#he will often be very real with a person even if it deeply hurts them
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———— 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛 𝚘𝚞𝚝𝚕𝚒𝚗𝚎.
𝐅𝐔𝐋𝐋 𝐍𝐀𝐌𝐄 : kaz brekker ( prev. rietveld )
𝐍𝐈𝐂𝐊𝐍𝐀𝐌𝐄(𝐒) dirtyhands, demjin ( by matthias ), some people take the great risk of calling him any version of "kazzie" and suffer dearly for it
╳ 𝐅𝐋𝐀𝐖𝐒.
moody | short-tempered | emotionally unstable | whiny | controlling | conceited | possessive | paranoid | liar | impatient | cowardly | bitter | selfish | power-hungry | greedy | lazy | judgmental | forgetful | impulsive | spiteful | stubborn | sadistic | petty | unlucky | absent-minded | abusive | addict | aggressive | childish | callous | clingy | delusional | cocky | competitive | corrupt | cynical | cruel | depressed | deranged | egotistical | envious | insecure | insensitive | lustful | delinquent | guilt complex | reclusive | reckless | nervous | oversensitive
♔ 𝐒𝐓𝐑𝐄𝐍𝐆𝐓𝐇𝐒.
honest* | trustworthy | thoughtful | caring | brave | patient | selfless | ambitious | tolerant | lucky | intelligent | confident | focused | humble | generous | merciful | observant | wise | clever | charming | cheerful | optimistic | decisive | adaptive | calm | protective | proud | diligent | considerate | compassionate | good sportsmanship | friendly | empathetic | passionate | reliable | resourceful | sensible | sincere | witty | funny
🖌 𝐒𝐊𝐈𝐋𝐋𝐒 & 𝐇𝐎𝐁𝐁𝐈𝐄𝐒.
art | acting | astronomy | animals | archery | sports | belly dancing | bird watching | blacksmithing | boating | calligraphy | camping | candle making | casino gambling | ceramics | racing | chess | music | cooking | crochet | weaving | exercise | swordplay | fishing | gardening | ghost hunting | ice skating | magic | engineering | building | inventing | leather-working | martial arts | meditation | origami | parkour | people watching | swimming | puppetry | pyrotechnics | quilting | reading | collecting | shopping | socializing | storytelling | writing | traveling | exotic dancing | singing
tagged by: @democrow tysm 🥺 💕 tagging: @vicioushope, @pistolslinger, @wraythic, @likcthestar, @appleyed, @b1uesergent, @solesoldier, @tsareviich, @kcrclrezni, and you reading this !!
#notes on the italicizing of honest: kaz is very dry and brutally honest at times - he doesn't do white lies#he will often be very real with a person even if it deeply hurts them#most things in the skills/hobbies sections are more skills than they are hobbies#kaz just isn't really a hobby-oriented guy#he's got his Things that he enjoys of course but his work consumes most of his time#♣ ➝ watcher of the unseen shadows 「 dash games 」
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Writing Echo & the effects of Skako Minor
Discussions of trauma, CPTSD, and PTSD.
This will be a lot of personal opinion so take it with a grain of salt but I wanted to touch on writing Echo as someone who has CPTSD. Personally, I think after what he experienced on Skako Minor Echo would have CPTSD. The very basic thing you need to know is that PTSD and CPTSD are two different things. Symptoms overlap, they often get lumped together, but there are differences. From what I have learned from therapy and doctors PTSD happens from a single traumatizing event. Something happened, an accident, violence, etc. and it has stuck with you. CPTSD occurs when someone has multiple traumatizing events throughout their life that all compound. So if you grew up in an abusive household, experienced outside violence, and had several life altering events, that would be the perfect breeding ground for CPTSD. It is not one event. CPTSD comes from the fact that it is multiple things on top of each other, all working together to make your PTSD complex in nature since it comes from a web of things instead of one event.
After Skako I think Echo would suffer from CPTSD mainly because he has experienced several traumatizing events over and over again. The explosion, being tortured, being experimented on over and over again, and finding out he has been used as a weapon, along with his injuries sustained in the battle of Anaxes all compile together. This is what I base this off of.
With that in mind I wanted to talk a little bit about some symptoms and how this could translate to Echo as a character.
One can experience shaking (imagine Crosshair early season 3), paranoia, anxiety, and difficulty sleeping. I have seen Echo portrayed often with nightmares, which I think is a great route to go, however I want to offer up other ways you can show his difficulty living with CPTSD. Physical symptoms are one thing and definitely make life more difficult but what about the mental ones?
One challenge can be constantly feeling like the other shoe is going to drop. There can be waves of feeling okay and stable and then other periods of constant vigilance and anxiety. When things are good you could think ‘how much longer until it is all gone? How long do I deserve safety and happiness?’ These fears are often completely unrealistic but your brain cannot determine that in the moment.
I think Echo could struggle with this. I want to imagine that this is part (not all) of the reason he wants to badly to do more and part of why he does not really want to retire. He doesn’t understand safety anymore. He’s still more comfortable in chaos and vigilance. Safety would likely feel unsafe to him. At least, for a while. Truthfully, survivors guilt and his own loyalty and personality are all wrapped up in there too but imagine if there was another layer.
What if he is clinging so desperately to helping because tomorrow he could be swept away again. Or he won’t be able to save anyone. Or somehow Tambor will catch up with him. Or maybe, just maybe, he becomes the algorithm again. He snaps right back into it mid mission. He’s taken over and can’t be saved. He attacks his loved ones. He can’t help it. He could hurt them. What if he hurts them! Safety may frighten him so deeply he can’t even begin to think about it. His brain won’t let him. It won’t let him cling to that thought because it can’t be real it will be danger. It has to be.
It doesn’t have to be rational because CPTSD is not rational. Your brain and body are trying to protect you. It has learned that you are in danger and it is not comfortable with safety anymore. It will protect you even if you are perfectly safe. Even if that means telling you lies.
And none of this makes him weak. He’s confident in his skills, he’s a force to be reckoned with. He’s lethal and loyal and kind hearted and not at all weak. His strength and compassion are things to look up to. I love Echo. He’s dedicated to saving his loved ones, he’s been through so much, and he has never ever given up despite the challenges. I think he is wonderful and such a rich character for storytelling. It certainly isn’t necessary to include this when writing Echo but if you’re looking for other ways for his trauma to manifest this may be an interesting route to explore.
have the best gif of Echo ever as a treat for reading this far
#the bad batch#tbb echo#arc trooper echo#echo bad batch#the bad batch echo#Star Wars#ptsd#complex ptsd#fanfiction
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Camillo Carmine x Reader
General Headcanons (SFW + NSFW)
warnings: nsfw, mentions of blood, mentions of biting, cursing
words: 1.4k+
a/n: this was a highly requested work, so enjoy and have fun with the little bonus at the end! This is not really an x reader, but it could be read as such, so oh well. Let me know your thoughts on Camillo's character, and/or if you'd like to see more of him in the near future <3
SFW
✧˚ · . Camillo is basically like a big cat
✧˚ · . Tall motherfucker, standing at approximately 8,2
✧˚ · . The guy is very calm, silent, and sneaky all at once. If anything, he would make an excellent spy and has been offered positions before in that line of work
✧˚ · . Very independent; wont work for anybody but himself and is beyond stubborn
✧˚ · . He is a hardass, but underneath his tough, strong front, is an individual who is a giant kid at heart, who is so deeply loyal and giving that it hurts, and who takes all relationships he makes very seriously, as in he would gladly put his life on the line for someone he cares about; questioning his loyalty is the worst you can do
✧˚ · . Favorite colors consist of greys and purples of any shade; it always struck him as having more of an elegant, dancer sort of vibe, and the display of the colors usually help him to relax in times of distress. His whole bedroom is centered around that color palette and it hasn't been changed since he and Camilla have inherited the mansion
✧˚ · . On the subject of Camilla, he likes to annoy her. His real personality can start to be seen the more time he spends around his sister; they behave just like any normal pair of siblings would. The two have had a love hate relationship growing up and it still is that way, even if just a bit more watered down now. The two like to joke and hang around together every now and again when they aren't off busy with their own lives
✧˚ · . What a Carmine lacks in affection, they make up for in loyalty
✧˚ · . If you wanna talk about dancers, he is one. He loves dancing in his spare time and even uses the Carmine manor as a spot to host dancing lessons amongst sinners willing/wanting to learn
✧˚ · . His silvery pointed dancing shoes are like his literal children, and he always goes into a slight panic whenever he can't find them. They provide him with that sense of security, as dancing is a huge part of his life and he could never stand to be without it; they were also a gift from his mother
✧˚ · . Never likes to ask anyone for anything, especially not help. He likes to cover up his needs with smart-ass comments and handsome smirks that most can't stay mad at for too long
✧˚ · . Has been told he has a very punchable face
✧˚ · . His fangs make for a great, sarcastic smile; his face either consists of a frown or that signature smirk. He uses his fangs for a lot of things, including biting people when they get on his nerves
✧˚ · . Can totally play the piano; claims its a very calming and dignified instrument. He doesn't play it often but when he does, its a gift to anyone around to hear
✧˚ · . On the asexuality spectrum, identifying as demisexual and biromantic. It takes him a little longer than the average sinner to develop feelings for someone, let alone sexual feelings
✧˚ · . As stated before, his relationships are one of the most important things in his life and he handles them with great seriousness
✧˚ · . The epitome of that one secretive, mysterious, tall and mysterious stranger everyone wants to be friends with, but are too afraid to approach directly to ask
NSFW
✧˚ · . It's very difficult to get anything verbal out of this man when he's in the process of being intimate with someone, even if they're his s/o
✧˚ · . The most you can expect is some pleasured grunts, maybe some low groans if you're lucky
✧˚ · . It's not that he isn't enjoying whatever is being brought upon him, he is just one to closely guard his feelings and never really express them too vividly; yes that ends up following him into his sex life
✧˚ · . 9 times out of 10 he prefers to give pleasure rather than receive it
✧˚ · . Loves to degrade and use pet names with his partner; sweetheart, doll, slut, and whore tending to be some of his personal favorites to use
✧˚ · . Big on consent. If you are ever not comfortable with anything he proposes or is in the middle of doing to you, then he will stop instantly and get you anything you need. He may seem like an asshat sometimes, but he is a decent person (if that comes as such a shock)
✧˚ · . Into some form of pet play/leashes, no negotiation
✧˚ · . He always likes to be in control and rarely ever is the submissive one during intimacy.
✧˚ · . Will speak Spanish in bed, usually doing so in order to fluster his partner; it often gets him a positive response
✧˚ · . Being blindfolded is a big kink of his. As a dancer, he is used to having to be accustomed to other senses, so when they are heightened after his sight is temporarily taken from him, he will have a ball of a time
✧˚ · . One of his top favorite things is watching his partner ride him. Just the sight of his cock being sheathed inside your body over and over again as he watches you get off on his lap all on your own
✧˚ · . Dirty dancing is something he is much too fond of. The act of getting all worked up from dancing with one another, teasing each other all the while, then getting to fuck his partner into the ground, whispering praises to them about how well they danced with/for him; he is all too eager to teach you more of what he knows about the dancing world
✧˚ · . The little shit is one of the biggest teases you will ever meet. He honestly has a sex drive that's more so on the lower side and does not need sex as often as most sinners seem to
✧˚ · . But, be prepared when he does have the energy to pleasure you, for he is astounding at it.
✧˚ · . Kissing, biting, steamy makeout sessions, eating you out, fucking you raw; he can do it all and excel in the process
✧˚ · . His fangs usually come into play a lot during sex; a huge fan of biting and leaving marks on his partner to let others know that they have already been claimed
✧˚ · . Camillo is one of those demons you'd be lucky to have sex with. It's not even an egotistical thing, he's just not very sex-coded when it comes to relationships or really anything in general. He believes in a true connection with someone first before engaging in any sorts of those activities, hence his sexuality
✧˚ · . Sex with Camillo is always very serious and passionate. He never allows himself to be as vulnerable as he would be right now, so better to cherish it whilst it lasts
✧˚ · . It's almost like he picks one mate for life, then he's done looking, like some species do
✧˚ · . Thinking of it, when he really gets into action and the rare times he wants to have sex, he fucks like a wild animal. He does have his vanilla, gentle side where he will care for you nothing short of a husband, but if he has the chance or some pent up anger to release, you better prepare to go for multiple rounds of very rough sex
✧˚ · . To top things off, he does have a praise kink. It may be hard to pick up on at first, but if you praise him, let him know how good he's making you feel, he's a mess (at least internally). Nothing really gets him going more than knowing he is fulfilling his job as a partner; making you feel good in every aspect that he can. It gives him purpose and that's really all he needs when he's with his s/o
BONUS~
✧˚ · . One of Camillo's wildest fantasies is to have his lover cockwarming him whilst he plays a song for them on his piano. He can imagine struggling to not fumble over the keys, not let his fingers slip, as he feels you clench around him, biting his lip or your shoulder hard enough to draw blood in order to stifle any noises that may find their way past his lips. That vulnerability is something he knowingly holds sacred; you could potentially be the one to coax it out of him.
#hazbin hotel#hazbin hotel x you#xreader#carmilla carmine#hazbin hotel carmilla#carmilla x reader#carmilla hazbin hotel#carmila carmine#hazbin hotel camillo#camillo/carmilla#camillo#camillo hazbin#camillo hazbin hotel#hazbin hotel genderswap#x reader#carmilla carmine x reader#carmilla carmine x reader smut#sfw#headcanon#headcanons#hazbin hotel x reader#hazbin hotel oc
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What if I hurt you
Clarisse La Rue x Reader
Clarisse loves y/n, more thant anything, which is why one day when she almost gets hurt, clarisse knows that she might not be best for y/n
✿❀✿❀✿❀✿❀✿❀✿❀✿❀✿❀✿✿❀✿❀
Y/n had never been one to attract much attention. She was the kind of person who liked to blend into the background, not causing too much fuss. That’s part of why she loved Clarisse La Rue so much; the daughter of Ares was the complete opposite. Bold, brash, and fiercely protective, Clarisse made Y/n feel like she could conquer anything, even if Y/n preferred to do so quietly. Their relationship had blossomed over the past year, surprising both of them with how deeply they had come to care for each other.
But lately, things hadn’t been so perfect. Y/n was being harassed by a guy named Trey, a son of Hermes who had been relentless in his pursuit of her. It had started off innocently enough, just a few flirtatious comments here and there. Y/n had brushed them off, not wanting to make a big deal out of it. She figured Trey would lose interest eventually, especially if she didn’t encourage him.
But she was wrong.
It began with small things, like Trey showing up wherever Y/n happened to be. At first, it was just a coincidence—he’d be at the training grounds when she was practicing archery, or at the dining pavilion when she was grabbing a quick bite. But soon it became clear that Trey was intentionally seeking her out. He’d “accidentally” bump into her and make some remark about how fate was bringing them together. Y/n would laugh it off, trying to stay polite, but inside she was growing more uncomfortable by the day.
One day, Y/n was in the library, enjoying the quiet solitude that allowed her to immerse herself in a book. But just as she was getting lost in the pages, Trey appeared at her table, sliding into the chair across from her with a wide grin.
“Hey, Y/n,” he said, leaning in a little too close. “What are you reading? Something romantic, I bet.”
Y/n suppressed a sigh, keeping her voice even. “Just a history book. You know, nothing special.”
“Oh, I bet you’d like something more exciting,” Trey replied, winking at her. “Maybe I could take you out sometime? Show you a real good time.”
Y/n’s stomach twisted with discomfort, but she forced a polite smile. “Thanks, Trey, but I’m not interested. I���m with Clarisse, remember?”
Trey’s smile didn’t waver. “Yeah, I know. But come on, you can do better than her. I mean, you’re so sweet and gentle, and she’s… well, you know. Rough around the edges.”
Y/n’s polite façade cracked a little, her voice sharpening. “Clarisse is amazing, and I’m very happy with her. Please stop.”
But Trey didn’t stop. He showed up at her cabin, offering to “walk her to dinner.” He’d corner her after training, complimenting her on how she was “way too cute” for someone like Clarisse. Y/n tried everything—ignoring him, being direct, even getting other campers to tell him to back off. Nothing worked. And through it all, Y/n didn’t tell Clarisse.
Why didn’t she? Part of it was pride—Y/n didn’t want to seem weak, like she couldn’t handle things on her own. But a bigger part of it was fear. She knew how Clarisse could be, especially when someone threatened someone she loved. Clarisse’s temper was legendary, and Y/n didn’t want to see her girlfriend get into trouble because of some jerk who didn’t know how to take a hint.
But it all came to a head one afternoon when Y/n and Clarisse were hanging out by the lake. It was a rare moment of peace for them—Clarisse was always so busy with her duties as a senior camper, and Y/n cherished the times when they could just be together. They sat on a blanket, Clarisse’s arm slung casually around Y/n’s shoulders as they watched the sun glitter on the water.
“This is nice,” Y/n murmured, leaning into Clarisse’s side. “I wish we could do this more often.”
“Me too,” Clarisse agreed, her voice softer than usual. “It’s just—”
Before Clarisse could finish her sentence, one of the Ares campers came jogging over, looking a little frantic. “Clarisse! Wylan won’t give me my sword back, tell him he has to. It’s my lucky one!”
Clarisse groaned, clearly irritated at being interrupted, but she was duty-bound. She kissed Y/n’s temple. “I’ll be right back, babe. Don’t move a muscle, okay?”
Y/n smiled, though it didn’t quite reach her eyes. “I’ll be here.”
As Clarisse jogged off, Y/n sighed and pulled out her book, trying to enjoy the peace and quiet. But of course, it didn’t last long.
“Hey, Y/n!” Trey’s voice cut through the serene atmosphere like a knife. Y/n looked up, her heart sinking as she saw him striding towards her, that same smirk plastered on his face.
“Trey,” she said, her voice resigned. “Please, not now.”
“Aw, come on,” Trey replied, plopping down on the blanket beside her without an invitation. “You always say that. Why not now? It’s a beautiful day, and I’m here with a beautiful girl.”
Y/n scooted away from him, feeling her patience wearing dangerously thin. “Trey, I’m serious. You need to stop this. I’m with Clarisse, and I’m not interested in you.”
Trey leaned in closer, his voice dropping to a low, sleazy whisper. “But why not, Y/n? I could treat you so much better than she does. She’s all about fighting and yelling, but me? I’d be gentle. I’d take care of you.” His hand travels upwards, starting to play with her hair.
Y/n’s heart raced with a mix of fear and anger. Pushing his hands off and scotting back further, she opened her mouth to tell him off, to really let him have it this time, but before she could get a word out, a voice boomed from behind them.
“WHAT IN THE HADES IS GOING ON HERE?”
Y/n whipped her head around to see Clarisse standing a few feet away, her eyes blazing with fury. She had returned much faster than Y/n expected, and the look on her face sent a chill down Y/n’s spine.
“Clarisse,” Y/n started, but she didn’t get far.
Clarisse marched over, her fists clenched. “Trey, what the hell are you doing?”
Trey had the nerve to grin, though there was a flicker of fear in his eyes. “Just talking to Y/n, that’s all.”
Clarisse’s expression darkened, and she stepped closer, looming over Trey. “Talking to her? It sure as hell looked like you were harassing her.”
“Harassing? Come on, Clarisse, don’t be so dramatic,” Trey said, trying to play it off. “I was just—”
“Shut up,” Clarisse snarled. “You think I didn’t hear what you just said? You think Y/n would be better off with you?” She grabbed Trey by the front of his shirt, yanking him to his feet. “She’s with me. And if you ever try to get between us again, I’ll make sure you regret it.”
Trey’s bravado finally cracked. “Whoa, hey, Clarisse, chill. I didn’t mean any harm—”
“Didn’t mean any harm?” Clarisse interrupted, her voice dangerously low. “You’ve been following her around, making her uncomfortable, and you think I’m just going to let that slide?”
“Clarisse,” Y/n said softly, reaching out to touch her arm. “It’s okay, I can handle it.”
But Clarisse was beyond reasoning. She shoved Trey back, causing him to stumble. “You don't lay a finger on her. Not now, not ever.”
Trey, clearly not as smart as he thought he was, decided to push back. “Maybe Y/n doesn’t want to be with someone like you. Maybe she needs someone who’s not so… rough.”
That did it. Clarisse’s fist connected with Trey’s jaw before Y/n could even blink. Trey yelped in pain, staggering backward, but Clarisse didn’t stop. She grabbed him by the collar, ready to hit him again.
“Clarisse, stop!” Y/n cried, trying to pull her back. “Please, stop!”
But Clarisse was lost in her rage. Her fist swung again, this time landing squarely on Trey’s gut, knocking the wind out of him. Trey crumpled to the ground, gasping for air, but Clarisse wasn’t done. She raised her fist again, but before she could strike, Y/n stepped in, grabbing her arm.
“Clarisse, stop! You’re going to kill him!”
Clarisse froze, her fist still poised in the air. Moving to hit again, she turned to look at Y/n, her eyes wild with anger. But when she saw the fear in Y/n’s eyes, something inside her snapped back to reality. She lowered her fist, breathing heavily, and Trey took the opportunity to scramble to his feet, clutching his stomach.
“You’re crazy!” Trey spat, backing away. “This isn’t over, La Rue.”
“Get out of here before I finish what I started,” Clarisse growled, but her voice lacked the same venom as before.
Trey didn’t need to be told twice. He turned and ran, disappearing into the trees. For a moment, there was only the sound of Clarisse���s heavy breathing and Y/n’s pounding heart.
Then, Clarisse turned to Y/n, her face paling as she realized what had just happened. “Y/n, I—”
But before she could finish, Y/n wrapped her arms around her, burying her face in Clarisse’s chest. “I was so scared,” Y/n whispered, her voice trembling.
Clarisse’s arms went around her automatically, but there was a stiffness to her embrace, a hesitation that Y/n hadn’t felt before. “I’m sorry,” Clarisse said, her voice thick with guilt. “I should’ve— I didn’t mean to scare you.”
Y/n shook her head, clinging to Clarisse. “I don’t care about that. I just didn’t want you to get hurt.”
Clarisse pulled back slightly, looking down at Y/n with pained eyes. “But I did hurt you, didn’t I? Not physically, but… Y/n, I’m so sorry.”
Y/n looked up at her, confused. “What are you talking about? You didn’t hurt me.”
Clarisse’s gaze dropped to the ground. “I almost lost control, Y/n. I could’ve hurt you by accident. I could’ve—”
“But you didn’t,” Y/n interrupted, tightening her grip on Clarisse. “You stopped. And even if you hadn’t, I know you would never hurt me on purpose.”
Clarisse’s hands trembled as she cupped Y/n’s face. “I never want to hurt you. Ever. But… but what if I do? What if I can’t control it next time?”
“There won’t be a next time,” Y/n said firmly. “You’re not a monster, Clarisse. You’re my hero. You protected me.”
Clarisse shook her head, tears welling up in her eyes. “I don’t deserve you.”
“Yes, you do,” Y/n insisted, standing on her tiptoes to press a kiss to Clarisse’s lips. “I love you, Clarisse. All of you. Even the parts that scare you.”
Clarisse’s breath hitched, and she kissed Y/n back, a desperate, tender kiss that spoke of all the fear and love tangled inside her. When they finally pulled apart, Clarisse rested her forehead against Y/n’s. “I love you too. So much.”
They stood there for a long time, holding each other as the sun set behind them. Eventually, Clarisse pulled away, her eyes still haunted by what had happened. “I think… I think I need some time alone.”
Y/n’s heart sank, but she nodded. “Okay. But promise me you’ll come back?”
Clarisse managed a small, sad smile. “I promise.”
As Clarisse walked away, Y/n watched her go, a knot of worry tightening in her chest. She knew Clarisse was struggling with her anger, with the fear that she might one day lose control. But Y/n also knew that their love was stronger than any fear.
For the next few days, Clarisse avoided Y/n. She threw herself into training, into her duties, into anything that kept her away from the person she loved most. Y/n tried to reach out, but Clarisse always found an excuse to keep her distance. It was agonizing, but Y/n refused to give up. She knew that Clarisse was trying to protect her, but what Clarisse didn’t realize was that by pulling away, she was hurting Y/n even more.
Finally, after almost a week of silence, Y/n decided she’d had enough. She marched over to the Ares cabin, ignoring the wary looks from the other campers, and knocked on the door.
Clarisse opened it, and the moment she saw Y/n standing there, she looked like she might close it again. But Y/n quickly stepped inside, blocking her from shutting the door.
“Clarisse, we need to talk,” Y/n said, her voice firm.
Clarisse sighed, running a hand through her messy hair. “Y/n, I—”
“No,” Y/n interrupted, her eyes flashing with determination. “You don’t get to push me away like this. I know you’re scared, but you don’t have to be. I’m not going anywhere.”
Clarisse looked at her, the walls she’d built around herself starting to crumble. “But what if I hurt you?”
“You won’t,” Y/n said, taking Clarisse’s hands in hers. “And even if you did, I’d still love you. You’re not your dad, Clarisse. You’re not Ares. You’re you, and that’s who I fell in love with.”
Clarisse’s shoulders slumped, and she pulled Y/n into a tight embrace, burying her face in Y/n’s hair. “I’m sorry,” she whispered, her voice choked with emotion. “I’m so sorry for everything.”
Y/n hugged her back just as tightly. “It’s okay. We’ll get through this together.”
Clarisse nodded, holding Y/n like she was afraid to let go. And in that moment, Y/n knew that they were going to be okay. Their love was strong enough to withstand anything, even the darkest parts of themselves.
And from that day forward, Clarisse vowed to never let her fear drive a wedge between them again. She worked on her anger, on her need to protect Y/n without pushing her away. It wasn’t easy, but Y/n was always there, her unwavering support giving Clarisse the strength to keep going.
Together, they were unstoppable.
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Given Luz’s arc in the Boiling Isles was about expecting fantasy only to encounter reality underneath, I find it fitting her villain follows a similar trajectory. We are introduced to the enigmatic Emperor Belos, a strange and mysterious villain wielding arcane magic. Many of us understandably speculated that he was some sort of lich or other type of demon, and in the end…
He’s just some guy; Just another bigoted human. Even with his human persona Philip Wittebane, he attempts to frame himself as some tragic character unfairly hurt by society…
But again, there’s the simpler truth; He’s just an immature jerk. That’s why he’s disliked. And it’s interesting, how instead of the romanticized, sympathetic, larger than life villain, we have one closer to reality, and accurate to the actual people in power that Belos is based off of; Entitled (wo)manchildren with delusions of grandeur. It’s fittingly mundane and literally what Luz struggled with back home.
Belos is every conservative politician who thinks he’s been deeply wronged by minorities, and blames them for “taking away” a loved one who clearly made their own choice and was happier for it, because self-perceived victimization provides a handy excuse for their banal actions. They say they’re maintaining the sanctity of society but really they just want to control their perfect little worlds, and have more than enough devil’s advocates. Think of guys like Elon Musk; Some mediocre white dude who thinks of himself as particularly exceptional and self-made, when really he just stood on the shoulders of others and stole, and throws a tantrum whenever he doesn’t get his way.
He’s the suburban middle-class white dude who’s bored and thinks shooting lions in Africa makes him a big man. He’s the sweet little brother who started watching a misogynistic streamer and is now a raging bigot who refuses to grow out of it, worshipping other mediocre white men. He’s a mundane bully among Luz’s peers with no greater reason than that it’s easier to hurt others and put them down to make himself feel taller by comparison; Not so much because he’s been hurt (if at all), but because he doesn’t care.
He’s the bully who cheers for Dumbo because he lacks the self-awareness to realize he’s the villain onscreen. And people like that often don’t accept help, and sometimes they never needed it to begin with because their issues don’t come from a lack of compassion from others. You should try to understand others, but sometimes all you’ll find in some is banality. Belos isn’t some type of made up creature, at his core he’s the exact kind of person you’ll encounter in real life, hence his mundane parallel in Jacob Hopkins; He’s the jerk online who wants to debate.
And this is all very fitting for Luz’s arc; Luz went to the Boiling Isles expecting some form of escapism, but in the end, the exact same problems she encountered at home followed her there. The same type of person that contributed to Luz being deemed deviant in the U.S. also plays a role in Luz feeling unwelcome in the Demon Realm; A Puritan white man, one of the progenitors for the founding fathers of America, and its evangelical culture. And just like the jerks online who want to debate, Luz realized the only response to give was silence.
The friends Luz meets, and the people she resolves conflicts with (some of whom do fulfill the sympathetic antagonist niche), are just like you and I. There’s no real difference between witches/demons and humans. What Luz learns in the Boiling Isles still applies to her human life; She didn’t succeed in running away, but actually unwittingly grew to handle it and meeting new people. She developed the self-awareness needed to avoid becoming like those who originally hurt her, and after helping so many others was allowed to realize she was also entitled to setting boundaries and prioritizing her own health.
Luz finding the isles is fundamentally no different than a person in real life moving somewhere else, and/or finding a community of other humans like them, with the presence of kids like Masha and their friends displaying how that applies in real life. Luz still learned how to deal with reality, she had it in herself all along. She didn’t ignore her problems in the Boiling Isles, she faced them there with support. The Demon Realm and Luz’s problems there aren’t all that different from her ‘real’ life, they’re just as real and that’s why they still matter and are good for Luz. It’s all one big metaphor in the sense that it’s equivalent and applicable, and Luz figured that out like the audience did; Her ‘escapism’ was just her life back home but with a different coat of paint, and that’s good.
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Noisy - Part Three
Viktor is going to be busy in the lab for the next week. He comes over to tell you personally.
Viktor x fem!reader
Rating: Explicit. Minors DNI
Word Count: 5,200
Warnings: Arguments, misunderstandings, Viktor has a chip on his shoulder, fingering, unprotected piv sex, discussions of sex with disabilities, creampie
Previous | Next | Masterlist
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The knock on your door was a surprise.
Not that you didn’t have friends, but very few of them worked or studied at the Academy of Science, Technology, and Innovation in Piltover. Of that small group, even fewer of them would come visit you at your apartment unannounced.
Which meant it was probably one of your neighbors. Your downstairs neighbor was a rather bubbly girl attempting to become a professional musician. She studied under a cellist who taught at the Academy - though you had never quite managed to figure out why a school of science and engineering had a concert orchestra. In any case, she helped conduct the orchestra when she wasn’t working with the professor and gave lessons to students in her off hours.
But given that you hadn’t heard any music coming from her apartment that day, she was probably preparing for the holiday concert that the orchestra was putting on next week.
That left Viktor - scientist, assistant to the Academy’s Dean, and your upstairs neighbor.
He was also the man you had shared a brief sexual encounter with a few weeks prior. In your defense, you had been trying to force him to go to sleep so he would stop making so much noise late at night. It didn’t hurt that Viktor was devastatingly attractive, but you had really been more focused on the sleep.
Another knock shook you from your reverie. It was softer, almost hesitant, and you hurried to open the door.
Sure enough, Viktor stood on the other side. You took a moment to congratulate yourself for your deductive reasoning, then smiled at him. “Hey Viktor. What’s up?”
He smiled back, but it looked sickly. You watched his thumb strum nervously along the handle of his cane. “I wanted to let you know that I spoke to Heimerdinger and got permission to work late in the lab next week.”
You nodded thoughtfully. “I know that curfew has been the bane of your existence for a while now. Do you have a specific project you’re working on or is he just tired of you trying to break in?”
Viktor’s uncomfortable smile turned to a scowl and you fought back a chuckle. Stiffly, he told you, “I do not try to break in, I-”
A hand lifted between the two of you interrupted whatever he intended to say next. With your most serious expression, you said, “Viktor! I don’t want to be a party to your crimes!”
He gave a deep sigh. “You are a menace.”
You finally broke, and your laughter made him smile. It was a real one and you reached out to pat his arm. “There you are. I needed to see you happy, not fake happy. You’re a terrible actor.”
Viktor rolled his eyes, though he was still smiling. “And to think I was trying to be a considerate neighbor…”
“Go ahead,” you told him. He raised an eyebrow and you laughed despite yourself. “I’m serious! I’m done. Please say what you came here to say.”
Though he still looked deeply skeptical, Viktor relented. “I received permission to conduct experiments outside of the lab curfew. I will be working late at the lab for much of the next week. I wanted to tell you myself.”
A realization was tingling at the back of your mind, but like any good scientist, you needed to test it. You kept your face blankly serene as you nodded. “Thank you for letting me know, Viktor. I hope your experiments go well.”
He looked mildly disappointed. “Thank you. And I hope your week is pleasant. You will not have me around to make noise over your head.”
“That will take some getting used to,” you teased.
“And you likely will not see me very often,” Viktor added, ducking his head at your joke. “When I am home, I will be sleeping. And we work in such different sections of the campus…”
You nodded slowly, your hypothesis all but proven. “That’s good to know. I would have wondered if you were avoiding me.”
“Never,” he denied instantly.
That made you feel warm, as did the way Viktor stood in the hall, nervously shifting his weight back and forth as his thumb tapped frantically at the handle beneath his fingers. Despite his clear unease, Viktor glanced at you every few seconds, eyes bright and hopeful in a way that you found both amusing and sweet.
“I suppose I should leave you,” Viktor admitted, slumping slightly.
“You know,” you started, pausing the half-pace Viktor had taken in the opposite direction. “If you want to sleep together, all you have to do is ask. If that’s in any way what you were-”
“Can we sleep together?”
The immediacy of the question made you laugh aloud even as you nodded and stepped back. “Well, I was in the middle of grading some papers, but it can wait.”
“I can wait, if you prefer?” Viktor said, in the middle of crossing the threshold into your apartment.
“No, you’re going to be gone for the next week,” you reminded. “Besides, this sounds much better than slogging through another essay on population ecology. Come on inside.”
Viktor seemed almost sprightly as he stepped into your apartment, the tip of his cane hardly touching the ground. He looked around eagerly, studying the interior of your living room with such intensity that you were forcibly reminded that he had never seen it before. With that in mind, you did your best to look around with a fresh perspective.
The furniture was well-worn - all of it was, in this particular housing unit - but you had done what you could. You'd used an assortment of soft blankets to cover stains or tears while comfortable pillows that shielded your back from spots where the padding beneath the upholstery had all but disappeared. The small table in front of the couch bore stacks of textbooks, reference guides, and the aforementioned papers you had been grading.
The apartment’s small kitchen was visible from where Viktor was standing, a wine bottle and an old dish sitting in plain sight on the countertop. But you were far too wary of pests to allow any kind of mess in the kitchen, so you didn’t have much to be embarrassed of in there.
Overall, it was a little messy - especially compared to the stark desolation of Viktor’s apartment - but the most notable feature of your living room wasn’t found in the furniture or in the traces of your work that were scattered around.
You had installed a collection of corkboards and dry-erase boards around the apartment. The corkboards held the results of your latest experiments while the dry-erase boards held scrawled collections of notes and ideas about relationships between criteria. Your goal was to go around and gather those musings once per week so you could erase the boards, but it had been a while and they were cluttered with your handwriting.
Anyone else might have made some bland comment about your apartment, but Viktor cut directly to what interested him. After moving to study one of the dry-erase boards more closely, he gestured to it and asked, “What are you attempting to calculate?”
“Well, each board is set up to have its own focus,” you explained. “On that one in particular, I’m trying to figure out why the toxicity in the Sump level of the Undercity is as high as it is.”
Viktor’s shoulders tightened, but his voice was bland as he said, “Perhaps it has something to do with the large levels of industrial waste and chemical byproduct that moves through or is stored in the area.”
He was here to fuck, not fight, you reminded yourself. And yet, even after you had taken a breath and bitten back your immediate harsh response, you couldn’t let the implied insult to your scholarly skills go unchallenged.
You marched to a corkboard on the other side of the doorway, tapping it sharply with your forefinger. “Yes, I realize that, but look at the particular levels of these toxins. They don’t match up with those you would expect to see from anything produced by the plants in Factorywood.”
“No Undercity industries admit to what they are truly producing,” Viktor said, eyes still roaming over your hastily written notes. They lingered on where you had written ‘Silco?’ beneath a particularly strong toxin found in some products from Priggs Industries.
“”Of course they don’t,” you agreed easily. “But the toxic by-products still generally match up with what everyone knows the factories are producing. From these numbers, someone on the Sump level is creating chemical products in a quantity that threatens the existence of the entire city, not to mention the serious health risks linked to living in the Gray.”
Viktor sighed, his dark eyes meeting yours. There was a deep sadness in their depths, and it made your heart ache to see it. “It is a noble thing to work on a problem like the Undercity’s health. But you will not get far with it. Piltover has more to gain from looking to the future rather than fixing the problems of the present or the past.”
“You’re from the Undercity, right?” you asked, needlessly. You knew where Viktor was from. Everyone did - it was one of the reasons he struggled to be respected despite his incredible intellect.
“You think I do not care for where I am from?” he asked, a sharpness in his voice. “You think I would not keep others from enduring what I endured?”
The sharp thump of his cane against the floor was loud in your living room, but you kept from wincing. With your steady gaze fixed on him, you slowly shook your head. “I don’t think that at all, Viktor. But I also think Piltover will care about these findings, even if it’s just for self-preservation purposes.”
“You realize they are more likely to clear the Undercity than make meaningful changes?”
That was something you hadn’t truly considered, though you should have. Anyone with a brain knew that Piltover’s treatment of the Undercity had been reckless and unhelpful.
Still, you lifted your chin. “I will keep that in mind moving forward, but I have to believe I can do something meaningful to help the people who have no choice but to live there.”
Viktor was quiet then, his gaze fixed blankly on the dry-erase board in front of him as his thoughts consumed him. Eventually, he tilted his head to give you a sidelong look. “Why are the boards next to doorways?”
You smiled despite yourself. “Sometimes, I get flashes of inspiration if I only catch a glimpse of a problem. Something about seeing the information as I walk into and out of a room when I’m doing another task makes me think differently about a problem. That’s why the boards are everywhere, too - so I can write down what I’ve thought of before it has a chance to get away.”
“It is a good idea,” Viktor admitted.
“The Academy has plenty more boards and you definitely have the space for them,” you teased.
The ghost of a smile flitted over Viktor’s face and the odd tension disappeared. "Perhaps I should look into having some installed. They certainly seem to be helping you."
You made a face at him, but there was no real antagonism in it. “I have to admit, I’m surprised you’re so interested in the boards. I thought you were here for other things.”
Viktor’s gaze sharpened as he turned to face you, but his tone was light as he retorted, “Talking about your research findings doesn’t put you in the correct frame of mind? I would have thought better of such a respected scientist.”
The unexpected teasing brought a delighted laugh to your lips as you gave a shallow bow. “I don’t think anyone thinks of me as a respected scientist, but I appreciate the sentiment.”
“I happen to have a great deal of respect for you,” Viktor said, the effort ruined somewhat by the way he was focused on your lips. “Can I kiss you?”
“So much for respect,” you said, leaning eagerly toward him. Viktor was smirking when his soft lips pressed against yours.
The first time you had kissed, Viktor had been hesitant. When he had gotten over his own discomfort, the depth of his need became apparent, but not before that. This time, his intensity was immediate. After a split second of softness, Viktor’s lips firmed and he used them to part yours so his tongue could slip into the space between them.
Viktor tried to pull back at the surprised noise you made, but you weren’t having it. Your hands fisted in the front of his vest, keeping him close as you responded to his explorations with some of your own. Viktor was exceedingly sensitive, and you teased as many reactions from him as you could manage before you parted for air, both of you panting.
“There is such a reaction when we kiss,” Viktor mused, almost to himself. “It cannot be simple chemistry.”
“I don’t think there’s anything simple about it,” you countered wryly. “Besides, why can’t it be chemistry? Everything else is. Every smell or taste or touch… Chemistry is how we understand and interact with the world around us. Why should kissing be any different?”
“You are being deliberately obtuse,” Viktor muttered, mouthing butterfly kisses over your jaw and down the side of your neck. You were swaying into the sensation when his lips parted to deliver a sharp nip to the tender skin. You groaned, but didn’t move away.
“See?” Viktor asked. “Why should that feel pleasant? Simply because of chemistry?”
“Dopamine, serotonin, and oxycontin,” you informed him. “They’re a strong combination.”
He rolled his eyes, but leaned in again, working his way back up until he could meet you in a furious kiss once more. It managed to be more intense than the first, though both of your attention was split. Viktor was ruching your shirt upward while you were doing your best to unbutton his vest.
“Your skin is so soft…” he murmured, and you felt like you were on fire.
Perhaps that was why you forgot yourself, giving his vest a sharp yank. Buttons scattered across the floor and Viktor gave a disbelieving laugh. You offered an apologetic look. “This would be much easier if you didn’t insist on wearing fourteen layers at all times.”
“You are right; that was my fault,” he agreed. You smiled, though it turned to a startled laugh when his fingers tickled up your ribcage. You probably would have protested more vocally if you hadn’t been so relieved at his pulling the shirt over your head.
“No,” you said decisively, pushing his hands away. Viktor immediately withdrew, looking apologetic, horrified, and confused. “You don’t get the easy job. I’ll take off my own clothes and you deal with all of the buttons.”
Viktor’s eyebrows arched so sharply that they approached his hairline, but he obediently began to undress himself. You made short work of your own outfit and took a comfortable seat on the couch. The soft texture of a blanket teased at your buttocks and the backs of your bare thighs and you luxuriated in the feeling. Perhaps you should lounge around your apartment in the nude more often…
Then Viktor was approaching. He was completely bare and your breath caught at the beauty of him. He was pale, all long-limbs and angular joints. Dark freckles and moles dotted his skin, almost artistic in their placement. Instead of looking small and frail, Viktor put you in mind of a sculpture. He looked like a piece of ancient artwork, perfectly formed to capture a human emotion you recognized, but couldn’t quite verbalize.
The thatch of hair at his pubic bone was dark, eye-catching surrounded by the stretches of pale skin. His cock rose from that darkness, proud and erect, the slightest hint of an upward curve that promised to do delicious things inside of you.
Before Viktor could come too close to the couch, you stood and motioned for him to turn around. “Let’s go to my room. I want us to be comfortable.”
When he nodded, you led the way to your room. It was plain compared to the rest of your apartment. You tried to keep the most chaotic parts of your work away. Bedrooms were for sleeping, not thinking, and you did your best to keep the two from being combined in your mind.
But there were still touches of your personality spread around. You had specifically requested a bed that was larger than average. There were pillows scattered at the head, each one a slightly different softness so you could use whatever pillow you needed for each specific day. They were matched by different blankets across the lower part of the bed. Each one was made of different fabrics, but all of them felt like heaven against your skin.
You stepped toward the bed, but froze when Viktor let out a soft chuckle behind you. “What?”
Viktor gestured toward the bed with his free hand. “It seems they have allocated my returned bed to you.”
It took a moment for that to sink in, but then you belted out a laugh. “Thank you for your sacrifice, then. I hope to give you a glimpse of what you gave up.”
“It has a better life here than I could ever give it with me.” When you looked at him, Viktor was studying your body with obvious admiration.
Before you could tell him how utterly cheesy that was - no matter how charming you found it as well - he stepped into kissing range. Well, you had always heard it was better to show than to tell…
This kiss was no less demanding than the last had been. In fact, each touch seemed to increase in urgency, building toward a precipice. It was exactly what you wanted from someone you were about to sleep with, and you started to get impatient with the teasing touches.
“Any-” kiss “Any preference?” kiss “For position, I mean.”
Viktor looked dazed, drunk on your lips, but a concerning thought jarred you from your self-satisfaction. “Wait, this isn’t your- Is this the first time you’ve done this?”
He frowned at you, color rising high on his cheekbones. “Did you not ask this the last time?”
“Did I?” Honestly, as much as you had thought about that night in the time since it happened, very few of your thoughts had centered on the conversation you’d shared before your focus shifted to other things. “And what was the answer?”
“No, believe it or not,” he grumbled. “I have managed to find at least one partner before you.”
“Oh, good.”
Viktor’s eyebrows shot upward at that. “Not quite the reaction I had expected.”
“Sorry,” you offered instantly, hoping you hadn’t hurt his pride. Viktor seemed a little sensitive about his self-image. “I just meant that I’m glad you found someone you wanted to share this with in the past.”
“How magnanimous,” he said dryly. “But I would prefer if you wanted to share this with me now instead of asking if I am virginal.”
“Virginal?” you asked, nose wrinkling. “Am I an 18th century lord? I don’t care if you’re- ah!”
With a well-placed push, Viktor had sent you sprawling across the bed. The sheer number of blankets over the mattress meant that the impact was so minimal that you hardly noticed it, but you still took a moment to blink up at Viktor in surprise.
For his part, Viktor looked so self-satisfied that his expression verged on smug. He stepped up to the edge of the bed and stooped to lean over you when you remembered your original point.
“Wait, I was asking for a reason,” you protested.
A look of genuine irritation crossed Viktor’s handsome face. “No, you are not my first.”
“Not-” You took a second to give a silent laugh. “Not that. I meant about positions. Do you have a preference?”
“Not in the slightest,” he assured you. “Now, if you were to ask for my preferences on when we get together, I have several strong opinions-”
“And your leg will be okay?” you asked softly. Viktor paused. “I don’t want this to hurt you.”
“I am not so delicate,” he said. “Any further objections?”
“Only that you’re not already inside of me.”
The stunned look on Viktor’s face at your tongue-in-cheek answer was a glorious sight to see. But it was fleeting; only a moment later, his jaw firmed with determination and he crawled onto the bed. Most of his weight was supported on his arms, planted firmly on either side of you, and the weight that remained on his legs didn’t seem to bother Viktor in the slightest.
So you didn’t feel bad for losing yourself in the sensations.
Perhaps, given the nature of your first hookup, you shouldn’t have been shocked that Viktor would want to explore. He sucked a mark over your collarbone, and you could feel his smile at the noises it pulled from you. When his clever fingers dropped to your breast, you froze under his touch. Viktor finally pulled away from the tender place on your skin, but only so he could study every microexpression that crossed your face at the feeling of his fingers on the sensitive peak.
When he finally pulled away, you arched into his retreating touch. Viktor managed to soothe you into lying against the bed once more. That made it far easier for him to lower himself onto top of you, his hips pressing squarely between your thighs. Suddenly, losing his hand on your breast felt like a fair trade.
When those talented fingers drifted down to your core, you wriggled impatiently. “I’m ready, I promise. Please, Viktor…”
He looked conflicted. “I know. I will give both of us what we want in a moment. But I- I need to feel you.”
Any further arguments you might have made faded away with the feeling of his long finger sinking into you. Your body accepted him easily, so easily that you might have been embarrassed by it if you weren’t so relieved by the feeling of something to grip with your desperate muscles.
Viktor withdrew his finger far too soon. You groaned when he studied it for a moment before putting it in his mouth. Then you were groaning together and your core clenched so sharply that it took your breath away.
“Viktor-”
He gave a decisive nod, lined the head of himself up with your entrance, and began pushing inside of you. As if your body was angry at having lost your previous stimulation so soon, the muscles of your channel contracted around his length. In fact, they spasmed so hard that Viktor paused.
“Am I hurting you?”
The real concern in his voice was sweet, but you were nearing desperation. “Only because you’re going so slow. Please, Viktor…”
He gave a stuttered half-thrust into you, clearly trying to stop himself before he drove too hard into you. With a crooked smile, he said, “Have I ever mentioned that I enjoy hearing you say my name?”
“No, but I can do better than that,” you offered. “Start moving now and I’ll scream it for you.”
Viktor’s eyes widened and he started a series of pulsing thrusts, each one driving himself a little further inside of you. When he was - at last - as deep as he could be, you both paused to soak in the sensations of it. His hips were flush against your ass and one of you was throbbing. You were too close to know which of you it was.
Most of your focus was on the realization that you had been right: that slight curve of Viktor’s length was in exactly the right place to press against your g-spot. The delicious pressure of it made your toes curl and you lifted your hips in an effort to urge him deeper.
When you remembered that your eyes worked, you smiled a little to see the intense concentration on Viktor’s face. Your hands smoothed down his back and when they were as low as you could reach, you pulled him closer, urging him into motion.
For someone who had a tendency to be oblivious, Viktor took the hint beautifully. With an audible sound from where you were joined, he pulled out. His motions were achingly slow, but he thrust back in before his head could leave you entirely. This push of his hips was made up of more mini-thrusts. The next only had a few. Then he was driving full-force into you at a pace that took your breath away.
And his.
Getting a little winded during sex wasn’t exactly uncommon, especially when things were as heated as they were with Viktor, but it worried you. The legs you had wrapped around his waist - though you couldn’t remember exactly when you had done that - could feel tremors wracking the right side of his body. They seemed to stem from his weaker leg, and it was quickly growing more severe. He was frowning, and while it seemed to be mostly concentration, there was more than a hint of genuine pain buried in the wrinkles of his forehead.
“Viktor,” you started, cutting off with a low cry when he slammed into you. “Viktor, wait.”
It took another half thrust for your request to filter through the fog of good sex. When it did hit him, Viktor slowed, though you could see the strain of it in his muscles. “What is it?”
“Roll over,” you said. “I can tell you’re hurting.”
An expression of displeasure crossed his face. “I told you: I am fine.”
“You aren’t,” you argued, watching his face turn incredulous. “Viktor, I can see it. It’s not a bad thing. I like being on top.”
“I don’t need you to pretend you know what’s best for me!” he snapped.
Arguing with someone who was currently buried inside of you was a new experience. From the stubbornness in Viktor’s eyes and the set of his jaw, he wasn’t going to let you win. You would bash yourself to pieces against the stone of Viktor’s personality. But maybe you could try a different tactic…
“Please, Viktor,” you murmured. “I promise, I’ll still make things feel good for both of us. Just let me do this. Let me take care of both of us, even if you don’t need me to.”
You watched him think that over. A direct and combative approach wouldn’t get anywhere with Viktor, he had spent too much of his life fighting. But the one-two punch of logic and emotion helped you get through the walls he had built around himself.
He didn’t agree verbally - that would be too much like admitting defeat. But he carefully withdrew from you and settled onto the bed beside you. When you realized what was happening, you scrambled upright and straddled his thighs as soon as he was fully horizontal.
The brief pause had done strange things to your libido, but it came roaring back as soon as you saw Viktor lying beneath you, his body still hard and eager and shining with remnants of you.
You sank down onto him so quickly that it pulled a startled noise from both of you. And then you were moving, surging up and down so quickly that the muscles of your legs started aching almost immediately. That wasn’t enough to stop you, not nearly, especially when you saw the stunned pleasure on Viktor’s face.
You rested your hands gently on his chest, using him more for balance than a true counterpoint, but Viktor thrust his hips sharply. The force of it knocked you off balance, pushing you forward until you were braced against him.
His hands covered yours, keeping them planted over his heart. You glanced up at him, unsurprised to see Viktor’s intense gaze fixed on you. “I will not break.”
You nodded, taking the low promise as truth. With the additional weight resting on your hands, your legs lifted you far more easily, working up and down on his shaft. Pressing your hips backward let you brush your clit against the thatch of coarse hair at Viktor’s base, but it also pressed that slight curve against your g-spot. Your inner muscles tightened so hard and fast that Viktor made a shocked noise and you started having trouble keeping your rhythm.
“Are you close?” he asked, chest rising and falling more rapidly under your hands.
You didn’t quite trust your voice, so you nodded again. He nodded with you. “Me too. Where-?”
“Inside,” you interrupted. You used birth control for several reasons, but sex actually wasn’t one of them. Having someone come inside of you wasn’t a sensation you particularly enjoyed, but you were close and pulling out was always tricky when you were on top. And Viktor felt so good…
His eyes widened. “Are you-?”
Before he could ask if you were sure, you had fallen over the edge. You fingers curled against Viktor’s skin, legs tingling so badly that you almost stopped moving on him. But as if your body was willing to circumvent your brain to keep the stimulation going, your legs and hips and torso kept going. You were moving up and down and forward and back all in an effort to chase the incredible pleasure that wracked your body and made your movements stutter.
Somewhere in the middle of your orgasm, Viktor reached his as well. He stiffened under your hands and between your legs, thrusting into you to drive you both higher. You felt his length twitch and pulse inside of you, along with a general sense of warmth as he spilled.
When the incredible flood of endorphins began to fade, you collapsed like a puppet with cut strings. You slumped forward onto Viktor’s chest with him still buried deep inside of you. His hand came to rest on your back, stroking your overheated flesh. You stayed like that for a long while, your ear pressed to the reassuring sound of his gradually slowing pulse.
“That was incredible,” he said eventually. His voice was low, but the awe in it was unmistakable.
“It was pretty good,” you agreed.
A displeased noise escaped him and you lifted your head to look at him, wincing at the way your sweaty skin had stuck to his. “What’s wrong?”
“There is a considerable difference between ‘incredible’ and ‘pretty good’,” he told you, the disgust clear in his voice.
You were already smiling at the way ‘pretty good’ sounded in his accent. “Sorry, I meant it was the single most mind-blowing experience of my entire life. Is that better?”
Viktor hummed, but his amber eyes sparkled down at you. “That seems like a lie. But it is fine. We can work up to incredible.”
You chuckled at that, and Viktor pressed a kiss to the back of your hand as you settled back against him.
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Author's Note - You'll note that this isn't a two-part fic, but there will be another Viktor fic this Fanfic February because I had two ideas that I liked.
Thanks for reading! Please let me know what you thought!
#fanfic february#fanfic february 2024#arcane#arcane 2021#arcane netflix#arcane viktor#viktor x reader#viktor x you#fem!reader#reader insert#reader insert fanfiction#reader insert fanfic#lemon#not suitable for minors#minors dni
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tbh I noticed that a lot with several idols, one minute they could be severly desperate for relationship then in other readings someone hurt them or they just dont give a fuck about it. so my question is if skz members would be more into hook ups or temporary relationships or are there members who want something more long term and romantic? or as romantic as they can get with their schedules lmao
SKZ Long-term relationships or Flings?
Hi:) i hope you enjoy the reading💗 i used the 3rd Eye Tarot Deck
*For entertainment purposes only!
Chan - Temperance, 4 of Cups
With him i see that he wants to keep his own peace and not get into relationships, but he gets crushes easily, sometimes more than one at a time and that confuses him, causing him to lose his peace over that anyway so he thinks then "whats the harm in a little fun?" and then dips his toes here, then dips his toes there, most of the time i feel it doesn't go very buttery which again strengthens his conviction of having to keep his peace and keep away from distractions like that, but oh my are women distracting...especially when naked 👀
Lee Know - 6 of Swords
He seems very serious when it comes to relationships and his ultimate goal is marriage. He has left a lot of unserious people once he realizes they mean only fun and games and aren't ready for the real, serious stuff. He seeks this "the one" feeling and looks for that person and i believe gets into serious relationships only when he thinks he has a chance for that with that person.
Changbin - King of Cups
Short and clear - a one woman man! I don't think he even sees other women when he is in love. Mind you i didn't say relationship👀 i believe being in a relationship and being in love mean 2 different things for him as i think he might have tried (forced himself) into (short lived) relationships where he wasn't really in love but hoped to develop feelings over time because the match just seemed to make sense, or because friends and family nudged him into finding someone. But i don't think he's a supporter of that method and i think his experience has strengthened a conviction in him to only date and begin a relationship if he has a crush or feelings for the person already. If HE is the pursuer and not the pursued. So yeah i think he is kind of in a waiting period maybe, where he is very exclusively monogamous and also believes in "the one" or in soulmates and patiently waits for them to meet. Once that happens i believe he would be pretty quick to escalate the relationship. I see him with time getting eager to settle down with someone and he would probably make an offer to his person very quickly. An offer to get together, an offer to introduce her to his family and friends, an offer to move in together, an offer for marriage, an offer for kids etc.
He always gets so phylosophical in his readings💗 he has lots of strong opinions about many many things that i feel like he can't share very well with others cuz he just doesn't have much or any people around him he can talk that deeply about stuff with.
Hyunjin - 2 of Swords
He's a long term relationship guy but he can't make up his mind. Like he can't make up his mind if he should or should not get into a relationship, if he does or does not have real feelings for that person. If he likes this person more than the other. I feel like he might be between two or more people quite often and not be able to choose which one he actually likes because he is so quick to judge and react and i believe he holds a grudge too, so if he has interest in person A, but they disappoint him in some way (even with something small and insignificant) he starts doubting this persons genuinity and his feelings for them, and his interest gets sparked elsewhere - with person B. Then they disappoint him too and he's like "Person A was so much better, lemme try there again" and he goes back to Person A and it goes on and on like that. Poor guy wants love and commitment and seeks stability but he's so unstable himself he can't get that for himself, no matter what person stands in front of him.
Han - 9 of Swords, Judgement, 7 of Cups
Ehmm...i think he gets very intense and only has eyes for one person. Bit sadly very short lived. He fights that tho and wants to become more consistent but as much as his eyes are only focused on that specific person and see nothing else - his focus doesn't last that long and something new redirects him pretty quickly so i don't think he's someone to have serious long term relationships. He craves that tho. Maybe he has to grow up a bit and then he can focus on one person better.
Felix - Death, 2 of Cups
Almost the same for Felix. But with the difference that he doesn't go move on to another crush quickly. With is that he meets someone, has a great time with them, everything's nice - and then all of a sudden the spark dies. Even if he stays with them a little longer its not the same anymore so he gets bored and with his busy schedual i don't think he's in the mood for driving on something that doesn't excite him in any way. So i think he's kind of in the middle? He doesn't jump from person to person like chan or han, or even hyunjin, but he isn't very long-term oriented like changbin and lee know either.
Seungmin - Queen of Cups
That man's looking for a wife! Tbh i don't know what else to put to that��� he says theres no need to overcomplicate it, its as simple as that - "i want a wife."
I.N - 6 of Pentacles, 6 of Cups
He likes investing and nurturing and building - all long term things. So i believe he is also long term relationship oriented, but im not really getting it as such a strong sense as the other members. Maybe he wants a long term relationship but not right now, and so he puts his (or invests) his energy and resources elsewhere, so later on he can properly focus on nurturing and building the relationship. Omg yes of course i get it. Thats what the investments abut. So right now he's investing in his future by building security in his finances etc. so that later on when he mets the right person and decides to build a life with them he can do that with a peace of mind and provide accordingly for his partner. Very lovely💗
#bang chan#chan#lee know#lee minho#seo changbin#changbin#hyunjin#lee felix#lee yongbok#han jisung#seungmin#i.n#skz#stray kids#tarot reading#kpop#reaction#headcanon#fling#relationship#imagine
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Sherlock and Co.
So I just listened to the latest episode, the conclusion of A Case of Identity. I have to say, it was deeply disappointing. For the most part I've been really enjoying Sherlock and Co. It's been fun and engaging. The actors are great. It's a solid new take on "Sherlock Holmes but in the 21st century". I love that they're going through all the stories of the original canon and giving them modern updates. So many Sherlock Holmes adaptations seem to have the basic trappings of the characters and premise without any interest in the original mysteries. This show is clearly being made with love and deep attention to detail. Also, on a personal note, my heart melts every time it explicitly (and even casually!) confirms that Sherlock is autistic and that that is a DISABILITY for him. He gets overstimulated. It gives him an often restricted diet. He hurts people's feelings from not picking up social cues and feels bad about it! There's also a lot of hints that Sherlock used to struggle to interact with others FAR worse than he currently does, to the point where he has never graduated from any school he attended. And John is kind and supportive, understanding the situation as a friend and a doctor, while also having his own understandable limitations. He gets annoyed with Sherlock sometimes and they need to hash things out. It's not perfect between them, but I can see how they're growing closer as they come to understand each other. John Watson is also handled very interestingly in this podcast. He's clearly got some issues of his own he's going through. There's some obvious PTSD from his time in Afghanistan, but also more mundane issues. He feels unappreciated by his mother and still grieves the father that died when he was ten. He's clearly massively insecure, as he constantly expresses jealousy of other people's wealth, good looks, and success. He seems to perk up every time he hears of an idea that could, in theory, make him rich or successful. He constantly second-guesses himself in any social situation because he's so afraid of looking foolish. I even think the reason that he himself decided to call their detective/podcasting business Sherlock and Co. (rather than Sherlock and Watson or something more evenly balanced) is because of his profound insecurity. He doesn't think anyone would care about the role he plays in the business. Clearly Sherlock is the only interesting person there.
But for all of that, I think this is the most competent, helpful, and good Watson I've ever seen. (ACD's Watson is excellent, but the stories almost always really downplayed his role in the crime-solving.) He is shown, again and again, to be an excellent doctor and more than that, one who is very calm and capable under extreme pressure. (Which makes perfect sense with his history as an army doctor.) If someone gets shot at your wedding, Dr. John Watson is the one who will have the skill and the presence of mind to use an expired condom as a tool to save their life. And he's also a good co-detective. He regularly helps Sherlock see connections that Sherlock might have missed. Things relating to pop culture, to social norms, to anything medical, not to mention all the support and encouragement John offers. And Sherlock genuinely appreciates it! These two are an actual, real team! It's excellent! (I have a soft spot in my heart for Nigel Bruce's Watson, but I can't deny that he inspired a real line of idiotic, totally a sidekick, why-are-you-even-here Watson portrayals. Granted, we've gotten away from that in most modern portrayals; Liu, Freeman, and Law were also very capable, though I think Liu was easily the smartest. It's just refreshing to have a Watson I can respect.) But all of that is a pretty roundabout way of getting to my point of what disappointed me with A Case of Identity. So, in the original Case of Identity story, a woman comes to Sherlock and Watson saying that her fiancee has disappeared. The eventual solution is that everything about this fiancee was a lie. He was actually her evil stepfather in disguise "wooing" her with the intention of disappearing mysteriously and leaving her too heartbroken and loyal to think of marrying anyone else (and thus depriving her stepfather of her fortune). The Sherlock and Co. adaptation has a solid update to the story. It's now about a rich, though insecure, man who's being cat-fished. He loves "Angel", even wants to marry her, and has given her tons of money for two years now. He's only going to Sherlock at all because he has a friend who thinks the situation is sketchy. In a parallel to the original story, it turns out that "Angel" is actually Des, the client's stepfather. It started off as a scheme from Des and the mother, Clara, to keep Miles from dating women they didn't approve of. Then Des went behind Clara's back to keep the charade going and get more and more money, consequently getting more and more intimate with his stepson the whole time. I was already a bit nervous at that point, because Des was coming dangerously close to playing out a transphobic stereotype. Being a man who pretended to be a woman for personal gain, and willing to completely betray and deceive the people closest to him. It also didn't help that John had made a point of saying that there was nothing wrong with being a Tory mere minutes before. (Which to me read as more of his insecurity and need to not alienate the in-universe listeners but certainly wasn't interrogated.) But I tried to be optimistic and kept listening. Unfortunately...it was even worse than I'd feared. Des turned out to not only being grifting his stepson through a semi-incestuous cat-fishing scheme, but he had a split personality. Angel had become real through Des having a mental health crisis. And she could spontaneously take over, which she did in order to grab Clara and hold a knife to her throat when the truth came out. Finally, Angel/Des tries to kill themself, which is something the show has the audacity to make a joke about before the audience knows if Des lived or died.
Sooooo, yeah. That's incredibly offensive on so many levels. Angel, while not quite a trans character (I think?) plays into transphobic rhetoric beat-for-beat. It's also an incredibly cliche representation of split personality disorder that plays into extremely tired representations of people with mental illnesses being violent dangers to society. And that's especially disappointing because of the attention Sherlock and Co. usually pays to portraying mental health issues with sensitivity. What the fuck, Sherlock and Co.? Did you get a new writer for this one? Did they time travel directly from the 1950s? This is cheap drama that hurts. It hurts trans women. It hurts people with mental illnesses. And it hurts the wider queer and disabled communities. Which, if you're trying to get popular with the most vocal Sherlock Holmes fans today, are largely the exact people you most want to like you.
Cards on the table, I've been really hoping this show would finally be the adaptation where John and Sherlock would become an actual, explicit couple. It's something fans have longed for for literal generations and now that all of Sherlock Holmes is in the public domain it can finally definitely happen. I felt like Sherlock and John had good chemistry and were maybe even flirting in previous episodes, but I'll save those theories for now. My point is that this is a show where I believed that could happen. I trusted Sherlock and Co. to be respectful and thoughtful. And I'm not saying that all my goodwill is gone now. But it has taken a hit. Sherlock and Co. has been overwhelmingly clever and interesting, finding creative ways to recast the classic stories while still keeping their hearts. I love the acting, I love the action and mysteries, and I haven't even come close to expressing how much thought I've put into what overarching plot threads might be getting established in each episode.
But I won't be able to continue to enjoy those parts if I come to spend my time listening more concerned about if a plot twist is going to leave me feeling attacked. I don't know who writes for this show and I don't know if you read any reviews on Tumblr, but I hope you do. And I hope you do better in the future. An apology and some good trans representation in the future would be nice. Please, I really want to be able to obsess about your show peacefully!
#sherlock and co#sherlock & co#sherlock holmes#john watson#transphobia#ableism#despite it all I wish I could write for this show#it seems like it would be so much fun!
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Hi! Can I please request an Aragorn SFW alphabet for the 1k follow event? <3
You absolutely can request that! Thank you for participating in the 1k Follower Event! I really appreciate each and every one of you.
Content & Warnings: just fluff
Word Count: 1.1k
A/N: Thank you to all who have submitted requests from the 1k follower event. A reminder that requests for that event are closed.
SFW Alphabet Template
ao3 // taglist // main masterlist // 1k follower event masterlist
A = Affection (How affectionate are they? How do they show affection?)
Deeply affectionate in both the platonic and romantic sense. He cares deeply about those closest to him, and the ways he shows affection will vary from person to person. It all depends on the relationship he has with them. Romantic partners will see a lot more physical affection. Platonic relationships might involve more verbal forms.
B = Best friend (What would they be like as a best friend? How would the friendship start?)
Aragorn is an amazing best friend. He is steadfast, loyal, honest, and noble. He comes to his friends’ defense and will always consider them family. Some of Aragorn’s strongest friendships were built on incredible hardship.
C = Cuddles (Do they like to cuddle? How would they cuddle?)
Prefers cuddles over snuggles. An arm over your shoulder or around your back while you’re tucked against him, and your head resting against his shoulder or chest is a guilty pleasure for him.
D = Domestic (Do they want to settle down? How are they at cooking and cleaning?)
Does want to settle down as long as he knows there will be stability. Times of unrest make it hard for Aragorn to see the end, but he does want to finally find peace in his life. He could certainly cook and clean without putting up a fuss, but let’s be real—he’s the king of Gondor. Other people are doing that for him.
E = Ending (If they had to break up with their partner, how would they do it?)
Gently. He isn’t there to hurt feelings or cause bitterness. He will be honest and upfront.
F = Fiancé(e) (How do they feel about commitment? How quick would they want to get married?)
Totally about commitment, but often doesn’t commit fully due to his lifestyle. Aragorn is a one and done sort of man, but sometimes duty calls, and commitment is difficult in times of war.
G = Gentle (How gentle are they, both physically and emotionally?)
Even in times of stress, Aragorn is very good at being gentle with emotions. He is never physical with anyone unless it is warranted and there is a perceived threat.
H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)
Great hugger but doesn’t initiate unless it’s very much in the moment or he’s feeling a burst of emotion. Most of his hugs go to his partner.
I = I love you (How fast do they say the L-word?)
Aragorn will use countless phrases to say “I love you” without actually saying the words. He’s saving the true “I love you” when he knows that the two of you can actually be together.
J = Jealousy (How jealous do they get? What do they do when they’re jealous?)
Rarely jealous, if ever. Aragorn is confident in where he stands with you and doesn’t see others as a potential threat to that dynamic.
K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)
A slow, tender, and romantic kisser. They are passionate kisses but Aragorn isn’t one to rush through things. He is going to take his time when it comes to kisses. He loves kissing your fingers and hands, shoulders, and the curve of your neck.
L = Little ones (How are they around children?)
Loves children and is very good with them. He is very fatherly. Would make a wonderful father to whatever children you have with him.
M = Morning (How are mornings spent with them?)
Waking up in his arms with sleepy kisses.
N = Night (How are nights spent with them?)
The same as morning but reversed. Sleepy kisses before falling asleep in his arms.
O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)
Open but it is earned. Truly revealing pieces of himself is only for those most close to him. For example, a romantic partner will likely know far more about him than a companion he travels with.
P = Patience (How easily angered are they?)
Lots of patience with a few exceptions. In matters of life-and-death, his patience is short but he is still calm. Matters that involve discussions might be part of this exception. Aragorn will listen to all voices but even he might grow frustrated if a matter can’t be sorted.
Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)
Would remember everything. No question. Won’t even elaborate on this one.
R = Remember (What is their favorite moment in your relationship?)
The first time you met. He loves retelling that story, but loves to hear it more when you retell it.
S = Security (How protective are they? How would they protect you? How would they like to be protected?)
Very protective. Aragorn is deeply protective of everyone he loves and cares for (this includes romantic and platonic capacities). Regardless of the relationship, Aragorn has an infinite amount of love and compassion for those around him, and he will always do his best to ensure their safety.
T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)
Would try if he is present. If he is away from you, don’t expect anything but his silent love. When Aragorn is with you, he is more likely to remember dates and anniversaries. He will often do things for you or gift things to you just because and not because he feels obligated to.
U = Ugly (What would be some bad habits of theirs?)
Leaving things around. Maybe it’s a boot or a dagger in its sheath, but Aragorn tends to set things down and walk away for a bit (and you always find the item before he does).
V = Vanity (How concerned are they with their looks?)
Hardly. None. Aragorn isn’t arrogant or vain.
W = Whole (Would they feel incomplete without you?)
Yes. Aragorn yearns but he also understands separation is often necessary. Duty is important to him, as is honor, and he will continue on as he needs to, even if that means leaving you behind. That doesn’t mean a piece of him isn’t missing.
X = Xtra (A random headcanon for them.)
Enjoys a good afternoon nap under the shade of a tree.
Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)
Éowyn’s cooking (lmao I had to), putting someone down for their physical appearance, dishonesty when it’s better to simply tell the truth, having his time wasted
Z = Zzz (What is a sleep habits of theirs?)
Can fall asleep anywhere and at any time. It’s a learned skill. But does not sleep deeply. Even in sleep, Aragorn is alert.
taglist:
@glassgulls @childofyuggoth @foxxy-126 @km-ffluv @firelightinferno
@glitterypirateduck @tiredmetalenthusiast @protosslady @coffeecaketornado @miaraei
@cherryofdeath @ferns-fics @ninman82 @thewulf @beebeechaos
@hantheconqueror
#lotr aragorn#aragorn lotr#aragorn#aragorn fanfiction#aragorn fanfic#aragorn son of arathorn#aragorn elessar#aragorn x reader#aragorn x you#aragorn fluff#aragorn fic#aragorn x fem!reader#aragorn x female reader#aragorn x f!reader#lord of the rings#lotr fanfiction#lord of the rings movies#lotr fic#lotr fanfic#lotr headcanons#lotr fluff#lord of the rings fanfic#lord of the rings fanfiction#lord of the rings fic
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My humble Altar
Before I put it away for the winter holidays and local solstice celebrations, here's my little pop-up altar, complete with offerings. Sharing in response to my friend @jehan-the-necromancer who has been curious for a while now and the lovely @chthoniclakewitch who asked about it.🥰 (I thought I might as well put the pics in a post, I hope you two don't mind being tagged. 🙈)
Mostly I'm working with Apollo and Aphrodite, Gods of Love, Sexuality, Queerness, Healing, Muse, Poetry, Inspiration and Beauty! The reason is mostly my own queer gender identity and sexuality, as well as a life-long love for art, music and writing.
But also my experiences with CSA, depression and hurt are relevant in regards to many of these topics, as well as the struggles that come as a result. Apollo and Aphrodite give me security, capacity to practice self-love and consider the love others have for me, when anxiety threatens to lie to my heart and make me doubt it. They are also who I turn to for comfort and where I seek refuge when these things get hurt or when it's difficult to navigate them. And they are the ones I pray to, when I want to extend my love to others or when I hope to see people I carry in my heart protected, healing and cared for. Especially in situations where I directly help a person with these things... Aphrodite helps me learn how to think, act, speak and connect with deep love and care for the human essence. Apollo helps me learn how to see the light and beauty of things and how to tap into my healing potential through creative expression. Both these things are life long journeys.
I also pray to Ares and Hecate. Ares because I am a very sensitive person who experiences others and their own emotions very deeply and easily gets very deeply impacted by them. It can be like I absorb the emotions of others and then have to work through them and understand them in all detail myself, even if they don't even fathom that or don't have to do that themselves. So I often carry lots of fear, sadness and hurt in my heart, or need to untangle the anger of others or sometimes also myself, because it mostly servers as a protective response. Simultaneously I have a profound inability to take in and hold the emotion of anger very well, due to complex childhood trauma where people with unresolved anger issues would lash out in life- and safety-threatening ways due to their lack of self-control and and cause both physical and emotional damage. Therefore it was equally life-threatening in this environment to express anger or any other emotion or to protect myself by removing myself from situations that overwhelmed me. To this day, there is nothing more terrifying to me than a person who cannot control their anger, who cannot communicate an issue, fear or a hurt in other ways than by lashing out. It still feels life-threatening, it gives me mortal anxiety and I can't process and react to that in real time. I will always shut down and struggle to comprehend even my own thoughts and memories in this moment. I am reduced to pure fear and survival instincts at this point. And it took me many years to learn from Ares that I am allowed to protect myself, guard my peace and well-being by taking breaks when this become too much, especially when I'm under intentional attack.
Ares reminds me that it is okay to feel and express my own anger, but also that I do not want to follow examples of toxic, unhealed anger expression, by reminding me of the warrior's honor. He reminds me that unfiltered emotion equals war and destruction. And in collaboration with Aphrodite and Apollo, that such things have no place in healthy, loving connections. That there is always a hurt or a fear underneath such strong and violent emotions, that seek to be protected. And that it is important to step back, to process my anger, yes, but to write it down, over and over until I am calm and understand the essence of what I want to express, without hurting the ones I love. And that others are equally responsible to do moderate their own emotions and that I don't have to expose myself if they have not been responsible enough to put in the work and effort it takes to learn how. Ares is also who teaches me to enforce boundaries. That I am worthy of divine and earthly protection and justice. That it is okay to fight injustice and mistreatment, instead of quietly tolerating it. That my well-being, my rights and my existence are worth fighting for. That my life and I am worth fighting for. Worth defending. That if nobody stands up for me, it is okay if I do that. That peace is fought for, negotiated over, not merely tolerated. He and Apollo are who I pray to, for strength and endurance in my battle against depression, chronic illness and now cancer. He is the first god I ever prayed to, who I ever recognized as a god, when I was a child.
And Hecate is... Hecate. The mother, the maiden and the crone. The witch goddess. Protector of the crossroads. Those who know her, know her. Those who do not... fear her. I pray to her for protection, for guidance. And to help me heal the witch-wound. The wound all people carry who have been othered or unjustly accused and punished out of fear for their knowledge and powers, rather than being honoured, heard and understood. She is also known as the goddess of Boundaries, the Underworld, Plants and Herbalism as well as the Moon. I'd like to say that my connection with her is much more... obscure and yet personal than with any of the other gods. I refer to her as mother, when I pray.
#hellenism#aphrodite worship#aphrodite deity#aphrodite#aphrodite areia#greek deities#greek gods#greek goddesses#apollo worship#mental health#apollo deity#apollodeity#ares#ares deity#ares worship#ares god of war#greek mythology#apollo#aphrodite devotee#apollo devotee#ares devotee#hecate#altar#deities#hellenic pagan#paganism#pagan witch#paganblr#pagan#witchblr
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I don't wish to hide behind a Native friend in voicing my opinions on the matter, but I asked said friend, Trickster Kisses, for permission to quote him so I can give context for why I have the stance that I do.
Here's him explaining it to me for the first time a few years ago:
Here's his tags on that post I reblogged yesterday:
Here's a post he made shortly thereafter:
And from a conversation we had last night:
Doubtlessly some Algonquin people disagree, but I've seen multiple say the controversy is silly, and like. Yeah. Saying "wendigo" is not going to summon evil spirits to possess you and turn you into a cannibal, it was a metaphor for greed. Natives are generally aware that the world doesn't work on Beetlejuice rules. Even if a few may insist on it, others find it deeply condescending to be treated like village peasants who cross themselves and warn the smirking white protagonist about the forest being filled with goblins and ghouls, except without the part where they turn out to be right because these things aren't real.
And it's different from creating images of Mahoumed, because (a) that's about respecting the single most important figure in the Koran short of Allah Himself, not being in fear of one particular mythical creature that got it's name popular with white people, and (b) non-Muslims depicting Mahoumed is literally only ever done purely to spite Muslims.
I even feel, as my friend does, that the necessary accuracy point is debatable, as other cultural beliefs include vampires, elves, and the Greek gods, and those are often distorted far beyond what the people that did or do believe in them would recognize, but in that I'm willing to concede more than my friend and say, yeah, getting something right and not just going with the pop cultural flow is almost literally the least you can do for a still very vulnerable and hurting group that's been done repeated catastrophic damage by your own group. You should, in fact, in my white opinion, just name your deer monster something else, and in that I "disagree" (it's more like a deferring perspective) with Trickster Kisses whose stance is much more relaxed.*
And I think if it were just "name your deer monster something else, be accurate if you actually use the wendigo name" a lot more people would be on board, that was the position of the Algonquin person on that post yesterday, but white people going all "stop it Patrick you're scaring him!" about it is really weird at best.
*from having asked about engaging with the wendigo in my own writing, a sequel to a story by Algernon Blackwood which got it very wrong:
Depends honestly, if you're not worried about backlash you can honestly just be like, whatever, sometimes vampires sparkle, it'd be cool to see more from the original myths but then you have to get into 'okay but like, which tribe's myths' ngl follow your heart in that regard, I personally consider all of them solid & acceptable
my own decision was to take it in a somewhat meta direction and directly address the fact that the Blackwood story was inaccurate
Okay, so like. This is the ask that prompted me to go to Trickster Kisses and ask him for permission to quote him, and in particular I asked if he could give a response to you specifically.
Listen. Anon. I truly did not expect him to be so angry. Like, I'm not kidding, I sincerely feel bad for you right now. This tongue-lashing is not coming from me. All I can tell you is that this is how an Algonquian person feels about it:
@gromlyn
Trickster Kisses, again four years ago:
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idk how to put this sorry if this comes off as rude/confrontational I'm not trying to be — when you say stories about forgiveness/reconciliation, do you mean more the type about forgiving & reconciling with family, or more generally (so like including - this isn't the best example but I can't think of any better rn - catra for example? where it's about being trapped in hurting people because of trauma and breaking out of that)? or is the thing you dislike more stories' framing of forgiveness as a moral imperative?
sorry if this doesn't make sense I'm just curious what you think bc you've raised some interesting points and would really like to see you elaborate on them
don't worry you don't come off as rude whatsoever! while i think my points apply broadly to how forgiveness is treated across media (rare actual example of cultural christianity) -- i obviously am not, like, against forgiveness or stories about forgiveness on principle. what i dislike about all the narratives about people forgiving their abusive parents is that:
like you said, it's always framed as a moral imperative. there is always an underlying assumption that forgiving the abuser is the 'right' and 'correct' thing to do, that not doing so would be wrong. this is tremendously insulting to survivors who have every right to not forgive their abusers!
in most of these narratives, the parent barely does shit to be forgiven. there's very often a narrative equivocation, in fact, between parent and child. like, sometimes the parent won't even be expected to apologize -- sometimes, even more grotesquely, both the parent and child apologize for their shared supposed 'wrongdoing'. this is also obviously insulting to survivors, who are not in any way responsible for their abuse or for having a poor relationship with their parents.
the reason why this in particular pisses me off so much is that it mirrors and in turn contributes to the cultural expectation on abuse victims in real life to maintain contact with their abusers, the constant casual pressure from everything from strangers to friends to acquaintances saying 'well, can't you just put it behind you?' or 'look, he's changed' or 'she's your mom' or 'you'll only have one chance to have a relationship with your siblings' or whatever the fuck. the sanctity of the family is a cardinal value across a lot of societies and this sanctity means a constant, neverending societal pressure to bow to sweeping abuse under the rug. i've seen many people i care about struggle deeply with feeling obligated to maintain relationships with family members who treat them like shit and make htem miserable every time they interact bc of exactly these sorts of sentiments being everpresent in their cultural environment. & these narratives always paint that sort of pressure as being well-founded and fair and ultimately for the better, which is absolutely repellent to me.
so, yeah. i am not against narratives where an abusive person actually confronts their actions and changes and repairs that relationship (that's another fucking thing, these narratives always put the onus and responsiblity on the character who was abused to forgive rather than on the abuser to earn forgiveness, just like in real life familial abuse victims are always fucking expected to be the ones to repair the relationship). i think such narratives can be powerful and compelling and explore questions of what the value of 'forgiveness' or 'redemption' even are, as well as dispel the mystique and exceptionalism often attributed to the 'abuser' as a holistic malevolent figure that can be cleanly separated from every other parent/grandparent/sibling/etc.
what i'm against is narratives where someone who is abused has their feelings delegitimized -- their rage is wrong, counterproductive, they need to let go and move on, they need to forgive their abusers and let them back int otheir lives because oh, they did something wrong too or oh, their abuser had a difficult life, or whatever the fuck. to which the answer should be a flat -- no. they don't. all the more power to people who choose to do that if that's what makes them happiest and safest but absolutely nobody has a moral obligation or need to forgive an abusive family member. obviously i am exaggerating slightly when i say every abusive parent subplot should end with the parent being killed with hammers, but i'm using the hammer murder as a synechdoche for a narrative treating an abuse victim's antipathy towards their abuser as something legitimate and justified and obviously reasonable rather than a flaw or something they need to move past.
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Jadepeach Headcanons:
(Art belongs to @splendentmoon)
Wukong is aro-ace, and has very little care for relationships outside of friendship and his troop, but he’s not against a relationship if the person in question is someone he deeply cares for and admires.
Nüwa is demi-ace, she’s very open to the idea of a relationship, but it takes her a long while to develop a romantic connection to anyone.
When they first met Nüwa had no idea who Sun Wukong was, something that offended Wukong in the beginning but would later come to appreciate as it meant that she would get to know the real him and he didn’t have to put up a front.
They originally bonded via their unique shared custody situation of MK and despite the rough start they both grew to deeply admire the other which eventually led to their relationship.
Both are very similar in terms of personality, but whereas Wukong is as bold as the sun, Nüwa is subdued like a star.
Nüwa admires Wukong’s free spirit and he admires her down to earth nature, and both adore the other’s kindness, ambition, creativity, protectiveness, and capacity for love (when either of them gives someone their love, they love wholeheartedly with no strings attached).
Their favorite pastime is sharing their art forms with each other, Wukong would teach Nüwa how to paint and fold origami, while she would teach him how to sculpt, they also love researching anything and everything together.
They’re both simultaneously the most intelligent and most naïve person in any given room, largely due to isolation.
Despite having the combined power to eradicate all of existence, both are terrified of papa mode Pigsy, and it doesn’t help that he usually has an issue with how they try to parent MK.
Wukong’s nicknames for Nüwa are: My Jewel, My Elegant Sculpture, Mango, My Star, Starlight, Starbeam, Starflower, Star Jade, Shooting Star.
Nüwa’s nicknames for Wukong are: My King, My Hero, Peaches, My Sun, Sunlight, Sunshine, Sunflower, Sunstone, Sunny.
Wukong is Nüwa’s very first relationship, which makes her slightly insecure as she worries she’ll embarrass herself and make things awkward between her and Wukong.
Wukong was previously in a serious committed relationship with Macaque, and with how bad that relationship ended, he often worries that he’ll end up hurting Nüwa in a similar manner and driving her away.
This previous relationship is also why he doesn’t use My Queen as a nickname for Nüwa, as that was one of Macaque’s old nicknames, and it holds a bittersweet feeling to it.
Luckily for both of them they managed to become a powerful couple, as even celestials and demons that detest Wukong admire and envy their love.
#lego monkie kid#LMK#lmk wukong#lmk nüwa#lmk mk#jadepeach#lmk jadepeach#jadepeachshipping#past shadowpeach
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things i love about heartstopper 6/?
Characters that would be stereotypes in other stories are whole human beings.
Imogen and Isaac are the best examples I think. Imogen would just be the cool girl in another story, a bit ditzy, kind of fun, mostly there for the laughs. Here she is all those things, but she's also a deeply empathetic character, with understandable motivations. Even if you don't love her, you can understand her and sympathise with her. When Nick asks her "Do you ever feel like you're just doing things because everyone else is?", you can see the recognition in her face. That's her whole story across 3 seasons. And you care about her, you empathise with her, and you love her (well, I do), even though (because) she's a walking disaster a lot of the time.
Isaac deserves a whole post to himself (I LOVE HIM) so I'll save most of what I could say about him for that. But the sweet, book-loving, nerdy friend character could so easily be a caricature, and Isaac isn't. He's closer to that in S1, maybe because he was filling the place of Aled who has a whole backstory of his own and they hadn't quite figured out his role yet? But even in S1, his personality is never just book-loving nerd. He's funny and sassy and kind and insightful, and then over the seasons he becomes so much more than that. You can see why his friends love him. You also get a sort of feel for why he's so book-obsessed, when most similar characters "just are" with no real thought beyond "well they're a nerd". I think one of the things I love about his story is that his friends sort of accidentally pigeon-hole him, too, the way other stories often do. And part of his arc is pushing back against that, and them realising they need to do better (and then they do, which is so fucking good, I love them all so much!).
You can see this humanising process with the “villains” of the show, too.
Ben Hope, the worst person in the story (imo), has his main humanising moment in 'Sorry' (I think it was done better in the show than the comic, pls don't come for me). It breaks my heart every time, when that rainbow ocean gets close to his toes and he turns and walks away I wanna cry. Because it's so clear he could have been different, he could have chosen something better for himself and everyone around him. He could have chosen not to be entitled and cruel, and to not inflict his own pain and shame onto others. And he could have chosen this moment to do that too, but he doesn't. He cuts himself off from the possibility of freedom, which means he'll keep hurting other people and himself for who knows how long. (Sebastian Croft did such a good job with this character, he's so believably awful.) It's such a perfect moment. Even though I do feel real empathy and sadness for him, that doesn't make what he did okay and the show is always clear that he's wrong and he needs to be held accountable. Yes, we see that his family and environment led him here, but he could have made a different choice. He could have learnt from Charlie the way Nick did, but instead he tried to destroy all the parts of Charlie that would have helped him. We see Darcy struggling with similar pressures throughout S2, and they make a very different choice from Ben at the end of this same episode. We see how Ben got there, we see him as a full person, and we're never asked to approve of him or minimise the hurt he caused - it's basically spelled out in Ben and Nick's conversation in 'Family':
"I was going through some personal stuff." "I don't care, you hurt him!"
Probably the weakest characters in terms of being humanised are David and Harry. David has the most punchable face, but as the show progresses you can see a little bit of what’s underneath. It doesn’t make you like him and it’s not supposed to. But he’s not just a cardboard cutout. He’s a hurt little boy who, unlike Nick, leaned into the shittiest form of masculinity to try and get the validation he desperately wanted from his dad, and then everyone else. And it shows up irl for so many families. The older sibling who was just that bit older when their parents separated often has a much harder time adjusting, and often compensates in some shitty ways - especially if one of their parents is neglectful/toxic. On first glance, it's wild that Sarah managed to raise such different sons, but the context we get makes so much sense. Yeah, the "my parents are divorced/dad is a dickhead" manchild is a stereotype still, but there is an actual person there.
Harry is similar to David in terms of character, but probably gets the least humanising attention. He and David both like to poke at people until they get a reaction that they can be angry about. Harry gets a little bit of an arc of his own, but he never really gets far from the stereotypical bully - as Tao says, a "rich bellend". There are a couple of moments where you can see a human face underneath, though, if you're looking for it. His face when Nick stands up to him, there's more than just anger there. Or, perhaps, you can see when the anger hits and what's underneath it. You can see what drives his constant poking at people to get a reaction (especially if you've had to deal with assholes like that irl). There's insecurity, and sometimes a weird sense of shock when people snap at him, as though he didn't expect it - that's so true to life as well, and often something that gets left out of this stereotype in other stories. But later on, when he tells Ben he shouldn't call Imogen a bitch, you can also see something else there, the potential to be better, even if it's just for people like Imogen who he's friends with. (Maybe we'll see more of that in S4?) Props to Cormac Hyde-Corrin for those little moments, he did them really well.
I think what’s so valuable about the humanising moments for the “bad guys” of the show, even the tiny ones you have to look for, is that you are supposed to empathise with them to some extent, but you’re never asked to forgive them or absolve them. You understand more about who they are and sometimes why, but they’re still responsible for their choices. That's how people change, right? When we see their humanity and then expect better of them. It’s so important.
#dunno if this made sense#i have so many feelings about this#heartstopper#heartstopper show#imogen heaney#isaac henderson#ben hope#david nelson#harry greene#things i love about heartstopper#alice oseman#osemanverse
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I love Hisoka and Illumi’s little dynamic because they are both so fucking dense and Hisoka puts on this emotion filled persona and he his a literal psychopath, illuminating puts on an emotionless persona but he feels so much. They point out each others flaws because the other is the embodiment of the persona that they’ve spent their lives crafting.
“Oh Hisoka isn’t dense he’s well aware of his issues!”
Yeah, that’s what he says but he is a literal psychopath that is open about lying just because he thinks it’s fun.
Hisoka is so obviously a psychopath he has all of the traits, He feels absolutely no empathy at all. The few times we see it something even close to empathy on him it’s a persona he’s putting on because contrary to popular belief he isn’t impulsive he’s so manipulative and he calculates every move he makes there isn’t a goddamn chance he loves Illumi because this mother fucker doesn’t feel anything, he’s able to feel shallow pleasure and rage but sadness, love, empathy and happiness aren’t there. I mean this emotionally of course he can’t feel happy so he substitutes it with horny. There’s only so much a person can change themselves even though Hisoka tries it’s just in his nature, Besides the horny part Hisoka’s true personality the persona Illumi puts on.
“Illumi doesn’t feel anything he’s cruel and heartless.”
Illumi is a very emotional person, he feels empathy and even gives his targets one last wish but he doesn’t recognize his emotions and he hasn’t tried because he doesn’t want to. Illumi knows that to be a good assassin he shouldn’t let his feelings get in the way so he pushes them to the side, ignores them and probably uses nen to further that.He loves Killua deeply but also hates him and is jealous of him, he just assumes that’s what love feels like. Out of the two of them Illumi is probably the more impulsive as we see in the Alluka arc (thats not what it’s called but I can’t remember) when Hisoka threatens Killua Illumi cannot help the rage he feels he’s unable to control it. He loves Hisoka but he won’t recognize that because he’s already been through this with his family he knows what it feels like to love someone and have them hurt you. Illumi doesn’t want to have emotions but Hisoka needs them to get what he wants so he plays a persona similar to Illumi’s real personality.
In conclusion they want what the other has and they keep each other around because they know they are useful to one another I see people say that Hisoka could be 100 percent normal if he tried and while that’s somewhat true he wouldn’t feel the things you need to be normal much like a clown he plays an act. Illumi is just in an awful situation and if taught he could also be somewhat normal.
It’s also so funny that Illumi says he’s “Too honest” and Hisoka says he “Hates dishonest people”
However Illumi lies to himself and Hisoka lies so often like you hate yourself? Yeah they both hate themselves and Illumi is BPD coded while Hisoka is a psychopath that uses narcissism to cover up his empty he is.
#hxh 2011#hxh#hxh illumi#headcannons#illumi zoldyck#hxh hisoka#hisoka morow#hisoka x illumi#illumi hxh#hisollumi#hisoillu#character deep dive
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GRAVITY FALLS AU-
(Gravity falls x dead plate)
Place :
Country :
—USA. , Centered in Oregon
—Gravity falls
Period :
—1980 / 80s
Restaurant :
—The twisted hour
Characters :
Names and who they are replacing in this story.
Bill Cipher :
—replacing Vincent Charbonneau ; role, chef
Stanford Filbrick Pines / “Ford” :
—replacing Rody Lamoree ; role, waiter
Fiddleford Hadron McGucket :
—replacing Manon ; role, supporting character
┉┅━━━━━△━━━━━┅┉
Personalities :
Motives, why they do what they do, how they behave, etc.
Bill Cipher :
Bill is a self-centered person who doesn't care much about others' feelings. He's often able to manipulate the rest to do his bidding; he is someone smart, manipulative, focused and charming. He is a psychotic individual, blunt in his speech, yet adept at wrapping his words in just enough sweetness to make others willingly follow him.
Furthermore, he is a successful chef, someone popular and charismatic before the public eye. With his employees, he acts intimidating and harsh, not scared to insult them and downplay them, going as far as to threaten their well-being. However, around his employee Ford, he seems slightly more agreeable. Yet, there’s still an unsettling aura about him that makes his presence eerie and uncomfortable.
Goal : Find for that elusive ingredient that would lift his dishes from tasting “bitter” and “hollow”—the essence of love.
Motive : Become a better cook.
Actions : Driven by the desire to craft the perfect dish infused with love, he provoked Fiddleford's death and fed it to Ford.
Reasoning : Bill met Fiddleford, a man who had just asked for some time from his partner; Stanford. He missed him, and still loved him deeply. However, he had to leave him behind, frustrated that the other person placed more importance on their work and personal interests than on their relationship. Seeing how much Fiddle loved Ford, he thought he was that missing ingredient his plates needed!
┉┅━━━━━△━━━━━┅┉
Stanford Filbrick Pines / “Ford” :
Ford is an intellectual, and he is considered an introverted and nerdy person. He has taken a liking with puzzles that require a lot of thinking, board games like Dungeons, Dungeons, & More Dungeons, and more. Not only that, but he is someone who grew up as a prodigy in the kitchen. However, he was hit with the harsh reality once he met his “muse”, Bill Cipher. The successful chef, many aspiring ones wished to meet. He started to focus too much on this chef, admiring him, making him the center of his universe. He was his inspiration for his dishes.
Ford began to neglect Fiddleford and their relationship
He started working at Bill's restaurant, The Twisted Hour, as a waiter with the promise of being able to move up the ladder and become a chef. However, he started to work there too due to wanting to save up extra money to buy an apology gift for Fiddleford, even though he has not answered a single call since last week. He tries to remain hopeful.
Goal : Reconcile with Fiddleford and maintain a friendly relationship at the very least with him. While at the same time pursuing a strange relationship with his muse to become a better cook.
Motive : To please his muse and apologize to Fiddleford.
Actions : He ends up with his heart on his sleeve, he ate the “still” beating heart of Fiddle.
Reasoning : He admires Bill Cipher, he is his muse, his god, his inspiration and what gives flavor to his life. He ate what was given to him without a second thought, it tasted a bit shallow in a way, like it missed that “love” all food is cooked, this one felt too logical, too rational. But he wanted to see those eyes staring at him, glaring at him, looking at him and only him. Even if it hurts.
┉┅━━━━━△━━━━━┅┉
Fiddleford Hadron McGucket :
Fiddleford is a warm, friendly, kind, and expressive person. However, he has trouble channeling his emotions in a healthy manner, he often acts spontaneously and on a whim, without real thought into the future consequences of his actions.
Adding to that, he is someone sweet, sensitive, charming, and naïve, but he is socially awkward, and has self-contained morals. He frequently acts happy and wears a smile despite admitting to being miserable. It is clear that much of his behavior shows no regard for social conventions. He is a person guided by emotion.
When he started to be neglected by Ford, he started to feel more paranoid and self-conscious, often times entering on a high-level stress situation.
He ended up being killed and turned into a dish that was later given to Ford.
Goal : Either move on from Ford or give him a 2nd chance where he proves he has changed.
Motive : He felt lonely when he was with Ford, and couldn’t bear to stay with him any longer.
Actions : Fiddleford ended his relationship with Stanford because Stanford prioritized his work over their relationship, leaving Fidds feeling neglected. He then found himself in Bill’s Cipher restaurant. He recognized it, he has gone there a few times with Ford for dates and such. What he didn’t expect was to meet Bill—the chef his (ex)boyfriend went as far as to worship. He ended up being tangled up with him in a strange manner.
Reasoning : He wanted to feel loved by who was his partner, yet he was destroying himself in the process. He had to leave under the lie of “needing a break”. In the end, he just settled for the wrong attention.
#dead plate#bill cipher#gravity falls#gravity falls bill#bill cipher au#stanford pines#vince dead plate#rody dead plate#fiddleford mcgucket#fiddleford hadron mcgucket#fiddleauthor#bilford#doomed yaoi#dead plate au#gravity falls stanford#gravity falls au#gravity falls writing#stanford pines au#gravity falls fiddleford#fiddleford au#dead plate x gravity falls#Bill cipher gf#gf stanford
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