#hallmark frankenstein

[waterwitch13]

Happy 56th birthday to Luke Goss aka Adam 'the creature' Frankenstein 🎂

[losercade]

Watching Hallmark 2004 Frankenstein! I love Henry!

To let me finish all the strudel? :)

[dontmixpaintinyourcoffee]

Ive been watching Frankenstein movies again (I think I'm gonna have to make some kind of something about it, but I also have never made a video for the internet before so... To be determined?)

Anyways- I have a new recommendation for Frankenstein nerds with time on their hands! And I haven't seen much about it?? Maybe I'm not looking hard enough, but even the 1994 Kenneth Branagh version has something of an audience, and I think this one deserves at least that amount of attention.

Drumroll please!!

"Frankenstein" 2004, Directed by Kevin Connor

Now I think the reason this one is so unwatched is because it's actually a TV movie broken into two "episodes". The whole thing is about 3 hours long. And weirdly enough, aired on Hallmark??? But guys it's like. Really really good. Like, REALLY really good.

Some highlights for me personally include:

Henry Clerval! He's here! He's jolly! He's a little bit of a menace! Genuinely though he has a wonderful sense of charm and charisma to him, which works really well against the naturally more serious and dramatic Victor. Plus he's a history nerd with a bad relationship with his dad who doesn't want him to go to college. So naturally he hops on Victor's carriage mid-ride to Ingolstadt. What a guy

Elizabeth! Her relationship with Victor feels natural, but she also feels like her own person. Also they don't frame it like they're siblings (looking at you Kenneth). It feels more like they're childhood sweethearts who happen to live together, there's never a point where they refer to each other as siblings, there was never an intention from the parents to make them siblings, it just feels way less icky than many other adaptations. (It's still kinda weird though just on principle) I think she could've been explored more but she's fun when she's on screen. She paints, she jokes around, she has goals and expectations, I like her.

The portrayal of Victor is one of the most successfully sympathetic I've ever seen. It is very very easy to make Victor an asshole. Which he is, but it's easy to make him the wrong kind of asshole. Petty and vindictive, eager to run away from responsibility and denying the consequences of his actions. That's not him here. It's more that he's overwhelmed. He's completely over his own head. There's a lot of emphasis put on the fact that Victor is mentally unwell after his experiments. He's completely broken himself down, the minute the lightning thing doesn't work he flies into a rage. And then when the Creature starts breathing, he sees it for a few seconds and then blacks out. As far as he knows, he hallucinated the thing getting up (and he continues to experience paranoid hallucinations throughout the story, it's not a one time assumption). He still abandons the Creature, but it's not because he hates it, it's because he's exhausted and overwhelmed and literally doesn't know what's real. And that goes a long way in making the two feel equally sympathetic, which I think is very important.

This portrayal of The Creature is also one of the most successfully compelling I've ever seen! His performance is very gentle and quiet, which I think makes his rage and torment all the more intense. It's pretty common for the Creature to speak in a deep growl or low-toned monologues, but Luke Goss keeps his voice light and soft, which really really works. Plus I think his makeup and costuming is excellent. They stick way closer to the book description. He has a very pretty well-shaped face, but his skin is dry, grey, and cracked. His eyes are bright but sunken in shadow, and stitches poke out from just under his hairline. At the same time it's believable that Victor designed him to be beautiful, and that strangers would find him unnerving.

It's definitely too long, but it's a good time! You can also just find it on YouTube for free so, bonus points for that

[sokovianfortune]

being face-blind and picking out face claims sucks so fucking bad, dude. i hate not being able to judge the age of a person by looking at them.

[franken-loser]

where can you find the 2004 Frankenstein because my goofy little totally legal streaming site has somehow failed me and I must consume

AHAIAAKAKA a very legal streaming site you can find it on is dopebox (its a safe site) i believe, amazon for free, or you can find the full thing on youtube!

Heres the links to it on youtube, the quality isn't great so if you want it in higher quality another streaming service would def be better🙏

[violentdelightsproductions]

🎀 Viktor x Ruby 🎀

[Frankenwolf, the Hallmark edition]

Merry Christmas from the doctor and his wolf ♥ May the next year be full of red dresses, couple adventures... and lots of love!

I just couldn't resist, Meghan Ory's new Hallmark movie has too many Red Riding Hood looks not to make a Christmas aesthetic ♥

[stephpotterart]

Hallmark Halloween movies really need to be a thing. Let the goths and the spooky season lovers have their own ridiculous, syrupy, romances. There's so many options for them too? More than what Christmas offers plot wise? Why isn't this a thing?

[frankensteinical]

Forty Days of Frankenstein, Day Six: Tonight, I present this excellent Frankenstein (or Frank N. Stein) sticker, part of a Halloween set, produced by Hallmark back in 1984 (40 years ago, yikes!). That's such a weird thought. I was a newly minted 18-year-old that Halloween, and I can just barely imagine how I would have felt looking at 40-year-old Halloween decorations from 1944 (I can just barely imagine because my grandmother had some decorations, not many, that were that vintage). Anyhow, there's lots to like about this little sticker. The Monster's shirt is in a festive jack-o-lantern pattern. He has the by-this-point common forehead electrode variant, and yellow skin instead of the more common green. He has a pet spider. His tombstone sports an electric-themed joke, one of the four or five go-to's for Frankenstein. All in all, a fine Frankenstein. I'll also include a picture of the whole set, for context.

[frankenstan]

Caught only the end of this on TV one day (the wedding party onward) and it was like God had blessed my week!!

Frankenstein 2004

[michaelmay]

[waterwitch13]

I'm a few days late but happy 20th anniversary of Hallmark's Frankenstein miniseries that aired on October 5th and 6th 2004

[spooky-something]

That Hallmark adaptation was NOT good, I do NOT understand the hype, it was so far from accurate, please... WHY WERE AGATHA AND FELIX RELATED???? They also just fucking... Forgot the point of the novel. I HATE it. The creature is hated, not because he's ugly, THEY DON'T EVEN mention his appearance; the reason he's hated is just BASIC LOGIC??? When the townspeople chase him down, it's not that he's a monster, but because he stole. When Agatha and Felix freak out, it's not because he's a monster, but because he's a strange man in a random person's house with a blind man and a CHILD. I FUCKING HATE THAT HALLMARK ADAPTATION. The musical was just boring, idk...

Frankenstein, have good adaptations challenge, go!!!

when you find a good, book-accurate frankenstein adaptation but it was made in post-2001 america so they erase the arabic woman from the plot despite her literally being the very reason the creature knows how to speak, read and write

[the-crooked-library]

The Violence of Conformity: on Queerness, Shame, and Vampirism

As we all know, and as I feel I must express again - the metaphorical layers of Nosferatu (2024) consist of several complex, frequently intersecting social themes. Some of them, admittedly, exist a story or two below the surface-level discussions; but that makes them no less influential in regards to the primary plot, and they demand the viewer's exploration just the same.

This is especially true in regards to Eggers' approach to homoeroticism. Its presence within the film itself is unsurprising - implicit, or even explicit, expressions of queerness are a hallmark of gothic (and especially vampire) media. In the case of Nosferatu, this narrative vein provides an undercurrent to almost every aspect of the story; and, because I can't stop thinking about it, I'm making it everyone else's problem.

The Hutters are queer, biting is a metaphor, details under the cut.

To begin with, I must clarify that a queer reading of Nosferatu is not an external introduction. While that lens may be applied to any narrative, given a thorough enough discussion of gender roles, sexuality, and cultural context, it has always been a natural - if sometimes unspoken - component of gothic horror. Elements of it are observable in classics like Frankenstein (Shelley), The Picture of Dorian Gray (Wilde), and even detective fiction offshoots like The Hound of Baskervilles (Doyle), etc; and within the vampire subgenre, it is practically a requirement.

That, like many other things, may be ascribed to Lord Byron and his ever-enduring cultural legacy. In the year 1819, at the Villa Diodati in Switzerland, he challenged his illustrious group of friends to each write a ghost story; and while only two achieved any sort of prominence, that much was sufficient to alter the history of the horror genre. One of these was Mary Shelley's Frankenstein; the other was The Vampyre by Dr. Polidori.* As the title suggests, it was the first Western work of fiction that featured such a monster - and, in doing so, it set the blueprint for countless others to follow. Since then, the genre has been defined by the shape of the dark, hedonistic, and dangerous Lord Ruthven, who was unmistakably modelled after Byron himself.

As a character, Ruthven is confident, dominant, manipulative - and brooding, on occasion. His interpersonal approach is defined by a sort of hypnotizing, seductive, possessive, most certainly ill-advised allure. The overall impression is devilish; and that is indeed the point. Within the thematic framework of The Vampyre, Ruthven represents temptation of all kinds. He never hesitates to indulge himself; and so, once he is bored with cards and brothels, he has no qualms about fixating his appetites on Polidori's main character, Aubrey.

Their relationship is notably homoerotic. Despite - or, perhaps, even complemented by - Polidori's amateurish style, the text demonstrates a genuine, striking sensuality between them. In 1819, this easily fell in line with the rest of Lord Ruthven's characterization; and, following The Vampyre's a rapid rise to popularity, vampirism became a shorthand for any "sinful" - or, socially forbidden - sexual expression.

Given the numerous restrictions of the time, most of which persist today to a degree, this includes not merely abusive or incestuous, but also queer, interracial, and extramarital relations - as well as anything involving kink dynamics. From Ruthven, we get Carmilla (LeFanu), Dracula (Stoker + adaptations), and even relatively recent installments like Lestat (Rice).**

The premise of Nosferatu is no exception. One of the most famous cases of copyright infringement, and a triumphant testament to the historical/preservationist value of media piracy, Murnau's 1922 silent film survives - against explicit orders of the Stoker estate; and, being the literary bastard child of Dracula himself, Orlok maintains many of the same characteristics as his predecessor.

Among these is his implicit and classically vampiric queerness. Like the rest of the film, it is amplified in 2024 - and especially prominent in the first act, in which Thomas Hutter arrives to Orlok's castle.

It is evident from his earlier characterization that Thomas is a repressive type. More so than Aubrey or Jonathan Harker, he keeps his head down, obstinately ignoring the web of fears that shape his daily existence; and it is a monster's narrative duty to expose and realize every single one.

Granted, social circumstances do play a role in this situation. Aubrey has wealth and status; Jonathan Harker has friends and a stable, loving marriage; and Thomas Hutter has neither of those things. Without the benefit of money or community, he lives within a world that is almost as restrictive as Ellen's. His personality is defined by his similarly desperate desire for respect; and his behaviour throughout the film is informed by that underlying pattern. It manifests, most prominently, as a near-compulsive, yet formulaic, adherence to social expectations. He chases after a promotion, marries, gives his wife flowers she didn't want - and, in the same breath, dismisses her "childish fantasies", not out of any malicious intent, but simply because it is supposed to be his duty as a man and husband. It is a destructive cycle of indignity and overcompensation - and I believe it is essential to acknowledge that it's motivated, in great part, by his financial insecurity. As a self-described "pauper," Thomas is anxious to prove himself to his ruthless, unforgiving society - because if he does not, he runs a very real risk of losing even the few comforts he has managed to scrape together.

This threat of destitution is an act of violence. Implicitly, constantly, in consequence of daring to exist, Thomas is being held hostage - unless he conforms.

His sojourn at Orlok's castle is, therefore, peppered with evidence of his superstitions, his social class, and his weakness. Orlok - whom he eventually finds slumbering in the dungeon, the symbolic core of the building itself - is its culmination. What Thomas sees after opening the casket is a nude man, always and never dead, who is trying to take away his wife and imprison him, like a damsel, in a castle. He is horrified; and the implication is blatant. In context with everything else, the deeply sensual, lingering brutality of Orlok's attack is symbolic of the one last thing that Thomas is repressing - and has been for so long that facing it is unthinkable. Still, he can do nothing to resist Orlok - who pushes him to annul his heterosexual marriage, subdues him, bites him; and drinks from him, night after night.

Even during daylight, Thomas fails to destroy his tormentor. In the story sense, he cannot do it because Orlok is a vampire; on the symbolic level, we understand that he cannot kill his own nature.

It goes without saying that this experience is violent; it is both grotesque and shockingly, blatantly lewd. It is traumatic. It is euphoric. It is a form of sexual assault, as far as the biting - a naturally penetrative act - is concerned; and, crucially, it is also Thomas' own repressed desire forcing him to know it. His fear and self-disgust are made flesh in Orlok. Unwanted Desire versus Unwanted Advances; it is a classic gothic paradox - and, in the end, he is unable to accept it. He flees, back to Ellen and the familiar comfort of repression.

Curiously, Ellen herself - who is also distinctly queercoded - presents a depiction of an alternate path.

Like Thomas, she begins the film rigidly repressed and doing her utmost to conform to the established heterosexual social standards. The most prominent factors behind Ellen's oppression are ableism and misogyny - both rooted in things she cannot possibly hide. Her seizures are extremely noticeable to say the least, her neurodivergence affects every conversation she has with the people around her, and all of them perceive her as a woman first and a person never. As the film goes on, it becomes increasingly clear that this emulation of a happy marriage requires constant and agonizing effort to sustain; but while she is also blatantly queercoded, and this queerness definitely contributes to the way she is treated (e.g. by Harding, who views her as a threat to his own marriage), her struggle in maintaining her union with Thomas is not necessarily rooted in a lack of sexual attraction.

The issue is, rather, its "inappropriate" manifestation. Ellen is sexually dominant. Her desires are carnal (and, as the original script implies, mildly sadistic). In a society that expects women to be both innocent and submissive, limits their financial opportunities, and threatens the nonconforming with institutionalization or abandonment, she is caged.

Unlike Thomas, she is aware of that and resents it accordingly - which is not to say that she doesn't feel overwhelming guilt in regards to her sexual inclinations. She absolutely does; and it is interesting to note here that her own pain, in this case, manifests as attacks on her husband and Anna.

This is the part of the story that actively deals with Ellen's queerness. It is evident that she has lived her entire life with the idea that such feelings themselves are sinful; her desires are already unacceptable, even within the sanctity of a heterosexual marriage - thus, actively pursuing another woman would be monstrous. In this interaction, however subtle or unspoken (and, on Anna's part, likely unrecognized), Ellen perceives herself as an aggressor. This is the reason her friend is attacked directly after they share a private, tender moment together - true to the classic gothic vampire tradition, Orlok is, consistently, the direct manifestation of Ellen's shame. He drinks from Anna's breast (the characteristic bite notably favoured by Carmilla - the original lesbian vampire); he destroys the Hardings' perfect nuclear family; and Friedrich Harding blames Ellen and her "fairy ways." Symbolically, their suffering is her punishment - both for feeling a brief moment of queer affection (guilt, fear - direct, setting-driven), and for refusing to indulge it (self-acceptance, rebellion - metaphorical, represented by Orlok).

Still, despite her fear and guilt, Ellen knows that she has done nothing wrong by following her "nature." Her queerness is inherent to her - much like her disability, or her psychic gift; and it is no accident that, among the human characters, the latter is only truly identified by the remarkably eccentric, disgraced, flamboyant, cat-loving, unmarried, bohemian Von Franz. Even though he might be better-adjusted to their surrounding society than her, he still decidedly exists on its outskirts. There is a familiarity of recognition between them, as well as the particular dynamic of a fresh and uncertain fear vs a resigned bitterness that alludes to an interaction between two different queer generations. Even as he is unable to promise her a happy ending, he confirms that she was meant for greater things than the world around them would allow; and that, in my opinion, marks a turning point.

Prior to her conversation with Von Franz, the only validation Ellen has ever received was from Orlok - which posed a moral complication. He was and is a monster, and as such, she believed him to be, fundamentally, a "deceiver." Because of this, she could not bring herself to entirely accept what he was saying; but, conveniently, Von Franz provides an alternate opinion. He stresses that her gift is not only powerful, natural, and inevitable, but also inherently beautiful and sacred.

This is a drastic shift from the way Ellen is normally perceived by humanity. The story consistently demonstrates that the other characters dismiss, infantilize, or condemn her out of turn; however, in this new philosophical context, her night of passion with Orlok - or, the city's only hope for salvation - becomes a supremely important, adult, and holy act. In a spiritual sense, it is equivalent to a marriage; and the film frames it as such.

Like a father, Von Franz gives her away. Despite his well-established monstrosity, Orlok is tender with her to the point of reverence; and she pulls him close - as unnecessary or selfish as that may be. It is, after all, a metaphor. By embracing the Vampire, Ellen embraces the physical representation of everything she had once considered ugly in herself. In regards to her queerness (as well as her psychic power/neurodivergence/disability/personhood), it is a triumphant moment of self-acceptance.

Ellen's arc therefore ends in sublimation. Meanwhile, Thomas is left behind; over the course of the film, he has been unable to let go of the structures that have directed his thinking and behaviour throughout his life - and yet, at the same time, he has also seen them fail, over and over. Knock betrays him, Sievers is out of his depth; Thomas himself cannot be a hero, and Harding - his glittering ideal - crumbles, consumed by grief and madness. The finale, therefore, leaves him on a precipice.

It is a classic moment of deliberation - epitomized, perhaps, by The Matrix (Wachowski Sisters, 1999), in its iconic "red pill/blue pill" scene. As much as the interpretation of it has been twisted over the years, the fundamental, intentional meaning of it is inherently queer; it is about weighing the danger and value of awareness against the meaningless bliss of ignorance. These narrative points are most frequently framed as a beginning - but for Thomas, that is how the movie ends.

He could return to the prison of his daily existence, repress everything he truly feels once more, and suffocate himself in a stranger's life. Before him, Ellen and Orlok depart into a "sea of fog" - an unknown, terrifying, beautiful alternative. It is a promise of freedom and a guarantee of struggle. He sees an example of what he could become, in them and in Von Franz. Their society - and ours, to a degree - is unforgiving of deviation, yes, but the story has also forced him to recognize that acquiescence is not the only option; nor is it actually enough to protect him or his loved ones. Within an oppressive society, safety is always subject to an implicit transaction; and as the finale of Nosferatu makes painfully clear - Orlok may have been in covenant with the Devil, but Harding is the one who sold his soul. The question, now, is whether or not Thomas can bring himself to ignore that.

I know what I would personally wish for him - a full and vibrant life, somewhere on the edges of polite society, that allows him to delve into the eccentricities he never knew he had. He could get into the occult himself; maybe even meet a dashing vampire hunter who would sweep him off his feet and shock his lingering sensibilities every morning (and if the man's a cowboy, even better). However, the point is that we do not know what he will do or what will happen. A life is always in flux. Regardless of our circumstances, there are still a few things we get to choose for ourselves, and a precipice is also sometimes an opportunity for a leap of faith.

I hope, most affectionately, that Thomas Hutter jumps off a cliff.

*POLIDORI - Dr. John William Polidori, who may indeed be considered the creator of the modern vampire genre, graduated from Ampleforth College in 1815 with a thesis on sleepwalking. It's not exactly relevant; but, in the context of Nosferatu, rather apt. I would've really liked to see his thoughts on it, seeing as it's such a perfect intersection.

**LESTAT - being blond, Lestat does stand out from the primary archetype in the visual sense; but the current discussion is more in the realm of personality.

[starlightkun]

i do not allow reuploads, reposts, or translations of my works. i cross-post to ao3 and wattpad. i do not take requests. i write for fun and for free. feedback is of course welcome and greatly appreciated, please feel free to send me an ask, reblog, or comment!

if you're looking for a fic and can't find it, check my archive masterlist

PLEASE READ/INCLUSIVITY: unless explicitly stated otherwise in the genre tags, all of my reader-inserts use she/her pronouns, and are commonly referred to with gendered language such as girl, woman, etc. i do not make references to the reader's skin tone. i tend to avoid describing how the reader-insert takes up space (height or size) but if i do, the only members that i may explicitly depict as taller than the reader-insert are those that are 180cm or above (johnny, jaehyun, jungwoo, sungchan, jisung, and maybe sicheng if i'm feeling extra nice)

taglist | recent work | recommended work

word count 2025: 9.3k | blog word count: 1.216M

nets: blankjournal

KEY

f - fluff a - angst m - mature/heavy themes (i do not write smut, but not everything here will be appropriate for all ages, proceed with caution and read all warnings provided at the beginning of fics) h - humor/crack fic ✦ - author favorite

the starlightkuniverses

➺ series of multiple fics that take place in the same universe. pick your favorite member or read them all

➺ the strawberry sunday anthology (f, m, h, ✦)

modern magical creatures au, modern fantasy au, college au ── fairy!jungwoo, vampire!kun, werewolf!jeno, dragon!jisung, werewolf!sungchan, human!renjun, basilisk!mark, and dryad!jaemin * :✧˚ ·♡. ─── read here

➺ venue:hell (f, a, m)

band au, punk/alt au ── drummer!sungchan, frontman/lead singer!shotaro, and retired floprockstar/venue manager!kun * :✧˚ ·♡. ─── read here

➺ the ayakashi series (f, a, m)

based off the otome game 'ayakashi romance reborn,' modern yokai au ── tengu!jeno, oni!kun, human!jaehyun, and snow spirit!doyoung * :✧˚ ·♡. ─── read here

➺ sleepless cinderella (f, a, m)

based off wayv's dream launch plan videos and the otome game 'sleepless cinderella' ── pilot!kun, surgeon!ten, actor!sicheng, director!dejun, robotics engineer!kunhang, and f1 racer!yangyang * :✧˚ ·♡. ─── read here

special events

➺ 2023 hallmark movie marathon (f, a)

christmas-themed, new year's-themed ── three (and a half) fics with very cheesy hallmark movie-esque premises and tropes for the holiday season, all starring kun * :✧˚ ·♡. ─── read here

➺ 2024 hallmark movie marathon (f, h)

christmas-themed, new year's-themed ── three fics with very cheesy hallmark movie-esque premises and tropes for the holiday season, all starring jisung * :✧˚ ·♡. ─── read here

qian kun

➺ frankenstein complex (f, m, ✦) ── 67.9k, completed

sci-fi, near-ish future, black op mission captain kun, ?????? reader, humans and aliens and robots ── in which the crew of the vision finds you as the sole survivor of a classified research facility and there's more gaps in your memory than memories themselves. on top of that, you've got this weird feeling that the captain of the crew you've found yourself with isn't exactly what he seems... * :✧˚ ·♡. ─── read here

➺ sweet girl (f, m, ✦) ── 53.9k

from the ayakashi series, oni!kun, onmyoji!reader ── in which you have to juggle love, friends, school, and a great evil that could destroy your city * :✧˚ ·♡. ─── read here

➺ the bite (f, a, m) ── 25.5k

single dad!kun, single mom!reader, e2l, slice(s) of life ── in which kun's son bites yours at preschool, and you want nothing to do with this 'mr. qian' * :✧˚ ·♡. ─── read here

➺ romance is dead (f, m, h, ✦) ── 19.4k & 10.3k sequel

part of the strawberry sunday universe, vampire!kun, human!reader, "uh-oh one of us drank a love potion" but with a twist, strangers(ish) to lovers ── in which there’s a mix-up with a love potion, and you're suddenly being courted by a several-hundred-year-old vampire. it's not all sonnets and bouquets, though, as you're keenly aware that kun's love could turn to thirst. and maybe you wouldn't mind if it did * :✧˚ ·♡. ─── read here | sequel

➺ flopstar (f, m) ── 18.3k

part of the venue:hell universe, band au, retired floprockstar/venue manager!kun, rookie/keyboardist!reader, age gap (older kun) ── in which your band finally gets a break in the form of a recurring gig at a local underground punk venue. when you realize the manager is the former keyboardist of your favorite band from a decade ago, though, it becomes even harder to keep your cool * :✧˚ ·♡. ─── read here

➺ sleepless cinderella (f, a) ── 11.4k

from the sleepless cinderella series, pilot!kun, journalist!reader ── in which you become your own cinderella one night, with six prince charmings to choose from * :✧˚ ·♡. ─── read here

➺ [NEW] chasing love across the receivers (f) ── 9.3k

sci-fi, near future, falling in love without seeing each other ── in which you go to your job as a space traffic controller every day looking forward to your shifts with one specific coworker who you might be falling head over heels for. and sure, you don't know quebec's real name, nor what he looks like, but you two talk for hours a day between guiding landings and take-offs, and you know him better than anyone else. you're perfectly happy, until his end of the comms falls silent one day and won't reconnect * :✧˚ ·♡. ─── read here

➺ hopeless for the holidays (f) ── 8.7k

strangers to lovers, new years-themed, attorney kun, wedding planner reader, aged up kun & reader (mid/late thirties) ── in which your friend drags you to a singles mixer being thrown by the local bar association, and you're less than thrilled. in between betting her coworker that he won't find someone to kiss by midnight and helping her avoid her ex from law school, you hardly expect to meet someone like qian kun * :✧˚ ·♡. ─── read here

➺ much mistletoeing about nothing (a, f) ── 7.6k & 1.9k sequel

exes to lovers, christmas-themed, getting snowed in trope, cuddling to share warmth trope ── in which your first mistake was saying yes to christmas dinner with your ex. your second mistake was being late to said christmas dinner. and your third... * :✧˚ ·♡. ─── read here | sequel

➺ hold my red heart (f) ── 3.4k

christmas-themed, fake dating trope, f2l ── in which you need some help getting rid of a very persistent coworker, and what better way than bringing your boyfriend to the office christmas party? only problem, you don't have a boyfriend. enter kun. * :✧˚ ·♡. ─── read here

kim doyoung

➺ snowflake (f, a, m) ── 75.3k

from the ayakashi series, snow spirit!doyoung, onmyoji!reader ── in which you experience both great love and great loss, and learn how to battle hypothermia * :✧˚ ·♡. ─── read here

ten

➺ sleepless cinderella (f, a, m) ── 13.8k

from the sleepless cinderella series, surgeon!ten, journalist!reader ── in which you become your own cinderella one night, with six prince charmings to choose from * :✧˚ ·♡. ─── read here

jeong jaehyun

➺ s.c.s. (f, m) ── 66.2k

from the ayakashi series, human!jaehyun, onmyoji!reader, childhood friends to lovers ── in which jaehyun's just always been a family friend, the son of your dad's friend. so why are you so nervous around him now? why are you thinking about kissing him so much? and oh yeah, what's up with all those evil wraiths? * :✧˚ ·♡. ─── read here

➺ valentine boy (f) ── 5.0k

rich kid!au, childhood friends to lovers ── in which you’re reunited with your childhood friend and refuse to let him go this time * :✧˚ ·♡. ─── read here

dong sicheng

➺ sleepless cinderella (f) ── 13.5k

from the sleepless cinderella series, actor!sicheng, journalist!reader, fake dating, e2l ── in which you become your own cinderella one night, with six prince charmings to choose from * :✧˚ ·♡. ─── read here

kim jungwoo

➺ finders keepers (f, a, m) ── 37.8k

sci-fi, alien!jungwoo, human!reader, soulmate au but make it aliens ── in which you've never been good at keeping your nose out of trouble, and a spaceship crashing a few meters away from you is right up your alley. the alien inside claiming that you're his soulmate might finally put you out of your depth, though * :✧˚ ·♡. ─── read part one | two

➺ strawberry sunday (f, ✦) ── 28.4k

part of the strawberry sunday universe, fairy!jungwoo, human!reader, f2l, one (1) tease and one (1) idiot to lovers, slow burn ── in which you, all your friends, and your stupid massive crush on jungwoo go stay in one beach house together for spring break. you're determined to make it out with your secret in tact. but... has jungwoo always looked at you like that? touched you this much? like that? he can't be... flirting with you? * :✧˚ ·♡. ─── read here

➺ second first kiss (f) ── 2.0k

new year's-themed, model!jungwoo, childhood f2l, drabble, gn!reader ── in which you spend every new year's with your best friend jungwoo. except the past couple years he's missed the target on his friendly new year's peck on the cheek, and you can't get him out of your head now * :✧˚ ·♡. ─── read here

mark lee

➺ baby fangs (f) ── 26.7k

part of the strawberry sunday universe, basilisk!mark, sphinx!reader, strangers to lovers, age gap (older reader) ── in which a desperate mark knocks on your door one night when he gets locked out of his friends' apartment, and you get way more than you bargained for in return. you hardly expect that the cute infatuation he displays for you immediately would be anything more; nor that you'd ever find yourself falling for the basilisk and his baby fangs too * :✧˚ ·♡. ─── read here

➺ invested (a, f) ── 23.1k

ft. donghyuck, love triangle, matching tattoo soulmate au ── in which you're convinced that you don't have a tattoo, and that you're in love with lee donghyuck * :✧˚ ·♡. ─── read here

xiao dejun

➺ sleepless cinderella (f) ── 14.4k

from the sleepless cinderella series, director!dejun, journalist!reader, childhood friends to lovers ── in which you become your own cinderella one night, with six prince charmings to choose from * :✧˚ ·♡. ─── read here

wong kunhang

➺ savior (f, h, ✦) ── 24.3k

royal au, prince!kunhang, princess!reader, "you saved me, so now i'm your problem" ── in which you really should've read up on the customs of your neighboring kingdom before visiting * :✧˚ ·♡. ─── read here

➺ sleepless cinderella (f) ── 11.1k

from the sleepless cinderella series, robotics engineer!kunhang, journalist!reader, e2l ── in which you become your own cinderella one night, with six prince charmings to choose from * :✧˚ ·♡. ─── read here

huang renjun

➺ dr_magic2303 (f, h, m) ── 18.3k

part of the strawberry sunday universe, human!renjun, siren!reader, academic rivals to lovers ── in which a mysterious user by the pseudonym of dr_magic2303 starts popping up on your university’s online forums. you’re determined to get to the bottom of their identity, so you decide to enlist the help of your academic rival for the past four years, huang renjun * :✧˚ ·♡. ─── read here

lee jeno

➺ featherbrain (f, m) ── 48.3k

from the ayakashi series, tengu!jeno, onmyoji!reader ── in which you can't believe you've fallen for this stupid, stupid tengu * :✧˚ ·♡. ─── read here

➺ tongue-tied (f) ── 17.4k

strangers to lovers, model!jeno, journalist!reader, reworked version of old sleepless cinderella route ── in which you find yourself getting sucked deeper and deeper into an article in order to ignore the scarily personal part that won't seem to leave you alone * :✧˚ ·♡. ─── read here

➺ pupsick (f, m) ── 11.8k & 8.8k sequel

part of the strawberry sunday universe, werewolf!jeno, human!reader, f2l, bakery au ── in which jeno's sick and insists that you're the only one that can take care of him. but according to your only other werewolf friend, you're also what's making him sick * :✧˚ ·♡. ─── read here | sequel

lee donghyuck

➺ invested (f, a) ── 23.1k

ft. mark, love triangle, matching tattoo soulmate au ── in which you're convinced that you don't have a tattoo, and that you're in love with lee donghyuck * :✧˚ ·♡. ─── read here

na jaemin

➺ the golden fruit duology (f) ── 32.0k

nades au, hades!jaemin, human!reader, persephone allegory ── in which you think you're trading away a third of your life for your dream job but get much, much more * :✧˚ ·♡. ─── read here

➺ [COMING SOON] savvy (f, h) ── 12.2k

part of the strawberry sunday universe, dryad!jaemin, human!reader, summer camp counselors au, strangers to lovers ── in which you and jaemin end up as co-lead counselors at camp pineleaf this summer, and it's hard to deny that you two seem to just click. he thinks it's your great chemistry, but you know better. and by the time you realize what's happening, it's too late to try to keep him at arm's length * :✧˚ ·♡. ─── read here

liu yangyang

➺ speedometer (f, ✦) ── 14.1k

street racer!yangyang, college au ── in which you meet someone who sends your heart racing * :✧˚ ·♡. ─── read here

➺ sleepless cinderella (f, a) ── 12.9k

from the sleepless cinderella series, f1 racer!yangyang, journalist!reader ── in which you become your own cinderella one night, with six prince charmings to choose from * :✧˚ ·♡. ─── read here

osaki shotaro

➺ sugarcoated brain (f, a) ── 13.7k

part of the venue:hell universe, band au, punk band frontman!shotaro, venue manager!reader ── in which you're assigned to take care of the band who will be filling the weekly performance slot at your workplace. you're warned their scatterbrained frontman can be a handful thanks to his tendency to misplace everything he owns. what nobody could have prepared you for is his inexplicable one-track mind when it comes to you * :✧˚ ·♡. ─── read here

jung sungchan

➺ buzzer beater series (f, m, ✦) ── 75.1k, completed

college au (and after), hockey captain!sungchan, chronically ill!reader (migraines) ── in which you swear you’re only going to the joint halloween party being hosted by the hockey team and nu chi tau for a few minutes just to say hi to sungchan, but as can be expected with your life, something goes horribly, horribly wrong * :✧˚ ·♡. ─── read here

➺ the soulmate factory (f, a, ✦) ── 28.9k

science fantasy au, soulmate au (red string), star crossed lovers, mystery ── in which you work at The Soulmate Factory, pressing all the buttons when you’re supposed to, changing strangers’ fates. until one day a red string appears on your finger, and you know something has gone horribly wrong. employees of the soulmate factory are explicitly barred from participating in the program. on top of hiding it from your coworkers and bosses, you also have to investigate how this even happened and undo it, before you lose your job and before you meet your soulmate * :✧˚ ·♡. ─── read here

➺ changer (f, a) ── 22.3k & 25.5k sequel

part of the strawberry sunday universe, werewolf!sungchan, human!reader, slowish burn, blind date ── in which you and sungchan are set up on a blind date, and it goes terribly. but a chance second meeting could reignite the spark of... friendship? well shit. * :✧˚ ·♡. ─── read here | sequel

➺ that hot (f) ── 17.2k

meet-ugly, strangers to lovers, forced proximity (long car trip, vacation, etc.) ── in which you first get introduced to sungchan at a friend's party, but you just don't trust guys who are that hot. scene cut, and he's driving you to a cabin in the mountains that your entire friend group will be staying at for two whole weeks. then you miss your exit. then his car gets a flat tire. * :✧˚ ·♡. ─── read here

➺ filler episodes (f) ── 16.6k & 9.5k sequel

part of the venue:hell universe, band au, drummer!sungchan, normie!reader, badboy x good girl but make it loserboy x girlfail ── in which your whole life has felt like filler episodes, and you're tired of living like that. enter jung sungchan, part-time bookstore worker, part-time tea shop employee, and part-time drummer for a local underground punk band. he's everything you're not, and as soon as he's wedged himself into your life, you find that you don't want him to go * :✧˚ ·♡. ─── read here | sequel

➺ weddings & funerals (a, f) ── 9.9k

exes to lovers, second chance romance ── in which you and sungchan keep ending up as each other's plus-ones to weddings and funerals, despite the fact that you broke up months ago * :✧˚ ·♡. ─── read here

➺ tourist trapped (f) ── 2.4k

enemies to lovers (or are they...) ── in which your day out at the fair with your friends somehow ends up with you stuck at the top of the ferris wheel with the one person you'd been avoiding, sungchan. but you're not avoiding him for the reason that all your friends think you are... * :✧˚ ·♡. ─── read here

➺ [WIP...] soulbound (f, a) ──

two bodies one soul au, acquaintances of extreme inconvenience, e2l ── in which you and sungchan share one soul between you, a fact that has been the literal bane of your existence since your birth. while the two of you personally get along like oil and water, physical distance would kill your soul and both of you with it. when you land a lucrative new job in a different city, you never expect sungchan to actually agree to uproot his entire life for your dreams * :✧˚ ·♡. ─── read here

park jisung

➺ pur autre vie (a, f, m) ── 26.1k & 17.5k sequel

paranormal/supernatural au, ghost!jisung ── in which you inherit your stepdad's house under the condition that you can live there for as long as you take care of your mother. at first, you think her belief that the house is haunted is just her declining mind playing tricks on her. but the longer you're there, the more you start to think something isn't right... * :✧˚ ·♡. ─── read here | sequel

➺ the dragon's happily ever after (f, h) ── 17.4k

part of the strawberry sunday universe, dragon!jisung, human!reader, f2l, secret relationship/fake not dating trope ── in which you and jisung sort of forgot to tell your nosy friends that you're dating, but realize it's the perfect opportunity to give them a little taste of their own medicine. they're trying to set you two up, while you're trying to see how long it takes them to notice that you're already dating. cue the shenanigans * :✧˚ ·♡. ─── read here

➺ out of left field (f) ── 16.3k

christmas/new year's-themed, college au, brother's best friend trope, baseball player!jisung, rich kid!reader, slowish burn ── in which a missed connection in the library during finals week turns into two weeks at your family's winter home with your brother's cute friend on the baseball team. as long as you and your brother don't kill each other before you even get there, this could be the best christmas ever * :✧˚ ·♡. ─── read here

➺ mistletoe while you work (f, h) ── 6.9k

christmas-themed, established relationship, secret relationship, meddling coworkers & equally unhinged reader & jisung ── in which you and jisung truly had only meant to keep your relationship private from your colleagues until jisung's new employee evaluation. then two of your coworkers tried to convince you to sleep with jisung for his own good, and who were you to pass up the perfect opportunity for some workplace hijinks? * :✧˚ ·♡. ─── read here

➺ want from me (f) ── 1.7k

christmas-themed, sleeping with a stranger at the office holiday party and oops! they're your new coworker trope ── in which you did not plan for the handsome stranger that you took home from the office holiday party to end up also being the new transfer to your team. you also did not plan for a repeat of that night. but you had also never planned for park jisung. * :✧˚ ·♡. ─── read here

[literary-shitstorm]

In fanon, Jason Todd is often characterised as this big literature buff, more so than he ever is really in the comics. But can we talk about the number of literary parallels (intentionally or unintentionally) there are in his character...

(humour me, I'm also a big literature buff)

Pride & Prejudice by Jane Austen Lovers, in spite of their initial contempt, overcome biases and their own prejudices, disregarding of their differing social backgrounds. This is known to be Jason's favourite novel. Needless to say, Jason coming from abject poverty being adopted by billionaire Bruce Wayne definitely plays into this, and Jason's attitude towards defending Crime Alley and the particularly vulnerable in society.

Frankenstein by Mary Shelley A Creature is brought back to life and shunned by his creator, has to learn how to survive in a new world that never planned for its existence and thus turns to violence to seek vengeance on its creator by systemically hurting those in his life - sound familiar? It's an almost piece for piece recollection of Jason's return from death and his feelings and actions towards Bruce, whom he deems to be responsible.

Crime & Punishment by Fyodor Dostoevsky A former student begins to believe that crimes such as murder can be committed for the greater good of society, commits said crimes and is forced to live with the psychological and literal consequences. The idea of 'killing for the greater good' is a hallmark of Jason's, and the crux of his entire character's ethics, especially his relationship with Bruce post-resurrection - not to mention the psychological torment he experiences.

The Metamorphosis by Franz Kafka The transformation of a man into an insect, and the way this isolates him from the rest of humanity, how his identity is changed and the psychological impact this has on him. This is most akin to Jason's resurrection and the feelings that come as a result - how he becomes something entirely different to who he was before very suddenly, grappling with his place and who he is in a world that didn't plan on having him back.

Oliver Twist by Charles Dickens A novel about an orphaned, impoverished child who encounters an Artful Dodger and ultimately joins a criminal outfit who try and recruit him into their agenda, although he ultimately disagrees and flees. Although this isn't beat for beat Jason's story (as he ultimately ends up as the more criminal of the bunch), there are definitely parallels between Jason's experience with being taken into the role of Robin but disagreeing with Bruce's ethos as he evolves.

Cain & Abel (not a novel, I am aware) Two brothers make sacrifices to God to show their gratitude. Cain, the elder, is snubbed where Abel, the younger, is accepted. Cain goes on to kill Abel out of jealousy and become the first murderer. I know this isn't necessarily literary, but the parallels between Jason's attack of Tim when he returns to Gotham as Redhood are significant. Jason feels enraged at Bruce's replacement of him after he, ultimately, gave his life for the cause - his attack on Tim is one of jealousy and rage.

[dross-the-fish]

Have you ever watched the 2004 Hallmark Frankenstein movie? If not I'd highly recommend it, some changes are present but overall it's very faithful to the book and generally well-written and well-acted

I have and honestly for a made for TV hallmark movie from the mid 2000's it's surprisingly decent. probably the most faithful adaptation I've seen yet. I do wish the creature had been a bit more gnarly looking. Can't complain too much as they did stick pretty close to how he's described in the book and I can see his resemblance to some of the early illustrations.

There are some shots where he looks alright and the makeup manages to be serviceable uncanny but there are several where he kind of just looks like...some dude. He doesn't even have the 8 ft tall thing going for him so it feels weird that people are so afraid of him.

I mean look at him, this is the most puppy dog version of the creature I've ever seen in my life. I still like him though, the actor does a good job.