#he needs to be taken care of

[sourslices]

hc that the titans know/knew dick better than the batfam — and it makes sense, but i dont feel like elaborating on this part. anyway...

it'd be nice to see too, yk... considering dick is the eldest in the batfam and (in at least fan content) he's known to be very caring about family and yadda yadda.

dick was the first. the first child hero/sidekick, the first robin... the leader of the titans. a charismatic leader, a faithful friend. most people idolise him, and even if you get disillusioned after getting to know him personally, there's still a certain amount of admiration and respect that will never go away when it comes to nightwing.

this also works with the yj universe — esp yj because dick's the youngest out of all of them (not too sure abt the titans, but ik he isnt the youngest)

damian's perhaps the closest to dick out of the batfam. most people are aware of the distance between them and him but jason and tim don't realise that they don't know a lot about his brother...

it starts with cass calling him out for pretending to be okay and even trying to adjust his body language to hide his fatigue and his wounds. it goes on with jason commenting about a movie night that dick had wrestled everyone into (the movie had been steph's choice btw) and then either roy or kori respond like this.

jason: *off-handedly commenting abt the movie night and dick*

roy/kori: ???

roy/kori: we saw that movie when it came out. dick hated it and swore not to watch it ever again lmaooo

or maybe it was food. jason talks abt alfred's meals and then kori chuckles and recalls how dick had told her that he wasn't too fond of alfred's cooking. jason had been like "???" because dick always acted like he loved it and then roy goes like no lmaooo dick finds most of alfred's food kinda tasteless. something about british men and not knowing how to put seasoning

when jason confronts dick, dick admits to it

dick: okay yeah true

dick: i didnt rlly like alfie's cooking when i first came here but he got better... gradually. it's better than before but

dick: ...if you ask me, i prefer his baking.

jason: roy said smth about him trying to make one of your ma's recipes

dick: i never asked him again.

dick: (starts thinking about how he had nobody to teach him how to cook like his parents did and becomes SadTM)

and then cass damian and duke all go like "??? im not alone ??" because in reality they all find alfred's cooking a little... subpar. its not bad per say but u have to rmbr alfred is old white british man and there are battles you lose. anyway, cass damian duke and dick all bond over this because they thought it was only them who found the meals prepared a little... yk. alfred still works on getting better but there is nothing that will beat food made by hands who know how it shld taste yk...

(sorry about the alfred slander)

anyway, tim starts to realise despite being dick's little brother, and the only little brother dickie had for a while, there's a lot he still doesnt know abt the guy. which is funny because tim used to essentially stalk him

kori and dick make up after a long discussion about assault and victim blaming and there are a lot of apologies and they resolve their remaining issues (that doesn't mean what happened was okay, or it was forgotten or whatever)

dick actually asks for some space and tells her their friendship will probably never be what it was and kori is sad but is like. okay. they're still friends after a few months of distance and a lot of therapy on dick's side. he didn't blame her for any of it but he still needed... time

roy and dick also sort their shit out. im unclear as to what that shit actually is because roy used to adore dick when they were speedy and robin but whatever they sort it out and there's some homoerotic tension between them im telling u... dick still asks for space el oh el it takes a while to recover from years of distance and they're not the same

but just because they aren't the same doesn't mean everything's different.

the titans are subjected to the changes in dick and they watch him interact with the batfam, meanwhile batfam realises they don't know a lot abt dickie while watching the titans take care of him in several different ways while they, despite being a family of investigators, didnt know smth was up. it's mostly donna who does the "taking care of"

ik i actually didn't mention many of the titans but... yeah

[nade2308]

I said I'd never let you go, and I never did

I said I'd never let you fall and I always meant it

If you didn't have this chance then I never did

You'll always find me right there, again

@malewifebillcage @thethistlegirl

[caityjay13]

fun fact, I had not, in fact, read Eight Little Talons when I made this post and now I have and I am foaming at the mouth

I guess I'm gonna have to write the Dom!Teia/sub!Viago smut myself then huh

[lyss-sketchbox]

Something is wrong with him

The og image v

[charlietheepicwriter7]

Talia found Yasmin's hide out only two days after the bomb.

It wasn't easy. Yasmin had hidden herself well - her monthly reports had never mentioned an acquaintanceship with Vladimir Masters, the absolute gall of that girl - in the middle of nowhere Wisconsin. She bypassed the few security measures with ease, eventually finding her daughter sitting at a kitchen table, hyperventilating.

"What happened?" Talia's voice was cold and demanding.

"The-" Yasmin gasped before stealing herself. "The Fentons are dead."

"I know the Fentons are dead." Talia circled the girl. "One split navel to throat, the other strangled. What. Happened?"

"The Fentons discovered their son was a Meta. Specifically, they thought he had been replaced with the extradimentional species they study." She took a deep breath. "By the time I had discovered their actions, Daniel was... dissected on a table."

Talia closed her eyes. She knew from Yasmin's reports that she'd been acting as the Fenton child's primary caretaker since her adoption and a fondness had developed. "Yasmin-"

"Don't, Mother." She snapped. "Don't act like this is anything less than a tragedy."

"I know-"

"He was a child-"

"Everything's been taken care of," Talia said. "As far as the authorities are concerned, Jasmine Fenton died in that explosion you caused. You need to return now-"

"No!" Yasmin bolted to her feet, glaring at Talia. "He's dead, Mother! An innocent child, the child I raised as my own, is dead because I couldn't protect him! Don't you dare try to sweep this under the rug like... like Danny was something shameful! I'm not leaving! I have to-"

Time Out.

Yasmin shut her mouth mid-sentence, giving Talia time to convince her off her self-destructive path.

"What happened to Daniel is a tragedy, Yasmin. But wallowing in grief and what-ifs only leads to further pain." Talia sighed. "The Fentons and the research you were so fascinated with are gone now. You made sure of that. It's time for you to return home and put that knowledge to use."

Yasmin stared down at her hands. Odd that Talia hadn't noticed, but Yasmin's hands cradled a small, dark blue jewel, polished into a smooth, oblong oval. It glittered under the candlelight, like stars in the sky.

Yasmin swallowed the rock and spoke, refusing to acknowledge what she'd just done. "You are right, Mother. The time of Jasmine Fenton is gone now." She stared straight at Talia, no trace of fear in her gaze. For a moment, Talia wondered where her child had gone. Yasmin never met her eyes unless prompted to when she was growing up. Now she was met with a younger version of herself with cheap dyed-red hair, with the same level of determination that made Talia the Right Hand of the Demon Head. "I will mourn for Danny... on my own time. For now, what is my mission?"

Talia studied her daughter. There was a reason why she'd hidden the girl so far out of the way of her Father and her son. Yasmin was a strong fighter, but had her father's heart, despite her willingness to kill. She'd always reminded Talia of a bodyguard rather than an assassin, but Yasmin wanted to go her own way, wanted to study everything. For years, Talia had indulged her daughter, but now it was time for her to return to the fold.

"For the next month, you will be training to remove any weakness the Fentons may have left in you. After that, you will be guarding an ally for me."

"Which ally?"

"A boy a few years older than you, a son of the Bat." Yasmin didn't react to the mention of her father. Good. "His mind is infirm, but by the time you finish your training, he will be ready to strike a blow against Gotham. You will act as his guard during his training and act as my spy while he's in Gotham. Do you understand?"

For a moment, Yasmin's hand brushed her stomach before she forced her fists to her sides. "Yes, Mother. I will do as you ask."

[mikakuna]

the fact that jason shared food with other hungry and homeless people when he was catatonic makes me feel so many emotions.

for one, it's so true to his character as a compassionate boy who gets so rightfully angry about the struggles impoverished communities have to continually face due to society's failures. this is the same boy who was homeless for about three years of his childhood, had to steal to survive, probably went long periods without food, and knew firsthand what it's like to actually be lonely. he's the boy who got mad at bruce for even insinuating he would drop jason off with the cops or social workers because he knew their true natures and how they treated poor kids, people, like him.

jason has always been about protecting and defending children and the defenceless to the point of disregarding moralities. we see this in his 80s robin run, as well as in utrh and lost days. his unmoving stance on their well-being is what's so captivating about him. he kills to protect children and easily agreed with/excused a woman who killed a rapist when he himself was only around 12-15 yrs old. sure, a bunch of people would agree with jason's reaction but it's especially important because he's a kid who grew up poor. he witnessed firsthand how many women have to suffer sexually at the hands of men to get by.

this is the real jason todd that so many comic writers now fail to capture in their comics. they completely turn him around and have him do things that in no way make sense to his character (not surprising since some literally admitted to hating him/not knowing enough about his robin run). jason todd is insanely compassionate-- that's his thing. he's empathetic to a fault. why erase that core part of his character?

[dukeofthomas]

"Jason just needs to see things from his family's perspective and understand how much they love him (despite them never actually communicating or showing him through their actions)" is out. "The batfamily putting a single bit of effort into understanding Jason and reconciling with him on his own terms" is in.

[idontmindifuforgetme]

used to daydream about fairytale reconciliations after pretty much every platonic or romantic fallout i ever had, but sometimes it’s healthier to just accept that someone will never own up bc they don’t think you’re worth the trouble. anyone who truly cares would move mountains just to make sure that they communicate w you if they truly want to rectify the situation. but sometimes it’s their ego getting in the way, sometimes they have a narrative of you in their head they’re determined not to break, and sometimes they just don’t care enough about you to even consider it. they don’t have respect for the friendship or relationship in its posthumous state bc it was nothing to them, or at the very least it doesn’t eclipse their pride or their desire to appear correct in a situation or just outright the need to be done w the situation rather than be a good person. still guilty of this but i’ve been getting better at just nipping the delusion in the bud and just being okay w accepting that someone truly does not care. until they prove they do that is the assumption i go w every time. and it is saving me a lot of heartache

[suntails]

🐙⚔️

[weregonnabecoolbeans]

Julian Blackthorn’s constant awareness of his siblings is both so heartwarming and so heartbreaking to read

[snekdood]

"if we make america worse and more of a dictatorship that will be even harder to unravel and make it the way we want the country to be, maybe then everyone will join our Glorious Revolution!" bb girl you cant even be in the same room with someone who thinks you should vote, how in tf do you think you're gonna unite people to fight in The Revolution with you? it's gonna be you and your 5 friends, i hate to break it to you.

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[woahjo]

atsumu thinks he fucks like a monster but he folds as soon as you pull his hair

[lambmotifz]

this is a controversial take but i don’t really think sexual wincest dynamic would be the same as the dynamics they have with girls. mostly because this interpretation tends to ignore canonical nuances that define sam and dean’s relationship, which includes dean’s extreme possessiveness, sam’s willing submissiveness with dean (especially when it comes to physical touch), the fact that dean is the only one with whom sam is able to be physically vulnerable in a way he can’t with anybody else, the fact that dean genuinely loves taking care of his little brother. it’s an essential part of their relationship, and it just makes sense for it to be part of their sexual dynamic too

[hypostatic-oath]

Hydro Archon, Hydro Archon, Don't Cry

I've noticed a pattern with 5star characters in my game - they only come home after I've done their story quest or at least the Archon Quest where they appear. From an in-game perspective it's obviously because it takes me a while to finish the quest and I raise the pity in the meantime, however... from a SAGAU perspective, it's adorable that they only come around after I've spent the time to get to know them better.

Content Warnings: Angst, Furina desperately needs a hug.

SPOILERS FOR 4.2 BELOW

Imagine Furina before the Archon Quest. She's holding it together, like she has been for five hundred years. She's been performing her role so well for so long, yet she feels like she's already gone beyond her limit. She doesn't know how long she can handle doing this for, but she knows she must.

Late at night, she takes a break to catch some air. She's aware that she's still performing - she's alone, but she cannot risk lowering her mask, even before an invisible audience. She takes a deep breath and looks up, and doesn't even feel the tears flowing down her face.

A shimmering light crosses the sky.

Foçalors, it beckons. Come home.

Oh no. Not this. She's not ready, she's not ready! Not tonight. She tells herself she'll answer your summons tomorrow. In truth, she doesn't feel worthy of answering. What if she's not what you expect?

That isn't even a question. She knows she's not what you expect.

She knows you have other Archons - real Archons - among your Vessels. She panics - she doesn't even have a Vision, much less an Archon's authority. There's only so much she can achieve with acting. What would she do when you took her out on the battlefield and she inevitably failed?

Come on... Another shooting star crosses the sky, your voice a faint, ethereal whisper in her ears. I need an Archon team...

It fills her with dread. She can't answer your summons! She absolutely can't! Not only would she disappoint you - because there's no way she wouldn't, surely, she can't imagine a world in which you are not disappointed once you figure out just what she is, a fraud who can't even use Hydro much less be the literal Archon - she'd also jeopardize her only purpose.

She rushes inside, back to her room, closes the shutters and the window and the curtains and almost leaps into bed, placing the covers over herself as if to shield herself from the world.

She can still hear you calling.

The next day, Poisson is struck. The prophecy is in full swing. She's frantic, searching for something, anything that could possibly help. All the while maintaining the façade. At least you seem to have given up.

It's both relieving and heartbreaking.

At night, she doesn't even risk it - her windows are kept shut. She analises every report, and locks her door when she notices that she's crying, the papers she's holding becoming dotted with tears that fall despite her best efforts. She can hear the rain hitting her window, and the downpour has her feeling even more hopeless.

Neuvillette speaks with her in the following morning. If the pressure from you wasn't enough, she now also has to manage to assure the Hydro Dragon Sovereign that she has everything under control. It's funny, how those eyes capable of such gentleness seem to gaze into her without a shred of mercy. Just speaking to him now feels like she's been put on trial, and Furina knows, deep down in her soul, that she is guilty.

He presses. Poisson has fallen. She knows. She also knows she's likely crying, the mask is slipping, but she can't give up. She has no right - no right at all, to sacrifice the lives of every person in Fontaine for the sake of her comfort. She cannot afford to slip up. And that means she cannot trust anyone - not you, and not Neuvillette. So she gathers the little control she can at this time, tells him she knows exactly what she's doing, and dashes out the door.

Wait, Furina!

She barely hears your voice as she runs. "I'm sorry, but I can't answer!" She thinks, as she rushes to the top floor of the Palais Mermonia. She knows she gas no time to lose. She needs to get herself in check, to wipe away her tears, to figure something out. Where had she gone wrong? Five hundred years, searching for a solution. Five hundred years of observing every trial, hoping it'll finally be the one she needs. But nothing.

She has nothing, and Poisson has fallen.

She thought the Traveler - and you, by extension - would be the key. That by judgding them she'd have the "most magnificent trial" that her mirror self spoke of. And yet, at every turn, the blonde outlander had managed to evade being sentenced, or even making the trial as grand as she'd expected. She paces around in her room as she mulls it over. Should she had judged you directly? Could she have done so? That would've been a trial for the ages - the Overseer, brought to justice by the Hydro Archon of Fontaine, for the crime of... what could she even accuse you of? Posessing people's bodies? That had to be illegal - or at least immoral enough to warrant a trial...

She lets her body flop onto the bed, covering her eyes with one arm as she lets out a sigh that despite its overdramatic appearance, is in fact incredibly genuine. She's tired. So tired.

Foçalors, come home.

Furina buries her face beneath one of the pillows. She hopes it'll drown out the sound of your voice. She can't distinguish whether that ache in her chest is from your summons growing more insistent or from how much she needs to cry.

The shooting star turns golden outside the window, and Furina wonders if the fact that someone else intercepted it will be enough to dissuade you. She hopes it is, otherwise, her days are numbered.

No more stars cross the sky that night, and relief washes over her body, in a wave so intense that she once again doesn't notice the tears. She falls asleep like that, and dreams of rising waters.

Furina heads to the Opera Epiclese in the morning. She's not looking forward to seeing Neuvillette, but she prays that there'll be a trial. "Please," she thinks, as she sits down in the throne reserved for the Hydro Archon, observing the stage from on high, "let it be today."

It isn't. Instead of a trial, there is a performance... and though she usually loves them, now is not the time. Worse yet, she's spotted by the crowd as she's getting ready to leave. They're angry, of course they are. The prophecy is true, and what is their Archon doing? Furina performs as best as she can, but this time the audience is completely unreceptive. She doesn't blame them. She'd be angry, too, in their shoes. She knows they're terrified. She's terrified, too.

But what can she do? Her search has turned up empty. She has no powers, not really, none besides the power of persuasion and even that seems to be slipping more and more these days. She cannot reassure her people. Neuvillette no longer trusts her, if he ever did. The water rises every day with no signs of stopping.

"Why, mirror-me? Where am I failing?"

The crowd chases her out of the theater. Neuvillette is nowhere in sight, and even if he were, Furina isn't sure she could call upon him now. The time in which he acted as her shield if gone. Neuvillette is now just another of the many she's disappointed.

It hurts.

With no other choice, she runs - as far as her legs will take her, she dashes away from the crowd, and guilt tells her she's being a coward. That she needs to stand up and reassure the masses, that she needs to do what an Archon would at that time.

The notion feels almost ridiculous. She cannot command her element freely like Barbatos, or raise protections over her city like Morax. She cannot threaten to strike down the unruly like the Shogun, nor does she have Lesser Lord (Lesser Lord! Hah! Even someone known as 'Lesser' is leagues beyond Furina's ability) Kusanali's foresight and wisdom.

So she does what she can do.

Whether it is fate or simply her own feelings of guilt, she finds herself in Poisson, at the base of the Spina di Rosula. The place where all those people - her people - had lost their lives to a disaster she was supposed to prevent.

When the Traveler extends their hand, she doesn't know whether it is a blessing or a curse. She wants to run again - what else can she do? But her pursuers are apparently still giving chase, and the outlander offers her aid. She can feel your presence from within them - every time she's crossed paths with them, as brief as those moments were, you were there. She can tell that the longing in the blonde's eyes is, at least in part, yours.

She's sorry.

She follows the Traveler to the hiding place - someone's home? It seems irrelevant. For a moment, she wonders if she could sue you for invasion of private property. "Oh, what am I thinking? The time for the grand trial is over... and even if it weren't, suing the Overseer for something so trivial would warrant the same result as the first time I challenged the Traveler..."

The Traveler. The outlander whose presence preceeded disaster. They were known for solving it, sure, but she knew that the moment they set foot in Fontaine the prophecy would have already started. Was it their fault, or yours?

Furina still feels like it might be hers.

The Traveler offers help once again. They extend their hand, and the look in their eyes as they ask her to confide in them is so earnest, so genuine. She swars she can hear two sets of voices saying the words - the Traveler's, and yours. It's faint, and gentle, and pained, and carries a yearning she knows she cannot fix.

Through them, you reach for her and she almost breaks. She knows you'll stop reaching once you know the truth.

Furina, please. You can trust us, love. Let me- let us help. People from your world cannot know, but neither of us fit that criteria. Your people will not dissolve, I promise you. I've seen enough worlds to know.

She considers it.

She hears your voice, and considers it. But there is uncertainty in your tone. You're gambling, and she's a good enough actress to know you're not sure yourself. They wouldn't do it, that's your reasoning. Furina doesn't know who 'they' are, but you're placing all your bets on the fact that 'they' would not erase an entire Nation. Who are 'they'? Celestia? If so, she knows for certain that your wager is more optimistic than based on facts. It's not enough - blind optimism is not enough for her to risk it, not even from a being like you. Besides, that is not her choice to make.

She cannot give up. She cannot lower her guard. Not with Neuvillette, not with the Traveler, not with you. The Traveler urges her for a response, reaches out, and she's about to deny them, when the house's walls fall.

Damn it, we needed more time! Furina, I'm so sorry.

She feels your sorrow about at the same time that she feels the spotlight on her.

Neuvillette looks down from his seat as the Chief Justice, and somehow the sliver of pity in his eyes hurts more than the coldness of a few days prior.

She's on trial.

________

She's crying.

She's not even making an effort to conceal it anymore. It's over. The curtains have closed and everything she worked so hard for has crumbled. The people know. Neuvillette knows. You know. Furina makes no effort to hear your voice. She knows you're disappointed.

If she did, perhaps she'd hear how you're screaming at the Traveler to go check on her. If she did, perhaps she'd hear how despite everything, you're reaching out, still. How you wish to hold her tight, as she deserves. She'd perhaps hear your outrage at the thought of her being subjected to the death sentence, she'd hear you trying to tear Neuvillette apart for allowing it, she'd hear you slowly realising that the fact that the sentence is addressed to the Hydro Archon means it's not her who dies.

She doesn't witness your relief.

Instead, it is you who gain an understanding of her thoughts. The Traveler reaches for her, and she can feel you pushing through, but she can't stop performing. Even now, she's still holding it, as much as she can.

You tear through her defenses with more ease than she expected. Furina had, until now, thought of you as detached. She knew you saw the world as a stage, a story for your amusement. Sure, you liked them, but only to the extent that one likes characters in a play, right? You were, as far as she knew, exactly the type of god - or, er, entity? - she emulated. Fickle. Boastful. Using lives as entertainment, watching trials and tribulations like a performance and solving the Nations' troubles like nothing more than a game. She had not expected you to care.

Not about her.

Not after knowing the truth.

You push forward. She knows it's you, and not the Traveler, who's in control. She can feel it, the intensity with which you reach out is the same she felt tugging at her very being every time a star crossed the sky. She knows it's you who's still trying to reach her. Even if she's failed.

Even if she's not capable of being in your Archon Team.

So she sighs, and lets you witness. That is your role, after all, isn't it? An audience of one, watching an interactive play. You haven't given up on her character, even though it's not what you expected. You're not what she expected, either. Funny, she finds herself thinking, you're both more human than anyone realised.

You witness her life. She lets it play out like a film before your eyes, the endless stream of memories of growing hopelessness as she realised that the prophecy was slowly setting itself up and she was not any closer to finding out how to stop it. Now you know - the truth, the whole truth. She has nothing left to lose now, anyway. Everything is lost. She was unmasked. She failed.

You're pushed out of her thoughts after she invites you to take your place on stage. You act in her memory, but this time the Traveler doesn't speak. You barely have time to state your piece - all you manage is an I'm sorry before being forced away. She has nothing more to share. That is enough, she figures, and far more than she ever thought she'd share. She still feels the urge to cry, but part of it is from relief.

After that, she doesn't feel your presence until after the flood.

The prophecy comes and goes and Fontaine is unharmed. The flood lasts no more than minutes, and no one is dissolved. Furina remembers your words - 'they' wouldn't do that. Though she is unsure as to 'their' identity, she is thankful that you were right. The sunlight feels like bliss upon her skin as she steps out of the Opera Epiclese, gentle rays drying the remaining water from the streets and the tears on her cheeks, and for the first time in five hundred years she breathes easy.

"They're still hoping you'll come." A familiar voice pulls her out of her trance. The Traveler, alone, stands behind her. Your presence is nowhere near. They look the same, yet different, without you within. Furina can't quite explain it, but it feels odd after being so used to seeing you within the outlander.

"I'm not an Archon." She answers, a certain bitterness in her voice as she looks down, defeated.

"I don't think they care. I know you need to rest for now, and they don't have enough primos for a ten pull anyways, but... just so you know. They'll keep trying."

Furina doesn't quite know whether that is meant as a warning or as an opportunity presenting itself. They're gone before she can ask. Either way, they're right - she is tired, and she does need rest. Out of instinct, she heads to the Palais Mermonia, but stops herself as she reaches for the door.

"Lady Furina." The gentle, deep voice she knows as belonging to the Iudex pulls her from her thoughts. She doesn't dare look him in the eye. He opens the door for her, but she simply turns away. She cannot face him, not after that trial, not after everything she'd done.

"Thank you, monsieur Neuvillette. But I... I think I'll be going, now."

The now fully restored Hydro Dragon can only watch as Furina walks away. He knows she needs her space right now, but that doesn't stop him from worrying for her. He'll arrange the best apartment he can get for her, and make sure she never lacks for anything. In the meantime, though, he'll just try not to let his emotions get the best of him, lest he causes a downpour to fall upon poor Furina, who definitely does not need rain right now. If there is one thing he knows about humans is that rain does not, for the most part, cheer them up. So he holds it in, promising himself that he'll take a small break for a walk after the aftermath of everything is over, and heads to his office.

There is so much to do...

_________

Three weeks pass. Furina lays on her bed, her window open, the soft breeze bringing the smell of a night that promises rain into the apartment. She is busy, not with work, or with renovations, but with the azure glass sphere that she holds up to the light, examining it under her lamp. A Vision... during all those years, she had never thought she'd receive such a thing, much less after being pushed away from her role as the Archon. She is thankful, yes, for her newfound freedom, and, she supposes, for the fact that she'd gotten to act again. But it still remains that this bauble was completely unexpected.

Power. This little thing can give her power. She's still unsure on how to use it, and it crosses her mind that the Traveler - or you - might know. You owe her, after all, after what she did to help you out with the play... she could feel you trying to strangle the Traveler and Paimon on the astral plane and that was perhaps why she wasn't entirely offended by their remarks. Still, she had made a great effort for that play. It was only fair that at least one of you repays the favor, no?

Furina smiles softly, sighing. She'll have to put up a commission at the Guild tomorrow.

She examines the light reflecting within, and it reminds her of the surface of the sea as seen from underwater. The holder, a silvery ornament not unlike those she's seen worn by Vision-bearers, has a distinct characteristic - four fang-like details that seem to secure the glass in place. Before she can give it more thought, the first pitter patter of raindrops reaches her ears, and she rushes to retrieve the clothes hanging on the line she has in the small balcony of her apartment before they get too wet. She rushes outside, hearing as the rain and wind pick up.

"Damn it, damn it, damn it..." She mutters to herself, quickly shoving the clothes onto a basket, trying to pick them off the line as fast as she can. Behind her, a flash of light illuminates the night sky. "Oh, I am so not in the mood for thunder..."

Furina cringes, hoping the storm is not directly above. Maybe she'll be able to sleep if it's just a faraway rumbling. What she hears, however, is not the booming sound of a storm.

Furina. Come home.

You're still trying. For a moment, she forgets about the heavy rain, and the clothes, and simply looks up at the sky. Blue flashes, one after the other, cross the clouds in rapid succession. Even after everything, you hadn't given up. The Traveler had warned her, but at the time she hadn't been in a stable enough state of mins to even care, still shaken from everything that had happened.

Now, she simply looks up.

"Overseer." She answers. You won't be able to add her to the 'Archon Team'. She knows she's not as powerful as most of your Vessels - hell, she doesn't even know how to use her Vision yet. But you still want her.

You know the truth - the whole truth - and you still want her.

The next star that crosses the sky turns gold, and glows brighter and brighter until it lands in front of her, hovering above the railing on her balcony. It emits a soft, warm light, and Furina reaches for it like she'd reached for her Vision.

Warmth spreads over her body, and it feels like every time she'd looked at the Traveler with you in them, except everything feels more... intense. It's not like she's seeing the filtered bits of you that shine through the cracks in someone else, no. She can feel you directly, and she understands why they call it 'coming home'. It's warm. It's comfortable. And for the first time she can truly, honestly say she doesn't feel alone.

You're happy she's there. Time seems to stop around her, and she finds herself dry and in a field full of stars. If she squints, she can barely make out a form, a swirling swarm of stardust in the vague shape of a person. She reaches a hand out.

You place the cursor over her outstretched hand.

Welcome home, Furina.

[bacchuschucklefuck]

Riz has counted four casseroles this week alone. Five, if one goes by the method of cooking, but Yelen's scary when she's crossed, and calling her burek by its proper name is important to her, so Riz does her the courtesy and doesn't include it in his mental tally.

He holds the tupperware over his head to keep it out if the way as he takes careful steps over the piles of notes in his path. The dockman case just closed, relevant documentations handed over to relevant personnels, evidences dealt with as needed; all he has lying around now is just record of the process and traces of himself thinking through it. Unsurprisingly they still haven't invented a surface more convenient for people under five feet who like to pace to put pieces of paper on than the ground.

Actual records go into the case folder with the other documents. Anything else with at least one side still blank is going to the school kids in the block - they chew through an astounding amount of paper just learning arithmetic. The rest is for the recycling basket.

Later. It's his mandated lunch break right now.

Riz sits down in front of the corner file cabinet. In an office often overrun with papers and strings and sometimes even thumbtacks, he's never really managed to clutter up this exact square of surface like every other ones. Ever since the bottom drawer rattled for no discernible reason a day long past, his eyes have always just kinda decided to slide across the space without acknowledging it.

It's years out, now. Riz doesn't know why he thought it such a big deal anymore, back then. He wasn't scared, he doesn't think. Not anymore. Maybe just uncomfortable with the idea that certain things persist despite all efforts to change.

He opens the tupperware. Dame Carabelle's experiment greets him with enough spice in the aroma alone to knock out a small mammal. When he chopped the vegetables for this casserole he couldn't really imagine the eventual heft of it, evident even through just these few ladles' worth, maybe weighing heavier for being still warm. His folk eat more through the smell and the textures and the aftertastes than the taste itself. His folk's meal is really the cooking rather than the eating. The eating is the meal's end.

"Hey," he tells the file cabinet's bottom drawer. "Um."

It's the anniversary. Riz doesn't know the exact date of his dad's death; nobody currently alive does. He and Mom both use the date of the funeral, though as he moved out to Bastion and then got more directly involved with Interplanar he hasn't really been going to Dad's grave as much. Doesn't seem like very efficient use of his time, catching a train or borrowing a car or spending a whole spell slot on going somewhere he knows Dad isn't at. They're sorta coworkers now. They talk on and off every other week between missions. When he goes now, it's just to clean up the place, keeping the landmark tidy and respectable.

Without that work to mark the date he doesn't really know what it serves anymore. But he still remembers it. Still takes note, absently or not, when it comes around.

There's not really a good way to tell the drawer that. Riz looks for another way to start the... conversation, hopefully. The question at play, he'd guess, is why he's doing this. He's been pretty content ignoring all the rattlings and the knocks from inside and the times it sits slightly ajar without him ever opening it himself; hell, he still uses the three drawers on top of it. Space is fucking precious in Bastion.

Precious enough to finally fix this damn drawer so he gets his turn to use it? Riz asks himself. Is that what we're getting to? Then he dismisses the thought - he didn't manage to fix it the times he actually tried, let alone-- now. When he doesn't really care that much to.

That's probably a good place to start. "'s fine if you keep being in there, turns out," Riz says.

The lunch hours are quiet in the block, sleepy and bright with the brief window of sunlight that manages to break through roof overhangs and extended balconies and laundry lines and climbing vines. Riz's work isn't loud here (the loud parts happen away from his office, if everything goes right), but the fragment of early summer heat reflected in the steady warmth his meal still carries compels him to lower his voice even more. It makes the words feel intimate, in a way he's never been familiar with - if he says something he just says it. He doesn't whisper. If he gives his friends something, he gives it open-palm. He's found out, along the way, that people usually don't think of rituals and courtesies the way he does.

Small voice for a diminished monster. "You know why I think so?" Riz asks. "Because almost two decades ago you kidnapped me and almost killed me, and now you rattle a drawer in my office."

It doesn't sound as much like a taunt as Riz wanted it to; the drawer has made a lot of noises again this morning when he checked the calendar, and he was definitely annoyed at it. Now, though, facing it like this after cooking the whole morning with more grandparents and peers from the block than he can count on both hands to cater for a tenant union meeting, he thinks the annoyance has morphed. Changed shape.

It has the shades of something like pity. Riz is not prone to pity, and especially not at these kinda matters. It's slightly maddening that he coheres perfectly outside of this one spot. That he commands his spaces, except for a drawer.

He puts the tupperware onto the floor between himself and the cabinet. "I know we're aware it's the anniversary," he says at the drawer. "You do this every year. You make a ruckus every time I decide to go do my job instead of mooching off my friends' aircon, and every time I get an invitation to some stupid social thing I want to turn down, and every time one of the old people tries to introduce me to a child or a nibling, because being a bachelor over thirty is weird," he pinches the bridge of his nose. "I have three fucking jobs. I love doing my fucking jobs. I'm forcing funds into infrastructures. You're never leaving, are you."

The drawer vibrates lightly. It's a very, very mild acknowledgement, considering the history of reactions Riz has gotten from this thing. Riz thinks it's emanating joyous agreement, or satisfaction.

It only sharpens the pity. Riz doesn't like that, but it's how it is. That's, ultimately, the lesson he's been taught over and over and over again, just by existing as himself, turned every which way by space after space that don't see him eye-to-eye: it's not like he'd quit living over any of it. It's not like any of it can sand off these fundamental pieces of him.

He's outgrown a lot of things, he's found out. Again, and again, and again. A childhood home, a yearly trip, a monster.

"'s probably scary for you, huh?" He asks. "Because I left."

He thinks he hears joints creak that sound like you did. Probably the way a scorned lover would say it, in a movie or a yellowback. He has no more connection to the idea than he did as a kid. Less, because it doesn't even scare him.

"That's what it is, right? That it's the anniversary, and I'll never be like Dad." He raises a knee from the floor, pulls it back closer to him. Slings an arm over it. "You love to remind me. The thing is, Dad also left. He loved Mom and he loved me, and none of us wanted it to happen, but it still did. Because love does fuckall to make anyone stay on its own."

He's long past being bitter about it. It's just the facts. Once upon a time he looked into the future and the specter of his friends' happily-ever-after casted lightless, fathomless shadow over him. Love, marriage, that kind of devotion, to a fifteen-year-old with more solved cases than friends seemed so eternal. Final.

But you can only watch your friends build up apps' worth of jilted lovers for so long before getting over it.

"You know what I learned?" Riz tells the drawer. "Love doesn't make anyone stay. Project management does."

He stands up, and picks up the tupperware of Dame Carabelle's casserole, that he helped make, that he helped share with a block's worth of neighbors and members of a community he's at home with, and goes sit at his desk to eat. "Last chance to get any," he drops an offer over his shoulder as he walks away.

He doesn't eat all of his share in one go. What he's spared he leaves on the desk when going outside for a smoke break. Baron looks the exact same as when he saw them last, when he catches a glimpse; they haven't grown at all. They aren't there when he comes back inside, but the leftover has gone days-old cold, like someone's sucked the future out of it.