#he makes my heart hurt

[tadpole-art]

Big Brother Bumi <3

[oraclesandomens]

Nicholas D. Wolfwood sketches. This boy — he might seem like he’s all anger and rough edges but he’s really just a lost kid. Vash was right — his eyes give it all away.

[karniss-bg3]

Sitting here imagining a tiny Kar'niss standing in the center of my cupped hands.

Who's my good lil soldier for the Absolute?

Who's gonna smite all of the heretics and blasphemers?

You are, yes you are, yesss you are!

Then I boop his snoot and return him to his enclosure.

[nubs-mbee]

Certain hozier songs make me instantly tear up now, idk how to even handle it his lyrics are just so devastating

[entelodontidae]

Glenn! Wanted an excuse to draw a guitar

[freakazoinkk]

sad little stinky sad sad man

[seraphdreams]

Every time i think of Yuuta, my ovaries hurt

my whole body starts pounding, starts in my kewchie then my head n my tits get sore and everything after that is a blur

[pissfizz]

Guys I’m a little insane about this scifi childrens book series from the 90s

[lovemug16]

Literally so in love with Sniper

Enjoyable moment from the new comic

[platoapproved]

Well, you don't talk about your mother very much.

insp (x)

[secriden]

Absolutely heartrending because it just hit me that before Bison's phone call, Fadel was actually began to believe that he'd been wrong to suspect Style. Because despite the evidence stacked against Style -- and remember, it was Fadel that spells out the reasons they have to be suspicious of Kant and Style -- Style is so incredibly genuine here and Fadel, in truth, wanted to believe in him.

I think it's possible that Fadel actually saw Style through the window here, but pretended not to because he had to take a moment to prepare himself. But if you see where Style is standing and the way the patio is lit up, there's no reason why Fadel shouldn't have seen him from where he was by the tables before he turns to go behind the counter.

Fadel: I was thinking of going to your place. But you were more impatient than me, huh?

This would also explain how Fadel is able to say this before Style even has the chance to make a sound. I had expected Fadel to wait and see what Style would say, to play it safe and observe; but no, Fadel immediately sets their dynamic back to the assumption of familiarity that their relationship was on before he disappeared for a week. The assumption that he could show up at Style's house unannounced and Style would welcome him.

This feels incredibly intentional. Fadel wants to see how Style is going to react to Fadel acting as if nothing strange happened. If Style was an informant, he should be confused and Fadel may catch him out in a lie.

But Style's performance is flawless:

Style: Where have you been? You didn't reply any of my texts! (punctuation added for emphasis and to mimic Style's tone)

He says this and the whine in his tone is a clear affirmation of that same assumption of familiarity. This is the tone used by someone who is secure in the knowledge that they are owed an explanation; this is the tone of someone in an established relationship who feels justifiably wronged at being left out of the loop.

And I cry a little bit more at the thought of Fadel reading those texts -- Style by turns frantic and confused and worried -- and refusing to respond. Or worse, receiving them and refusing to even read them because Fadel doesn't trust himself to tell the lies from the truth anymore.

At this point, Fadel seems to waver a little bit in his resolve to "test" Style. I think he was a little taken aback that Style didn't seem to be even a little bit weird about his abrupt disappearance for a week. His reply takes on a quality of gentle pleading and the way he's speaking is exactly like a boyfriend who knows he messed up. But because these lines are a lie, Fadel cannot meet Style's eyes as he says them. It's only when he says "I was busy, too" (not a lie) that he's finally able to squarely meet Style's gaze again.

And Style continues to be so convincingly NORMAL because all of this is real for him. This is just genuinely Style, the boyfriend, who actually wants to know where his boyfriend disappeared to without notice for a whole week. Nothing about his body language or tone has even a hint of inauthenticity because there is none. Style means every single word and meets Fadel's gaze squarely as he says them.

It genuinely looks to me like Fadel thaws significantly at this point. He suddenly looks less stiff and the way he delivers this line contains so much more inflection, it becomes cajoling. He even begins to more consistently meet Style's eyes as Fadel begins to allow himself some honesty. Fadel's logical brain knows that the circumstances surrounding Style coming into his life are riddled with inconsistencies, but he both senses and WANTS to see Style's sincerity. The shields that Fadel had up are melting in the face of Style being present and unchanged from what Fadel remembers.

Stay, Fadel all but says, let me make it up to you. Fadel offering to make food for Style (@braceletofteeth please hold me as I cry about this!!) is also significant because the last time Fadel made food for Style (the burger) is when he was softening towards Style after Style helped out at the diner during the rush crowd. Fadel is a creature of habit and all that he's learned of late are the ways Style is easy to love.

They begin to fall back into their usual, playful banter and teasing dynamic. Style leans back against the table (and the way he's all unspoken surrender and submission -- throat arched up and bare and vulnerable -- truly makes me feral), turns up the flirt and Fadel responds in kind. And yes, Fadel means his question on some level but you don't get the sense that his heart is in the interrogation. Fadel may be going through the motions, but this is just Style being himself, exactly as Fadel has come to know (and love), so nothing is pinging as wrong to Fadel.

I mean, just LOOK AT FADEL'S EYES!! His expression is so so soft and tender and wistful. He wants this. He wants so desperately to believe that this is why Style was texting him throughout the week. He wants to have Style in all the ways that include and go beyond the physical; like Style offering his affection is everything Fadel didn't think he could wish for.

It's almost cruel the way Style's touch so utterly disarms Fadel. Because, while it is part of the games they've been playing, so much of their interactions have also been grounded in genuine feelings and moments of intense vulnerability on both sides (although neither of them know this for sure!! T_T). Style's hands on Fadel's body literally removes the last stretch of distance between them and that odd unease lingered over the way Fadel spoke and held himself at the start of the scene finally disappears.

If we compare their expressions and the way they are holding themselves and, most importantly, touching each other by the end of the scene to what we see when Style first walks into the diner, it becomes apparent just how much ground Fadel has given in the span of those few minutes.

It's the way Fadel keeps holding onto Style's hand even as he's turning to leave, maintaining that point of contact until the very last second.

Because with Style in front of him -- warm and familiar and carelessly affectionate -- Fadel allows himself to slip back to the version of himself that woke up in Style's bed at the start of the episode, the version of himself that called Style's name for the first time and wanted to wake him up with the softest of touches. The version of himself that literally, physically couldn't let Style go.

Which is why, when the call comes and Fadel's heart gets broken anew, Fadel remains devastatingly empty of anger towards Style.

Because it was Fadel's own fault for choosing to believe the lie.

Because it was a decision he made to allow his heart to rule over his head.

Because Fadel understands that Style only succeeded in "fooling" him once again because Fadel let him.

So Fadel gives himself this truth, allows himself to finally take that step to bare his heart to Style, the way he promised himself he never would, but the way he so desperately wanted.

And Style kisses Fadel because he doesn't realise that this confession is not a reward, but a judgement.

For Fadel is paying penance for giving in to his own foolish heart, and in so doing renders Style's love to devastation.

[avantalem]

he is BREATHTAKING

HONGJOONG - CODES COULEUR 230628

[sorry-not-feeling-it-right-now]

First post for the Slay the Princess fandom

Take my design for the Voice of the Cold while I figure out how to design the rest of them

(Spoilers for the Pristine Cut update below the cut and in tags)

Happily Ever After drawn on paper

[hedonistbyheart]

I love how well George Rexstrew delivers emotions as Edwin, because when he's losing it he does not hold back. That man can scream and it'll be shrill, a banshee howl of anguish. He's playing a ghost and those fucking screams will haunt you.

But he also has the most amazing facial expressions for various emotions.

One particular one that really gets to me, is when he's ranting about their purpose, about how he and Charles didn't matter, but their cases do, Charles points out that they haven't solved Crystal's case yet either.

Edwin looks at him with this haunted, caged expression on his face for a long moment. I'm not sure if he looks like that at other times, but he looks like Charles has cornered him. He knows Charles is attached to Crystal and it scares him, but he can't explain, so he just settles on looking down in defeat without a word. He's so scared of having been replaced- and that's when Crystal takes his hand and tells him he does matter.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[tashism]

curly angel baby hair art come back to us

my babyyyyy,,,, my baby :((((