Fox: I just--
Fox breaks his datapad in half.
Thire calmly hands him another one.
Fox: I just get so frustrated sometimes...
Cody: Wait...You just have another one on standby for him? HOW OFTEN DOES THAT HAPPEN!?
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Angel in the far future going into theatre acting
He loves the crowds, how he can captivate them with his words and presence alone, how they stand in an uproarious applause when he closes a show
Personally think he would be a fantastic Hamlet AND Ophelia. The director has a difficult choice to make there
BUT
MY POINT
Angel needing help with his lines, asking Husk to recite with him, Husk agreeing only because it makes Angel so happy...
Honestly this idea could go anywhere. Classic Shakespeare? Imagine Husk doing the whole "if I profane with my unworthiest hand" shit and absolutely Killing It and Killing Angel in the crossfire because Why Are You Good At This?????? HOW ARE YOU SO GOOD AT THIS IM BLUSHING HOLY SHIT--
Turns out Husk is sub par actually, it's just Angel Vision that has him seeing Serious Husk and swooning
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Another reason why I think Hancock would have a crush on the Sole Survivor besides the obvious fact that you're out here helping the people of the Commonwealth, or how he thought you were an innocent vault dweller who needed protecting, is the fact that he's finally got someone he can be emotionally vulnerable with. Being the mayor of such a dangerous place like Goodneighbor means he needs to keep up a reputation to match it. There's no room for him to be soft or emotional in a place like this.
He's happy when strangers know who he is for having reputation that precedes him for being deadly because it eliminates any chances of someone out there possibly getting the idea that he might actually have a sweeter, more caring side. That's one of the main reasons why he even killed Finn in the first place. But he WANTS to be able to express softness. The problem is just that Goodneighbor isn't the place to do it, and a lot of the kinds of people you find in the Commonwealth in general aren't really the greatest types to be emotionally open towards anyways. In a world like this, it's something that could very easily be held against him.
He tells you that it's lonely being mayor and that he's running out on the good things and people he's got. He tells you that he's always been the one telling others to keep the emotion out of relationships in the past, but here he is being open and emotional with you. He says that everyone is entitled to some softness, himself included… but after he opens up to you about running out on the good things in his life, he asks you not to tell anyone else. Not necessarily because of the fact that it's personal, but because of the fact that he's afraid of word spreading around about this more emotionally vulnerable side of him and that people will think he's crazy for it (and as a side note, let's be honest, we've all seen how society on a larger scale views emotionally vulnerable men as weak).
A lot (not all) of his contradicting ideals when you first meet him make so much more sense when you look at him through the lens of a man desperately trying to conceal and repress the more sensitive side to him. The way he just lets you get away with so much during The Big Dig questline, even if you take your time to do every little thing against him. It's obvious that he doesn't really care all too much about punishing you - he just likes knowing he still has the power to make people frantically scramble to please him, because it helps uphold his reputation.
If there's one thing Hancock hates being more than anything, it's being powerless and weak. His biggest traumas come from how he was unable to protect the ghouls in Diamond City from being exiled or protect the drifters in Goodneighbor from being abused by Vic. If people in the Commonwealth knew there was a softer side to him, a large majority of the more dangerous organizations, especially the ones operating in his town, would consider him weak. If Hancock was considered a weak leader, then he wouldn't be considered fit to protect the innocent people that he so sworn to protect.
It's always baffled everyone how Hancock doesn't show any sadness when it comes to the death of Fahrenheit or finding out his brother was replaced by a synth and killed years prior, but I'm starting to wonder if we've been looking at it the wrong way this entire time. Maybe Hancock's lack of being visibly upset over them had nothing to do with Bethesda making poor writing decisions (they kind of do tbh), but had everything to do with him repressing his emotions.
So when he gets to travel with YOU the player, who has no prior knowledge of him, his reputation or past (and you aren't just another citizen he has to put on a show for) he feels like he can let his walls down around you. He's allowed to be emotionally vulnerable because he doesn't have to pretend to BE someone for you, and in turn, he feels like he doesn't have to run anymore.
(That was a lot sorry but I tend to get my thoughts out better in the form of long ramblings. Honestly there's so many ways he can be interpreted though, but I guess this is just somewhat of an analysis/me theorizing a little)
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Sigh but like ok, ATSV spoilers but, that scene where Miguel is chokeslammimg and saying all that awful mean shit, which is kinda justified because from his perspective what Miles wants to do could, as far as he knows, destroy an entire universe. Well I'm such a sucker for "ok you burned me and betrayed me and now that you want my help or forgiveness, you don't get it" as a trope, so
imagine Reader being in a similar situation and of course Miguel is even starting to kind of catch feelings. You get introduced to him and the society and everything is hunky dory for a few months but, the Bad Thing Happening now has to happen to you, and, you feel hurt, you feel betrayed, you feel like all semblance of choice has been ripped away from you. Wait, you mean this super cool but massive responsibility that took you from a zero to hero... was never supposed to happen to you? You're a mistake? Like imagine you're actually doing an amazing job at being a hero and then running away from the Society, an above average gifted spider, maybe even potentially a mutant, but Miguel pins you down and says those things to you to try and get you to stop and it. Breaks you. Suddenly nothing you have ever done has ever even mattered. Wait, so they preach this horrible thing about to happen to you, that you're forcing you to not stop, THAT'S preordained, but you becoming a hero, you trying to make something of yourself, THAT'S a huge fuck up, a mistake, not supposed to happen? You don't BELONG there?
Miguel eventually comes to your cell and tries to speak to you, but you're just quietly crying and refuse to look at him. You won't talk to Peter or Gwen or anyone else, and they can't even get you to eat until you're practically vomiting from hunger and even then, it's just small, untrusting bites. They try to apologize and cheer you up but you reject any and all forms of communication and especially touch, if any of them tries to hug you, you shove them back, suddenly furious like you're about to throw punches.
You break down sobbing when you're told The Bad Thing happened, and you're asking, can you go home now? You look right at Miguel, look right in his eyes, "so you guys are going to leave me alone now, right? I get to go home and never see any of you ever again?"
That's... not quite what they wanted? You're a talented hero, just a little green! Just because you're kind of, an anomaly, doesn't mean they hate you! This wasn't personal! They realize a little too late that this didn't "forge you in the fires of adversity" or some poetic shit like that, it RUINED YOU. You hate them, you hate yourself, you hate ever donning this costume and risking your life for others only to be told it was all a mistake. You did this because you thought you were making a choice, but how is this any different than being some kind of slave, expected to burn yourself out and suffer for others?
But unlucky for you, there's some canon events Miguel will need your help with in the future, and if that means he has to atone by sticking to you like glue and forcing you to accept his mentorship as he basically drags you around forcing you to be Spiderman, then that's just what he's going to have to do. And if you turn out to be some kind of special mutant or other such creature that isn't affected by canon or shifting dimensions like they are, then, clearly there's no consequence if he wants to scoop you up for himself, right? And that will just be another reason he can have the Spider Society hunt you down with him if you ever escape his clutches
But also imagine you were destined to do something like lowkey amazing like cure cancer or develop groundbreaking tech or become one of the greatest spiders who ever lived and they check back in on you and you've like. Sold a vial of your blood to Osborne or something and you get royalties from whatever drugs he uses it for and you're just. Living a millionaire lifestyle refusing to care about anyone ever again and dont even own your spider costume anymore. Just the punishment and pain and manipulation of them realizing that they should've done things differently and they might have doomed your world in a different way altogether but also feeling guilt because they changed who you were, they don't have that person that was their friend anymore, you look at them with either hatred or indifference and just want to be left alone, and Miguel decides, ok, fixing you all up nice and better is going to become a little passion project of his
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