#he’s SO unhinged in this episode it’s incredible

[pathologicalreid]

“owen’s out there sorting it out with an assault rifle” will always go so hard

[saessenach]

it's time to get exceedingly emotional about the Sundering Seas theme on company time YET AGAIN.

[vintagetvstars]

Leonard Nimoy Vs. Avery Brooks

Propaganda

Leonard Nimoy - (Star Trek, Mission: Impossible) - actor, director, musician, writer, photographer and mensch whose hotness as spock CHANGED THE WORLD

Avery Brooks - (Star Trek: Deep Space Nine, Spenser: For Hire) - ben sisko absolute all time tv dilf and have you heard him SPEAK... the stage background absolutely shows and it truly makes him a standout in a legacy franchise *full* of incredibly talented people. also frankly top 3 all time sexy bald guy

- No Negative Propaganda Please -

Master Poll List | How to submit propaganda | What is vintage? (FAQ)

Additional propaganda below the cut

Leonard Nimoy:

This is the Spock website, come on

its leonard nimoy......

Avery Brooks:

Avery is a certified TV sci-fi hottie as Benjamin Sisko in Star Trek: Deep Space Nine. The first black star trek Captain, he also negotiated his signature look - the bald head and goatee - against haters who thought a Captain should always be clean-shaven. Thank God for that, because he looks devastatingly hot in a a goatee (a phrase never before uttered). He went on to direct several episodes of DS9, use his pleasant voice to record music and multiple host documentaries, and mostly retire from acting to teach as a professor.

TW: Flashing Lights

with that wonderful stentorian baritone voice he could move from intimidating commander to gentle and compassionate space dad...benjamin sisko is a man of many qualities, thoughtful, morally complex, understatedly hilarious, a lil unhinged, really really excited about baseball, and avery brooks never fails to breathe life, depth and dimension into the character and also did i mention his voice. fun fact he was a professor of theater arts at rutgers while filming deep space nine and would occasionally teach classes via vhs tapes recorded on set, complete with starfleet uniform. he also directed a number of ds9 episodes including notable ones like "rejoined" and "far beyond the stars", and performed many of his own stunts as sisko. stunt coordinator dennis madalone said, "of all the stars that I've worked with on all the Star Treks, and all the other shows that I've been on other than Star Trek, I've never seen an actor so physically capable of just doing everything...every time I'd bring in a stunt double, he'd be angry, sitting on a bench, because Avery was doing so great." he's also a distinguished stage actor and an accomplished musician and singer who's performed everything from jazz to opera. science has yet to discover whether there's anything this man can't do.

[hamliet]

Derry Girls: A Masterclass in Detailed, Thematic Writing

Several years after the end, I finally watched Derry Girls, and it's become one of my favorite shows. Not only for the way it captures the absolutely unhinged aspects of Irish families (askmehowiknow) but for the sheer writing skill.

The vast majority of the episodes are laugh-out-loud hilarious, while also offering insightful commentary on the Troubles and on humanity's foibles as a whole. The characters are allowed to be human and act in unlikable, unsanitized ways, and to still be human and come back from that. (Almost like a metaphor for the Troubles or something.)

The story is also incredibly detailed; for example, when the girls are accused of killing a nun and Erin points out the nun was like, 98 years old and askes "might that shed some light on the situation?" there's an hourglass behind Sister Michael--emphasizing the idea that her time was up. Even more than that... the window is behind the hourglass, literally shining a light on it.

But that's a micro level. On a macro level, I also appreciated the way the story discusses the political backdrop that is part of its premise. Even as Erin, Michelle, James, Clare, and Orla grow up in a place that's been in a state of low-level warfare for decades, they live full lives. In fact, that's kinda the point.

Case in point: episode 4 of the first season, wherein Erin gets an exchange student from Chernobyl. The way the Northern Irish in general treat the Ukrainians is hilariously awful and patronizing, believing that they are giving them a respite from the troubles "over there" while Northern Ireland isn't in a much better state. But, as Sister Michael assures the Ukrainian students, the Irish troubles don't matter because "we're the goodies."

This line gets to the heart of what the episode is saying about political divisions and the way people view an "other." Everyone sees themselves as the "goodies." Because of that, they don't self-examine and wind up hurting the people they see themselves as wanting to help/save with their ignorance. It's a paradoxical egotistical (and frankly teenage) worldview that is also unwilling to look critically at oneself. The focus on their own perceptions over focusing on the actual humanity of the other results in ruining gifts that could come with cross-culture interaction, as seen in how Erin's misunderstandings and petty jealousy of Katya leads to her literally ruining a surprise gift Katya had prepared.

And the end of the episode also comments thematically on the story. One of the Ukrainian boys turns out not to be Ukrainian after all--he's actually Irish and from just down the road. He just didn't know how to say that. The ironic message is clear: despite differences in culture and views, they are actually all human beings, and assumptions make it hard for people to speak. If they could actually talk openly and without presumptions about who is "good" and who is "bad," they could prevent and solve a lot of problems.

This kind of background, symbolic commentary on the Troubles continues in just about every episode of the series. For example, even after the ceasefire, season 3 has an episode where it's discussed how negotiations are stalling, and the entirely of the rest of the episode takes place on a train that stalls between two separate places.

The Troubles are always something affecting their lives, but the only time the Troubles ever become the main story is in the finale episode. Which is also an episode that makes everyone cry. Michelle's brother is finally mentioned for the first time the entire series, yet it doesn't feel like a retcon so much as a recontextualization, and again mirrors how a lot of society (and Michelle's own family) have treated those who murdered others during the conflict.

Erin and James' relationship also works as a metaphor for the Troubles--an Irish Catholic girl and an English boy. Earlier in season 3, after they finally kiss, they're told they can't be together, that it's wrong, and that it'll create problems for everyone around them. Michelle doesn't want things to change. And Erin agrees that it's not good to pursue something.

But, in the final scenes, as Erin prepares to vote in the Good Friday Agreement and talks to James, she directly states she thinks things can't stay the same forever--thereby countering what she said to reject James earlier:

There's a part of me that wishes everything could just stay the same. That we could all just stay like this forever. There's a part of me that doesn't really want to grow up. I'm not sure I'm ready for it. I'm not sure I'm ready for the world. But things can't stay the same, and they shouldn't. No matter how scary it is, we have to move on, and we have to grow up, because things... well, they might just change for the better. So we have to be brave. And if our dreams get broken along the way... we have to make new ones from the pieces.

Symbolically, also, given that we know the outcome of the Good Friday Agreement, I think it's pretty clear Erin and James end up together even if we're not directly shown it.

That the last shot of the episode (besides the funny epilogue) is Grandda Joe, one of the eldest characters, helping his youngest toddler granddaughter Anna leap over a threshold as they leave the voting station, is also incredibly clear in its symbolism.

Erin: People died. Innocent people died, Grandda. They were someone's mother, father, daughter, son. Nothing can ever make that okay. And the people who took those lives, they're just gonna walk free? What if we do it, and it's all for nothing? What if we vote yes and it doesn't even work? Grandda Joe: And what if it does? What if no one else has to die? What if this all becomes a--a ghost story you'll tell your wee-un's some day? A ghost story they'll hardly believe?

I dunno, I think this is a sentiment we need more of in the world. A peaceful future means taking risks and accepting that punitive justice will not be perfectly doled out; however, if you allow more people to be hurt, is that not also injustice? It's a paradox that the story leaves us without a dogmatic answer to (for example, we never find out if Michelle's brother gets released), but it's also hopeful--because we know that the Good Friday Agreement largely worked.

(For further analysis of the final scene, I recommend PillarofGarbage's analysis on YouTube!)

[whore4gwen]

Re8 Women dating HCs

Contains: Lady Dimitrescu, Donna Benevento, & Mother Miranda

WLW

———————————————————————

Tags: Light talks of manipulation, narcissism, and sadism, mental health issues, fluff, angst if you squint hard enough, possessiveness, slightly unhinged behavior, MY personal head cannons, very slight suggestiveness, Mirandas fucking God complex, isolation, religious elements, cuddling, poor perception of love, & tax evasion.

A/N: Im working on sm things rn it’s not even funny. Despite that, I desperately wanted to post something, so here’s some of my hc. No these are not all my hcs, these are just some of the REALISTIC ones I have. These are based on my own personal perception of these fictional characters. You are welcome to disagree with anything I write, but you’re not welcome to harass me about it. Please keep negativity to yourselfs. Anyways, please enjoy!

———————————————————————

Alcina:

-It’s not that Lady Dimitrescu is incapable of loving another, I just think it’s the way she would love.

-Carnal, possessive, dangerous, a little crazed even. Nothing about the lady’s love is sensual or soft. She’s powerful, domineering, and boy does she relish in it. Of course she’s aware of all the things she could do, all the things you’d let her do. So willing, so compliant, so easy to control.

-Alcina is a narcissist through and through. You will bend to her will, to her every need. You’re hers, after all. (We still love you thou)

-I feel like her love is very incessant, very smothering for lack of better words. She’s not exactly clingy, but she needs you around, she needs to feel your presence.

-Always, and I mean always watching you. Nothing you do will go past her. She needs to know exactly where you are and what you’re doing at all times.

-A bit emotionally manipulative. Of course she doesn’t see it that way, she just wants everything to go her way. What’s so wrong with that?

-I think for the most part she’s a little self aware about her flaws and what not, but I wouldn’t say this with 100% certainty. A big part of her doesn’t really see a problem with the way she is. It’s absolutely normal.

-But to be fair, it’s not like anyone would call her out.. so🤷🏻‍♀️

-Pet names pet names pet names. Alcina absolutely adores them. She only really uses your names unless she’s really pissed. In that case, run.

Donna:

-Shy. So incredibly so that you don’t hear her voice till weeks after working for her. And the way your jaw fell to the ground when you heard it had Angie belly laughing on the ground. If it wasn’t for her, you thought maybe you were hearing things.

-Forgets to eat often. She gets so preoccupied with her dolls, she doesn’t always take the best care of herself. So make sure you remind her to eat:(

-It’ll take AGES to get Donna there, but when you do, she is nothing short of the wait. Very passionate, and a little unhinged.

-Like Alcina, she’s a bit possessive.

-She finally found someone she was comfortable with showing her scare, you’re not going anywhere. You belong to her and that’s final. You’re literally stuck, so get comfortable.

-Values your opinion over everything. Her cooking, her sewing skills, her Garden. Donna swoons at praise. A light pink dusting her cheeks any time you compliment her, no matter how minor.

-Poor Donna has been alone for quite some time now. Touch starved as well as touch repulsed. Have fun with that :)

- Canonically, Donna has really bad mental health issues, which causes her to lash out and make rash decisions. She’s not abusive by any means, just a lot to handle.

-She gets into her own head a lot. Constantly convincing herself none of this is real. That one day she’ll wake up and you’ll be gone.

-I know she has manic episodes. Cannot convince me otherwise. Before you, they were almost unmanageable. Your first experience dealing with Donna during one terrified you. You were so worried about Donna, you had no idea what was happening.

-You tried desperately to comfort her. Unfortunately the voices were stronger than your weak attempts.

-After a while, she finally calmed down and explained that catastrophe as best as she could without scaring you off.

-At first Donna didn’t really understand the purpose of cuddling. It’s not that she didn’t want to, she was just truly confused. After having the significance of cuddling explained to her, she fell in love with it.

-Unironically, she’s the big spoon. She loves holding you, making sure you’re safe in her arms. Now, it’s the only way she can fall asleep.

Miranda:

-This bitch is so crazy.

-All shits and giggles aside, this woman is absolutely sadistic.

-Mind games are inevitable. Especially if she’s truly in love with you, in her dark and twisted way.

-Possessive asf.

-Did I already say possessive?

-Miranda is definitely stingy and will isolate you from your friends/family. Why do you need them when you have her? She’s your Goddess, she’s all you need. Never mind everyone else.

-Definitely the type to tell you to take a nap if you ever say you’re tired of her shit.

-You’re not going anywhere. Nice try, but no.

-I know this is obvious, but her God complex is really top tier. I mean seriously.

-Absolutely loves being worshipped, and not just in the bedroom, if you know what I mean. She wants to be put first, she wants to be your number one priority, your Goddess, your everything.

-She will find a way to incorporate her status & power in everything she does.

-She loves you, but you must always remember your place, under her. Figuratively and literally.

-Despite her cut off personality, she’s definitely a cuddlier. Especially after a long day of failed experiments and aggravating meetings.

-Like Donna, Miranda has been alone for almost a century. She’s so damn touch starved yet also incredibly touch repulsed at the same time. Have fun coping.

-Of course she threatened you if you ever told anyone thou. I mean can you imagine THE Mother Miranda being spooned? Imagine what the public would say.

-Fucking tax evader.

-After she gets Eva back, successfully, she lessens up, but only a bit. Like Alcina, she is the way she is and she doesn’t really see the problem with it.

I want all three of them so badly.

[gffa]

I think you could examine a lot of the writing for Sol in the finale of The Acolyte, where there's a very fair point that he's letting his emotions get the better of him, that a huge point is that his attachment to Osha (and it has truly become attachment at this point, not just love, but what the Jedi and Star Wars mean by attachment, the fear of living without someone because you are afraid of it) is making him act recklessly again, but also it's just so... clunky and so fast. LJJ is doing what he can with the material, but it's so telling that he's not allowed to actually explain why he killed Mother Aniseya, that it appeared that she was threatening the little girl that they were trying to protect. He's not allowed to explain because then Osha's reaction would look even more wildly 0 to 500mph. And it's the same for why he's trying to bring Mae in, like what will proving there was a vergence in the Force even do? Sure, it's of interest because it's incredibly powerful and potentially dangerous and should at least be checked out, that Sol thinks Osha and Mae are the same person in two bodies, but why does he care about proving that? What's that going to change at this point? How does that connect to his actions on Brendok, beyond "I had a reason to be suspicious"? That's already established! A vergence doesn't change that? But if he's not desperate to prove that, then his actions in the episode don't have a reason, they're just there because the show needs him to be going off the rails for Reasons. It's further reflected in just how unhinged he feels in this episode, like I get that we're meant to see Sol as someone who never dealt with the guilt of what happened, he kept it as a festering wound, and for a space psychic wizard, that is so much more dangerous than it is for non-space psychics, and I can agree, but also as a story, it just feels like he went from 0 to 500mph on the unhinged screaming Mae's name as he chased her down, that it all flipped on a dime, and I just don't get the impression that we're supposed to see him as having a Mask Off moment, especially given how he forgives Osha as she kills him and says it's okay while she's still choking him. Part of the problem is that only 8 episodes that aren't even 40 minutes long each means there's not enough room for what they want, but also part of it is just that the writing is not strong enough to convey what it wants and Sol's character pays the price for that, so he just feels weirdly out of character by the end for me.

[sexiestpodcastcharacter]

Sexiest Podcast Character — Unscripted Bracket — Round 4

Propaganda

Glenn Close (Dungeons & Daddies):

#Propaganda for Glenn Close: one of the other PCs mentions multiple times how hot he is #Actually several characters point it out but especially Henry #Also the only person in a podcast that has to put a disclaimer about not being a BDSM podcast to have had sex during the course of the show

We didn’t do hot Glenn summer for him to LOSE. Spoilers for his story but MORE PROPAGANDA FOR YOU:

Young hot rocker dilf

Loyal to his dead wife <3

Does in fact smoke weed

BARD!! HES A BARD. HE WAS LEAD GUITAR IN HIS BAND (that he was kicked out of)

His band was a Christmas cover band btw.

Literally the fandom had hot Glenn summer which consisted of drawing him being incredibly hot and sexy

Anti government (ofc)

Kind of cringefail (Disney adult) (was on dilfs of disneyland)

Young and sexy not your style? Then how about HIM AFTER YEARS LOCKED IN A TIME PRISON WITH A DAMN HANNIBAL MASK ??

Lost an eye and wears a fucking eyepatch

One incredibly buff arm

Has a pet rat named after his son <3

Immeasurable amounts of trauma in this man- becomes progressively more unhinged

OH OLD HUMAN BARD ISNT CUTTING IT? FINE

HE BECOMES A FUCKING DEMON

A COOL HOT ONE-EYED DEMON WHO WANTS TO KILL HIS DAD (also sexy)

HE CANONICALLY ENDS CHRISTIAN HELL VIA CHRISTMAS

IS ALSO WAY OVERLEVELED

Becomes a demon hunter for the rest of his existence

Also nonwhite !!! We are done with cringefail whiteboys !!!!!!!!!

I can’t put into words ok just know he is the best plz love him.

Listen, I don't know this other character but I've seem some good arguments for her However Consider Glenn Close winning through no effort of his own in a bullshit way despite being a dick is the most in character thing ever. He leveled up three times and got a crab mech, we GOT to give him this win, it's fitting

I don’t regulate if minors follow me or not bc I’m a pretty chill space but I hope the world is aware that’s the only reason I haven’t been downright nasty about Glenn close. I’m down bad. I’m NOT in the boat of ‘Glenn isn’t sexy but I want him to win bc it’s my fandom’. I would estimate I have 200+ drawings of Glenn on my phone that AREN’T safe for work. Way more that are. Where did they come from? That’s MY business. But I tell you this fact to assure you- Glenn IS sexy. I’m not voting to represent my fandom I’m voting out of TRUTH AND LOVE. IF YOU DON’T GET IT YOU DON’T GET IT!!! I just think my level of feral over this man is more powerful than y’all realize. If you don’t get his sex appeal that’s okay, but don’t doubt that this is my truth.

Okay but Glenn made a minivan cum by talking to her so

HE HAS A BOOK THAT HE MARKS X’S AND CHECKS FOR EVERY DAY TO SEE IF THAT DAY WAS A SUCCESS OR NOT. TO SEE IF HE DID GOOD THAT DAY. ITS ALMOST ENTIRELY X’S. HE WAS CUCKED OUT OF A SON. AND A DEAD WIFE. HE DIDN’T EVEN GET TO KILL HIS DAD IN REVENGE. There’s absolutely nothing going for him except his sex appeal in his life. Nobody he loved remembers him. He lost his eye. All he has is a pet rat and friends who admit they don’t really like him that much. He was kicked out of his own band. The band was named after him. He was kicked out of the Glenn Close trio. All he could do was deez nuts the big bad and be sexy. If nothing else, then pity him. Look in his eyes. Look at his heart and soul. Do you think pickman needs this to feel good about herself? Can she not accept a loss for the sake of a pathetic father? Can she shake hands with the minivan fucker and his human gun and just take the L on this one? He did not do the BDSM episode for this I’ll tell you what. Do this for my his sake. Do it for Nick Jr, who needs the prize money to pay for his rat snacks. Do it for his son. For Morgan. Ganbatte.

Mod Note: While I will still take "bad dads are sexy" propaganda and "bad dads aren't sexy" anti-propaganda, I kindly request no more discussion on whether or not he was a bad father. This is a sexypoll, not a parentingpoll. If you see a post you strongly disagree with, you can just not reblog it.

Mod Note 2: This tournament is about fictional podcast characters. Please do not vote for the real actress Glenn Close.

Lup (The Adventure Zone: Balance):

Is somehow the hot twin between her and Taako

Lup Bluejeans (née... Taaco? Tacco? Taco? Tako? who tf knows this is why I'm going with her husband's last name. doylistly she gets her last name from her brother whose last name is given as "Taako again but spelled differently"): Hot, funny, smart and undead. Is there anything else you could want in a woman?? Well, in case there is: she's also canonically trans

LUP IS THE HOTTEST. VOTE LUP.

[actual-changeling]

i think this shot from episode 1 is criminally underrated. the comedic cut to michael and the alarm ringing in heaven is incredibly funny but it also distracts from it a lot. this is about to be some more unhinged rambling that probably wildly overestimates the meaning this scene holds but it's fun so here we go.

the first thing i find interesting is that the way aziraphale suggests it, it sounds like this is not the first time they have done half a miracle each. not with these stakes and with someone in the middle, but potentially as part of their arrangement or to hide the two of them from their respective head offices.

secondly, although aziraphale is the one to suggest it, it's crowley who checks if it took, which falls in line with the protector role he likes to take (and his probably unhealthy, trauma-based paranoia).

thirdly, and what i find incredibly intriguing, is the fact that the entire thing happens on the circle rug, which covers aziraphale's chalk/summoning circle. i do not think that positioning is accidental, and i still subscribe to the idea that part of why the miracle is visible from heaven (and as far as we know, hell does NOT notice on their own) is due to the fact that the circle + gabriel broadcast it like a signal. a signal that goes only up since the circle is only intended for communicate with heaven.

tying back to point two, there's just something incredibly symbolic about crowley being the one to quite literally reach up towards heaven and i can't help but be reminded of the scene in season 1 where he talks to god.

the angle is similar, a shot from above with crowley right at the center, and him looking up. the first scene is honestly quite heartbreaking and he does not get any answer from god, as expected. while he attempts to talk to god, it is aziraphale who actually, if accidentally, goes to heaven. he does not get any answers either, but he is still 'above' crowley and can get closer to god (at least in spirit), though i think ultimately this is me being clinically insane and probably does not hold any significance. it does for me though.

we also get the line "you shouldn't test them (humanity) to destruction", which is EXACTLY what happened with crowley and aziraphale.

crowley reached for heaven but it was aziraphale who actually went, and they got tested to destruction. now they need to put themselves and each other back together.

[piratecaptainscaptainpirates]

Today I rewatched all of season 2 with a friend who hadn't had the chance to see it, and it's really true that if the pacing seemed off to you as it aired, try watching it altogether. It flows so well when you're not spending a week in between episodes hyping up theories and over-analyzing throwaway lines.

The rewatch hammered home how lucky I feel to have this show! It's so good, friends. I'm so incredibly grateful we got this show.

Some of the little things that I didn't appreciate on first watch that I just adored on a rewatch:

How well Archie and Zheng Yi Sao are immediately integrated into our cast. They had limited time and their writing is really cleverly done to endear us to them immediately.

Every Buttons and Auntie interaction, absolute gold

Surprisingly (for me), Ed and Izzy's interactions in the first two eps. It's just so terminally unhinged. The way Izzy says he "has love" for Ed like he's ashamed of it, like how you have a sickness. "Do you think I wouldn't know the smell of my own rotting former first mate?" The way Ed handed Izzy a gun to try to get him to shoot Ed, but Izzy tried to shoot himself instead and was symbolically reborn. It's good shit.

The Gravy Basket scenes really rewards a rewatch. Try to pick up on clues something's up before Ed realizes, it's great fun.

The way Stede's devotion to Ed is immediately palpable.

Ed and Stede are so soft and cute for each other dear lord. just gets better and better.

The musical choices are top notch, especially in those first three episodes. The sound design in general is exceptional.

The way this show is shot, dear lord. There is so much care in every shot, it doesn't look like a basic TV show.

Every actor in this show is giving it their all. Rhys and Taika are phenomenal, of course, but Con is amazing, Matt Maher makes me love Black Pete more with every rewatch, David Fane is perfect, and Samba Schutte is so incredible. Roach doesn't have a lot this season but Samba gives every line 110%.

Such! A! Good! Show!! If you didn't like the pacing on first watch, take my word for it, try a rewatch.

[havoc-7]

I wasn’t a die-hard Tech Lives believer (more of a “I HOPE Tech Lives” believer) but the end of the show has me grieving hard all over again, so here’s my little ode to Tech based on things I’ve noticed about him from rewatching the show:

Tech LOVES his brothers, and he genuinely misses Crosshair. When he has his heart to heart with Omega in the ipsium cavern, the way that he mentions Crosshair—even though that wasn’t even really what they were discussing—shows how often Crosshair is on his mind, so much so that he can’t really talk about people leaving and changing without bringing him up. When they get the Plan 88 from Crosshair, Tech is vocal and insistent about doing whatever they can to bring Crosshair back—because “he is still our brother.”

Tech is incredibly moral. Not that he’s any more moral than I think generally TBB is, but he’s not afraid to speak up when he sees something that he disagrees with fundamentally. “The systematic termination of the Jedi is a big one for me.” “There’s a fundamental different between taking fire in battle and being used for target practice.” Even in just the first episode, we see how firm his opinions are, based on what he believes: that people are people, that HIS BROTHERS are people, that they deserve better, that there is such a thing as right and wrong.

Tech may be practical, but that doesn’t make him any less crazy than his brothers—in fact, I would argue he is one of the more unhinged members of the bad batch. His plans and ideas see everything factually, factoring in risk not as an emotional factor but as a numerical one. He knows their skills, and what they are capable of, and he pushes them to those capabilities, even if the resulting strategy is absolutely insane. The best part is, as insane as he may be, his brothers trust him, because, as Tech himself said, he is seldom wrong.

Tech has a beautiful sense of wonder and awe for the world around him. How many times do we see him go wide-eyed as he encounters something that absolutely fascinates him—even if that thing is a Zillo beast that just ate an entire Imperial crew.

Tech is INSANE. Not unhinged, like I said earlier, but skill-wise, ability-wise, he is an absolute powerhouse. I will forever be grateful to the writers of TBB who gave us a techy, intelligent character who is not your average scrawny computer guy that we get in action movies. You have to have a lot of guts to be the guy in your squad who turns your back on the fight to bend over a computer and hack into a file or break an encryption or alter the programming—already a delicate operation, but with the added risk of getting shot with your back turned. He frickin wields double blasters so that he can shoot more clankers more efficiently (if that’s not practical Tech, I don’t know what is). He DOESN’T WEAR LEG ARMOR SO THAT HE CAN CARRY HIS TOOLS WITH HIM INTO THE FIELD. In “Faster,” we see his hand inching towards his blaster, ready to defend and protect the second it’s necessary—and you know he would’ve beaten anyone to the draw. He fought a group of Imperial troopers!!! With a broken leg!!!!!

Tech was amazing, and I hate that he’s dead, that we never got to see him grow old, that he never saw Crosshair again. But WHAT A LIFE HE LIVED.

[aletterinthenameofsanity]

I think the thing that's fueling my Dead Boy Detectives fic series is that almost every major character has had some sort of interesting/unhinged interaction with every other main character. Like beyond the incredibly interesting/fleshed-out relationships between the main four detectives we have examples like:

1) Cat King and Monty forest interaction where the Cat King toys with Monty in order to both protect/play with Edwin

(Which, by the way, the Cat King knew about Monty before the forest scene when he shapeshifted into him by the lighthouse. So, like, did he know what Monty's secret identity was then and just straight up didn't say a word because he felt like it? Or did he figure it out later?)

2) Jenny straight up meeting Charles and Edwin only after being possessed by a demon and literal minutes before her shop gets blown up leading to the iconic "you were about to leave those boys forever now you're going to risk your life to save them" line

3) Jenny only meeting David to sing Belinda Carlisle/threaten him with a meat cleaver and get her SECOND near-death experience

4) Hell, on the meat cleaver POV: first and only time Niko meets the Cat King it's to threaten him with a meat cleaver and clock him for his interactions with Edwin (same goes for Crystal even though it's her second time meeting him)

5) Any scene Charles has one-on-one with Monty plus the bit on the sidewalk where Monty straight-up bypasses him for Edwin and Charles just goes "I was polite, wasn't I?" while the girls are clearing him away for Edwin and Monty to flirt

6) Night Nurse and Kashi. Everything about those interactions are *chef's kiss.*

7) Same goes for Night Nurse and Niko. Their dynamic is so fucking good and leads to the fantastic "reading comprehension" bit.

8) And from a more devastating/angsty POV, the scene with Esther and Monty in episode 5 where Monty feels more like a teenager than any other character in the cast. And as much as Esther is a camp queen in that scene, it's also terrifying because that iron cane is against Monty's chest and she literally ripped him apart episodes before that and she's going to kill him again next episode with that very cane and your brain is just bouncing between laughing at the "it's honestly nbd" line and going on red alert because get the fuck out of there, Monty, you're going to die at her hands-

[burr-ell]

#no literally like. why not just have it take place somewhere else. if you’re going to take all the steam out of the anger #and the desperation and the settling grief like #vex hunched over percy’s body . scanlan asking her to join the rest of them and she refuses to leave percy’s side (now. when it’s too late) #scanlan fucking. carving a crest into her forehead. keyleth weeping . #and like obviously they can’t do everything. i don’t expect them to #but even if they do have a group kill ‘this is for percy’ moment with ripley later it’s like. the energy is gone #part of what is so like. horrible and compelling about that moment is like. their grief is still being processed in its immediacy #and it is complete Vengeance that they are wreaking on ripley in percy’s name #not retribution because that would just be a shot between the eyes. #but like percy wanted for his family. every member of vm wants their pound of flesh #and that simply Cannot hit the same or similarly if they’ve buried him and sat by his coffin and slayed a dragon while saying ‘for percy’

Part of what makes that moment so compelling and enduring is that Vox Machina is enacting the very vengeance Percy explicitly let go of during that fight by forgiving her. They're turning all of Ripley's cruelty back on her and just straight up torturing her to death and Vex in particular gets two final quietly vicious shots, and then the battlefield goes quiet...and none of it mattered. Percy's still dead, he didn't make it through the fight when they know he should have. It's an incredibly bittersweet moment of hollow victory and it's a feeling shared among the entire team, because they're now realizing what Percy did—vengeance and catharsis don't bring back what you lost or make anything right.

And now? Even if they go chase her down, it won't hit the same. There isn't a quiet battlefield where two shadow archetypes met and neither made it out but one is grieved and loved and that makes all the difference. Instead Ripley gets to sail off and, I dunno, feel bad about herself? Get more unhinged? Ask herself how she managed to get punked by a 23-year-old twice? Why is it so damn important to keep her alive at this point, other than "well we blew our load on Thordak in episode 9 and the last three episodes have to have some tension (and we haven't really put in the work to make Raishan vs Keyleth compelling enough to carry the end of the season)"?

[vinylmango]

Flower Delivery (pt. 3)

(ex!Nicholas alexander chavez x ex!black!reader)

Requests:

no cause you’re most recent nicholas chavez fic ATE DOWNNN girl pls write another i beg. or literally just other nicholas chavez fics cause your writing is incredible!! - 🍒

And

I know you literally just posted flower delivery part 2 but I need part three! It’s sooooo good!!!! - anon

Description: Just when you think your life is back on track and you landed a new leading role, he’s thrust back into your life when you find out he’s in the show too. Now as you start filming, you aren’t really sure what you want anymore.

Warnings: obsessive behaviors (cont’d), he’s your scene partner…turned kinda lover (kissing only), Ryan Murphy jumpscare (yikes), mentions of episode 4 of grotesquerie (just one scene)

Word count: 2.9k words

Note: Sorry for the delay on part 3, work has been working lol, but I really appreciate all of the kindness and love everyone has been showing my posts/page <3 I ended up writing this four different times before I finally decided I liked it lol and I decided to make it longer to make up for my lack of content since I posted the last one.

Also I know the timeline is a little wonky in this in terms of Nicholas’ filming schedule for Monsters and Grotesquerie, so let’s just pretend he finished filming for Monsters completely before starting filming for Grotesquerie.

Thanks for the request 🍒 and anon!

part one part two

masterlist

You couldn’t believe it, it was almost too good to be true. There hadn’t been any surprise deliveries or week-night break-ins for the past six months. It was almost like he just disappeared for the past six months, and part of you was relieved since you no longer had to worry about his annoying and unhinged behavior; but another part of you secretly missed him, although you had been trying to convince yourself that it was only because you had gotten so used to his presence that now it was just…different.

Since the last time he had showed up at your place unannounced you had finished the project you had been working on and landed a new lead role in a brand new Ryan Murphy project, Grotesquerie.

Although you were well aware of the controversies surrounding the director, your new agency convinced you to take the role. It was so different from anything you had ever done before, and you had been wanting to try the horror genre. It was so new, in fact, that you hadn’t even had the opportunity to meet the rest of the cast since you hadn’t auditioned in the traditional way and Ryan himself had asked you to take the role.

You were up bright and early to be on set for the first day of filming for Grotesquerie. You arrived on set at 6:30 and headed straight to the hair and makeup trailer after briefly saying hello to Ryan, the production team, and the other writers that were on set. You still hadn’t seen your scene partners, assuming they were in hair and makeup as well.

You fell into a comfortable conversation with the hair stylist and makeup artist, telling them about your other project and how you were a fairly new actor.

“Girl, don’t talk down about yourself like that. Everyone starts somewhere.” The makeup artist, Darryl, told you squeezing your shoulder as Keisha, your hair stylist, nodded in the mirror.

“Thanks.” You smiled at the pair of them before you all turned when your trailer door opened. A woman with bright red hair and green eyes walking in with a small smile on her face.

“Hey Sue!” Darryl and Keisha smiled and waved at her.

“Hey D. Hi Keisha!” The middle aged woman smiled. “Hi (y/n), it’s great to meet you. I’m Sue. I’m just here to make sure your wardrobe is correct for the upcoming scene.” She explained as you nodded. “We had a slight change to the filming schedule to work around scheduling conflicts for some of our crew so we’ll be filming a little out of order today.”

“Oh ok. No worries.” You smiled. “What’s the change?”

“Our intimacy coordinator has to pick her son up from school early today so we have to get the scenes she’s involved with out of the way first.” She explained. “When you’re done with hair and makeup and have your wardrobe on then she’ll quickly meet with you to discuss the way it will be filmed.”

“Ok. Thanks for the heads up, Sue.” You smiled again, though Darryl and Keisha could tell you were becoming anxious when Sue left.

“Don’t be nervous, (Y/n). Sarah, our intimacy coordinator, is amazing.” Keisha reassured you.

“And I know this is obviously your job, but the actor is…hot.” Darryl added after a slight pause. You and Keisha laughed as he pretended to fan himself.

Hair and makeup finished shortly after that and you were dressed and ready to go after Keisha made sure that the habit you wore in the scene was placed correctly.

You exited the trailer as you noticed a dark haired woman with curly hair was talking to a tall, broad man, dressed in a jacket with a thick white towel wrapped around his waist…your scene partner. Darryl was right. At least from the back, the man was hot and muscular.

Your hands grew clammy as you walked up to them, Sarah smiling and waving you over. You wore a small smile as you approached. The smile was replaced with your jaw nearly dropping when the man who was to be your scene partner turned around causing you to almost stop in your tracks. “(Y/n) have you met Nicholas yet?” Sarah asked as you joined their conversation.

“Yeah. We’ve…uh…met before.” You said, fighting against the lump in your throat that was forming. Your mouth was so dry it felt like you might choke. You swallowed visibly as Nicholas smirked at you.

You glanced over his appearance. Although the jacket he was wearing was pretty loose around him and pretty much hid his upper body completely, you could still tell he was way more muscular than he had been when you saw him last.

“Great!” She smiled with a clap of her hands. “Let’s head inside and talk through the scene then.” You and Nicholas nodded as you followed her inside the filming location. “Alright so the way the scene currently lays this out is (Y/n) you’ll come from the doorway to sit in this chair, Nicholas you’ll come from the bathroom there and then walk over to the door, close it, and then stand in front of the chair. You’ll say your lines and then (y/n) you’ll stand and you’ll walk backwards until you get to here.” She stopped at the dresser that was sitting below the cross that was on the wall. “Nicholas you’ll lift (y/n) and put her down sitting on the dresser and then the scene will play out…any questions about that?” She asks as you both shake your heads no. “Alright. Anything either of you don’t feel comfortable doing?”

“I’m ok.” Nicholas said, though you could feel his eyes burning into the side of your face.

“I’m good.” You agreed, looking at Sarah instead.

“Great!” She smiled. “And the intimacy garments are ok? Do either of you want a different one?”

“This one is ok, thanks Sarah.” You told her as Nicholas agreed.

“It’s good, thanks Sarah.”

“Alright, great. Thank you guys. I’ll be behind the camera the whole time so if we need to do a few takes I’ll be here to help with anything. If you want to try something else at any time we can do that too.” She explained as you both nodded.

How did you always manage to get yourself into situations like these?

She excused herself, telling the pair of you that she was off to get the production team and Ryan to let them know you both were good to go. Nicholas turned to you, leaning against the wall with his arms crossed over his chest, and an almost wolfish grin on his face.

You had to admit that he did look really good. The way he was leaning allowed you to see his abs between the gap in the jacket since he hadn’t zipped it up. “You’re staring.”

“You’re the one smirking at me.” You redirected as he stood up off the wall and took a step closer to you.

“Like what you see?” His voice seemed deeper, huskier, as his dark eyes scanned over you before settling back on yours. He sent you a wink as Ryan and the production team followed by Sarah came back and Nicholas walked past you to his mark, handing his jacket to an assistant as you went into the hallway to wait for the scene to start.

“Action!” You heard the sound of the water shut off and you peaked your head into Father Charlie’s room before coming to stand in the doorway.

He glanced back before walking to stand a few paces in front of you next to the bed, the towel low on his hips and water droplets cascading down his chest. His hair was pushed back from his face and wet as if he really had just gotten out of the shower. “You were watching me. Earlier in the rec room.” He paused, watching your expression but you remained neutral. “Anything worth seeing?”

“It…It was…” you paused for a moment, letting out a breath. “An exhalation of God’s glory through physical prowess.”

“Yeah?” Nicholas sat on the bed, his face turned slightly down but his eyes raised to look over at you. A slow smile appeared on his face. That was not scripted, you knew that for sure. “It’s kinda become my side hustle.” He said after a second. Back to the script. He said his other lines as you continued to sit in the chair, back stiff against the back of the chair as your hands laid in your lap.

“They say…it’s a sin of the flesh, but, I say-“ he began to say as you cut him off with your lines.

“Do you not know that your bodies are temples of the Holy Spirit, which is in you? Therefore honor God with your bodies.” You responded softly as he nodded, breathing out a simple ‘Yes’.

He stood up from the bed and stopped to stand in front of you, your gaze following him. He smirked at you, something the camera didn’t catch, before dropping the expression and walking to the door and closing it. To say your heart was beating fast would’ve been an understatement.

“This is exactly what they’re talking about right now at the Vatican.” You zoned out for a moment after he started delivering his lines, walking to stand in front of you again. You zoned back in when you heard the end of his line “celibacy, for those in the cloth.”

He reached over to you as you sharply inhaled when his fingers played with the cross necklace you wore. That wasn’t scripted either. You could see that he enjoyed catching you off guard and no one was yelling cut because the extra touches made sense for your characters.

“That’s…That’s difficult to imagine.” Your voice caught and he smirked as you looked up at him and swallowed thickly. It was an honest mistake on your part, but Nicholas was eating it up. At moments it was hard to tell whether he was currently in the mindset of Father Charlie Mayhew or Nicholas Chavez.

He licked his lips, still holding onto the necklace, his voice lowering. “Is it really so difficult?” He said more but you zoned out again when his hand released your necklace and unbuttoned your vest. He was delivering his lines while standing to the side of you, bent down in your face, so your faces were only inches apart.

You dropped the newspaper in your hand as he continued unbuttoning your vest, slowly. You hadn’t meant to, but no one yelled cut again, so you assumed it was fine. “The church is dying, Mother Eva.” He said as you breathed out again, not breaking eye contact. You could see in his eyes that he was amused, he definitely was enjoying this scene.

He delivered more lines and bent in closer to you and you couldn’t help your instinctive reaction. Your lips parted as if you were preparing for him to kiss you, like he used to do. All of this was like a flashback to how it used to be, and yeah, he had been unhinged but there was no denying that he was incredibly passionate.

“They know that change must come.” He said softly, your nose touching his before he stepped back completely from you, this time standing directly in front of you. He looked down at you as you took the opportunity to look over his body before looking down at the towel like you were supposed to do. You followed the scene instructions and pulled the towel from around his waist, letting it fall to the floor with a soft thud. You looked back up slowly at his face, your lips slightly parted as you watched him.

“It is still a sin.” You said as he picked your hand up and kissed your hand and wrist. He walked you over to the dresser like the scene outlined.

“We are…and we always will be.” He backed you up into the dresser, your shoes hitting it causing it to bump against the wall.

“Sinners.” You finished, practically whispering as your eyes looked over his face as he picked you up onto the dresser, his hands running down your sides as he stood in between your legs and your lips practically touched.

“So fuck it.” You could feel the movement of his lips against yours as he spoke, pulling the vest from your arms as you pushed your chest into him to get the vest off. He began unbuttoning your shirt and pulled the edge off one shoulder as he began to kiss there, your hands going to his hair.

Someone behind the camera coughed and the loud “Cut!” pulled you both completely out of the scene. You let out a gasp as Nicholas pressed a lingering kiss to your neck before stepping back.

You blinked a few times, your hands holding onto the edge of the dresser, as you let out a breath. You didn’t miss the way Nicholas wore a smug expression, but your smile widened when you pointed down subtly.

Nicholas raised his shoulders in a shrug as he secured the towel back around his waist. “Let’s take 15 and run it again. Thanks Jerry for ruining that take!” Ryan called passive aggressively. Jerry, the man who coughed, looked as if he wanted the earth to swallow him up.

You slid off the dresser and walked to your trailer, not noticing the way Nicholas excused himself just after you, easily falling into step behind you.

You fell onto the couch with a huff, annoyed at yourself for being reminded of the past. You were over him, there was no way you were going to entertain him again. All he did was bring chaos into your life.

“He broke into your apartment, remember?” You whispered to yourself, eyes widening when your trailer door opened and in walked Nicholas, closing and locking the door behind him.

“I know you still feel the same way I do.” He started as you shook your head. He stepped closer to you, standing in front of you much like the scene you had just had.

“You’re wrong.” He shook his head, smiling at your stubbornness.

“I saw the way you were looking at me. You got into it. It wasn’t just acting.”

“Says the guy who just tried to give me an unscripted hickey.” You retorted defensively, standing up suddenly and poking him. He caught your hand, intertwining your fingers with his as he pulled you closer, leaning down so he was only a couple inches away from your lips.

“Tell me you don’t want this.” He whispered as you remained quiet. “Tell me you don’t want me to ki-“ He was cut off by your lips crashing into his. You weren’t even thinking at that point. He was intoxicating, everything about him was intoxicating and you knew that you should just stay away, but it was him. It was hard to make rational decisions when he was so close and his very presence cleared all of the rationality from your brain.

He pulled back after the heated kiss, a smirk on his face as he looked at you. “So I was right.” He remarked, there goes the cockiness.

“Oh my God, just shut up.” You rolled your eyes before he obliged and pulled you close, his hands traveling up and down your body as yours ran through his hair and held onto his shoulders and biceps. He broke the kiss again to plant kisses from your lips to your neck, his teeth scraping against the sensitive skin on your neck, surely leaving a mark that you weren’t sure how you would explain.

“We shouldn’t be doing this.” You said, but you didn’t pull away from him. “The camera is going to see all of the marks you're leaving and we won’t be able to explain it away.”

“We’re filming a sex scene. It’ll be fine.” He decided as your nails ran down his arms, careful of the makeup and special effects on his back.

He groaned against your lips when a loud knock at the trailer door interrupted your activities. “They’re ready for you on set. Hair and makeup is just going to do some touch ups before we shoot again.” An assistant called as you placed a hand on his chest and stepped back.

“See you on set.” You said before stepping out of the trailer and walking over towards where Keisha and Darryl were waiting to do touch ups.

“(Y/n), why is your makeup so messed up around your mouth? Y'all didn’t even shoot a kiss yet.”

Let me know what else you’d like to see or share any ideas you might have!

[vintagetvstars]

Avery Brooks Vs. Michael O’Hare

Propaganda

Avery Brooks - (Star Trek: Deep Space Nine, Spenser: For Hire) - ben sisko absolute all time tv dilf and have you heard him SPEAK... the stage background absolutely shows and it truly makes him a standout in a legacy franchise *full* of incredibly talented people. also frankly top 3 all time sexy bald guy

Michael O’Hare - (Babylon 5) - This is the man responsible for making me A) Fall in love with men (respectfully) and B) was the first person to play a human in sci-fi that I actually liked!

Master Poll List | How to submit propaganda | What is vintage? (FAQ)

Additional propaganda below the cut

Avery Brooks:

Avery is a certified TV sci-fi hottie as Benjamin Sisko in Star Trek: Deep Space Nine. The first black star trek Captain, he also negotiated his signature look - the bald head and goatee - against haters who thought a Captain should always be clean-shaven. Thank God for that, because he looks devastatingly hot in a a goatee (a phrase never before uttered). He went on to direct several episodes of DS9, use his pleasant voice to record music and multiple host documentaries, and mostly retire from acting to teach as a professor.

TW: Flashing

with that wonderful stentorian baritone voice he could move from intimidating commander to gentle and compassionate space dad...benjamin sisko is a man of many qualities, thoughtful, morally complex, understatedly hilarious, a lil unhinged, really really excited about baseball, and avery brooks never fails to breathe life, depth and dimension into the character and also did i mention his voice. fun fact he was a professor of theater arts at rutgers while filming deep space nine and would occasionally teach classes via vhs tapes recorded on set, complete with starfleet uniform. he also directed a number of ds9 episodes including notable ones like "rejoined" and "far beyond the stars", and performed many of his own stunts as sisko. stunt coordinator dennis madalone said, "of all the stars that I've worked with on all the Star Treks, and all the other shows that I've been on other than Star Trek, I've never seen an actor so physically capable of just doing everything...every time I'd bring in a stunt double, he'd be angry, sitting on a bench, because Avery was doing so great." he's also a distinguished stage actor and an accomplished musician and singer who's performed everything from jazz to opera. science has yet to discover whether there's anything this man can't do.

Michael O’Hare:

[knife-em0ji]

The really unfortunate thing about House, MD is that even with how fucking unhinged it is it's genuinely a very good show. Sometimes the writing is dated, but it's dated in a way that holds up. The amount of malpractice and crimes and HIPAA violations that go on pretty much continuously is laughable, but in a way it's also believable that the hospital never gets sued because House successfully diagnoses and treats conditions that would have otherwise caused his patients to die if they had been at any other hospital, since, in my experience, very few other doctors do B&Es as a regular part of their practice. House never gets fired because he has tenure and also he seems to be his boss's only friend other than Wilson. (Because as much as people say Wilson is House's best and only friend. We never see Cuddy have any other people in her personal life either.) .

Characters are rife with various -isms and casually participate in -phobias that seem natural and true to the time period and the type of person they are. But also they explicitly say the word bisexual in like every episode Thirteen is in. That would be considered a coup today. There are multiple main characters who are explicitly Jewish and all have different relationships with Judaism. The sense of place in that this hospital couldn't exist anywhere than Central Jersey (which yes, does exist) is incredible.

It's often stupid in a very fun and engaging way, and better yet, they're willing to break form to achieve maximum impact. The two episodes that end with Amber's death were actually phenomenal episodes of television. The reasons behind Kutner's death/suicide remaining unresolved felt poignant instead of lazy, especially since this is a show primarily about getting answers (also lol the meta reason for Kal Penn leaving because he was suddenly summoned to work in Obama's White House is hilarious, and I think they truly did the best they could with writing him off all of a sudden, and I'm not even mad with his permadeath since it would have been ~4 years until Penn could have returned, and by that time the show was done). The two episodes with him landing in a psych ward that have NO medical mysteries and end with him actually seeming to resolve to get better were genuinely uplifting.

Just! Hm! Much to think about. No wonder this show was so fucking popular, and no wonder that it's had such a resurgence the moment it landed on Netflix. Also I know they're hell to shoot but bring back the 22 45-minute episode TV season. I'm begging.

[thefirstknife]

Feeling abnormal about Echoes continues. Apologies for the scrunchy screenshots, it's from a recording. Immediately starts with Saint and Osiris killing me on the spot:

A little bit of comedy to ease on the crying:

Help. Osiris obviously doesn't want to do this because like. He's seen this before and it made him very unwell. Seeing Saint's dead body is very clearly not something he wants to experience again, but Failsafe says that Saint needs him so he goes anyway. Yippee.

Then the answer to my question. Nessus basically holds an archive for the Vex which includes the archives from the Forest, which is where we're going. I expected something that doesn't require lengthy explanations about how we're getting to the Forest. Saint even helpfully asks:

Some more info:

This is a really neat explanation that migth allow us to revisit this some time without having to go through the hoops of complicated shenanigans with what happened to the original Forest (and Mercury). But also it does leave me with the feeling that they may just never give us that answer. This will take me a while to process and come to terms with.

More interactions to kill us:

And then the big room. I'll put it under read more because damn:

From above where you enter:

It's a whole new area. It's absolutely bizarrely filled with a lot of details. There's four gates to the Forest, each designed differently. Spent a long time wandering around trying to figure stuff out and it's quite interesting. Makes me feel like we will use this area for something again because this level of brand new designs only being used one would be very strange.

So this one without the actual blue barrier:

This is the "Nessus" gate. When you gate closer, you can see the new plants from this episode and stuff. It's also used at the end of the mission to leave to the core of Nessus. The other three gates have the barriers and they later open, though we can only enter one of them. The one from behind that's basically the last you can actually see... Is Europa:

The snow? The ice crystals? The blue ice streaks? This is completely new. It looks like a gate leading to Europa. When it opens later, the enemies that come out of here are the normal Vex, which you can also see on Europa. I'm saying that because other gates have Vex associated with what the gate looks like. This is unhinging me. What does this mean. It can't just be a random thing they made to use once. There's no way. Bro...

And then there's this one which is the one we use to get to Saint's tomb; it's a gate leading to the future:

VERY interested in the enemies that come out of there. Obviously Descendants aka future Vex, but that also includes WYVERNS. Which are the first Descendant Wyverns we've ever seen:

And there's this one which I couldn't originally place; it looks too similar to a lot of other stuff, including Nessus itself, but I thought it might be Black Garden or Venus. Turns out? Black Garden. When you fight in the center later, Sol Divisive Vex come out of that gate.

The Europa and Black Garden gates fully open when you start the fight and they let the Vex out; as I said, normal ones from Europa and Sol Divisive from the Garden. Then when they're cleared, the future gate opens too and there come Descendants. The other two gates remain open but you can't access them; there's a firewall. Let me in.

In the future gate, there's the worn down corridor and then directly after it is the tomb.

And then the tomb.

I highly recommend doing this yourself or checking out a playthrough for all the lines because I can't feasibly summarise it all. Osiris and Saint show up and Saint interacts with the body, then experiences its memories and finally realises that every Saint is equally the same Saint. He also gets the information on how to find the Conductor. But before that we're treated to emotional damage about Saint and Osiris. Primarily Osiris' incredible worry and also trauma which more or less sends him crying which is fine and okay (lie). Like it's not actually sobbing on screen, but it's very much implied in how he moves and the way lines are delivered.

Okay I guess! How about we all jump into lava! Just to make it clear, Saint's last thoughts before he died were of Osiris. And in Immolant, when Osiris thought he would die, his last thoughts were of Saint.

But there is one where Osiris finds happiness. He finds a time away from strife. He finds Saint—a dream of warm serenity. The peace to his purpose. With Saint, there is a future that could have been enough.

So we're all jumping into lava, right?

Outside we fight Agioktis, except this time it's "Archived Mind" aka the archive of the Martyr Mind, the Vex that killed Saint originally.

Then we move on into the planetary core which reveals... certainly a sight. Of something that looks like an alien civilisation, with like a garden and also a HUGE pyramid inside of a artificially made Vex crater. And that's inside of Nessus. And now we know what they meant in the showcase when they said we'll be exploring an ancient civilisation.

I am unhinged. We don't even get to see more because the cutscene starts when you move forward and then we get the beautiful cliffhanger that will make me the most normal Destiny fan for the next 3 weeks.

Maya explains that she's here because we all suck apparently and she wants to fix the world by using Vex radiolaria to essentially convert everyone and everything into a "better" form. She's having a normal one.

Radio message is more or less a recap on all Veil Logs for people who didn't listen to them and the lore page, which randomly now isn't on Ishtar yet even though all others were available right away is about... well. Maya and Chioma living together in the Vex network peacefully and lovingly until the page break and we see the Conductor experimenting by doing open surgery on Exo Chioma. Very normal. very fine. But I guess now we know what that Exo thing from the trailers was.

Now we have to wait 3 weeks.