#he knows that redemption in their eyes is equivalent to or at least can only lead do death and self-sacrifice

[bonefall]

Who’s Juniperclaw again? Also the quote about ruthlessness? Staring curiously

Canon!Juniperclaw is tigerHeartstar's nephew, son of Dawnpelt and brother to Strikestone and Sleekwhisker.

He was the first deputy of ShadowClan after tigerHeartstar's return, until he tried to pressure SkyClan into leaving the Lake in AVOS by poisoning their food. No one was hurt any worse than "bad tummyache," but he was exiled anyway. He then died rescuing Shadowkit from a flooded river QuickTime event.

We found out that he went to the Dark Forest in TBC. He was allowed to become the guardian of the tunnel between the Place of No Stars and StarClan's Hunting Grounds, in the hopes of finding redemption.

For BB this is all a bit different;

I've been waiting for a while for the perfect opportunity to rise to rework Juniperclaw's story.

I REALLY like the idea of his poisoning, his exile, and his placement in the Dark Forest... but the back half of AVoS is baddd.

Plus, it's just too bloodless. If he's going to get DARK FOREST over this, I expect a body count.

So now, his actions lead to at least 3 deaths. Leafstar is one of them, Sparkpelt was ALMOST another but Hollylark uses xeir powers to die in her place, and Flickerkit dies shortly before his birth.

ANYWAY JUNIPERCLAW

I feel like he wasn't expecting the death toll to be so devastating.

This event is being moved to Squirrelflight's Horror. Juniper's plot was that he was going to do this poisoning to blame it on The Sisters.

He just wanted SkyClan off ShadowClan land, he figured if he convinced Leafstar that the Sisters are a threat that needs to be dealt with that she'd move

He didn't think it would kill three people, just make them sick! Maybe just ONE of Leafstar's lives! And how was he supposed to know ThunderClan's leader's daughter would have a bowl?!

This plan probably works, but the guilt EATS Juniperclaw alive. He got exactly what he wanted-- a battle patrol against expectant queens.

I can't see this secret going on too long, someone rats him out and he crumbles. He can't live with it anymore.

But in Waspstar's eyes, an exile was a light punishment. Exactly what xey expected out of Heartstar, so openly biased for her family, not taking the death of SkyClan's leader as the murder that it was.

Xey dealt with this by sending a message; all "honored" guests could come and pay their respects to Leafstar.

Juniperclaw isn't invited explicitly... but the message reaches him. It is implied. So he comes, hoping to offer his sincere regrets.

I'm trying to figure out the cat equivalent of "Being taken out back and shot" is lmao

Professional mob boss kind of hit. Someone takes out the pistol with a silencer and ends his existence in the back alley as the loud party inside drowns out the sound of the shot. Do you understand me

Whoever the "hitman" was, Waspstar is the one who ordered it and xey take full responsibility.

The kill was clean. Not messy. Juniperclaw didn't suffer-- unlike his victims.

Juniperclaw goes to the Dark Forest like canon, but in BB he isn't the only border guard. He's buddies with Mudclaw and Appledusk.

The line about ruthlessness I mentioned offhandedly is this one from KA Applegate. I'm pretty sure it's from Animorphs.

"People don’t understand the word ruthless. They think that it means ‘mean.’ It’s not about being mean. It’s about seeing the bright, clear line that leads from A to B. The line that goes from motive to means. Beginning to end. It’s about seeing that bright, clear line and not caring about anything but the beautiful fact that you can see the solution."

It's become a popular paragraph as of late, because it slaps.

[markantonys]

You know, considering the show only fans' reaction to the Seanchean, if they do put Mat and Tuon together, they're gonna have to give her and them a LOT and I mean A LOT of character development. Hell, I wouldn't be surprised if Tuon shows up already with thoughts and doubts about slavery. Cause there's simply no way people are gonna be okay with it.

yeah i really do not envy them having to figure out what to do here, because EVERYTHING about mat/tuon and about tuon as a character is a giant landmine. (even just with casting, because the Head Slaver being a black woman is 🥴 especially if we then get scenes of her having to be told by a white man that slavery is bad. but if you DON'T cast a black actor as tuon then you've whitewashed a book-canonically black character. tuon's character design is the kinda thing where rj was trying to go for a ~boundary-breaking role reversal~ but it just really isn't a good look, and i don't envy the show having to deal with his choices there.)

anyway, i'm really hoping for tuon to be introduced at least a season or two before she meets mat so that she can have some development before they even cross paths, let alone begin having romance. (similar to how elayne, aviendha, and min were all developed through non-rand characters this season, which was a great choice.) one idea i'm quite fond of* is tuon showing up in nynaeve and elayne's storyline in s3 in an egeanin-esque role (tho not exactly equivalent ofc given tuon's and egeanin's differences in status/life situation/etc), so then she unknowingly befriends and comes to respect 2 ~marath'damane~, thus she has to start rethinking some things about seanchan culture when she finds out her new buddies can channel. and in s4 maybe she can have some kind of invented plotline to keep her development moving along, and s5 might be the time for her to first meet mat, and they can spend seasons 6 AND 7 together with the romance being a very slow burn. if the show just has tuon show up in ebou dar straightaway with the initial invasion rather than in a second wave after mat's storyline's been left out of an entire book, then she can meet mat sooner and they can leave sooner and have more time to spend together.

rj could have pulled off mat/tuon if he'd introduced her way sooner and had left enough time for their relationship to develop naturally and for HER to develop naturally, rather than breaking mat's characterization to cram him into a rushed relationship it makes no sense for him to want to be part of at this point in time. in WH it really does feel like rj was planning a whole meaty character development arc for tuon, but then realized between books that he wasn't gonna have enough time for it in the main series and came up with the idea of the outriggers spinoff, and in COT suddenly we have tuon being a completely static character and mat replaced by a pod person who's obsessed with her and has completely changed his views on slavery.

but the show has the benefit of knowing the endpoint already, so hopefully they're already planning for how to make the mat/tuon romance feel more believable. i think the only 2 options are a) introduce tuon way earlier and give her a proper redemption arc, or b) make it a political marriage which mat is putting up with for the greater good but has 0 romantic interest in tuon. because yeah, mat falling in love with an unrepentant slaver would make him absolutely vile in the eyes of all viewers, especially after how hard the show went on showing the vileness of the seanchan in s2. show viewers will not have forgotten the torture egwene suffered by the time mat meets tuon as easily as so many book readers apparently did.

*i'm also very fond of the idea of tuon being introduced in seanchan proper because i spent the whole series expecting us to see seanchan proper and the court of the 9 moons etc and felt SO robbed that we never did, so i'd loooooove if the show took us there and had tuon leading a plotline there before she leaves for the westlands. but purely in terms of getting her to start rethinking the damane system early on, this scenario wouldn't be as useful as the one of her meeting nynaeve and elayne in the westlands.

and finally, it's very interesting that they killed off every single notable seanchan character from s2. this could mean that they didn't want to leave any loose ends because the seanchan will be entirely absent for the next season or two, ooooooooooooor it could mean that they wanted to clear the stage for tuon to step up as our major seanchan character in the next season or two.

[thesoulspulse]

Danny Phantom Randomness (Vlad Vs Dracula)

(Note: This is concept art from an cancelled Don Bluth animated film about Dracula we were robbed of which makes me sad. Just wanted to put that out there even though it’s slightly unrelated to the topic at hand.)

Ok, so I’m sure that collectively as a fandom we all know that Vlad was loosely based off Dracula, aka Vlad The Impaler. And according to the wiki page, “Plasmius is more vampiric than Masters, as this was the producer's original intention, although it was rebuked by Nickelodeon, who considered it too "occult." But again, no matter how much they tried to deny it Danny Phantom IS a show about ghosts, supernatural creatures, and various different popular characters from well-known urban myths and legends. Honestly, I wish there had been more of them besides Pandora and Wulf the werewolf...

Anyways, there’s plenty of fanfics out there that do go the extra mile to make Vlad a vampire who drinks ectoplasm and stuff like that but what if he was actually RELATED to the original vampire by the same name as him and that’s why his ghost form looks the way it does? What if vampires were real too just like ghosts since they technically fit into a similar category as half-ghosts because they’re the undead...?

I just think it would be funny to see Vlad meet Dracula, aka the source of his name-sake, only to be treated like a child by an immortal being that can’t be overshadowed and can pretty much do everything he can but better. Dracula has superhuman strength, teleportation, the power of flight, can possess people (even hypnotize which Vlad can’t do in the show at least since that would make it way too easy to take over Maddie and Danny’s minds), and regeneration to name a few that’s the same as a lot of ghosts. That said, Dracula has the usual weaknesses of any vampire like his powers are weaker during the day, holy water and silver burns him (think of these as Blood Blossom equivalents), and his “obsession” is an unquenchable thirst for blood.

I’d love for this Dracula to specifically be like the Dracula Untold version who was ruthless to ultimately save his family and his people. He loved his wife and son more than anything which would be nice to see as a tie in to Vlad’s feelings for Maddie and Danny. Of course, Dracula would have none of his poor-pitiful-me act and call Vlad a disgrace to their bloodline.

Dracula would encourage Vlad to find his one true love who will only have eyes for him from the bottom of her heart, not pine over someone who has chosen another since he has known a love that transcends death because every century or so Dracula searches for the reincarnation of his beloved. And if she has married another he’ll protect her from afar knowing that she does not always remember him when they meet  again and he basically has to prove his devotion all over again like a 50-First Dates sort of deal otherwise whenever she’s single.

As for Danny, it’d be a similar scolding. Dracula would point out how fighting a child is unbecoming of him, especially if he views this boy as a son. Therefore, Vlad should be helping him, not making his life harder because Danny has already faced more horrific battles than any 14 year old boy should.

"It's not a child's place to defend his country." ~ Dracula Untold

Hopefully something Dracula said will resonate with Vlad because if not, its hard to say if they share the power of immortality too and the old vampire has better things to do with his free time. I dunno, I’m probably rambling but it was a fun idea in my head so I had to share it. Especially since I have drawn Vlad in a costume inspired by the classic vampire along with the Phantom of the Opera which I couldn’t stop thinking about when I discovered that little piece of Don Bluth history above about Dracula getting a redemption arc. And I’m a big fan of redemption arcs for our favorite fruitloop too!

[and-stir-the-stars]

dean really did look Cas in the eye and say that everything that went wrong was because of him, huh. His and Sam’s jobs is literally to care about other people and save them, especially when it comes to family, but they just ignored all the pain Cas was feeling, therefore telling him that he was neither a person nor family. 

And then Cas just. Let them make him feel broken. He never stopped to wonder if it was even true, or to wonder whether being broken would legitimately mean he deserved to suffer and to do so alone, whether he deserved to have Jack be killed in his arms by the father Cas loved and devoted himself to and turned to for guidance nearly the entirety of his life with little more than a snap of his fingers. Cas had just been forced into Hell, the place that holds traumatic memories for him, had just been forced to feel every last cell of his son’s body burn under his fingertips as a demon cried out for mercy with his son’s voice. And he didn’t get any sympathy from the Winchesters, which of course translated into him not deserving sympathy. And then dean tells him why: it was because of you. Your mess. Your fault.

Cas didn’t even get to be angry. Not over how they treated him, or how they treated Jack. Instead he just left, not even to protect himself as I previously thought, just as yet another way to keep from burdening the Winchesters with his brokenness and uselessness. 

[spectral-kitkat]

Miraculous Rant.

Where the hell do I begin…

Season 1:

The show was decent in season 1. Some episodes were just mindless filler and probably weren’t needed in the grand scheme of things but they helped us get introduced to the characters, we got to know the plot and the world our characters inhabit. It was good. The love story between Adrien and Marinette was cute and off to a touching and fluffy start.

Season 2:

This season was immediately better than season 1. It had character development, it went more into detail about the lore surrounding the Miraculous and we got to learn more about our characters and their families and the villian’s motives. (HM really went from “I wanna destroy the world” to “I wanna wake my wife from the coma she’s in”).

We got to see new heroes which was fun! We got new characters like Luka and Kagami.

The season finale was epic! The Miraculous team all taking down all the previous villains in the show was awesome. At the end we even got Mari kissing Adrien on the cheek. It was great! (Even though it clearly reset itself in season 3 cause it’s never mentioned again)

I really enjoyed season 2 and it’s probably my favourite out of the 4.

Season 3:

Season 3 was kinda good and kinda bad. We had some great episodes but this is where the show took the wrong turn.

Marinette lost some of her character in season 3. This was the start of her descent into being the Queen of Mary Sues. It’s also where she was crowned the Queen of Stalkers! Her character took a fucking nose dive in this season. We had so many moments that just creeped me the fuck out.

1. The ENTIRETY of Puppeteer 2 🤢🤢🤢 I could not stand that episode. When we reached the dreaded statue scene I physically had to pause it like 10 times. That scene takes about 3 minutes to watch… it took me about 20. I cringed so fucking hard because of the secondhand embarrassment I was feeling. That was not sweet, it wasn’t romantic, it wasn’t the least bit cute… it was a train wreck! It was creepy and stalkerish and it’s a wonder Adrien even spoke to her again after that atrocity!

2. LB delivering the present in Chat Blanc. Two words: STALKER BEHAVIOUR!!! I genuinely could not believe my eyes when I saw LB run her hand across everything in his room and then actually SNIFF Adrien’s pillow. Like WTF!!! 🤮 I’m pretty sure whoever was responsible for that scene clearly thought it was the equivalent of when someone gets their S/O’s jumper or something and it still smells like them. But this turned it up to the nth degree and way passed the line of sanity.

Adrien was extremely under-utilised in this season. He didn’t really do anything. The only episodes we got about him didn’t really focus on him. ‘Felix’ whilst focusing on Adrien’s family didn’t really feature him. ‘Party Crasher’ while a beautiful mess was more about Mari trying to get into the party than the party itself. ‘Chat Blanc’ again focused more on Mari trying to fix her mistake.

We got even more heroes in season 3, not in the right order but they were there. It was fun seeing everyone’s transformations.

Season 3 was also the season of destroying redemptions. The big one obviously being Chloe. Season 2 was setting up this amazing redemption for her and before it could go anywhere it was wiped off the face of the earth during the finale (and don’t worry we’ll get to that dumpster fire later). Gabriel also had any remaining sympathy ripped away from him. How did the guy who stopped Gorizilla from letting Adrien die when he only thought he was CN go from that to using his son like fucking baseball in Chat Blanc when he knew his son was CN. Like I knew you were a shit father but you still cared about Adrien in some way shape or form but after that episode I can see I was clearly mistaken!

Before we get to the finale I want to talk about probably my 2 least favourite episodes from this season: Desperada and Reflekdoll

Desperada:

I fucking hated this episode! The only good thing was Luka getting to be Viperion, other than that this episode was awful!

Marinette was a selfish cringey bitch. Completely ignoring Luka to gush about Adrien to Jagged. Brushing Luka off as soon as Adrien turns up. Immediately cuddling up to Aspik and flirting with him when she needed to focus on the akuma (something which she has told CN not to do many times before)

Adrien, I love you kid but Jesus Christ you were a dumbass in this episode! Aspik’s design was terrible! Aspik himself was awful. I know Adrien tried his best but dude you were given the Black Cat miraculous for a reason! He shouldn’t have tried to be Aspik but even when he did he should’ve called it quits after like 5 resets not 25,913 times.

The only person with a brain this episode was Luka. So well done guitar boy, gold star!

Reflekdoll:

This episode was annoying! It was basically the start of the Marinette can do no wrong streak! When they have to swap miraculous I was happy cause it meant we got to see new outfits and see how they each handle the different powers. It would also serve as a way to get LB and CN to see what their partners role is first hand. Until we actually get to it…

LadyNoire is of course amazing and needs no introduction to using this new miraculous that she’s never used before. She’s cocky and confident and basically just LB in Chat’s costume with his powers.

Mister Bug on the other hand is just useless. He struggles with this new miraculous (like anyone would!) and is stupid and goofy. He has to rely on LadyNoire to solve the lucky charm. They swapped miraculous so shouldn’t that mean that Mister Bug should get the lucky vision and the creative powers that the earrings give him.

Overall Reflekdoll is awful. It was shitty writing and the start of Adrien getting the short end of the stick.

And now the season 3 finale… Just what the fuck. That is my only reaction: what the fuck!

Chloe you poor fucking child! What did they do to you!!! So much potential SQUANDERED!!!!

What was the point in bringing in all these different superheros with unique skill sets, costumes and transformations if you were just going to immediately reveal them to the main villian so they can’t be used again. That’s stupid! If you wanted the shock value that is “Oh no HM knows some of the heroes identities!” Then keep it as only some. Have like Max, Kim and Kagami outside trying to find somewhere to hide but unfortunately they get hit. Or Nino and Alya are hiding but the windows open and they get hit. Have some of the heroes hide so they’re fine! Taking away every ally of LB and CN’s was a stupid move! (Even if they wanted Alya to become a spy have her as part of the like 4 that get revealed or something, it’s not that difficult)

Season 3 was 50/50 for me

Season 4:

So I know season 4 isn’t even halfway through yet but so much is wrong with this season already that I need to vent!

So my biggest problem with this season of Miraculous: Tales of Ladybitch and Rena Rouge, I mean Rena Furtive… shit, Chat Noir! Is that CN is basically pointless! Adrien has been flung over a rainbow and is only remembered when he’s needed as

1. Marinette’s love interest

2. Someone for LB to shout at

3. A plot device

He has basically been sidelined. Partners my ASS!!!

Adrien is being blown off by pretty much EVERYONE! It’s coming to a point where this poor sweet summer child is going to crack! And it is not gonna be pretty… I definitely feel like the writers are leading up to a big fight between CN and LB which will probably end with Chat Blanc 2.0.

I REALLY HATE MARINETTE/LADYBUG!!!! In Season 3 I said it was the beginning of her descent, well in season 4 she’s done it. She’s descended, she has hit rock fucking bottom. She is so unlikable I don’t actually care about her as a person. She has entered full blown stalker territory it’s only a matter of time before she starts killing people for even looking at Adrien! Not to mention that Miss Mary Sue here can’t do anything wrong! She never has to suffer the consequences of her actions, she is always perfect no matter what she does… it pisses me off!)

She’s the Guardian now big whoop. I know what it feels like to be stressed and under pressure so I do understand why she needed to tell someone about it all. I just don’t see why that person had to Alya! Especially considering she has someone by her side every akuma attack going through pretty much the exact same thing. I know she’s worried about CB happening again but as I said before the more she leaves him out the more she is actually pushing that to become a possibility! Plus it makes sense for them to reveal their identities now since LB is now the guardian it’s probably a good idea to know who holds the cat miraculous, she knows everyone else’s identities!

Even if she didn’t want to tell CN her identity she could still explain the situation to him. If she didn’t want to tell him anything (which she doesn’t anyway) then instead of Alya she should’ve talked to Luka! Her boyfriend for all of half an episode (thanks writers…). He’s so sweet and caring and clearly loves her so much! If she wanted someone to confide in then why not choose the person you clearly wanted to date but couldn’t because of that very reason! (Yeah I know it’s kinda a moot point now since Luka knows both identities but still). He wanted to try and comfort her so it would’ve been the perfect moment for it. That way you could still date him and he’d know why you had to suddenly leave dates halfway through! But no break the boys heart instead!

Adrien and Marinette were both such fucking idiots in the first 2 episodes. Like why would you start a relationship with someone when you know your heart isn’t in it! That’s called leading someone on and is a really shitty thing to do to someone! No wonder Kagami and Luka ended up akumatized!

Another aspect of season 4 I don’t like is Rena Furtive. Yes ok having a spy for your side is a good strategy but when said spy basically tells an important member of a duo that the 2 person job doesn’t involve them… it just really ticks me off! Alya you are the sidekick to LB and CN! Chat isn’t!

Miraculous specials:

The Miraculous World specials suck! Shanghai is better than NY but still has its problems. Both specials add nothing to the overall plot/lore of the show apart from trying to set up some weird cinematic universe…

NY special:

One of the worst things I’ve ever had to sit through! The plane scene alone I paused a few times. I want to say well done to Mari for trying to move on from Adrien (especially considering I’m pretty sure she’s dating Luka at this point) but I can’t help but think it’s just to give her character some pointless development that goes nowhere and doesn’t actually develop anything!

LB can pretty much fuck off at this point! I hate her! She put all this shit on CN (like she doesn’t know exactly how that feels). It’s like why does she get to go off on holiday but CN can’t. LB should’ve stayed in Paris for 3 reasons:

1. She’s recently become the guardian meaning it would probably be best that she stayed with the Mircle Box

2. She’s the only one who can purity the akumas

3. If she’s so sure about being the boss then she should take responsibility of Paris and the citizens.

What really pisses me off about her is what she says to CN during the big fight. “I can’t trust you”… surely you could have this conversation afterwards since you’re supposed to be focusing on taking down the villian! Plus everyone bashes Adrien for giving his miraculous up in this episode but look at it from his point of view: His partner and best friend just said she couldn’t trust him which in turn caused him to cataclysm someone and essentially kill them. That’s gonna take a toll on anyone, especially a 14 year old! He probably thought in that moment. “Ladybug needs a partner she can trust and someone who won’t mess up and kill someone. She needs a better partner.” It makes sense he renounces his miraculous! I’m just upset that in doing so he loses Plagg who is pretty much his only friend who actually understands what Adrien goes through at home.

When Uncanny gets CN to come back, LB acts like it’s not her fault in the first place that he feels inadequate! She didn’t even apologise for saying what she did! He apologised for lying about not being in Paris but nope LB wasn’t in the wrong at all and didn’t have anything to apologise for 🙄… (yes the LadyNoir hug was amazing but I just wish it was under different circumstances!)

Also are we not gonna mention Gabriel Agreste almost starting WW3??? He wanted to launch a fucking missile!!!

Shanghai:

As I said before, this special is way better for several reasons.

We got MariChat! (Best side to the love square imo). This special actually had some semblance on a plot. Fei, whilst a bit op, was a cool character. It was nice to see Wang Cheng again.

However once again there were many problems.

A big one being Marinette yet again! (What a shock! 😒 I’ll come back to this). Another was that once again HM’s motivation has changed. How is getting the Prodigious gonna help bring back Emilie??

Back to Marinette… The fact that the words “Huh?! There must be some kind of mistake! I always know what's up with Adrien! … His 5 first names and every corresponding name date, his yearly schedule, even his shoe size! If there were anything to know about him, I would know it!” come out of her mouth whilst she is flipping through his schedule that she keeps in her pocketbook is a hugh red flag!!! That is not cute or adorable! That’s messed up and Adrien needs to fucking run and maybe possibly go into witness protection… Marinette is a full blown stalker! Not to mention the GPS she has (that could just be the find my friends app on iphone but still).

It also is extremely rude of her to use not only her great uncle’s birthday but also a lie about wanting to know her Chinese heritage in order to go to Shanghai to stalk her obsession, I mean crush. This could’ve been avoided if the Dupain-Chengs were going to Shanghai for the purpose of celebrating Wang Cheng’s bday and then Adrien just so happened to be in Shanghai.

Also this means LB left Paris without telling CN! I know CN did the same but again he can’t purify the akumas. Plus he has a reason he couldn’t stay in Paris, Mari just went cause her crush did. Great guardianship there Marinette.

This was also the last time CN actually did something. Even if it was for a short while before LB and her female partner took over (the beginning of a theme…)

Other things:

There are 2 other things that I wanna say but felt they needed a separate bit.

In Furious Fu, Su-Han has a rule book that he uses to tell Marinette which rules she has broken. At the end of the episode he tells her that is she breaks 1 more rule that he will take the Miraculous and the Miracle Box off her, which fair enough but wouldn’t it be helpful to leave the rule book with her?! How can she be wary of not breaking anymore rules when she doesn’t even know what the rules are??

Now the big one: Master Fu…

Where do I even start with him. He is so fucking manipulative!! He is Asian Dumbledore!

He decides to leave these extremely powerful jewels in the hands of 13 year olds! Surely leaving the miraculous to someone in their 20s would’ve been better!

He clearly favours LB over CN even though the Ladybug and Black Cat are supposed to be partners! Wouldn’t it make sense for them both to be in contact with the guardian from the start?? He randomly started introducing rules such as if LB and CN find out each other’s identities they would lose their miraculous… what kind of bullshit rule is that? It also came out of fucking nowhere!

Final Thoughts:

But to summarise all of that: Miraculous is on quite a steep decline but I’m invested at this point and I am genuinely curious as to where the fuck this will go.

Marinette needs professional fucking help before the writers even consider canonising Adrienette cause at the moment she is not what Adrien needs!

Adrien needs to stand up for himself! He needs to pull LB to the side and tell her what he feels and what he’s going through cause he is on the precipice of a breakdown!

(Small point that’s more to do with the fandom: when searching for fanfics it’s really annoying that Adrien Agreste/Chat Noir Bashing is a tag but Marinette Dupain-Cheng/Ladybug Bashing isn’t. Why does everyone think Marinette can do no wrong???)

[blackstarising]

coming back to this post i made again to elaborate - especially as the ted lasso fandom is discussing sam/rebecca and fandom racism in general. there are takes that are important to make that i had failed to previously, but there's also a growing amount of takes that i have to, As A Black Person™, respectfully disagree with.

tl;dr for the essay below sam being infantilized and the sam/rebecca relationship are not the same issue and discussing the former one doesn't mean excusing the latter. and we've reached the glen of the Dark Forest where we sit down and talk about fandom racism.

i should have elaborated this in my last post about sam/rebecca, but i didn't. i'll say it now - i personally don't support sam and rebecca getting together for real. i believe what people are saying is entirely correct, even though sam is an adult legally, he and rebecca are, at the very least, two wildly different stages of life. for americans, he's at the equivalent of being a junior in college. there are things he hasn't gotten the chance to experience and there are areas he needs to grow in. when i was younger, i didn't understand the significance of these age gaps, i just thought it would be fine if it was legal, but as someone who is now a little older than sam in universe, i understand fully. we can't downplay this. whether or not you think sam works for rebecca or not, even despite the gender inversion of the Older Man Younger Woman trope, whether or not he is a legal adult, i don't think at this point in time, their relationship would work. i think it's an interesting narrative device, but i don't want to see it play out in reality.

that being said!

what's worrying me is that two discussions are being conflated here that shouldn't be. sam having agency and being a little more grown™ than he's perceived to be does not suddenly make his relationship with rebecca justified. i had decided to bring it up because sam was being brought into the spotlight again and i was starting to realizing that his infantilization was more common than i felt comfortable with.

sam's infantilization (and i will continue to call it that), is a microaggression. it's is in the range of microaggressions that i would categorize as 'fandom overcompensation'. we have a prominent character of color that exhibits traits that aren't stereotypical, and we don't want to appear racist or stereotypical, so we lean hard in the other direction. they're not aggressive, they're a Sweet Baby, they're not world weary, they're now a little naive. they're not cold and distant, they're so nice and sweet that there's no one that wouldn't want approach them, and yeah, on their face, these new traits are a departure and, on their face, they seem they look really good.

but at a certain point, it reaches an inflection point, and, like the aftertaste of a diet coke, that alleged sweetness veers into something a lot less sweet. it veers into a lack of agency for the character. it veers into an innocence that appears to indicate that the person can't even take care of themselves. it veers into a one-dimensional characterization that doesn't allow for any depth or negative emotion.

it's not kind anymore. it's not a nice departure from negative stereotypes. it's not compensating for anything.

it's patronizing.

it is important that we emphasize that characters of color are more than the toxic stereotypes we lay on them, yes, but we make a mistake in thinking that the solution is overcorrection. for one thing, people of color can usually tell. don't get it twisted, it's actually pretty obvious. for another, it just shifts from one dimension to another. people of color are still supposed to be Only One Character Trait while white people can contain multitudes. ted, who is pretty much as pollyanna as they come, can be at once innocent and naive and deep and troubled and funny and scared. jamie can be a prick and sexy and also lonely and also a victim of abuse. sam, however, even though he was bullied (by jamie, no less), is thousands of miles away from home, and has led a protest on his team, is usually just characterized as human sunshine with much less acknowledgement of any other traits beyond that.

and that's why i cringe when fandom calls sam a Sweet Baby Boy without any sense of irony. is that all we're taking away? after all this time? even for a comedy, sam has received a substantive of screen time over two whole seasons, and we've seen a range of emotions from him. so as a black person it's hurtful that it's boiled down to Sweet Baby Boy.

that's the problem. we need to subvert stereotypes, but more importantly, we need to understand that people of color are not props, or pieces of cardboard for their white counterparts. they are full and actualized and have agency in their own right and they can have other emotions than Angry and Mean or Sweet and Bubbly without any nuance between the two. i think the show actually does a relatively good job of giving sam depth (relatively, always room for improvement, mind you), especially holding it in tension with his youth, but the fandom, i worry, does not.

it's the same reason why finn from star wars started out as the next male protagonist in the sequel trilogy but by the third movie was just running around yelling for REY!! it's the same reason why when people make Phase 4 Is the Phase For Therapy gifsets for the mcu and show wanda maximoff, loki, and bucky barnes crying and being sad but purposefully exclude sam wilson who had an entire show to tell us how difficult his life is, because people find out if pee oh sees are also complex, they'll tell the church.

and the reason why i picked up on this very early on is because i am an organic, certified fresh, 100% homegrown, non-gmo, a little ashy, indigenous sub saharan African black person. the ghanaian tribes i'm descended from have told me so, my black ass parents have told me so, and the nurses at the hospital in [insert asian country here] that started freaking out about how curly my hair was as my mother was mid pushing me out told me so!

and this stuff has real life implications. listen: being patronized as a black person sucks. do you know how many times i was patted on the back for doing quite honestly, the bare minimum in school? do you know how many times i was told how 'well spoken' or 'eloquent' i was because i just happen to have a white accent or use three syllable words? do you know how many times i've been cooed over by white women who couldn't get over how sweet i was just because i wasn't confrontational or rude like they wrongly expected me to be?

that's why they're called microaggressions. it's not a cross on your lawn or having the n-word spat in your face, but it cuts you down little by little until you're completely drained.

so that's the nuance. that's the subversion. the overcompensation is not a good thing. and people of color (and i suspect, even white people) have picked up on, in general, the different ways fandom treats sam and dani and even nate. what all of these discussions are converging on is fandom racism, which is not the diet form of racism, but another place for racism to reveal itself. and yeah, it's uncomfortable. it can seem out of left field. you may want to defend yourself. you may want to explain it away. but let me tap the sign on the proverbial bus:

if you are a white person, or a person of color who is not part of that racial group, even, you do not get to decide what is not racist for someone. full stop. there are no exceptions. there is no exit clause for you. there is no 'but, actually-'. that right wasn't even yours to cede or waive.

(it's also important to note that people of color also have the right to disagree on whether something is racist, but that doesn't necessarily negate the racism - it just means there's more to discuss and they can still leave with different interpretations)

people don't just whip out accusations of racism like a blue eyes white dragon in a yu-gi-oh duel. it's not fun for us. it's not something we like to do to muzzle people we don't want to engage with. and we're not concerned with making someone feel bad or ashamed. we're exposing something painful that we have to live with and, even worse, process literally everything we experience through. we can't turn it off. we can't be 'less sensitive' or 'less nitpicky'. we are literally the primary resources, we are the proverbial wikipedia articles with 3,000 sources when it comes to racism. who else would know more than us?

what 2020 has shown us very clearly is that racism is systemic. it's not always a bunch of Evil White Men rubbing their hands together in a dark room wondering how they're going to use the 'n-word' today. it's systemic. it's the way you call that one neighborhood 'sketchy'. it's how you use 'ratchet' and 'ghetto' when describing something bad. it's how you implicitly the assume the intelligence of your friend of color. it's the way you turned up your nose and your friend's food and bullied them for it in middle school but go to restaurants run by white people who have 'uplifted' it with inauthentic ingredients. it's telling someone how Well Spoken and Eloquent they are even though you've both gone to the same schools and work at the same workplace. it's the way you look down at some people of color for having a different body type than you because they've been redlined to neighborhoods where certain foods and resources are inaccessible, and yet mock up the racial features that appeal to you either through makeup or plastic surgery.

it's how when a person of color behaves badly, they're irredeemable, but a white person performing the same act or something similar is 'having a bad day' or 'isn't normally like this' or 'has room to grow' and we can't 'wait for their redemption arc', and yes, i'm not going to cover it in detail in this post but yes this is very much about nate. other people have also brought up the nuances in his arc and compared them to other white characters so i won't do it here.

these behaviors and reactions aren't planned. they aren't orchestrated. they're quite literally unconscious because they've been lovingly baked into western society for centuries. you can't wake up and be rid of it. whether you intended it or not, it can still be racist.

and it's actually quite hurtful and unfair to imply that concerns about racism in the TL fandom are unfounded or lacking any depth or simply meant to be sensational because you simply don't agree with it. i wish it was different, but it doesn't work that way. i'm not raising this up to 'call out' or shame people, but i'm adding to this discussion because, through how we talk about sam, and even dani and nate, i'm yet again seeing a pattern that has shortchanged people of color and made them feel unwelcome in fandom for far too long.

coach beard said it best: we need to do better.

[marybeatriceofmodena]

You know, I’ve been thinking today about how Alina doesn’t even really work as a Reluctant Hero, compared her to Frodo to see the key differences (since Frodo is pretty much the Poster Child for the Reluctant Hero), and then I realized... 

You know, I think L/eigh B/ardugo wrote TGT as a very black-and-white fairytale, where Alina is the princess, Mal’s the knight in the shining armor, and the Darkling is basically the dragon, except it doesn’t really work because the worldbuilding requires an approach that’s... a lot more grey? 

The thing is, though, I realized... Alina and Mal are basically meant to be Frodo and Sam. Except that, again... it doesn’t really work. 

Frodo works as a Reluctant Hero, because he makes it clear multiple times that he doesn’t want to carry the Ring. He asks Gandalf to do it for him, he asks Galadriel, he asks Aragorn, and they all refuse, because they are (or are called to be) in a position of power, and while them being in a position of power is presented as good, the One Ring essentially represents the fast, easy way to get to it, which will ultimately corrupt them rather than have them fight their way towards their goal. 

Frodo, meanwhile, is the right person to carry the Ring, because he comes from a humble place and he doesn’t really have any aspirations to become powerful. And while he’s clearly burdened by having to carry the One Ring, and that he makes it clear that he wishes the Ring had never come to him, he still goes on anyway, despite all the hardships he faces, because his ultimate goal is to save the Shire and his friends, and that desire is stronger than any fear or greed he may have. 

Now, J.R.R. Tolkien himself said that he didn’t really see Frodo as THE Hero, and that Sam is the real Hero of the story to him. Which makes sense, given how Sam was based off young men from rural England he met while fighting in World War I. But also, the story makes it very clear that without Sam, who’s arguably the most pure-hearted person in all of Middle-Earth, Frodo would have definitely failed in his task. The reason why he resists the temptation to carry the One Ring is LITERALLY because him protecting and helping Frodo is more important to him. Sam doesn’t give two shits about power. Helping Frodo save the Shire and coming back to everything he’s ever loved is more important to him. 

Both Alina and Frodo are pure-hearted orphans who are given tremendous power: Alina is the Sun Summoner, and Frodo carries the One Ring. In both cases, power is represented as a corruptive force, that makes people go mad with greed. It works in the context of The Lord of the Rings, given how the rings were given to leaders of Elves, Dwarves and Men, and that Sauron created the One Ring to rule over and control all of them. The Grisha, on the other hand, unlike the Ring-bearers, are not in a position of power, given they are essentially victims of Fantastic Racism in pretty much every country. While Ravka treats them slightly better than in Fjerda or Shu Han, it’s still not ideal and it’s something that could be taken away from them at any moment. It would be an entirely different matter if the Grisha were the ones rulling over Ravka and viewing otkazat’sya as lesser, and in that context, Alina being the Sun Summoner would be a very obvious road to her becoming corrupted. 

Frodo refusing to carry the One Ring and asking other people to take that burden from him comes from a place of genuine fear of what the Ring might do to him. In his place, we’d probably all do the same thing. That’s what makes his acceptance of his task all the more admirable. Alina, on the other hand, refuses to be the Sun Summoner and to help her fellow Grisha because that stands in the way of her ending up with Mal. She never gives any sign that she’s truly empathizing with the Grisha’s plight, she tries to run away not once, but twice, and most importantly, she never sees herself as one of them. They are othered, but it matters little to her, because she doesn’t want to be othered herself, because that stands in the way of her running off with a boy. It’s basically the equivalent of Frodo being overcome by fear after seeing the fate of the Shire in Galadriel’s mirror, and just demanding to be sent to the Grey Havens straight away to save his own ass from it all and just leaving the One Ring to whoever wants to deal with it. At that point, it’s not being a Reluctant Hero: it’s being a coward at best, a selfish bastard at worst. 

(And that’s why I don’t really buy her when she tells Aleksander that they could have had it all if he had told her all the truth from the start, because... again, she didn’t seem to care about the Grisha that much and Aleks telling her everything would have actually been a sure way of having her run as fast as possible the other way. I know the story is trying to tell me otherwise and that the plot point I’m supposed to see here is that Alina was willing to do something until she felt betrayed by Aleks, which is... not what was shown here, and it’s especially annoying considering how Alina is a deserter in every sense of the word, and that any army would have court-martialed her for running away.) 

So if Alina is meant to be a pure, selfless heroine, who loses her powers because she also refuses to be greedy... that just falls completely flat, because if anything, she’s as selfish as Frodo is selfless, because all of this really just boils down to her wanting to run off with Mal. 

Now, onto Sam and Mal. Both of them are basically Everymen who are there to help the Hero and keep their feet on the ground. As mentioned earlier, Sam is the one who helps Frodo finish his mission to Mordor, and the story makes it clear Frodo would have failed without him. TGT meanwhile presents Mal as Alina’s “True North”... which could work on paper as Alina’s reminder to temper Aleksander’s efforts and to remind him that in order for Grisha to be viewed as people, it is important for them to also remember that balance and peace between Grisha and otkazat’sya will be essential, so resentment and hatred can be healed between both groups. 

The key difference here is that Sam is completely supportive of Frodo at all times. Even when Frodo sends him away in the film, Sam goes back after him the minute he realizes he’s been tricked by Gollum. He never shames Frodo whenever he falls prey to temptation, he simply reminds him of who he is and what he must fight for, and even when he’s climbing Mount Doom, he still carries Frodo on his back despite being probably completely exhausted, because Frodo’s more exhausted than he is. He completely accepts Frodo as both his friend, the Hobbit from the Shire, and the Ring-bearer he needs to help, even if he might die in the process. 

Mal (in the books, that is) makes it very clear that he does not accept Alina as both the girl he knew and the Sun Summoner. He only wants the girl, and whenever Alina makes steps towards being the Sun Summoner, he basically sulks and yells at her for not paying attention to him. Despite Alina becoming othered in the eyes of the world, he refuses to see her as othered, mostly because it is inconvenient to him rather than because he loves her for who she is. That’s why in the end, people feel like Alina lost her powers in order to be with Mal, because Mal would never accept her in her entirety. Sam, on the other hand, accepts Frodo as both Ring-bearer and Hobbit, because if he didn’t, Frodo would have failed. 

And while they made Mal in the show a lot nicer than his book counterpart, he still doesn’t work as Alina’s “True North”, because he cossets her in her selfishness. He may say he doesn’t care about how Alina is a Grisha in this one, but he also doesn’t consider the implications of it all - which is especially glaring given he’s a soldier himself. Like, look, if you’re going to slap in a racism plotline to make Mal/ina work, you’d think that being half-Shu would give Mal a little awareness that people are going to treat Alina badly for being half-Shu AND a Grisha, and given Alina is the MOTHERFUCKING SUN SUMMONER AND A SAINT, maybe, just maybe he’d tell her: “Heh, it’s kinda lame we’ll just run off and let everyone else in the dust, you know, especially since we could make our lives as well as everyone else’s better?” Seriously, if you’re going to make Mal Alina’s “True North”, have him face her duties and her calling whether she likes it or not, don’t coddle her when she wants to run the other way because she wants to hide under a rock for the rest of her life. 

With all that being said, that leaves us with the Darkling, who... I mean, given his whole schtick is that power corrupts and makes you evil and crazy, I guess that makes him Gollum, but sexy. 

Gollum, but sexy. 

That single expression has been haunting me ever since I started writing the above novel and I fucking hate it. You’re welcome. No one wanted Sexy Gollum. Absolutely no one. Fuck this shyte. See, this is why I want Darkling Redemption. I do not want to live in a world where Gollum is sexy. I need brain bleach. 

Even here it doesn’t even fucking work because Gollum hid in a cave with the Ring with a strategically placed cloth because no one wants to see his crusty ass family jewels anyway, while Aleks worked his ass off to give the Grisha a safe place to live and to at the very least ensure they’re useful enough to not be killed like animals. Like, if you’re going to give the world something that’s gonna definitely not make me sleep tonight like Sexy Gollum, at least do it right. 

[apocalypticgargoyle]

Todd 😺

okay so this is a hatched plot from £ anon in our whispers in the dms. ✨Todd redemption arc✨ finally. I'm sorry this is kind of short and lame. i just needed a fluff-ish break

𝐚𝐬𝐢𝐝𝐞: 𝐃𝐀𝐍𝐈𝐄𝐋. | 𝐞𝐝𝐠𝐲!𝐤𝐚𝐫𝐥

pairing: edgy!Karl Jacobs x reader

warnings: language, Todd, mentions of h3dg3 fund$, filler moment but i hope you guys enjoy!

song recommendation: Sweater by Spencer Sutherland (bc we agreed it was a Todd anthem)

“Todd’s going through it.”

Karl had warned you ahead of time but while you sat on the frat’s back deck watching a handful of them playing croquet, you wondered just what he was going through. He seemed normal enough, greeting you with a snide comment about sneaking off to the pool with him later. The only noticeable difference in his attitude was usually when someone talked back to him.

Before Todd had never backed down from a witty sparring match with one of the guys, especially Karl, but as they teased him now, he just nodded his head and remained quiet for a few moments until the subject changed.

Apparently, his childhood sweetheart sent him a wedding invitation in the mail and the way he reacted was the equivalent of a soldier receiving a Dear John letter. To lighten his mood, you had even volunteered to be his plus one---which Karl begrudgingly agreed to.

You pulled your feet up on one of the steps, eyes focused on Karl as he lined up his mallet and knocked his blue ball into Todd’s, sending the red ball through the last hoop. You knew he did it on purpose as he shrugged. “Looks like you win again. Isn’t this fun?” He stated, forking over another twenty-dollar bill as Todd leaned on his mallet. There was a chorus of supportive agreements that came from the other guys. It was odd for you to see Karl trying to cheer up anyone that wasn’t you, let alone Todd.

Todd nodded, seemingly caught up in a wild thought as Karl punched his arm. “Hey, Romney,” you called, making Todd look up at you. It was almost humorous to see Karl’s tattooed and pierced persona standing beside Todd, who resembled a Great Clips ad. You wanted to smile at the purple nail polish beginning to chip off from his visit where you met his parents. Just because Mrs. Jacobs didn’t like the dark colors, didn’t mean he couldn’t paint his nails with her favorite instead. “I was talking to a friend of mine the other day and I couldn’t for the life of me remember what a hedge fund was… Could you explain it to me again like you did at that party?”

He wet his lips, a small tilt to his head that made you want to roll your eyes. In reality, you had sat through his spiel about the stock market and everything adjacent at least four times, each one taking more than half an hour.

But you needed the little freak to get back to normal so you could finally have Karl back.

Todd swung his mallet to rest on his shoulder. “Okay, so a hedge fund is a huge pool of money and assets that…” you zoned out as he continued, talking with his hands as you nodded attentively. Karl bit back a smug grin, his expression serving as a promise to reward you later. “... Basically like if they sell a big chunk of stock then all their little investor buddies and businesses will also sell. They’re like cult followers. And you know what that means-”

You jumped slightly at the thud beside you, looking down to find a black and white cat with a missing tail that had hopped off of the deck railing to sit beside you. You snorted, scratching his head as Todd stopped talking. “Don’t touch it!” Karl yelped, making you freeze and snap your eyes to him. You relaxed when you remembered he was (ironically) a germaphobe.

“Oh my goodness,” Todd fawned, walking over to you and scooping it into his arms. The cat purred heavily, nuzzling itself against Todd’s neck. You stood up, brushing your pants off as Karl pulled you a step away from the cat and Todd. “I love him. I’m calling him Daniel.”

“Daniel?”

Todd held the cat, now named Daniel, out to Karl. “He’s very cute. Please don’t make me touch him right now,” Karl muttered, hand holding onto your wrist.

You slipped out of Karl’s hold, earning protests to him as you pet the cat's head causing it to lean into your touch as Todd melted. “I wonder if he’s had his shots,” you murmured, Todd nodding as the both of you looked at it.

Karl’s face twisted into pained support, acting like if the cat went anywhere near him, he was sure to die. Todd chatted about taking him to the vet and so on, more to himself and the other frat members that had come to check out Daniel. As you moved to stand beside Karl, he avoided touching you, making you giggle. “Come here, baby! Let me kiss you,” you joshed, making grabby hands at him as he bent out of arm’s reach.

He wheezed. “For the love of God, wash your rabies hands.”

You scoffed, letting your voice drop into a whisper to mask wanting to laugh at him. “So you can spit on me but I touch an outdoor cat and you’re scared of cooties?”

Karl looked at you with scolding eyes. “Sweetheart, we’re not homeless cats. You’re clean. I’m clean,” he justified, sending you a tight-lipped smile as his eyes watched your movements carefully.

A week later, Karl’s arms were folded over you, face pressed against your shoulder blade as he snoozed lightly, legs tangled with yours. You scrolled through your phone, knitting your fingers with one of his.

A small knock at his door made Karl grumble out some kind of acknowledgment against your shirt. Todd peeked in, Daniel on his hip and a juice box in his hand. You raised your eyebrows at him as he peered around you to check on Karl’s state. “Daniel and I are going to the park, I was going to extend the offer,” he whispered.

“Yeah, let me put on my shoes,” you whispered back. He nodded, turning on his heel as he shut the door behind him.

I'm not tagging this one because it doesn't really have substance BUT if you would like to be tagged in future works, the link is at the top of my masterlist :)

[piccolina-mina]

Our girl is thriving this season, but what the fuck is this Wyatt plot? I need your thinks about this one. I just knew you'd be six posts in on this by now. HAHAHAHAHAHAHA!

*sighs* For fk's sake, nonny. I don't even like talking about it because I get ranty.

What do you want me to say? Honestly, everything you can imagine I would feel about this, you're probably right. Because you know, I'm that b*tch always getting ranty about racism and stuff.

In short, I hate it. I think it's unnecessary, tone-deaf, random, pointless, lowkey offensive, and illogical. I legitimately find it triggering AF. And it doesn't make sense.

It's Unnecessary. There is a fraction of a chance that it will connect to something more significant, but even if that's the case, I'm confident that end result or connection could've taken place without this random reform racist Wyatt storyline. This series has struggled enough as it is properly utilizing all of its primary characters as well as providing them with decent screentime and arcs. It literally makes no sense to spend any of that time that could be used elsewhere on primary characters on a recurring guest star.

This isn't actually about Rosa, it's about Wyatt. Following up on the previous point, this specific arc caters to Wyatt. Revolves around Wyatt. Rosa is just a passive participant and vessel for this Wyatt storyline. So again, the arc itself is about a recurring character. At least when they did something similarly bringing back Cam to siphon time and arcs away from its main cast they found ways to implement it better and tied her to multiple main characters, so it wasn't a total waste.

The intended Wyatt/Rosa parallel is illogical. I know what they're intending to do with this storyline, drawing parallels between Rosa's experience coming back from the dead after ten years and trying to make sense of that and atone for things before and having this second chance to make things right and go down the right path and so forth and Wyatt losing his memory and his racist ways and having to reconcile with who he was to who he can be and all of that. I understand the concept they're trying to sell. It just doesn't work. Rosa's addiction is not equivalent to Wyatt's racism and violence. Her mental illness isn't either. It's dangerous to invite the comparasions with this storyline.

It's not successful redemption. True redemption is Wyatt knowing and remembering his actions and then trying to atone for them. It's not the convenience of amnesia wiping out his memory only giving him distance from his actions rather than really facing up to them. Because of the amnesia, to Wyatt, it's like he's hearing about another person. It's a cop out. He doesn't Actually have to do the work to redeem himself or atone or learn or grow. IF we're supposed to compare it to Rosa, she knew what she did and remembers and knows how she hurt her loved ones or whatever and she's actively trying to make amends for that as part of her program... a program that Wyatt isn't working or anything BTW.

They've contradicted themselves too much and are rewriting their own work and thus twisting everything up just to make this storyline work and it still doesn't. The timeline is all fkd up... what they established already all of it..The Longs were racist before Kate's death. Kate was racist. To suggest that a 10+ amnesiac blackout clean slates and erases all of Wyatt's racism is just wrong. As in it literally doesn't even make any sense. That is not how the amnesia works but they keep playing both sides of it trying to make it work. To sell us what they're claiming, he would have to have ALL of his memories wiped and have forgotten who he was completely.

Wyatt is behaving like he's shocked by racism in this town but they're also trying to argue that he was born into it. Wyatt was surrounded by racists and his friends come from racist families but he's acting like the very concept of him ever being ingratiated in it is some huge surprise. Wyatt looks affronted by things like Confederate flags. Wyatt being steeped in and surrounded by racism predates his amnesia period.

Kyle mentioned that line about Wyatt putting Whites Only on water fountains, and it sounded like a school prank. It also sounded like something Kyle was reminding Rosa of as if she was alive when that incident happened. Therefore, Wyatt was doing racist stuff before she died. Kyle would've been out of school by then so how else would he know that or why would he bother retaining it?

IF Wyatt and Rosa really were friends before (which holy retcon), then it makes no real sense that he would get psychopathically angry about his "friend" who does drugs getting into a car accident with his sister who does drugs. He would've mourned them both not jumped to severe racism and violence. But both he and Jasmine's family (who are MIA for all of this) did that... jumped to racism. So was Wyatt indoctrinated by his family or indoctrinated by message boards and shit? And if Wyatt and Rosa were friends than why was Kate such a racist bitch to Rosa?

They're backdrafting history JUST to make this storyline that we don't need with a character who isn't even a main one to work.

By not actually addressing that Wyatt has to unlearn racism and giving him an out through amnesia, there is the very realistic issue of that latent racism to come out at any given time. What happens when he's drunk? What happens when he's really angry at a POC?

Tying Wyatt's redemption with his clear affection for Rosa is again dangerous and irresponsible. I know we would all like to think that love is the way and through love it can heal racism, but that puts the responsibility on the disenfranchised person to be "lovable." Because if Wyatt WAS friends with Rosa once then that means the second Rosa did something unlovable she was just another *insert racist slur of choosing* right? It means that there's a possibility that if his feelings for Rosa dwindle or things go sideways in some way there's a chance that he could revert back to those racist ways. Loving Rosa(linda) and pinning all of his wanting to be better on her because of her makes his actively learning to be anti-racist conditional. Right now he's not doing this for him. He's doing it because of Rosa.

This entire storyline has placed the burden of forgiveness on Rosa, his victim. Without him ever having to actually make amends. It's this turn the other cheek BS that means there's nothing too big or harmful that can't result in forgiveness. It relies on Rosa and all that she represents to extend an inhumane level of mercy and grace to their tormentor and oppressor that was never once extended to them. It's such a consistent and problematic thing projected on disenfranchised parties that ONLY benefits the majority and makes them feel good. It's a narrative of meeting someone halfway when the playing field was uneven and the minorities are in actuality doing more work and making a longer trek. Halfway and meeting in the middle only works if both sides were even. They are not. It's the reaching across the aisle both sidesms when one side was clearly and actively more harmful than the other and than calling that peace and equity. It is not.

This storyline was meant to scintillate some viewers with this "what if" notion and teach others a meaningful lesson or be this poorly thought out gateway to exploring a complex storyline but it came at the expense of other demographics who actively have to deal with racist crap. And because of their problematic approach what is simply "just entertainment" to some who has the luxury of not having to think about it beyond that, is just gross and insanely triggering and uncomfortable to others. The others who deal with the reality of the subject at hand.

They wrote themselves into a corner with Wyatt so trying to dig him out of that no matter the cost or logic is absurd. This storyline could've worked better if Wyatt's racism didn't also include conscious, constant, extreme violence. But they spent all of this time making Wyatt the face of violent racism and now are trying to redeem him with no real effort. He wasn't just using slurs or making microaggressions. He wasn't some insensitive or aloof white person. He is a murderer. He has killed people. He technically murdered Liz in cold-blood. He knew she was in the crashdown when he shot up the place. The lights were still on. He beat up Arturo so badly he nearly killed him well after his friends even stopped. He attacked and intended to kill Rosa. And his handiwork was a constant thing, enough for Jenna to comment on it. And now we're supposed to ignore all of that because he has amnesia and has puppy dog eyes?

The fact that we can entertain (and for some succeed) Wyatt in all of his hot white dudeness' redemption after everything he has done slips into the inherent racism of society in the first place and is enraging. Because systemically and culturally and inherently society will bend over backwards to find a way to absolve a hot white guy no matter his actions. Flint and Noah couldn't get this type of redemption... So their intended storyline about evolving from racism STILL plays into the racist structures set up in society.

And because some people like it, there's this slippery territory of NO everyone who genuinely enjoys this aren't racist for enjoying it. But yes, this entire storyline and how it is playing out is at the very least racially insensitive.

In order for this storyline to work they would actually have to show Wyatt doing the work. They don't have enough time to dedicate to such a delicate storyline. It's been a C and D filler storyline with 45 second to a minute scenes. That's not enough time to explore this properly. We would've needed to see Wyatt returning home from the hospital. We would've needed to see Wyatt with his friends and it not feeling right and his discomfort. We would've needed to see Wyatt going through his yearbook and googling himself and the horror and disgust he felt. We would need to see this through his eyes. But we didn't have the time for that and we wouldn't have anyway because he's not a main character. We only get Wyatt through Rosa's eyes and they haven't even dedicated enough time to that for it to work. Rosa isn't conflicted at all. She didn't struggle to forgive him. She was reduced to a school girl with a crush and an insane level of grace and they just threw that at us with no buildup whatsoever. I don't know where Rosa's head is and how she got to this to place. Not really. And the only thing working about this is the chemistry between two actors who are allegedly dating so of course there's chemistry.

It literally feels like another instance of a favorite actor being shoehorned into a storyline just for the hell of it. Just because they didn't want to let Dylan go or something. Just to give him something else to do.

[perriwinklesblog]

I know some people prefer consistent content but I like to take it as it comes and sometimes life happens and other projects need to take priority. 

So right now, I consider this to be a mid season break. Techno going into the prison was like the midseason finale for the Dream Prison Arc and Wilbur and Ranboo’s stuff was like their midseason finale and the Red Banquet where the egg was contained, was a midseason finale and alllllllll the mini episodes we’ve had since there are like specials etc. 

You know, like how in Dr Who you can go a few years without a solid season but get a special at Christmas and New Year? You know like that. 

So like all other programs, stories, videos I watch, I am coming up with ways in which the next bit could go. Some are a bit out there and definitely not happening, others I could see happening. 

This is long and pointless and full or errors both grammatically and spelling wise but I had fun thinking of what could happen next. Read if you want.

Dream escapes prison with Technoblades help. A server wide man hunt comes for Dream but unlike his videos he had stolen the spare armour in the prison and so is pretty OP making it easier for him to put distance between his enemies and himself. 

Technoblade returns to the artic and him, Phil and Will come to an in pass, a slight disagreement. Philza whilst having sided with Dream before, knows he’s not a good guy. Only used him to help destroy lmanburg for his own morals. It was not because he agreed with Dream. In his eyes, he was using Dream for his own goals. Plus, now he’s seen the aftermath of Dream’s terror on the citizens he realises the man perhaps shouldn’t be set to run entirely free. This slightly goes against Techno’s beliefs but the main issue of tension between them is Technoblade willingly placing himself in danger when he didn’t need too and helping release the man who tortured Tommy and clearly has something going on with Ranboo thats bad. 

Wilbur is angry because Techno won’t say where Dream has gone due to an agreement between the two and Technoblade is a man of his word. Wilbur wishes to thank and meet the man who saved him. This also worries Philza because he’s worried he’ll revert back to the man he saw the day he blew up L’Manburg. Over all tension between the three

Niki and Wilbur finally meet and it is as heartbreaking as it is beautifully tragic. Wilbur apologises but misses the mark, misses what hurt her which hurts her more. There’s an explosion with their argument that leaves a stunned silence. Niki asks Wilbur to leave. He does so. 

This leads to a Wilbur and Ranboo conversation where Ranboo tries to reason with Wilbur about Niki’s side. Wilbur brushes it off because much like the blue counterpart we all miss, he’s not a fan of the negative emotion. He tries to focus on the business etc and let’s slip that Dream has escaped somehow. Ranboo leaves. Wilbur is confused but distracted by a confrontation with Quackity.

Ranboo then starts his stream and he’s in the fucking panic room and he’s panicking because there are signs so many signs and they don’t make sense. Theres lesson rules, asking about the missing journal and it’s like every issue he’s ever faced is staring right back at him because Ranboo has never really resolved any issue, just pushed and moved on. He’s tried but that usually failed and for a while he’s ignored all the issues and here they are in front of him, all at one. A big volcanic eruption of anxiety and stress, and it ain’t sitting with him. 

Dream appears. But is it really him? We never know because after a conflict and a back and fourth about everyone in Ranboo’s life eventually landing on a threat about Michael and Tubbo, he blacks out and the stream ends. 

Quackity is livid with everything thats happening, the careful empire he’s building is falling apart and he’s shifting the blame around from person to person. He manipulates everyone around them into believing this is somehow their own fault and that they must make it up to him because he has been nothing but kind and loving to them. He gave them a place, a roof on their head when they had nothing. He misses out the parts where he insulted and or destroyed their homes, but it works and his employee “family” become the main bounty hunters for Dream, with Bad and Ant tagging along since they’re guards. 

Now the streams relating to the manhunt displays everyones wants. They’re all doing this wanting something, and whilst it’s to gain Quackity’s favour back they’re all doing that for different reasons. Their motivations are somewhat different even if on the surface they are the same and so on the man hunts, because there will be many, this is slowly picked apart and through that the manipulation of Quackity is revealed and then we see a parrallel between Quackity and previous people in power where they start to get desperate to keep control over the thing they’ve created. Because that’s been one of (not the only) issues with every leader on the server, the control and their feeling of lack of, even if thats not truly the case. But you get these moments between all the characters where they’re trying to outwit one another, trying to figure it out without blatantly saying it. Maybe Foolish does. He’s a bit of a himbo. 

Ponk always said he’d leave the door open for Sam and I truly think something happens, whether it be a look in the mirror with one of his guards going too far with someone or a conversation with Quackity where Quackity holds the mirror up to Sam maliciously, that causes him to hit the rock bottom and just break and I want that breakdown in front of Ponk. And I want Ponk not necessarily to give him the second chance off the bat but give him that peace offering, give him that hand to pull him up. I want him to take Sam to Niki and explain to Niki we’ve done bad things in the past, this is a safe haven and I believe Sam needs help and a place he can truly feel safe and for a moment Sam does and this begins his raid to redemption in gaining back the trust of the people in his lives. He becomes Tubbo 2.0 spying on Quackity like Tubbo did for Wilbur, but maybe less... bad.

But what of the Fiances? Wellllll,. With Dream escaping him and George meet in secret. George confesses he doesn’t believe it’s real and for a long time has been struggling with reality. He misses the early days, misses when they’d just have fun. Dream says he was having fun and George says I wasn’t. Dream shows true regret for George but says its too late now, can’t change the past. George agrees. Dream asks him what he’s going to do and he simply replies with “Sleep” Ending stream. 

Sapanps stream is a lot more WE ARE GOING ON A DREAM HUNT WE’RE GOING TO CATCH A BIG ONE, I’M NOT SCARED. vibes. He’s gearing up, he’s suiting up and he’s saluting pets on the way. He made a promise and with everything else going on in his life, he’s ready to throw himself into a distraction. He tries to convince George to help him but he waves him off saying, what’s the point? and mumbles something about divine powers and dreams which Sapnap just shakes off. He tries to find Karl in Kinoko but instead comes across Quackity. They have a blow up about how They abandoned each other, both did wrong but neither see the other side of things and eventually he tells him to leave. Quackity says okay, and the place blows up. Foolish cries in the corner. All that heard work but the boss said so. Sapnap ends the whole thing saying at least he’s there for Karl and Quackity pauses and is like why? And Sapnap is all like you care. Just go, you’ve done enough damage, I can’t have you damaging him too. And after a little more but but but between the two, Quackity goes. Sapnap leaves the place to burn, going to find Dream and hopefully Karl on the way. 

Karls in space. That’s where his latest travels have taken him and where the other side decided was his time to visit. Here I see a Wizard in Oz scenario where solutions to some issues will be revealed for Karl in relation to the other side. When it comes to his Dream SMP stuff, he starts confusing names and people more and Sapnap is worried about him, considering keeping him in a safe place. The only place that survived was the library with Karls books. Karl says he’ll stay there. Thats where the answers are anyway. Sapnap is unsure and gets bad vibes but is distracted by a lead on Dream and agrees, he tells him he’ll be back soon. 

They don’t see each other for a long ass time 

I’m not sure on the egg stuff but I do feel Niki and Puffy should have a conversation about all the shit thats happened and Puffy trying to help Niki and vice versa. I feel like Puffy should reach out to Foolish and try and comprehend what the fuck is he doing with Quackity. They have a little argument but it comes to a point where Puffy realises she cannot shield Foolish from harm and that her son ,just make his own decisions. All she can do is guide him where she can and hope that when it comes down to it he will make the right choice. She hopes she didn’t fail this dependant like she did with Dream her duckling. Though only she sees it as failure. 

Jack and Niki finally talk. She goes searching for some things and comes to his new place, he tells her to fuck off and that he doesn’t need anyone. They all abandon him. Niki pretty much does the verbal equivalent of slap some sense into him as she and him discuss how he is not the centre of everything, how he is not the sun. She was hurting, and he didn’t bother, no instead they just fed off each others anger and once he couldn’t feed of her or anyone else he isolated himself. She tries to convince him there are better things in life, there are better ways to place your energy etc. A lot of healing talk with Jack being stubborn. Eventually Jack finds himself at the door of Quackity after sticking to stubbornness, not quite ready to heal and he becomes the next member of Las Nevadas. A big blow to Wilbur too. 

They finally destroy the egg with magic. I dunno how but either destroy or hatch. Either or would be great. Red comes out the thing and I want a gay ass villain please. Bring it Red. Let’s go. Invite him to the server, bring the fire, bring the plant power Red. He can be the villain that unites everyone in a begrudging way. Like they all hate each other but fine i guess we’ll team to stop Red and Ant. 

Skeppy’s dead. 

Tubbo and Ranboo have a fight but Ranboo says “Weren’t we enough?” and it’s in relation to him and Michael (this happens before panic room). Thats when Tubbo realises where the wires got crossed and he immediately rectifies it but explaining he’s happy with the two of them but he wanted a job, something to work towards. Family wise he’s got it all, he’s content with it all but he wanted a project and one that didn’t incite violence. Fun rivalry sure, but he’s done with violence, he’s doesn’t want to add to the nightmares he already has. He wants competition but not one that will put all he loves in danger. So they talk it out and Ranboo feels more confident and Tubbo asks him to tell him if he ever takes anything too far because he can get a little carried away sometimes. Ranboo agrees and then they have a cute playdate with Michael. Then Ranboo does the thing with Wilbur and ends up in panic room.

Tommy and Tubbo discuss everything and lay it all out on the table because Tommy doesn’t want to be on the other side again with Tubbo. Tubbo doesn’t understand why everyone is making such a big deal about his burger business and Tommy tries to explain the issues with Quackity and the level of intensity he’s seen with Wilbur but Tubbo just laughs it off. They eventually talk about Ranboo and Tommy relents saying he likes Ranboo although he does sometimes get jealous of how Tubbo seems to have it all. Tubbo tells Tommy of his nightmares and so does Tommy to Tubbo. They come to an understanding with each other and understand that no matter how long they go apart, there is always a space shaped to fit them perfectly in their lives for them. Tubbo and Tommy then go play some pranks. 

Wilbur is unhappy with the pranks and gives a lecture and they get into a fight. This leads to Wilbur talking man to man to Quackity. Theres some weird sexual tension. Once again they’re trying to outwit one another. That when we get to the crazy stuff. 

And here’s where I get crazy with my stuff. 

Ponk is digging in his lil cave when he accidentally breaks through to a random room buried deep underground. Tommy’s there trying to scam him out of something he has. Tubbo and Ranboo too. When they get to this room Ranboo thinking it’s the panic one and freaks out, but the others calm him down. Ponk thinking theres diamonds in the room storms ahead setting off some traps but surviving. Tubbo opens one of the chests and just says theres a bucket in there. Ponk pulls it out and says it has a named fish in it. 

You see where I’m going. 

They empty the bucket whilst asking what the fish is called. They are interrupted by a voice. It’s Sally. 

Dream had captured her and bound her to a bucket and put her in the chest and hid her from Wilbur. 

She has been released. She freaks out over how much time has past because for her nothing has changed at all. She thought it might have been a couple of hours or something since Dream pulled that prank on her but clearly not. 

They all catch up and the season ends with Sally and Wilbur meeting in front of Quackity, Dream in the shadows and Sally and Wilbur turning to see Fundy who just freaks the fuck out. 

Oh and just a side, Callahan is the last member of the syndicate and God of the server and is having fun playing with the mortals. 

And then I have the next season planned out and how I’d end the whole thing but like until then. This is it. Mid Season to finale. How I picture things happening. 

None of this will happen but isn’t it fun to imagine? 

[yandere-dark-cupid]

Yandere alastor from hazbin hotel if that is ok?

It's okay, T.Angel.💜❤💜

Yandere Alastor:

Yandere type: Charming, Possessive, Violent, Manipulative, and Sadistic

How you guys met can end in many different scenarios. Maybe you're a citizen of hell that caught wind of Charlie's hotel; and decided to go there for the false humanity that's called "redemption", Maybe you're a desperate human that's facing the harsh, ugly hardships of life and made a foolish decision to summon the all powerful 'Radio Demon' since you heard he can make deals and can be of assistance for your rather tough life, or maybe you're some type of poor creature that was chosen ( by the man himself ) to be a certain Deer demon's prey. Whatever it is,...Babe..Honey..Sweetie, Darling, ANGEL....Please do understand..you are Totally, Royally FUCKED the moment he's noticed you.

Like I said, the moment Alastor has met you; it's all over. But you don't know that yet. He's already twisting gears in his mind to make you HIS. That being said; Alastor is going to put his Smooth, Charming persona on, to sway you to him. So at first instinct you're gonna fear him ( believe you're gonna, it's natural ), but to me I believe you're going to be drawn to him in away. And Alastor knows he has that affect on people ( he's also smug about it because it'll be easier on his part/ but harder on your part ). So he knows you're going to be his in no time. All he has to do is use his natural charm on you and it won't be long before you fall for him, but if you are hesitant or resist his charm he'll have to amp up his charm even more ( and possibly intimidate you even more ) to get you to comply to him.

Then after that, the outcome all depends on you. If you fell for him then, congratulations you just saved your self from a kidnapping ( but the kidnapping will be used later though ). If you didn't fall for him by now ( which is kind of weird since you should have, he made sure of it ) and you're still hesitant and is still too afraid to acknowledge only other feeling other than fear..well...all I just got to say is....I hope you like getting chased down and kidnapped by a psychotic, homicidal bambi. Just to get this straight T.Angels; even if you do fall in love with him and pledge yourself as a loyal partner, he's still going to kidnap you. It's just going to take longer ( but that's if you do fall for him ). Never forget Alastor is naturally a possessive creature, and as a yandere it only gets worse.

Once Alastor has kidnapped you, escaping is the equivalent of the impossible. A little reminder that Alastor is an Overlord from Hell, a powerful one at that. It shouldn't be to no surprise that he has connections, many of them. But if you do some how managed to escape his heavy secured manor ( I believe he owns a manor, it's my own little headcanon ), then ooooh booy I hope you like games; because ready or not here he comes, because Alastor has came out to play. It's like a sick game of hide n go seek with a murderous deer, Cat and mouse, Predator and prey. Yes he has connections, but he's one of the small handful of yanderes that won't use his connections(... Yet ). No, Alastor wants you to think you got away or has a chance of getting away. He thinks it's so cute on how you are holding to that little bit of hope, so he can rip it away and tease you after towards. Then after that the real "fun" will begin.

By "fun" I mean punishments. Takes great joy and pleasure in that you think you could escape him. But he takes even greater joy and pleasure into giving you the penalty afterwards for attempting to escape. At first he'll go easy on you ( this was your first escape attempt after all ), he'll chip away at your confidence and self-esteem. And it will hurt you mentally and maybe emotionally, and when pain ( from you or anyone, but mostly you ) comes pleasure to Alastor. We all know Alastor is a Sadist ( EVERYONE KNOWS ALASTOR IS A SADIST ), so while he's punishing he'll with most disturbing "happy" smile on his face ( No wait, he always has that smile on his face ). Now if you escape a second time, expect to be not only talked down but to be smacked around too. Now first escape attempt he went "easy" ( if being easy means having your confidence and self-esteem being cut down to nothing in a slow painful process, then yeah Alastor has been going easy on you ) on you, so on your second escape attempt he will get physical with you ( and not in away you want it ). If you're bold and try to escape the third time, you will be hit around radio/ microphone cane ( thing ???) and talked dow too. Now if you're still bold and still think that you have a chance of escaping.. Oh... Oh Angel, May the Lord above have you in his good graces and may he have mercy on you, because Alastor on the other hand; will NOT in 6 rings of hell will have mercy on you. You see on your fourth FAILED escape attempt, Alastor will get.... crafty. It'll be like your first failed escape attempt all over again, but instead of him just searching for you by himself; Alastor will use his Demonic powers too ( and at that moment... You.Are.Fucked Angel ). Now to those that know, Alastor powers revolves around shadows, portals, tendrils, and deals ( or as we know of right now ). So when When Alastor puts that out to play, it's basically the equivalent of one man hide n seek ( If you know what that is, give yourself a pat on the back ). But this time Alastor will give you a 1-2 hours head start. Once your time is up, he and his shadows will come looking for you. And It's hella scary. But like I said before Alastor likes to take his sweet time and make you think you got away or have a chance of getting away. And as time pass by agonizingly slow, you know Alastor is still out there looking for you and like to take his sweet time. And since you've been with Alastor for a while or at least for some time to know him, you know Alastor will take his time and get himself railed up. So basically the more time you spend away from Alastor from escape, the more eager Alastor is to punish you. So Once Alastor has found you and like I said he's getting crafty with with this punishment; Your mind will be broken down into nothing, you'll be tossed around by his tendrils, and thrown into a portal and Alastor will let his shadows handle you. Not only that but He ordered them to leave a few marks, as a reminder to never cross him and never leave him.....

So after all the failed escape attempts and being mind broken and having your spirit broken, the molding process will begin. It was fun; having you run away, hunt you down, and break you down to nothing. It was truly adrenaline filled and it kept Alastor's blood pumpin. But in the end every yandere would want a seemingly docile submissive darling. And surprisingly Alastor is no different. And now that you know that you are his and only his and your place is only by his side; Alastor is going to praise you. You're finally being the good little Darling your supposed to be. Not only that but Alastor is going to shower you with love and take you places. Ooooh he can't wait to take you to his radio station, or to go out dancing, or OR maybe he'll take you to the hotel to see his friends and colleagues. But beware, you may have this new found "freedom"; but Alastor has a sharp eye on you. And to be completely honest with you, part of the reason why Alastor has given you this "freedom" is to mock you and wave it in your face. So in hindsight, you're still trapped with him. And if you are not truly broken and take this new found "freedom" as an option to escape, the game will start up again and Alastor will happily break you for REAL this time. You are his after all, ain't ya?........

Bonus ✨✨✨:

Since Alastor is both Aromatic and Asexual, that won't stop you from being in a relationship. In fact, the both you will be in a queer platonic relationship. So you guys can still be together. Alastor will love to plant kisses on your hands, hug you ( though he'll have you in a possessive, and almost bruising grip ), and over all be close to you. ( Since I don't know where Alastor is on the Aromatic and Asexual spectrum, I'm playing it safe and trying to keep it as platonic as possible. )💜💚💜💚

Like I said before Alastor would to take you out dancing, and will love to do the swing with you. So if you're a darling that specializes in dancing or just like dancing, saying Alastor will be happy is an understatement. He'll be absolutely ecstatic! He'll just love to dance the night away with you ❤💃❤

Another thing I said, Alastor will take you to his Radio station. And with him being a Radio host he'll ask you opinions and sometimes questions. Alastor will like to have a talkative darling or a darling that likes to ramble on certain topics. To some it may come of as weird or annoying, but to Alastor he sees it as cute and charming ❤📻❤

We all know Alastor is a Overlord from hell, and one of of the most powerful out there. So if you think someone will help you, you are dead wrong. Once everyone knows your the property of the Radio Demon, no one will much even look at you. If anything they'll avoid you like the plague, So they know your off limits and knows what's good for them. So no one would dare or has the balls to go against Alastor, anyone with a brain would know what's coming to them if they do. But If someone was brave and kind enough to help you ( more like ignorant and naive ), they are the equivalent of a dead man/ woman/ person. If you watched the pilot episode, you saw what happened to Sir Pentions the same thing will happen to them; just far more worse. So you might as well kiss that help good bye Angel( that's if you get help that is ), because it won't last long. 💀💀💀

Sorry your ask took so long T.Angel. But I hope it's to your liking. Well until next time my Little Tainted Angels, see you soon ~💜❤💜

[chibimyumi]

Hey there! hope you're doing well! So I've seen a few takes from people saying that Seb lacks character developement and I wanted to ask your opinion on this? I feel like some people just want him to have some kind of "redemption arc" which sounds weird to me because by now I'd guess people would understand his character and motivations?

Dear Anon,

I am doing great, thank you very much. I hope you too ^^

Sorry for the late reply! It was not for lack of interest because yours is a very interesting question to ask. Indeed, for any other character I would say that for a main character he lacks character development. However, with Sebastian Michaelis specifically I would disagree, because there are multiple factors that dramatically change matters for him. The most important one being Sebas’ age.

Four Years vs Centuries?

Sebas is a supernatural entity that has been around and for centuries if not millennia. We know next to nothing about this demon’s past, but one of the few things we do know is that he has been around and seen quite a lot of the world thanks to his old age.

The older one is, the more fixed their personality is, meaning the less malleable it becomes. Of course nobody is too old to grow or change, but it will ultimately require more time or effort to change such a person.

In our current story Sebas has been around for barely 4 years, which to him must be an equivalent of a few hours in human life. Let’s say you are 20 years old with a certain set of beliefs, principles, personality traits, etc. Now imagine going somewhere you probably have been to before for one hour, and that in that one hour you suddenly change entirely. Not impossible, but quite unlikely.

What must happen before a person would change in such a relative short time must be the occurrence of something either exceptionally shocking, or exceptionally inspiring. In Sebas’ case, at least one did happen, namely the former.

Exceptionally Shocking

As discussed in some detail in this post, the exceptionally shocking did in fact happen to Sebas in his current contract. Canonically Sebas said that he never fought reapers before he fought Grell, and therefore we also know that Undertaker is the second reaper he ever fought seriously. Judging from Sebas’ casual and confident reaction when Grell first invited him for a fight, we know Sebas never had any reason before that time to fear for his life. I mean, look at this confident bitch (Ô_ó)p.

Even after Sebas got really hurt by Grell, he still managed to say something as cocky as: “I have never fought [a reaper] before, so I cannot tell [whether I can beat one]. But if my master tells me to win, I shall.” That is certainly NOT the same Sebas as the one we know now.

After the Campania brawl, we see very clearly how Sebas’ attitude and confidence changed entirely, exactly because for the first time ever he experienced something exceptionally shocking; his life and death was outside his own control. The English translations I have seen are not bad, but they miss a bit of the nuance in the Japanese version. In the Japanese version when Sebas says that even a demon like him cannot withstand a blow from the death scythe, there was some eye-opening realisation in his tone. He learned something new there.

And indeed, most tellingly even at the mere mention of the Undertaker or the prospect of having to run into him again, even Sebas swallows his pride in front of his master, and admits he’d really rather not.

Much later in chapter 85 when they were investigating the mourning lockets, master and servant have a moment of silence thinking about the Undertaker. While to O!Ciel the important memory is Undertaker’s “it is my treasure,” Sebas thinks about the very first thing Undertaker said to him upon deciding to let him live: “I knew you would succeed at protecting the Earl.”

As explained in this post, Sebas has come to project condescension onto Undertaker. Sebas suspects Undertaker is looking down on him, and understandably so because he has no reason to believe otherwise. “I knew you would [...]” is a phrase that reflects control in Undertaker’s hands, and Sebas really hates that. For once Sebas is the prey, and somebody else the predator.

Now here is the character development; Sebas went from over confident and cocky to a demon with PTSD.

(Exceptionally) Inspiring

Though less explicit and game-changing, I would argue that something inspiring also occurred in Sebas’ short time on Earth this time: his master. In this post I compared O!Ciel to a piece of unprocessed raw meat to Sebas, as opposed to other past masters probably being a microwave-meal equivalent. O!Ciel is young and started without power, so to Sebas one he started to see the potential of a fully self-customisable meal, he really started to feel the excitement.

Though, however excited, it would only be a small blip on Sebastian’s radar. In the same post just mentioned, I also discussed how it is very unlikely that eating O!Ciel will change Sebas’ view on humankind because it would need to alter someone’s view shaped through thousands of years.

In this same sense I also argue that though Sebas did change over the course of 4 years in the human world, he wouldn’t change dramatically. His experience in the past four years must be like one grain of sand on a banked scale.

Sebas and Redemption?

My short answer would just be: “Kuroshitsuji ain’t some religiously-laden morale story wherein even a demon must be redeemed,” but that would not be fair (and too short for my M.O.)

It’s an unpopular opinion, but a good character arc or story does not require a redemption arc to work. It just needs to work for any reason. A redemption arc in a character is not like meringue is essential in a macaron. It’s more like chocolate on bread. It can be very nice if it suits well, but please don’t put any chocolate on a salad sandwich please.

For Sebas, I would say that a redemption arc would be the chocolate on a salad sandwich. As discussed above, Sebas is VERY OLD. If he were to be “redeemed” because of 4 years, it’d be like redeeming a lifetime sinner in one hour of repentance. Imagine redeeming Hitler after he saved one puppy or said “I’m really sorry”. Yeah, no.

Besides, this then also begs the question: “does Sebastian need to be redeemed in the first place?” As discussed extensively in this post, most of Sebas’ “evils” are done under someone else’s bidding. And otherwise, because he is not human the way he is “evil” is only because he doesn’t care about human lives; much in the same way most humans don’t care about insects. “AAH a mosquito that might make me itch for a bit! SLAP IT DED!!!” Or if we step on ants while we walk, “oh well, too bad”. That’s Sebas with humans. Do most humans consider humans who eat meat or slap insects “evil that need redemption”? No.

So for Sebas’ or demon standards, he is probably not even that bad. He just wants his food and payment for his hard work.

I hope this had been interesting!

Related posts:

What is Evil in Kuroshitsuji? Philosophy

If humans are insects, then what to Sebas are “humans”?

O!Ciel being a game-changing meal?

PTSD Sebas I

PTSD Sebas II

[familyagrestefanblog]

Jackady: The importance of the father-son hug scene

One of my favorite Adrien-Gabriel moments to this day is still the ending scene of "Jackady" but I have seen more confusion for it than clarity in the Fandom so here is my analysis on it for why I love it so much. Because as the seasons go by this moment sustaines so much more significance that I simply HAVE to talk about it!

While it isn't the only Adrien-Gabriel scene that does it, I adore this scene because it shows perfectly that in the beginning their little, broken family could have made it out of this tragedy stronger and maybe even better but the reality that Adrien and Gabriel are also Chat Noir and Hawkmoth not only hinders those chances, it actively drives them further apart into destruction

Maybe one day I'll give all my thoughts to the entire scene and just go on a rambling post about it (because I love EVERYTHING about this scene) but for now, let's just focus on the main aspects that really sell it to me.

I give Gabriel alot of shit on my blog for obvious reasons. I refuse to generally give him the same positive and conciderate treatment as Adrien, Marinette and the other kid characters because unlike them HE is an adult, a father and the villain of the show. The adult and villain part I'm not taking too personal because those are "just" the traditional aspects of his character type. But what is incredibly unique about him is the fact that even if he is this evil villain type he still gets to be the realistic type of abusive and (truly) bad father with sympathetic moments like this:

This moment of shock and fear is not something you would normally see in a family cartoon from an evil parental figure the child longs to bond with without setting the parent up for redemption. But as we now know by s3, Gabriel is only getting increasingly worse and more abusive and Adrien is starting to let go of his father to move on without him and defying his will. It's quite clear now that their future will not be anywhere near good, "Chat Blanc" showed us what's to come.

And this is exactly why I love this scene. Because, yes, this family will go up in flames and never truly reconcile ever again (Gabriel went WAY too far for that in the way he abuses/will abuse Adrien) but the show doesn't shy away from showing us the transitional phase in between which really not alot of media dares to. Normally when they stay enemies or their situation doesn't end in an at least somewhat forgiving way this transition is simply mostly skipped to not having to let the bad parent have realistic and sympathetic moments in their downfall into madness/villainy (especially with their victim).

Miraculous does and it's beautifully tragic because you can just... SEE the situation unfold and understand where the eventual fate of the family comes from.

The pure misunderstanding between these two in this scene, the way they just talk RIGHT PAST each other because the other one can not understand the problem cuz they don't know the secret identity of the other one is... brutal!

This moment here could have worked for them. It could have been a genuine step forward in their relationship and saved their family but it got completely CRUSHED by their secret identities as Chat Noir and Hawkmoth.

Let me show you what I mean:

THIS is a moment I AM giving Gabriel genuine credit for, because you can turn it any way you want it won't change the fact that, for his situation, THIS was the right question to ask his son. But at the same time it's just such a... horrible thing to say here oh my GOD.

And that's the ugly, UGLY beauty here.

If Gabriel weren't Hawkmoth (if someone else were Hawkmoth so the situation would still have happened) he would not have reacted to the fucking ring. He would have thought nothing of it and had remained focused on Adrien, because that was his original intention (problematically executed but that's beside the point now).

After Gabriel got himself in life threatening danger because he didn't listen to Adriens concerns, he went to him to hug him as apology. THIS is Gabriels way of apologizing and trying to make up for his faults. He's obviously not good at verbalizing his feelings properly and at normal interpersonal dynamics in general. So what he does is trying to make his feelings known in a... "material/physical" way. This does not only show through Gabriel just buying the best things for Adrien without ever being there for him, it also shows in the way he physically interacts with his loved ones when he genuinely wants to show his love. Because for how seriously antisocial and unreachable as he normally is, he also gets... quite touchy.

The shoulder touch thing Adrien does as well to show his affection for someone, him hugging Adrien both times he got a wake up call and literally everything thats happening between him and Natalie at this point lol.

Him hugging Adrien here is just as much of a big deal as Adriens expressions make it seem to be

But the father-son moment couldn't last because the villain-hero alter egos interfered. Gabriel being Hawkmoth rightfully stopped the moment here, because reacting to even the slightest chance of your own child being the hero you try to destroy is undoubtedly the right way to handle this (even if the way he did it wasn’t ideal, that's not something I would expect from any character in that situation), but nevertheless it still utterly crushed the moment.

Cuz just because it is the right thing for HAWKMOTH to ask his son Adrien who he fears COULD be Chat Noir, doesn't it mean that it is anywhere close to okay for Adrien/Chat Noir to hear this very question in that moment from his father who he thinks as a normal civilian in this.

And Adriens expression once again makes this perfectly clear

(You know the offense just reached an other dimension when the kid, who is already well aware and used to their fathers emotionally painful ways, makes a face like THAT)

Cause here is the thing. We all know by now that Adrien has some serious self esteem issues and that while he tries to over play it (especially as Chat) he just doesn't hold himself in high regards or even likes himself very much. Hence why he goes all out on the acting as Chat Noir and doesn't defend himself much.

But just because he doesn't like himself that much doesn't it mean he still doesn't want that very validation and appreciation from his father. Just like all of us and everyone on earth, Adrien wants to be loved for himself, even if he doesn't/can't do it himself. Thats normal and is something that can deeply damage you when you don't get it from your own parent/s.

So tell me, do you see why Adrien was so CRUSHED when in probably the first time since his mother's disappearance Gabriel gave him the genuine and all present love he wanted for so long, just for Gabriel to cut their moment short and FOCUSE ON THE RING?

The one thing on Adrien that makes him become "someone else" so he can escape from having to be himself for a bit.

And for Adrien it now seems like that in his own fathers eyes this ONE thing Gabriel shouldn't even know could be anything special about if he weren't Hawkmoth, is the ONLY thing worth noticing about his own son so it catches his eyes.

It tells Adrien right to the face that nothing Adrien was and did to make his father happy up to this point measured up with Gabriels expectations. All of Adriens efforts, his patience and his hopes of earning his fathers love and happiness if he only does well enough, literally in vain. It wasn't enough. It's wasn't enough for Gabriel to notice in comparison to the ring apperently.

From Adriens view you can interpret it two ways:

1. Since earlier Gabriel also took a closer look at Chat Noirs ring Adrien now thinks correctly that his father is seeing his new ring as a sign that he could be Chat Noir. This would mean that in Adriens eyes Gabriel would have cut their moment, an action of validation and love Adrien has longed, worked and patiently waited for so LONG, short and basically forgot all about Adrien himself because there is a SLIGHT possibility that Adriens ring means he COULD be Chat Noir. His own father literally choosing his secret identity over his civilian one as Adrien, the son Gabriel had for 14 years, is beyond crushing. And while it seems strange for Adrien to take offense in this because, well, he IS Chat Noir so what the big deal? The big deal here is, again, that as Chat Adrien is literally trying NOT to be himself. He uses the opportunity of being an anonymous hero to escape from having to be Adrien Agreste in every way he can. Gabriel throwing aside the son who is literally standing in front of him and who did his darn best to be there for him in his own time of grieving his mother to basically only focus on Chat Noir (a person Gabriel in the end of the day shouldn't and doesn't know) possibly being his son, is such a fucked up scenario to throw onto Adriens already low self esteem what the actual fuck.

Or 2. That Adrien simply takes his father choosing to focus on his "simple" new ring out of all things as a clear "I see nothing else worth noticing in you, so to keep this conversation up I have to grasp at straws so I guess I'll be taking about your new ring".

No matter how one chooses to interpret the moment, it's equally as much of a "fuck you" either way. I know Gabriel could have said worse here, but honestly, the list isn't that long.

So when after this Adrien reacts like this:

It should really not come by any surprise. Although, no, it is kind of surprising. Surprising that Adrien didn't react alot worse than this. What Gabriel just threw at him is like the verbal equivalent of a loved one reaching out for you with a hand so they can caress your cheek but the moment you lean in they follow it up with a punch to the face.

It shows just how well Adrien has his emotions under control and is able to stay level headed under such great offense that THIS is the level of irrationality and anger he expresses after basically being out right disregarded by his own father (which should be of no surprise either, as Chat Noir Adrien has to put up with a whole lot of disrespect as well and there he for literally 95% of the time has to shrug it off as well).

But no matter how bad Gabriels line here was, it has nothing and I mean NOTHING on the awful way Gabriel then decides to react to Adriens appropriate but still very mild response.

Because THIS is the moment that sets up Gabriels betrayal and downfall as both a person and especially as a father. Up to this point Gabriel was a horrible person as well, no question. The entirety of s1 he already worked as Hawkmoth, manipulating people, putting them in great danger and planning the demise of two teenagers with sadistic glee. But still one has to acknowledge the difference in these two situations.

In one Gabriel is hiding in a secret lair, manipulating people he thinks beneath him to do the dirty work for him and fight two anonymous heros he just wants to get rid of to reach his goal. Gabriel is taking so much pleasure out of terrorizing Paris and it's people because he legitimately doesn't give a single fuck about them or holds any kind of personal connection to them either. He never goes outside and is very antisocial so these people and their city mean nothing to him because they ARE nothing to him. His (self chosen) isolation and lifestyle pretty much disconnected Gabriel from real life and a normal way of expressing and receiving human emotions. So when there are no emotional stakes for him personally, he sees no reason to not satisfy his villainous desires as Hawkmoth.

So as odd as it may seem to say, him terrorizing Paris prior to this is not the point of crossing the line for his character. For that it's simply to impersonal.

No, the point of crossing the line happens here with Adrien. With Gabriels character things will always come back to Adrien at its core. Adrien (not Emilie, Natalie or anyone else) is the person Gabriel temporarily truly gave up being Hawkmoth for and Adrien is the one person Gabriel has his most human moments with. Not even in his bonding moments with Natalie does he show the same deep and true (misguided) love and affection as he gets to with Adrien in those rare moments (its close no doubt but something about Gabenath is not as deep and true as this father-son pair and I can't imagine it ever will).

This marks the point of no return for Gabriel because it's the first time he chose to deliberately abandon Adrien in the crossfire and decides to be the villain towards him instead of staying there to talk things out with him. It's the first time Adrien truly had Hawkmoth as his father. And Hawkmoth is Chat Noirs ememy so Gabriel fell into that role without Adrien knowing why.

And there is a solid reason for that.

One of the best things of this show is that no matter how horrible things get between these two, things are always much more complicated than a simple "evil father doesn't love his good son" situation. Gabriel calls Adrien "the image of perfection" in this very episode, that's sure as hell not hate or dislike in any way. That's love, that's adoration. This man ADORES his son. And this is were the deep rooted problem lies.

Gabriel loves and adores his SON. The ideal and perfectly perfect son Adrien could become when Gabriel is done forming him into it by suffocating any "imperfections" with an iron fist. It's just that these "imperfections" are always the characteristics that make Adrien ADRIEN. Gabriel may truly love his son but I'm not even sure if Gabriel even so much as LIKES Adrien himself.

And this is perfectly showcased by Gabriel turning away from Adrien in this very scene here.

Because even though Gabriel literally disrespected, shut down and belittled his son for the entire episode he still came to see and hug his Adrien afterwards because he loves him. But HIS Adrien, the perfectly perfect Adrien Gabriel wants him to be, wasn't the Adrien he met up with in his sons room. Instead he got an Adrien with a ring on his hand that could be Chat Noirs, making him possibly one of the two enemies he's trying to destroy.

Adding salt to the "wound" Adrien even backtalks him in a way that undoubtedly reminded him of Chat as well since Gabriel pointed out Chats temper in this very episode.

So Gabriel was very directly confronted with the possibility that Adrien could INDEED be Chat Noir and that naturally comes with the implications that Adrien deliberately disobeyed Gabriels orders accepting that ring, sabotaging Gabriel reaching his goal and in general doing everything his father DOESN'T want him to do BY CHOICE.

And here Gabriel made the decision that marks the point of no return, setting up the devastatingly horrible way this man is treating and will treat his son in the future.

Because this is the moment Gabriel SHOULD have chosen Adrien over his mission. The sheer possibility, no scratch that, even the SLIGHTEST TRACE of a possibility of Adrien being Chat Noir should have immediately made Gabriel take action to save and protect him. Because it's not like Chat hasn't been constantly in dangerous, life threatening or even situations that ended up in DEATH. If Gabriel would truly love ADRIEN his quest would have ended right here, stopping the upcoming horror this family will face before it could have really begun (hence why this was shown to us in an episode of s1, the season where Hawkmoths identity was still unknown. If Gabriel had stopped here not even WE would have known, leaving Gabriels name untainted of Hawkmoths crimes as the Agreste family finally moves on and Hawkmoth dissappeares as suddenly as he appeared.)

because Adrien and his health and life should not be a price Gabriel is willing to risk paying for his goal.

But Gabriel didn't do that.

Because instead of Adrien Gabriel chose the potential perfectly perfect son he wants and turned his back on the one standing right in front of him. Cuz remember what Gabriels goal IS. He wants to change the past, so non of this ever happened in the first place.

Meaning Gabriel turning his back on our present Adrien doesn't mean that Gabriel outright hates Adrien now by the next second cuz he dared to disobey his orders like that. But it means that Gabriel is choosing to separate these two Adriens in his mind, making endangering, hurting and working against THIS Adrien more of a collateral damage than actually hurting his own son. THAT son, the one Gabriel convinces himself he is fighting for, is waiting for him in the past alongside Emilie.

This separation was probably always there since Gabriel started trying to change the past hence why he justifies Adriens unhappiness and the way he abandones him as necessary sacrifices.

But the real separation started HERE, this marks the first time Gabriel just left Adrien behind in a position of complete and deliberate endangerment, knowing that the possibility of Adrien being Chat is still there but choosing to say: "if he indeed is, then that's an obstacle I will have to overcome."

This separation has been developing slowly but steadily through s2 and 3 right to "Chat Blanc" which tells us the future. Me elaborating on this "separation development" though became longer than I want to put in this post, therefore I will go into more depth about it another time.

So let me continue with this:

Adrien is like... Genuinely not even angry. More deeply sad.

He was appropriately and truly hurt when Gabriel only started talking about the ring but once Gabriel turns around and walks away? He looks after his father but more in a way as if he is waiting to see if Gabriel would actually take so much offense in him backtalking him to legitimately LEAVE like this. And Gabriel does.

Adriens intentions wasnt to make his father leave, When he talked back at him it was more of a hurt call out for Gabriel to say more, SOMETHING ELSE, but not to LEAVE!

Adrien then does something very common for people in a fight who wait for the leaving person to turn around again but have to realize that they hope in vain and the other person actually is done with this moment.

His face and body relaxes, he turns completely to the door and seems to... take it in.

Especially in the way Adrien does it here its like he is processing and accepting that what he thought of his father was wrong. Adrien thought Gabriel cared enough for him that he would want to stay even if he backtalks him for example. Adrien expected a conversation here but now had to realize that his father isn't gonna put up with him at all or their differences in an upfront way if Adrien isn't "behaving right". Gabriel will just cut the moment short and deflect whatever conversation with him he doesn't like.

All in all what Adrien took away from this moment with his father is even if Gabriel may care for him (enough to come and hug him as an apology) this care and affection is tightly bound to the way Adrien himself then reacts. If he reacts in a way Gabriel doesn't like he will very quickly deem Adrien undeserving of his affection and take it (and his entire presence) away again.

The way Adrien looks then at his ring also makes me think that he definitely blames himself for how this moment ended. That he "shouldn't have overreacted" and taken such personal offense by his fathers attempt to reconnect with him even if Gabriel hit one hell of a sore point.

This is of course BS. Even if Adrien wasn't Chat Noir the way Gabriel just straight up deflected the conversation to the ring right after the hug, where one normally starts to explain oneself and truly TALK, would have been seriously hurtful even under non-miraculous circumstances.

But it shows how Adrien by instinct immediately starts to invalidate his own feelings to look for the faults in himself. A self-hurtful coping mechanism that unfortunately only gets deepened as the dynamic between these two continues on. 

And lastly it also marks the first time that the ring is truly associated with something bad. Normally (especially so early in the show) the ring stands in association with Adriens freedom and spending more time with people outside, him getting to let loose a little and how he can spend time with the girl he loves. The ring began to loose these positive associations more and more from s2 onward but the first time was here.

It's the object which ruined the moment that could have ended this tragedy before it truly began in both of their eyes and in the viewers. Sure Gabriel being Hawkmoth is the true cause of it and nothing will ever change that but it's Adriens ring, not Gabriels brooch, that sets their separation further in motion. Further as Gabriel initially intended to.

It's the factor Gabriel overlooks Adrien himself for, which is truly brought home by the end scene of "Gorizilla" which serves as a mirror to this one here.

Whereas in "Jackady" Gabriel lost sight of the son right in front of him because of the ring and what its implies, in "Gorizilla" Gabriel thinks he finally received the evidence that Adrien isn't his enemy. So for the first time Gabriel completely disregards the ring, Chat Noir out of his mind, sees ADRIEN for himself and genuinely smiles at him. He can and does make a TRUE attempt at reconnecting!

Which is of course exactly what Adrien wanted for so long, what he hoped Gabriel would do if hes just patient enough with his father. He accepts Gabriels genuine attempt gladly, reassuring his father that he and his efforts are noticed, appreciated and wanted even after everything that happened so they can hopefully go on to a better future.

This is what would have saved this family back in "Jackady" if only Gabriel had chosen the right priority. But as I said before, this moment here happens in s2 after Gabriel crossed the line in Jackady, so this positiv moment can not save them anymore. Both Gabriel and Adrien are already too far in and influenced by their alter egos and the miraculous. So the brief reconnection couldn't last and everything continues to only further fall apart ever since.

And it all began with this beautiful, heartbreaking and tragic moment in "Jackady" these two will never ever be able to truly come back from again.

[wandaposting]

wandavision: the criticisms post

tl;dr: i liked the show, but there were aspects that were annoying and dumbfounding to me and here’s the post that covers That ¯\_(ツ)_/¯

this was gonna be my comprehensive wandavision review post that had both cons and pros, but the cons kind of ran away from me lsdfjs SO YOU’RE GETTING THIS FIRST. if you find my views diverging from yours in either direction, you’re valid, please don’t shiv me. this is just how i Feel in a somewhat shitposty (as per usual) format. 😔

the big con list:

the way wanda’s actual villainy gets brushed away by the narrative: or specifically the way wanda strolls past the people she mentally tortured and traumatized for a week to apologize to monica, who then goes “gg girl i would’ve done the same :)” and then wanda leaves that entire mess—that she caused—behind her and bails lol. that scene is a microcosm of my problems with this show’s attempt at portraying what the creators have described as her ““complexity””. they want us to feel sorry for her, but not in the way that we can sympathize with walter white while still acknowledging he’s broken bad. rather, this show seemed to want to paint her as more of a victim than the people she victimized. they still want her to come out looking heroic and triumphant and rewarded from her journey with new powers, a new superhero outfit, a new superhero moniker. and that falls flat when you realize she’s basically been a self-absorbed asshole throughout the course of this show. she was confronted no less than four times, and told point blank that a few thousand people were suffering under her control. that is not something we can excuse with depression and denial. that means that at multiple times she is making at least the subconscious choice that her happiness matters more than the wellbeing of her meat puppets, which includes children, across the span of a week. i don’t see monica rambeau “doing the same thing.” the fact that they made her say it while the townspeople glared on in miserable silence just rubbed me the wrong way. if they really wanted to make her responsible for westview, while also wanting her to come out looking remotely good, they needed to invest in a much more substantial redemption arc for her than “i didn’t mean to, gonna go self-exile now.” or even holding everything else constant, they could’ve delivered a more nuanced take where westview was in dire straits before her arrival. the westview she initially drove through already looked economically depressed, so i don’t know why they didn’t just follow through with this. but they could’ve made it so that by granting herself happiness and prosperity, she could’ve spread that genuinely throughout the citizens. instead of hex vision waking norm up in horror, you could’ve had him begging to be put back under. that way, her decision to accept and face reality head on could also be reflected by the people of westview. where everyone, perhaps aided through wanda’s mind link, decides they shouldn’t let fantasy consume themselves at the expense of improving their actual reality. there’s still moral ambiguity, there’s still mistakes being made, we can still side-eye wanda for doing the equivalent of drugging people, but at least these npc’s would've gained something from wanda blundering into their lives. but no she made 3 thousand people suffer through the literal plot of Get Out, giving them life-long ptsd and trauma with nothing good, and i think that’s bad. if she has more haters after this series, i can’t even blame them. but apparently she has a shit-ton more fans after this series, so... OH WELL, IT IS WHAT IT IS sdkfjkls

TYLER: which brings me to the thought that, if this show had hayward acting like a three dimensional human person with the bare minimum intellect required to run SWORD ... instead of an incompetent jackass scooby doo villain ... a lot of us would be spamming #HaywardWasRight. tyler hayward might legitimately be the worst villain mcu has ever produced, like edging past malekith. is he supposed to be an analogue to real world tr*mp appointed deputies? unlike agatha, he’s not even entertaining to watch. he’s the ted cruz of the mcu, which is bizarre when he was introduced as the strict but not particularly vexing or unreasonable successor to maria rambeau in episode 4. it ended up feeling extremely contrived how the show attempted to aggressively signal us with “hayward bad” and “wanda good, actually” through the lens of monica, darcy, and jimmy. it’s like they had to make hayward come across as Extremely Dumb in order to make wanda come across as the more sympathetic party, when she was the one doing [gestures vaguely at wall of text above].

and SPEAKING of agatha: she also ended up being the exact kind of simplified reductive cackling “gimme ur powers wanda” evil super witch that i didn’t want her to be. that’s all.

the theorybaiting: i didn’t care about the lack of mutants/doctor strange cameo (lol what happened, charles murphy)/multiverse/blue marvel/reed richards/mephisto/nightmare/chthon (altho we did get the darkhold wink wonk) so much that it ruined my experience. ralph bohner was disappointing, but i got over it. my issue here is more that they deliberately baited a more interesting story than they delivered, and i think they shot themselves in the foot with that. the first 7, even 8 episodes had set up this atmosphere of mystery and intrigue, only for them to wrap up all these questions with the most boring, uninspired answers possible. question: what does hayward want and what is he up to? answer: hayward is simply a stupid dingus. question: who is agatha harkness and what is she up to? answer: an evil witch who just wants to steal yo powers. question: who is fietro? answer: lol boner. question: was it wanda all along? answer: yes, but no it was actually agatha, but actually yes, but she didn’t mean to and is kind of sorry and now she’s gonna fly away so have fun with your ptsd, westview. ????????? yeah they could have ... done some of that better.

the pacing in the end: i remember when they said it was gonna be “around 6 hours,” and we got 4 and a half hours of actual content instead... they should have given us that extra 1 and a half hour to flesh out the finale. the sitcom portion was fun, it feels like the sitcom portion was prioritized in the writing room, and that the overarching narrative beyond the sitcom suffered to accommodate it. when it came time to break away from the format, they stumbled. so in the beginning, there were segments that felt authentic to the era but were fairly critiqued as “dragging on” ... and in the final episode, we had... the final episode. monica and wanda’s ending conversation felt unsatisfying, both wanda’s apology and monica’s acceptance of it rang particularly hollow [also gestures vaguely to wall of text above]. the appearance of white vision should have had much more of an impact on ... everyone, especially wanda. except the dude just dips and no one mentions him ever again. i feel like hex vision being revealed as the the vision that had always been ~part of her should have also had more ... fleshing out. darcy and jimmy basically ended up having no arcs in this show. they served as stand-ins for the audience, and because they were written to feel sorry for wanda (in a situation where she was absolutely deserving of more scrutiny), the audience too gets manipulated toward doing so.

there’s probably more to add but i’m running out of brain juice BUT THOSE WERE THE BIG ONES STORY-WISE

[bestofblackwidow]

The "Let me go - it's okay," she told him the last time we saw the Black Widow, it was - to say the least - emotional. "Let me go - it's okay," she said to Hawkeye, plunging to her death on the arid planet Sleeping in Avengers: Endgame for the ultimate sacrifice to save the world. While the deaths in the Marvel Cinematic Universe go on - sorry, Iron Man - there was probably no more heart-stopping moment, since the former SHIELD spy who became Avenger gave her life to recover the Soul Stone.

Still, it left the MCU in a bind. For years, a Black Widow film had been mooted, right back to 2004 at Lions Gate Entertainment before the rights reverted to Marvel. When Scarlett Johansson first appeared as Natasha Romanoff - the former KGB assassin with a very particular set of skills - in 2010's Iron Man 2, it didn't take long before questions were asked about a solo outing. Marvel Studios conductor Kevin Feige even held discussions with Johansson, who was then only 25. But there was a caveat, he said. "The Avengers comes first."

While others - Thor, Captain America, Black Panther and even Ant-Man - had their moments in the spotlight, the Black Widow was forced to wait. And wait. And wait. Not that Johansson thought that her character demanded the same treatment; if she was going to be in front of a Marvel movie, there had to be a reason. "Is there anything exciting to do creatively, as an actor?" she says. “Will we be able to do something extraordinary and strong? And something that stands on its own? "It's what makes the independent Black Widow an intriguing prospect: an inauguration of Phase 4 of the MCU promises to step back in time before her dramatic death to answer the provocative questions that still hover over her Crucially, the script transports audiences back to the events right after Captain America: Civil War, after that huge internal confrontation of the Avengers.

Without relatives or an organization that employs her, the Black Widow is alone, says Johansson. "It gave us the opportunity to really show her when she's kind of out of her game, you know? Because of that, anything was possible." The actress was there "from the start" at the script meetings, as they began to figure out how to delve into Romanoff's origins. "You are trying to map all of this ... which is extremely stressful," she laughs, "because there are no guidelines."

Fortunately, Johansson was not alone. In another inspired choice for the MCU canon, Feige recruited Australian director Cate Shortland, best known for discreet dramas like Somersault and Lore. While she was surprised, Shortland was encouraged by the creative freedom that Marvel was offering. “They allowed me to be myself and encouraged me to make a movie that I was passionate about,” she says. "We were allowed to have a lot of nuances and make a character-oriented film."

After several Skype sessions with Johansson, who also receives producer credit, Shortland worked with a Russian researcher to embody Romanoff's dark story: "the red in my ledger", as she told Loki in 2012 in Os Avengers. As she sings in the trailer, "We have to go back to where it all started" - the promising teaser clips of Romanoff as a young man (played by Ever Anderson, daughter of Paul WS Anderson and Milla Jovovich) in a childhood that seems far from idyllic. That's what makes Black Widow a family reunion of the kind that only Marvel would have the courage to conjure. Joining Romanoff is Yelena Belova, a sister-sister and fellow murderer who trained alongside her in the so-called Red Room, the punitive Soviet facility that produced 'Black Widow' spies.

"Their stories intersect," promises Shortland. "They clash." Played by Lady Macbeth's British star Florence Pugh, Belova is more than a physical match for Romanoff. Still, emotionally is where it really matters. "What Yelena does is kind of point to Natasha's pain," says Pugh. “She is part of Natasha's story. And I think that's why we have an opportunity to look at Natasha's story, because Yelena has been knocking on the door and says, 'Hey, let's deal with this pain. ”As Johansson comments, Belova is not just a carbon copy of his own character.

"She is completely alone. She is strong and different. She is so different (from) Natasha." Beside them are Melina Vostokoff (Rachel Weisz) and Alexei Shostakov (David Harbor), two father figures whose own stories intertwine with Natasha and Yelena. "This is the coolest thing with this whole group of people. They all had parts of their past that they regretted," says Pugh. “They’re older. They’ve had more life experience. They know more about the system, about this world they’re all living in.” Harbor, the Emmy Stranger Things nominated star, managed to put an indelible mark on the muscular Shostakov, better known as the Red Guardian super soldier, the Russian equivalent of Captain America. "There is a gangster quality to him," the actor smiles. "And he's covered in tattoos. He's got a beard and those gold teeth. He's crazy." But after years of making bad decisions, he's also full of remorse.

"He's in a bad situation," adds Harbor. "And he needs redemption." Weisz's character, Melina, is another who experienced the rigors of the Red Room, a place that put her in contact with Natasha and Yelena. Marking his first dive at the MCU, Weisz acknowledges that the film addresses the idea of ​​discovering his favorite family. "It's definitely about finding out where you belong and where you came from, and what your background story was, and who you really are, and what matters to you - your ideology, I think." Along the way, Feige made reference to The Kids Are All Right - the 2010 Lisa Cholodenko film about a same-sex couple raising two teenagers. "Which is so weird," laughs Johansson. "You would never expect that from a Marvel movie." no it was the only strange nod to the film. Harbor speaks of Shostakov in terms of Philip Seymour Hoffman's drama teacher in the dramatic black comedy The Savages.

Or even expressing "the pathos of a small town, independent, family-run, weird movie... like Little Miss Sunshine". More understandable cinema references include "things like Logan and Aliens and The Fugitive," says Shortland. "We saw movies like that." Certainly, it's easy to see comparisons between Sigourney Weaver's determined Ripley, from James Cameron's masterpiece Aliens, and Johansson's Romanoff, an Avenger who has no superpowers. "We saw it as a force," says Shortland, "because she always has to dig really deep to get out of shit situations." According to the director, everyone in the production invested in deepening Romanoff - even Scottish composer Lorne Balfe (Pennyworth, His Dark Materials), who replaced Alexandre Desplat's original choice. Balfe looked at the character's origins, says Shortland. “He said, 'I want to put it on the ground, because it has been dug up in the movies in the past. I want to give her that flesh and blood. 'And he created this soundtrack that is really Russian."

However, perhaps the real blow here is to recruit Shortland, the first female director to face the Black Widow (and only the second, following Captain Marvel co-director Anna Boden, to enter the MCU). "This film would not be what it is without Cate Shortland," says Pugh. "I think having her eye, and having her mind with this script, has taken her to a whole different realm." Johansson agrees. "" You can feel it was made from a female perspective ... cooked there. "Although Ray Winstone's casting as Supervisor of the Red Room Dreykov (whose daughter contributed to the abundance of red in Romanoff's book, according to Loki) add more to the psychological battleground that the Black Widow will explore, it also deals with victimization, a very pertinent topic in the current climate. The Red Room itself is where trainees are brutally sterilized. "You will see that these women are hard working and strong, and they are murderers - and yet they still need to discuss how they were abused," says Pugh. "It is an incredibly powerful piece."

Judging by the 2020 Oscars, where Pugh and Johansson had their own private relationship session on the red carpet, the two actors got along very well. "She has a really beautiful career ahead of her ... she's a very special person," says Johansson, excited when Pugh's name is mentioned. More specifically, Pugh may well have more Marvel to chew on, if it is rumored that her character will take on the 'Black Widow' mantle for new adventures. By learning Parkour, kickboxing and knife fighting for role, Pugh can safely cut things physically, though she's reluctant to claim that the Black Widow is just a setup for future outings. "Even though it is obviously where everyone wants to go and want to think - think about what comes next - this film never really seemed to be what he was trying to underline." According to Johansson, however, test the audience who saw the film thinks otherwise. "Her character and her performance are so dear." Now, after more than a year of pandemic-related delays to July 2021), it will not be just a few lucky spectators who will be able to see. Black Widow will even be the first Marvel movie to debut simultaneously on the Disney+ streaming site (with a 'main hit' fee), an understandable move considering the uncertainty that still exists around the world. And in fact, after the success of the Marvel TV shows WandaVision and The Falcon And The Winter Soldier, it doesn't seem like such a strange home. Johansson believes that fans will respond to Black Widow, with this flashback of an earlier part of her life, bringing more poignancy to the Endgame's outcome. "Our goal was for them to be satisfied with this story; that maybe they could have some solution, I think, with the death of this character, in a way. It seemed like people wanted this." Shortland agrees. "We felt that we should honor his death," she says. And the Black Widow will surely honor him.

[thebirdandhersong]

Hey, so I've basically never watched any k-dramas, but I've read a lot of manga and manhwa and the automatic next step does feel like moving into k-dramas. You seem to have watched a number, so I was wondering if you could make a recommended list? Only if you felt like it of course, but it would be helpful! (Preferably of at least some which are on netflix uk, I looked up 18 again but it's unfortunately not on here in Britain :(. But if you have favourites I'd just like to know them so I can look out for them anywhere)

Also yay! Your term's ended!

(yanks open the door) did someone say RECOMMENDATIONS?? I DO have many!!! Boy do I have them!!!!

(YAY!! One last exam and I'm done for the summer!)

I love Eastern entertainment (manga, k-dramas, c-dramas, and movies from Korea and Taiwan) because of several reasons: the scripts are phenomenal nine times out of ten; Asian culture puts a strong emphasis on the importance of family, personal responsibility, learning from one's mistakes, expressing affection through gestures and acts of service, and friendship and I really love seeing that in a story; and they make good use of silence and stillness in shows and movies, which is pretty rare in Hollywood. The quiet moments between characters are more often than not some of the most important in the story and I Love That!!

The dramas I'm (briefly) listing are in bold if they're available on Netflix UK, and in bold and italicised if they're available on Rakuten Viki (which is a mostly-free drama streaming service, though unfortunately they're rather heavy on the ads). The Absolute Favourites are marked with stars (***). Though I can't actually see the whole list of dramas available in the UK, so some of these may be wrong, and it may be worth checking twice!

If you're in the mood for something fast-paced:

Descendants of the Sun (Viki); considered a Classic

- romantic comedy, medical drama, a bit of action

- The confident and charming leader of a Special Forces unit meets a reserved surgeon and they hit it off, after some... interesting misunderstandings. But after dating briefly and breaking up, they find themselves reunited on a peacekeeping mission in a war-torn country. Insert a lot of Suspense and Excitement but also a lot of Comedy and Sincere Declarations of Love.

- if you enjoy Song Joongki's performance, I'd also recommend his movie A Werewolf Boy. If you enjoy Song Hye-kyo's performance, I'd recommend her drama Encounter.

***Come and Hug Me (Viki, but I don't know if it costs money?)

- thriller/suspense, romance, this one genuinely stressed me out but the moments of peace and reconciliation (and the ENDING) were well worth it

- Their first loves during their youth ends in her mother's death and their separation. Years later, the lively daughter of the murdered woman is now an actress, and the introverted son of the serial killer has become a police officer. They meet each other again (Of Course) and have to tackle all sorts of Nonsense (including the serial killer's return, his murderous brother's return from prison, the Media, the ghosts of their past, etc. etc.) together. HUGE focus on forgiveness, hope, healing, unconditional and self-sacrificial love. Also one of the best redemption arcs (I did in fact bawl my eyes out)

- my friend just started crying when we first watched this drama together because the male lead is just so gentle and tenderhearted and steadfast :')

If you're in the mood for something a bit slower

***Goblin/Guardian (Viki); International Acclaim

- fantasy, drama, one of the funniest dramas I've ever watched, but also tears (I cried at a rate of around once every two episodes. This show talks a lot about life and meaning and the effect your actions and words have on the people around you.)

- Kim Shin, a general from the Goryeo Dynasty, is cursed to live as an immortal Goblin (a Korean mythical/fairy tale figure) until his destined Bride pulls the sword from his chest, thus breaking the 'spell' and ending his life. He really did not expect his bride to be the vivacious and irrepressible Eun-tak, though, and What's More!! He did not expect that he would start wanting to live again :))) Includes a surprising amount of comedy, a surprising amount of tears, and EXCELLENT screenwriting. (Descendants and Goblin share the same brilliant writer.)

- fun fact: parts of it were shot in Quebec!! One of the characters refers to Canada as "the maple nation" early on in the story and my friend and I just burst into laughter.

***Encounter (Viki, but I'm not sure if it costs money?)

- melodrama, romantic comedy, FAIRY TALE

- a cold and withdrawn woman, recently divorced because of her husband's infidelity, and a warm-hearted and optimistic young man meet on the streets of Cuba by accident, and upon separating without means of contact, find themselves back in Korea as boss and newly hired employee. This sounds like a recipe for disaster: stuffed to the gills with unnecessary workplace drama and gossip, etc. but the story focuses instead on family, vulnerability, transformation, sacrifice, about art, compassion, mending relationships, opening up to people, and about the beauty in bringing and receiving comfort and love.

- also. ALSO. Fairy tale!!! with illustrated opening and ending cards and everything!!! (they literally refer to her as the Ice Princess. And her Prince is the human equivalent of sunshine. I Love him)

- if you like Park Bo-gum's performance, I'd recommend Reply 1988, too!

***One Spring Night

- melodrama; quiet and understated but very beautiful

- A bright, clever, and sharp-tongued librarian meets a quiet, steady, and gentle pharmacist one day. It turns out that he's a single father, and she's trapped in a relationship that really isn't working out. Friendship! Family! Sisters standing up for each other and saying No I Won't Let You Treat My Sister Like This, You Jerk! Figuring things out! Learning how to love! I really don't know what else to say, except for the fact that I loved it very much!!

- if you enjoy Jung Hae-in's performance, I'd also recommend Something in the Rain (which should also be on Netflix!) for his acting alone. I just think he's neat.

Reply 1988

- slice-of-life, comedy

- In the late 1980s, five friends (four boys, one girl) who have grown up with each other since childhood are Going Through It in high school. This drama is all about the little things that happen in life, and about learning to understand your family and your friends. Deok-sun is just trying to survive all of This as the middle child, and as a young girl who is trying to figure this Romance thing out. In the present, adult Deok-sun is just as lively, and is now happily married..... but to whom? :))) A Lot of '80s Asian culture, daily antics, and good old friendship.

- if you like Park Bo-gum's performance, I'd recommend Encounter too :)

18 Again (Viki)

- romantic comedy, fantasy/time travel (sort of)

- Nearly twenty years of marriage, and things have been going Wrong all over the place. His wife wants a divorce, he's no longer close to his teenaged kids, and he's just lost the job he's been faithfully working at for years. Daeyoung wishes that he could go back somehow, and finds himself 18 once again.... except he's still in the present. Interesting things ensue. He enrolls in school (it turns out to be the same one his kids attend), and decides to pursue the dreams he had to give up when he was a teenager. Antics ensue! But also Healing: he gets to know his kids all over again, and is able to view his relationships with Dajung (whom he still loves. Of course) and his estranged father in a new light.

- I have not finished this drama yet but judging from the first third of it, it is both well-written and well-acted. There are a few things that I am not a fan of, but on the whole Lee Dohyun's performance is wonderful and I have already cried buckets.

Other honourable mentions:

100 Days My Prince: historical drama. Prince caught in an assassination plot, loses his memory, wakes up in a village right when the king issues a marriage law that results in his marrying the spirited 'spinster'.

Still 17/Thirty But Seventeen: 17 year old violin prodigy in a coma after an accident, wakes up when she's 30; the boy who inadvertently caused the accident runs into her again after she wakes up and helps her adjust to her new life. Lots of wacky humour, very sweet!!