#he didn't want her to be left out

[bluerosefox]

Saying Sorry Will Never Be Enough

Feeling a bit angsty so I had this idea.

Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!

Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.

So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)

Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.

Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.

His partner, isn't happy.

[demaparbat-hp]

How does that first encounter go down between them in your Spitfire AU? I imagine some real conflicting emotions on all sides!

I would love to hear you ramble!! ❤️

*cracks knuckles* Alright, let's do this.

As far as the world is concerned, Lu Ten II doesn't exist and the Royal Bloodline ends with Princess Azula. The little kid that follows Prince Zuko everywhere? That's Ten Ten, an orphaned stowaway his Crew found and adopted for some weird reason no-one ever questions—the kid is just that lovable.

(It helps, honestly, that Lu Ten II is a carbon-copy of poor, forgotten Ursa. No one would ever think to connect him with Fire Lord Ozai, long may he reign.)

Little Ten Ten loves to run off when the Crew is on shore leave. He gets into trouble sometimes, but only because of his chronic inability to look away from people who need help (it makes Zuzu both so proud and so shouty-because-he's-worried. It's fun until it isn't).

By now the Crew knows not to panic when the kid goes missing for a couple of hours in a harbor town—which is why no one noticed Ten Ten's disappearance until it was too late.

"Could someone please explain to me," what starts as a mutter becomes a shout as anxiety takes over Sokka, "why on earth did we go into town to buy necessary, highly specific supplies, and returned—not only with a stolen waterbending scroll—stolen! From pirates, Katara!—but with a Fire Nation-looking KID?!"

While Ten Ten is having the time of his life goofing with Aang, out-sassing why-is-this-happening-to-me Sokka, and melting Katara's heart—Zuko is losing his mind, sanity, and temper because how on Agni's name do you lose a Prince of your nation?

But, sir, he's like three-feet-tall—

HOW, JEE?!

Needless to say, the pirates kidnap the pretty waterbending thief and her kid with the sharp tongue and fancy-looking clothes. Which turns out to be a Bad Idea™ because, well, a skinny guy from the watertribes and his way-too-young-to-be-bald companion? They can absolutely deal with them.

A Crew's worth of murderous Fire Nation soldiers lead by the unforgiving, terrifying, bloodthirsty Prince?

They are not ready for that.

[tackykachowch]

How it feels to not like timebomb after s2

[leal-hound]

spoilers for my fanfic but i dont know if ill have the energy to finish it, so here's some uh oh doodles

[psychologicalwarclaire]

Wu trained Morro at the same time that Garmadon was training with Chen which MEANS that Misako was around to see what the pressure of wanting and training to be the Green Ninja could lead to.

So later when she had Lloyd and KNEW that he would be the legendary Green Ninja, do you think she thought of the child Wu had once trained? The kid who became so obsessed with proving himself that he put himself in danger time and time again? The little boy who ran off into the night and never came back?

After seeing that, is it any wonder why she didn't want to leave her son-- the actual Green Ninja-- to be trained by Wu at such a young age?

Maybe a boarding school for bad boys would never make him want to be a hero. Maybe it would keep him safe from the destructive power of destiny. Maybe Darkley's was the only way to save her beloved son, Lloyd Garmadon, from himself.

Maybe Misako remembered Morro. And maybe, just maybe, she knew it would be best if her son never turned into someone like that.

[joyfuladorable]

Second Batch of Mikey twt doodle requests! Plus a bunch of Mikeys who didn't get requested just for funsies ^w^

[hey-heigo]

taking first watch

the wip doodle and lineart. in my mind they're waiting to get picked up by the future foundation at a safe location (the airport) and trying to get some rest before then - out of the three of them, byakuya is faring the best (kyoko hasn't been sleeping well since even before the last two trials, makoto fell down a trash chute) and so volunteered for the night

[feroluce]

This was all the way back from the end of 2.3.

Hey Sparkle what the fuck.

[strryhaze]

bobby & david kennedy

“There was some level on which David tapped his father’s sensitivity. You would find him walking with David or with his arm around David. David just seemed to need it.”

— chuck mcdermott.

“If his father’s death hit David harder than the others, it was because there had been a special bond between them—both were the runts of the litter, sandwiched into the middle of a large family. He was the only one in the family who hadn’t been enthusiastic about the run for the presidency. For weeks after his father’s announcement, David had been plagued by recurring nightmares about Bobby’s death. Distraught over episodes that seemed premonitory, and missing the special attention his father had given him, David had gotten in trouble for throwing rocks at cars passing by Hickory Hill. The day of the California primary, he had joined his father in Los Angeles. The two of them had been swimming and he had felt himself being carried out by the undertow when his father grabbed him, scraping his own head on the ocean floor as he reached for David’s slippery arm. With a teenager’s melodrama, David had decided that he owed his father a life and would look for an opportunity to pay him back in the years ahead. That night as he sat in front of the television set in his room in the Ambassador Hotel and watched [his father] bleeding on the floor downstairs, one of the thoughts he had was that the debt would be forever undischarged.”

“As the worst year of their young lives came to a close, they decided to surprise their mother at Christmas with a book comprised of letters about their father. David’s said: ‘Daddy was very funny in church because he would embarrass all of us by singing very loud. Daddy did not have a very good voice. There will be no more football with Daddy, no more swimming with him, no more riding and no more camping with him. But he was the best father there ever was and I would rather have him for a father for the length of time I did than any other father for a million years.”

— the kennedy’s, peter collier & david horowitz.

“David looked at himself in those pictures like they were a strange sort of mirror. He looked at them half a dozen times at least, mesmerized by them, and he kept asking me questions. There was a tremendous desire to know his father, to really know him.”

— john seigenthaler.

“David and Bobby were so close. They were inseparable. David was small, a runt like Bobby had been.” Ethel then explained to Noelle (her secretary) that David had always been a very sensitive youngster, very introverted, "not like the other boys. He and I would go and pick flowers while his brothers were killing each other with their crazy games", Ethel recalled with a smile.

— ethel kennedy.

“I think about death a lot. Time hasn’t erased the death of my father from my mind. My family thinks I’m no good and that I’ll never beat my problem. They’ve written me off. I’m trying to get it together, but it’s so difficult. I’m having a terrible time at it. And the thing I want most in the world is the approval of my family, but they want nothing to do with me. All I want is to be with my father.”

— david kennedy, april 1984.

“Like his family, his friends had all wondered at one time or another if he would kill himself; but when it finally came his death was nonetheless shocking. ‘I keep asking myself why. Why David? Why now? All I can come up with is that maybe his father was looking down from heaven and saw all the hell these people were putting him through and said, ‘Come on, You’ve suffered enough. It’s time you were up here with me.’”

— nancy narleski.

Years after David Kennedy’s death, his cousin, Patrick Kennedy recalled a haunting and heartbreaking recollection he had with his father, Teddy, sitting beside his cousin’s casket: “My father remembered Bobby telling him that, as a father, he needed to spend more time with David. He also recounted a story Uncle Bobby had told him just before his own death. On the day before the California primary, the Robert Kennedys had gone swimming in Malibu, to relax together. David had been knocked over by a wave and got caught in the undertow, and his father had come to his rescue. When Uncle Bobby told my father this story, he talked about ‘the undertow’ in broader terms, how there was an undertow in life and David, who was only then thirteen, already seemed vulnerable to it. And then, just hours later, Uncle Bobby was murdered as David watched the TV coverage in their hotel room upstairs. It was unbelievably poignant to hear my father tell this story. David was in the casket next to us. And I wasn’t that much older than David when his father worried whether he could survive the undertow.”

[motsimages]

As per Tumblr recommendation, I started Kevin can fuck himself yesterday. I see people comment on how the sitcom part makes it look the way people see an abuser and how the abuse can be disguised. People think he is just a funny guy and the abuse goes unnoticed. I personally see it otherwise, although it's similar.

People know he is an asshole. He spends a whole episode being mean to the new neighbours just because. He meets a dangerous guy at a bar, in public. He is an alcoholic who throws weird parties with lots of other people at home. Patty's boyfriend tells her twice in the 3 or 4 conversations we see that he is an idiot. People know, and people avoid him.

And his bubble know, but they justify it and excuse it. And that's the sitcom. The sitcom is the theater of excuses Allison has (and then other characters too) about his behaviour.

"Can you believe it? We were in our anniversary, such a fun party, we were both super drunk and I don't know how it ended, that I was face down on the floor and the table was broken! Anniversa-rager we call it lol"

"He is such a clumsy guy that just as I was leaving the house, you won't believe that I don't know how he managed to cover me in chilli sauce! What a silly goose!"

"He is so helpless without me, he couldn't find the printer and he called me all day because he needed me to explain to him how to work it. And he worries too! He called the cops because he didn't know where I was, maybe I forgot to tell him".

The conversations with her coworker about husbands help drive this point. That's what mariage is. You find ways to justify it and to avoid certain fights and that's it. We got lucky.

But he did all these things on purpose. And the unreliable narrator of the sitcom makes the joke of it and makes the audience consider that maybe it isn't *that bad*. Allison needs to believe that's what it is, so it is. It really isn't that bad, she thinks, he is just like that.

And we can actually see the worrying things and the threatening parts from minute one. It's only a joke because we have been trained to dismiss it. To justify it and to move on. He isn't doing any heavy lifting here.

In episode 1, just the fact that he ends up standing on the table (when she doesn't want him to even put glasses on without protection) says a lot. But then the table breaks and he fixes it poorly and visibly. It would be bad enough just like this, but I personally think there is more to it. It's just that Allison doesn't want to speak about it or look at it so it is just the table, but it's the switch that turns on for her, the last drop. But she did end face down on her living room, on top of the broken table. It's a very elegant narrative tool where we don't see, but if we wanted to see, it's there.

And the more she notices, the more off-putting the sitcom is. It's still played as a joke, with the laugh track, but she is more aware now, so we can notice too.

We start the series with her turning point, but if the series started a year before that, it would only be happening in her house, as it is her life, her only frame of reference, and it would only be a sitcom because isn't he such a clumsy but caring guy?

[agentark]

in the span of maybe an hour, clara oswald goes from, "I already know - don't say it." to, "people like you and me should say things to each other" and I'll never get over it

she literally gets pulled out of time the moment before her death and learns he's been clawing his way back to her for 4.5 BILLION years?? Just to save her??? I would also suddenly and urgently have words

[kyouka-supremacy]

(˶ᵔ ᵕ ᵔ˶)

[serpentface]

Does Janeys know that Brakul has a wife and son? How would he react if he learned?

He actually does know and has known pretty much from the beginning.

Early on in his stint as a POW turned mercenary, Brakul would repeatedly invoke his wife and son as reasons he could or could not do certain things + to insult Janeys like 'okay but some of us have actual, tangible responsibilities in this world and people who depend on them. Like my wife and son, who I will be returning to immediately when my contract is over. You're never going to see me again. On account of my wife and son.'

When he started actually Liking Janeys and wanting to be with him, and seeing a chance to Avoid All Consequences And Never Go Back Home, he gradually reversed course (and attempted to rationalize it to himself) like "Ahhh they'll be fine. I mean everyone probably thinks I'm dead and/or an oathbreaker anyway so Sirudan's gotta be remarried by now. My brother probably got in on that, and he really has his shit together so they're in good hands. Honestly it will be worse for them if I go back. They're better off without me. They're fine. It's not a big deal. I'm soooooo single and unattached btw" And Janeys was like "Okay. Yay."

13 years down the line Janeys almost never thinks about it and when he occasionally remembers it's like

He does not give a shitttt about the wife/child abandonment angle whatsoever, but he's aware that Brakul still has some attachment to them and regrets over skipping out, and he's kind of insecure about it. The concept of Brakul having a child out there completely independent of their whole Thing also makes him uncomfortable in ways he can't really put his finger on. He's not actually scared that Brakul will return to his ex-wife though, like even with all his profound insecurities and abandonment issues he knows there's not a chance in hell that he's gonna actually attempt to make amends. Bottom line is he doesn't like to think about it, and mostly doesn't have to.

[rapha-reads]

Me: I want to talk about Louis de Pointe du Lac in the books and how he's constantly haunting the narrative whenever Lestat is the narrator, even when he's not physically present or Lestat isn't even consciously thinking of him, because Lestat is actually always thinking of him and remembering him and using him as his humanity compass, and...

The tiny rational part of me: can you PLEASE go to bed, you'll write a love letter to Louis once you've had more than 4 hours of sleep, I am begging you, your eyes are burning, your neck is aching, you're starting to get a headache and you're being slightly delirious.

Me: but Louis.

Rational me: LATER.

Anyway I love Louis and I love how Lestat completely adores Louis and I love how every single vampire of the Court, from the most ancients to the youngests, know that they belong together and no one should ever try to separate them.

Also Louis noping out of the entire drama with Amel and those clone guys to go peacefully read in his crypt far away from the entire drama is so FUNNY AND RELATABLE, like same mate, saaaame, I'm good reading about it, don't wanna live it, no thanks.

[welcometogrouchland]

Noticing that TV and film will often have a character either have had an abortion in the past that isn't showcased on screen (and just used as part of the character's ~fucked up and twisted backstory~) OR contemplate getting an abortion in the present day but not to through with it. Just once I want to see someone delete that fetus within the events of the plot and not be like. Extremely majorly punished for it and/or be in the wrong

[fvrtvne]

the kirkwall crew on their way to ask meredith the stupidest fucking question they possibly can before giving her more grey hairs and gaining 9 additional felony charges