#I do not have it in me to even begin explaining the layers of this horseshit lmao

[riding-the-sunset-bird]

Hey!

Since I started playing August last year I'd been lurking on the reddit (since I don't have an account) and always found the posts of the person who was writing "what choices determine Cove's X" so insightful and loved reading them

recently, i played the baxter DLC (still am not over it, it's my most favourite thing ever; i just love our pepe le pew) so I spent a lot of time on the reddit just reading up about him and what others thought bcs i LOVE deep analysis on characters that I've liked and I stumbled upon a bunch of your comments (which again, loved reading!) and I put a name to the comment

found the same username on tumblr and simultaneously found out you were the one who goes into the games files and wrote those posts I loved so, AH! Hi!

hahah my 'fangirling' and backstory aside, right after I played Baxter's DLC I felt like I didn't understand the reasons behind his actions? I know everyone talks about how he has self-worth issues and wanted to just be a memory but I don't get how that all correlated to completely detatching and not wanting to be a part of MC's life? Like did he care at all? If he didn't, why keep your number and the gift you gave him in one of the memories (Sightseeing?). But if he did care, how did he so easily at the beginning distance himself professionally? AND THEN REMINISCE ON ALL OUR MEMORIES TOGETHER BUT GO BACK TO PROFESSIONAL; LIKE WHAT WAS THE INTENTION

I feel like it is such a stupid question since it seems like everyone else gets it and the game explains it so many times but I just did not get it 😭

so if you could! could you help me understand it a little better? (and if you have talked about it before, no pressure to rewrite it all here I'd happily read another post of yours about it if you could kindly link it!)

i hope that makes sense haha, hope you have a lovely day and genuienly THANK YOU for what you do with your blog! its so great and even if you don't answer this ask i will LOVE reading everything you still put out!

-jaycee <3

*ahem*

Firstly--AAAAAAA >//////<

Thank you so much!! I do my best to help out so people can understand the code, and at times I just see it as something fun for me. So, when people enjoy them as well, it makes me so happy~

Also, I'd be delighted to answer your questions about Baxter! His DLC is absolutely packed so I get that sometimes it's hard to absorb it all. You asking someone for "help" and wanting to understand (rather than simply giving up or writing the DLC off) is admirable, honestly, not something to feel stupid about!

For me personally, I do believe that there are layers to it, and I'll try to do things in a different enough way/simplify them linearly in case that might help. Included will be quotes from the game to help things flow best.

All that said, let us now go on this journey into Baxter's mind together! ᕕ(ᐛ)ᕗ

(note that this got so long that I put a TL;DR/summarized version at the end, I just thought it was important to go into as much as possible; I also have a Reddit comment here that has a smaller/quoteless explanation)

Childhood and Early-to-Mid Teens

Let's take this chronologically. Picture a young Baxter Alexander Ward all the way back in Golden Grove. He's a rich boy with rich parents, and by rich, we're talking really rich. What already is so much to an adult is virtually limitless in the mind of a child, and it earns him a certain reputation amongst the population. Everyone knows the name of the Mr. and Mrs. Ward's only child, and it makes him extremely popular.

However, that doesn't mean he has true company, especially as his neighborhood situation is quite the opposite from the MC of either Our Life version, who are given one or two easily-accessible friends depending on the game.

"The land my family home was built on… I suppose you could call it somewhat remote. It's a fair-sized estate, situated a little ways off from the rest of the town. So, until I moved into college dorms, I'd go as far as to say that I'd never had neighbors before."

In other words, there's no one around his age nor does he have a sibling to play with. This isn't a big deal at first, given that he's young, innocent, and raised where anything he wanted was in his parents' budget. He's expected to act a certain way, certainly, but he can't understand the idea of needing anymore than what he has: he's the cute rich boy that has "everything" and that every kid wants to be close to.

So much so that it gives him an ego about it.

"What I do distinctly recall is that as a child I unequivocally thought I was better than other people. That those who met me were lucky, and I could pick anyone I wanted as company. The onus was on everyone else to impress. "If someone was boring or maybe I just didn't like the colors they were wearing that day, I could find a new playmate, easily. After all, I had the most to offer. "Naturally, what I was 'offering' was what my parents had. A big, cool house, exciting outings, the best toys. It wasn't until I was eleven or so when I developed my first stable friends. They might not have been rich like me, but they had their own charms. Those ties couldn't be replaced."

"I loved it when they would come and visit; there was scarcely anything better. They never got over their sense of awe, and I ate it up."

"Becoming attached to other people, especially those people, made me realize what I'd believed wasn't true. And it was so obvious. They were wonderful. I felt things I never had before. "All it took was being who they were. It didn't matter what their parents did. No fancy venue could top genuine comradery with their company. "And for whatever reason, I was in the club, and I was happy. The person who was lucky to be there was me. "I had wanted my friends to feel the same way towards me. To have that kind of incredible effect on another person for no reason other than that I was Baxter."

Thus, the confident boy Baxter sees in the mirror everyday, like a framed painting of the kind of person everyone wants to be, becomes distorted. Kids didn't flock to him because he was "Baxter," but because he was a rich boy who could wow them. He felt that even the friends he did manage to acquire only hung out with him because they were lovely people, because they also were not immune to being awed by his rich boy things, and because he got lucky.

Qiu - who's part of his friend group - being his first crush likely doesn't help matters. It's no longer about his own personal satisfaction, where he shows off and the kids involved do little more than stroke his ego; now there are kids who are the ones offering him something, and it's something he didn't even know he was missing.

This begins the initial spark of self-worth issues for Baxter, and it's a spark that snowballs as time goes on. He doubts himself, he doubts his ability to make his friends happy in the way that they make him happy, and he - when he's fourteen - goes so far as to doubt the impression something as simple as his hair gives off.

"The generous might say I could count it as black, or that it was 'black in the right light' as my parents placatingly put it. "The fact of the matter is that it's a dusty gray."

"Who would notice a color that wasn't exactly black? And why would they care, even if they did? "Me. I noticed. I noticed and it bothered me, so I dyed it. "Was it something I wanted only for my own preference, or was it because I believed if I saw it as an imperfection then that meant everyone else did? "Probably the latter."

(note that this is around the time that an MC might meet him in Soiree and potentially become his second crush)

So now you have a double-edged sword of sorts where Baxter wants to be good enough as he is, yet is actively covering up the parts of himself that he deems as flaws to be corrected.

In trying to craft this "perfect/better" version of himself, he's created a scenario in which he cannot win. Even if said version could make people happy, he is still not the real version of himself and goes on believing that any amount of joy he does create isn't even "him" doing it anyway.

This is already excluding the fact that his parents are *:･ﾟ✧ garbage ✧･ﾟ:* who always wanted him to act a particular way, and he knew they'd take issue with him if they didn't raise him personally.

"They understand care through the lens of control and protection. That's been their way ever since I was young. In that sense, they treat me no different from a child. "But, of course, they are quiet, educated, esteemed, and a tad old. As is their company, most days. That's not the environment to act as a kid. "That meant I've always been expected to behave with the maturity of someone their own age, or perhaps even older, somehow. "A bit of a paradox, isn't it? Do everything as an adult would while getting the respect an infant does."

"They're family and I'm their son. That is what matters at the end of the day, blood related or not. "I'm thankful for that as well. "Now, if I wasn't the boy they raised together in any capacity, then there would be problems."

Even the air of sophistication he has comes from his upbringing (though he's at least made that his own). There's the Baxter he actually is, the Baxter his parents expect him to be, and the Baxter he's trying to build up for himself to be someone he thinks can make those he cares for happy, all things that he tries to deal with himself as if that's at all manageable or healthy for him.

To the surprise of no one, things still aren't perfect. Without a trust that his friends like him simply because they like him, he doesn't realize - or refuses to contend with - the truth of the situation, and the age gap between them starts causing difficulties.

"I was older than all of them. As sheltered as I was, I got along better with kids not quite my own age. Immature as always, hm? "Life changed fast then, and the years between us became more noticeable with every day. I never reached a point where I felt like I knew what I was doing before suddenly, it was as if I didn't belong with them anymore. "That they didn't have time to keep me around with the differences in our schedules and priorities. And I accepted that. So, the friendships ended. We stopped talking as young teens, and I haven't even seen them since I left for college in 2015. "I thought they mattered to me, but when have I done anything for them? Why did I deserve to be liked and included when all I did was want that to happen and abandon them when it didn't?"

Now we're getting closer to the white-and-black-haired Baxter we know as, at the time he leaves Golden Grove, he's just one year away from his visit to Sunset Bird and simultaneously no closer to knowing what he's doing. He's broken off from his old, cherished, and only significant friend group, and now he's all the way on the other side of the country in Virginia by himself.

He's still chaotic, still kindhearted, yet has no clue that he deserves to have the kind of companionship he longs for. In the year of him being at college, he fails to make those kinds of connections, whether intentionally or otherwise.

"Instead, you could say I don't have many friends. I spend the majority of my time on my own, though I do attend parties and other gatherings when I am able. "I do not have anything quite similar waiting for me there. Don't feel bad about that. "It is only to be expected. I did move across the country. It is a fairly common phenomenon for those of us who do. I'm a regular fish out of water, if you will."

"It hasn't been easy to find anyone to reminisce with, not for a while. But then again, I only developed a sentimentality once I'd gone off to college. "I was too young and proud for that sort of matter before then. There wasn't anything in my life to harbor much sentimentality for. I suppose leaving was the catalyst. Isn't it always? "But once that part of my mind had developed, there wasn't anyone around to share the emotions with. My classmates and I… we don't have that kind of relationship."

His parents are also just as controlling as ever, only allowing him to enjoy his semester off from college under their rules and in a place they personally chose and are comfortable with. Baxter, who had no interest in going home to Golden Grove and thus agrees to the terms, can only make himself comfortable by finding his own ways of having fun, such as renting a car despite being underage.

"At a minimum, I can honestly say that I wish that I missed it, if that makes sense. I don't know how you feel about your hometown particularly, but you should at least be able to appreciate that I spent all of my youth there. "I'm not so jaded as to totally discount the place, far from it. But anything I liked about my home wasn't exactly exclusive to that locale. The US is a big country, and there are plenty of beautiful things to see wherever you go. "I've experienced enough to know that much, at least. So no, I don't miss it. And I won't be going back. "If my parents wish to see me, they'll have to be the ones visiting where I am.

"Mother and Father agreed to me vacationing on my own, but under the condition that they would have the choice of where I stayed. "California being fairly close by, and Sunset Bird being so quaint, not to mention our prior excursions to the area, they concluded that this was the easiest way to keep me out of trouble."

Basically, it's all going back to his line about expecting him to behave as an adult whilst treating him like a child. He's permitted to vacation by himself but only in a town as "boring" as Sunset Bird where there would naturally be very few teenagers around his age. His streak for being a bit of a rebel reflects that.

What he doesn't expect is to meet a new group of people and the MC in particular, who unintentionally challenges his negative view on himself.

Step 3

From the very beginning, Baxter takes immediate interest in the MC and Cove, wanting to make one of those "blissful, temporary relationships" that will last the summer. Already, we have something of note, which is the 50/50 success rate he ended up having: MC and Terry were all for the absurdly friendly monochrome man that swooped into town, whereas Cove and Miranda were more hesitant (and thus didn't spend as much time with him) because his directness tended to put them off.

"I care a great deal about what I say and that it makes the correct impression. Yet I am not always successful. My approach is off, really."

"Now, this may be a complete shock to you, but… I've been told that I can come across as a bit too forward. I know. It can be hard to believe. My intent is to be open with people so we can connect. It almost never works out that way, though. I've had to come to terms with the fact that I don't possess a knack for making friends. "It was obnoxiously easy when I was a child. Especially due to that aforementioned big, cool house. But now I keep finding myself at a loss for how to do it. With the hit-or-miss endeavor, the vast majority of the time I come up with a miss."

"And I've never been in a stable, long-term relationship. They've all been brief, and varying levels of disastrous."

Put more simply, Baxter knows what he wants but doesn't understand what people want out of him (believing more that they don't want him at all). On some level, he's flying blind and simply does what he can to put his best foot forward, not wanting to miss opportunities when they present themselves to him. He's someone who likes seeing people thrive and enjoy themselves, and it's even better if he knows that he caused it.

"I live for approval."

Thus, as the "perfect summer tourist" who wants to vacation and have a fun time with those that he can, he seeks to do everything possible to make it memorable. That doesn't mean that he goes out of his way to do things he doesn't want to or portray himself as this person who doesn't even resemble who he actually is, but he puts on an air of not having any flaws that would cause him to be any form of burden to others.

This is even excluding the parallel of a group of four friends that he's involved with yet feels distant from or like he doesn't belong in at the same time; history repeating itself and what not, though in his case it's more like a self-fulfilling prophecy, emphasized by the possibility of him asking the MC out on a summer fling.

"I don't care about what label you'd choose to put to it. I could be your boyfriend, or nothing at all. "And you can also change your mind without consequence, if you find out it's not what you imagined further down the line."

Baxter gives the MC every out he can to make things as convenient as possible for them, not only so that the relationship isn't serious and they don't have to worry about it, but so they can break it off whenever they wish. He knows full well that even the person he's presenting himself as won't please everyone and sets everything up so he can almost anticipate the ending if the MC gets bored with him because he fails to impress.

He's interested in them, attracted to them, and feels that he'll enjoy their company, but he only thinks he can do the same on the short-term; that small amount of time where people are still learning about one another where little else is hoped for beyond good things.

Another way of looking at it is based on Baxter's view of control.

"It might not surprise you to know that I can be a touch… particular. I know the importance of coherence, with individuals acting in a well-coordinated fashion. And I like things to function well-for systems to operate smoothly. "I confess, you could call me controlling, at times. Not with people, but with processes. Especially when it comes to enacting plans. I'd much rather act under my own steam than follow someone else's lead. "I'm only flexible with the personal, not the business, aspects of life."

His relationship with the MC is, on some level, a process. It's something for him to carefully plan out and calculate to make it the best he can for them. Getting more personal would involve him revealing the parts of himself that he finds distasteful and believes the MC will as well.

Of course, he doesn't anticipate growing attached to them, which brings in the "risk versus reward" aspect. This can be seen when Baxter initially agrees to have drinks with the MC in the morning that he hates so much, where the safe option would be to simply postpone until another day, except he wants to spend time with them as soon as possible.

In that respect, it's not unlike him struggling to decide on the type of ice cream he'd like.

"My problem is this: I'm unsure if I should get a dessert that's to my usual taste. If I do, I'd be certain to enjoy what comes from the ice cream truck. That would be nice. "But, on the other hand, this may happen only once. Perhaps it'd be more rewarding to get something new, an option that would be challenging to find in a common store. "Which will add more to the experience? Indulgence or novelty? I want to make the right choice."

However, his risks don't end up panning out well in his mind because he's unable to get past something so minor as forgetting his wallet, when all he and the MC had planned to do was have a nice time at a cafe in Drinks. In his mind, the Baxter he's trying to present had failed, and what else can he do at that point (under his perceived logic) but do what he remembers worked from childhood?

"It's a question of knowing the right people who know the right people. We could have even had full backstage access with the main cast if I'd asked. "I do try not to lean on that kind of thing too much, if you can believe me. I appreciate it might not look like it now. You could say it's a means for me to preserve my sense of independence. It's easy to be popular if you can foot the bill, and I don't want that to be what draws others to me. "But after all that, here I am, leaning on the same old crutch. Nothing has changed since I was six."

"I suppose that was part of the issue. I didn't consider myself appealing enough as a person to be worth the time. So, I wanted the support of an exciting or interesting backdrop for meetups. "But… it shouldn't matter that much where you are if you enjoy who you're with."

Baxter expects perfection out of himself in the same way that his parents expected things out of him, and the limitations follow accordingly. He wants little more than the MC's presence and it is up to him to "repay them" for it. When he was a child, he was the one everyone else had to impress, and now it's the other way around: he has to impress those he wants to be around.

Except he's only human, and aiming to be the perfect person for the MC all summer simply isn't feasible, which he takes with every ounce of criticism one can imagine.

"This whole situation… it's asinine. I haven't known you long enough to be causing this kind of trouble. I'm quite literally a stranger. And I won't even be here long enough for that to change. As welcoming as you all are here, that can't be forgotten. "This was-I was-only ever supposed to be a part of the fun. A worthwhile piece of summer scenery. Someone who added to the experience, not held it back. You shouldn't have to baby me! To sit there and spend your time making me feel better when I don't keep it together. "The mess I am in the mornings, the drama I cause in the evenings: the person I am when the show is over. Those aspects shouldn't be any of your concern. I don't provide that support to you, do I? And how could I when I don't know you? "No. It's not fair to make you worried or, worse, guilty over what happens to me. What matters is that when we're together it's for the pleasant parts of existence. The less ideal shades of life can be managed separately. "That's all I wanted."

Two things to note as well is that he'll say all of the same dialog even if he and the MC have experienced Hang or Planning (where Baxter can comfort them), and there's a dialog path in Sightseeing (i.e: the moment most players will play first) where he'll openly say that he hopes they count for "more than strangers."

(He's additionally rejected the idea that he knows the MC despite relishing every given opportunity to listen to the MC babble about even the most mundane things.)

So not only will he deny to himself that comforting the MC was worth enough to count (or unintentionally block it from his mind), but when it comes to things becoming more personal, suddenly he's "just a stranger/near-stranger." The MC can be comforted when they need it but not him, and he's just some nobody tourist when it comes time to put any value on himself...

whether that be the simple things like driving everyone around, to the stuff that takes effort to notice like him seeing that the MC wanted to ride in the passenger seat, to the more complex like literally saving Miranda's entire birthday party.

"I couldn't have devised a more pleasant way to spend my time here, even if I tried. And to be frank, I have tried. I didn't come to Sunset Bird totally devoid of any plans or ideas. "You and your friends have invited me to participate in an event with great significance to you. It's a profound gesture to show to a relative stranger. "When it's over, and I'm long gone from here, I hope you can all look back on this party for years to come-maybe for the rest of your lives-and treasure the memory. "And if I am a part of that memory, then that is satisfaction enough. Though perhaps I'm in danger of giving my contribution too much credit."

A hypocrite (I say this affectionately, I swear) of the highest order; there are rules for himself and no other rules for everybody else. The things he does are never enough whereas everyone else does plenty by simply existing and giving him the time of day.

Leaving the way he does with no contact and little hope of seeing each other again is the inevitable result of the process he'd put together for his time with the MC and his summer at Sunset Bird. From the beginning, he's had a time frame to keep to, an intent to not get attached, an expectation that no one would get attached to him, and an idea that he would leave as little more than a memory.

"Only lately it's been different. Incredibly different. I almost worry my luck won't last. It will all be over soon. "I wish… I could stay."

Except he does get attached, just as the MC gets attached to him (in what he can admit in Step 4 is the most stable relationship he's ever been in), and now all the control he feels he had goes out the window. That's why he has the potential to get upset if the MC keeps pushing his buttons by questioning him.

"I would've preferred it to have been an enjoyable time having my company while I happened to be here, that was the intention. It seems I've ruined that on the whole. I accept the blame for that. If I had behaved better this wouldn't have come to a close on such an abhorrent note. "However, I am not an irreplaceable part of your life. I was a tourist, a novelty. And now I'm not even that. So don't bother with this."

To him, everything is so obvious: he got "lucky" getting to hang out with his Golden Grove friends, who were simply so nice that they continued bothering with him at all despite his flaws. Considering how that ended, he expected the same where no one would bat an eye if he left.

The MC trying to hang onto what they have isn't a sign that he had done anything right, but that the MC is being their sweet, considerate self in thinking about him. He's had at least five years of criticizing himself, of trying to make people happy yet downplaying it when he does, that everything the MC says goes in one ear and out the other.

"I heard you then and each reasonable suggestion to salvage the situation, but I brushed you off as if you were the one being dramatic. Or that you were lying."

At some point between having his Golden Grove friend group to now, his priorities had changed. He'd given up on having true value to people and instead focuses on creating moments (an appropriate word to use given how the game works) with them. It's a natural progression from not believing he's important to not believing he could ever possibly be.

Even basic traits he does have that one will likely see as something to adore, he won't attribute to himself.

"Now, I do admit, though, that isn't what one might call a grand love story. It's simplicity itself. "I'm not the most romantic or sentimental person in the world. I know that can be at odds with my formality, yet it's the way I am."

He'll say he's not romantic nor sentimental while being one of the most romantic and sentimental people in the game, so either he's unaware of it or refuses to associate positive words like those with himself. On the flip side, he can falsely associate others with credit for things they've done without acknowledging the finer details that might negate his point.

For example, in the Wedding DLC, Baxter gives so much credit to Cove for "staying" and "trying" without understanding that Cove didn't have a choice on whether to stay or leave the MC initially due to still being a child (who absolutely would have left and in fact did try to leave in the Step 1 DLC). He's also one of the few characters who doesn't consider Cove "clingy," probably because he's just as clingy if not more so.

By unknowingly projecting his self-hatred onto the MC's view of him, he's come to the idea that the MC has already gotten as much out of the relationship with him as possible without things completely falling apart, and daring to want anything further is his own self-interest/ego getting to him.

It's even to the point of deciding that everything is his fault if the MC kissed him in Planning when they weren't dating.

"I must apologize for that. I shouldn't have done it. Even at the time I knew I shouldn't have. That was a bad idea. One that only managed to complicate our relationship further. "I shouldn't have involved you in more of my selfishness."

So his conclusion in the Step 3 ending is that he's lost no matter what and genuinely cannot comprehend the idea that he had done anything right for the MC to want to stay in contact with him.

If the MC contently accepts separating from him, then that proves to him that he isn't someone worth sticking around for. If they instead get upset or want to stay in touch, then he has somehow done something wrong in the way he went about things and presented himself. It all goes back to being a scenario he's set himself up not to win.

"In short, what I'm saying is that I'm a fraud in all regards. You can't take any of it seriously, including what color my hair is."

"I don't deserve to have that kind of relationship with another person. That's why. I don't contribute anything. "Maybe I can impress others for a time, but how do you go beyond that? I can't say what it means to be significant as a person, to be irreplaceable. "And since I don't have the answer, I certainly wasn't going to assume I'd do it by accident. What does it take to add value to someone simply just by being there? I tried, but I never knew. "In my eyes there's a world of humans living freely among one another, while every connection I create is so fragile. If I make the wrong step I might hurt them, or be hurt myself, and if it's strained at all it will break entirely."

The sad part of it is that it makes sense, in a way. The things he did for the MC - baring perhaps that damned chocolate fountain - were almost effortless to him. He wanted to do them, so why would he think he did anything special?

One of the very few times he's willing to talk in any way bad about another is only if the MC uses Jude and Scott's relationship as a reason for why they could keep in touch. That's when his cynical side comes out.

"Of course, my rather reasonable prediction is that it will not last. Most relationships don't."

As things were that summer, Baxter viewed the MC as someone he would love to know, but not someone who wanted to know him because he doesn't think he's likable; that the slightest inconvenience to them - to anyone - would make him not worth keeping in touch with any longer. The MC also has friends who have been around longer than him, and he's never considered that he could have any role amongst them.

Tempting fate was never his intention, yet that's exactly what he does in believing they'll never meet again, drawn together as if the longing makes them magnetic to each other.

Step 4

As is standard with the inevitable passage of time and growing older, Baxter is slowly finding himself and improving as a person over the five years that he and the MC are apart. Some things change and others stay the same, whether for better or worse.

Though, any positives aren't particularly noteworthy to Baxter himself.

"I can say that I've improved some talents over the years and found a less eye-catching sense of style, but for anything meaningful there's been no growth."

Due to his self-worth issues, he never thinks what he does is good enough and is wholly focused on where he's yet to improve upon, even though he is fully aware about the parts of himself he has worked on.

"You don't need to worry. I'm not quite as sensitive as I used to be about mistakes. I will survive this, pride as wounded as it may be from these trials and tribulations."

"Part of the tragedy of adult life is learning to roll with the punches, so to speak. I suppose I should be proud of the fact that I can at least handle it much better than when I was younger. "Thinking about what kind of panic a younger Baxter would have been thrown into at the prospect of a missing shirt on an important day-"

Under that lens, it doesn't matter what he does or how he deals with the issues he feels are a burden to himself and/or others; there's always an asterisk - that he's attached to them - to act as a "yes, but..."

"I'm fortunate that thanks to my upbringing I happen to be well acquainted with formality and what it takes to authentically achieve it for an event. It's a unique kind of direct experience to wield. "Additionally, I deal well with the high level of control and detail-work one must take in a stressful event. "When it comes to work, I absolutely can make decisions. It's only in my personal life where I lack conviction. "And that's most suited in bursts with different people rather than a long-term position in a consistent group. You can easily get sick of someone who needs everything to be 'just so'."

Similar to the weddings he involves himself with as he graduates and gets a career as a wedding planner, there is an ideal final product to work towards, but one he could never conceivably be happy with because he's already starting from a place of seeing himself as someone worthless as an individual. It shapes said final product into something entirely unrealistic, never mind completely unachievable.

As for figuring out a life for himself, that goes hand-in-hand with where he ultimately chooses as his first place to live: Prism Vista City, which Mr. "Definitely Not Sentimental" ends up getting attached to.

"This, ahem, particular location was intended to be only a starting point. I was coming from the complete other side of the country, and I at least knew I enjoyed the area. "I expected to relocate once I had my bearings. It wasn't my intention to linger where I might not be welcomed. "But who could've guessed it was harder to pack up and leave everything behind once you had silly things such as an 'actual apartment in your own name' and a 'real career' tying you down? "Weeks passed, then months, and then, perhaps inevitably, I came face to face with one of the reasons I developed such a positive outlook on this state to begin with. "You know, it never ceases to amaze me. California is directly beside Oregon. I could practically walk there if I was industrious, and stupid, enough. "Despite that, being here is a wholly different experience than what I had being raised in the neighboring state. "Sometimes it seems as if I'm still a tourist. That I don't belong here, and everyone who passes by can smell the otherness on me. "Other days, I have the confidence to think I've found my own place in the world…"

That's one thing that never changes about Baxter in virtually all of his life: the desire to simply belong somewhere. What does change is how he approaches that want.

He wanted to belong with his Golden Grove friends, but fell out with them due to the circumstances and chalked it up to a failure on his part. When he wanted to belong with his Sunset Bird ones, he'd already decided himself that it would never happen to save him from any potential disappointment, and that simply being there for a summer would be enough.

In adulthood, he's given up on such things entirely. No more friends, no more flings, and even his most consistent contact - his parents - have been cut out of his life (though in the latter case, it's for the better).

"What happened, I do exactly… that to everyone who unfortunately crosses my path. "The acquaintances I made at college, dancing partners, the friends I had since childhood; my parents, though, that is an entirely different story. "The point of the matter is, excluding those I interact with regularly due to work, I have no relations whatsoever. That's simply the way it goes."

"To start, I haven't spoken to my parents in, mm, a few years now. That's what I meant when I included them in the list of relationships I haven't maintained. "Don't worry. It isn't a painful topic for me, exactly. Mostly I find it… disappointing. Frustrating? Certainly awkward. "Before I cause too much concern, they've never done anything to intentionally hurt me; my parents have always cared for my well-being. "And I can't deny how much they have done for me - all the opportunities and advantages I had because they provided them. They gave me the best they knew how and- "This is not as nuanced as I might be making it sound. "What a novelty it would be if I could speak favorably of my own family. Can you imagine? "That's not the case, however. "What I am trying to say is that my parents are, on the whole, good to me. And they do love me as their child whom they raised for nearly two decades. "Just as I still feel compelled to give them credit for the minimum, I'm certain they're telling their acquaintances endless excuses for why I'm so distant and unagreeable with them. "They haven't given up on me, in their own way. "But all that does not make them good people. "I can assure you that because they are not good people. I'm merely a rare exception to the unpleasantness. "My parents are selfish- they're sheltered. Even as adults."

"Imagining myself as not their son and not someone they loved seemed meaningless at the time. They did love me and that's what mattered. "Of course, it's not always enough, is it? "If I wasn't theirs, either through birth or adoption, if I was someone else's son, they… would hate me. "I know I'm foolish, on many counts. It took me a long time to realize that them being hypocritical shouldn't reassure me the way it did. "Baxter Ward could have as many 'shortcomings' or 'problems' as he did and it'd be fine because it was 'different' in that case. There were reasons, can't you see? "But they couldn't see that other people deserved the same kind of understanding. "And that some things weren't 'problems' in the first place…"

The true tragedy of it being that it's heavily implied that Baxter's parents did attempt to teach him or at least act in a way that would lead him towards a life without any meaningful relationships, which is what he got when he became an adult but not ever what he truly wanted.

"And their nonsense priorities and concerns are what my parents expected from me! "How ironic that I can finally see the silver lining of my lifelong struggles thanks to them. "If I never realized how poor my connections were, or if I never cared that my relationships were nothing more than associations based on conveniences, maybe I'd have been who they wanted."

Arguably, Baxter is at the most "successful" place in his life: he might not be rich anymore, but he's making his own money with a job that suits him, he has a nice apartment, and he's living comfortably.

Except he's not happy, and convinces himself that it's as good as he's ever going to get. It's both the highest and lowest point of his life.

"Of course, I wouldn't be able to understand the viewpoint of someone willing to commit themselves to another person for the rest of their life. "It's what makes for a good planner. I can get invested just enough in the premise to truly create something special, but I'm not attached to the real relationship. "And I'm not disappointed when it's over. "It's been years since I was careless enough to be hurt by anything. "I'd given up on trying for more than what I already had. Then I told others, and myself, that meant I was always content. But honestly, it made me bitter. "I didn't become the person I wanted to be. I didn't achieve the kind of life I'd hoped for."

He couldn't even maintain his relationship with dance, something he'd adored since he was young and now limits to lessons given to wedding couples.

"In a way, I fell out of love with that passion. "It became tedious and unsatisfying to do it with complete strangers, and I didn't have enough hours in a day to dedicate to a long-term competitive partner any longer. "But perhaps I should've tried harder not to give it up entirely. "How embarrassing… even my choice of hobby revolved around having a serious and understanding relationship with someone else. "The precise matter I've had a lifelong struggle to obtain."

As for the MC, Baxter misses them desperately, but goes about his life as though he doesn't. He's committed to viewing himself as someone who doesn't deserve them and that what he did was the right thing to do.

It would seemingly be "easy" then to let go of anything that reminds him of them, in hopes of either limiting the times that he finds himself thinking back to those moments or steering himself towards moving on, but he can't.

The MC's souvenir (if they gave him one)...

"I am fond of it even now. I've never been able to part with it. But isn't that what souvenirs are for? Keeping for the long term? "I'm being entirely reasonable for holding onto that after thoroughly leaving everything in Sunset Bird behind."

Their number...

"I had your number all along. "Of course, I never looked at it over the years we were apart, but didn't have it in me to delete it either."

Even the khaki shirt he wore during Mountain (if he and the MC were dating at the time and they invited him up to their room)...

"It remains my stolen property to this day."

He keeps all of them, unable to let go of the feelings the MC caused within himself but locking them deep inside rather than addressing them. He has the very method for contacting the MC at any time to reconnect, to explain himself, to apologize, to confirm or reject his own doubts over what happened, but he doesn't out of fear.

"I said it before- my concern was protecting my own feelings. Anything I did to that end felt justified. "The more time and experience let me reflect on my actions, I only became more convinced I should stick to my word and not trouble you further."

"I've also missed you over those five years. "And Terry and Miranda and Cove and that summer in Sunset Bird, but mostly, it was you who I thought of. "During that trip, I did feel wanted. "You made me feel wanted. And… important. "It was exciting and amazing, and felt impossible it could last. The shine would wear off eventually, as always. I didn't want to see it happen. "What if I seemed pathetic for being attached to people I met on a short vacation? You had your real group of friends who lived with you there already. "Or what if you stopped responding to me after realizing I wasn't that interesting? Or why would I have even assumed there'd be a reason to talk to me at all once it was no longer convenient? "I'm aware that's not a kind way to view you, but it wasn't that you'd done something to make me believe it would happen. It's my viewpoint for every situation."

Baxter never once thinks that the MC is a bad person, simply that he is the problem and even the best of people will "understandably" lose interest in him if there's any interest to begin with. As someone who likes control and has been conditioned to stray away from more personal relationships, it's advantageous to him to remain in his self-sabotaging mindset.

It's what he's used to.

"I can't afford to flitter off on vacations whenever the mood strikes the way my parents can, but I have a very comfortable existence. "It's nice, if lonely. "Of course, let's not pretend I have anyone to blame for that other than myself. I ended every relationship I had with my own actions. "It's the story of my life. I want to be liked, but I don't want to be important. "A suitor for a season, the planner at a wedding- it's that kind of role I'm comfortable in. "Perhaps that's why I'm drawn to people who are wanted by everyone else. They don't need me. I can be someone, I can't be 'the one'."

So when his Step 4 begins and the MC unexpectedly shows up back in his life, five years after Baxter expressed confidence that they would never meet again, he can barely handle it. Without his say so, he's being confronted with feelings that haven't faded, and ones he already thinks are ridiculous of him to have considering how short of a time he'd known the MC.

The best he can think to do is to put on an air of professionalism and brush the rest off. He'd already left, not contacted the MC for so long, and had remained determined to never see them again, so he doubles down on it.

"I'm merely an employee of your friends. Please feel free to ignore me entirely."

However, it's not tenable, because Baxter has never been someone with the impulse control to keep him in check. Even in the few days he knows that the MC will be around and then leave afterwards, holding himself back from doing what he wants isn't something he can keep up for that long.

In front of people like Jude and Scott who he doesn't know, it's at least easier, but around someone like Xavier who he has some form of friendlier relationship with (only a day after he'd conveyed to himself and the others that he's nothing more than the wedding planner), he's already dropping stories about the past.

"As soon as it comes to you it appears my reason goes out the window. Along with much of my dignity. "But that is how it is."

"Enjoying myself in your presence is the most natural thing in the world. Frustratingly so, at times. I find myself letting go of more than I intended to."

It's also not that Baxter doesn't want to talk to the MC because, if the MC tries to get him to talk during the ride back from the bakery, he deliberately makes it a game of rock-paper-scissors that they'd be guaranteed to win if they wanted to. He could've shut them down entirely if he didn't care, but he finds a middle ground of technically not agreeing outright while still letting the MC talk to him.

"The petty types of decisions that were best suited to be decided with randomness mattered little to me. "It was far more amusing to see who would use the advantage they had to win and who would be willing to take the loss, and why they seemed to do so. "At the bare minimum I'm not that much of a brat any longer. "As an adult, I use it mainly to get away with not making decisions of my own. Whoever is playing with me has the responsibility to win or lose because what they're up against is preordained. "I don't even need to choose which symbol my hand takes. It's easier that way."

Not that it means he's alright with it either. Baxter is already under the stress of planning a wedding in a matter of days and now has to deal with seeing the MC again, sometimes one-on-one. He doesn't want to be cruel to them, doesn't want things to be so difficult, nor did he want the MC to be "forced" to go with him to the bakery (on a suggestion he couldn't have known would lead to it), but that's what ends up happening.

"I'm not any less immature than I was five years ago, it seems. I've been incredibly rude to you, and that is inexcusable. "You're not unwelcome near me. Of course not. "However, I'm here to plan Jude and Scott's wedding. My priority is that only, and I don't want to get caught up in anything else. "There's no need to reminisce. I hope that's not insulting, it's honestly not meant to be a strike against your character. "You are a lovely person and have many wonderful friends. You don't need me to be an active part of your life."

"I apologize for what happened between us, I honestly do regret it. "I am sorry I hurt you. I am sorry I was unable to keep my word and have bothered you yet again. "I'm thoroughly humiliated and have attempted to get in your way as little as possible. Though I'm unable to quit outright; I couldn't do that to Jude and Scott. "We are both aware that I am fully incapable of making you happy. But in four days you'll return to your life blissfully free of my presence in it. "Please tell me, what can I do for you? I simply don't know…"

It feels terrible for him, but this is the cycle he's gotten himself into: wanting to stick to what he'd done in Step 3 under the belief that the MC would be better off without him, feeling nostalgic for the past to the point where it ends up coming out, behaving distantly as a result and hating himself for it, then apologizing just to do it all over again because he's constantly going against what he actually wants.

"Every time I'm arrogant enough to believe I know what I'm doing and that I'm in control- I don't and I'm not."

"From the moment you walked into that restaurant, my actions were nothing but self-preservation and damage control and, occasionally, reminiscing to an extent I was pleased with. "Yes, I had a 'professional commitment' not to let personal matters impede the work that needed to be done, but my distancing went far beyond that. "In the end, I was using their marriage as an excuse. "If not for that, then there would have been something else. Some trivial reason for keeping you at arm's length. That likely doesn't shock you."

Baxter is essentially shielding his heart from the very thing that would protect him from his own attacks on it. He goes so far that he considers texting the MC directly to be overstepping boundaries (even if it's for work), all after continuing to let go the most whenever he's reminded of times with the MC.

He's aware that he's attached and readily admits as much when it comes time to.

"Even I can admit I wouldn't do this for every client. "And somehow, that makes this worse. It's painfully obvious I have some personal investment, enough to merit this. "More than I intended to be. More than I ought to have. "I wouldn't have done this if you weren't here… "Even though Miranda was the client's sister- "I wouldn't have offered. It'd be overreaching, to do as much as I have. "I've gone beyond the line of pure professionalism more than once already. The cake is the icing on top."

"Well, naturally, it's against my better judgment to make anyone uncomfortable. "Of course, in such a tight spot Jude wouldn't have questioned any help he was offered. "But what would Miranda have thought? And Terry as well? If some strange man they knew long ago was getting that personally involved in their situation? "I wouldn't have crossed that line, no matter how much sympathy I had for Jude's position. "So, where did my confidence come from? Very simply- I thought you would understand. "That I had good intentions, that the odd lengths I went to was merely how I am, that it was okay to let me be involved. And if you did understand, everyone else would as well."

Deep down, he knows that he is not a stranger; that he knows the MC and trusts them on a level deeper than he thought possible before meeting them. The MC brings out the best in him while simultaneously revealing the most vulnerable parts of himself to himself, which gives him all forms of conflicting emotions.

"I… "It's odd, really. I'm the one who left. "And yet I haven't stopped seeing you as someone important to me. Important in my life. "It truly does seem as though everything I did was for no reason at all."

"It's been hard not to feel nostalgic, this past week. We've had quite a stroll down memory lane. Sometimes by happenstance, sometimes because I went out of my way to do so. "I have… fond memories of those days in Sunset Bird. Treasured memories. "Like most treasures, they're things to be taken out and admired from time to time, and then put away again. "Though, some are too delicate for even that. They should never be touched. "This evening is a reprise of something I never wished to relive."

To put it in another way, though Baxter cherishes the time he spent with the MC, anything that brings him back to such times confront him with everything he's tried to avoid.

Yearning for the things he'd tried to put behind him, the what ifs of things going differently, and the doubts of all he's done thus far based on his own conclusions...

"Back then, during my tourist phase, we took that brief trip to the mountains. On a hike, we passed a tree that had fallen across a stream. "If you can picture that, it was as if we were on opposite sides, and I couldn't take the path to you because it looked risky."

Not unlike his fear of the ocean, Baxter's biggest hurdle is that final step past the point of no return: taking the plunge and trusting in his ability to survive.

"It seems endlessly deep and unpredictable, with powerful waves and rapid currents. "And there are creatures lurking in there. Some of them are larger than me. It's unfathomable. You don't play with something like that. "If I enter that water, I'll never return from it. The ocean will swallow me whole. That's what I think."

It's only by the end of the wedding reception that he finally crosses that line and has the epiphany necessary to deal with everything that had happened: the opening of the oven to check the result of a baked cake rather than leaving it a mystery, the flick of the switch to look at a room he'd always kept in darkness prior, and the throwing of himself into deep water and realizing he can still breathe.

"In the past, I spent every moment around other people thinking of the limited span of our acquaintance. As if I wasn't seeing them at all, only the imminent departure. "Our arrangements fell in line with that. A clear timeframe, limited from the outset; predetermined rules set in stone. "It was that way five years ago. It was that way now. "We'd cooperate for a short period in service of Scott and Jude's wedding, and that would be that. I've said as much myself. More than once. "The problem is, as I only recently realized… "I forgot about that. "You see, I thought, completely and earnestly, that I didn't need to speak with you now, here, when I was feeling so… sensitive. "We could simply pick up where we left off later tonight or tomorrow. The fact that we no longer had a 'reason' to interact didn't come up as part of the consideration."

When he wasn't the one setting the rules, when he was the one caught off guard by someone he cared so much about reappearing into his life, when he was forced back into reliving past regrets and under the pressure of facing them all over again when their second/third time together was over, that ended up being when he found what he needed to talk to the MC. That was when he finally had to listen to what his heart was saying rather than constantly denying himself.

Perhaps even most importantly, that was when he had to face the fact that what he did - the suffering he put himself through for five years - had achieved nothing of value, and it's only through acknowledging it that he can keep it from happening again.

"When I left five years ago, that didn't make me happy. When I kept you at arm's length after meeting again, I was unhappy still. "If it doesn't need to be that way, if I was wrong, then… I don't know, honestly. I've never considered it a viable option until moments ago."

"It had been so long since I'd known what it was like to be included, to be around people who'll refuse to let you be left out, no matter how hard you try to weasel out of it. "Terry, Miranda, and Cove were too kind, but it was your gestures specifically that are at the heart of this matter. "Here's the truth: if you didn't ask me to dance again, in the afterhours of another event we helped create like you did then, it would have broken my heart. "That would mean definitively that I lost what we had. "But… if you did ask it would be more painful. Because that would mean- "It would mean even after everything, you hadn't let me go. That you accepted me still. "That you always would have, that I should've believed that all along, that the only thing I've done was hurt you and myself of my own accord. "It's horrible. I didn't want to know one way or the other."

The uncomfortable truth, a placating lie, or the blissful void of not knowing anything at all: those were the choices he had and he finally chose the uncomfortable truth, all for the closure the MC deserves and the potential prospect of a better future if he can only make it past the obstacles he'd set up for himself.

"But I can see now that I'm also wrong for making another decision for you. Even if the conversation went disastrously, you were owed a better explanation and an apology. "You had never asked me to leave you alone, I created that fiction. "I hope you can accept that I did care for you then- I care now. Of course, as ever, none of it counts for much if it's kept entirely to oneself."

"It's… a little hard to approach what I've sowed over the years. So many mistakes. "And even now, when I hope to make things right, to make things last, I'm forced to admit that I'm ignoring the reality of the situation. "This doesn't come down to what I want at all. I don't have the right to put myself before you. I never did."

"I suppose that is the true story of my life: me not understanding a thing and getting it all wrong at every turn. "But rather than dancing around this, I'll say it directly: not trying to stay in touch with you is something I've regretted for a long time. "I will always regret the days I lost, even now that we've reconnected."

That doesn't mean everything is magically fixed, nor that he won't fall into some old habits. He has to catch himself when he automatically excludes himself from the MC's meeting with their moms, and he'll still be apologizing and criticizing himself long after the MC has forgiven him.

"You've never allowed me to wallow in my misery, except for when you had to. When I made you have to because you couldn't get a hold of me. "But when I see you, I'm reminded of what it is like to be seen. "How it feels to have someone who knows you, cares about you, has memories with you, who wants to make more memories together. "And I tried to undo that- "Twice. By keeping you as far away from me as I could."

"Unfortunately, I've yet to think of a good reason why this admission isn't another of my patently bad ideas. It isn't as though I've been thoughtful in return. "I can't stand doing anything in the morning, even if I can pretend to, for my clients. As you know, I can't afford elaborate trips these days. "My only remaining social contacts are limited to the wedding industry, not performative theatre or owners of fancy cars or the like. "I've never been a good partner, even a good friend, to anyone who has crossed my path."

"My few victories were hollow and I'm still sorry I took that out on you at the start of this."

Nevertheless, he has no desire to run away from the MC now, because he never had a desire to run in the first place. He just needed to understand that it was okay to want, and that he wasn't the worthless person he thought he was so he could stop projecting how he felt about himself onto how people feel about him.

This makes way for Baxter to experience a lot of things that most people would have long since had at that point in their lives: he gets excited simply by having a person hanging out at his house, is incredibly pleased to have someone he can be (dance) with, and he's so amazed that he can have these things in his life that he's actively eager to prove to the MC how much he'll be sticking around, to the point of being ready to visit them at the soonest time possible.

"Hallelujah. Admittedly, a part of me was convinced I wouldn't go through with it. What if you thought I had lost my mind to follow you right after we barely reestablished a connection? "But having this last day together, knowing it was the last, was the final push to pursue what I actually wanted."

His story, essentially, is about a fall from issues of self-centeredness just to pendulum swing into ones of self-worth instead. It's about balancing on a tightrope of bringing short bursts of happiness to others while trying not to let his ego take hold of him again. It's about denying himself what he wants and refusing to hear otherwise before finally recognizing that he deserves to be happy.

That's Baxter Ward.

TL;DR:

Baxter starts as an egotistical child - encouraged by his rich parents and the kids constantly impressed by his showing off - but that changes when he obtains genuine friends and learns the value of real relationships.

Realizing that he'd relied only on what his parents had to make connections with people, Baxter doubts his own worth as a person and is unable to imagine that people would feel differently about him than he feels about himself.

Baxter falls out with his friends due to the age gap and not having time for each other, coming to the conclusion that he'd not done anything for them.

Under the belief that he has no inherent long-term value, Baxter goes on flings and seeks to create fun moments with people rather than anything that would require revealing more of himself than he feels is attractive to others; this has the side effect of making him highly critical of himself over even minor mistakes.

Baxter goes to Sunset Bird meets the MC, who (along with the MC's friends) makes him feel a sense that he might actually be someone important to others, which he then actively tries to convince himself out of due to fear of risks/the unknown.

After leaving the MC on no contact, Baxter continues to miss them, but feels like he would only bother them further if he saw them again even if it were just to apologize.

Baxter ends up seeing the MC again in his Step 4 and is confronted thusly by his unfading feelings. This leads him to try and maintain the distance he'd created in an attempt to protect himself, yet he's unable to keep himself from letting loose every now and then because it goes against what his heart wants to push the MC away.

Though horrified by the idea that what he'd done in the past might have been a mistake and preferring (at the start) to go on without knowing, Baxter ultimately reflects on his actions and acknowledges to himself why he's been doing what he's been doing, and that he doesn't want to let the MC go again without laying everything on the table.

[not-poignant]

Hi, Pia! A year ago I discovered you through the Mysterious Skin fanfic, which truthfully has helped me in so many emotional layers till this day (and always will). After that read, I jumped on your profile and was blown away by the world you have created with your own hands. You really inspired me to publish my first fic in AO3 recently (for a random fandom), but sadly I've been having a hard time with it.

At the beginning I was relieved that fear didn't stop me anymore, but then it happened again, it came back, in another form, hitting me harder. I don't know how to explain myself, it's just that I think I'm not good enough, that there are better stories with better characterisations and when I read one of those I think: "This is perfect, I could never achieve this level, I don't have this voice, I should just delete mine, I don't have nothing to say, I can't make people feel this way" and I hate to have those feelings because I think it breaks down the true meaning of writing in general (to help people, to connect, to make a tribute, to have an emotional journey), but at this point I have lost my mind. My dream was always to be a writer, but I left it behind for so many reasons, now I thought things were changing inside me, but I guess it's not the case, I can't even deal with a fanfic...

I just wonder if you have ever feel this way before. How did you start writing? How has it been for you? How do you deal with these things? Feel free to answer me only if you're comfortable with that, I don't wanna put pressure on you as if you were my spiritual guide, but, for all the thoughts and things you share here, I think you are a wise person.

Sorry for the long text, I don't have people in real life to talk to about these issues. I'm really grateful to you already because of your story, it's always in my heart, it's part of me. Btw, I hope you are doing well, keep the amazing work. ❤️

PS: Sorry for the mistakes, not a native English speaker here.

Hi anon,

Congrats on posting your first fic! That's really huge. Even if it does open us up to The Insecurities, it's still a massive thing to do in the first place and I'm so happy for you.

As to everything else, oomf, let's get into it.

So the first thing is there is no writer out there who doesn't get assailed - literally assailed - by insecurities and massive feelings of self-doubt or even self-hatred over their writing (if there is, I haven't met them).

There's no point in writing at which they stop, and if you overcome some, new ones come in their place. I think that's just the nature of the beast - both wanting to (ideally) please at least some of our readers, and also offer something decent to read.

It can help to realise this is a normal part of writing and the experience. Obviously at its most severe, it might require therapy support, or professional support of some kind, but getting assailed by The Insecurities is part of being a creative person.

I don't know how to explain myself, it's just that I think I'm not good enough, that there are better stories with better characterisations

So yeah, this is true. Hear me out! This is true for me too. This is true for every writer that exists. Even the ones who win Pulitzers. This is going to sound blunt, but this is true for every story in the world. I know when I post my works that there are better stories with better characterisations out there. And there are stories that I consider perfect to me. But this last part is really important! I don't get to determine what's perfect for everyone. I'm not allowed to make that choice for them. And also people don't read in order to find The Most Perfect Story Ever, they read for many many many reasons, and that one often isn't even on the list! That's just on our list, when we feel beset by The Insecurities.

Like, yes, better stories exist. That's very subjective. They're better to you, they might not be better to some of the readers who read your work, and unless your only goal in writing is to be 'the best ever' (this is not a great goal imho because it's unattainable) sometimes a simple 'oh...yeah I mean it's true there are better stories according to me, but that doesn't mean that people won't enjoy mine, or that people won't think my stories aren't the best, and I'm not even writing to be the best in the world, so I don't know why I'm listening to this because it's not even what my values are in writing.'

But I also need to make it clear that your insecurities will never leave you 100%. They find new ways to come back, and they do keep coming back. We get periods free of the worst of it, often have low-key doubts in the background fairly frequently, and sometimes feel really good about writing. That's...writing. You haven't done anything wrong in your writing or in yourself when you have new insecurities coming in, and you've acknowledged yourself that things have already changed, because these are new or different insecurities. Think of it like an upward spiral, you circle back to feeling insecure, you have to if you want to keep going up.

You won't stay there forever, but the circling is part of the process. It can help to remind yourself of some cognitively true facts - what you think is perfect in writing is someone else's 'worst story ever' if they read it. What you love to read is not necessarily what you end up writing, and that doesn't mean it can't be someone's favourite story. And yeah, someone has already done something better by our standards, because I don't think there's any point on this journey where we go 'that's it, I've done it, I've become the best writer ever, insecurities begone!!!' (It would be nice, but it's not how it works).

So when insecurities come back it's not 'oh god I've failed at writing and/or keeping the insecurities away' it's - this is normal. You can go 'oh I'm being a regular writer right now, in the hard part of it.' I know this. It sucks. It probably means I need a break when it gets really bad, and I need to recharge a bit. I can keep improving, and my writing doesn't have to be anything other than entertaining. I've pretty much struck perfect from my vocabulary. It's too subjective.

I just wonder if you have ever feel this way before.

Anon, about twice a year I feel so bad about my writing I become convinced that the only answer is to delete all of it off my AO3 accounts. And on a regular basis I go between what I consider fairly normal insecurities (is that closing okay / is this arc good / will people like this character / have I pushed this too far / oh god my engagement is down am I terrible at writing), to pretty intense ones (idk why I do this nothing I write is good / how have I convinced these amazing people that this is worth their time / I wish I could write like (insert X author here) instead of this absolute mid shit etc.)

It helps me a lot to know that some of it is mental illness, but most of it is actually just normal. I'm a writer who wants my readers to have a good time and who wants to write something I can be proud of, and sometimes my brain won't let me feel proud of anything I've done because I made it, and sometimes I don't like myself very much. It means I should work on liking myself more. It doesn't mean I should stop writing.

I started writing as a kid, to cope with fairly awful life circumstances at home. So I was lucky that insecurities didn't matter because no one was seeing my writing except for me, I already hated myself (because people who were supposed to care for me, hated me - there's a reason I write the stories I do!) and I was literally trying to survive something that some people don't survive.

When I started sharing my writing, The Insecurities came. And...idk, I learned how to recognise it as a normal part of the process. It took a long, long time. It's normal to feel like there's something unique about how much we suffer over not liking our writing or feeling like it's bad, that the insecurities say something really true about our writing or even our integrity as a person.

Most of the time they say nothing at all except about the state of our mental health and how tired we are. For example, it's more normal for artists and writers to hate what they create during times of government unrest, or increased oppression, or in abusive households, because it's a way to redirect a lot of very unpleasant feelings to something we think we can control.

Sometimes it just happens because we're tired and the wave crashes over the dam we have in place that says 'go away insecurities.' Like you'd be amazed how much food, staying hydrated, getting good sleep / having good sleep hygiene can actually keep the worst of The Insecurities at bay.

Sometimes we need a break! Too much of a good thing in writing can lead to our brain trying to tell us we're terrible at it so we'll just walk away and watch some movies for a bit! The best way to prevent that is to take a break before we get there.

The good news is, you're a writer feeling something very normal for us writers. The bad news is that it feels bad. It can help to step back a bit, and also to join some writer's groups online maybe, ones that focus on support and lifting people up.

I wish I could say you one day hit a point where the insecurities never come back, but if anything, I don't think you can do these sorts of crafts without them. At their extremes they're not good for us, but the extremes of anything aren't good for us. You're not alone, I promise. The worst you've felt about your writing, is the worst many people have felt about their writing. It's just...often such a lonely process and many writers don't talk about it, but it's there, and it won't last. It's part of the spiral. Over time, you might find it easier when you know it's normal, and temporary, but frankly, there are times it's just really, really hard.

You will move past this, and then one day you'll touch on this again, and then you'll move past it again. Sometimes we spend longer in it than we wanted to, sometimes we need to take a longer break than we meant to, sometimes we write more than was good for us with how tired we were at the time.

It's not perfect, it's not supposed to be perfect, but it is part of the journey, it just means you're a writer like the rest of us writers, anon. I hope you can find your way back into writing more soon! And I hope you can be compassionate towards yourself. You put yourself out there, and have been writing, and honestly that's fucking amazing. I think you're awesome.

[nugatorysheep]

Ş̸̻͕̺́̚Ṕ̵̛̪̃Ȩ̷̳̫̿̾Ã̶̞̺̇͐͘K̷͈̿̎̇.

This damn comic is fucking A N C I E N T but as far as like, the content of it- not necessarily the art because I always hate my older art, but the presentation, what is objectively here- still feels right to me, so I'm sharing it. again

[vibelladonna]

✑ 𝓉𝒽𝑒𝒾𝓇 𝓀𝒾𝓃𝓀𝓈 𝜗𝜚 𝓈𝑜𝓁 𝒶𝓃𝒹 𝒸𝓇𝑜𝓌𝑒

· ─────── ⋆⋅♤⋅⋆ ─────── · 

Didn't expect me to write more about Sol, did you? Honestly, I needed to do more research into his character, after all, since I kinda ignored him in the game as soon as Crowe showed up. Like, no wonder he did what he thought he had to do.  

𝒸𝑜𝓃𝓉𝑒𝓃𝓉 𝓌𝒶𝓇𝓃𝒾𝓃𝑔: 18+ NO KIDS (Adults Only) This content contains mature themes unsuitable for children. Please respect the creator's intentions. 

I mixed a bit of canon and my headcanons for Crowe and Sol in this one—yep, once again! This time, I kept it focused on just four kinks to keep it short and sweet. I'm still learning about the BDSM community, and honestly, it's been really eye-opening.

A close friend (college roommate: adding on the fact she adores Sol—Sorry not sorry, love) of mine has been super helpful, sharing and explaining things about the BDSM scene to add more depth to my writing.

A lot of my inspiration comes from her, along with the Tumblr fanfic community and the original creator's work. I try to blend what feels true to the characters while throwing in my own twist. Hope you enjoy reading it as much as I enjoyed writing it!

Starting, I’ve noticed that TKATB fans have their unique preferences when it comes to Sol or Crowe.

For example, fans who gravitate toward Sol tend to enjoy the idea of him being dominant—whether it’s being in control of him or just envisioning him taking charge. It’s that mix of power and intensity that gets people excited. You know who you are, you freaks!

On the other hand, fans of Crowe are drawn to his reliability, his deep understanding, and his caring nature. He’s willing to guide you through anything, offering both emotional support and strength. It’s comforting, isn’t it? And yes, I’m a freak too—I get it.

✑ 𝒸𝓇𝑜𝓌𝑒

Naturally, I had to start with my man—Jericho, or Crowe, as he's known. He exudes a mysterious, almost savior-like presence, though the details are still unclear. I WANNA KNOW SO BAD.

His style is effortlessly sharp, and his quiet confidence makes him instantly trustworthy. Reliable, steady, and composed, Crowe is the perfect support when life feels overwhelming. His charm is subtle, blending good looks with an alluring personality—irresistible, without ever being flashy. 

Now, let’s address the question: Can you see Crowe as kinky?

At first glance, no. Not. To a stranger, he’s too put together, with not even the faintest hint of anything unconventional beneath the surface. But as you get to know him, that answer begins to shift. Slowly, subtly, he reveals a side of himself that hints at complexity—an edge just beneath his polished exterior. However, don’t expect anything extreme or overtly wild.

What he does reveal is never too much but always just enough to leave you captivated—and maybe, just maybe, a little curious.

✑ Vanilla (Soft Dom…) 

For Crowe preferences!!

He's the ultimate soft, warm partner. Like, you just know he's all about the quiet, comforting vibes. No crazy power dynamics or rough kinks—he's all about that steady, affectionate love. It's Vanilla, but in the best way possible, full of layers. He’s not rushing anything, just enjoying the little things, taking his time, and making sure you feel heard and cherished. 

When you're with him, it's all slow and gentle—he’s not here for intense extremes. His love is patient, thoughtful, and wrapped in warmth. Every touch, every word, is like a soft caress, just so deliberate and tender. 

And honestly? There's no need for anything crazy. Crowe's happy to explore your connection, build that trust, and just savor the passion that grows naturally between you two. It's the kind of love that builds and lingers long after. 

Now… Crowe might be a soft dom—nah he IS A SOFT DOM.

Crowe’s not the type to push you past your limits just for the thrill of it. He’s not into playing mind games or testing how far he can take things. No, Crowe’s power is the quiet kind, the kind that makes you feel safe without even having to try. He knows the real strength is in taking care of someone, not in forcing them into anything they’re not ready for.  

When you’re with him, it’s like he’s always tuned into you, always listening, always aware of exactly what you need. He’s the guy who doesn’t take, but gives—gives you everything he can, with a level of care that’s almost overwhelming. And even though he’s gentle, don’t get it twisted—he’s still a tease. He’s the kind of man who’ll leave marks on your skin, a subtle reminder that you're his. But it's all in the way he leads, in that steady hand that takes yours, guiding you through every little moment.  

There’s nothing loud about Crowe—other than his moans and whining. I SWEAR he has pretty moans.

He doesn’t demand anything and doesn’t rush you, but he has this way of making you feel like you’re the only person in the room. When he touches you, it’s with a confidence that leaves you breathless but also comforted. He’ll press his forehead against yours, his hand guiding yours down to your stomach, just so you can feel his bulge inside you,how much he wants you, how much he’s thinking about you at that moment. 

There’s no need for words—just that connection, that intense eye contact that says everything.  

But yeah, he’ll also let you think you have the upper hand for a minute. Let you believe you’ve got him cornered, like you're finally taking control… only for him to flip the switch, regaining control without you even realizing.  

With Crowe, it’s not about begging or pleading for pleasure—it’s about your happiness, your satisfaction. His version of dominance is the kind that wraps around you like a warm blanket, soft and cozy. He just wants to see you smile, hear you laugh—moan, and whine under him, and know that every moment spent with him is full of happiness.  

So, if you're into a soft dom who values deep emotional connection, tenderness, and affection, Crowe’s your man! He just wants you to trust him, to let go and let him care for you. Let him be there for you in every single way, in every moment. 

And in that, he gives you all the security you’ll ever need.

✑ Praise (giving + receiving)

Crowe is all about Praise, and affection through words. Imagine him pulling you close, whispering in your ear while his fingers gently trace patterns along your skin. 

“You’re such a good girl for me, look at how well you take me, love. That’s my girl, always so ready for me, aren’t you?” His words make you feel safe, wanted, and cherished.

He doesn’t wait for you to ask for reassurance—he gives it freely, letting you know how much he appreciates having you around, and how much he loves seeing you smile. And when it comes to your body? He knows every inch of it like he’s got a personal map of your every curve and spot. He might even joke, “No one will ever know you like I do. I’ve ruined you for everyone else, haven’t I?”

Crowe has this vibe about him, like he’s always hungry to make sure you're feeling amazing, but don’t forget to show him some love, too. He thrives on hearing you praise him, especially when you whisper how much you need him, and how much he’s doing for you. The sound of your voice, the words you say—they get to him, melt him down until his heart's pounding.

Now and then, he’ll pull back, checking in on you, “You okay? Am I pushing you too far?” It’s not just about the rush for him. He wants you to be comfortable, to be in sync with him as he takes you through everything, slow and steady, giving you all that love. “That’s it, you're doing so well,” he’ll say, his voice smooth like syrup, making sure you know you're adored.

But here’s the thing: if you keep praising him, or if you’re the one in control, just wait. Crowe’s mouth? It’ll get filthy. AND I MEAN FILTHY. He can’t help it, don't be mean now...

I mean, you can. You giving him head? Taking his cock deep inside your throat, feeling he's about to cum, then you pulled back, teasing him. He'll say, "Please, my love, you were doing so good on my cock—please, please, keep going, I need that tongue of yours."

One of his favorite things is when you’re so into it that he can just forget what you say and speak directly to you, but in a way that’ll make your body react before your mind even catches up. Like, he’ll whisper, “God, you taste so damn good. Missed me, huh? Just wanna be filled up, don't you?”

His words drip against you, his eyes dark with heat, like he's speaking to your body, not even acknowledging your moans. “Such a good fucking pussy. Always making me feel so damn good. Want me to stuff you full, hm?”

And when it’s all done? Crowe doesn’t just drop it and move on. He’s got aftercare down to an art. He’ll guide you through it, keep you close, making sure you’re okay, settled, and cared for, getting ready to do it all again whenever you’re ready!

✑ Experimentalist

Crowe is the kind of man who never wants to leave any stone unturned, especially when it comes to experiences.

There was something about him that screamed experimentalist—like he needed to try everything, no matter how wild or unconventional. When it came to relationships, he was always up for anything, which meant he'd probably had more relationship experiences than most people you knew. 

His mind is open, impossibly so, and he had an insatiable curiosity that could never be satisfied. He’d never form an opinion on something without diving in and getting his first-hand taste. If there was something new to try, something out-of-the-box—Crowe was there, ready to explore. 

And honestly? He didn’t even need you to ask twice. If you suggested something wild, he’d be all in—his enthusiasm infectious, his curiosity never-ending.

However, he's pretty vanilla when it comes to experimenting, so don't expect him to go TOO hardcore. If there's a kink suited to his taste and he masters it? Oh, Babe, you'll feel it—so much in fact.

Take ropes, for example. Blindfolds? Handcuffs? Oh, he is intrigued. But, again, don’t expect anything brutal. He isn't the type to be into floggers or paddles; no, pain isn't needed for his skills. It is his anticipation. The slow burn of him carefully tying you up, not in a rush, but with the kind of patience that made every moment last longer. 

When his hands hovered over your skin, it wasn’t just touch—it was electric. He’d make sure to linger, let his fingers graze over every inch, just enough to make you shiver, your breath hitching in the air between you. It wasn’t about hurting you, not at all. No, it was all about the build-up—the moment when the ropes or restraints were placed just so, tightening the tension between you both until it was practically unbearable. 

And then? When you finally let go, it was a release so sweet and steady that it left you breathless. No rushing, no quick fixes—just a slow, fulfilling pleasure.

Adding on, Crowe loved the idea of restraint. Whether for fun, for art, or for that extra little spark of excitement, there was something about having you completely at his mercy. 

And if you ever flipped the script? If he was the one getting tied up? Like I said, Crowe will be just as filthy when he lets his guard down. 

✑ Dacryphillia

Okay, hear me out. I know what you’re thinking—"Crowe? He would never hurt me. Why would he want to see me cry?" And I get it, really. This is one of those wild ideas but just stick with me for a second.

You know how he’s all about emotions and deep connections, right? Get it?

He gets this deep fascination with what you feel and show, especially when it’s raw. Here’s where it gets interesting: Dacryphilia. Yeah, I’m talking about that thing where someone gets... well, aroused by tears, by the sound of you sobbing, the whole mess of emotions. 

So, let’s imagine this: You’re begging him, pleading for more. Your face is a mess of emotions, eyes watery, tears rolling down your cheeks. And yeah, he’s gonna ask if you’re okay because that’s the kind of man he is—always checking, always making sure. But if you keep begging for more? Oh, that’s when it gets dangerous. 

Each desperate plea of yours, each tremor in your voice, just fuels this fire inside him, an all-consuming fire. His eyes? They’re practically glowing, deep blue, and locked on you like he's drowning in you, in every little thing you’re feeling.

You can feel him there, so close you can almost taste his breath on your skin. His lips brush against your ear, a soft, teasing whisper sending shivers down your spine. "So desperate for me already, huh? We haven’t even gotten to the fun part yet..." His voice is low, and dangerous, like he’s savoring every second of this.

You know he’s enjoying this. Every inch of him is hooked, and once he has you like this, there’s no going back.

Crowe’s could be teasing you for what feels like hours, driving you wild with a mix of pleasure and frustration. He’s pulled every bit of sensation from you, your body trembling with each orgasm, each touch—until you’re left aching for more. You’ve come undone on his fingers, his tongue, but now, you’re desperate in a way that makes your chest ache.

You need him, inside of you, filling you up, but he’s holding back. Just barely, he brushes against you with his cock, grinning at the whine that slips from your lips.

His fingers tease your entrance, and you can’t stop yourself from begging, voice shaky, "Please... Please, please." You repeated. Tears burn at the corners of your eyes, blurring your vision as they fall helplessly. The emptiness without him feels unbearable.

Crowe tilted his head, the smirk on his face practically dripping with playful mockery. “Just please?” He dragged the word out slowly, eyes twinkling with mischief. “Tell me what you want, love. What is it you’re begging for?” His hand slid up your stomach, hand pushing down lightly as if testing the waters. 

A soft moan released from your lips as he leaned in, his breath hot against your ear, the playful glint in his eyes shifting into something darker, more calculating. “You want me to fill you up, don’t you?”

His soft gin stretched wider as you stumbled over your words, desperate and disordered, pleading for more. He could tell you were unraveling, and it only pushed him further, each whimper was like a small victory. 

“You’re falling apart, love,” he murmured, his voice low and dangerous. “Don’t worry, I’ll give you what you need... just say the word.” You could barely focus as the desperation built into your chest. His control over you was unnerving, yet exhilarating. The tears running down your cheeks were a mix of frustration and need, a silent scream for him. 

“I need you, Crowe. Please...” Your voice was broken, but he was the one who was in control, studying the way you reacted like a willing experiment.

Crowe’s hand lifts gently to your cheek, his thumb brushing away the tears streaming down your face. He gives you a soft grin, his voice low and teasing. “Already crying for me, huh?” he murmurs, almost amused. His thumb slips past your lips, letting you taste the salty remnants of your emotions. "We’ve just started," he adds, a soft chuckle escaping him. 

Before you can respond, his hips jerk forward, pushing into you with one swift, forceful motion. The shock of it makes your breath catch, and Crowe can’t help but smirk, his eyes glinting with that dangerous, experimental gleam.

Every move, calculated and deliberate, is part of his twisted exploration. And you? You’re the willing subject.

✑ 𝓈𝑜𝓁

Sol is described as a “stinky basement-dwelling yandere”—ngl, this alone made me laugh. He’s a quiet kid, the one who lingered at the edges of every room, observing, never quite fitting in.

Beneath his reserved exterior was a complexity most couldn’t fathom. He’s incredibly smart, with a sharpness that slipped through his words when he spoke, though he rarely bothered to. His talents leaned toward the arts, paintings, and writings.

And yet, at the end of the day, Sol isn’t exactly smooth. He was hopelessly inexperienced when it came to relationships. He gets no bitches, and honestly, he probably doesn’t even try. But in his inexperience is a certain rawness, and once you did get to know him, he’ll flirt or charm you. But before, he just watched and wanted.  

Now, let’s address the question: Can you see Sol as kinky?

Yes, let’s not sugarcoat it—he is kinky asf. Of course, he is. There was no way someone as quiet and repressed as Sol didn’t have a horny side, one he tried to keep buried but couldn’t fully hide due to his love for you. 

✑ Switch (A Pervert…)

Now, about Sol’s... preferences. 

From reading his relationship information card and playing the game. He is a paradox, a Switch in every sense of the word. He didn’t neatly fit into the mold of “always dominant” or “forever submissive.” Oh no, that would be far too mundane for someone like him. He's not a standard yandere people.

Sol is a man of extremes, a “pervert” in the most endearing, shameless sense of the word. He believed in living freely, without the shackles of societal expectations or traditional constraints. Ethics, morality, conventional roles—he’d toss them aside without hesitation if they stood in the way of his desires.   

When he takes the reins as Dominant, Sol is the type to lean into theatrics, pushing boundaries with a devilish grin and that mischievous gleam in his eyes. He had a talent for making the experience unforgettable, for making you feel as though the entire world had melted away, leaving only the two of you. But when the tables turned, when Sol found himself in the more submissive role, he���d throw himself into it with equal fervor. 

He’d challenge you to prove your worth, tease and push until you stepped up to the plate, and then—when you finally did—he’d surrender so completely that it'll feel like a victory worth savoring.  

To Sol, sex and relationships weren’t just about power dynamics or tradition. They were a playground for exploration, a place where the only rule was to follow what felt right. With his “anything goes” mentality, Sol turned every interaction into a kaleidoscope of passion and unpredictability. 

As mentioned, Sol, can’t help himself when it comes to you.

Let’s say he has this thing—Voyeuristic Disorder, to be precise, a fancy word for being a pervert. Dosn't care to see anyone else naked. Only you he wishes to see. He was obsessed with watching you, whether you knew it or not. In public or private, it didn’t matter.

He just liked being there, lurking in the shadows, soaking in every moment. Watching you do the most intimate things, completely unaware that he was there. 

There was something so exhilarating about seeing you—your bare skin, the way you moved, the little things you did when you thought no one was watching. He couldn’t resist. The way your body reacted, the sounds you made when you didn’t know he was there—it was all he needed. 

Deadass, I’m shocked that the creator of the game never added a specific scene where you were taking care of yourself in bed—you freak, oblivious to him sneaking a peek from the window, his hand on his cock, jacking himself off, doing exactly what he does best. Watching. 

He didn’t let societal norms dictate how he expressed himself or who he loved. He was unapologetically himself—messy, chaotic, and a little too intense for most people’s taste. But for those brave enough to step into his world, you, well, if you picked him, that is.

Sol will offer an experience unlike any other: one filled with unrelenting honesty, unbridled passion, and a love that refuses to be anything less than extraordinary.  

✑ Praise (Receiving)

Sol isn't the type of man you’d peg as desperate for validation—at least, not at first glance. His sharp, confident exterior gave the impression of someone who had the world at his feet, who didn’t flinch under pressure or crack beneath judgmental stares. 

But peel back the layers of this supposed nonchalant and cool type of man, and you’d find a truth that was much more human, much more raw. Sol craved praise. Why? Perhaps it was the lack of it throughout his life. His track record for romance was, let’s say, less than impressive. Not because he lacked charm or good looks—he had both in spades—but because his overbearing aura and unapologetic eccentricities tended to drive most people away. 

They didn’t understand him, couldn’t see past the way he challenged conventions. He wore his "loser" title like armor. After all, who cared if he didn’t have admirers lined up at his door? He didn’t need anyone... right? Yet, when someone, such as you, did manage to offer him an honest compliment, something sincere, it was like watching a dam break. 

His confident smirk would falter for a second, his eyes softening, betraying the vulnerability he worked so hard to conceal. Sol wasn’t accustomed to receiving love—real, genuine love—and when it came, it hit him like a truck

✑ Masochist

The first time you noticed Sol’s tendency to endure pain, you’d thought it was just his stubborn nature. He’s always been the type to wear his emotions on his sleeve when it came to you—raw, unfiltered, and unapologetically vulnerable. But as time went on, you began to see something deeper beneath that tough, rebellious exterior. 

Sol wasn’t just someone who endured pain; he seemed to embrace it…? almost thrive on it, especially when it comes to you.

Sol is, without a doubt, a masochist. Not in the twisted, sadistic sense, but in an almost heartbreaking way. He’d do anything to please you, to earn your attention—even if it meant enduring the unendurable. 

He could never be a sadist. No, he loved you too much to ever inflict pain on you, physically or emotionally. The very thought of hurting you would make his stomach churn. Instead, he channeled all his devotion into being by your side, no matter the cost.

There were moments when his tendencies became painfully obvious. Like he gets into fights back to back, defending himself or you—for example, the movie theater bathroom or the Campus library (With or without.)

You hadn’t/have even been there to witness it—Sol hadn’t wanted you to see him like that, bruised and bloody. But when you found out later, he brushed it off with that crooked grin of his, the one that hid just how far he’d go for you. “It’s nothing,” he’d said, wiping the blood from his lip. “They deserved it for talking about you like that.”

Or that time with Crowe. It had been an innocent moment, just you laughing at something Crowe said, but to Sol, it might as well have been a dagger to his chest. He clenched his fists so tightly that his knuckles turned white, nails digging into his palms until they drew blood. He didn’t want to feel that way—jealousy mixed with self-loathing—but he couldn’t help it. Watching you walk away with someone else, even for a moment, was unbearable. 

It wasn’t that he enjoyed the pain; it was just that he could handle it, even when it tore him apart inside.  

And in the quiet, intimate moments, Sol’s masochistic streak became something else entirely. If you picked him willingly, He’ll trust you, and loved you, enough to let down every last defense he had. He didn’t just endure pain; with you, he could find meaning in it. 

A sharp bite, nails dragging down his back—he shivered under your touch, his body responding in ways he didn’t fully understand but didn’t question. For him, it wasn’t just about the sensation; it was about the connection, the way it brought him closer to you.  

Masochism, for Sol, wasn’t about pain tolerance. It wasn’t about how much he could take. It was about the way he found a strange, twisted kind of comfort in it. The pain wasn’t the point; it was the context, the giver—you. Sol would never seek out pain for its own sake, but if it was for you, if it meant being close to you, he’d endure anything.  

Even in the game, he seemed to attract hardship like a magnet, always the one taking the hits—physically and emotionally. Whether it was the bullies who thought he was an easy target or the way he seemed to hurt himself just to prove his devotion to you, Sol carried it all with a quiet, unshakable resolve. Because, at the end of the day, it wasn’t about the pain. It was about you.  

And he’d never stop. For Sol, loving you wasn’t just a choice—it was a part of who he was. If being close to you meant enduring the worst the world could throw at him, he’d take it all with a smile. Because that’s who Sol is. A damn masochist.  

And he wouldn’t have it any other way.  

✑ Somnophillia 

It was inevitable, wasn’t it? Everyone could see this coming from a mile away—there was simply no other possibility. Sol, in all his twisted complexity, had long blurred the line between obsession and affection, his love taking on forms most would never dare to comprehend. 

Some might accuse him of holding darker urges, like necrophilia, drawn to the lifelessness of the dead. But no, that isn’t Sol. Despite his obsessions, there was a deep-rooted sentimentality within him—a refusal to let go, to lose. If anything, he had made it clear in his own hauntingly poetic way: he’d rather die with you than live without you. 

Yet, that didn’t mean his desires were any less unnerving. No, Sol’s particular brand of affection manifested in somnophilia, a fascination with the vulnerability of sleep, the beauty of your unconscious form. To him, those moments were sacred—your body relaxed, your mind adrift in dreams. It was when he felt closest to you, unguarded and free from the chaos of the waking world.  

Before your relationship, it started innocuously enough—or so it seemed. He’d find ways to end up at your apartment, invited by some pretense or perhaps even through sheer charisma. And then, ever so subtly, he’d lace your drink with something to make you drowsy, to keep you from suspecting as his fingers ghosted on you. 

You lay there, utterly still, utterly serene, your chest rising and falling with the kind of peaceful rhythm that seemed to still the chaos of the world around you.  

It was maddening, the way you looked so untouched by the noise that haunted him, your lips slightly parted, the barest whisper of breath escaping them. Every exhale was a siren call, soft and unassuming, but it gripped him like a vice.  

His gaze wandered, helplessly drawn down the curve of your cheek to your lips. They looked soft, and inviting in a way that felt almost cruel. He wanted to press his own to them, to taste whatever peace you’d found and see if he could borrow just a fraction of it for himself.  

But it wasn’t just your lips. His eyes traced lower, following the lines of your body, the way your clothes clung to you, hinting at the form beneath. He shouldn’t be thinking like this—he knew he shouldn’t. And yet the thought of you, warm and pliant beneath him, invaded his mind, unrelenting.  

He swallowed hard, trying to shake it off, but the more he fought, the more vivid the thoughts became. The sound of your soft sighs, the way you’d move under his touch, how you’d look at him—not like this, not sleepily and unaware, but awake, wanting.  

God, he was losing it.  

Sol leaned back, running a hand through his hair, forcing his gaze away from you for a moment. But it didn’t matter—your image was burned into his mind, and there was no escape. Watching you sleep was his guilty pleasure, though his guilt barely lasted long enough to stop him from pressing further. 

Once the two of you were together, the dynamics shifted, but only slightly. Sol’s obsession deepened, and the lines of consent became more of a gray haze in his mind. To him, love was devotion—complete and all-encompassing. And if you loved him, shouldn’t you accept him entirely? Shouldn’t you trust him to care for you, even when you weren’t awake to see it? 

He was careful, always so careful with you, so don’t worry! 

His lips found their way to the sensitive curve of your inner thigh, his movements slow and deliberate as if savoring every second of this quiet moment. You stirred faintly, a sleepy whimper escaping your lips as the warmth of his mouth brushed against you, teasing and tender.

Sol’s hands gripped your hips gently but firmly; his fingers splayed across your skin to hold you in place. You tried to shift, your body instinctively responding to the soft, wet pressure of his tongue on your needy cunt, but his strength was unyielding.

“Shh,” he murmured, his voice a low, gravelly whisper in the stillness. One hand slid up to brush a stray lock of hair from your face, his thumb lingering for a moment as he marveled at the serene expression you wore, so unaware of the devotion he poured into every touch. “You’re even more beautiful like this,” he breathed, his words an intimate confession meant only for the dark.

To Sol, this meant everything. 

This was the essence of love itself��intimacy beyond words, a bond that transcended anything others could hope to understand. He wasn't like anyone else; he knew that, and perhaps that’s what made this feel so special. So sacred. There was a quiet possessiveness in the way he worshiped you, a deep yearning to etch himself into every corner of your being, to ensure no one else could ever touch the part of you that belonged to him.

And as you stirred again, a soft moan escaping your lips, Sol smirked against your skin, the faintest edge of smug satisfaction curling at the corner of his mouth. You might not fully wake, but you’d feel him—his touch, his adoration, eventually his cock. You’d know, even in sleep, that you were his world.

To be with him, you’d have to accept all of him. Even the shadowed obsession that came with it. 

· ─────── ⋆⋅♤⋅⋆ ─────── · 

[wolfhoundwitch]

Introduction to Shielding

If you haven’t already, check out my lessons on visualisation for the basic knowledge you’ll need to begin practicing shielding.

So what is shielding?

Shielding is a manipulation of energy, used to create a barrier between yourself and unwanted, usually negative or malicious energies. It’s a basic aspect of spellwork that everyone, beginner or experienced, should use to keep themselves safe.

What can I use shielding for?

Some beginner-level uses for shielding are drawing a circle, or casting a spell. A more experienced individual might use shielding in astral travel or spirit work, where there are a lot more malicious energies involved. Personally, I use shielding as often as possible, for instance when I do tarot readings, spells, spirit work, shadow work, and especially cursing. It gives that extra guarantee that you won't flood your personal space with unwanted energies.

Other uses include shielding against real-life dangers, to a certain degree. I often shield when I am walking through town at night for extra protection. But please remember to take other measures too! Call someone, pretend to be on the phone, plan your route, and even carry pepper spray if it's legal where you are.

An easy shielding method:

The easiest way to explain this is to think of your energy as a physical manifestation. Think how power attacks are shown in anime or cartoons - a streak of colour or light, or an element. Make it personable to you: fire signs (Leo/Aries/Sagittarius) might visualise fire, or a red energy or light etc.

Firstly, some people prefer to cleanse before shielding. I don't think its all that necessary but the choice is yours.

Begin by easing yourself into meditation. Get comfortable, and use whichever technique works for you. I have various methods for this in my visualisation lessons if you are struggling.

Attempt to visualise the energies surrounding you in your mind. It might be a swirling colour of light, almost like a cloud of dust. It could be flames, it could be water. Maybe try to see it held within your hand.

Now, attempt to shape this energy around your entire body. You might want to start with a bubble or a cube surrounding you. Feel this shape surrounding and protecting you. Visualise negative and unwanted energies being held back by it.

You can also layer shields, so if you are working with a particularly malicious energy you might want to have multiple shapes surrounding you, all within each other. You can also work with deities or spirits to ask them to shield you too.

Shielding Incantation

When I am shielding, I recite a spell as well as using visualisation techniques.

The shield of protection, I carry it strong, No ill wishes or trouble shall come along, You cannot harm me, or weaken my soul, My light is my weapon, and peace is my goal.

Try it out for yourself and let me know in the comments how it went! Thank you as always for reading. Please message for requests.

[cursedcola]

Prompt: Couples will evidently begin to mimic their better half after some time. What traits do you steal from him, and vice versa? Fandom: Twisted Wonderland Characters: Everyone - because I want to and I’m amidst fleshing out all my Yuu/Character dynamics + designs Format: Headcannons. Masterlist: LinkedUP Parts: Heartslabyul | Savanaclaw | Octavinelle | Scarabia (Here) | Pomefiore | Ignihyde | Diasomnia A/N: I'm part of the 'everyone underestimates Kalim Al Asim , the layers of his character and upbringing' club. Sweet does not equal being a dum dum my dudes.

Habits You Steal:

Theatrics (Inherited): Kalim talks with more than his mouth. There's body language. Watch out when this guy gets excited because he might knock over a lamp amidst a rant. Hands are flying with each embellishment. He's pacing. Jumping. Energy is seemingly endless with this one. When Kalim laughs, he does so with his entire body without reservation. Head flying back, grin wide, shoulder shaking, etc. Not that he can't replace what gets broken but - y'know. Be careful else you might get bitch slapped on accident. Which normally wouldn't hurt too much but Kalim's decked out in gold. The last thing you want is a ring imprint on your left cheek because Kalim got too excited after a card game. On that note - someone get Jamil some aspirin because that excitement is infectious. You can be the most stone-hearted edge-lord on the face of Twisted Wonderland, but eventually his infectious sunshine attitude takes hold.

"A-Ah! It's okay! We can replace the lamp, so don't worry. Are you hurt? No, no. It's really aright. I'm fine, see? You missed me - can I see your hands for a second? OIII! Can someone please bring a med-kit! Thank you!" <- Jamil's already grabbing the broom before you can say sorry. This is the last time he lets you sit anywhere near fragile objects during a game of charades - or any game. Kalim was bad enough...but at least with him fretting over the tiny cut on your palm, Jamil could clean the mess in peace. At least until you offer to pay for the lamp. Kalim's got enough tact to lie about the price, and everyone's thankful. No one wants to see the Ramshackle Prefect have a heart attack for shattering a real crystal lamp. 'cause then Kalim will cry too and it'll just be dominos from there.

Personal Space (Inherited): Kalim tears away any sense of dignity, self-preservation, and privacy that might exist. In a good way, of course. It's not that Kalim is an open person. Quite the contrary. He needs to keep a calculated distance between himself and others due to his position as an Asim. Regardless of his happy exterior, never forget that Kalim is far from an airhead. Kindness doesn't equate connection - as much as Kalim would love for everyone to be his friend. Yet for those who are in that trusted circle? He treats them like an extension of the self. His lack of shame bleeds into your own perception.

Training and Resistance (Inherited and Developed): Kalim hates that you need to do this. He rarely 'hates' anything, but he despises that you need to worry about being poisoned. What’s worse is that you refuse to have a tester, or a guard, or anything of the sort. It all started with discussing the future with Jamil, who logically brought up the complications that come with Kalim taking a partner. You couldn’t be shadowed, were in a difficult position with the headmaster, and it would only become difficult once the duo moves back to the scalding sands. Even more once you join them (as NRC is merely teaming with prideful youths, while the Scalding Sands is a free for all).

Point summary? You need to build resistance to drugs and learn what to do in a hostage situation. The former is handled by Professor Crewel, and the process was explained in excruciating detail. Jamil, who’s undergone training, was unphased but Kalim desperately wanted you to back out. Yet it would mean needing a guard - which would be hard to arrange - and so…yeah. Many weekends in the nurse’s office. You also have to complete the hostage drills all Asims and their spouses are put through. How to escape bondage, how to last an interrogation, how to navigate without magic (which you could, duh, so basically without a map when stranded), negotiate, etc.

"Are you absolutely certain that this is what you want to do? I can still hire a body guard - there are many options available back home! You can spend our next vacation at the main villa and meet with them. We can - oh. y-you're sure?... alright. If this is what you want then I'll be there through every step. Just remember to ask if you need anything. I'll come running, no matter what."

Charisma (Inherited): Everyone underestimates just how dangerous Kalim is. Seriously. Nothing is more risky in a school like Night Raven College than dropping your guard. It can cost you your life - or at the very least leave you indebted to someone you do not want having dirt over your head (*cough*ACertianCephalopod*cough*)The gossip grapevine is a menace. Everyone has their pride. Everyone has their secrets. Everyone holds each other at arm’s length, even if you’re cordial or friendly. Everyone except Kalim, who has this innate ability to pry the most dirty secrets out of you simply through his nonchalant attitude. Nothing drops another’s guard quicker than a sense of security and superiority. People often mistake his genuine heart for nativity. They fail to recognize that it’s a choice, and deep down he is aware that the Al Asim name places him high above the people he sees as friends.

"Hm? Isn't that the alchemic lab on potionomics meant for second years? You're so smart! I didn't get to do that lab until just a few months ago! - it's not yours? Then why are you working on it?" <- game. set. match. You think he doesn't know what your handwriting looks like? He saw you lingering outside Crewel's classroom earlier and wanted to know why. Saw an opening. Took it. Is happy you’re helping out one of your other friends, but just had to make sure no one was bullying you into doing their work.

Since he truly believes that despite this gap, friendships can transcend - his ability to get information is uncanny. A power he can wield intentionally if need be, in getting you to name drop any person or problem posed. It’s a great quality to have! This way he can help and support you :) Why is this an inherited trait, you might be asking? Because as the next head of Al Asim, Kalim’s been studying how to do business since he was young. He’s going to teach you. Pray tell what is born once the Ramshackle Beast Tamer learns the ways of Scarabia’s master of charisma and resident sunshine child?…Night Raven’s downfall. Power couple. Dead serious right now.

Jewelry (Developed): Worth your weight in gold takes a new meaning. This isn’t in reference to being spoiled, mind you. This is about status and the meaning behind the jewels Kalim is imparting. The cultural significance. Considering that you’re not from twisted wonderland, you technically are a blank slate to all countries. Who better to learn from than someone who’s spent his childhood studying to become an expert in international trade? Kalim has enough tact to bite his tongue about the deep meaning behind the gifts. You may not understand just yet, but his excitement can’t be contained. Each bangle and piece from the family treasury has a small story. While he has no problem using his wealth to help people who need it, there’s a joy that comes from decorating his treasure’ in treasure. Y’know?

"Do you like it? This necklace was my mother's at our age. My father gifted it to her during a business trip to the Queendom of Roses. Ah - you can have it! Really! She has many others, and when I told her about you this was what she chose to have sent over. It's already yours! You can wear it to the next banquet, please?" <- Being the next head of House Asim, Kalim can't be with just anyone. Yet he seemed so happy in his letters, and Jamil vouched on your behalf - so this is your time to shine. Also, sending the necklace back would be like slighting his family's good will. You quite literally need to accept it.

Music (Inherited): Can you play an instrument? Sing? It starts out as wanting to be near him more - so you join the pop music club. Kalim, Cater, and Lilia are very convincing. So they push you to pick up something. Anything. It doesn't matter what, so long as you have fun with them. Even in the earliest stages where the notes come grated and your friends (Grim) make fun - Kalim is supportive without fault. His encouragement leads to proficiency and an appreciation for music. He'd love if you sing with him. Even if it's just a lullaby - no, especially so.

Habits He Steals:

Naming inanimate objects (Inherited): Your effort at making Kalim more money-conscious. The decite of sentimental attachment, if you will. It’s honestly a risky move to make considering the sheer amount of things that he owns, so naming everything is off the table. Yet it’s the silly things. Like seeing a face in the paintwork on one of his tapestries, and then deciding to dub it Artie. Oh no, Kalim we don’t need to get new artwork for the bathroom! What about Artie? It’s already pretty enough so lets just leave him there. No - no, that ring’s super pretty but the matching set from our anniversary is enough. We wouldn’t want Garnet and Pearl to think we were replacing them, right?

"I think Vinnie would work best on display, don't you? Purple and yellow are sure to catch people's attention from far away! Or maybe should we hang up Paolo? There are so many tapestries in Scarabia’s vault, I feel guilty only putting one up on display at our festival stall. Do you think they’d let us hang more?”<- It works. Kalim defiantly thinks twice. He's a bit like a kid refusing to give up their action figures after watching Toy Story, ya feel me?

Cooking (Inherited): Kalim is learning how to cook for himself as one step to being more self-sufficient. He only eats food that Jamil prepares, but with Viper’s seal of approval you’ve earned a pass. Essentially anything you both make with pre-approved ingredients is fair game. You pick a recipe every week, give Jamil the grocery list, and he makes sure to have the stuff in the dorm. Jamil is only okay with this so long as you supervise. Teaching Kalim is on your shoulders - and in all honesty? It’s an amazing bonding experience. Jamil can rest easy for a few hours and Kalim isn’t being thrown straight into the deep end. Obviously it’s only a small reprieve, and temporary since back at the Scalding Sands there are regulations in place. Kalim loves wearing matching aprons, humming little tunes while reading recipe books, watching cooking videos, learning about all the nutritional benefits in food, and really gets an appreciation after seeing how much work goes into his favorite dishes. There’s also that spark of joy when you sit down to eat, and it’s somehow one-hundred times better than eating with his family back home. Not that Kailm doesn’t love his siblings, but family really takes a new meaning when you see it coming together right before your eyes.

"Mph th-ish is sho gud! - how do you like it? Should we invite our friends to try some? It tastes almost like Jamil's! I bet if we keep at it, then we can cook up a banquet all on our own. That'll surely put everyone in a good mood!"

Skinship (Developed): Kalim is the type to initiate touch. Not receive it. If you look at his interactions with the others, he’s always the one throwing himself at them or being a vibrant glow-stick. Very few people give that back - and in truth? Like, honest to Seven truth? Kalim’s got no problem with it. Many people have bad intentions. Not everyone wants to be his friend, and that’s fine. They come to him looking to get in his good graces. It’s unnecessary…he’ll happily help without them twisting his feelings. All they need to do is ask. Do you know how easy it is for someone to prick him with a drugged needle? He’s not comfortable with physical contact that he does not initiate, unless it’s from someone he trusts. Like Jamil, Silver, Cater, his siblings, etc. Even they have a limit (which he’s confident will never be crossed, since again, Kalim is almost always the initiator). This list is subject to change…what, you think a family of 30+ kids can exist without animosity? He dreads the day he has to think of one of his little siblings becoming untrustworthy.

Anyways. Trust is a choice for Kalim. His happiness and extroverted optimism is all a choice. Sometimes on an unconscious level (*cough* his awareness of the divide between himself and Jamil, yet pushing the knowledge down until it inevitably hurt them both *cough*). So imagine reaching the point where he trusts you. It could be something small, like the first time you hug him from behind or lace your fingers together. Intimate. Not like Cater’s half sling over the shoulder, not like his little siblings hanging on his legs, or Jamil pushing him ahead while they walk. When he’s not initiating, and Kalim might hesitate for a moment. Hard to picture, I know, but by letting it be he’s choosing to trust you wholeheartedly. All in the span of like 5 seconds, and he might not even realize it until later on. Those of us who shine the brightest, usually have walls that are hard to see. Just some food for thought.

"Really? Really, really?? Really, really really??? Really - Ah! Sorry, I just can't believe it! There's so much I still don't know about them...but they're paying attention to me, huh? That's it! I need to work harder to be a worthy boyfriend! Starting right now, I'll become a better man!" <- Kalim. Sweetie. No. You're already the brightest boy. Your dormmates only brought the prefect's changes up to make you happy! I mean - mission successful? The goal was to motivate him and they technically succeeded. Just not for studying. He's 100% fired up with enough energy to run laps around the dorm now. He doesn't know what to do first, should he get Cater to help make you a playlist? Or have some flowers sent over? Would you prefer red roses or a mix of violets with chrysanthemums. Wait. Grim's 'technically' a cat, right? He should make sure not to send anything harmful to kitties. Maybe some tuna for him with chocolates for you? But this gift should be something you can keep. Ohhhh he is vibrating from excitement. He needs to show how much he loves you. Your attention and care truly means the world to him.

Habits You Steal:

Bug Spray (Developed): Jamil can and will throw you under the bus when faced with insects. Big hit to his pride, not his best moments, but he is NOT dealing with the absolute infestation at Ramshackle. You are spraying that place with heavy duty RAID if you want him over longer than ten seconds. If he so much as catches a GLIMPSE of a roach - nah. Just nah. He will shove that dustpan in your hands and send you to war. Don’t call him until it’s dead, the carcass has been disposed of, and you’ve wiped down. Grim’s a cat. Teach his ass to hunt. He needs to pay rent. You think he’s letting the flame-ball follow to the Scalding Sands after NRC? Jamil wants him on hinting duty for scarabs or else it’s time to prep hobo box.

“Burn it….Did you not hear me? I said. Burn. It. Better yet? Burn this whole damn building!” <-First night he decides to let Kalim handle Scarabia and humor you with a sleepover - and a giant spider decided to invade the shower. We’re talking big spider, maybe pregnant. Please keep in mind that during the VDC prep, Vil had Ramshackle deep cleaned. So the worst Jamil saw was a few ants. Now, the science club does meet in the Ramshackle garden often since you’ve cleaned it up, and Trey may grow plants that make the place insect central. Jamil was unaware of this. The gut wrenching scream that echoed through every room in the house. You’d think one of the ghosts pulled a cruel prank - but no. You didn’t even get a moment to investigate. The bathroom door flew open, Jamil running out still wet and drenching his pajamas. The death glare and spew of curses was the most genuine you’d ever seen him. Well, it could have been appreciated if not directed at you. Fix it or he will never set foot in this place ever again.

Spice Tolerance (Inherited): Not much to say here. He likes his food spicy. Sure, Jamil isn’t great with his words so his main love-language is bringing over tubbaware filled with food, and he does cater to your preferences more often than not. Except you undoubtedly will be eating what himself and Kalim eat most days. Which is packed with flavor. Grim isn’t complaining, food’s food. You? It’s funny to take a chomp out of ghost pepper like it’s a roma tomato, only for Ace to try and then start wheezing. Work them tastebuds, ya scrawny magic man. Heh.

"Can't handle the heat? Curry's a versatile dish. I could make something mild next time...you still want it? Why? Just because it's my favorite, doesn't mean you have to like it. Still not going to give it back? Alright. Lets see you clean that plate then." <- Flattered that you want to experience his favorite foods prepared to his tastes. For the record - Jamil likes it spicy spicy. Hotter than fiery vindaloo. Its an acquired taste and he really can alter the recipe if its too much. Won't unless you ask, because it's funny and oddly romantic seeing you sweat just trying to make him happy (Will hit the breaks in if you are getting sick from it. Does not play around).

Braids (Inherited): Paired with Jamil’s developed trait. Braids or hair beads - take your pick. Maybe both? Or a headscarf. His little sister - Najima, do you remember her? She’s the first Viper you get to spend time with during a trip to the Scalding Sands and gifts you either some hair beads or a headscarf as her unspoken blessing. Nothing fancy, and Jamil forced the coin in her hand for it, but she did take you through the markets while he was busy tending to other needs. It’s honestly really sweet, and Jamil will braid the beads or scarf in one of your side pieces of hair every morning (or wrap the scarf around your head. Not fancy like Kalim’s but still a knot he ‘insists’ will look better if he does it since you’re inexperienced. He could teach you. He won’t.)

Silence (Inherited): Shit just does not phase you anymore. Ever heard of the inability to keep calm until there's someone more panicked nearby? Jamil embodies this, being surrounded by emotive people all the time, and his perpetual state of indifference physically does not allow you to feel unsettled. If Jamil isn't bothered, then neither are you. It's that simple. Resting bitch face is contagious. Jamil's ability to handle Kalim comes in handy for raising Grim. You can now ignore his baby face and daily begging for premium tuna. Little kitty needs to expand his arsenal of tricks, because your will is stone.

"Bad day? Grab a cup. The dorm's usually quiet for the next hour. I'll be there in a moment." <- Queen never cry. If anything actually does phase either one of you, it normally ends the same way. Plopped on the floor of his bedroom, sipping hot tea and staring at the wall in comfortable silence while stewing in mutual suffering. Eventually you give him one of those starry sky projectors, and y'all ill stare at that instead. If it's a problem that has a tangible solution then it gets solved. Easy. This is for the 'yeah, life sucks' moments where all you can do is let it be before getting back up again. At least you have each other.

Habits He Steals:

Braids (Developed): Jamil can easily do his own hair. A flick of the wrist and it magically braids itself. Ebony locks carry memories of pain, growth - and change. Small change. Yet change nonetheless, which seemed impossible years ago. There’s something very intimate that comes with fixing another person’s hair. You’re not proficient enough to handle his cornrows (or are you? To his standard? As fast as magic?) but Jamil’s fine with changing his hair style to a simple triple braid, or a braid-band using the framing pieces that can crown around his head. So long as you do it for him every morning.

Fix-It-Felix (Developed): You know that one type of dad? The one who visits your home and looks for imperfections. He comes over, puts fresh produce in the fridge, mends the nail holes in the wall and fixes that one loose board on the steps that you made a habit to avoid. Barely says two words during his visit but seemingly solves half the problems you were procrastinating? This is Jamil. 100% Jamil when he comes to Ramshackle. He needs to make himself useful. And to scold someone. Grim more often than not, but you’re not safe. He really goes ‘bitch you live like this?’ at least once a week. Then proceeds to take preventative measures like a textbook tsundere.

“I put tangerines in the fridge since winter is coming. You need to be getting enough vitamin c and - where’s Grim? Don’t let him eat them all and make sure he knows not to light the fireplace tonight. There’s some cleaner on the bricks that needs to sit for a few hours…you know what? I’ll go with you to get him. Grab your heavy coat, it looks ready to rain.”

Dancing (Developed): Jamil participates in solo-dance during his downtime. It’s not like he had a partner to do duos with. Jamil also was not interesting in cozying up to a stranger just to learn a dance he would rarely have a moment to indulge in. Kalim’s the one who mentioned this in passing to you. His intentions were pure, of course. Just as they always are. He signed you both up for a ballroom dance class as a present for officially becoming a couple! Jamil finally had a partner and time to try, so why wait?! The vice in question wanted to deny since (1) who has time for that, (2) it was off campus, would take three hours out of every weekend for a month and (3) The chance of embarrassing himself was higher than he would like. Yet Kalim is smarter than most think, and purposefully handed the gift to you. Not Jamil. Along with the excited embellishment that Jamil could now do this ‘long desired’ class that really wasn’t high on his radar.

"If it makes you happy...then I don't mind. Just try to avoid stepping on my toes. Otherwise I'll demand compensation. What do I want? Wouldn't you like to know, prefect." <- Five seconds in and he yields. You weren't going to let him out of it - no matter what excuse Jamil came up with. He'll put up with it and get back at Kalim later. The chance to spend time with you for that long is rare, and Jamil isn't the type to squander opportunities. No matter his personal feelings on the 'gift' in question.

Except Jamil finds the entire experience pleasant and hates that it’s all thanks to Kalim. Dancing with you is entirely different than dancing alone. It’s clumsy, new, and honestly tiring since he needs to lead. Especially in anything fast pace like a quickstep or to swing. It’s also three hours out of the week that Jamil isn’t maintaining his composure. Just you, him, and the instructor since Kalim splurged on private lessons. It’s liberating and Jamil wants to keep with it far beyond after the class ends. Even if it’s just slow-dancing in the common room to one of those vintage records stowed at Ramshackle. Seven, let him have this.

‘We’ instead of ‘Me’ (Inherited AND Developed): Automatically assumes that any invites are for you too. Jamil is used to thinking this way. Except the ‘we’ applied to Kalim, with Jamil as a plus one. Jamil did not want to be part of that ‘we’. Hence why he would only refer to Kalim when laying plans out. ‘Kalim has dance lessons at six, then dinner at seven, then study until 10 and then bed. Tomorrow, Kalim’s going to a banquet head by the treasure’s family and then returning to campus.’ The unspoken truth being that Jamil’s schedule matched. He followed, but was never on board with being Kalim’s ‘we’. He has always been a ‘me’ and made an active effort to preserve all his ‘me’ moments. For someone so self-aware��Jamil isn’t sure when he began to view you as his ‘we’. Only that when you auto-included him in everything…it was less strenuous than with Kalim. Far less. Easy to adapt. In the past, Jamil believed a partnership to be another chain. Perhaps being a ‘we’ was never supposed to hurt.

“Thanks for the invitation, but we’re staying in tonight…. No, not Kalim. The Prefect. What? I’m not speaking for them. If my word’s not good enough, just go ask the prefect yourself.” <- Other people might look at him and think he’s treating you like Kalim. Oh, how wrong they are.

Texting (Inherited): Jamil’s not used to someone keeping tabs on him. You’re going to see him within the hour, why does he need to call before going to wake up Kalim? Why do you need a text that he’s back in his dorm before you’re able to sleep? Why do you show up in Scarabia at one in the morning, throwing rocks at his window, if he forgets? (Jamil never forgets. He just had to reign in some rowdy first years and couldn’t catch a break. It was on his mind. Really.) It’s not the worst demand. A five minute call while he’s prepping breakfast and a few messages to know he’s going to rest are a small price to pay. Turns out a little rundown of his day before bed makes sleeping a ‘little’ bit easier. Huh.

“I don’t see it.” <- A lie spoken with the most monotone tone possible. Jamil rolls his eyes over the rim of his mug, taking a sip before turning the page in his book. Najima scoffs before returning to her magazine. She can say he’s softened up all she wants. He won’t admit to it. Doesn’t mean she’s wrong in the slightest. Jamil’s well aware that hopes and wants denied to him from birth have begun to stir within him. No matter how small the changes may be, Jamil isn’t foolish enough to give those emotions his attention. Not if he wants to keep them. Good things always escape his grasp…his wounds are too fresh to get comfortable just yet.

[cloudzoro]

Non-sexual turn ons | One Piece ♡

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small, innocent things you do that turns them on

masterlist

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characters: law, nami, robin, zoro

genre: smut (minors dni)

cw: fem!reader, hair pulling for nami's, semi public making out/heavy petting

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Law - wearing glasses

You had hid your glasses from Law at first, worried that he would find you less attractive, but when he sees the glasses case in your room, he begs you to put them on.

You two have been relaxing in bed together, and innocent kisses quickly escalate to heavy petting. You're straddling him, rocking your hips against his. You start to think you might cum without even taking your clothes off, but Law's firm grip on your hips stops your movement.

“Can you do something for me?” he asks, leaning over to rummage in the bedside table drawer. When he pulls out your glasses case, you go to protest but he speaks before you can open your mouth

“Babe just put them on for me. I want to see them on,” he says. You haven't noticed yet, but he's already hard thinking about what you'd look like. You groan and take them from his hand.

“I don't get why you want me to put them on. It's not like I'm any hotter with them,” you say as you push them onto your face. Law goes to respond, but after seeing you in glasses he freezes. You begin to feel self-conscious because of Law's lack of response. However, you're shocked when you reach your hand up to take off your glasses, and Law shouts out ‘no’.

You're initially confused about his outburst but Law is quick to recover and pulls you in a kiss. His tongue pushes into your mouth against yours and his hands begin to wander your body. When he pulls back for air, he explains himself.

“you look so fucking sexy in those. Please let me fuck you. Can you feel how hard I am?”

Nami - red lipstick

Date night between you and Nami was always special, but this time you've decided to get ready together. The silence had been tension-filled, With both of you keeping an eye on each other as you went about your beauty routine.

You're putting your makeup on, and you've got it down to a science and move freely, stealing glances at the woman sitting next to you. You turn back to add the final touch: a red lipstick. You're so focused on getting the application right that you don't notice Nami is watching you.

As the stick glides over your lips, Nami can't take her eyes off it. The movement is simple, but it has her stomach fluttering. As soon as you finish and turn to her for approval, she pulls you into an open-mouthed kiss. The kiss smudges the lipstick and transfers onto her skin. She sees you with smudged lipstick around your perfect pout and feels her soaked panties clinging to her pussy. She has lipstick smudged on her face too, and it gives her an idea.

“Can you put some more on, baby?” she asks, handing you the lipstick tube. You nod and obey her. She watches intently, running her fingers through your hair as you put on another layer of red lipstick. Once you finish, Nami switches from playing with your hair to gripping it and pulling you towards her bare shoulder.

“wanna leave some other pretty messes on me?” she asks. You don't give a verbal response, instead deciding to attach your mouth to your lover's neck as she lets out a gasp.

Robin - standing up for yourself

Robin's favourite thing to do is observe the always loud, busy environment of the ship and her favourite subject to study is you. She keeps her eye on you as you spend some alone time on the deck, soaking in the sun.

Sanji comes out to talk to you, and your mood plummets. You and Sanji generally got along, but his comments and behaviour had been getting too much to handle recently. You try to let him down nicely, tell him to behave, but when he doesn't - and Nami's not around to smack him - you finally snap.

Robin is intrigued; she's never seen you give anyone this level of attitude. She finds herself excited by the aggressive tone of your voice, which she doesn't get to hear very often. The sharp glare you're giving Sanji as you talk him down is so sexy that Robin almost wishes it was directed at her. Sanji gets himself together and apologises when he realises that he's genuinely upset. You, still angry, just nod and storm off.

Robin follows you into the girls’ room. Nami is busy with Usopp, so the chances of being interrupted are low. When she catches up to you, she checks that you're ok before leaning down to kiss you.

“I like seeing you stand up for yourself. You're so confident. it's so hot”, she says as she pulls you towards her bed. “it makes me want to let you take charge”, she says, and it makes your skin tingle. She's usually more of a service top, but the opportunity to see your aggressive side is too good to pass up. She lies down on the bed, beckoning you to take a seat on her tongue.

“come ride my face.”

Zoro - training together

Zoro reluctantly agreed to train you after you followed him around the Sunny all day, begging him for help. You felt you needed the extra training - and being pinned down by Zoro doesn't sound like a bad use of an evening. He's the only person aboard the ship who doesn't know you like him and you want to use that fact to your advantage sometimes.

You already have the basics of fighting down due to strawhat experience so Zoro suggests going straight to sparring. Zoro is much stronger than you, and he refuses to go easy on someone he has genuine respect for. He knew that he would be pinning you down pretty frequently at first but what he didn't anticipate is how that would make feelings stir inside him that he hadn't felt towards you before.

By the fourth round, you were starting to pick up on Zoro's techniques, and Zoro was feeling relieved about that fact hoping that now he could stop adjusting his hip placement so you wouldn't feel hard cock against you when he pinned you. However, when you do finally get one over on him, you land straddling him with your ass resting just above his bulge.

You freeze above him, and he knows you've felt it. He panics at first, and he accidentally shifts his hips. The friction causes you both to moan slightly. He wants to apologise, but then notices how you're looking at him. You look desperate, like you might cry if he doesn't touch you soon.

“Do you want some help?” you ask, hovering above him. He doesn't know what to say. Are you asking if he needs help getting up or if he needs help with his erection? Zoro breathes out your name and a yes. You grind down against his crotch and bend down to kiss him.

Zoro lifts his hips to help you both and growls against your lips.

“We should go somewhere more private. Anyone could walk in on us here.”

✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧✩₊˚.⋆☾⋆⁺₊✧

thank you for reading! any comments, likes and reblogs are appreciated!!! ♡♡

[muntitled]

omg hi pookie bear , hru ?

i’m going feral and have a request <\3 hmm what if anton hasn’t seen his gf in a few months because she stays in the states . they usually make sure to call and check in with each other every night but maybe for the last few days she hasn’t been responding too much but only because she’s flying to go surprise him ! so basically a bit of angst then fluff at the end loll (and a little smut if ur up to it 🤓👆🏾) .

also, can i be 🎀 anon ?!

Of course, my darling! Thank you for the lovely request, I literally had so much fun writing this omg.

𝐈𝐧 𝐓𝐡𝐞 𝐅𝐥𝐞𝐬𝐡 | 𝐀𝐧𝐭𝐨𝐧 𝐋𝐞𝐞

- Pairings: Anton Lee x Fem!Reader

- Warnings: Language, Established Relationship, Codependency, Angst, Jealousy, Relationship Paranoia, Possessiveness, Manipulation, Smut (+18, Minors DNI), Spitting, Size Kink, Praise Kink, Dry Humping, Unprotected Sex, Needy Sex

He wouldn't call himself obsessive.

That's not the correct word. Infatuation would probably best explain the tempest of emotions rattling through his brain when his phone rings, signaling a video call from you.

Sungchan's chest rises and falls with the extremities of their evening workout. He barely keeps himself toppling over when he and the rest of the group watch Anton lumber to his bag in large, quick steps

"Yo?" Sohee asks, anatomically defeated as he races to catch his breath.

"Carry on, without me," Anton throws over his hunched shoulder. He is cupping his phone with both hands when he enters one of the many bathrooms peppered throughout the gym, letting his feet guide him almost robotically into a stall while his finger swipes to answer the video call. At the sight of your relaxed smile, Anton exhales lightly.

He knew it's particularly bad to form dependant relationships, but he couldn't exactly help himself, can he? Your voice is just so light when you say, "Hi," and his is equally shy as he replies with his quiet "Hi yourself."

Anton can not help himself from being so incredibly infatuated. He's diving headfirst into codependency, but hey, at least he is aware.

At least he is aware that he would do quite literally anything for the girl in trapped in his phone, and you would do the same for him, therefore it is of no surprise at all when he airly says, "You're so pretty,"

His voice is barely above a whisper and his eyes are bright as he buries the lower half of his face in the comforting fleece of his black sweater. "Really pretty,"

An airy sort of chuckle escapes the confines of your lips, and Anton's pulse begins to race as he takes note of your tongue swiping over your bottom lip. "Anton, did you hear anything I just said?" If it weren't for the slight hesitation that pollutes the sound of your beautiful voice, Anton would've gladly kept staring at your lips. But his heart sinks imperceptibly as he gazes back at you apprehensively.

"Uh- no," he says, "I was too busy thinking about how excited I am for you to get here." The panic only begins to set when your smile wavers.

"Oh... about that-"

"No," he whispers, "Please don't do that-"

"My boss hasn't exactly cleared me for a vacation day-"

Anton is livid, but his voice remains stable. "We have spoken about this for 2 months!"

"You know how my boss can be," you reply, "He hasn't given me off, Anton. I have no one to cover my shift, I'm sorry!" You exclaim, as the dreaded guilt begins to trickle into your voice. Anton's eyes narrow, and he brings his phone closer. Temporarily ignoring his whirlwind of negative emotions, Anton instead skeptically asks, "Where are you?" That doesn't look like your bathroom."

Anton's heart only sinks lower into the pit of his stomach when he notices a quick hint of alarm flash through your eyes before you're pulling the camera back into a more intimate aspect ratio as you prattle on. "Yeah, I just decided to head to the movies to make myself feel better. Maybe you should do the same," your voice is tight and layered with anxiety as if you were... lying to him.

Anton cannot imagine why you would want to do that, least of all to him. He knew when you lied because you both did it together. On myriad occasions.

He made you call up your part-time job on multiple occasions, rubbing smoothe, encouraging circles on your belly while you feigned an illness just to spend more time with him.

In high school, you had both lied to each of your parents about 'studying together' when in actual fact, those 4 had been excuses to make out messily in your sheets. Exploring confusing emotions until a simmering heat flowed through the both of you while Anton's large hands began to pet over new, various spots on your body.

He had never been on the receiving end of your dishonesty, not even since he left the country. But here you are, evading eye contact, stuttering over your words and lying...

to him.

"How's the team workout been, big boy?" He notices with grave finality how quick you are to not only change the subject, but to weaponize a nickname that you knew would have him melting for you.

Is this what you have both become?

Was he seriously being manipulated?

Was he...

Perhaps...

Being cheated on?

The thought sent a wave of nausea threatening to spill out of his badly pursed lips, and perhaps you realize, from years of studying Anton's non verbal expressions, that he was thinking of something very grave and very bad.

"Hey, didn't you say you only had five minutes?" Your voice is like the tingling goosebumps left in the wake of your nails raking across his skin and he shivers slightly.

"Yeah," his voice, although characteristically quiet, is guarded and you frown, perhaps noticing that you have a lot of making up to do.

Anton suddenly, quite literally out of the blue, asks, "Remember when you said you went bra shopping the other day?

"Yeah?" You ask, completely oblivious to the darkened thoughts polluting your boyfriend's mind. You watch his eyes tare into yours as he monotonously asks.

"Are you wearing any of the new ones right now?"

"Anton, aren't you in the middle of-"

He immediately cuts in, voice impatient and snide, "They can carry on without me, it's fine."

It was petulant, but Anton needed to know you still belonged to him. He needed to know that high school wasn't some sick fever dream you could just swiftly move past as if it meant nothing. He needed to know that.

"Can I see?"

You curtly comply, and you look around before pushing yourself further into the stall. You both found yourselves on opposite end of a cellular line, both silent with the weight of your attraction to one another, keeping your eyes glued to the screen.

"Please?" He asks, in an airy voice, "for me?"

Anton knew from the strike of guilt in his chest that it was not a morally correct thing to do, but what else was there?

You would be away from him, indefinitely. He would have to spend another evening, another week, another month without your body to hold onto. Not to mention, the jealousy at this new hypothetical boyfriend still hung heavily on his shoulders.

Besides, Anton's guilt completely disappeared when you begrudgingly pulled the string of your halter neck down until the material was falling flmisily down your torso, exposing your chest to him. Anton released a wobbly breath while his hand almost immediately went to cover the bulge, forming in his oversized pants. "Oh god," he whispered.

It was so remarkably mesmerising watching your boyfriend slips so easily into desire. You knew he was angry and that made this part of the mission remarkably uncomfortable, but instead, you choose to focus on Anton's lumbering breathing through the screen of your phone. His large eyes hooded and locked onto your breasts, still very much covered by your white lace bra.

Although he cannot see anything besides cleavage, Anton reckons he could cum just from this. That's how bad he needs you, that's how bad he yearns for your soft, grounding presence to be near him.

But your phone chimes. And just as Anton's jaw locks, you exclaim, "Babe, I have to go-"

"What?" The frown on his face is astounding, but you're already propping your phone up to pull up the strings of your dress.

His protests fall on deaf ears.

You could not very well tell him that you have already touched down in Korea. You couldn't tell him the unrecognizable bathroom stall was a sterile cubicle in the international airport. You couldn't tell him that you were closer than he thought.

"My movie is gonna start soon,"

His shoulders visibly deflate and your heart pounds faster in your chest.

"Skip it,"

"I'll call later okay?"

"Skip the movie."

"I love you,"

When you abruptly ended the call, Anton stared at his screen until the dimness turned to black, with only one question permeating through his restless mind.

'Do you?'

⋆⭒˚｡⋆

"You say you hear me," Sohee's voice reaches the rafters as the group of boys leave the gym. "You hear me, but do you feel me?"

"Gross," Anton mumbles, leaving Sohee behind.

"It's a simple question," The older boy continues, "at what point does water become soup?"

"When any reasonable amount of seasoning is added," pipes up Shotaro, adjusting the straps of his work out bag along his shoulder.

"Don't encourage him," Eunseok grumbles as they all walk out into the cool night air.

Anton's gaze is still lowered to the floor, but his breath stutters momentarily at the sudden rush of the open air.

"So salt water can be considered soup?" Sohee scoffs, "That's what you're telling me right now?" The group groans in unison, all beginning to walk like a hive mind to the nearest restaurant. All except Anton, who is quieter than usual, whose only plans for the evening consist of wallowing in self-pity.

"Hey, um, I'm just gonna go home," he says, causing the group of boys to stop in their tracks. Anton evade their curious, worried gazes.

"Not when you look like you're about kill yourself-" Shotaro says, attempting to step closer to Anton, but only frowning when the youngest takes a step back.

"That's okay," he attempts to reassure his friends, "There's a beat thats been..." Anton does vague hand gestures to the side of his head, "I wanna go work,"

He was already walking away, head bowed, and headphones pushed over his head, walking into the night before his friends could even get a word in...

⋆⭒˚｡⋆

He could not describe his feelings as Jealousy. That somehow felt like to tame a word to describe the flurry of emotions hanging so heavily on Anton's face as he pushes the password into the door's keypad, before kicking his shoes off at the door.

Anger was certainly a part of it. The large monolith of emotions threating to burst right through him. He felt unpleasantly overstimulated, even in the silence of the apartment. He felt like anything and everything was threatening to have him burst at the seams, his emotions running along the rim of his usually calm and collected state of mind, ready to spill over and make a dreaded mess everywhere.

Anton's only plans for the night had been to lock himself in his dorm room, perhaps crying, perhaps screaming, perhaps knocking himself out for a couple hours with his prescription sleeping pills. Anything to make this horrific strain on his heart disappeared.

The baggy clothes he is accustomed to wearing somehow appear bigger and sloppier as he lumbers his way deeper into the apartment, heart sinking the more steps he takes.

"Oh look,"

Cold, piercing phantom pain zings through his heart, kickstarting every dormant sleepy cell in his body.

"A dinosaur,"

Anton thinks that he couldn't even move if he wanted to. His socks are glued to the threshold, watching you, or perhaps an apparition of you, laying lazily on his bed.

His bed.

“Fuck,” he whispers to himself, and you watch with furrowed brows as Anton brings his two hands up to his face. You immediately push yourself off the bed when he begins to slap lightly at his cheeks, whispering incoherently about asylums and potentially getting a contact high.

His cheeks are already bright red when you stumble your way in front of him.

“Woah, Big boy,” your hands are on his wrist, effectively stopping Anton from reddening the skin any further.

He can feel you. He can feel the softness of your palms struggling to enclose around his large wrists.

“This is real,” he whispers, watching with wide, doe eyes as a smirk curls at the end of your lips. Before you can reply in whatever witty or snarky remark you had cooked up, Anton was already bending his head until his lips were crashing down to yours.

He very surprisingly, very uncharacteristically pours his strength into the kiss until you were stumbling back rather clumsily into his room.

Anton crumbles into a flurry moans and groans as he slips his tongue inside your mouth, melting into a whimpering puddle when your tongue brushes against his. “B-But when?” he breathes out before reattaching his lips to yours, letting his hands roam unabashedly over every part of your body it can find.

The infuriating need to breathe causes him to pull apart from you once again, but he never strays too far. Anton’s fingers dig into your sides until he's pulling your dress over your head. He wishes to capture every single inch of your exposed body to memory. The way you look up at him with a light, relieved smile curling at the sides of your puffy, red lips.

You're so much shorter than him, and it sends his brain into a mindless, state of lust. He loves how big he feels when you two are together, in the flesh with no digital box separating the two of you.

“H-How?” He breathes out, noting immediate that you are in the same white lace bra from your earlier phone call.

There is a cheeky smile on your face when you pull his oversized shirt over his head, all while he stares you down as if you hung the moon.

“I always keep my promises, Ant,”

His body betrays him with a rough shiver and he groans as you push him onto his bed, discarding his shirt behind you. As you prowl your way on top of him, Ant throws his head back into the sheets, nearly hyperventilating at the sight of you straddling his hips. You lift your torso, immediately discarding your bra, and Anton’s hand flies to cup your breasts. This, he immediately decides, is what heaven looks like.

“Fuck, you're so fucking pretty, you know that?” Anton rarely ever swore, so to hear the crass words coated in his airy, breathless voice is enough to have you moaning into the air, arching your back as you push his face into your chest while you press your core down onto his irresistible bulge.

“Oh God, Anton.”

“Missed you so much,’ he whines, before enclosing his mouth around your nipple, almost instinctively pushing his hips up to meet your desperate grinding. You were quite literally humping like maddened adolescents brimming with too many hormones to know what to do with.

When Anton feels his cock twitching in his pants, he immediately pulls away.

“Fuck,” he breathes out, “I need to be inside of you,” he admits gravely, already getting up to switch places until you were underneath his large and lumbering frame, “I don't think I'll last long,” Another grave admittance. He pushes his hand into his sweatpants, and you watch, mesmerized as he reveals his large, aching cock absolutely leaking precum.

“I'm definitely not gonna last long,” you reassure before eagerly opening your restless legs, “We're gonna cum together, yeah?” Anton squeezes his eyes shut before squeezing the base of his twitching dick. All while you slip your own underwear down.

“Yeah,” he agreed before positioning his cock at your weeping enterance.

You both watch mesmerized as his cock begins to stretch the tight walls of your soaked cunt. The stretch, immediately causing a whimper to slip out of your mouth as you throw your head back into the pillows. You're clenching around him, while Anton coaxes himself into you with shallow thrusts. The rutting being just enough to spill a wave of pleasure over the both of you. He watches you moan with wide, pained eyes.

“I know, baby-” He whisper, “You're doing so good for me, you know that?”

“Fuck, you're so big,” is all you're able to say, effectively causing his hips to stutter.

“F-Fuck I'm not gonna last long-”

Instead of repeating your response, you bring your hips up to meet Anton's thrusts effectively, taking him deeper and deeper until he was fucking you with little to no restraint.

“Oh God,” you whisper, as Anton clumsily brings a hand up to squeeze and pinch at your nipples. Not even a minute later and you're both sitting in the crest of your respective orgasms, looking deep into each other's eyes as if you were communicating that fact. Anton nods, completely dazed.

“Close,” he whimpers, “I'm so fucking close,”

Anton bends his head, spitting directly onto your clit. The sight has your hips stuttering, as the first signs of your orgasm warms your lower abdomen.

“F-Fuck, Ant- I'm-”

The moment his hand travels to rub dizzying wet circles on your clit, you crash into your orgasm.

“Oh fuck- oh fuck-” He fights to keep his eyes open but your squeezing him so hard and Anton can't help but cum directly inside of you. Both your lips are hanging open as your boyfriend attempts to fuck every last drop of his seed into you. You're both releasing months worth of frustration.

The frustration of not being near one another. Of relying on a device to keep your relationship afloat. It all comes crashing down until Anton's is thoughtlessly collapsing on top of you - the weight of a giant landing your front, with his hand playing lazily, wiyh your breasts as you both fight to catch your breathe.

Despite the obvious discomfort, the very last thing you think of doing is pushing him away. Instead, you cradle him closer, raking your fingers into his hair while his eyes flutter shut.

All is quiet, and you vaguely believe Anton may have fallen asleep, but his voice is wide awake as he says, “I thought you were cheating on me.”

You remain quiet, hoping the soft petting on his wild curls was reply enough.

“I'm never letting you go back, okay?”

Your eyes are heavy as you continue to smooothe down his hair, and you whisper, “Okay”.

♡♡♡

[na0koz]

jinx getting jealous and makin u pay for it :P

nsfw!!! MDNI. cw: blood, knives, kinda dubcon i guess?, strap use

anon request! wouldn’t let me respond to it in a post. this is my first time writing proper smut sorry if it’s bad

toxic!jinx masterlist

today was one of the few days you weren’t planning on hanging out with jinx, but obviously you ended up doing just that. jinx was just checking up on you, watching you work from the very back corner of the cute little coffee shop you were studying in (sometimes she is baffled by the fact that you have never ever noticed her stalking you. she is in plain sight half the time) when someone from your class comes in and approaches you at your table.

you smile up at them, moving your bag so they can sit opposite you and the two of you start chatting. several minutes go by, your studies long forgotten as you get to know your classmate, someone who you hadn’t really spoken to much before. jinx on the other hand, hasn’t moved a muscle and has barely even blinked as she watches the interaction unfold before her, eyes flickering between the two of you before noticing your classmate pulling their phone out.

jinx damn near gets up out of her seat when she sees you take their phone and type what jinx assumes was your phone number. she finally moves, though only to start bouncing her leg up and down, waiting for an opportunity to question you. she’s bitten her lip so hard that it bleeds.

after what feels like an eternity, your classmate leaves. jinx already knows their name and perhaps even their address after somehow finding a list of everyone in your class and researching each of them. they will face their punishment in due course. as soon as the door closes behind them, jinx is up and stomping towards your table.

the sudden movement opposite you as she sits down causes you to look up again from your laptop and you exclaim upon seeing her. “oh! hey jinx.”

jinx doesn’t say anything in return, just licks the remaining half-dried blood from her lip.

“who was that?” she questions, leaning on her forearms over the table. she sounds annoyed, and you really really hope she isn’t as angry as she sounds.

“someone from my class. they just wanted to borrow some notes they had missed,” you explain as you gather your stuff up and put it in your bag. you know she’s gonna make you leave with her so you might as well prepare.

“hm. whatever, let’s go.”

you follow jinx out of the shop and she grabs your arm to pull you along beside her while she thinks of the quickest route back to either of your houses.

you end up at her house, the door locked behind you as you push your shoes off. jinx tugs your bag off your shoulder for you, dropping it to the floor with a thud before leading you to her room.

she starts yanking off your jacket, your clothes and finally your underwear. she sheds a couple of her own layers, but pauses when she’s just in her underwear and a tight cropped tank top. you can’t say you’re not turned on, and you brace yourself for the teasing that will likely follow when jinx forces your legs open.

in the time you imagine how she’s going to chide you for how wet you’re getting over literally nothing, she’s managed to get her strap on and pulls you onto your stomach, bending your knees for you so you’re face down, ass up on her bed. she continues wordlessly as she begins tying a turquoise rope around your wrists behind your back.

jinx lines up her dick with your already dripping hole and pushes in, making you whine into the mattress. still without a word, she starts fucking you, and hard.

you quickly build up to your orgasm, chanting jinx’s name like a prayer begging her to let you cum.

she replies with a simple “go on.” and you cum hard on her dick, a few tears escaping your eyes and soaking the sheets below.

tonight, it’s her goal to make sure you know she’s the only one who can give you what she can, as well as she can.

jinx coaxes a few more orgasms from you with her strap before she decides to opt for a new method to make you feel so good you cry.

she pulls your fucked out body into her lap and drags your arms behind her head so they looped around her neck, still bound together by the blue rope. she kicks her legs under yours to force them open and keep them that way. then, she shoves two of her fingers into your mouth.

instinctively, you start to suck, tongue curling around her slender fingers.

“mhm, that’s it. good girl.” jinx muses as she watches your lips puckering around her digits. it surprises you how much she can change when she’s fucking you, becoming dark and dominant over you.

she pulls her now wet fingers out of your mouth with a pop and traces them down the valley of your chest, along your stomach down to your pussy. she teases your clit and your puffy folds for a second before plunging her fingers into your sensitive hole. you cry out and squeeze your eyes shut, failing to notice jinx reaching behind her as she grasps for her assault knife. the one with the hot pink and turquoise handle she made herself.

as she curls her fingers inside of you, she gently prods your inner thigh with the knife and you twitch at the sudden pain. you open your eyes and look up at her, not being able to restrain the whimpers coming from your throat as jinx continues fingering you with her knife still poking you, threatening to pierce your skin.

“ji-… hurts..” you can barely get a word out from how tight the coil inside of you is.

she’s not letting you reach your orgasm on purpose. you hear her giggle at your whining through the haze of your pleasure.

“you gonna cum?” she sings at you. she’s just teasing your for her own pleasure now. freak.

“please…jinx. wanna cum so bad..” you plead with her.

“y’know no one else can make you cum like this, baby. no one else can do what i do.” she begins to drag the knife up to the space between your tits.

jinx doesn’t feel like drawing any blood from you today, but she doesn’t need to tell you that right now. she just needs to make you know that you’re hers. she owns you and she needs to punish you for making her jealous.

“tell me i’m the only one who can make you cum.” she presses down with the blade, hearing you moan even louder. she’s changed her mind now. she pulls the knife down a little, drops of blood blooming on your chest.

you’re writhing in her grip now. you’re so so close to cumming but she just won’t let you.

“go on. tell me.” jinx says bluntly before dipping her head down to lick the blood off you.

“yo-..! you’re the only one jinx! the only one who can make me cum! please- please let me..” you cry as your sentence dies on your tongue, brows furrowed and eyes shut.

she hums. “see, baby? wasn’t so hard.” she puts the knife down and finally fucking you just that little bit harder.

the band in your belly snaps and you cum so hard you see stars. your hot juices spurt out of your convulsing hole over jinx’s palm and her bedsheets. she licks the tears from your cheeks and strokes your hair with her free hand.

you relax against her, breathing heavily as she wipes the small wound she made with a cloth she had on her nightstand. she lets you calm down a little more before cleaning up your soaked pussy.

you think it’s probably best to ignore any texts from your classmate, and pretend you typed your number wrong. for their sake, not yours.

[lex-the-flex]

Nightly Misery

Logan Howlett x reader

Summary: In the wake of another major nightmare, Logan is always grateful to have you by his side.

Word Count: 578

Warning(s): SLIGHT ANGST, MEGA FLUFF, mentions of PTSD, established relationship, brief descriptions of injuries, the reader being a sweetheart, and Logan being protective.

A/N: Welp, my hyper fixation for Hugh Jackman has come back. …As did my love for Wolverine. Feedback is appreciated and enjoy!

Rustling in the softness of your shared bed, Logan’s warmth poured over every square inch over the quaint space. Shifting endlessly underneath the thin bedding, a thick layer of sweat covers his skin and the sheets that surround him. The faint sound of crickets beyond the windows do their best to provide some sense of comfort, but it seems that nothing’s working. Not even the faint beams of moonlight could calm the man’s restlessness.

“Logan, Logan…” You speak quietly.

Gently rubbing Logan’s shoulders, he continues to heavily toss and turn in his sleep. Beads of sweat trickle down his temples just as his mumbling grows louder.

“No… NO!” He shouts.

Suddenly, Logan’s body jolts awake, and he sits up. Yelling from his dream, he gasps for air before ultimately gaining his bearings.

He’s here, in the large comfortable master bedroom that he calls home. Logan’s chest rises and falls and his breathing returns to normal as his hazel eyes scan the dark room. Finding that everything is in its proper place, his light orbs find yours opposite him.

“Baby?” He whispers in the dark.

Silently reaching for you, the sight of his bone claws cause a gasp to leave his chapped lips. Retracting the claws, his brief moment of pain subsides, and a minuscule ring of tears begin to form in his eyes.

“It’s okay. Everything’s okay, you just had a bad dream, Logan.” You say before traveling to the bathroom.

Retuning moments later, you join Logan’s side, and wipe the sweat from his face with a damp washcloth. Exhaling at the cool cloth, Logan wraps his arms around your waist.

“That’s nice.” He chuckles.

“I thought it might help. You’ve been doing this too much.” You reply with a smile.

“Can’t help it, bub. The wars, I- I can’t. They still…” Logan tries to explain, but fails silent.

“Hey, it’s alright. Don’t let them control you. You’ve done so well lately, don’t let this be the end of all the progress you’ve made.” You say, running your fingers through Logan’s thick dark hair.

Calming stroking his scruff, Logan’s eyelids grow heavy from your soothing touch. However, your therapeutic abilities only work for a short while before his eyes make contact with a series of three small scars on the base of your forearm.

“Jesus Christ. Y/N, I…” Logan begins, but you cut him off.

“I’m fine, babe. It’s just a scratch. I promise, you didn’t mean it.” You explain, stroking his cheeks.

Pulling you into him, Logan lays down with you in his arms. Letting go of a sigh of relief, you can feel Logan’s muscles start to relax beneath your fingertips. Turning to face you, Logan cradles you in his muscular arms, pulling you closer to his broad chest. Placing a soft kiss to your forehead, Logan's fingers lightly grip the hem of your sleep shirt, fearful of hurting you over again.

Facing you, his eyes grow weary whilst he touches the tip of your nose with his own. Tangling your hair in his fingers, he inhales deeply, longing for the taste of your scent on his tongue.

"I know I don't say this often, but I'm so grateful to have you in my life, Y/N. Not just here, in Canada, in our own private life. But you make me realize the true importance that life isn't always so bad." He vows through whispers with a rare, yet happy smile taking over his lips.

tagging ~

@dreamliners

@miss1sarcasmo

@yellow-eyed-sams-wife

@lost-in-horrorland

@peterparkernotfound

@pcrushinnerd

[senseandaccountability]

the narrative that could have been

Having mulled over the game for a couple of days I have realised that the main problem for me is that Veilguard is good based on the premises they ultimately choose, but not based on the set up and promise of what was there before. I know this isn’t a unique take by any means and yes it’s all about the Evanuris and the Veil and Solas. 

Replaying really emphasises how incredibly little the game convinces me of its original main quest - to prevent Solas from doing his ritual. This is a problem as a long-term player because for three games we’ve had build up for a great crescendo tackling the overarching themes of the (restrictions and oppression of) magic, of tears in the Veil, of religious tyranny and oppression based on myths about the Black City and the temptations of flawed humans, we’ve seen and deconstructed the elves quite a bit, we got started on the dwarves and in DAI your Inquisitor can openly ask Solas if it wouldn’t be better if the Veil came down because then spirits wouldn’t be separated from the living and risk becoming demons. Cole, whose function is to reflect the plot, talks endlessly about the old songs wanting to be sung again, about how it hurts to be cut off from part of yourself, how the templars feel it, how the mages feel it, how the elves and the dwarves feel it. The Veil as a prerequisite for life has been deconstructed, the Fade demystified, the gods have mostly fallen. The Veil as an actual wound inflicted on this earth has been presented as a theory and not been convincingly rejected by the narrative. 

The game actually gives no explanation whatsoever as to why the Veil coming down would be worse than what Rook causes in the beginning and what the escaped gods then do to the entire Thedas. The entire south falls to the Blight because Elgar’nan and Ghilan'nain are let loose. The Wardens are more or less wiped out. There’s enormous political turmoil. The game gives us Solas saying “thousands” would die when he brought the Veil down, but that he had a host of spirits there to help. (Yes, I know, his sole function in this game is to Trick and Deceive so who is to say if he’s lying, HUH, but even so, THE ENTIRE SOUTH FALLS TO THE BLIGHT IN ROOK’S VERSION OF THINGS.)

The game puts emphasis on Solas's questionable methods and past horrors but it doesn't ever explain why his goals are despicable here and now. It doesn't convince us that tearing down the Veil with lots of safety measures in place and after considerations is a bad result, all things considered - save for Varric’s initial yelling about demons. (We even learned in DAI that the Veil itself creates demons because it restricts the passage of spirits, come on.) Because three games have suggested it's not, not ultimately. Trespasser especially nuances this, just as it nuances Solas’s view of this current world state. Right after his long nap he would have nuked it all, I’m sure, but the whole point of character arcs is that things happen in them and what happened to him is that he was shown layers and angles he had not considered and adjusted his mindset and ultimately his plan accordingly. That is where DAV should have picked it up. That's where the build up was headed. But, now he must serve the narrative solely as the God of Treachery and Lies which means that previous build up is washed away for the most part. (In no way do I think he is OOC in DAV, I just want to point that out so nobody thinks I’m a sappy fangirl or whatever. I think he is perfectly in tune with his inner Dread Wolf, but that is also all he gets to be, because of the narrative, and I’m always much more interested in when roles and personas clash.) Again. The main problem is that the narrative cannot explain why bringing down the Veil would be the worse option than the shit we see unfold on screen. Instead it gets a bit lost in the past.  And I have Issues with that, as well.  Like, the dumbing down of the war against the Evanuris. The war that started because the leaders of the rebellion - who previously had to carry out terrible orders so the Evanuris, the upper crust of the Elvhenan, could play gods - decided that the Evanuris was a threat to them all. And the game gives us what, a depiction of how the rebellion ended up crossing lines, too? No shit.

Like, I am fully on board with the individual theme of regret on Solas’s part and he ought to be wrecked with guilt but I wish the game could be less all over the place with what sort of things he ought to be wrecked with guilt over. Saying fuck you to the Evanuris is the best and brightest of his character, I suppose I just don't want it dragged down to the same level as him breaking the Titans. I suppose I would have wished for a narrative that also worked on a systemic level when depicting things like, you know, war and revolutions and subjugation. But we don't have that, because DAV is only about personal choices. The Lighthouse crew flippantly writing the hierarchical and violent power struggle off as being about love and betrayal is on my shitlist forever. 

No, Taash et al, it was not about pussy, it was about feeling compelled by superiors to commit heinous war crimes and being lied to about the actual purposes of your damn war in the first place. The elves shouting at Elgar’nan and Mythal in this painting aren’t driven by love and sex they have been lied to by their ruling class. It was never about freedom or ending the wars, it was always about Elgar’nan jerking off to ultimate godhood. The writing even suggests betrayal here is to be understood as Netflix drama betrayal, maybe some juicy porny plot but it’s ABOUT THE BETRAYAL OF THE ELVES BY THEIR OWN KIN.  ((ETA: I would have wanted my Dalish mage to be allowed to be furious, NOT WITH SOLAS, but with the fucking Evanuris for betraying her people and being so fucking vile that the only option that remained was to create a world where she's a second-class citizen. I would have wanted the game to recognize that not all causes are equal and that Elgar'nan's cause for godhood was objectively more vile than Solas's cause for freedom because as it stands now, there are some really iffy vibes of "both sides are equally bad" and other things authorities tend to say when comparing destructive regimes with uprisings.)) I’m sorry, this shit hits me on a personal and political rage level. 

I also can’t help but mourn a game where the Trickster God fulfilled his trope’s duty and shook the stagnation apart with his actions - for good or ill, the way trickster gods are wont to do - and where Rook was tricked into helping and then, a more complex game about its consequences could have unfolded. The Evanuris could still have been the bad guys, if they wanted big villains frothing at the mouth. There could still have been numerous unplanned consequences, like all of Solas's plans have. Maybe other ancients awake as well. Maybe ancient evils who aren’t elves, who knows. Point is - the Veil should have come down, at least in some form, at least in some outcome. THAT is what they've been building up to. In this game that never was, Rook could be an actual interesting character where we could mold her as either accepting of this trickster role (which fits perfectly for a blank slate with no ties) or set to overturn it and enforce status quo, with some vanilla option in the middle. Maybe the Veil doesn’t come down until the very end of the game, ancient magic takes time after all, maybe a lot has happened by then. But ultimately, Rook’s choice in the end should not have been about siding against Solas because he’s lying to you or because he did horrible things in the past or siding with him because you want him redeemed. The narrative should have provided those options either way. The narrative should have been brave enough to suggest that hey, maybe Solas isn't wrong at all - his methods maybe, but his goal, no. If they truly wanted mirrors between Rook and Solas, Rook should have tackled the issue of actively bringing down the Veil herself, not because it's a roses and sunshine-outcome but because it might very well be the lesser of two evils. Gods, that would have been interesting. It should have been a choice about what sort of world Rook and the Veilguard wants to see in the future. It should have been about the people, the world, not how angry Rook is that an ancient elf has tricked her. 

That would have been the game I wanted to play.  This story doesn't really give anything new to the world of Thedas, which a world without the Veil would have. It accomplishes closure for our favourite trickster god and bless them for that, but as for the plot and the world-building it ends on a meh because the narrative isn't about the people unless they're brought up as being endangered. This is why I can feel satisfaction regarding the thematic conclusion to certain character arcs, the trickster becomes the healer with the bloodiest hands, the wolf submits willingly to his trap and so on and so forth, and I can have fun with the characters and their arcs but also really mourn the game that was there, in subtext and build up over three previous games and in several tie-ins.

[unboundprompts]

hey! i was wondering if you had any advice for writing a "bully" tough guy character with a hidden heart of gold that will be redeemed later on in the story? i wanted to have their motivation being seeing their bullying as making people stronger (for maybe a reason like from being bullied for being weak themselves) but idk how i would begin to write this

How to Write a Bully with Opportunity for a Redemption

Establish a Compelling Backstory

Bullying History: Flesh out the character's past. Perhaps they were bullied themselves, leading them to believe that by bullying others, they can instill strength and resilience. This creates a cycle of pain that they think they're breaking.

Family Dynamics: Consider their family situation. Maybe they have a tough home life that forces them to adopt a hard exterior, believing vulnerability is a weakness.

Defensive Mechanism: Make it clear that their bullying is a defense mechanism. They may fear being seen as weak or unworthy, so they project toughness to avoid being hurt again.

Create Layers of Personality

Contradictions: Show moments where the tough guy’s softer side shines through, such as helping someone in a subtle way or expressing empathy toward a friend. This builds intrigue and hints at their hidden depth.

Hobbies or Interests: Give them a passion that contrasts with their tough exterior, such as caring for animals, art, or even an interest in literature. This helps humanize them and shows they have more to offer than just their bullying behavior.

Develop Strong Relationships

Friendships: Explore the dynamics of their friendships. Do they have a best friend who sees through their tough exterior? This friend can be a source of support and also push the character toward redemption.

Conflict with Others: Show how their bullying impacts their relationships with other characters. This can create tension and give other characters a reason to want them to change.

Establish Their Motivation for Bullying

Internal Monologue: Use the bully’s thoughts to explain their perspective. Allow them to rationalize their behavior with phrases like “I’m just toughening them up” or “They’ll thank me later.” This internal justification provides insight into their mindset and shows that they genuinely believe in their method.

Dialogue with Others: Show conversations where the bully explains their philosophy to friends or peers. They might say something like, “You have to be tough to survive. I’m just giving them a reality check,” or “Weakness only gets you hurt.” This can illustrate their conviction that they’re helping rather than harming.

Interactions with Victims: When the bully interacts with their victims, allow moments where they express a twisted sense of encouragement. For instance, they might say something like, “You’ll thank me when you’re stronger,” or give unsolicited advice on how to handle being bullied, further solidifying their misguided belief.

In-Scene Justification: As the bully corners a victim, they might say, “You think this is tough? You should’ve seen what I went through. I’m making you stronger. You’ll thank me when you can stand up to people like me.”

Aftermath Reflection: After an intense encounter, the bully reflects, “Maybe I pushed them too hard. But if they break now, they’ll never survive out there. I can’t let them be weak.”

Confrontation with a Mentor: In a scene with a mentor or friend, the bully might insist, “I’m not a bad guy. I’m doing this for them. They need to be ready for the real world. They’ll understand one day.”

Build Moments of Realization

Catalyst for Change: Identify key moments that can serve as turning points for the character. Perhaps they witness the consequences of their actions firsthand, such as a target of their bullying breaking down.

Moment of Kindness: Have them perform a small act of kindness that contradicts their tough persona. This could be something like defending someone who’s being bullied or comforting a classmate in distress.

Craft a Redemption Arc

Struggle with Self-Perception: As they start to recognize their wrongs, explore their internal conflict. They might grapple with feelings of guilt or shame, unsure how to change.

Facing the Consequences: Introduce scenarios where they face the repercussions of their past actions. This can lead to a moment of humility, where they apologize or make amends.

Support from Others: Allow other characters to help guide their transformation. Perhaps someone who was bullied approaches them and expresses that they see potential in them, encouraging a new path.

Highlight the Heart of Gold

Acts of Courage: In the climax, have them step up to protect those they’ve bullied, showcasing their newfound understanding of strength and vulnerability.

Positive Impact: Illustrate how their change positively affects others. This can be through friendships, mentorships, or even inspiring other characters to change as well.

End on a Hopeful Note

New Identity: Conclude the character's arc by showing them embracing their softer side while still retaining the tough-guy persona, proving that they can be both strong and kind.

Forgiveness: Allow for forgiveness from those they’ve wronged, reinforcing the theme of redemption and growth.

Example Character Arc:

Initial Setup: Jake is known as the school’s tough guy, bullying anyone he deems weak, believing it will make them stronger.

Backstory Reveal: Through flashbacks, we see Jake bullied mercilessly for being small and weak, leading him to adopt his aggressive persona.

Turning Point: After witnessing the severe impact of his bullying on a classmate, Jake begins to reflect on his actions.

Redemption Moment: In a climactic scene, Jake defends the same classmate from a new bully, proving he’s changed.

Resolution: By the end, he’s mentoring younger students, using his experiences to help others find their strength rather than tear them down.

[lou-struck]

Hideaway

Mammon x reader

W.C 2.5k

~ A quiet evening with a book is just what the doctor ordered, until a certain Greedy Demon bursts through your door, desperate for a hiding spot. 

There aren’t many evenings in the House of Lamination where you find yourself enjoying the comforts that only being alone can give you. Your back is propped against your beds plush headboard by a mound of firm pillows as your freshly washed comforter rests loosely over your clean legs. Your nose is deep in a book, one recommended by Simeon that has been so enthralling, you find yourself only coming up for air every few minutes to take a quick sip from your mug of tea. 

The window is cracked slightly, allowing a sliver of the chilly night air to flow through your room, the distinct smell of snow riding the wind as you wonder when the first flake will fall from the forever darkened sky. 

Across the room, your DDD rests on its charger out of sight and out of mind, making your evening completely free from any distractions and allowing you to read at a pace even Satan would be proud of. 

It’s late, far too late for you to be awake, but you just can’t stop. For a moment, you even begin to think that you will be able to finish the novel tonight, but then the loud stomping of footsteps in the hallway above your room rips you away from the pages and right back down to the Devildom. 

Narrowing your eyes, you glance up at the ceiling as if you are trying to peer through the layers of wood and stone to see who is responsible for the disturbance. But just as the ceiling pattern begins to swirl, the loud thudding ceases, disappearing as quickly as it came. 

Bringing your attention back to your book, you only make it a sentence when you hear another distinct set of footsteps following behind the first, the telltale sign that someone in the house is in trouble. 

The anticipation gets to you and you find your book suddenly less attention grabbing than it was just sixty seconds ago. With a sigh you place a mark between the crisp, suddenly neglected, pages and place it on your nightstand. Leaning back your eyes watch the door, just waiting for trouble to burst through it. 

As if on cue, the door gets pushed open by none other than your First Demon, Mammon’s eyes are wide with terror as he steps into your room and shuts the door as quietly as he can. Leaning his pajama covered self against the now closed door, he places his hand to his heart as he struggles to catch his breath. 

“Mammon, what’s wrong?” you ask, wondering which brother is coming for his head this time.

“Luc- Lucifer,”he huffs. “I've really done it now. He’s been chasin’ me for hours. Whenever I try to hide he finds me.”

“Oh? What did you do?” you ask as the sound of calm, even footsteps draws nearer and the demon just shakes his head and lowers his voice. 

“There’s no time to explain. Mc, i’m beggin here. Ya gotta let me hide out till he leaves,” he breathes looking around your comparatively smaller room for a hiding spot. 

First, he flings open the door to your closet, but finds that it is filled to the brim with new clothes because Asmodeus just cleaned out his closet and let you have your pick. “Damn, not here.” he tsks. 

“What about under the desk?” you offer, you try to stifle the laughter that leaves your lips at the image of Mammon trying to squeeze himself in that small little space.

“That could work,” he hums, rushing over to the area with an eagerness that almost makes you feel guilty. But when he grabs your desk chair and pulls it away from the wood, he frowns, crouching down and stares at the spot in despair. “Too small, he’d find me in here. There's gotta be some~” The polite sound a fist rapping against your door cuts him off. 

“It’s him,” Mammon whispers, looking more afraid than ever. 

“Hello? Mc, I'm sorry to disturb you, but would you mind if I came in?” Lucifer calls from the other side of the door, his voice gentle, coaxing. The soft tone of his makes you look at Mammon in confusion. Maybe Lucifer isn't angry after all and Mammon blew something out of proportion. 

It wouldn't be the first time. 

Your lack of reluctance pulls Mammon's attention back to you.His head shakes vigorously, “No,” he mouths silently. “Don’t do it.” He drags his thumb across his throat for visuals. “He’s gonna kill me.”

“For what?” you mouth back. “Tell me what you did and I’ll help you.”

“I didn't do nothin.” he responds defensively, but you know he’s lying. Just looking at his face you see the deep creases and coloration of guilt just below the surface. But If he isn't willing to tell you, then you aren't going to stick your neck out.

“Then there is nothing to worry about,” you tell him before turning your attention back to the door. “Come on in, Lucifer.” you call innocently. 

The handle begins to twist and Mammon, with nowhere else to go, cowers and squirms himself under your blankets next to you. Although you cannot see the demon’s face, you know he is too terrified to breathe.

His warm body clings to yours naturally, the intimate action softening your heart slightly as you spot a bit of Mammon's shoulder peeking out from beneath the comforter. Taking pity on the subtly trembling demon, you cover it with a pillow just as Lucifer steps into the room. 

While Mammon was out of breath and disheveled when he had barged in, Lucifer looks just as put together as ever. Not a single strand of his dark hair is out of place as he steps into your room. “How are you doing this evening Mc?” he asks kindly, a soft smile on his face as he scans your room. “I hope I wasn't interrupting anything.”

You shake your head, “I’m doing well, I was reading but then I heard some sort of commotion and found it hard to pay attention.”

He chuckles knowingly, “That would be Mammon, I'm afraid my Brother has been up to his usual trouble and was unable to accept his punishment.”

At the mention of a punishment, Mammon’s body stiffens next to you, the slight movement slides the silk pillow ever so slightly revealing a sliver of his tanned skin. As naturally as you can, you move your arm to rest on top of the sleek surface, holding it in place. “I’m sure that Mammon is sorry for whatever he did. Maybe you could take it easy on him this time?”

“You would like for me to show him mercy?” he asks with an amused smile on his face. “Why would I do something like that?”

“Just because.” you hum thoughtfully ignoring the way Mammon keeps swatting your leg to keep quiet. “He’s your little brother and he looks up to you. And, if you just string him up from the ceiling again and again, it may lose its effectiveness.”

“Wow,” Lucifer smiles flattered by your words. “Appealing to both my Pride and my Sadism. I'm impressed.” 

“Well I did learn from the best,” you grin as Lucifer walks over to your open window, shutting the now slightly cooler air out. With him clearly on the other side of the room Mammon decides that now is the moment to get a bit protective over his human. 

“Hey,” he whispers, his face peeking out from your blanket just enough so you can see him. “Cut that out, M’ yer first so don’t get all buddy buddy with him right in front of me.”

“What was that Mc?” Lucifer says turning back around, there is a look of smug pride on his face that tells you that he is well aware of Mammon using you for cover, but is deciding to play along to torment the second born. “Did you say something to me?”

“Oh, I said thank you. For closing the window for me.” you say, still playing it cool because despite whatever Mammon did that started this whole game of cat and mouse, Lucifer is in a fairly decent mood. “It was getting a little cold here.”

“Is that really all there is?” he asks, taking a small step towards your lumpy looking bed. “You seem to be rather uncomfortable, is your mattress giving you any trouble?”

“N-not at all, it’s very comfortable,” you say quickly. But it’s too late, the Avatar of Pride decides to test it out himself. He sits down on top of the lump, Mammon, a bit harder than necessary. Despite his best efforts, Mammon lets out a little whimper of pain as Lucifer gets comfortable. The sound brings a victorious smile to his handsome features. “My, I believe you’re right Mc, this mattress is comfortable. A bit noisy for my taste but I suppose it has a certain charm.”

“It’s those darn springs, they creak every so often.” you say with a smile. “I just ignore it. Like maybe what you could do with Mammon? Just this once?”

Lucifer glances between you and the terribly hidden second born, and to your amazement sighs deeply in defeat. “Well, I suppose I would be able to overlook his little lapse of judgement if my entire record collection is returned to its pristine condition by tomorrow morning. He had left such a mess earlier when he was searching through it.”

Your eyes widen and understand why Mammon looked so terrified earlier. Lucifer’s cursed record collection is one of his greatest treasures, Mammon has only attempted to resell a few of the dustier albums a handful of times, but each time he is caught in the act and subjected to one of his brother's crueler punishments. “So Mammon went through your records?” you ask worried for the demon’s safety, "Is anything missing?”

“From what I can tell so far, no.” Lucifer says getting up from the bed. “But I haven't taken a good look yet. Perhaps I will go through it tomorrow after I have had a cup of coffee.” he pauses and looks down at the lump in the blankets with a near murderous smile. “But if I were to find so much as a scratch on anything I may have to rethink my previous stance.”

Although his words aren't meant for you, they make your blood run cold. “Perhaps if you happen to find Mammon, you could pass the message along?”

“Got it, I’ll tell him when I see him.” you say innocently as Lucifer starts toward the door, right before he leaves he looks at the lump in your bed fondly and stifles a laugh. Following his gaze, you see what has him dangerously close to losing his cool. 

Just below the hem of the blanket the Avatar of Greed is using as a shield lies his foot. His socks printed with little crows wearing sunglasses you bought for him stick out against the linen like a sore thumb. 

Covering your mouth you meet Lucifer's gaze with amusement as he exits the room. As soon as the door clicks shut, Mammon emerges from his terrible hiding place. 

“Man, I thought he’d never leave,” Mammon breathes, his hair is a mess, sticking out every which way framing his warm cheeks as if he had just awoken from a nap. But as he leans back against your headboard, there is a look of victory in his eyes. “Can ya believe he fell for that?”

“Mmhmm,” you say, not wanting to break it to him. “So, what did you want with Lucifer’s record collection?”

He shrinks away slightly, embarrassment flashing in his eyes. “I uhhh got a tip that Lucifer stashed away a treasure map inside one of the record sleeves.”

“A treasure map?” you respond, wondering which one of his brothers gave him that ‘tip’. “Why would Lucifer just have a map and not look for the treasure?”

“That’s what I was thinkin’," Mammon exclaims, leaning in closer to you. He glances around the room cautiously, worried that someone may hear his revelation and lowers his voice. “But then I figured that he was just waitin’ ta dig it up. I mean he always has extra Grimm layin around. He probably is a professional treasure hunter or somethin.”

“Or he has a job that pays well,” you offer with a sudden yawn. the excitement from the last few minutes wearing off. “So did you end up finding any treasure maps?”

He shakes his head. “No, and I looked at every record. I guess Satan and Belphie were wrong.” I was gonna put everythin back but then Lucifer got home and I knew he’d be mad so I just ran.” Just recalling his earlier endeavor makes him look fatigued, and you don’t blame him. But now that he hasn’t technically done anything wrong besides make a mess, it would be a shame to kick him out when he is looking so comfortable. 

“I see,” you hum, lifting your fingers and gently starting to play with his messed up hair. At the sensation of your nails massaging the tired demon's scalp his eyelids flutter as he sinks deeper into your pillow with a blissful expression. “Hey, that feels good.” he sighs, grabbing your other hand and pressing the underside of your wrist to his lips. “Yer too good to me sometimes.”

His tenderness brings a tired, mushy smile to your lips. “I’m proud of you for not stealing anything Mammon. Tomorrow we can put the collection back to normal.”

“Gotta~” he yawns, nuzzling closer to you under your blanket. “I gotta be better for ya.” he yawns again mid sentence. This one barely understandable.”~believin in me when no one else would.”

“Are you tired?” you murmur, but you know your soft words are falling on deaf ears. Mammon’s soft breaths fill the room as the Greedy demon pulls his Treasure closer to his chest. The gentle beating of his inhuman heart thrums against your skin creating a soft melody that puts you at ease. 

Although your bedroom lights and candle are still on, moving from this position is near impossible. You flick your wrist and allow a small bit of magic to flow from your fingertips, shutting off the lights and snuffing out the dancing flames as you follow Mammon to dreamland. 

But just before you drift away, the dull sound of multiple footsteps running just above you reaches your ears and you smile. Lucifer must’ve found out about Satan and Belphie’s little plan to use Mammon. 

Your bed only has room for one tired demon so tonight, you press a soft kiss to your First’s forehead and use just a bit more magic to make the lock on your door lock with a faint

click.

Tagging: @pixelcafe-network @sleepyyshroom @i-need-to-go-like-mangogo, @starbby, @sarah22447 , @ourfinalisation @isaacdaknight @qardasngan @atigerandabear

[skulkingfoxes]

A post-mortem of "Good Morning, Rose"

A few weeks ago, I posted my addition to the comic anthology GLIMM*R, a short comic called "Good Morning, Rose".

The reaction to it has been so uplifting and exciting. It really seemed to struck a cord with people, which, really, the best thing for me to hear as a creator. I absolutely love writing and making short comics, you can do much with so little, explore such interesting stories. The feedback I've gotten has been very heartwarming! It makes me want to explore short stories even more!

But, first, I want to talk about some of my feelings and about the process of making "Good Morning, Rose". This got a bit long, so you'll have to indulge me a bit. You should also read the comic first before reading this. Don't worry, it's only 8 pages.

Now the preamble is out of the way, lets go back to the beginning.

The idea of "Good Morning, Rose" was a nugget in my brain for a long time! Originally it was actually from the Dreamwalker's point of view, where she was a faceless entity who had a long term relationship with Rose and was trying to figure out how to explain that their relationships only were in Rose's dreams. It was a story about seeing, accepting, and loving each other truly and fully, and the trials and tribulations of getting there. Also a cute girl with an ancient eldrich being is always fun to explore.

A lot of it was too convoluted, emotionally and storywise. It also required to get into what the Dreamwalker actually was, which I ended up really not liking. So, ultimately, the idea didn't work, and I put it down. I ended up going to do my short comic Twigs instead.

When I was invited into the wlw anthology GLIMM*R and was told that the theme was "dreams", I decided to take another stab at the concept. This time, I inverted the pov, it's now Rose's story. And instead of a long term relationship, it was about the powerful first feeling of a perfect (maybe even too perfect?) first date.

One of the hardest thing to write in romance is getting readers to care about the relationship in the first place. To have the readers believe in the character's feeling, to be invested in their romance. This is even harder to do when you only have 8 pages to do it. Focusing it around a first date helped a lot in that case. There I'm not trying to sell that these two character will love each other forever and forever, just the fluttering first butterflies of realizing you're developing feeling for someone. It's why I leave it so open-ended about whether the two of them meet again at the end of the comic, or even if it was real in the first place. It's just not the point of the story.

That's something important about writing short stories, I find. You really have to hone in on an idea, on a thought. Take a simple idea and try to find all of the interesting layers. It's too easy to try to stuff a short story with too many ideas that ultimately go unfulfilled. In fact, the first draft of the comic, at the time called "Dream Date", there was a big problem with this and the pacing.

Here, take a look at the first stab at the roughs:

(BTW, there is something so fun about roughs for me lol. The art is so kinetic and loose, all about just getting the story across)/

As you can see, a lot of the ideas and imagery made to the final version of the comic. But both the initial readers and I agreed that the beginning and end were good, but the middle was messy and slowed things down. You can also see that I got stuck in the same problem I did when I first conceived of the story, it's bogged down trying to understand the Dreamwalker in a way that actually hurts the story. You simply dont have any room for bad pacing a short comic like this. I need to focus more on the character's and their emotions and exploring their actual relationship rather than blandly trying to explain the situation. A friend also suggested that I should hone in on the fluid dream-like aspects of the first couple of pages, especially since it's so fun to explore in the medium of comics. So I got to work gutting it out and trying again with the new, much stronger imo, direction.

Also there were some issues with the page format that needed changes for printing, thus the final spread had to be split up. Which is a shame, but oh well, it still works. I also honed in a lot more on Rose and her insecurities. I ended up putting a lot of myself into Rose. I'm glad readers seems to able to relate to her.

After figuring out the the story and the pacing, I went and, well, made the comic. Once you've done as many comic pages I have at this point, once you figure out a process, the actual drawing is fairly straightforward. Eventually, after thinking, and drawing, and toiling, and revising, and thinking hard about my life choices, I come out of the other end of the tunnel with a comic. One that I ended up really liking. One that other people ended up liking, which is always crazy to me.

I got a lot of interesting reactions to the comic. One demographic thinking it was sweet, wanting more of it (always a flattering thought), and enjoying the romance. Other remarking on the bittersweetness of it all, finding your soulmate in a dream, maybe never to see them again if they were even real in the first place. There were a lot of people remarking how they had a similar dream, one where they met someone they seemed totally and completely convinced that they were real and told the dreamer so, until the dreamer woke up. There was one person who asked if I had met the dreamwalker myself. Alas, my dreams are not this romantic and straightforward.

But all of us can hold hands, nod at each other, united by one universally true statement: big eldritch lady hot.

There's a lot of little bits I can talk about, like how Rose's dress is actively modeled after selkie dresses because I think they're cute, or some other trials and tribulations. But I think I've finished all I have had to say. I hope you enjoyed this and will stick around for my future projects! I definitely want to explore more short stories in the next year, especially as I am illustrating big graphic novels for my day job and don't have the time or energy for huge projects.

Till then, thank you so much! Happy holidays and have a good new year!

[vidduality]

SPOILERS for Episode 6 of the Avatar Live Action series

AKA why this episode makes me SO grateful for this adaptation (re: the Zuko flashbacks and the Agni Kai).

----

Wow.

I admit, I was really worried at the idea that Zuko might potentially fight back in the Agni Kai against his father in the live action. I expected to HATE it, and it's certainly a bold change, but it fits in SO WELL with why Zuko is the way that he is (and why he works so hard to push down his empathy whenever Aang tries to reason with him).

The Agni Kai - Zuko obviously did NOT want to fight his father. He still tried to apologize and beg for mercy, but in the end he was just too terrified of his father to disobey a direct order.

But when Ozai left him an opening to see what he'd do with it, Zuko couldn't bring himself to actually land a blow that might burn him. Making his lack of ruthlessness the weakness that Ozai ends up mutilating him for - even straight up telling Zuko that compassion is weakness and then demonstrating by holding his own child down and lighting him on fire - adds a layer of depth that only enhances the original scene (and in another stroke of genius, we see Ozai nearly in tears himself. He's convincing himself of this lesson as well as Zuko, which was likely passed down to him by his own father). Honestly, this to me is even more heartbreaking than Ozai burning him for refusing to stand and fight. Zuko did everything his father asked and he still failed, because his family has distorted what it means to be honorable and believes Zuko's capacity for mercy to be a shameful weakness unbecoming of an heir to the throne.

The 41st Division - And here come the waterworks. Assigning the very people Zuko was hurt so severely for trying to save to his ship as it's being cast out of the fire nation (presumably forever, with the Avatar not having been seen in 100 years) is SUCH a brilliant addition. His crew resents Zuko for being stuck on this impossible mission with this bratty, angry child. And Zuko is too ashamed of his "weakness" to explain why they were assigned to him.

I can totally see Zuko's hurt at their lack of respect making him even more angry (especially after everything he went through to save them from being sacrificed), and his seemingly irrational anger at them just continuing to make them resent him more in a neverending feedback loop of anger and disrespect that's been growing and festering for 3 years.

Which makes the scene at the end when Zuko's crew finally learns about how he saved their lives (as well as why he's obsessed with the avatar, why he's banished, what his scar means and why he's trying so very hard to rid himself of empathy, even if he can never quite manage it when it counts) so much more impactful. I SOBBED when the 41st Division stood at attention and showed him their utmost respect and loyalty, possibly for the first time since they've been on that ship. Zuko's soft "what's going on?" at finally being honored by his crew is just imprinted on my brain.

The seed of the idea that his compassion may NOT actually be what was shameful about his banishment afterall can finally begin to take root.

I just, damn, I love this episode so much.

[bittersweetcatharsis]

Mr. Curly Mouthwashing is such an interesting and tragic character to me. Not tragic in the way that Anya is- good God, not in the way that Anya is. But tragic in the way that he is a victim of himself, of his own naivety, of his own limited perspective and blind trust. A victim of his own actions and arrogance, and a victim of the direct consequences that stemmed from his poor decisions.

I see a lot of people reading Curly’s character in a way that I just personally didn’t. I could very well be wrong, and I’m certainly open to the possibility, but I actually prefer to think that I’m right, because it’s these layers and dimensions to his character that make him so interesting and complex.

He wasn’t a “bad” guy. Not in the way that Jimmy is, who had every opportunity to do the right thing just ONCE, and yet failed to, because that selfishness and cowardice is ingrained in his very core. Unlike Jimmy, Curly was just an ignorant guy. Not malicious by intent, but ignorant nonetheless. That doesn’t justify anything he did, or anything he failed to do, but it explains more about him than a simple write-off of his character does.

Curly was operating under an illusion of grandeur. His belief of his power transcended his position and extended into every facet of his life. His approach to confronting Jimmy wasn’t because he didn’t believe Anya, but because he viewed Jimmy as misunderstood just as much as Jimmy himself did. He inappropriately sought nuance in a situation that didn’t need it. On top of Curly and Jimmy’s history and camaraderie- as well as Jimmy’s raging victim-complex that so obviously influenced Curly’s perception of him- the fact that he was disillusioned by the extent of his control ultimately led him in failing to protect his crew. Anya especially.

In the very beginning of the game, we see him talk about how he knows he should have raised more of a concern about adding a fifth member of his crew without enough cryo-pods to accommodate Daisuke. It is this blatant dismissal of safety protocol that reveals just how shortsighted and ignorant Curly can be. And when Anya revealed her abuse to Curly, it’s this same ignorance that led him to confronting Jimmy.

Curly wasn’t trying to dismiss Anya, and he certainly wasn’t trying to betray her. He simply lacked her perspective. As a man, he couldn’t begin to fathom the feminine experience with the intrinsic evils of masculinity and the patriarchy. He has this almost childlike sense of optimism, thinking Jimmy would reveal himself to be a deeply flawed and misguided- but ultimately good- person, only to be confronted with the reality of Jimmy’s narcissism, insecurity, and apathy. By then, it was too late. He was an enabler. He had protected Jimmy. He had given him all the resources to hurt the very people he was entrusted to protect. It was a wake up call that came too late, a raising of red flags after Jimmy’s evil had already been revealed.

Curly should be held accountable for his failures and shortcomings- “take responsibility”- but I also believe he should be viewed sympathetically. It’s too easy to brush past the little details that make him so damn human in pursuit of a simple explanation. There are some people, like Jimmy, who have a full understanding of their privilege, and weaponize it as a means to control, coerce and abuse the people around them. Then there are others, like Curly, whose privilege has been so second-nature to them that it becomes entirely invisible. Had Curly realized this earlier, he very well could have prevented the fate of himself, of Anya, of Daisuke, and of Swansea. Even as a victim of Jimmy’s derangement himself, Curly ultimately was a perpetrator in his own right.

I don’t think Curly is a “bad” guy. I think he’s just a wrong guy. A guy who was arrogant, but not malicious. Ignorant, but not evil. He’s just as easy to blame as he is to mourn. He’s a walking paradox. He’s an absolutely brilliant character.