#he has released something in Me

[rafayelsgf]

[gabe-lovebot]

councilor 3D model

i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him

[link]

please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)

currently available as a .blend, .fbx and an SFM port.

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

[spottedgardeneelstan]

(it isn’t sex it isn’t texting it’s a secret third thing)

based on this post

[static-scribblez]

if i had a nickel for every time people attempted to cancel or deplatform will wood over stuff blown out of proportion just before a big ww event i would have two nickels, which isn't a lot but it's weird that it's happened twice

[nugatorysheep]

Ş̸̻͕̺́̚Ṕ̵̛̪̃Ȩ̷̳̫̿̾Ã̶̞̺̇͐͘K̷͈̿̎̇.

This damn comic is fucking A N C I E N T but as far as like, the content of it- not necessarily the art because I always hate my older art, but the presentation, what is objectively here- still feels right to me, so I'm sharing it. again

[razor-wire-anatomy]

late on the elliot mv bandwagon by MONTHS bc i was so scared of Being Wrong but uhm Hey! Isnt it strange that this part was emphasized? Why would there be a reason for an Elliot mv so early on? Why would there be a part with seemingly more importance that was just Not that important in the original mv? why is it that this specific line goes against everything we've learned about elliot so far? what if? what if he IS alive???

pls i have an entire theory i need to release but it has like 500 words and hasnt even touched the tip of the iceberg ohhh i need this man to the the mastermind or connected to the like production team ASAP.... I HATE HIM!!!!

[beargregor]

Chef greg delivery just for you. it's a wonder I hadn't bearified him yet, he's my fave greg too 🔪

gays literally only want one thing (to be chopped up and eaten by a depressed man) and it's fucking disgusting

[deus-ex-mona]

when the slowburn makes the ship extra cute~~~

[lulu2992]

If you’ve played Far Cry 3, you’ve probably seen its “prequel”, a promotional web series called The Far Cry Experience starring Michael Mando as Vaas and Christopher Mintz-Plasse as himself.

In Episode 4 (spoilers), Vaas asks the audience if they want Chris to live or die. People decided he should live but, since there were two choices, they had to shoot two versions of the final episode.

Well, a few years ago, I realized that, on the Ubisoft Japan YouTube channel, both versions were available! So in case you didn’t know this video existed, here’s what would have happened if people had voted for Chris to die:

The video is dubbed in Japanese and I unfortunately don’t speak this language, so I can’t tell what they’re saying... But if you understand Japanese or are good at reading lips, maybe you can :)

[akkivee]

sasara’s manager: oh, the bromide of aohitsugi-san after his bath!! i was surprised you got permission to take that photo

sasara: actually, i snuck in and took that picture

manager: eh

sasara: i figured, if i got caught i could handle whatever might happen but geez, i honestly thought i was going to get killed

———————

EXCUSE ME?????? SASARA????????????????

[moongothic]

No appearently I'm still not fucking done

Like. No matter how I think about it, Crocodad with the timeline Oda has suggested makes no sense to me, so I genuinely can't bring myself to believe in the theory anymore (mainly because I don't want to get my hopes up tbh)

(Like if the timeline was Revolutionary -> Baby Happens -> Leaves and becomes a pirate -> Whitebeard beats his ass -> Dude becomes jaded and wants to destroy the government -> Alabasta This would make sense. I would 100% buy this timeline But the timeline is supposed to be Pirate -> Shichibukai -> Whitebeard beats his ass -> Somehow gets involved with the Revolutionaries -> Baby Happens -> Transitions while a Shichibukai -> Alabasta I just. This timeline does not make sense to me. But it's the only one we'd have??)

But at the same time I can not come up with a single other explanation to why the absolute fuck Crocodile is still a character with a presence in the story if it's not Crocodad

By which I mean, on an emotional level he has no connections or ties to any other characters that would explain why he's still in the story (compared to like, Enel, who also has no connections to anyone and thus is pretty much just gone). And like, to be fair, sure, he could be just there for fanservice and because he can be used to drive the plot forward in some ways.

But when you compare Crocodile to say Mihawk or Buggy or even ol' CP9 members, they all either have close emotional ties to other important characters (Zoro and Shanks to be specific), or they represent something (the manifestation of the Government and its corruption), meaning these characters reuniting/encountering others has emotional weight in the story

But Crocodile was just some asshole who Luffy beat up, he's not much different from like Moria in that sense and god knows we haven't seen Moria in ages (to the point I wouldn't be shocked if he died offscreen) (Oda please don't kill my beloved goth onion I need him back so bad)

So why the fuck is Crocodile still here, why is he still plot-relevant, who is he supposed to tie to on an emotional basis

Like the theory Crocodile could maybe be Xebec's son would make sense and explain a lot about Crocodile as a character, and it could tie him back into the story if Xebec is alive and is the one hiding the final Poneglyph (this theory is on thin ice mind you), but no matter how I think about it I can't imagine how that would push either his own character arc forward or anyone else's. The plot, sure, but it just feels like it stops there

Especially because althought Crocodile Clearly Has Some Issues, his issues don't seem to be from a bad father-son relationship, it's trust issues and the hatred of the Government, so meeting his maybe-father-Xebec-if-he-is-alive would probably do fuck all to move his character anywhere (and if it did, where??????? World Domination??????? We all know that won't work out tho????????)

(Also if Xebec was his father, then Crocodile's decision to ASSIST Whitebeard in saving Ace, the dickwad who would have betrayed his father, makes EVEN LESS SENSE)

(Sidenote, you could maybe imagine Crocodile somehow tieing into Pluton again but considdering how the Walls of Wano need to come down for Pluton to be released and that can only be done by Zunesha at the command of Momo, I can not imagine Crocodile making a beeline for Pluton right now 'cause he should not be able to get it even if he found out how to access it) (Also while on Pluton, you could argue Crocodile reuniting with Robin could have emotional weight but I'm not sure what that would achieve for either character (also Robin would never in a million years just hand over Pluton to Crocodile), same for Vivi (also IDK how those two would even meet again))

Not to mention I have no fucking idea how Crocodile's past with Iva-chan would even tie into any of that??? I mean sure he could just be trans for the sake of being trans and without it being like an important plotpoint beyond Iva-chan being able to blackmail him at Impel Down, but also??? Is that not a little unnececary considdering there would've been many other ways to convince Crocoboy to behave in Impel Down???

But you know what really would explain Crocodile's lingering presence in the story and would tie his character to someone else on an emotional level in a way that could push either his or someone else's character arc forward???

Fucking??? Crocodad???????

Like boom, you'd immidiately be able to tie his character to our beloved protagonist and the two seeing each other would have like more meaning than just "Luffy encountering the asshole who tried to kill him and now needs to fight again probably". And while I don't think Crocodad would do anything to move Luffy's character ahead (since he probably would not give a shit if he found out Crocodile was his dad, since Crocodile was a dickbag and Luffy doesn't care about blood connections), I think it would do a lot to Crocodile's character

Because like. I go back and I think about Marineford and Crocodile's outburst at Whitebeard. His emotional arc. If Crocodad was real, then right before the outburst Crocodile would've have realized that Luffy was his son and would be currently dealing with the implications of that. Then he'd have to watch The Son of a Binch Who Beat His Ass get stabbed, which would piss one off anyways. But then he needs to remember that Whitebeard's been stabbed by one of his own, while trying to save another one of his sons, and Crocodile might realize how that sight of Whitebeard might be like a cruel premonition for himself, as he goes off to try to protect his own son

And sure, Crocodile made it out of Marineford alive, but god knows, if we get like a Marineford 2 and shit starts going down, if this man is Luffy's actual father and is anywhere near the kid, this binch is dying. He is going to die protecting his son (and arguably, one-up Whitebeard), because as we all know, if you want to protect something ya gotta do it right and if you're not willing to make sacrifices you will never gain anything, even if it means losing your own life

That would absolutely give Crocodile's character an amazing character arc, going from an uncaring asshole who was only interested in whatever benefitted him to giving up his own life for the kid he never was there for (which would also arguably be more than what Garp or Dragon ever did, since one never did as much as lift a finger while the other was going to allow his grandchild to be murdered)

Also Crocodile being Luffy's dad would tie his past with Ivankov to his character really well and it'd be a much bigger point than just him being trans for the sake of being trans

Also him having ties to the Revolutionary Army would then also emotionally tie him to Dragon for some Dragon Lore etc and that could then also tie him into the Revolutionary Army-sideplot if we're lucky

Also. Remember how One Piece goes off often about "inherited will". You know what would be cute. Luffy inheriting his father's dream, his will (of becoming Pirate King).

Also other people have pointed this out but in Chapter 824 Luffy gets to see Dragon's face on the newspaper for the first time and comments how Dragon "doesn't look like him". And like. It could be just a funny little comment of no concequence. Some might even look at the comment to fuel their bizarre "Dragon is Xebec" theories (even though Garp is very explicit about Dragon being his son and the two do look alike actually, like Garp and Dragon have the same nose), but like I think about that comment, and then I think about Luffy making that "I don't know 'cause I'm not a Zoan" comment in fucking Punk Hazard when talking to Momo about using his fruit power. And like. LIKE. MAN. I DUNNO Y'ALL BUT LUFFY'S COMMENT ABOUT DRAGON NOT LOOKING LIKE HIM FEELS A LIL SUS (Also notice how Garp, Dragon and Luffy all have shit on the right side of their faces. Like Dragon has his massive tattoo but Luffy and Garp both have those scars under their eyes. And Crocodile just happens to have a matching scar.)

Also this is absolutely inconsequencial but. Like. Crocodile's favorite food is fucking. Crocodile meat and tomatoes. Fucking. MEAT. Just like Luffy. GOD.

I just. Crocodad would make so much sense on an emotional level for the story. It would make so much sense.

But I just. The timeline doesn't make sense at alllllll

[puhpandas]

as someone who isnt super excited for sotm for certain reasons I am really glad that like. it's clear that since ruin theyve been setting up for carnival and sotm IS carnival. so now that carnival is finally coming out, afterwards theyll be moving on to other plotlines since the main villain stuff is sorted out

I'm just rlly happy to finally see a clear direction for how the story is gonna be playing out with like "okay these games were leading up to this so after this will be open possibilites" instead of like. absolutely no info about each upcoming game and being left guessing before it releases and just having to wait and see what's in it and if anything you're looking forward to will be in it

it feels like they have a plan and a solid direction for what they're trying to do and after carnival releases thatll be all that buildup coming to fruition. & we already know from the Scott interview that theres another release 'beyond sotm' that's 'super exciting' so maybe thatll be focusing on another big currently untouched (which is basically all of them) plotline, or even the big campaign game that dawko has been calling security breach 2

[sinfuego]

Tbh, nothing has made me sympathize more with Kipperlilly Copperkettle than her anger issues.

Cause anger is an emotion we feel when we're missing something. When we need something and can't get it. It's a balm to make us feel better when things don't go our way.

When things aren't fair.

[kandicon]

Actually I really wanna write a role reversal gerrymichael au and let me be so, so transparent when I say it is literally just bc I wanna fantasize about the tall, gangly blond man beating monsters to death

Everyone else has the same roles. Mary Keay is still Mary Keay in all her abusive and obsessive glory; Gertrude is still the Archivist.

Vaguely spiral aligned Michael who Does Not Like It. Pretends his connection is a hell of a lot looser than it is.

The only benefit (that Michael thinks of the Spiral) is how he can move around the Institute with relatively little interference and watch, after all, it is hard to behold something that is both nothing and everything and never was all at the same time.

Gerry ran away from home really young and actually succeeded. Spent a few years fucking around and learning what kind of benches are best to sleep on before applying to the Magnus Institute because that's what his dad did. He lied to hell and back on the application, but was hired quickly because of how thoroughly touched by the entities he was (thanks Mary) and Gertrude was running low on assistants. Gerry also felt completely justified in faking stuff and that he was perfectly qualified bc he grew up in a bookshop and how much different could it be (very different, as it turns out).

They first meet each other when Michael is prowling through artefact storage like it was a shopping mall, and pocketing everything he saw that didn't immediately mesmerize him. He was nervous and jumpy as all hell, even though this was not the first time he's done something similar and he's fairly certain Gertrude doesn't care, so when Gerry first spotted him from behind, he was immediately suspicious even before he saw Michael try to shove a lamp into his jacket pocket. This led to an altercation that eventually led to the lamp being accidentally turned on, Michael smashing it to pieces with a hammer Gerry had not realized Michael had, and Gerry suddenly being a lot more consciously aware of the supernatural than he was.

Gerry's mother was still obsessive over Lighteners, and she didn't make an effort to hide what she did, but she didn't actively try to educate Gerry on anything to do with the Fears. So he is fairly knowledgeable on the supernatural, but he doesn't know anything concrete about the Fears themselves and their categorization. The role of a stand by sacrifice instead of an errand boy and heir.

Michael still trusts Gertrude, but this time he knows he shouldn't and hates himself for it. Gerry wants to trust Gertrude, and she does hide him from anything Fears related and behaves around him like she did Michael in cannon, but he just feels something off about her and doesn't like it. She's just a bit too much like his mother for him to let his guard down.

Michael gets referred to by "it/its" pronouns once by Gerry as a teasing joke before Gerry fully knows what he is and is absolutely terrified by how happy the pronouns make his feel. (He thinks, maybe, that the Michael of his childhood liked something similar, too, but everything too far back is all twisted and he doesn't know what has been touched by the Spiral and what hasn't, so he doesn't trust any of it). He/it Michael ftw

At one point Michael just started putting black lipstick on himself because some of Gerry's always stuck to him when they kissed anyways n this gave them plausible deniability. Michael will never admit to the little spiral thrill it gives him when people do a double take upon seeing his face, the black lipstick contrasting literally everything else about his style.

Gabriel attempted to track Michael down exactly once, a few years before he joined the institute. He had heard about Michael's unsavory... Hobby... (<- reckless destruction of artefacts and throwing himself at all monsters and avatars he sees with a murderous rage regardless of their affiliation) but spiral avatars capable of holding a conversation are so few and far between and the Great Twisting was almost prepared, so he thought a meeting would be worth it. He showed up at a cafe Michael frequented one day expecting lovely, but tense, conversation, only to promptly lit on fire (mostly) in the back alley behind the cafe after he introduced himself. Gabriel survived, but some of his clay body still hardens unexpectedly or shows signs of firing from time to time.

Occasionally Michael's eyes will change colors and shapes, so he likes to put contacts in (he used to just use tinted glasses, but after one time of Gerry getting lost in his eyes in the far too literal, not at all romantic, sense, he decided to invest in smth a bit harder to take off and forget about). Unfortunately, this sometimes means other, very much not his original eyes will pop up around his body and in his hair as protest when he puts them in. It's not very fun to have to chase off eyes at 6am, but he does it regardless and complains the whole time about how he shouldn't have to deal with eyes when he very clearly isn't of The Eye.

Gerry: Oh hey you were running pretty late. I was starting to get worried.

Michael, not about to admit he spent an extra thirty minutes to get ready yelling and brandishing a lighter at a door that was following him around like a lost puppy: Ummmmmm I forgot my wallet. :((

[purple-plum-petals]

The urge to write a multi-chapter Boothill X Reader fanfic is real, and it's getting harder and harder to fight against it... 😔