#hafez shiraz

[xuxanov]

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İçkiçilərdən səccadə çiyninə çəkən şəhərin İmamını; dün gecə çiyinlər üstündə aparırdılar.

- Şirazlı Hafiz

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‪

[majestativa]

I never really cared for the things of this world. It was the glow of Your Presence that filled it with beauty.

— HAFEZ ⚜️ Love’s Alchemy: Poems from the Sufi Tradition, transl. by David Fideler & Sabrineh Fideler, (2010)

[j4jml]

“You set the world in chaos with your ardent, radiant glee.'' – Hafiz

Radiant Glee 10/07/2024 © All Rights Reserved by Jamil Hussain

[hand-made-sweater]

[un-paso-lejos]

[wherefeelingsland]

"Love seemed easy at first, but then came the hardships."

In simpler terms, it suggests that falling in love might initially appear effortless and delightful, but as time goes by, the challenges and difficulties of love become apparent. This line beautifully captures the contrast between the initial excitement of love and the complex reality that follows.

Hafez, full name Khwaja Shams-ud-Din Muhammad Hafez-e Shirazi, was a 14th-century Persian poet whose works are regarded as some of the finest in Persian literature. He was born in Shiraz, Iran, around 1315 and passed away in 1390.

Hafez is best known for his collection of lyrical poems, known as ghazals, which explore themes of love, wine, spirituality, and the hypocrisy of religious orthodoxy. His poetry is often mystical and filled with symbolic imagery. Despite the challenges he faced during his life, including political instability and personal hardships, Hafez's work has continued to inspire and resonate with readers over centuries.

His tomb, located in Shiraz, is a well-visited pilgrimage site and a symbol of Persian culture and literature. The line "که عشق آسان نمود اول ولی افتاد مشکلها" is one of many examples of his deep understanding of love and life, capturing the essence of the human experience in a few short words.

[ashotasfireandasdeepastheocean1]

....💗

.

— Forfeiting My Mystique, Kaveh Akbar, in '100 Queer Poems, an anthology' (2022)

[text ID: Hafez said

fear is the cheapest room / in a house, that we ought / to live in better / conditions. I would / happily trade all my / knowing for plusher / carpet, higher ceilings.]

[random-xpressions]

To love the insides of someone's mind is the finest adventure rides we humans could ever embark upon - have plenty of it - and sleep with as many minds as you can. Be a slut, be a whore. Fuck those literary geniuses whose bodies are now buried underneath the earth. Flirt with the likes of Socrates, Aristotle, Plato. Roam around with seers like Rumi, Hafez, Sa'di of Shiraz. Sink deep into poets like Gibran, Qabbani, Darwish. Get naked with the unapologetic daring lionesses like Anaïs, Virginia, Sylvia. Go to the eastern edge and drink from the cups of Buddhism, Tao, Zen. There are a thousand streams of life that these giants have gifted to the world. Partake your share of it, as much as you can...

Random Xpressions

[responsivethoughts]

Shiraz, Iran, holds a rich history with settlements dating back to 5500 BC. It flourished under Islamic rule, becoming a cultural hub in the 13th century, known as "The Athens of Iran" for its scholarly and artistic contributions. Renowned poets Hafez and Saadi were born here, adding to its literary legacy. Under later dynasties, Shiraz continued to thrive as a center of art, knowledge, and trade.

[xuxanov]

🌹

Gileyliyəm onun qara saçlarından:

‎- Sorma!

‎Şirazlı Hafiz

—-

[majestativa]

A day of Silence Can be a pilgrimage in itself. A day of Silence Can help you listen To the Soul.

— Hafez, I Heard God Laughing: Poems of Hope and Joy, renderings by Daniel Ladinsky, transl by H. Wilberforce Clarke et. al, (2006)

[lesewut]

The "West-Eastern Diwan" by Goethe - A bridged beauty between Occident and Orient. Published by Prof. Dr. Heinrich Düntzer, Berlin and Stuttgart, 1878.

It is said, that Goethe used the "oriental mask" to cover his pantheistic ideas, speaking trough the lips of the newly translated poets. Next to the Hafez' poems, which where published and translated by the orientalist Joseph von Hammer, other literal and scientific sources were used as inspirational impact and to refine the tone of the great masters of Oriental poetry, like the academic achievements of Prof. Wurm, Prof. Paulus (Orientalist in Heidelberg), other translations of cultural impact like Rückert's "Östliche Rosen" (~ Eeastern Roses) the Mewlana-Transaltions of 1819 and the collection of August von Platen called "Ghaselen", Goethe corresponded with Boisserés and with one of the Grimm brothers. Wilhelm von Humboldt praised the authencitiy of Goethe's work.

The "East-Western Diwan" is the last great cycle of poetry Goethe has wrote, his interest for Persian poetry arised in the time of the Rheinbund. It can be traced, that this period of time disillusioned him, the diving into another time and continent is essential for escapism, but as Goethe and his field of interest and curiosity is as deep as wide, he must felt like thrown like a freed bird into new heavenly realms. The "Diwan Atmosphere" was created by reading several works and taking in Oriental elements. So we can find "Madschnun and Leila" interwoven in the heart-shaking correspondence between Suleika and Hatem in the "Book Suleika". Expressions of the Dervish Hafis of Shiraz can be found, Tarafas, Labid (Prophet Mohammad called him the poet, who said the most true words; Labid converted to Islam and wrote eologies, but it is said, that he stopped practicing ?), Zoheir, Saadi and Hafez. Saadi was also known as a sheik and was called "Poet-King" (or King-Poet, if you like :P) and if we would compare the structure of the poems, it is more likely, that Goethe imitated Saadi, rather than Hafez.

Goethe is playing wonderfully with expressions, merging wine and tears, praising the dust of the lover as better than safran and comparing the loved one to a drop of water and the lyrical-I as desert sand. Numerology is emphasising the cultural background, drawing a link between the poet and the priest, pairing mystics and religion into ecstatic relief. This wonderful work is a gift, for everyone, who sometimes had the feeling of getting ripped apart by two forces. It feels like the made-up gap between Europa and Asia is nothing but a fiction, like a forgotten song of our cultural cradle. Let us share the pomegranates of our culture, let us nourish from unkown fruits to break our borders, to sharpen our discernment, to truely lift our feet and recognize the extraordinary.

[whencyclopedes]

Hafez de Shiraz

Hafez de Shiraz (también llamado Hafiz, 1315-1390) se considera el más grande de los poetas persas y se encuentra entre los escritores más famosos y admirados de la literatura mundial. En la actualidad es uno de los poetas más traducidos y su obra continúa resonando con las audiencias modernas.

Sigue leyendo...

[mansipatel5]

Persian Odyssey: A Tour of Iran's Mystical Wonders

Iran, which is tucked away in the Middle East, draws visitors with a timeless charm and offers an enriching fusion of history, culture, and natural beauty. The captivating nation is full of adventures just waiting to be discovered, but it is frequently clouded by misunderstandings. You are invited to travel to Iran in this article, a country rich in artistic expression, history, and kind hospitality.

Unveiling Iran's Rich Heritage

Persepolis: Begin your odyssey with a visit to Persepolis, the ancient capital of the Achaemenid Empire. Stroll through this archaeological marvel, where towering columns and intricately carved reliefs transport you to the time of Cyrus the Great and Darius the Great.

Isfahan: Isfahan, also referred to as "Half of the World," mesmerizes with its magnificence. Discover the Imam Mosque, Sheikh Lotfollah Mosque, and Ali Qapu Palace on Imam Square, a UNESCO World Heritage Site, which is home to these three magnificent structures.

Shiraz: Shiraz, a city known for its poets and beautiful gardens, captivates with its grandeur. Visit the lush Eram Garden, pay your respects at the famous Hafez's grave, and allow the Nasir al-Mulk Mosque to enchant you with its rainbow of colors.

Yazd: Experience Yazd, a desert oasis with meandering roads, vintage wind catchers, and mud-brick buildings that evoke a bygone era. While exploring the Jameh Mosque, take in the vast scenery from the Towers of Silence.

Tehran: Iran's dynamic capital city of Tehran provides a sense of the country's modernity. Discover Iran's National Museum, the lavish Golestan Palace, and the crowded Tajrish Bazaar, where locals and tourists mingle.

Iranian Cuisine: A Gastronomic Journey

Iranian food is a discovery of tastes and customs. Enjoy luscious kebabs, mouthwatering rice dishes with saffron in them, and robust stews like Ghormeh Sabzi and Fesenjan. Don't forget to delve into the world of Persian confections, where baklava and gaz are undisputed kings.

Warmth of Iranian Hospitality

Travelers are welcomed with open arms by Iranians, who are renowned for their kindness. Experience the true warmth of the locals while traveling, staying in traditional guesthouses, and having cross-cultural talks.

Persian Arts and Crafts

Iranian arts and crafts have a long history. Explore the world of tiny painting and calligraphy, take in the stunning tile work in medieval mosques, and take in the beautiful patterns of Persian carpets. You can try your hand at these ancient crafts in a number of classes.

Nature's Beauty

Your tour will have a striking backdrop provided by Iran's varied landscapes. The country's natural beauty is a feast for the senses, from the lush green woods of Gilan to the dry deserts of Yazd and the peaceful shores of the Caspian Sea.

Traveling Responsibly

It's important to observe local laws and customs when traveling to Iran. Respect is demonstrated by dressing modestly and abiding by cultural customs. A successful and pleasurable trip also depends on staying up to date with travel warnings and getting the required visas.

Conclusion: Iran, with its many facets of appeal, offers an amazing journey through the realms of art, history, and hospitality. Iran is not just a destination; it is an unforgettable experience that leaves an imprint on your heart and spirit as you meander through the busy bazaars, indulge in regional cuisine, and be in awe of historic structures. Take advantage of Persia's enchantment and set out on an adventure that will make your trip memories last a lifetime with Iran Tour Packages From Hyderabad.

[ashitakaxsan]

When Light is Shed On Ancient fables

There are depths to how archaeology gets properly conducted enables us understand the past,and learn to go for the future.So here are great cultural news :

Archaeological discovery in Shiraz may rewrite city’s history

TEHRAN - A new archaeological discovery beneath a local park in Shiraz, the capital of Fars province in southern Iran, may push back the historical timeline of the ancient city by several thousand years.

The stone tools were first discovered on a site, known as “Tall-e Badi,” beneath layers of concrete and mosaic flooring during a park extension project, Mehr reported on Monday.

It was in February 2020 when an archaeology student, participating in the park’s development project, accidentally found stone tools and reported them to his professor at the University of Shiraz.

After initial examinations, both the professor and renowned archaeologist Alireza Askari Chaverdi, who is currently the director of the Persepolis and Naqsh-e Rustam historical sites, confirmed the historical significance of the findings.

According to Houshang Esfandiaripour, a prominent archaeologist in Fars province, the stone tools have been found around an electrical grounding pit, at a depth of 1.5 meters, indicating they were near the top of the ancient hill. He believes these artifacts could led the archaeologists to a period older than the 7,000-year-old Tell Pustchi, another archaeological site in Shiraz.

Esfandiaripour suggests that if deeper layers of the hill are excavated, there may be evidence of civilizations even older than previously thought, potentially pushing the history of Shiraz back by another two or three millennia. He compared the stone tools found in Tall-e Badi to those from the Bakun era, indicating that this site could predate Tall-e Pustchi, where similar artifacts were unearthed.

Efforts to have the site officially registered as a national heritage location have been unsuccessful. Despite its significance, the authorities have yet to recognize Tell Badi’s historical value. Esfandiaripour expressed frustration over the lack of action, noting that less significant sites have received national recognition.

As mentioned by the archaeologists, the discovery holds the potential to offer a rare glimpse into Shiraz’s ancient past, as much of the city’s historical landscape has been lost to urban development.

Archaeologists are eager to continue investigating the site, hoping it will yield evidence that could transform the historical narrative of Shiraz and the surrounding Fars region.

Celebrated as the heartland of Persian culture for over 2000 years, Shiraz has become synonymous with education, nightingales, poetry, and crafts skills passed down from generation to generation. It was one of the most important cities in the medieval Islamic world and was the Iranian capital during the Zand dynasty from 1751 to 1794.

Shiraz is home to some of the country’s most magnificent buildings and sights. Increasingly, it draws more and more foreign and domestic sightseers flocking to this provincial capital.

Eram Garden, Afif-Abad Garden, Tomb of Hafez, Tomb of Sa’di, Jameh Mosque of Atigh, and Persepolis are among the historical, cultural, and ancient sites of Shiraz that are of interest to domestic and foreign tourists.

The ancient city is also home to some magnificent historical gardens such as Bagh-e Narenjestan and Eram Garden, which are top tourist destinations both for domestic and international sightseers.

Below: Modern Shiraz

Eram Garden Shiraz:

Original Source:https://www.tehrantimes.com/news/504667/Archaeological-discovery-in-shiraz-may-rewrite-city-s-history

Discover ‘Alexander’s Prison’ and its fabled dungeon

TEHRAN - This 15th-century domed structure, better known as Zendan-e Iskandar (“Alexander’s Prison”), derives its name from a reference in a Hafez poem and legends surrounding its origin

According to folklore, a deep well in its courtyard was constructed by Alexander the Great and used as a dungeon.

Situated in the heart of Yazd’s historical Fahadan neighborhood, this monument lies close to the eleventh-century Davazdeh Imam Shrine. The name Zendan-e Iskandar is tied to the tale of Alexander building a castle in this region to imprison captive princes. In some literary works, Yazd itself is referred to as Zendan-e Iskandar.

The mausoleum, located in the southeast corner, is connected to the courtyard and main iwan through two doorways. It is a square structure, 8.8 meters per side, supported by thick walls to bear the weight of its 18-meter-high dome. The mausoleum’s prominent dome dominates both the courtyard and the surrounding skyline.

Constructed primarily of mud brick, with baked brick used for the dome’s outer shell, the building features a decorative three-tier muqarnas cornice in the octagonal zone of transition. While the courtyard and surrounding spaces lack ornamentation, the tomb chamber’s interior is adorned with floriated Kufic inscriptions and painted plaster vegetal motifs, characteristic of the Muzaffarid period.

Historical accounts suggest the structure and its adjoining buildings were part of the Madarasa Ziaiyya, a religious school commissioned in the late 13th century during the Il-Khanid era by Ziya’ al-Din Husayn-e Razi and his family. According to the Tarikh-e Jadid-e Yazd (The New History of Yazd), the school featured a grand portal with towering minarets and was surrounded by opulent mansions equipped with tall wind catchers (badgirs). However, as noted by Iraj Afshar, the exact identification of the building as Madarasa Ziaiyya remains uncertain due to the absence of epigraphic evidence.

The existing structure follows a typical 13th-14th century madrasa layout, with a rectangular courtyard flanked by three iwans. The larger western iwan is accompanied by smaller northern and southern iwans, each adjacent to rectilinear cells of varying depths—likely the result of later alterations. At the courtyard’s center lies a payab, an underground chamber providing access to the qanat (underground water channel) beneath the building.

Zindan-e Iskandar served as a site for oil production until the 1970s and fell into disrepair before its restoration by the National Heritage Organization of Iran in the 1980s. Since then, it has become a tourist attraction.

A don’t-miss destination

In July 2017, Yazd’s historical core was designated a UNESCO World Heritage site. Visitors frequently describe Yazd as a must-see destination, celebrated for its mudbrick houses with innovative wind catchers (badgirs), atmospheric alleyways, and numerous Islamic and Iranian monuments that define its striking cityscape.

Cultural heritage experts view Yazd as a testament to the resourcefulness of its inhabitants in adapting to desert conditions. The city’s historical core is a treasure trove of mudbrick houses, bazaars, bathhouses, water cisterns, mosques, synagogues, Zoroastrian temples, and ancient gardens. Yazd’s harmonious coexistence of Islam, Judaism, and Zoroastrianism further enriches its cultural and spiritual heritage.

Original Source:https://www.tehrantimes.com/news/508688/Discover-Alexander-s-Prison-and-its-fabled-dungeon

Archaeology conference kicks off in Tehran 

TEHRAN-The 22nd edition of the Annual Archaeology Conference commenced at the National Museum of Iran in Tehran on Sunday.

The conference opened with the presence of the Minister of Cultural Heritage, Tourism, and Handicrafts Seyyed Reza Salehi-Amiri, as well as Mohammad Ebrahim Zarei, the head of Iran's Research Institute of Cultural Heritage and Tourism, Mohammad Beheshti, the former director of the institute and a select group of prominent professors and veterans in archaeology, CHTN reported. 

Speaking at the ceremony, Jebrael Nokandeh, director of the National Museum of Iran welcomed the attendees and highlighted the conference as an opportunity for the exchange of ideas and scientific collaboration among archaeologists.

He also mentioned an exhibition showcasing selected findings from archaeological research conducted in Iran in 2023, featuring 273 artifacts unearthed from 13 archaeological sites. This exhibition will be open until April 19.

During the ceremony, a book compiling articles from the 22nd Annual Archaeology Conference was unveiled, along with a summary of findings from archaeological research in Iran for 2023, an archaeology journal, and ten archaeology reports.

Additionally, the exhibition of selected findings from the 2023 archaeological fieldwork in Iran was inaugurated in the presence of Seyyed Reza Salehi-Amiri.

Archaeology in Iran boasts a rich and diverse history, reflecting the complex tapestry of civilizations that have inhabited the region for thousands of years. As one of the cradles of human civilization, Iran's archaeological landscape is replete with significant sites that offer insights into ancient cultures, trade routes, and the development of urban centers.

One of the most notable archaeological sites in Iran is Persepolis, the ceremonial capital of the Achaemenid Empire. Recognized as a UNESCO World Heritage site, Persepolis showcases magnificent palaces, monumental staircases, and intricate reliefs that depict the grandeur of Persian culture and its architectural achievements.

Excavations at this site have revealed valuable artifacts, including inscriptions, pottery, and precious metals, shedding light on the political and social structure of ancient Persia.

Another critical area of archaeological interest is the Zagros Mountains, where early human settlements date back to the Paleolithic period. Some of these sites are pivotal for understanding the transition from nomadic lifestyles to settled agriculture, as well as the development of complex societies during the Neolithic era.

Additionally, Iran’s archaeological pursuits have unveiled the significance of the Silk Road, which facilitated trade and cultural exchanges between the East and West. The discovery of caravanserais, ancient fortresses, and intricate pottery illustrates Iran's role as a hub in this extensive network.

Research in Iranian archaeology has faced challenges, including fluctuating funding for the preservation of historical sites. However, the commitment of local scholars and international collaborations continues to foster advancements in the field. 

Modern archaeological practices involve the use of technology such as satellite imagery and remote sensing, enhancing the exploration and documentation of Iran's extensive archaeological heritage.

Archaeology in Iran is vital in reconstructing the narratives of ancient civilizations, highlighting the region's historical significance and the enduring legacy of its cultural heritage.

[wherefeelingsland]

Handwritten Persian Calligraphy of this famous verse is by the renowned Persian poet Hafez. Here's an English explanation:

**"That love seemed easy at first, but it encountered difficulties"**

This line captures a profound truth about the nature of love and romance. Initially, love might appear simple and effortless, filled with excitement and joy. However, as time goes on, challenges and complexities arise that make the path of love more difficult. Hafez, with his deep understanding of human emotions, beautifully encapsulates the bittersweet reality of romantic relationships in this verse.

Hafez often used his poetry to explore themes of love, mysticism, and the human condition, and this line is a great example of his ability to convey deep wisdom in just a few words.

**Hafez** (Khwaja Shams-ud-Din Muhammad Hafez-e Shirazi) was a celebrated Persian poet born around 1315 AD in Shiraz, Iran. He is renowned for his lyrical poetry, particularly his ghazals, which delve into themes of love, mysticism, and the divine. His works have had a significant impact on Persian literature, and his "Divan" is considered one of the pinnacles of Persian poetry.