#he will not give up his demonic status for aziraphale.

[everysongineverykey]

until i reblogged that gomens/tumblr posts gifset yesterday i have to say it never even occurred to me that people saw the bentley changing in aziraphale's presence as the car changing itself for him because it was psychically connected to crowley and thus loved aziraphale... like that did not even enter my mind even once. i don't personally believe it, is the thing, but i'm fascinated that people saw it that way.

to me, the bentley isn't changing itself. aziraphale is changing it. crowley asks what he's done to it and demands he "change it back", after all. aziraphale transforming the bentley into something more his style- something cute, gentle, sunshine yellow, travel sweets, classical music, incapable of speeding- read to me as a reminder that though aziraphale loves crowley, he still has ten guilt complexes stacked on top of each other about not being good enough, pure enough, holy enough, and thus trying to convince crowley to become like him under the assumption that since that's what aziraphale wants, surely it must be what crowley wants too. aziraphale is still insecure about being seen associating with something so dark and edgy, so he compensates by trying to make crowley and his car as good, as innocent, as "pretty" as possible. to me, at least, that's far more interesting than just "crowley loves aziraphale so much even his car wants to look pretty for him".

[forineffablereasons]

Oh, Crowley. Nothing lasts forever.

I think the entirely of Crowley and Aziraphale's interactions in the Final Fifteen™️can be summed up by the idea that they are talking past one another, failing to fully understand each other, but I want to talk about this line in particular. This isn't a full analysis of the scene - just this isolated bit.

Crowley: ...If Gabriel and Beelzebub can do it, go off together, then we can. We don't need Heaven, we don't need Hell, they're toxic. We need to get away from them, just be an us. You and me, what do you say? Aziraphale: Come with me. To Heaven. I'll run it, you can be my second-in-command. We can make a difference. Crowley: You can't leave this bookshop. Aziraphale: Oh, Crowley. Nothing lasts forever. Crowley: No. No, don't suppose it does.

As methods of occult/ethereal communications go, the metaphor is quite versatile.

Crowley is saying: stay here with me. We have this enclave. We can be together properly now - stay here with me. Never mind that they have not actually made any progress on this in the last four-ish years since the end of the world. Never mind that Crowley is so stagnant that four years after the end of the world he's still living in his car.

Keep in mind that Aziraphale didn't have the benefit of Nina and Maggie's intervention - Aziraphale doesn't see this as a confession under Crowley's own initiative, he sees it as a response to what Aziraphale is saying. Aziraphale says, let's go make a difference, and Crowley is sort of forced into taking this position as an alternative offer - to Aziraphale, it looks almost like a temptation. Nothing changed in the last four years, but now that Heaven needs you (and we must give Aziraphale the benefit of his belief that Heaven truly does need him, even though this is clearly a manipulation), I'm ready to move forward, don't you want to stay, don't you want to deny Heaven and exist with our heads in the sand?

"Oh, Crowley," Aziraphale says. "Nothing lasts forever."

To Crowley, who is offering himself and this enclave, this bit of existence that can just be theirs - nothing lasts forever is an obvious smackdown: not even us.

That's not what Aziraphale is saying, though. What Aziraphale is saying is, we can't live like this forever. If we want to protect it, we have to change. Nothing lasts forever isn't a betrayal or a resignation - it's a sacrifice. Aziraphale cares so much about Earth, about fixing Heaven, and about Crowley himself that he's willing to give up the bookshop and their enclave on Earth in order to save it.

They cannot just maintain the status quo. It's been four years since Armageddon and nothing has changed, and keeping on ignoring Heaven and Hell didn't work! It didn't work! They were on their own and here's Heaven and Hell again, in their business, dragging Crowley back to Hell, dragging Aziraphale back into Heaven's politics. Four years was all they got. Four years, and they were under threat, risking each other, risking their very existences. They can't sit in their enclave and pretend it won't happen again because it absolutely will.

Aziraphale spends a lot of this series burying his head in the sand. If he can just hide Gabriel, everything will be fine! (It won't - he'll still have Gabriel.) If he can just make Maggie and Nina fall in love, everything will be fine! (It won't - he'll still have Heaven and Hell waiting in the wings for the next suspicious event.) If he can just get everyone at the Jane Austen Ball, if he can just keep the demons out, if he can just ignore it, it will go away! If he can make the participants know the steps to the dance and if he can control the lingo, he can create a new fantasy world for them all to live in and everything will be fine!

It won't. Aziraphale isn't in control. Aziraphale can't stop this. Aziraphale can't protect himself, and he can't protect Crowley to the point where he has to let Crowley leave him and work a plan on his own. He's a principality, and he can't protect the things and the people he loves.

Then the Metatron walks in, makes a point of validating all the things Aziraphale loves - coffee (food/drink), Crowley (your demon can recognize me even when these angels can't), the shop (do you need to take anything with you? I've made sure the shop will be safe), separates Crowley from Aziraphale - Crowley, Aziraphale's guiding light in all those minisodes, Crowley, the one being Aziraphale trusts - and then.

And the Metatron offers Aziraphale the control he's been missing all season.

Nothing lasts forever. We can't survive in this enclave forever. If we stay here, it will all end. If we stay here, I can't protect you, or humanity, or any of it. I have to try, we have to try, because no one else will, and I'm willing to give up my freedom and my bookshop if it means I can save everything. I want to save it with you, I want you to be with me, I need you, I need us, but--

If I can save you, even if it costs me us, at least you'll have survived.

If that's the price, well. Nothing lasts forever.

[goodomensblog]

Give me coffee or give me death

Why I believe the coffee is important…but not because it’s been tampered with. The coffee represents exactly how Metatron manipulated Aziraphale to return to heaven.

Let’s take a look back at that painful final episode.

In Nina’s coffee shop, the Metatron makes an interesting remark: “Do people ever ask for death? The name of your establishment is Give me Coffee or Give me Death. I assume they always ask for coffee.” And when Nina replies that they never ask for death, he says “No I don’t suppose they do. So predictable.”

This is an interesting line! And in my experience, interesting lines don’t show up for no reason. My takeaway from this is that it means when given the choice between a mildly pleasant thing (coffee) and an extremely unpleasant one (death), the predictable choice most people will make is to pick coffee. Here’s where things get interesting. The Metatron proceeds to apply this exact logic on Aziraphale.

Let’s fast forward just a little bit, to Aziraphale’s retelling of his talk with the Metatron. After being offered the position of supreme archangel, Aziraphale initially refuses! He says “but I don’t want to go back to heaven. Where would I get my coffee?” In other words, Aziraphle likes earth and is happy here amongst his people and things. To this, the Metatron responds: “As supreme archangel, you would be able to decide who to work with…” and says that he was looking back at his precious exploits and saw his “de facto partnership with the demon Crowley.” And continues “Now if you wanted to work with him again, that might be considered irregular. But it would certainly be within your jurisdiction to restore your friend Crowley to full angelic status.” On my first watching, I didn’t catch the threat — but it absolutely was one! Because here, the Metatron has asked Aziraphale to choose between coffee and death. He’ll have to return to heaven, BUT he’ll be able to be with Crowley! The alternative is the threat of never being able to work with Crowley again. And just as the Metatron has predicted, Aziraphle chooses coffee. Because to Aziraphale, the alternative would be inconceivable.

Could Aziraphle and Crowley have communicated better? Yes. Should Aziraphale probably have explained the bit about the Metatron threatening to keep them from working together. YEP. But as Maggie and Nina said, communication is something for them to work on (next season, ideally).

[vidavalor]

Perfectly Safe

Ok, I might have read one too many 'Aziraphale doesn't love Crowley because he wants him to be an angel'-type posts and I'm at risk of grinding my teeth into oblivion over here. This is short defense of why Aziraphale is tempted by the idea of being able to offer Crowley a way out of Hell and how that makes him pretty lovely, actually, and not villainous in any way.

In honor of @badaziraphaletakes, who is doing The Lord's Work out here. Lemme know how I did when you have a chance. 😇

Aziraphale being tempted by "The Metatron's" offer is not about him needing Crowley to be an angel. It's about the hell that Crowley has been living being tied to Hell for the last six thousand plus years.

Aziraphale does not need Crowley to become an angel again to love him. He already loves him. He does not think that Crowley is "lesser" because he's a demon. That's lunacy. Aziraphale is furious with God, whom he thinks made a mistake in casting Crowley to Hell because Crowley is lovely and Aziraphale thinks nothing less. Aziraphale loves Crowley so much that he actually just willingly accepted a scheme he didn't really 100% believe was true just because even if there was a .02% chance that it was real, he had to take it.

Aziraphale is tempted... quite. literally. tempted... into accepting an offer that includes the power to restore Crowley's angelic status because he believes that Crowley becoming an angel again is the only way that Crowley would ever be safe from Satan and Aziraphale will do anything to keep him safe.

Anything.

That angel will give up their life together on Earth. He will give up his own freedom and his own happiness and, largely, he and Crowley's ability to have a functioning relationship, to do the worst job imaginable for all of eternity if doing that job means that it gives him the power to protect Crowley in the one way for which he has always been powerless.

What do you think it's done to Aziraphale for it to have always been dangerous for them to be together all this time? Not just in the sense that they can't get caught or they could be killed but in the sense that because they can't get caught or they could be killed, they can't just live together easily and that actually would only partially solve the problem? Every time Crowley goes out the door, neither of them know what horrors await him on the outside.

Every. Single. Time. For thousands of years...

Aziraphale has always done everything he could to protect Crowley, as best as he could in whatever time they were in. He built the bookshop for Crowley. Yes, he wanted a place of his own and he came up with the bookshop embassy to con Heaven into letting him have material objects and a house but it was always really for both of them. It was to give Crowley a place to which he could escape from Hell. It was so that there was one place where demons and Satan couldn't find him because, out there in the world? Even in the places where Crowley was living? Crowley has never been safe from them.

One of the first scenes of Crowley in the series is him being attacked by Satan--while driving his car, a symbol of autonomy and control over himself-- while he was supposed to be having dinner with Aziraphale. This is basically the intro summary of their relationship that we are given at the start of the story and that carries through the rest of it in different scenes. If you were Aziraphale by 2.06 and thousand years deep into this hell you and Crowley had been living together, wouldn't you sign on the dotted line for even the slimmest-as-all-fuck, hope-and-a-prayer chance that you might be able to get the kind of power that could stop the love of your life from potentially being stalked, tormented, threatened or attacked any time he wasn't near you?

Imagine being head-over-heels in love with a person who is your best friend and your lover and your partner in life and he's safe with you, of course, but you can't be together all of the time because being together at all is risky and could kill you if you get caught but when he's not with you? He could be being raped on the side of the road by the literal fucking Devil because that's actually canonically happened before. What do you think it did to Aziraphale to feel like he was powerless to protect the person he loves for so long?

In Aziraphale's mind, he's been able to do little more than watch as Crowley suffered with no way to stop it.

Until the offer from "The Metatron":

Then, along comes a situation that seems way too good to be true-- and is. That it is, though, doesn't matter to Aziraphale much at this point. It's not remotely ideal and it's not on their terms but it's something... it's more than Aziraphale felt he had to offer Crowley before he was given it.

Aziraphale does not want power for power's sake; he doesn't want to run Heaven. He rejected that when it was all that was offered.

What tempted him was the power to protect Crowley.

It doesn't matter how unlikely it is that this is a genuine offer-- and Aziraphale does have doubts that it is genuine. This is the only offer that Aziraphale cannot refuse. He will never reject the possibility of freeing his partner from literal Hell because it would be freeing him from the mental, physical and emotional hell he's been going through for thousands of years.

That is how much Aziraphale loves Crowley.

How does Aziraphale fall? Well, Mr. Fell really actually fell long ago because he fell in love. He falls to Hell, though, when he cannot resist the temptation to take for himself the kind of power that he thinks would protect Crowley. He's tempted by the very devil that has been torturing them both and, worse, he knows he probably was, but it's still an offer he cannot ever refuse.

Aziraphale doesn't want Crowley to become an angel again because he can't love him if he's a demon; he wants Crowley to be an angel again because then he'd be safe from Satan. Then, he'd have a chance to heal more and be free. It's Aziraphale's unconditional love for Crowley that leads him to fall.

I think Aziraphale feels like he has nothing to offer Crowley if he can't protect him more than he already does. He has a lot of pain, anger and shame over a situation that isn't really within his control and that he'd kill to fix. No amount of Crowley's reassurance over the years has been able to fundamentally change how Aziraphale feels about this because both of them already do everything in their power to manage the situation as best as they can and, throughout all of this time, there has not ever been any way to fundamentally change it.

Don't think this angel hasn't thought long and hard about how he wants to marry that demon but he's not sure how he'd ever stand there and take a vow because, in his mind, a failure to protect him would be to break that vow. He doesn't actually think he's a good enough partner to Crowley as it is, let alone the husband to him he'd love to be. (Crowley very much begs to differ on that.)

That angel who gives his flaming sword and his money and time and his love to any being that needs what he can give them? The one that took Gabriel in and comforted Muriel and saved Job and Sitis' kids and gave Elspeth and Maggie a way out of despair?

That same angel has spent millennia unable to save his beloved partner from the worst horrors imaginable and that's how The Devil got this kind, pure-of-heart person-- the anger, shame, frustration and pain over thousands of years of telling himself that he's not good in general and he's definitely not good enough for Crowley.

Go right ahead and make him the bad guy if you want but know that his own negative thoughts about himself will out do yours any day of the week and twice on Sundays.

[fuckyeahgoodomens]

The Good Omens Season 2 Soundtrack! 😍❤🎵

The Soundtrack CD has wonderful cover and pics and look at the brilliant booklet! :D When you open it it looks like a box with a fly! :D

Options :):

(best to use the local store of course :), the Silva Screen page is thewebpage of the recording company)

CD:

Silva Screen 15.99 €

Amazon.co.uk £10.99

Amazon.com $30.79

Vinyl:

Silva Screen 39.99 €

Amazon.com $53.99

Digital:

Silva Screen 10.99 €

More digital listening options :) (some free)

Episode description and Track Listing :):

CHAPTER 1: THE ARRIVAL - Retired angel Aziraphale and retired demon Crowley's lives are upended when a visitor arrives on the doorstep of Aziraphale's bookshop, bringing chaos. Local shopkeepers Maggie and Nina get locked in to Nina's coffee shop when Crowley loses his temper. Heaven and Hell are suspicious, and Crowley and Aziraphale have a disagreement.

1. Before the Beginning 2. Good Omens 2 Opening Title 3. Into Soho 4. Something Terrible 5. To The Bookshop 6. Maggie and Nina 7. He’s Smoking 8. Tiny Miracle 9. Heavenly Alarm Bells

CHAPTER 2: THE CLUE featuring the minisode A COMPANION TO OWLS - Heaven and Hell are determined to find the missing angel. An overheard song provides Aziraphale with a Clue. Crowley and Aziraphale visit the pub to discuss ways that humans fall in love. While almost 5,000 years ago Crowley is sent to inflict punishments on the righteous Job, God's favourite person, as Aziraphale learns at first hand about temptation, and what Gabriel will and won't believe.

10. Avaunt! 11. The Song is the Clue 12. It’s What God Wants 13. A Mighty Wind 14. Whales 15. Gabriel Returns 16. His New Children 17. Am I Awful Now? 18. Fallen Angel

CHAPTER 3: I KNOW WHERE I'M GOING featuring the minisode THE RESURRECTIONISTS - Heaven sends the angel Muriel in disguise to spy on Aziraphale and Crowley. Aziraphale drives to Edinburgh in pursuit of his Clue, and learns a little about a lot. The couple's visit to Edinburgh in 1827 involves graverobbery, a statue and an unfortunate encounter with a vial of laudanum. In the present, Crowley is in charge of the bookshop, and is disappointed by human beings and the weather.

19. Police Arrive 20. Scotland 21. We’re Going to Hell 22. People Get a Choice 23. My Car is Not Yellow 24. Beelzebub in Hell 25. The Book 26. The Fly 27. Mr. Dalrymple 28. We Need to Cut 29. I’m Going to Save Her 30. Crowley Goes Large 31. Not Kind 32. Beelzebub Isn’t Happy

CHAPTER 4: THE HITCHHIKER featuring the minisode NAZI ZOMBIE FLESHEATERS - Aziraphale's good deed of picking up a hitchhiker on his way back to Soho proves to be a serious mistake. In 1941 Crowley and Aziraphale encounter some surprising adversaries, old and new, as the Nazi spies who almost entrapped Aziraphale return as zombies from the dead, intent on preventing him from attempting a bullet catch on the West End stage.

33. Hell-O 34. Nazi Zombies 35. March of the Nazi Zombies 36. Crowley Pep Talk 37. The Magic Shop 38. Catch The Bullet 39. Zombies in the Dressing Room

CHAPTER 5: THE BALL - Aziraphale tries to bring Maggie and Nina together by organising a meeting of the Whickber Street Shopkeepers and Street Traders Association. In Hell, Shax is determined to launch a full scale attack on the bookshop, with a legion of demons at her command. Nina's heart is broken, as is a bookshop window. Gabriel has a close encounter with Mrs Sandwich and a small plate of cakes.

40. I’ll Let You Have It 41. We’re Storming a Book Shop 42. Monsieur Azirophale 43. The Candelabra 44. Here Comes Hell 45. Gabriel Gives Himself Up 46. Shax 47. The Circle

CHAPTER 6: EVERY DAY - Crowley becomes a Heavenly bee and learns the truth about the Armageddon sequel. Aziraphale defends his bookshop from Shax's army and reveals his halo, Maggie and Nina become warriors, and Jim the assistant bookseller gets some hot chocolate. Crowley and Aziraphale get to the bottom of the mystery of the Matchbox. The Metatron brings an oat milk latte, along with a final offer.

48. Bin Through the Window 49. Gabriel Leaving Heaven 50. The Halo 51. Gabriel Revealed 52. Gabriel’s Love Story 53. Leaving The Bookshop 54. Gabriel and Beelzebub 55. Crowley and Muriel 56. I Forgive You 57. Don’t Bother 58. The Biggest Decision 59. The End?

The vinyl should look like this :) (damn, it gorgeous toooo! :D):

[captainfairygodmother]

*Sits up and puts glasses on*

Actually, Aziraphale becoming Supreme Archangel has consequently disrupted the natural balance between Crowley and Aziraphale, as they are no longer equals, and therefore cannot cancel eachother out, and the only way for that balance to be restored is to either make Crowley a Prince of Hell/Grand Duke of Hell, or to make Aziraphale return to being a Representative of Earth.

This is also the reason why Aziraphale would technically be unable to become a demon, and Crowley would never be able to return to full angelic status, as it would further destroy natural order.

This subsequent disruption of natural order would throw the world into a state of chaos, as natural balance has been discarded, and Aziraphale and Crowley's miracles and temptations no longer balance each other out.

This then allows the Metatron to move his plans of the Second Coming of Christ- as well as an actual Armageddon- into action, as the combined forces of Crowley and Aziraphale would be unable to balance each other out and therefore prevent the End of the World™.

This is why the Metatron offers Aziraphale a place as Supreme Archangel- he knows of Aziraphale's religious guilt and constant desire to try and make the world a better place, just like how he knows that there is absolutely no chance Crowley would return to Hell, or even Heaven.

Natural balance has been corrupted, and though Aziraphale might try to fix things from his newly gained promotion, the only way for that to be fixed is by either Aziraphale giving up his new status (which would unlikely happen until much later in S3), or by Crowley becoming a Grand Duke of Hell (likely out of spite).

*Takes glasses off and disappears*

[dalliancekay]

Heaven vs Hell

Which is worse? Can horrible be measured?

Should Aziraphale have Fallen to be with Crowley? Is he selfish for not choosing to Fall like Gabriel when Gabriel tried to be with Beez?

Would they have a bigger chance to be together in Hell than being on 'opposite sides' on Earth?

I doubt it. Even if Crowley earned some brownie points and maybe a dukedom for dragging an angel to Hell, how free would they actually be to be together? I bet that kind of behaviour would be frowned upon and deeply disliked by all other demons and we saw that many are happy to climb up however they can. Especially over others. Besides, Crowley never wanted power in Hell and definitely didn't want to spend time there if he didn't have to.

So, was Crowley simply considerate to Aziraphale's attachment to being an angel when he decided not to take him to Hell after Aziraphale lied to Gabriel about Job's kids? Did he not take him Down just cos the angel 'wouldn't like it'?

"No more world. Just endless Heaven or, depending who won, endless Hell. Crowley didn't know which was worse. Well, Hell was worse, of course, by definition."

I feel like when I see people saying Crowley is respecting Aziraphale's desire to be an angel and avoiding/being scared of Falling; which (they assume/insinuate) would make it easier for them to be together, that they don't really respect Aziraphale's decision the same way as Crowley does (if it even is one), but blame Az for being selfish and choosing God and his angel status over his love for Crowley. Blame Aziraphale for being patronising, thinking he's better than Crowley, thinking he's too good to Fall. But also that Crowley shouldn't be in Hell and should be an angel again as his Falling was unfair. I see many takes that this is what Aziraphale thinks, but where do we see that? We only see Crowley musing on his Fall. We don't see Aziraphale, right?

We don't know why Crowley Fell.

We have only his vague words for it. Saying he didn't really mean to. We don't know if anyone Fell ever again after the War. It was very likely a threat used over the angels though. It didn't work for Gabriel. It must have been what he expected would happen. And that Beez would help him out. Other demons too scared of them to say anything. However, he was going to have his memory wiped instead. For basically a treason. Metatron, whether he suspected what was going on or not, outwitted him.

After Eden, Aziraphale MUST have expected punishment for giving away of his weapon. If not outright Falling.

How long did he spend in anxiety over this? Over what will happen to him?

And how long did Aziraphale sit here, wondering what Hell would be like and when it will arrive for him? For lying and deceiving like that.

And ok he's worried about Hell but how BAD is Heaven exactly? Is Aziraphale blind to how bad it is? Is he staying with them because he's loyal? Because he believes they are the light? The truth?

How long has it been since Aziraphale knew Heaven was not Good?

Apparently since before Angel!Crowley knew.

"You'll be amazed at the kind of things they can do to you, down there," he said. "I imagine they're very similar to the sort of things they can do to one up there," said Aziraphale. "Come off it. Your lot get ineffable mercy," said Crowley sourly. "Yes? Did you ever visit Gomorrah?" "Sure," said the demon. "There was this great little tavern where you could get these terrific fermented date-palm cocktails with nutmeg and crushed lemongrass-" "I meant afterwards." "Oh."

Crowley loves his beautiful, soft, good, brave angel.

An angel who lies to his bosses when he thinks he can get away with it, who indulges in 'gross matter' even if it's frowned upon.

Crowley can't do good things openly. And we see him struggle with that.

Why would he want this for his angel who cares about strangers shooting each other in a game, saves babies in pushchairs and doves that accidentally asphyxiated in his sleeve, who waves away months of rent.

Yes, Heaven and Hell might both be awful places.

But that doesn't mean that good and bad things don't exist.

Nobody would call Muriel evil, right? Not even Jim was bad in S2. The nature vs nurture debate has a clear winner in his case. I don't know if Free Will has rubbed off on Az and Crowley or they were always different. Made different perhaps.

Although, without Free Will, how did Lucifer make his decisions against God?

Back to our Husbands.

Crowley hates Hell. He thinks it's an awful place and the demons are terrible. He's afraid of them and avoids them as much as he can.

Aziraphale is extremely uncomfortable in Heaven. He has disagreed with many things they do for literal aeons. Has warned Angel!Crowley immediately when they met and has trusted demon Crawley with his sword story as soon as he met him even thought he lies to literal God about the very same thing shortly after.

Aziraphale lies to the Supreme Archangel and a bunch of others over Job. He's questioned them on those decisions as well. He wonders if God is really asking for what they are saying She's asking. Clearly he didn't have a way to ask Her directly back then.

And he couldn't get through to Her when the world was ending either. And he felt that couldn't be right.

Aziraphale and Crowley are nobodies in their respective jobs.

Worse, they are pitied if not worse, for having jobs stationed on Earth.

Neither angels not demons care for humans, apart from them making up their numbers of acquisitions. But our hereditary enemies are more than that from the moment they meet in Eden. And their bond only grows stronger.

The bond that brings them so much joy and so much anxiety and fear.

They stopped the Armageddon but it didn't give them the freedom they wanted, the one they deserve. They spent more time together, yes.

But. Heaven, who after all came up with the idea of Hell, found a way to separate them.

How much of this was their personal decision and how much enforced, we won't find out until S3.

But Aziraphale didn't want Crowley to become an angel because he doesn't understand or see how bad Heaven is. He wanted him to come because he does.

Yes. Of course. Aziraphale knows this. How could he not. But he also knows the boss of Heaven just told him he must return. Didn't seem like he was gonna take no for an answer. And Aziraphale tried.

Until Metatron brought Crowley into the conversation. Saying he knows about them. Their partnership. The thing Aziraphale feared more than anything else. Someone noticing just how deep their 'partnership' went.

Crowley, I really don't think that would have worked. And I know you know it wouldn't either. Just as much as running to Alpha Centauri wouldn't. You know, and Aziraphale doesn't, that Second Coming is being planned. That this is why Gabriel was fired. And this you can't escape. There's nowhere to go.

Their love is what makes Aziraphale and Crowley powerful. The love that no one, not even Gabriel and Beelzebub can understand. And it is this love that will save them in the end. What has always saved them.

Not Aziraphale's angelhood or Crowley's demon status.

Aziraphale's home is the one he built for himself and Crowley.

It's not really a place though. It's a bookshop for a while, a moment in history, but his home is them, looking into each other's eyes forever.

Because no thing lasts forever. But they might. And they will.

[ineffablelunatics]

Crowley’s Memory of Saraqael and Furfur

There’s a distinct parallel to be drawn from Crowley’s interactions with both Saraqael and Furfur. Both times, Crowley pretends that he doesn’t know who they are. Both times, the opposite party explains who they are to him in detail. But what are the differences?

Furfur. Furfur comes into the dressing room with just Crowley and Aziraphale. He tells Aziraphale that they’ve never met, but Crowley has met him. Furfur explains to Crowley that they were in the same legion before the Fall. Crowley says that he remembers going into battle, but not going into battle with Furfur. Furfur becomes agitated and explains how they fought together. Then says that it doesn’t matter, because Crowley broke the Infernal Code by consorting with an angel. Then the rest of the scene ensues. But why did Crowley say that he didn’t remember Furfur?

It was the only power that Crowley could show in the situation. If he lashed out immediately then Furfur knows for certain that he’s guilty. If Crowley acts like he doesn’t remember Furfur then it could be plausible that he didn’t know that Aziraphale was an angel. It’s plausible deniability. His status in Hell also helps with this. From what we know the lower demons wants to be him and the higher demons are annoyed by him. The lower demons know that he gets to work on Earth, almost for himself, but the higher ups don’t like that he acts indifferent and can be quite arrogant. So when Furfur comes saying that he’s broken some rules, Too Cool For Hell-Crowley starts answering, “Who are you? I can’t even remember who you are. How was I supposed to know he was an angel? Who cares?”

Saraqael. The first thing that Saraqael does is answer Crowley’s question to Muriel about Gabriel’s trial which he hadn’t even started to ask yet. They say his chosen name and then say that they didn’t think that they would ever see him again(not too affectionately but not hateful either). Crowley says that he doesn’t know them and it seems genuine. Saraqael says ‘when you were an angel; we worked together on the Horsehead Nebula.’ During this statement, they’re almost smiling, but then he answers that he meets a lot of people whilst laughing, and this annoys them(similar to Gabriel later). But did he actually remember them or not? If he doesn’t, why pretend?

I think Crowley remembers who they are after they mention the Horsehead Nebula. Simply, because he laughs. At first, he looked like there was a blank, but of course, a nebula would trigger his memory. If he remembers them or not, he has two options: tell them he knows them or tell them he doesn’t. Pretending that he remembered them would maybe give Saraqael a reason to trust him. If they trust him, maybe they will let him look at the file anyway. If he does the opposite, pretend he doesn’t know them(or maybe he really didn’t), then it almost looks more honest and trustworthy. For some reason, most of the angels don’t take the time to remember them whether Crowley knows that or not, up for debate. But if he really wanted to get into the file, then wouldn’t the best way to be making a friend like he did with Aziraphale? But for some reason, he knows that it isn’t. Because I really do think that if he had told them that he had remembered, they wouldn’t have believed him. I think either way, they were going to let him into the file. The archangels believed that Crowley and Aziraphale had more information. Yes, he got himself into the file and all that, but Saraqael didn’t try to smite him, and that means that he chose right.

Between these two interactions, Crowley acts very differently to the two people involved. To Furfur, he acts indifferent, but also agitated. He’s wearing his hat to his brow with his glasses on and he keeps his legs turned away from him. To Saraqael, he looks them in the eyes with glasses that are quite light, comparatively. He doesn’t turn away and he stays engaged. He even laughs. The first thing that Furfur brings up the War and the Fall. Two things I don’t believe Crowley likes to remember. The first thing Saraqael does is answer questions and reminds him about stars(some of Crowley’s favorite things). They don’t bring up the War or the Fall or even Eden. They bring up the fact that they worked together on the stars. I think he respected them for that.

So does he remember them? I think so. I think maybe that he was drawing a blank on Saraqael, because from what we see in Before The Beginning, Crowley was very absorbed in his work. So he might would need some specifics to help him out. Furfur, on the other hand, he might not have remembered, because he blocked him out, because he tried to block the Fall and the War out. Either way, it was plausible deniability on his part. My main reason for his memory being intact(perfect?no) is Muriel and Gabriel. When Gabriel is in the bookshop with just Crowley, they talked about gravity and he said that it seemed like a good idea when “we” were all talking about it. He also knows Muriel’s rank and class without them ever mentioning it prior. He also knows exactly what their job entails. He also remembers where Gabriel was pulling those lines from when he would “wake” up. Crowley seems like he has a handle on his memories. Now, could there be something wrong with them or did something happen to them? Were they fixed? Maybe, he walled some of them off like humans do. Either way, I’m excited to find out.

[ladybracknellssherry]

Good Omens Deep Dive Ahead! **I have edited and added to this several times now, but "ma point" has stayed the same. Probably every single reblog has a different version of this. It has turned into an absolute BEAST. You might be able to watch both seasons faster than read this at this point 😂😭

---------------------- Okay so I am rewatching S2 right now and golly. I've just noticed something. I'm sure it has already been noticed by plenty of other people so feel free to let me know, link me to some metas, please.

A lot of us have painstakingly analyzed every single frame, statue, clock tick, facial expression, and breath of the final 15. Good. Now we're going to look at the scene in S2E4/The Hitchhiker/1941 when Aziraphale and Crowley are in the bookshop doing their little pre-magic show warm-up roleplay foreplay bit. They're being surveilled by a bunch of half-witted nazi zombie spies. Aziraphale is trying to impress Crowley with his * m a g i c * Crowley is trying really hard to support his Angel.

The Blocking!

Keep in mind the camera angles are not quite the same between these scenes, the dimensions look a bit off because the lighting is completely different and therefore camera settings are different, and some of the furniture has moved a little bit in 90 years (but not much because Aziraphale)

1941 Crowley positions himself approximately / very nearly exactly in the same spot in the bookshop where present-day Crowley stops in the final 15 of S2E6 when Aziraphale says "Crowley, come back." The spot where shortly thereafter Crowley says the awful words that make us cry.

gif by stars-bean

gif by yellenabelova

1941 Azirphale with his little coins is standing in or very nearly in his same relative spot as in that scene, when present-day Aziraphale says "I need you," and "I don't think you understand what I'm offering you." And where shortly thereafter he says the awful words that make us cry.

gif by wearecrowley

gif by mabellous

Then Aziraphale gets a touch insecure when Crowley suggests they go to the magic shop because it is "for professional conjurors," and Crowley responds with his "My Nefertiti Fooling Fellow" line of support and encouragement and believing in Aziraphale. And in that moment Crowley stands and walks towards Aziraphale. And they are mere inches away from one another either fully in or very nearly exactly where they stood or rather will stand during the kiss. I'm not gonna post a kiss gif we have all seen it ten bajillion times and I do not need to cry tonight it is a Wednesday.

gif by gigew

gif by ajcrowleys

(I’m getting ahead of myself for a second but seriously, c’mon, just look at this fluff muffin's genuine smile above and tell me if it looks anything like that strained nightmare on his face in the gif below.)

gif by dykefaggotry

BUT WAIT THERE'S MORE. And take from this what you will. That happy little 1941 West End Girl with his vanished farthing basking in the glow of what he now knows is his Demon's adoration. Rotate our duo 180° around the bookshop and Az is now primed to move into the position where he gives his frantic The Metatron's not so bad of a dude and Heaven are the Good Guys and Crowley is one of the Bad Guys nonsense ridiculousness that totally walks back on Aziraphale's entire character growth over 2 seasons. Could it possibly visually represent that our favorite little white-winged stim-city cinnamon roll found himself in the final 15 in a situation at a complete 180° from that moment in 1941 when he was so happy and being genuinely sincerely himself and he was about to do something that he really actually genuinely wanted so badly to do and it was GOOD and it was RIGHT. Crowley's confession is obviously such a wildcard. At this point in 1941 Crowley is supporting and encouraging and working with Aziraphale and in the final 15 he is doing exactly not that.

And even more. In both the 1941 scene and the final 15, Crowley has just entered, respectively, a church and Heaven to save Aziraphale in the middle of the blitz/a demon army almost war battle. A massive atmospheric difference is that 1941 happens at night and the final 15 happens in the morning. We'll work on figuring out what that might represent.

And then we have some seriously upsetting parallel Angel/Demon on the shoulder blocking/framing moments.

gif by i-seeaspaceshipinthe-sky

gif by inhonoredglory

and

gif by inhonoredglory

And several more of such occur between the two scenes but I simply cannot.

And here's the part where I ramble and try to make sense of this in terms of the theories and fail miserably.

Get up, stretch your legs, have a glass of water, and take several deep breaths in.....and out..... You good? Let's go.

I've said it many times before and I stand by it that Aziraphale was lying through his teeth to Crowley in the final 15. Not because he wanted to lie to Crowley to convince him to come or to try to push him away - but because he was putting on a show for the Metatron. I think that just like the nazi zombies in 1941, the Metatron in S2E6 was absolutely watching Az's every move in the bookshop. And Az knew it. The first few times I watched it I thought Aziraphale's nervous glances to his left during his weird speech and the divorce were just nervous glances. Then I noticed that after he turned to face the other direction, his nervous glances went in the same direction, to his right side now, all the while to the window. It's alarming the frequency, several times a minute (but you were already acutely aware of the window glances you ineffably clever little shits.) I believe the whole final scene between our babies was an attempt at a sleight of hand by Aziraphale to subversively communicate with Crowley without letting on to the Metatron. How fitting that the parallel scene in 1941 revolved around supporting one another and planning and rehearsing for a performance that required for them to trust each other implicitly. And while I believe the act is for the Metatron, he is acting at Crowley - but expected him to catch on and act with him using coded language, movements, expressions, etc. that he expected/hoped Crowley would be able to read. However, both Crowley and Aziraphale in the final 15 were very clearly genuinely distraught for their own reasons. Crowley is about to finally verbally profess his love - and Aziraphale, I quite think, is terrified about his conversation with the Metatron and what's about to happen and is trying to come up with a tactic on the spot. It seems very likely to me that the intensity of their respective emotions in this moment absolutely doomed their communication.

How this all fits in with the leading theories.

I don't buy into the coffee theory. I think that was a metaphor or an allusion or symbolic of a very real "either accept my offer (which is not something you even want because everyone knows Aziraphale doesn't drink coffee) or suffer some dire consequences." I can't imagine Aziraphale would have ever thought the Metatron's offer was genuine and given out of merit. Surely he knew that he was in trouble. He'd thwarted the apocalypse, quit his job, stopped hiding that his person is a Demon, set off alarm bells in heaven twice in one week, blew up his halo and almost started a war, and hid an archangel on the lam. “You’re honest.” Bbgygrl bold face lied to the archangels for a week and the Metatron knows and Az knows he knows.

I'm not really for the body swap theory. Not really at all.

I’m not really for Angel!Crowley’s memory was wiped. How then would he remember the passwords? Crowley’s personality is very “that bitch” so I think all of his no-idea-who-tf-you-are interactions is just him being catty.

The time stop theory seems the most intriguing, I'm listening, but not yet sold. How prominently the ticking of the clock can be heard at all times in the bookshop feels important. I find myself flummoxed by the "missing minutes" / "continuity error" with that prominent clock in a show where the attention to detail is, “as you might say, a miracle,” that is propelling whole droves of human beings to the brink of discorporation. Here's an excellent breakdown of the timeline/examination of the clock in S2 by thesherrinfordfacility

I am, at this current moment in time, in the camp that believes Az likely attempted to convince Crowley to stop time so that he could explain the situation to him. To explain the threat - either implied, inferred, or direct - from the Metatron. To try to formulate a plan together. Check out this analysis from ineffableigh and take another look at Aziraphale babbling out his Heaven propaganda. Apparently the lip-reading theory that Az was mouthing about "time" has been debunked, but I stand by what looks like Aziraphale making the "time-out" hand gesture. And that damned clock loudly ticking its heart out all season must be important. Mustn't it??

Still, I'm not entirely convinced that any time stopping actually happened, not sure when it would have happened. Crowley was so emotional in a way we have never seen him. I think its highly possible that in the heat of that moment he wasn't catching Aziraphale's signals. I think that Crowley after the talk with Maggie and Nina was so caught up in saying what he was really thinking that it used up any possible bandwidth for LISTENING. But damn those tells seem like they would be/should be giant flashing neon warning signs to Crowley.

I mean, come on, the "C"lues in Aziraphale's ramble that he is spinning a wild-ass tale with coded language that would only make sense to Crowley are pretty obvious to me. If Az was really trying to convince Crowley to do something the last thing he would say is that it would be "nice(r)." And there is no way that at that point Aziraphale could have truly still considered Crowley to be a part of Hell and therefore one of the "bad guys." Seriously? 2 whole seasons and thousands of years spent learning about shades of grey and watching the Demon, who he loves, prove in a million little ways that he loves him back, watching that Demon do the right thing over and over, and TEACHING him, the Angel, the right thing. “Nothing lasts forever.” ?? My son is talking about his BOOKS. He is talking about THEM. They are IMMORTAL. They know what Eternity means. THEY last forever. If Aziraphale wanted to convince Crowley to come back and be an Angel, he would not have used that phrase/reasoning in his argument knowing full well that when Angel!Crowley became aware that his creation would be intentionally shut down, from Aziraphale's own mouth, mind, that was the triggering event that eventually led to Crowley's fall. Further, it would never have occurred to Aziraphale to try to use hurtful language to attempt to push Crowley away at this point because it has already been proven that that doesn’t work. S1E3 “I don’t even like you! “You do!” I think his erraticism in this scene was being totally caught off guard by Crowley's confession and trying to reconcile how to process and handle that while also trying to stick to his tactic of trying to get Crowley to read him. Az is brilliant, but Crowley is the one who usually can problem solve on his feet.

Az is clever enough to discern that he wasn't being offered the position in Heaven by the Metatron - Az was being forced back to Heaven. He wouldn't be happy or excited to make a difference in Heaven because he thought it was "the side of truth, of light, of good." No. There was no longer any freedom from Heaven, no safety for Aziraphale, which meant there was no longer any safety for Crowley. And if there was one motivator for Aziraphale above all other things it would be to keep Crowley safe. He had no choice but to go back to Heaven, so its not a matter of we can make a difference. It is a matter of we have to.

While I believe all of his word horror batshit disaster monologue was a bunch of old tosh, once present-day Aziraphale turns around from that 180° position to follow Crowley, into that final configuration matching that of 1941, he starts losing it. I think he's realizing that he failed in his attempt to get Crowley to understand. He did not expect to have to keep up this act so long. Crowley is walking away. It has all gone so wrong. He is cracking and the honest words start flooding past the lies. "Work with me!" (come on, catch up, please!) "We can be together"...(reluctantly, barely even trying anymore "...angels." And then it just breaks. "I need you!" "You don't understand!" While that would seem to be the case for Az, it really, at least on the surface, does not seem to have applied for Crowley.

The parallels between the final 15 and 1941 suggest to me, at least on the surface, an inverse. In 1941 we saw joy and excitement and wonder and cooperation and communication and trust. Furfur came to take Crowley back to Hell after catching our beloveds working together. And Aziraphale, the world's not best magician, performed a magic trick that may well have saved their existences, and "got it right the time that mattered." The final 15 is, again, on the surface and ostensibly, an abject disharmony. The Metatron came to take Aziraphale back to Heaven, and made a serious effort (no, not that kind, kids) to point out how very much the Ineffables "partnership" is "irregular" and implying, I'm sure, that they would only be permitted to be together as Angels in Heaven (which is a load of steaming celestial garbage.) (We're going to see more of the Az/Metatron conversation in S3, I just know it, there is some seriously important information missing.) But, as far as we were shown, at least on the surface, all of their getting to know one another and trusting one another and being able to read one another - failed to serve them the time that mattered.

And yet. Crowley still lingered in the end and stood so poised and stoic next to the Bentley watching Az step into the Hellevator...It kind of gave a feel that maybe Crowley figured something out. Maybe he had a cool down after storming out and realized something felt very off about that conversation. Maybe he just braced himself and remembered to trust Aziraphale. Maybe as he stormed out he saw the Metatron staring daggers into the bookshop window and it clicked. Maybe in Az's furtive glance back that very last time he once again mouthed "trust me." Some version of Az's message must have finally gotten through to Crowley. Somewhere along the way. It had to have. I can't believe it didn't. All season we were shown Crowley specifically can read Aziraphale. "You have three reasons for calling me" / "tone of voice," the "trust me" lip-reading at the 1941 magic show / Crowley has seen first hand how Az acts when he lies to Heaven in the Job mini-sode. And really. Crowley knows the second coming is on the agenda after his trip to Heaven. These two put the force of their entire existence into thwarting the Apocalypse once. Would he truly believe Aziraphale would want to help bring about the second coming? Sounds unlikely.

So, perhaps, the final 15 isn't in its entirety opposed to 1941. Maybe it's just a few symbolic nods. 1941 Crowley said the magic act they need to perform together needs to be "bigger" more "dramatic." Is there something bigger and more dramatic happening? Are they performing together? Did Crowley catch on? Did they stop time? Or is there a trick, like the photo swap, so surreptitious that it's almost invisible? Perhaps there is just a metaphor in there. Maybe now Crowley has to be the one to catch the metaphorical bullet and Az has to be the one to figuratively shoot? (That's terrifying.)

And then there's still the matter of that damned clock!

Also, let's face it, Alpha Centauri was never a plan. "They'll be shutting this all down in 6000 years.” “All.” As in "the universe.” As in Alpha Centauri included. They were going to have to take some sort of action eventually. I don't think Crowley ever wanted to go. He just wanted Aziraphale to say yes. Yeah, ouch.

Last point I promise is this video from @sendarya

Here, Nightingale Sang in its entirety is lined up with the 13 seconds in which it played in the Bentley and it ends exactly at the final frames of Crowley and Aziraphale. Some have speculated that Crowley had Nightingale queued up to play on the pair's way to breakfast at the Ritz. But that doesn't make sense. Wouldn't one have a song start at the beginning? AND Crowley had yet to have his chat with Maggie and Nina. I'm not so sure that the Crowley we know would have gotten it into his head/summoned up the confidence on his own to ready THAT song. Maybe the often tone-deaf Bentley was trying to comfort Crowley by playing Nightingale? But what I think is that when Aziraphale glanced back, he made the tiniest of little Angel nudge waves to convince the Bentley to play that song. From this vantage point, Michael Aziraphale's creepy smile in the final frame conveys an entirely different sentiment. It makes him look certain. It makes him look like an Angel with a plan. If I'm right in this part, I think that would have been exactly what was needed to finally get his message, intentions, and feelings across to Crowley in a way he could understand.

Come at me hive mind!

Also still new to tumblr and think I royally fudged it on adding those gifs so I'll work on that.

[nefertiti-fooling-fellow]

What if Aziraphale knew what kind of effect it would have when he offered to restore Crowley to full angelic status. What if Crowley walking away was what he wanted? What he needed to keep him safe? Aziraphale just never expected the kiss.

What if “Give Me Coffee or Give Me Death,” wasn’t just the name of a coffee shop, but also a threat? What if all of the lies we saw him told (Job’s children…The Miracle…), the performances we saw him put on (The Jane Austen ball…the Magician act) was all a lead up to his biggest lie yet? “You’re demons, you’re evil.”

What if that was what Aziraphale thought he needed to do to keep Crowley from putting himself in danger to “rescue” him one last time?

What if Aziraphale didn’t want to reform Heaven so much as he wanted to rip it up by the roots and tear it apart, so it can never hurt Crowley again?

What if he knew.

[pommedepersephone]

You Say Potato, I Say Excellent! Or blocking, accents and legacy of morality tales in ‘The Resurrectionists’ minisode PART II

Alternate title: how Aziraphale’s naivety in this episode was supposed to make you a bit outraged

I have to shout out to @bowtiepastabitch for their AMAZING historical analysis of this minisode - it prompted me to finish this long ramble that has been drifting in my notes. Anyway, I have a major obsession with the ways blocking and dialogue interplay in Good Omens - you can check out my analysis of the blocking in the flashbacks in S1. But The Resurrectionists is really something special. This got so long I am splitting it into two parts. 

What we see in this minisode is a morality tale - a genre of children’s literature that was extremely popular in the early 1800s where the minisode is taking place. Catch up on the historical background in Part I.

When looking at this minisode, it is really important to look at two complementary narrative tools - Crowley’s accent and the placement of Aziraphale in relation to Crowley. Through the minisode, Crowley switches between his standard English accent and a delightful Scottish accent. But the switching isn’t random!

Scottish lines =  character Demon Crowley, who moves the plot of the story along

English lines = Crowley, the moral guide leading Aziraphale

Additionally, the two of them swap sides in their blocking frequently in this episode. Their standard placement is A/R + C/L but the swap to C/R + A/L is almost the norm in this minisode.

Analyzing Blocking and Dialogue

We open in the graveyard, with Aziraphale and Crowley in their standard placement, observing the statue of Gabriel. But then they notice Elspeth, digging up a corpse. When Aziraphale approaches Elspeth to inform her that her actions are Not Good, he actually ends up swapped with Crowley and finds himself on the left because what he is doing - making moral judgments on the actions of Elspeth with no understanding of what led her here - is doing Good, not good.

The next scene finds Crowley helping Elspeth cart the corpse away from the graveyard, while the trio debate all the other ways Elspeth could make money - Aziraphale suggests running a bookshop, farming, weaving, giving the standard Good party line about hard work blah blah blah. Aziraphale remains on the left - after all, those supposed options are completely unrealistic, unobtainable professions for someone in Elspeth's socioeconomic position. They aren't remotely helpful suggestions.

Aziraphale only finds himself back on the right when he and Crowley are introduced to Wee Morag, and have some time to listen and observe the reality of their situation.

Then, off we go to complete our journey to sell the body. Aziraphale and Crowley find themselves having a debate about morality, but Aziraphale is again ON THE LEFT as he waxes poetic about the virtues of poverty - doing Good, not good again. What I loved here was you saw the clear purpose between Crowley’s two accents as he switched mid-line -

Crowley: (SC) Oh, I'm down with wicked! (EN) Anyway, is it wicked? She needed the money. 

Upon reaching the lodging of Mr. Dalrymple, FRCSE, Crowley and Aziraphale take their standard places but this scene has one really important moment that I want to highlight. When they open the barrel to find the rotted corpse, the look on Crowley’s face is so telling. He often finds Aziraphale’s machinations amusing even when they are annoying, but here he looks decidedly disappointed. Aziraphale might have done Good by rendering the body unsellable, but what good did it do? The body is still been un-interred. Elspeth has wasted her energy, and has made a terrible first impression of the surgeon whom she needs to pay her for her services. It looks like Crowley wants to say something, but he stops himself and clenches his jaw. The PATIENCE he is showing to Aziraphale - this is a quality that Crowley has in SPADES but we really see him exercise it here.

After the discussion with Mr. Dalrymple, in which Aziraphale realizes the importance of dissections for educating medical students and thus leading to better care for the living, he asks the right question - why should the poor have to risk death to obtain bodies? But he let's himself get sidetracked by a blatant appeal to his emotions...

At this point, Aziraphale goes all in on body snatching being Good. Which... it still isn't because it is based on a broken system that disadvantages the poor? FOCUS, angel. He even goes as far as to offer to help Elspeth and Wee Morag in obtaining another corpse but note that again, he is on the LEFT -

Remember, Wee Morag is deeply conflicted about the morality of body snatching, and instead of explaining anything to her (like, that having your body dissected won't keep you out of heaven would be start) Aziraphale just sort of joins Elspeth in pressuring her to join in - which is pretty awful and coercive, but gee if that isn't just heaven's playbook for doing Good, not good.

So we return to the graveyard, and this is where everything goes sideways. Aziraphale spends basically this entire sequence on the left. First, he notices the ingenuity of the grave guns but fails to acknowledge the travesty of so much energy being spent on protecting wealthy corpses while the poor suffer. Then, the tragedy strikes. After Wee Morag is shot, Aziraphale wastes time justifying saving her, resulting in her dying before he can act. And after all this, after the heart break of seeing her partner die, we see Elspeth come to the logical conclusion. If body snatching is Good, then might as well take Wee Morag off to Mr. Dalrymple, right?

What shouldn't be overlooked is what takes place when Elspeth gets Wee Morag's body to Mr. Dalrymple. Because while Aziraphale is very clearly illustrating the dangers of black and white morality through religion, Dalrymple is showing that black and white morality through science is just as bad. Dalrymple has unshakable belief in the power of science and knowledge to alleviate human suffering and sees his work at Good. He cares about preventing illness, but ignore his role in perpetuating poverty - an unfortunate side effect of rigid belief systems of all shapes and sizes. He is downright cruel to Elspeth.

This is already getting real long, so we won't go into the absurdist comedy of the scene in the tomb - suffice to say that the surreal nature of Crowley's bargaining with Elspeth smacks of a fantastic tales of pacts made with the devil. It's delightfully unhinged.

The one line I think worth pointing out?

"Do I sound like a goat?"

I think this line is key in the narrative connection between the three minisodes in S2. All three flashbacks show Crowley and Aziraphale engaging in acts of deception, but they all have important differences:

In A Companion to Owls, the two work together, and they manage to pull off the trick and evade punishment.

In Nazi Zombies from Hell, Aziraphale comes up with a plan and Crowley goes along with it, and they barely manage to evade punishment.

In The Resurrectionists, Crowley comes up with a plan and Aziraphale goes along with it, and Crowley is sucked down to hell.

I think it's worth noting just how silly Crowley is in the first two minisodes. Bildad and Scottish Crowley are FUN even when dealing real heavy shit. Just a complete joy to watch. And we never see that level of silly from him again. Whatever happened in hell was clearly really bad since the next time we see him in St. James Park he is asking for holy water. He may have moments, but he is never the same.

Questions, comments, additional thoughts? Lay them on me. I'd love to dig into new lines of inquiry on this minisode because I just love it so much <3

[ktkellart]

Good Omens London Trip 🐍💞🪽

It's my Birthday today and I treated myself to a trip to London last weekend to see my favourite actor Michael Sheen in Nye at the National Theatre. I made the most of my weekend by combining it with a Good Omens filming location self-tour and I'd love to share it with you all. So, are you ready for the tour?

Here we go!

Starting off with Soho, and the inspiration for Whickber Street, where Aziraphale's bookshop, Give Me Coffee or Give Me Death, The Small Back Room, and the Dirty Donkey are located.

It’s Berwick Street and a record shop that is very similar in shape to A.Z Fell & Co. Bonus points for spotting Duck Lane!

Next is Berkeley Square, a short walk from Soho. The first two photos are of the real Berkeley Square gardens in Mayfair, and the last two photos were taken in the filming location of Tavistock Square across the other side of central London near Kings Cross. I’m sitting on their ‘body swap’ bench in the last photo!

As you can see, the benches are turned around facing inwards now but are the other way, facing outwards in Good Omens.

Oh, and I can confirm that there were no nightingales singing in either location 😭

Heading up the road a few minutes from Tavistock Square to The Enterprise pub where I met a fellow fan who kindly took photos of me posing (I bet the staff thought we were off our rockers!). This is where Crowley drowns his sorrows in Talisker Whisky whilst waiting for the world to end after thinking he'd lost Aziraphale. Omg that poor poor demon, he was really just gonna die along with the world.

Also, one of my favourite moments of season 1 is Crolwey's line: "I heard that. It was the wiggle-on..." then shrugs. 😆 So many emotions in such short a time.

Onto the Ritz. The first two photos are of the real Ritz (a stone's throw from Berkeley Square) and the last one is inside Masala Zone in Piccadilly Circus where the ‘Quite extraordinary amounts of alcohol’ and ‘To the World’ scenes were filmed.

I ate in here alone to get the photo and was so lucky with the table I was given! Perfect discreet snap whilst eating my curry! Haha!

Next up is Battersea Park and the Bandstand. It was a bit of a faff to get there, it's an 8-minute walk from the Battersea Power Station underground and we walked the full length of the park to find the Bandstand, but it was so worth it.

Also filmed here was Gabriel and Aziraphale’s run/jog. Poor Angel is soft scene.

The trees were a little leafier with it being mid-May and the park was very busy because the weather was glorious. They also have a beautiful lake here with herons!

The Heaven & Hell staircase escalators are right over the east side of London in Broadgate Tower, Bishopsgate. I got the overground to Liverpool Street station to get there. It is in a private business building so I politely/awkwardly asked the receptionist if I could take a photo and had to explain about the scene from Good Omens… eek! But he kindly let me snap a photo anyway! (Phew)

The Windmill Theatre was three minutes away from my hotel in Piccadilly Circus, so I wandered up the road to take a photo of where Aziraphale ‘performed on the West End stage’ as Fell the Marvelous. And wasn’t he just?

The scenes weren't filmed here but it was fun to find it anyway.

St James’s Park is up next! I sat on their bench and got my friend to take photos of me posing and had fun editing the first photo. Haha! We enjoyed walking through the park, watching the ducks on the lake and had a nosey at Buckingham Palace while we were there.

The Duke of York Statue steps are at the other end of St James's Park and were fun to walk up. I smiled to myself as I thought of the scene where Crowley says ‘Well let's have lunch? Hmm,’ and Aziraphale turns around, as it was the first time I realised that these two were more than just friends.

Heaven’s top floor, the Sky Garden in Fenchurch Street near Monument is a very tall building with a botanical garden on the top floor. You can visit the sky garden for free, but you do need to book in advance so it’s best to plan ahead for this one. The views of London are breathtaking from the 35th floor and the tropical plants are fun.

My last stop for this visit was Shakespeare’s Globe Theatre. I booked a tour on the morning I was due to go home. The first tour is 10 am and lasts an hour, so I dashed off as soon as the tour guide was uttering his last words about the gift shop, across London back to Kings Cross to pick up my suitcase from luggage storage and get the 11:48 am train home!

One I missed and could have easily gone to is St Margaret Street where Newton and Shadwell meet, and Shadwell fleeces Newton for a cup of tea with nine sugars and pockets the change. A bit gutted I missed it to be honest – I love Jack Whitehall (I’m back in London with the family in June so I’ll swing by and update then!)

There are also some other locations a little further afield that I might try to visit on a later date, such as Shadwell's and Madam Tracy's flat down Hornsey Road in Islington, Crowley's Flat exterior in Eastfields Avenue, Best Cafe on Garratt Lane where Crowley meets Shadwell, Crystal Palace Dinosaur Park where the ineffable husbands watch Warlock defacing a dinosaur sign and Antonella's Cafe and Bistro where Crowley and Aziraphale are thinking of ideas to track down the antichrist whist Aziraphale eats cake.

Okay, I’m gonna finish up with the man himself. The very kind, very charming, and VERY patient Michael Sheen The reason for my London visit in the first place. Nye was spectacular OBviOUsLy, but he was super generous with his time at stage door for us all. I got a hug and asked him to pass it on to Aziraphale (that angel really needs a hug) and it made him laugh, which made my night!

Check out my reblog for extra locations when I visited London again a month later, and for a hilarious bonus photo of.... Gabriel??!

Here’s the wonderful map I used -

from this website:

[paperclipninja]

I can't believe I forgot one of the most significant moments (imo) when I was mulling over duality etc here, and that is when Crowley goes up to Heaven to try and figure out what's going on. Actually, it's more than just multiple layers of truth. Yes there are a couple of truths at play, but as an audience we are given SO much information in this scene that it's almost hard to take it all in so I'm going to try and lay it out.

Here is what we learn in the whole scene:

Crowley knows that Muriel is a scrivener, including that they're 37th class. How?? Up until Crowley tricking Muriel into taking him to Heaven, there'd been no conversation about their angelic status

Crowley has a solid understanding of the way Heaven works and how to get around it (bees/once you're in, that they never change passwords etc)

Crowley has access to high level files

Saraqael seems to have a fondness? towards Crowley and allows him to view the trial, let's him know what happened and tells Muriel off but also not really

We get all the info about Gabriel and what happened

That Heaven wipes memories when demoting angels

When the alarm goes off because Aziraphale uses his halo, Crowley declares 'let's get back there' and directs Saraqael, 'you too' and they follow without question (though Crowley's original plan may have been to go and get Heavenly reinforcement but still, interesting the way he takes control and they just listen)

So the overarching duality in this scene - yes it is hilarious, the way Crowley gets Muriel to take him to Heaven in the first place and of course this whole situation:

but it's also an incredible act of love.

The entire season establishes unmistakably that Crowley has some very real trauma from his experience of being in Heaven as Aziraphale and cast into the hellfire, highlighted through his reactions to JimGabriel. Not to mention his history with Heaven and all that.

So in trying to come up with a solution to the demons attacking the bookshop, knowing that Heaven no longer have any real interest in helping Aziraphale, he willingly goes up there, the place he has made his feelings about very clear, to try and find some answers.

Yes this is a demonstration of Crowley's love for Aziraphale but it's also a demonstration of his love of humans and humanity. He puts aside his own feelings, takes a real risk (because he couldn't have known how any of the senior angels might respond to him being there...could he? Or what if the Metatron had seen him there? That's another pondering for another day...) and goes to the one place he has outright said he doesn't want to go back to, just to try and find a way to protect the humans and help Aziraphale.

THIS, to me, is the entire crux of where this is all heading. It's exactly the same reason Aziraphale gets in that lift. At the end of the day, Crowley and Aziraphale love humanity and want to protect it, even if it means risking themselves.

The multiple truths of this scene actually create a distraction I think. The humour of Crowley's outfit and little prancy toes make us think this is a light and funny moment, while we're also delighted by his subversion of Heavens 'rules' and processes and the revelations about Gabriel. It is both funny and informative. It does give us hints about Crowley's past while moving the current story forward.

But I think it's easy to miss the actions here, and that is that Crowley, who was cast out of Heaven, witnessed the ease with which they continue to cast angels into hellfire, saw the callousness of the Supreme Archangel as he condemned his best friend to no longer exist, put aside all he's witnessed and experienced because of love.

This is a love story. The love story of an angel and a demon, yes, but the love story of two entities, hereditary enemies, who fall in love with humanity and whose love for one another will give them the strength to protect it. At least, that's my take on it anyway :)

[humbledragon669]

Lockdown Episode Write Up P2 – dialogue

Introduction

I don’t think there’s much linking the dialogue with the images (apart from the cake sequence), so I’ve broken this write-up down into tableaus and dialogue, because there are just as many Easter eggs (maybe more) to be had from the tableaus as there are from the script. This part of the write-up will address just the dialogue, with the tableaus addressed in a separate write-up. Right, housekeeping done, let’s get stuck in shall we?

Dialogue

So Crowley picks up on the second ring, sounding very irritated. Considering he’s about to tell Aziraphale how bored he is, you’d think he might actually be relieved about the prospect of somebody calling him. And poor Aziraphale; the brusque greeting clearly puts him off, presumably because he was hoping for a more enthusiastic response, particularly given that Crowley openly tells the angel he knows that it was him calling in the first place.

AZIRAPHALE: Uh… Hello. It’s me! CROWLEY: I know it’s you, Aziraphale.

My thoughts about this exchange? I strongly suspect Aziraphale is the only one that ever calls Crowley. Not only that, I think he’s probably calling the demon multiple times a day at this point. I mean, think about it – neither of them work for their respective agencies anymore. For the first time in 6000 years they can be open about their friendship, no more hiding. And for the first time in those 6000 years something other than Heaven or Hell is making it impossible for them to see each other. I know, they really could have formed a “bubble”, or just ignored the rules completely, given their otherworldly status, but they didn’t because don’t forget – this is a PSA film at heart. Everybody had to STAY AT HOME. Besides, it makes it so much more angsty if they can’t be within physical proximity to one another during this time.

AZIRAPHALE: Just calling to see how you were doing in Lockdown.

Aziraphale actually says makes it sound like this is either the first time the angel has spoken to Crowley during Lockdown (which had been going on for almost two months by the time this minisode was released), or that they don’t speak very often. Personally, I don’t buy this, not least because the demon openly says he’s incredibly bored. And what does Crowley like to do best when he’s bored? Hang out with Aziraphale. Be his personal nuisance.

CROWLEY: I’ve decided that if I can’t think of anything to do within the next two days, I’m going to have a nap and I’ll set the alarm clock for June.

I *think* this is the first time we have confirmation that he does sleep, at least as far as the show is concerned (I’m not counting cut/missing bits from the Script Book, or from the original book). There’s also proof here that he’s actually an optimist, despite his efforts to convince the world at large otherwise – he’s convinced that everything will be back to normal by June. Interestingly, the UK’s really strict national regulations had actually been eased by the time the minisode was released, allowing those who could not work from home to return to work (yeah, we didn’t really know what that meant either, considering those of us who were classed as key workers never stopped going to the workplace), but June was still a very optimistic estimate – whilst restrictions were eased as we went into July, local governments were given the authority to impose local lockdowns where necessary. And boy, did they.

AZIRAPHALE: Oughtn’t you to be out and about doing things?

It's interesting to hear Aziraphale actually encouraging Crowley to be more demon-like. And he doesn’t just encourage, he gives him very appropriate suggestions for things he could be doing to fulfil his demonly duties. To my mind, it suggests his preference for Crowley in a demonic state. Or it could be an opportunity to emphasise the STAY AT HOME message, seeing as (for once) Crowley seems keen to stick to the rules. Take your pick. I know which one I prefer. Either way, there are two pieces of information here that I find noteworthy – firstly, confirmation that Crowley can’t get sick because he’s a demon. I think it’s interesting what human weaknesses the angel and demon are susceptible to, and which not. Alcohol, for instance, albeit in larger quantities than a human could imbibe, has the same effect on their human bodies as it does to humans. Illness and disease on the other hand, it would seem not. Laudanum, as we see in series 2, has an entirely different effect on Crowley than it would do to an ordinary human, but Hastur informs us that ordinary fire would easily discorporate a demon. Makes me wonder if the effect that a Heavenly or Hellish being has on its hosting body is one to do with constitution – where the body has an increased resistance to toxic substances but is unaffected in its ability to deal with trauma.

The second piece of information in this little plea from Aziraphale is that he says Crowley still has a job to do. Which, given the outcome of season 1, he doesn’t. I don’t think it was made blatantly obvious that neither of them report to their respective agencies anymore, so perhaps this is just a slip of the pen, so to speak. It might have been a bit more difficult to slip in this blatant reminder to people that leaving home was a BAD thing to do and that staying at home was the GOOD thing to do otherwise, and this little speech is very clear about listing certain things that were being actively discouraged at the time.

CROWLEY: I could do that. I mean I could… but if I did then… well…people might follow my bad example and get ill. Or even die.

Crowley’s response is… less than enthusiastic. It’s funny to hear him say that people might follow his bad example – surely that’s exactly what he’s been contracted to do for thousands of years? But again, I am forgetting – the whole point of this piece of media is to remind them why we should all just STAY AT HOME. So, with that reminder, let’s look a little more about Crowley’s actual feelings on the subject, shall we?

CROWLEY: I know I ought to be making people’s lives even worse but everyone’s so miserable cooped up right now anyway I just… don’t have the heart for it.

And therein lies the problem for Crowley and his existence as a demon – he actually doesn’t like to make people miserable. He loves to cause mischief and make trouble, but not with the sole intention to bring misery into people’s lives. Ultimately, he’s just too soft at heart to be a very good demon, which David himself has described beautifully.

AZIRAPHALE: I’m not miserable. CROWLEY: Really?

I really love this little exchange. Crowley sounds genuinely shocked that Aziraphale is so certain in his proclamation that he’s not miserable. And it’s hardly surprising really – I strongly suspect the reason that Crowley is feeling so down in the dumps is because he’s not getting a regular fix of his angel, so it stands to reason that he would expect Aziraphale to feel the same way. He’s probably had a little bit of his heart broken to hear that his angel is seemingly coping without him so well. It’s a good thing we go on to hear that basically the reason why Aziraphale is so happy at this time is because he’s not getting any customers in with the threat of trying to buy one of his books, although the angel’s speech does present the writer with another opportunity to remind us of our obligations at the time – social distancing and STAYING AT HOME.

You have to be paying attention, but Crowley doesn’t seem too pleased with the idea that Aziraphale might have needed rescuing from some errant youths that he wasn’t able to help with; there’s a quiet groan from him when he hears the retelling of the story. I’d be lying if I said I didn’t think there was some sort of double entendre going on here with Aziraphale’s tease of there being “a few young lads” who “broke in through the back”, so that groan could actually be one of relief rather than frustration. What is interesting is that Crowley openly mocks the only potential rescue scenarios that Aziraphale would have had available to him – he’s obviously smarting that he didn’t get to be the white knight for once.

CROWLEY: Did you smite them with your wrath?

I’d be very interested to know if the script had been finished and handed to David and Michael at this time, because that particular line feels like a very obvious reference to the smited/smote/smitten exchange. And if the reference is a genuine one, my double entendre idea doesn’t seem so outrageous, given Crowley’s tone – could he be a little bit jealous?

What now follows is the only time that the images in the minisode link directly with the dialogue going on at the time, and they’re all to do with cake. Trigger warning, what follows is a lot of pictures of cake. If, like me, you are inclined to go out and buy cake as soon as you see a picture of one, I would suggest you look away now.

What I love about Crowley’s reception of the knowledge that Aziraphale sent the little vandals away with cake is that he uses the same expression that Anathema uses when she asks about the name of Newt’s car.

CROWLEY: I’m going to regret asking…

His tone shows just what he thinks of the angel’s method for rescuing himself. And if you consider Aziraphale’s tale to be a truthful account of what took place, it does seem odd - that somebody could just have a little chat with some wannabe robbers to change their minds, and then send them away with some excess cake. There is however a missing scene in the Script Book where several thugs enter the bookshop and start to make a mess in an attempt to get Aziraphale to sell the land the shop sits on. In a somewhat “miraculous” turn of events (see what I did there?), they change their mind, clear up the mess they made, and leave without a fuss. I suspect the same sort of turn of events occurred to the lads that turned up to steal the cash box.

AZIRAPHALE: It turns out I have a whole cookbook section here in the bookshop.

I love this idea, that the bookshop is so sprawling and diverse that even Aziraphale doesn’t know what it contains, despite the fact that he must have stocked it in the first place. And I love it because that’s the how every second-hand bookshop feels to me. I’ve spent my fair share of time in Hay-on-Wye and its multitude of bookshops, and I genuinely feel like I could get lost in some of them. There are another couple of lines from Aziraphale that suggests that he does not think it possible to eat anything unless it comes from an eatery.

AZIRAPHALE: Well all the restaurants and cafes are closed […] and I got peckish.

Because he couldn’t just go to the supermarket and buy some cake, could he? Like the rest of us were doing (and were allowed to do). He even goes on to say that he had to miracle the cherries in for one of his creations – quite why it was only the cherries he miracled in I don’t know, I mean he must have gotten the rest of the ingredients from somewhere. Which leads me on to another question – where is the kitchen in the bookshop? There must be some facilities somewhere, otherwise he couldn’t make all of those delightful looking goodies. He’s got to have a kettle or a stove for boiling water/milk at the very least for making his cocoa, so where is all that stuff?

Aziraphale then goes on to reel off a list of cakes that he’s made (another nod to the domestic activities that were going on up and down the country – for those not based in the UK, you might not know that during Lockdown it was virtually impossible to get hold of flour or eggs, largely owing to the huge increase in home baking people did), which includes angel’s food cake (you could argue that all of the cakes he makes is angel’s food cake, hahah. Hah. I’ll get my coat). I don’t know whether it’s interesting, whether it’s an oversight, or whether it’s deliberate, but there’s no devil’s food cake on the list that he gives. I’ve made and eaten devil’s food cake before. It’s awesome. I don’t think that he wouldn’t have made this particular recipe because of its lack of deliciousness. I actually wonder whether its absence is an indicator of Crowley’s eating preferences (and as a reminder, I’m someone who is of the mind that he doesn’t enjoy eating – more on this shortly).

 AZIRAPHALE: And then, once I’ve baked them, I have to eat them all myself.

This line makes me properly snort with laughter, because he simultaneously manages to make it sounds like eating all the cake is something he definitely doesn’t want to do whilst also expressing sorrow that he has no-one around to eat them in front of with. The idea that this angel would ever not want to eat food is laughable. Crowley takes the bait on the sub-text though, employing some his tried and tested temptation techniques to try to get what he wants.

CROWLEY: I could hunker down at your place. Slither over and watch you eat cake. I could bring a bottle of- a case of something… drinkable?

This is my favourite line of the whole thing. The throwaway reference to his serpent form is delightful, and who’s to say he wouldn’t transform for his trip over to Soho to avoid being stopped by humans? There’s  the idea that he would very much like to get drunk with Aziraphale again, and this time without an impending Armageddon to spoil the mood, and with the knowledge that he wouldn’t be going home at the end of their binge. But most of all there’s that line about the cake. He doesn’t say he can help Aziraphale eat the cake – he says he can come and watch the angel eat it. Which would not only go some way to confirming my suspicions that he doesn’t like to eat but would also help to cement the popular theory that watching Aziraphale eat is a pleasurable experience for him. The whole line is said with such longing too, it’s impossible not to hear it.

AZIRAPHALE: I’m afraid that would be breaking all the rules.

If you listen carefully to Aziraphale’s rejection of Crowley’s (quite frankly, adorable) suggestion, you can hear another little bit of the demon’s heart breaking with disappointment. I suppose he probably shouldn’t be surprised that his request of Aziraphale to go against protocol wouldn’t have gone down well and besides we were all supposed to STAY AT HOME, remember? What sort of a PSA film would this be if people just went around to other people’s houses for some flirting nookie company when there was a Lockdown in place?

AZIRAPHALE: I’ll see you when this is over.

So of course, Aziraphale says no thank you very much (quite a lot of Tory party members could have learned a lot from the angel’s morals, and none of them are half as likeable as he is), but how incredibly sad does he sound at the prospect of not knowing when he and Crowley will see each other again? Crowley might have quietly voiced his disappointment multiple times during the conversation, but Aziraphale’s own disappointment here is stated loud and clear.

Crowley’s upset can be heard again after this very final sounding line from his angel (and this time it breaks my own heart a little bit) but he rallies well, changing his planned nap end time to July, rather than June as declared earlier. It’s a pretty perfect way to get out of missing someone, isn’t it? Just go to sleep until you can see them again; I’m sure there are a lot of people that would definitely be on board with that approach. He doesn’t leave any further room for discussion either:

CROWLEY: Good night, angel.

It’s very definite – conversation over, nothing more to say. My thoughts are that he’s just too depressed to carry on talking on the phone to the one person he would much rather be spending time with in person, and now that he’s found a quick and painless solution to the problem (a nap), he just wants to get on with it. Charmingly though, this parting line sounds nothing like the dismissal it seems like it is when you see it written down. The delivery of this line conveys the familiarity and comfort that exists between the two of them, and actually makes it sound like this is a regular conversation that they have, despite the dialogue suggesting otherwise. As it turned out, July wasn’t really long enough to get completely clear of the restrictions that would see our heroes united freely, but who can blame him for being optimistic? And at least if he’s asleep, he’s definitely STAYING AT HOME.

Well I think that’s the lot for this write up. So much for this being such a short episode that it wouldn’t need a lot of time devoted to it. It was a fun little thing; in truth I think it serves more as a PSA that as an additional source of storyline/character development but that hasn’t dampened my enjoyment of it. Time to move on to season 2 now (which I am both excited and a little bit nervous about – there is so much to say!), so for the meantime, questions, comments, discussion: always welcome 😊

[drconstellation]

First-Order Archangels

Part 1: Maybe You'll Spot An Archangel

GABRIEL: I told you you could ask. However, I am the only First-Order archangel in the room, or, you know, the Universe, so I'm not gonna answer so much. But you feel free to knock yourself out with all the asking.

While I was writing my meta series The Passion Of Jimbriel it became fairly obvious to me there was something more going on between Crowley and Gabriel in S2 than just the numerous pointers to Crowley's pre-fall angel status. They are acting as both parallels and foils to each other, and in places you can swap their characters and get the same story at a different time – and that just opens up a whole new window of context and insight into things. For pre-reading, see this meta from @vidavalor that nicely lists some obvious parallels. It doesn’t mention everything though, so I’m going to discuss parts in more detail.

A foil is a character who contrasts with the protagonist, to highlight or differentiate certain qualities between the characters. Crowley and Gabriel do this because they have come from essentially the same place, and share some story elements, but they still end up in different places.

There is a lengthy original discussion about Crowley's pre-fall angel status here, for pre-reading. It points out the obvious and some not so obvious points that ops have noticed in S2 telling us about Crowley's pre-fall status. Rather than just go through them all again, I'd like to look at some other scenes in S2 that also tell us something about both the similarities and the differences between these two high-powered entities as I go along. In addition, I’ve done a series of posts looking at Gabriel as a shoulder angel (links at the end of post,) because quite often he’s on the demonic left-hand side – which makes sense when you realize he’s a Crowley parallel.

Take the arrival of Gabriel to Whickber St and the bookshop. I’ve already mentioned this parallel story line a couple of times now, but lets look at it again in more detail. It mirrors the opening of S1E1 where the serpent climbs the wall of the Garden of Eden, morphs into a demon and starts to converse with the angel standing on the wall.

Back in the present day, we have a Gabriel, who also tends to present on the sinister-side, walking up to the gate of the present day Garden (the bookshop), which is still guarded by the same angel as it was 6000 years ago, and basically tells Aziraphale he has “fallen.”

How to we know this? It is a reference to the Fall of Man, when Adam and Eve ate the apple the serpent offered them, they suddenly became aware of their nakedness, and hid from God. Gabriel has already upset the love-apple tomato cart on his way to the door of the bookshop, its a sign of the chaos to come.

The fallen angel is not sure of his name, so he prompts with a question…

And asks for shelter under the (reluctant) angel’s wing..

But there is one thing he does know, the one thing that drew him to Aziraphale in the first place:

AZIRAPHALE: Then why did you come to my shop? GABRIEL: I don't know. I just thought I should. You know what it's like when you- when you don't know anything at all, and yet you're totally certain that everything would be better if you were just near one particular person?

Later, Aziraphale realizes that he must give Gabriel a new name to hide him – because fallen angels take on a new name, don’t they? Just like Crowley did.

Then we get a confession:

Which is what Crowley loves about Aziraphale as well - that bit of unpredictability, because you know how humour kind of works? It throws the unexpected at you.

Early on in S2 we find out they are both in trouble: first His Royal Smugness, then Our Hero himself. Our view is turned upside down, with the angel made the bad guy and the demon the good guy who needs to win. But both of them are being hunted by Shax.

Then we get one of the early clues pointing to Crowley's high status as an angel:

SHAX: A miracle of enormous power happened last night. The kind of miracle only the mightiest of Archangels could've performed. CROWLEY: Mm? SHAX: Somewhere very close to your friend's bookshop. Are you telling me you don't know what caused it? CROWLEY: How'd you know I didn't do it?

Shax stalks and threatens both of them, sometimes at the same time:

Another parallel Gabriel and Crowley shared in S2 were associating their identity - no, lets rephrase that - "essence" was one description I've seen - with boxes.

Gabriel arrives with a box that strategically covers his front, and quickly tosses it aside once Aziraphale opens the door to the bookshop. It lies forgotten until Gabriel mentions it a while later. Inside it is the fly from Beelzebub - an object from Hell - so it really needs to be 'invited' across the threshold of the bookshop by Aziraphale to be able to enter. The box initially appears to be empty, Once inside, the fly is free to roam. It has a message written on one side of it.

The same goes for the matchbox. Message included.

ah, wot? you say. Yep.

The matchbox represents Crowley, probably in more ways than one, but I'll just go through the stuff relevant to this meta here.

I notice I'm not the only op to connect the line from the Book of Job on the side of the matchbox with Crowley. The line is from Verse 41, which talks about Leviathan. Among the various shapes it is described to take is a great sea serpent. This deserves its own meta for further discussion, which I plan to do after this one, because yes, Crowley is Leviathan in disguise, but there is much more to it than that. But for now, just know that the matchbox is Crowley.

Once you know this, it makes sense that Muriel finds it - a discarded cardboard box by the front door to Heaven - and deals with a material object that shouldn't by rights exist in Heaven. Then a certain demon finds Muriel lurking outside during the siege on the bookshop at the end of S2E5, and talks them into letting the certain demon be escorted up into Heaven where he doesn't belong, where he's free to roam around - only he needs a guide because he's not sure where to go. Ah Muriel, you poke the Serpent, he's going to poke you back. Good thing he likes you, and it just was a gentle nudge.

Two empty boxes, two cases of memory-loss. That is what S2 seems to suggest to us at first glance.

Gabriel's seems to be the most straight forward in hindsight - find the fly and restore Gabriel to his original "Gabriel-ness." But its more complicated than that. When pushed to remember, his lilac eyes return and another voice can be heard speaking through him of the past. This happens twice, with the second one being part-prophecy. What is really triggering these episodes of channeling? Is it God or someone else speaking through him? We really aren't sure at this point in time.

Then there are questions around Crowley's memory. Did he have his memory wiped when he fell? Was it wiped repeatedly? Was it not wiped at all, and he just pretends he doesn't remember? Neil has even said he is an unreliable narrator about his own Fall, so who are we to trust at this point? Crowley does seem to understand in the end some of the problems Gabriel is having with his absent memories and that brings them to a temporary truce.

Both Aziraphale and Michael inspect their respective "empty" boxes, and neither notices anything obviously amiss. Gabriel's box just seems empty to Aziraphale, he takes no notice of the fly container in there, and archangel Michael tentatively inspects the matchbox brought to them by Muriel but nothing seems out of place there either.

Crowley's change in costume in Heaven during his little infiltration caper with Muriel is also another clue to his past status as an archangel. He has a silvery-gray suit, similar in style to Saraqael's to reinforce the link with them, but at the same time he is also mocking the other archangels and their elite status. We've assumed for a while now that the appearance of the tactical turtleneck signals that Crowley is up to something sneaky or spy related, but I'm starting to think it also relates to a bit of a power play (and Crowley certainly laid the power on for Mr Brown in the pub!) Looking back at S1, Gabriel's not adverse to wearing one either when he needs to be at his worst (or best. Your choice.)

The way one dresses is a way of expressing and reinforcing authority, and its something both Gabriel and Crowley do without much thought. They have been used to being in a position of power and/or independent authority for much of their existence, and I would say that even if Crowley is a few steps down now from where he started, and he's more cautious around those higher ranking than him than he used to be, he still retains that knowledge of what its like to be at the top.

Crowley's usual near all-black costume is a form of power dressing in itself. Whether is was in the past, when black was an expensive color to buy and maintain in clothing, or in the present day, we are still respectful of those in a stylish cut of black.

Gabriel's impeccable tailoring as Supreme Archangel also commands respect. So it's no wonder that one of Gabriel's first requests on regaining his memories was to ask for new clothes! He wasn't just being the vain archangel we believe him to be (although, I think there is still some of that) you also need to consider the elements of the reference characters that went into his shop assistant character: Granville, the belittled shop assistant nephew from the sitcom Open All Hours, who got stuck with all the shop duties from his uncle and felt like life was passing him by, and the silly Monty Python gumbies, that complained of hurting brains - lovable and much loved characters, but not ones you'd really want to be forever. We all want to be loved, but we want to be respected as well.

For all his fierce posturing around Gabriel, there is a brief moment in S2E3 where Crowley backs down and treats Gabriel as an equal - and that is reflected in a change of dress as well. His outside jacket off and sleeve-garters on, Crowley sports a look we haven't seen since S1 when he was home alone in his Mayfair flat. He patiently explains gravity to a curious Gabriel and then describes his "Operation Lovebirds" plan to his puzzled companion. He admits he hasn't "done weather in ages." It's just a quiet, charming moment, watching two ex-archangels get along together.

You're smiling, aren't you?

This meta continues in Part 2: Foils of War, where the differences between Gabriel and Crowley get explored in more detail, and how Aziraphale and Beelzebub act as mirrors to each other a few times as well.

This meta is part of a series on Gabriel: Gabriel as a Shoulder Angel: S1 Study S2 Study Part 1: Ep.1 The Arrival and Ep. 2 The Clue S2 Study Part 2: Ep.3 I Know Where I'm Going and Ep. 5 The Ball S2 Study Part 3: Ep.6 Every Day

First-Order Archangels Part 2: Foils of War

First-Order Archangels Part 3: Seeing Eye to Eye

[obsessivefreakandpartners]

What breaks Crowley is that if Aziraphale's existence was erased from the book of life, Crowley would lose the best thing that has ever happened to him; the love of his life, his light, the one who always saw the good in him, the one who never abandoned him.

The one that has been there with him when he set the universe in motion, the one that is there with him to save it every time it's at risk and will be there with him if they don't succeed and it's destroyed.

The one whose biggest "sin" is being a foodie, the one who refuses even to kill a boy to save the whole universe and instead offers to entertain at the boy's birthday party with stupid mortal magic tricks because " it's fun".

The one who fucking gave up his angelic flaming sword to protect Adam and Eve despite not having ordered to because he was worried for the baby, the dangers of the night etc. He literally acted like a worried mother who wanted to protect her children, in secrecy from the strict father ( God ) who threw them out of the house.

The one who knew angel Crowley, demon Crowley, Crowley who refuses both roles, and loves him through and through.

Azi literally says: after you 😍😊 after joking about Crowley being his enemy and a foul creature. His face was literally the one he had when he first met angel Crowley: the crush is the same, folks.

The one who initially didn't even wanna hear about going back to heaven till Metatron suggested that not only he could have Crowley on his side but he could restore his angelic status and save him from eternal damnation after the apocalypse.

And Crowley knows that Aziraphale loves him too. The show makes it clear that the biggest problem of theirs is communication; Aziraphale doesn't tell him exactly why he made the choice he did and how much Crowley's safety influenced it; Crowley doesn't communicate how hopeless he feels about the future of the universe after knowing how both sides are equally toxic ( something that Azi doesn't know because he has only experienced one side, heaven and to him, heaven = better than hell) and instead offers to run away and be together for the time that's left.

Both of them don't actually want what they are offering; both love the universe, the human world and want to be together in that world; they make desperate decisions in a hurry, emotions running high.

They have to meet at halfpoint, that's what they truly want and need: stay on earth and fight for it. Neither Heaven nor the stars are the solution; heaven is broken and staying in the alpha centuri won't solve anything.

People who give Azi shit make me sad; despite having taught that heaven is good and hell is bad throughout all his life, despite never having fallen, he always puts the safety of human beings and Crowley above everything else. Him making stupid decisions at times, acting "bitchy" or whatever is the human side of him.

Aziraphale is a social studies guy; he designed humans along with other angels and was melting when he mentioned a future earth full of them the same way, Crowley, a stem guy, made exciting nerd sounds when the nebula was created.

So Aziraphale feels more like a guardian to humans but shares also their weaknesses as well as their good traits: he can be naive, too enthusiastic or stuck up at times.

Whereas Crowley being the scientist he is takes a more philosophical approach to life; he cares about humanity more as a whole. Crowley considers killing a boy for the entire universe, and has no problem testing and tempting humans while Aziraphale would never. However, he can be more emotionally intelligent at times: understanding how humans love, how they choose that over anything else, why they are often conflicted much better than Aziraphale.

Aziraphale's light side is his romantic one;

He cares more about his loyalty to heaven, his relationship with Crowley, his connections ( eg Gabriel ) than what's logical ( eg choosing to save Jim who could become Gabriel again and destroy him ), the safety of humans ( protecting Adam and Eve from dangers with his sword despite God not wanting that and potentially punishing Azi) .

Whereas his hidden side is pragmatic; At the most crucial moment, he chooses what he thinks is logical, surprising everyone, his love more than anyone else.

Whereas Crowley's light side is pragmatic; He approaches angels, demons, humans on a logical approach, with a sense of self preservation and a belief in knowing what must happen regardless of how it *feels* or looks like on the surface. Humans should be tempted, humans should have the right of free will, heaven and hell must be both discarded despite how God or Aziraphale or anyone else feel about it.

His hidden side is the romantic one: According to Neil he reads books but pretends he doesn't. His favourite song is " I'll be your mirror" one of the best love songs ever written. Azi doesn't know Crowley lives in his car because the latter doesn't want to burden him. He is all about human love and roots for Nina and Maggie more than he lets Azi know.

It's a side of his that he hides from everyone but comes to the light at the most crucial moment; he asks the love of his life to run away with him no matter how that turns out. He's a jaded engineer, a jaded scientist, a cynic hopeless philosopher by that point; All he wants deep down is to be with his love.

Both love each other equally, both are aware of each other's love, both have a human side that make them different from the rest of angels and demons and both fucking care about the human world more than anything else.

Their different approaches and their communication problems are their biggest issues; struggles that every romantic relationship has at some point.