#he just wants to be loved y'all

[bbygirl-aemond]

it makes me feral how aegon has always rejected and resented his targaryen identity--the long hair and the language lessons and the marriage to his sister--in what is undoubtedly avoidant attachment resulting from viserys's neglect, and yet sunfyre brings him joy. a targaryen's dragon represents a huge locus for their identity as targaryens; it is a physical manifestation of their supposed dragon's blood and a primary source of power for them. and yet aegon adores sunfyre, despite all that sunfyre represents, because sunfyre chose him the way viserys did not.

[dungeonrabbits]

"chilchucks a real hater"-wrong! chilchucks a lover!!

[brainmuncher]

The emergency

A good number of members within the Justice League have children. Not all of those kids are biological or adopted but they are their kids nonetheless. Some of those kids are even old enough to be adult heroes of their own, but even then they are still their kids. And the other kids tend to take up heroism at a very young age to most people's chagrin. Although as shown by the original child hero, now going by Nightwing, it’s not as easy as telling the kids to stop.

It was learned through intense hardship that smothering the child heroes was just asking for trouble. Despite how much the older heroes wanted to stay close to their kids, it was seen as overbearing and a show of mistrust. They would act out with even less backup in retaliation, which would only bring even more stress.

So to satisfy the need for protection without stepping on any toes, two new emergency meeting signals were introduced.

One was for the kids to send off. Each one was gifted a small device that could be hidden in their person. The device had both a mic and a tracking chip that could be activated when they were in extreme danger. As soon as the device was active a signal would be sent to the league for an emergency distress signal with the details of who sent it. Due to an outcry from the kids, the device could not be activated by the guardian of the child. The mic and locator could only be activated from the device itself. It wasn’t nearly as protective as some of the more worried leaguers would like, but it was at least something. 

The second signal was one that the leaguer with a kid in danger could activate. This signal could be activated with a single code into the communicators that every member owned. If the member who sent out the signal didn’t specify what kid was in danger, every member would receive a generalized notification of the emergency alert for one of the kids. This wasn’t ideal, but it was learned early on that the guardian of the child was often too distressed to make the code more complicated. It was best to leave it simple and answer questions at the emergency meeting.

Which was great in all, until someone who doesn’t have a child involved with heroics in their care sends off a general emergency.

In places all over the globe, an emergency meeting signal message was sent by Hal Jordan, one of the lanterns. He didn’t include what child was in danger in the signal, meaning that it could be any of the underaged heroes. And considering he didn’t have a child in his care, that made multiple members panic.

When was the last time they checked in with the kids in their care? Who was the one he was sending the code for? What happened to the child he had noticed was in danger? Why is he the one that noticed? Where were their kids? Who was in danger?

Because of the nebulous nature of the call, it didn’t take long for multiple heroes to find the nearest transport to the watchtower and tumble in. What they didn’t expect was the absolute haggard appearance of their friend. He was standing in the meeting room looking like the world had been destroyed before his very eyes. The way he sat without even cracking a sarcastic remark made multiple members pause.

“Hal?” Wonder Woman called, her face pinched in concern. “What has happened?”

The aforementioned member looked over who had already arrived before settling on her face. It was at that moment she knew that he was only looking so collected through willpower alone. This wasn’t just any child of the league, this was personal.

“My nephew Danny has been captured,” He began, sending a wave of different emotions circling the room. “I’ve been trying to find where they took him for a week now and I can’t get any leads. I need your help.”

The unsaid questions and emotions were nearly palpable. Multiple members turned to one another or stared with a million questions. Nobody had known that Hal even had a nephew named Danny. Sure he mentioned someone named Jason at times, but he never indicated anything else. The fact that he hadn’t mentioned him or the fact that he’d been apparently searching for a week was strange.

“And why are you only telling us now? Why did you wait so long?” Superman asked, speaking up the question that was on multiple minds.

A fire of anger curled in Hal's eyes. It was fierce and protective. It was a mixture of appalment for being questioned on his decision and fury for the reasons why he had to do it in the first place. He stepped forward towards the center table, slamming his palms down and leaning into it.

“Because any person that goes against the group will be declared an enemy of the United States. I’ve already had my account and housing connected to Green Lantern seized,” He explained with a deceptively calm tone. “I also needed to make sure that they didn’t have any connections with the Justice League. They have their agents everywhere.”

Unsurprisingly, Batman appeared from the gathered heroes from seemingly nowhere. Despite the feud between the two of them, the Bat was completely zeroed in on the situation. While he had a decent amount of distrust in the lantern, mainly because of the parallax incident, he could tell that the man was genuine. And the Bat always did have a blind spot for children.

“Explain,” Was all Batman said, staring Hal down.

The lantern in question looked at him with a grim face. This was it. Now or never.

“They’re called the Ghost Investigation Ward, or GIW for short. They hunt down and either exterminate or experiment on anyone they deem ectocontaminated or a ghost,” Hal started to explain, his hand curling on the table in frustration. “My brother Jack faked his death and ran off to be with another woman. Those fucks deemed my nephew as ectocontaminated and tried to take him from his home. He ran from his family so that they couldn’t be arrested for knowingly harboring an ecto entity. Told me that he remembered my face from a photo his dad tried to hide in the attic and sought me out.”

If the fire in his eyes were any stronger, they would probably become physical and burn down the room. It was undeniable that Hal Jordan was understandably completely pissed off. This situation was terrible from down to the very root.

“I tried to hide him but they somehow found him anyway. Now my civilian name is being heavily monitored and Green Lantern is being hunted down,” He finished his explanation. “If you join me in this, be prepared to lose everything.”

This was so much worse than anyone could’ve predicted.

[saltyfryz]

MER SUN REDESIGN!!

[mattodore]

birthday boy 🎂

[wishesofeternity]

The thing about HotD is that it while it absolutely minimizes the agency and ambition of both Rhaenyra and Alicent, this is specifically used to glorify Rhaenyra and frame her as righteous while condemning Alicent and framing her lacking. That's the key difference in both their textual portrayals that has directly led to 90% of the fandom hailing Rhaenyra as the second coming of Christ while spewing the most hateful vitriol at Alicent just for existing. But y'all are not prepared for that conversation.

[wolfsbanesparks]

Trick or treat! 🍬🍫🍭

Can I see a Billy saving another hero in his human form, leaving the hero confused how and why this child just saved them?

Happy Halloween!

Billy was supposed to be in Metropolis for work, a long weekend of networking and prepping for his weekly WHIZ radio show. He should have known better than to hope for a peaceful conclusion to the journalism conference--not when all of Superman's closest civilian friends worked for the Daily Planet.

In the ensuing chaos following the entrance of the Kryptonite powered attack drones, Billy was forced to duck and weave through the panicked crowd, searching desperately for a semi-private place to hide and transform into Captain Marvel, but he wasn't having much luck on that front.

One of the drones swooped into the crowd, a man's voice shouting out as he was thrown to the ground, a sharp shard of kryptonite in his shoulder. Billy raced towards him, vaguely recalling meeting him just an hour ago before the conference was set to begin.

Billy grabbed a large serving tray from one of the nearby tables, using it to smack the drone away. He may not have been strong as Billy, but smashing it repeatedly with all his strength seemed to do the trick. It sputtered and writhed on the marble floor, no longer able to fly. Billy pulled his foot back and kicked it across the room where he shuddered violently before falling still.

Billy then turned his attention to Clark Kent and the shard of kryptonite in his shoulder. He looked positively green, though that might have just been the soft glow of the alien rock or the sight of his own blood.

"Don't worry, I've got this," he said as he dropped to his knees beside the large crumple form of his fellow reporter. Without giving the man time to protest, Billy wrapped his hand in his own tie and yanked the shard out, careful not to cut himself. He shoved the shard in his pocket, silently reminding himself to turn it over to the Justice League later.

He used his tie to a temporary tourniquet to stop the bleeding before it got too bad.

Satisfied with his work, Billy took off into the chaos again, searching for anyone else that might need his help. He didn't notice the wild look in Clark Kent's face as he vanished into the crowd, nor did he see the identical one on Superman's face when Captain Marvel showed up to help round up the last of the drones.

[psychologicalwarclaire]

Wu trained Morro at the same time that Garmadon was training with Chen which MEANS that Misako was around to see what the pressure of wanting and training to be the Green Ninja could lead to.

So later when she had Lloyd and KNEW that he would be the legendary Green Ninja, do you think she thought of the child Wu had once trained? The kid who became so obsessed with proving himself that he put himself in danger time and time again? The little boy who ran off into the night and never came back?

After seeing that, is it any wonder why she didn't want to leave her son-- the actual Green Ninja-- to be trained by Wu at such a young age?

Maybe a boarding school for bad boys would never make him want to be a hero. Maybe it would keep him safe from the destructive power of destiny. Maybe Darkley's was the only way to save her beloved son, Lloyd Garmadon, from himself.

Maybe Misako remembered Morro. And maybe, just maybe, she knew it would be best if her son never turned into someone like that.

[phoenixcatch7]

It's always funny to me when in an lu fic the chain is offered bananas and don't accept them. Like, you're offering these high energy adventures free food?? Fruit they'll have never even heard of before??? A ridiculously expensive imported good at best?? AND it boosts your attack?

Not ONE of these idiots would ever turn down something new and interesting to eat at least once. They'd be all over those bananas and immediately get dubbed yiga and I'm honestly surprised no one has used it in a fic yet 🤭

[werewolfsmile]

The Eliot Spencer Details Masterpost

I have been recording details about our beloved Eliot Spencer on my latest watch through. And now, it's finally time to reveal the details!! If I have gotten any details INCORRECT, I beg of you to correct me, at which time, this post will be updated and credit given. (Note: S1 was aired out of chronological order. I am going by chronological episode numbers - aka the correct order - and providing the episode titles as well to minimise confusion.) !! This post contains details from Leverage: Redemption! Read the episode references carefully if you are wanting to avoid certain spoilers !!

Shirtless Moments

S1 E7 The Two-Horse Job: The flashback scene when Aimee asks Eliot what his excuse was for not coming back to her, we see him being dragged/tortured, shirtless. "Tell us what you did with the monkey!"

S2 E2 The Tap-Out Job: Eliot is shirtless for the fight match.

S4 E9 The Cross My Heart Job: Ehh he's not completely shirtless here but whatever. At about 16 mins in, Eliot and Parker are getting changed together, Eliot strips to a singlet then throws his shirt at me the camera. (I didn't include other scenes of Eliot in a singlet here because in this scene he's actively undressing, whereas in others he's not.)

Necklaces

The earliest sighting of his guitar pick necklace is S1 E2 The Homecoming Job. It continues to pop up frequently in episodes, though noticeably less in S1. I thought about recording every occurrence of it here but ... lmao it's in legit waaayyyy too many episodes for me to bother.

S2 E10 The Runway Job: Honourable mention of the necklaces Eliot wears with his fashion week outfit. The longer one is kinda dogtag-esque, the shorter one is ... I think it's a fleur de lis? He also wears a range of chain necklaces later in this episode.

S4 E18 The Last Dam Job: Bird pendant (possibly kingfisher) visible at 34 mins 39 seconds. Full credits to @wolves-in-the-world for this one including the time stamp! You can check out their reblog of this post with more details here!

Dammit Hardison

S1 E13 The Second David Job: The FIRST INSTANCE of dammit Hardison in the entire show! Said upon discovering each other in the gallery, around 4 mins 15 seconds.

S2 E1 The Beantown Bailout Job: Said around 22 mins 30 seconds, immediately following, "What are the odds that Eliot's crotch will actually explode?" Iconic.

S2 E6 The Top Hat Job: When setting up for the magic show and discovering the rabbit missing, roughly 19 mins 45 seconds.

S3 E3 The Inside Job: Running from security, around 31 mins 30 seconds.

S3 E4 The Scheherazade Job: Trying to enter McRory's at the same time, around 1 min 30 seconds.

S3 E5 The Double Blind Job: This is an honourable mention because this time NATE is the one to say dammit Hardison! 9 mins 15 seconds.

S3 E6 The Studio Job: Upon discovering the master tape isn't in the case, roughly 32 mins.

S3 E7 The Gone Fishin' Job: Eliot and Hardison running in the woods for their lives, arguing as always. This one is a bonus 'dammit' because Hardison says it straight back to Eliot after Eliot yells it at him! Around 21 mins.

S3 E12 The King George Job: Discussing Hardison's forgery work, followed by Eliot regretting touching anything. Around 23 mins 55 seconds.

S3 E13 The Morning After Job: Pretending to be cops and accidentally ending up with a prisoner to take back to jail, around 16 mins 20 seconds.

S3 E14 The Ho Ho Ho Job: Honourable mention of Chaos mocking Eliot by saying dammit Hardison. Roughly 21 mins 15 seconds.

(phew, S3 was rough on Hardison! given what Eliot was going through with the whole Moreau thing.... ooh that's delicious angst)

S4 E5 The Hot Potato Job: Honourable mention for Sophie saying it this time! While playing the role that was meant for Eliot, around 24 mins.

S4 E6 The Carnival Job: Mixing chemicals for a distraction, roughly 25 mins 30 seconds.

S4 E17 The Radio Job: Hardison running away from being thrown off a high floor, around 5 mins.

S4 E18 The Last Dam Job: Sneaking around at the Bellington Dam, roughly 13 mins 35 seconds.

S5 E1 The (Very) Big Bird Job: 'Accidentally' putting a brew pub menu in front of Eliot, around 10 mins 20 seconds.

S5 E15 The Long Goodbye Job: Emotional scene that we do not speak about, around 12 mins 40 seconds.

RS1 E1 The Too Many Rembrandts Job: After knocking Harry out and asking Hardison to help carry Harry, and Hardison refuses. 11 mins 40 seconds.

RS1 E2 The Panamanian Monkey Job: Upon discovering that security is headed to the vault where Parker is, and the only way down there is through the vents. Around 34 mins 10 seconds.

RS2 E1 The Debutante Job: We get 3! In this whole episode! Probably to make up for Hardison being gone for most of Redemption. Anyway! First one when Eliot and Hardison are in Ralphie Roy's place and Hardison has no idea who Ralphie is, around 23 mins 15 seconds. Second is when they're breaking into the elevator and Hardison won't help fight or move the unconscious guards, roughly 37 mins 40 seconds. And third, after the job when Parker says that Hardison was the one who took out all the guards. Around 45 mins 10 seconds.

RS2 E3 The Tournament Job: Right at the start after Eliot says gaming isn't a sport and Parker texts Hardison, so Hardison starts blowing up Eliot's phone. Lmao. Around 4 mins 20 seconds.

RS2 E4 The Date Night Job: After realising Breanna stole his truck, Eliot says dammit, then aims it at a grinning Hardison, since Breanna is already running away. Around 46 mins 50 seconds.

Dammit Parker

S1 E4 The Snow Job: Parker jumps out of a second floor window, Eliot catches her. 15 mins. (Parker gets a dammit from Eliot before Hardison does!!)

S3 E8 The Boost Job: Parker driving erratically, Eliot thrown around in back seat. (Technically there's a pause between dammit and Parker but I'm still including it) 35 min 35 seconds.

S5 E12 The White Rabbit Job: Searching the mark's house, Parker wants to steal a shirt. Again, this isn't technically a proper dammit Parker, as Eliot instead says, "Put it back! Dammit." But I'm still including it because it was aimed at her. 21 mins 20 seconds.

RS1 E9 The Bucket Job: Parker is pretending to be a hacker heavily modelled off Hardison. Not a proper dammit Parker as, again, Eliot only mutters "dammit" under his breath, but still counts to me. Just after 18 mins.

RS1 E10 The Unwellness Job: At end of episode, after Parker admits that she didn't even learn Eliot's name till after the team broke up the first time. 44 mins 30 seconds.

RS1 E13 The Hurricane Job: After washing up on shore and entering the Beacon Inn, Parker and Eliot are bickering about Maria. He doesn't strictly say dammit Parker but there's absolutely no doubt who he's directing the dammits towards. 3 mins 30 seconds.

RS2 E6 The Fractured Job: When farewelling Billy and Parker says next time she'll finish telling him about the robot bodies. Again, it's just dammit not dammit Parker but it's close enough. 41 mins.

RS2 E8 The Turkish Prisoner Job: Another standalone dammit that is most definitely aimed at Parker! When breaking Romero out, Parker says she's a firefighter (with far too much glee), around 14 mins 30 seconds.

RS2 E10 The Work Study Job: A full dammit Parker this time! When Parker reveals that it's super easy to steal from a university and produces a whole bunch of stuff, roughly 22 mins 40 seconds.

Very Distinctive Moments

S1 E2 The Homecoming Job: Eliot ID's the weapon from the gunshots, around 8 mins. Later, he ID's a guy off his knife fighting style, around 18 mins 50 seconds.

S2 E6 The Top Hat Job: ID's a CIA guy from his stance, roughly 7 mins 45 seconds.

S3 E11 The Rashomon Job: ID's the smell of peppermint on Hardison's breath, around 21 mins.

S3 E12 The King George Job: ID's former British paratroopers by their haircuts, 30 mins 10 seconds.

S4 E1 The Long Way Down Job: ID's a former spetsnaz guy by his footprint, 13 mins 45 seconds.

S4 E5 The Hot Potato Job: Honourable mention of Eliot ID'ing ex-military personnel by their stances, he just doesn't say very distinctive. 18 mins 50 seconds.

S4 E11 The Experimental Job: Honourable mention of Eliot ID'ing a helicopter by the whumpa-whumpa (there's 7 of them did you know). Around 7 mins.

S5 E3 The First Contact Job: ID's military satellite transmission by the static, 7 mins 20 seconds.

S5 E9 The Rundown Job: ID's a Navy Seal who enlisted between '90-'95 by his watch, around 16 mins.

RS1 E2 The Panamanian Monkey Job: ID's a drone (Breanna's) from the sound. 11 mins 50 seconds.

RS1 E3 The Rollin' On The River Job: ID's Russian mob by the tattoos, 36 mins 30 seconds.

RS1 E7 The Double-Edged Sword Job: Honourable mention for Maria ID'ing the way Eliot disarmed her gun, 7 mins 50 seconds.

RS2 E4 The Date Night Job: Eliot ID's a guy as not having a distinctive anything - which is what is so distinctive. 20 mins 40 seconds.

RS2 E13 The Crowning Achievement Job: ID's MI6 off their search pattern, 6 mins 50 seconds.

Known Family

S1 E6 The Miracle Job: When discussing Bibletopia, Eliot says his nephew would like it. This is the ONLY mention of a nephew in the entire show, Redemption included; nor is there any direct mention of a sibling beyond this (which leads me to believe that this nephew is actually the son of a close friend/cousin/military buddy, rather than a direct family relation, but that's just my headcanon).

S2 E3 The Order 23 Job: When talking to the abused boy, Randy, Eliot says he has an uncle named Randy.

S5 E11 The Low Low Price Job: Eliot's dad owned a hardware store and he wanted Eliot to take over one day. But Eliot wanted to get out of that small town, so he joined the service. Fought with his dad the night before he left and hasn't been back since. He goes back at the end of this episode and knocks - but his dad never answers the door 😭

RS1 E9 The Bucket Job: While interrogating/torturing Eliot with Red Haze, Bligh says that Eliot's dad's friend from Vietnam has invited Eliot to join them for Christmas. At the end of the episode, Eliot goes to join them for dinner, only to get a message from 'J' that his dad was a no show. This 'J' is widely accepted as Eliot's unknown sibling but that is incorrect! 'J' is Eliot's dad's buddy from Vietnam!

RS2 E6 The Fractured Job: The ultimate Eliot family backstory episode!! (if you haven't seen it yet and don't want spoilers, skip this one!) Eliot was adopted by a black couple, Billy and an unnamed woman, after being abandoned/surrendered at a hospital as a baby. His father was a war hero who got none of the glory and sustained a wound, ruining his civilian career path, so Billy never wanted Eliot to follow in his footsteps. Eliot loved the stories of his dad in the military so joined up to be like him. His mother died while Eliot was on an op and he couldn't get leave to come back for the funeral, deepening the rift between him and Billy. Ultimately, they reconcile, (Eliot says his dad was always a hero to him, Billy say's he's proud of Eliot, they hug), and I cry every time 😭❤️ [Edit: Eliot being a baby at the time of being found at the hospital and consequently brought home by his adopted mother is unconfirmed and my presumption. We have no clear info on his age at adoption. Thanks to @nival-kenival for picking that up!]

Phrases: Ain't

S1 E4 The Snow Job: Said to Nate, right before Nate tells him to go skip some rope.

S1 E9 The Stork Job: Says it twice while conning Irina.

S1 E10 The Juror #6 Job: Upon being told to go help Parker instead of watching a sports game, Eliot takes his beer back.

S2 E2 The Tap-Out Job: Discussing the fights the mark runs, says they ain't the UFC.

S2 E3 The Order 23 Job: Said right before threatening to throw Randy's abusive father over the railing of a stairwell.

S2 E4 The Fairy Godparents Job: Upon spotting a hitman sent to kill McSweeten and Taggart.

S2 E8 The Ice Man Job: After hearing Hardison call himself the Ice Man, says he won't bail him out when things go wrong.

S2 E9 The Lost Heir Job: While trying to get Parker to the court room and end up cut off by the police.

S2 E11 The Bottle Job: When Hardison wants help to clean up Nate's apartment and Eliot refuses.

S2 E14 The Three Strikes Job: When Nate says to meet outside the ballpark but Eliot refuses because now he's sucked into the sport.

S3 E3 The Inside Job: Twice while arguing with Hardison about how to rescue Parker, once when Parker offers him a lift down the stairwell with her on her harness rig and he refuses. This is the most he says ain't in a single episode!

S3 E7 The Gone Fishin' Job: Once when the militia try to make him kneel, later when the militia kid catches him and Hardison near the train tracks.

S3 E11 The Rashomon Job: When Sophie changes her story to mock Eliot's accent and mannerisms.

S3 E15 The Big Bang Job: When confronting Moreau with Hardison.

S4 E1 The Long Way Down Job: Upon arriving at the base camp and complaining to Nate.

S4 E7 The Grave Danger Job: When looking for a buried Hardison and hearing the sprinklers.

S4 E10 The Queen's Gambit Job: At the end, swearing revenge on Sterling.

S4 E12 The Office Job: Arguing with Hardison about Eliot's sandwich while searching the warehouse.

S4 E13 The Girls' Night Out Job: When trying to convince Nate to socialise at the very start.

S4 E14 The Boys' Night Out Job: Exactly the same as the previous episode, so this one barely counts.

S4 E17 The Radio Job: In the patent office, when trying to figure out who lured Nate into this situation. The same scene is used later as a flashback.

S4 E18 The Last Dam Job: Warning Nate of the consequences of taking a life with your own hands.

S5 E2 The Blue Line Job: When ambushed by Marko when leaving the ice rink.

S5 E9 The Rundown Job: Once when going to wring information on the hit out of Riley, once when Hardison steps on the trigger plate of the claymore.

S5 E13 The Corkscrew Job: First time talking to Betty about how Leonard's a jerk.

RS1 E1 The Too Many Rembrandts Job: Twice when ambushed by RIZ thugs in the warehouse.

RS1 E2 The Panamanian Monkey Job: Once when discussing Ryan Corbett at the start, once when refusing to let Hardison have a turn with the diamond-tipped drill.

RS1 E3 The Rollin' On The River Job: When warning Breanna to be certain of her calculations for how to get him and Parker out of the casino's vault.

RS1 E8 The Mastermind Job: Once when discussing hiring people to overthrow a government, once when discussing how they're going to do like 6 things at once, including saving Harry.

RS1 E9 The Bucket Job: Said twice while talking with Blanche, after Blanche helped rescue Eliot from RIZ.

RS1 E14 The Great Train Job: While digging through the tainted soil with Harry.

RS2 E1 The Debutante Job: When trying to get to Volkov's plane with Parker and seeing that two guards are in the way.

RS2 E5 The Walk In The Woods Job: Talking to Paul after rescuing Harry, who was pretending to be Eliot.

Fun fact: for every ain't that Eliot says, Hardison says at least two more. And that's too many for me to bother recording!

Phrases: Y'all

Never. Not even once.

Hardison, on the other hand, says y'all all the damn time - every season, multiple times, sometimes even multiple times in the same episode.

Honourable mention for Chaos saying y'all as an incorrect mockery of Eliot's accent in S3 E14 The Ho Ho Ho Job.

... Okay, okay! So Eliot says it a few times in Redemption! But only in ONE episode!

RS1 E1 The Too Many Rembrandts Job: Said 4 times when playing a character and convincing people to clear out of the auction house.

That's it.

Aliases

These are all the names that Eliot's gone by or used on cons that I could find, not just full blown aliases.

S1 E1 The Nigerian Job: Detective Lieutenant Carden (the scene with this alias was cut from a lot of versions of this episode)

S1 E4 The Snow Job: Vince Fetkey, Hans Von Schwesterkrank

S1 E7 The Two-Horse Job: Brad Mackie

S1 E9 The Stork Job: Dale

S1 E12 The First David Job: Professor Sinclair

S1 E13 The Second David Job: Professor/Dr Adam Sinclair

S2 E2 The Tap-Out Job: Kid Jones (on the fight match poster)

S2 E4 The Fairy Godparents Job: Coach Brewer

S2 E5 The Three Days Of The Hunter Job: Earl

S2 E9 The Lost Heir Job: Officer Hilts

S2 E10 The Runway Job: Julian

S2 E14 The Three Strikes Job: Roy Chappell

S3 E1 The Jailhouse Job: Dr Abernathy

S3 E2 The Reunion Job: Lloyd Hickey

S3 E4 The Scheherazade Job: Guy Hamilton

S3 E5 The Double Blind Job: Phil

S3 E6 The Studio Job: Kenneth Crane

S3 E7 The Gone Fishin' Job: Agent Quint

S3 E8 The Boost Job: Skeeter

S3 E9 The Three-Card Monte Job: Detective Moffat

S3 E10 The Underground Job: Eric

S3 E11 The Rashomon Job: Dr Wes Abernathy

S3 E16 The San Lorenzo Job: Ray Laroque

S4 E2 The Ten Li'l Grifters Job: Charlie Siringo

S4 E4 The Van Gogh Job: Lieutenant (only granting him this one because CK played him in the flashback)

S4 E5 The Hot Potato Job: Tom Boonen

S4 E12 The Office Job: Mr Dennis

S4 E14 The Boys' Night Out Job: Luigi

S4 E15 The Lonely Hearts Job: Jackson Cooper

S4 E16 The Gold Job: Tobias Bowden

S4 E17 The Radio Job: Cowboy (*cough* John McClane *cough*)

S5 E2 The Blue Line Job: Jacques "Jack" Labert

S5 E3 The First Contact Job: Willie Riker

S5 E5 The Gimme A K Street Job: Steven Turner

S5 E6 The DB Cooper Job: DB Cooper/Young Steve Reynolds (again, technically not an alias but whatever it's here anyway)

S5 E7 The Real Fake Car Job: Barry McElroy

S5 E11 The Low Low Price Job: Archer

S5 E14 The Toy Job: Carl

Honourable mentions of Eliot being called: "Rambo" by Hardison in S1 E2 The Homecoming Job [thanks @independent-fics for this!]; "Emeril" by Parker in S1 E3 The Wedding Job [thanks @aardvaark for this one!]; "Sparky" by Parker in S1 E10 The Juror #6 Job and by Tara in S2 E15 The Maltese Falcon Job; and "Skippy" by Hardison in S3 E7 The Gone Fishin' Job.

RS1 E1 The Too Many Rembrandts Job: Will Gallagher

RS1 E6 The Card Game Job: Glenn the Savage

RS1 E7 The Double-Edged Sword: Emmett Milbarge

RS1 E8 The Mastermind Job: Frank Farmer

RS1 E10 The Unwellness Job: Hank

RS1 E12 The Golf Job: Reed Wilkins

RS1 E13 The Hurricane Job: Calvin

RS1 E15 The Muddy Waters Job: Armus Vagra

RS2 E7 The Big Rig Job: Kris

RS2 E8 The Turkish Prisoner Job: Nick O'Brien

RS2 E10 The Work Study Job: New Blood, Caterpillar

Honourable mention of Eliot being called "Skipper" by Hardison in RS1 E16 The Harry Wilson Job.

Known Associates

This is in direct reference to hitters/people from the criminal world that Eliot knew or was aware of prior to the Leverage Team. Quinn is not included in this list due to that distinction (sorry Quinn).

S1 E3 The Wedding Job: The Butcher of Kiev

S2 E7 The Two Live Crew Job: Mikel Dayan

S3 E11 The Rashomon Job: Gutman

S3 E15 The Big Bang Job: Chapman, Damien Moreau

S3 E16 The San Lorenzo Job: Damien Moreau

S4 E4 The Van Gogh Job: Frank, Randall

S4 E6 The Carnival Job: Roper

S5 E4 The French Connection: Rampone

S5 E9 The Rundown Job: Riley

Trivia

S2 E6 The Top Hat Job: Eliot claims he only sleeps 90 minutes a day, and that he cured his claustrophobia as a kid by locking himself in the woodshed behind his house for a couple nights.

S3 E6 The Studio Job: Eliot is nervous to perform in front of an audience, to the point that Parker startles him and she's surprised that she did. Interesting to note that he seems to have no issue playing sport in front of crowds.

S3 E7 The Gone Fishin' Job: Eliot says he hates beets.

S4 E5 The Hot Potato Job: Eliot chews gum. He does this throughout a LOT of episodes across the seasons but I've only noted down this one episode for it.... thanks, past me 🙄 [Edit: thanks @nival-kenival for more info! Another confirmed episode is S1 E2 The Homecoming Job, and S3 E13 The Morning After Job!]

S4 E9 The Cross My Heart Job: Eliot says he fought a guy with a Nerf sword in Damascus, 2002.

S5 E11 The Low Low Price Job: Eliot drives an F-150 to his dad's house in Oklahoma. This is a THIRD vehicle that apparently belongs to Eliot, in addition to the Chevrolet Silverado and Dodge Challenger we see in other episodes. The F-150 is not seen again.

S5 E12 The White Rabbit Job: Eliot has 'special sedatives' aka a little psychotropic he picked up outside of Bogota.

Eliot mostly walks at the back of the group, presumably to be the rear guard and make sure no one falls behind. See ... just about every damn episode for evidence.

RS1 E3 The Rollin' On The River Job: Parker says that Eliot has cut his way out of an ice cave, escaped a gorilla enclosure, and catered a wedding for the mob.

Eliot is seen wearing glasses throughout various episodes. A flashback in S1 E1 The Nigerian Job shows him wearing presumably his own glasses. All other instances of him wearing glasses (that I can think of) are when he takes someone's glasses for a con. It is unconfirmed if Eliot actually needs glasses to correct his eyesight or not, but is a fandom headcanon. In S3 E1 The Jailhouse Job there is an interaction where Nate ribs Eliot for taking so long in a fight, and Eliot says it's because of new glasses. An argument could be made that this means Eliot does require glasses. [Thanks @independent-fics for picking this up - for pretty much all the details pertaining to Eliot's glasses!]

And there you have it! All the details that I've spent the last 3 months collecting!! Now it's time for me to take a good, long break because my brain is fried! 😂

Once again, let me know if you find any errors so I can update the post. Data from Redemption S2 is where I've most likely missed things, since I don't have it on DVD and it's sooo much harder to scrub through streaming footage to find things. When will they release RS2 on DVD I need itttt.

If you've made it this far, thanks for reading! I hope this post can be a helpful reference for you!

[to-be-a-dreamer]

Not to get too involved in discourse but “Agatha is a deeply traumatized person who is acting out of a place of hurt and deserves sympathy for the pain she's had to endure and understanding that the majority of her wrongdoings were committed out of desperation for survival” and “Intention doesn’t erase outcome and her pain doesn't undo the trauma and horror she's committed against others; her victims don't owe her forgiveness before redemption and it is reasonable for people who know nothing about her past to distrust her based on her reputation and the persona she displays” are both true statements that can coexist.

Please remember that "morally gray" means a person is neither good nor bad. Please do not reduce this incredibly complex character to entirely evil or entirely innocent because she is neither. She has done truly terrible, unforgivable things and is also a victim of cruelty and injustice. Let her be both.

[viperwhispered]

Too Hard

Woop part 2 of the trip inside Jamil's head. Part 1 here.

The next time Jamil caught sight of you on campus, his first instinct was to turn around on his heel.

What a stupid thought to have because of you.

Besides, that would only make him more conspicuous, not less.

So, when your eyes met his, Jamil gave you a short nod in greeting. He would’ve left it at that and kept on his way, had you not walked up to him.

“Hi Jamil! How’s it going?” you said with that impossibly disarming smile of yours.

Why was it so difficult to look at you like he normally would? You had no right to make him feel so stiff, so unnatural.

On autopilot, Jamil exchanged a few pleasantries with you - those lessons from his parents had been instilled too deep in him for him to falter too badly in a simple exchange such as this. Still, Jamil quickly excused himself by telling you he still had to find Kalim before his next class.

Jamil didn’t miss the way your smile faltered. Had you hoped to get something out of him?

“Oh, okay. I’ll see you two later, then.”

Something about that irked him, though Jamil did not allow himself to dwell on it further.

His heart really had no business still racing as it did when he walked away, unaware of the frown on his face.

Just act normal. That’s all he needed to do.

After all, he had no time for dwelling in silly fancies.

If Jamil had been acutely aware of you before, it only seemed to worsen now that he was making a conscious effort to not act any differently with you. In fact, the harder he tried to keep you out, the more you invaded his thoughts, unsettling him.

The most innocuous words from you looped in his mind, and even the simplest actions caught his eye. For goodness's sake, he’d found himself staring at you while you were queueing up in the cafeteria the other day, not even doing anything other than standing around and looking bored!

For once, Jamil found himself grateful for all his duties. At least they provided him with something else to occupy himself with.

After all, if he was busy enough, it was difficult to think about those bright eyes of yours, your sweet laugh, or the way you bit your lip while thinking.

Still, sometimes it felt like no matter which way he turned, you were there, ready to throw him off-kilter. Not like it was his fault that often the most convenient route to class intersected with your daily routines. Or that your face seemed to jump out from any crowd, catching his attention.

Which certainly did not help his basketball performance. Jamil certainly did not recall you having such an interest in sports before, yet suddenly you were always there, distracting him. What had changed?

Could you possibly-

Jamil scoffed to himself, forcing his thoughts back on track for the nth time that day.

He picked up the tray of food and started taking it to Kalim. After dinner, he’d need to help Kalim with his homework, there were some housewarden tasks that would need dealing with, not to mention the preparations for the next-

Jamil froze in his tracks.

The voice he heard was quiet, but it was unmistakably you.

Really, it should not have come as such a surprise to him. You had become a rather frequent visitor to Scarabia, and Kalim often invited you to stay for meals. In fact, Jamil had started planning the dorm’s meal prep with your tastes and dietary restrictions in mind, just in case.

Jamil rounded the corner with strange exhilaration, his heart fluttering needlessly.

Yet, his mood evaporated when he saw you.

Why did you stop talking and look so guilty as soon as you caught sight of Jamil?

Jamil knew that look you gave to Kalim, had used it himself a thousand times. The one telling Kalim to keep quiet about something.

What could there possibly be that you would be comfortable sharing with Kalim, but not with him? That would give Kalim reason to sit so close to you, a comforting hand on your shoulder?

Jamil's mind raced with possibilities, yet could not settle for any single explanation.

He’d have to ask Kalim about it later.

Jamil gave you a short, polite greeting, his eyes lingering on you in an attempt to read what you were hiding.

“If I’d known you were coming over, I would’ve prepared something for you to eat as well,” Jamil said, already thinking about which parts of the dorm’s dinner to spruce up for you.

“Oh, no need, just figured I’d pop by. I’ll get out of your hair soon enough,” you said, something sheepish about your expression.

As expected, Kalim asked you to stay and dine with them, and with just a bit more persuasion you agreed - though not before telling Jamil that he should join you too and have himself a breather.

And since Kalim agreed with you, Jamil soon found himself sharing a meal with you and Kalim. Yet, even as he sat down with the food, his mind raced.

Had you been getting particularly close to Kalim lately? But surely Jamil would’ve noticed such a thing. Maybe someone from the dorm had been giving you trouble? But if that was the case, then surely you could let Jamil know about it, too. Unless for some reason you did not want to? But if it was something that concerned Kalim, then sooner or later it was bound to concern Jamil, too.

All the while, Kalim was talking to you about this and that, the latest topic being the animals kept on the Asim estate.

“I’ve got some pictures, let me show you!” Kalim said with an excited grin.

Only, a thorough patting of his pockets and a look around confirmed that Kalim’s phone was nowhere to be seen.

Jamil pinched the bridge of his nose. Where had Kalim left it this time?

Before Jamil even had the chance to say that he would handle it, Kalim sprinted off. Jamil hesitated for a moment, automatically halfway up from his seat, before he decided that leaving a guest unattended would be a worse offense than not helping out his master.

Jamil slumped back down with a sigh, mentally tracing the path Kalim took today, trying to recall the last time he saw Kalim handle his phone.

“Breathe. He’ll manage,” you said. There was the faintest of smiles on your lips, and Jamil could not decide if it was knowing or amused. Perhaps both.

Somehow, despite his frustration, Jamil’s own lips wanted to curl up too.

“Hmm. Maybe he will.”

Sure, Jamil could’ve called Kalim’s phone, to make it easier to find, but it was not that urgent, was it?

Jamil took another bite of his food, keeping an eye on you from the corner of his eye.

How was his mind so empty and so buzzing at the same time?

“You know-”

“So-”

You looked at each other, both just as surprised that the other had spoken up at the same time.

Even your surprised look was so-

“You first,” Jamil said. The way you bit your lip... Jamil had to raise a cup to his lips, slowly sipping his drink.

“Just… Feels like it’s been quite a while since I’ve seen you be still, you know. Or exchanged more than two words with you,” you said. You were attempting a light, joking tone, yet it was quite clear there was more to it.

“You say that like it would be unusual for me to be busy.”

He was not prepared for the way your soft sigh tugged at his heartstrings.

“No. It is not.”

You were both quiet after, poking at your meals. Normally, Jamil would’ve cherished such a moment of peace, yet this particular silence between you two was decidedly awkward.

Where was your usual chatter? Why weren’t you looking at him like you usually did?

“If you’re worried about me, don’t. I’m fine,” Jamil said, some softness creeping into his tone despite his best intentions.

“That's what Kalim said too,” you said. Yet the way you looked at Jamil made it clear you were still skeptical.

Wait.

Had you clammed up earlier because it had been Jamil you had been talking about with Kalim? That Kalim had comforted you about?

The thought twisted his stomach into knots.

Eta: you can find part 3 here, part 4 here, and finally part 5 here. Hasdhfsdf the way I fought with that last scene I swear. I don't even want to know how many versions I went through, trying to figure out how to say what I wanted without rubbing it into your face or making it too veiled. The joys of trying to convey things through a limited pov. Hopefully it came out reasonably balanced in the end. Rip to all those sentences that were lovely on their own but didn’t work for the whole. Hopefully I can rehome y’all one day. I do have thoughts for part 3 and part x (might be some chapters between those two as well, who knows at this point), so maybe we'll see those at some point, too. Tag list: @colliope @crystallizsch @diodellet @jamilsimpno69 @jamilvapologist @twstgo If you'd like to be tagged for future works, let me know! (Just be aware that sometimes I do also write nsfw, though you can certainly ask to be tagged only for particular kinds of works.)

[starryeyeddreamer21]

Hazbin Hotel Incorrect Quotes

Angel: *sliding money across the bar to pay for his drinks* You can call me sugar daddy longlegs

Husk: no

Niffty: Does that make Husk sugar baby shortlegs?

Husk: No

Niffty: Can I be sugar baby shortlegs?

Husk: NO

Angel: *wheeze*

[fishofthewoods]

Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!

We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.

Or maybe, just maybe, he understood.

Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?

Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.

But years later, on his deathbed, did he regret that choice?

Is that why he gave the farmer the letter?

Is that why they went back home?

When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.

The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.

Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.

And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.

People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.

But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?

Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?

And if so, what happens when the farmer comes back?

[bardengarde]

I JUST COMMISSIONED THIS BEAUTIFUL AND TENDER BEEJHAWK PIECE FROM MY FRIEND @doodlehistory PLEASE BE INSANE ABOUT IT WITH ME

[kakusu-shipping]

Wait I don't wanna be an asshole who only posts Silly Meme Crossover ships, so REAL FAST, I don't get crossover ships much but one I HAVE been considering and I'll share it to offset the silly haha meme I just posted. Deal? Cool

Checkered King X Kinger

Both Kings in an Unreal world, both Chess Themed, Both Purple-adjacent, and both are tragic bisexuals who lost their beloved wife (Checkered King to an unspecified illness, Kinger to Abstraction)

Do I think they should kiss? Eeeeeh. Do I think they should go to the same group therapy sessions and chat? Absolutely.

I dunno if you asked me a crossover ship I liked now I think I would say these two. It helps I consumed all of their medias in the same 24 span of time.