by his anxiety and fear.

As his friends start to die on the barricade, he's struggling to breathe and he's frozen in his spot, trying desperately to go and help his friends but so visibly conflicted. He's shaking and he's hitting himself because he thinks he is being a coward. He's having a full blown panic attack and breakdown as Les Amis fight ... and then he lets off the most painful scream and hits himself in the head because he's so frustrated at himself when Enjolras dies ... and this appears to be the push he needed, so he races up to the top of the barricade screaming "you bastards" really softly to go and die alongside the one person he loves more than anything.

I'm never going to get over it.

Adam Colbeck-Dunn is the most beautifully painful Grantaire I have ever, ever seen and I am never recovering from this portrayal.

[justgayrevolutionnaries]

Can we talk about how Joly had a very bad cold during the barricade part. And it's mentionned once and never again but he literally says "I will go to the barricade but not to the funeral because it's raining". He is like of course I will take part in a rebellion that may kill me but I draw the line at making my cold worse. And then he moves on and gossips about Marius.

Can we talk about how Joly probably had the worst two days of his life because he had a cold and he had to watch all his friends die and got NO sleep at all. And he was still going around to take care of the ones injured.

Can we talk about how Joly, the doctor and the hypocondriac, literally died with a cold.

[i-dreamed-i-had-a-son]

jon val jon or something

[bromcommie]

but genuinely I will never stop thinking about the museum scene. like it's upsetting in all the obvious setup-to-the-plot-twist ways, but more than that: the quietness of Steve’s presence vs. the booming grandiosity of the exhibit itself. The question of whether he had been previously (my guess would be yes) and if so, what a morbid, ghost-like ritual to perform just in order to cling to your memory, to remind yourself that it was real. What a blunt, reductive manifestation of not only everything you’ve lost, but the fact that your life and memory have become so entrenched a part of the public domain to the point that you’re viewed as about as much of a person as any one dusty item in that exhibit; the fact that you can’t access any of your world outside of yourself unless it’s through about a dozen second-hand, funhouse mirror narratives not only entirely co-opted by war but also tailored to fit a certain purpose. This one very public fucking horrific way to keep torturing yourself is one of your only remaining tethers to what you remember of your life. I mean. jesus christ steve