#had rewatch on the plane
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I love her smile, she’s so relaxed around him here. The hood is gone, both of them so casual and at ease around one another.
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ii. blood vessel // bbc dracula (2020)
aka the most unhinged opening scene of all time.
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breeberrypies · 11 days ago
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THEY TOOK VOLTRON OFF NETFLIX.
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#i binged the whole show in 3 days and sobbed when i finished it#the ending is sad as it is wdym i wont be able to watch it ever without pirating it#you guys are gonna listen to me talk about this show whether you like it or not#jk you can skip all this im just reminiscing#im an og voltron fan and started watching it in 2016 and it consumed my life until 2019#i remember watching season 8 for the first time and it was an experience#me & my friend had a sleepover and bought snacks and ordered pizza and watched season 8 and both cried at the end#rewatching season 8 i tried seeing it from another perspective bc i didnt like it much but after the 1st ep i remembered how awful it was#fav honorable moments tho:#the part when they go to the ship graveyard and the galra beast attacks the warlord and keith. SEASON 5 FINALE MENTIONED#pidge’s connection to the olkari.#WHEN THEY GO TO THE VOLCANO PLANET HELLO NO ARMOR#the vlog episode is so silly + clear day#keith’s beautiful smile in that one scene in the astral plane i will NEVER forget.#the original paladins i sobbed#THE ENDING WHEN ALLURA SORTA DIES HELL NAH HHELLNAH HELL NAH#the ending overall when the lions leave IM IN TATTERS#i would definitely accept lance and allura being together if there was more chemistry and not out of nowhere#also if allura actually showed she loved lance when they got together and if they didnt make lance’s love for her his whole personality#lance and keith getting closer and possibly getting together post s8 >> but thats just my klance showing#i need lance’s mom and krolia plotting to get them together and then realizing axca and veronica got a thing#voltron#voltron fanart#voltron legendary defender#keith kogane#hunk garrett#lance mcclain#pidge holt#breeart#dec. 24
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wishchip106 · 23 days ago
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Logan but erik is also there
i need more fics that have this concept, i’ve read nearly all the ones i’ve found with this but i’m greedy so i require more
caliban just having to deal with three old ass mutants
since erik’s in his nineties i’m giving him a walker
and you know what HEARING LOSS
“Erik can you pass the salt?”
“WHAT??”
“the salt, Erik”
“WHAT??????”
he refuses to using hearing aids for some reason
him and charles sleep together but sometimes charles forgets who he is and freaks out about the stranger in his bed
erik has a spare bed in the ‘house’ when that happens
once laura comes along and they escape in the limo charles keeps going like “this reminds me of October 1962” the fact he even remembers that is crazy
when they’re in the hotel, laura shows erik her xmen comics while they watch movies until of course when the humans break in and charles has a seizure 🙁
i feel like erik would be the kind of old guy to go “back in my day!”
grandpa magneto naps
when they meet that family charles references erik as his husband
i cant tell whether i want this to be a fix-it or not
fuck it lets go down the angst path
x-24 still manages to kill charles and temporarily kidnap laura, magneto got his ass beat ☹️
beach divorce reference, erik cradling charles in his arms
they bury charles
erik refuses to leave the grave so logan and laura keep going
and that would be probably the last we see of erik
i’m gonna say he does die, maybe of old age he deserves a natural death like that
lets say someone sees an unconscious old man near a fresh grave and takes him to that hospital laura took logan where erik maybe passes in his sleep
boom kinda sad ending
and of course Logan ending for logan and laura
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just imagine erik is also there or something ^^
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markantonys · 8 months ago
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can't believe ishy engineered that whole bat dream to test rand's gag reflex. freak
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arcanespillo · 2 years ago
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“Phantom Traveler”
Supernatural S1E04
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br1ghtestlight · 1 year ago
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AND SOMETIMES YEAH PEOPLE WITH LOUDER DEEPER VOICES GET HEARD MORE AND THATS REALLY ANNOYING. BUT THAT DOESNT MAKE ME WANT TO MAKE MY VOICE LOWER AND DEEPER. THAT JUST MAKES ME MAD
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logically-asexual · 9 months ago
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renfield 2023 is now my favorite movie because it has everything i like: dracula, an exciting but also fun plot about abusive relationships, action/gore not used for horror but in a comedic spooky way, nicholas hoult as a goth victorian, nicholas hoult as a goth victorian wearing a pastel sweater, nicholas hoult’s entire face, the power of friendship…
makes me sad that it was a flop i think it’s such a gem. i’ll rewatch it many times now that i have it on hbo max and will pirate it many more if it ever disappears from there
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mermaidsirennikita · 1 year ago
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Have you sean any Shonda shows aside from Bridgerton? I'm tempted to watch but I'm told they get bad after a few seasons
I have seen... most Shonda shows aside from Bridgerton, I'm afraid lol.
Grey's Anatomy--Obviously has been on for a million years, I have been watching with some off and on periods (currently off but I check in) since... season 2. Grey's Anatomy is a BEAST. It's obviously her biggest show (Bridgerton stans I'm sorry baby but y'all can and probably never will stand up to the cultural BEHEMOTH that is Grey's, which has been on for ALMOST. TWENTY. YEARS. Ugh choke me.) In a lot of ways, Grey's is a standard medical soap, much like E.R. In other ways, it is both better and worse. I will not lie--the DRAMA of the early seasons is amazing. Season 2 of Grey's Anatomy is kinda legendary. Season 1 ending on "and you must be the woman who's screwing my husband?"
Like, whatever you feel about Meredith and McDreamy (they are... something............) the Meredith/Derek/Addison love triangle is something I don't think a lot of shows would attempt today because everything is boring and Cheating Is Evil, which means all of the people in that triangle are Evil and Bad and We Can't Like EvilBad People. Addison is one of my favorite characters on TV, which is why I also watched the entirety of the spinoff, Private Practice, which isn't anything to write home about and they kinda botched Addie at points, but she gets her HEA and I'm good with that part. It has some really emotional moments.
Also, the Denny Duquette arc in season 2 is kind of the sort of TV that everyone should at least watch for like, the history of it all. Cristina Yang is one of the greatest TV characters of all time, imo. (Cristina and Burke... whatever Isaiah Washington is irl, Cristina and Burke were a VERY compelling ship to me back in the day lol. She was his mentee??? He was her boss???? They were both kinda cool operators except they fell in love? It was toxic but it was good.
Scandal is... again, iconic TV, but damn did it fall off. I mean lol, the first two seasons were incredibly compelling TV. I'd watch them again. High drama. I hate Olitz as a couple, but I mean. There was some weird stuff happening in that show, and I did kinda eat it up. B6-13 was weird, but it did bring me Papa Pope, and I loved that nutjob. THE SMARTEST GUY IN THE ROOM. EVIL DAD.
Still Star-Crossed is bad, don't listen to anyone who tries to tell you otherwise, it should've been cancelled when it was lol.
I hate Inventing Anna. I'm glad that the Julia Garner hype seems to be dying a bit, I do not see it for her as this Great Talent at all lol.
How to Get Away with Murder.... Not something she wrote, but it has Shonda all over it. Viola Davis gives the type of performance that like, took the innovation of Olivia Pope to another level. Both were obviously something we really didn't see a lot of on mainstream primetime TV before this, and I think Shondaland does deserve props for making it prominent--the true Black antiheroine, and honestly in both Olivia and Annalise's cases, borderline villainous heroines. Also, it gave me Wes, who I love so much, and Alfie Enoch was so good in this role, and Wes and Annalise's relationship was so like... pseud-maternal/filial, but I also felt like they could kiss at any moment? The kind of dynamic usually reserved for white characters with an older man/younger woman. Season 3 really uhhhh screwed me lol, but the first two seasons, especially the season 1 arc? OOOH COMPELLING.
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caruliaa · 1 year ago
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we need to stop tim burton now !!
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luigiheritageposts · 1 year ago
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Luigi Heritage Post
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will never stop thinking about this actual thing that actually happened in the actual movie 
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phoebe-ofthe-cosmos · 5 months ago
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when I get paid tomorrow I will (in this order): make a tuition payment for the fall semester, get my vacation pictures developed, buy a tennis racket and balls
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megmoon1111 · 1 year ago
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shorthaltsjester · 5 months ago
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doing questionable things like rewatching a bard’s lament for “fun” and scanlan and vex you will always be famous. the fact that scanlan brings up that they’ve travelled across planes to fix vex’s daddy issues but then it’s vex’s daddy issues that ground her rebuttal to scanlan when she tells him to stop treating kaylie like an object. and god. vex’s “fuck him! fuck him for not saying anything sooner. and fuck us for not asking.” in the immediate aftermath, and then once she has time to put her walls back up, vex’s “my take-away from scanlan is that we all talk too much.”
the fact that vex was the one who made that comment that without his magic scanlan is just some guy but he’s also the some guy that vex spends the campaign looking up to (even if she does it through barbs and snark), the fact that when vex was fighting against saundor hearing things like “unproven ally” scanlan was all jokes until he realized how much vex believed what was being said to her. the fact that when scanlan comes back, it’s vex who literally sees through his disguise.
what do you mean scanlan was a deadbeat father who discovered a daughter that he did love but loved only as an object until vex called him out on it? what do you mean vex was a woman who struggled to forgive in part due to her crapshoot father and she was the first to forgive scanlan when he came back?
vex and scanlan also have such interesting interactions in terms of the balance of snark, silliness, and sincerity. it’s not uncommon from any characters of sam or laura’s since they are both silly little guys who also love drama and roasting each other especially when it comes to character rp, but as always it’s so dynamic when it’s the two of them bouncing off each other, especially when they’re doing so through scanlan and vex who are already bitchy characters (affectionate) with humour as a deflection method. but it’s a silly and deeply sincere moment when vex finally puts the witch hat scanlan gave her back on with his promise that he won’t run away from the final battle. it is one of my favourite laughable moments in c1 but it also reeks of sincerity when scanlan asks vex if she prefers planetar scanlan or normal scanlan and vex tells him he is fucking hot as a planetar, but she loves him like he was and he’s her favourite when he’s just himself.
like. they’re insane do you understand. the dawnfather asks vex to prove herself and scanlan turns her into a dragon to help her succeed, pelor asks vox machina what vex means to them and scanlan says she’s greedy and mean and the most perfect of them all. the knowing mistress asks scanlan to prove himself and vex escorts him on a broom he unlocked for her and then she picks an impossible lock for him, ioun tries to remind scanlan that his strength is the joy he provides to his friends and he makes a deflective quip that he’s really powerful and vex undercuts his deflection with a sincere assertion that he is. scanlan cast his last wish spell letting her see her brother on her wedding day. vex sent herself across the continent alone with her worry and grief while scanlan’s corpse lay awaiting resurrection to ensure that his daughter could be there to either bring him back or say goodbye.
they are the platonic chosen soulmates of all time to me. i make a post like this like once a year minimum and it’s because they Haunt me. both sam and laura said what if we made high charisma characters using their charisma as a shield and humour as a weapon and they saw through each other’s masks but they never explicitly talked about it to one another. good riddance to talks machina but i will never forget the episode post bard’s lament with laura and sam where sam revealed that vex was the only one who said anything that actually got through to scanlan and another episode where laura revealed that the reason vex was so angry and sad when scanlan left was that vex felt like her and scanlan had a unique bond where they were the only two who really saw one another’s masks for what they were. also laura providing the insight that while vex was actively working on being more forgiving, another reason she was so open and happy with scanlan when he came back was that vex didn’t want to scare him away again.
what am i supposed to do with all that? be normal about scanlan and vex? literally impossible
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billyrussoapologist · 5 months ago
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Rewatching LOST, and I gotta say, I don’t think this show gets enough credit for how socially aware it is (in some ways, and considering the time it was created!) Take Sayid for example. Sayid is a man originally from Iraq, who served in the Republican Guard. LOST started in 2004, just a few years after 9/11, and, considering it’s a show about a plane crash, it was bold for LOST to tackle the discrimination that anyone of middle eastern descent might face in the U.S.A. The majority of the survivors are white people with English as their native language. Some of them are wary initially about Sayid after learning about his time in the Republican Guard. Sawyer even accuses him of being a terrorist, and cites how Sayid was pulled aside by TSA (his intention is to use this as evidence to back up his claim, but he’s really just proving the discrimination against people from the Middle East). However, Sayid proves to be one of the most caring, patient, and genuine characters on the show. Like many citizens of any nation who join any military force, Sayid had good intentions, and got more and more tangled in the complicated, morally questionable (to say the least) web of war. He escaped, and felt immense guilt for his involvement in both sides of the war (he ended up also helping the Americans, after they convinced his to interrogate and torture his own commanding officer). During his time on the island, he is generally a helpful, benevolent man. Ultimately, his past doesn’t matter - and neither does anyone else’s. They’re all on the same team once they crash on the island. And then there’s the other bold choice - to have him romantically involved with a blonde, white woman (Shannon). Having an Iraqi man and a white, American woman as a couple on TV in 2004 was groundbreaking. I don’t think Sayid as a character, or Naveen Andrews as an actor, gets enough credit.
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avaf00rd · 7 months ago
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Behind the scenes
Leah Williamson x matildas!reader
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Tiny little blurb I wrote last minute as I rewatched the show
“Hello you” you grinned as you opened the front door, a smiley Leah behind it with her large suitcase and England hoodie on. The Disney plus camera crew behind you. Pretending as if Leah had just gotten home from England camp and you hadn’t seen her yet. Well she had, about an hour ago though.
You grabbed the suitcase from her hand, and pulled her in from her other free wrist, placing a short kiss on her lips and hugging her tight. “How was it?” You asked excitedly whilst you both made your way to your living room.
“Yeah really good, great to see everyone” your girlfriend explained to you leaning against the large book case near your couch. “Plane was quicker than I thought though, only like an hour and a half”
The camera still following both of you “oh yeah wow that’s not bad at all”
“Suppose I had it a bit better than you travel wise” she chuckled, folding her arms now. Nothing to your 20 hours of travel to and from Australia for your own international camp.
“Certainly” you laughed back with Leah.
“Ladies that was actually really great for a first take so we probably won’t need to do that again. We’ll now just get you both on the couch so we can talk to you both” one of the members of the camera said, holding a clip board and directing his crew to your living room
Leah sat down on the shared couch with you following suit behind. Plopping down next to your girlfriend as she put an arm around you, legs intertwined at the end of the couch.
“You guys wanna stay like this for the clips?-“
“Yes” you nodded fast, as people in the room laughed at your certainty.
“Leah can you tell me a bit about y/n. Like how she is as a person but also a teammate?” The same man asked from behind the camera. They would get her answers and these shots for the docu-series.
It be out on Disney plus just months before the World Cup begins, to help Australia get more of an insight into their team and the players
Leah looked down at you, as you shot her a smile before she started “y/n is such a hard worker. I’ve never met anyone like her. Very funny person to have a laugh with…or laugh at” she nodded
You rolled your eyes “saw that coming”
Leah did one of her wide smiles where her cheeks would go so high and her nose would scrunch up which made you melt completely, “so leading onto that she’s a bit clumsy”
“Not all the time” you mumbled
“Everyone at Arsenal calls her the princess though. Because she’s just the sweetheart of the team, who cares about her team so so much and we get to see that every day here in London” you smiled to yourself as you looked down at the couch while Leah spoke about you to the cameras
“Do you just completely hate this?” Leah laughed
“No keep going” you nodded, making her laugh. Leah often got the sense you got all flustered and embarrassed when she spoke about you so well, to other people when you are in the room.
“Y/n what’s it like getting to train each day and play games with your partner?” The producer asked me
“Yeah I’m extremely blessed, I would say, to be able to basically spend every hour of the day with her. And to put on the Arsenal badge and play for our fans with my favourite person is a bit of a win each weekend for me”
“We’re assuming you two meet through Arsenal?” He asked
“Yeah we met at Arsenal when I transferred back in 2019. And then I went on loan to Barca for a season, but then…yeah I came back-“
“And then y/n asked me out!” Leah cut you off with a grin
“Um okay it was kind of you” you looked up at her with a shake of your head.
“Kinda both of us in a way?” Leah shrugged to camera. Which you just shook your head, to said camera.
“They aren’t gonna understand that” you pointed with both arms to the camera, you and Leah now giggling. You both said a few more things they had asked you before the filming stopped.
“Thanks girls! We will see you tomorrow afternoon for more shots, have a great night, hope we didn’t take up too much of your time” a different lady had said now, as she helped her crew pack up some small equipment.
“Not at all!”
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Being one of the few people in your Matilda’s squad who had been apart of the team for over 11 years, you had been in quite a few scenes in the docu-series. Alongside Steph Catley, Sam Kerr, Caitlin Foord, and more. You got the opportunity to talk about your family’s background in the sport and growing up with the Matilda’s, as well as preparations to win the World Cup.
This morning you had done some scenes at the training centre for your club, along with Cait and Steph as you all talked about playing for Arsenal.
The cameras were with you once again, as Now Leah sat on a small picnic blanket in your local park, late afternoon, where you would often bring your dog, Denny, you were trying to get him to run with the ball at his fist like he was about to shoot.
Leah threw her head back laughing hysterically as you fell over your feet once again, tripping on your own dog, in another attempt to get him to play football. “It’s not going to work” she shouted
“He’ll do it Leah just wait!” You shouted back laughing as you kept trying. When you made it back to the picnic blanket, you did what you were asked to do by the crew which was talk about playing each other in the World Cup.
“I always say it but I really really hope both our teams make it to the final, but I don’t think I could handle versing you in a heated game like that”
“You do it all the time though. We’ve had so many heated games against each other”
“Yeah but a World Cup final though…Hopefully one of us will be out by then” Leah shrugged, looking at you from her position on the rug with her knees tucked to her chest
“Hopefully England” you shrugged back
“No I was joking. I hope both teams are” she laughed once again.
“I think the friendly coming up against England just before the World Cup should be good.” You said as Leah nodded “Most players who will be in the World Cup squad should hopefully be in there so we get a full feel of not just the other team but hopefully our own squads”
“Yeah for sure” Leah said
“I can sense you two have a small rivalry in your own house hold” someone’s behind the camera commented
“Mm I don’t know” Leah grinned as you just laughed
“You know it’s true”
———————————
I’m pretty negative about fics like these that I write. Cause I hate this. But honestly it’s due to some of the recent think about my writing my inbox🫠🫠
So please. If you’re not a fan of it, click out of it!
Luv u all
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confused-pyramid · 11 months ago
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Coming Up For Air | s1
pairing: aaron hotchner x childhood bsf!reader
summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.
word count: 10.4k
warnings: canon!typical violence, mentions of abuse, death of a spouse, slow slow slow burn, specific episodes mentioned in this part are 1x01, 1x06, 1x07, 1x08, 1x15, 1x16, and 1x22
a/n: I started rewatching Criminal Minds from the beginning, and this is what came out of it heh. This is the first part in a little series I'm starting that follows Hotch and his childhood best friend in the BAU, beginning with the pilot. If all goes well, this will continue through the rest of the show, with ~1 part per season :) Title is from Coming up for air by Signals in Smoke
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You haven't used your oven in over a year. It's not that you don't like cooking - because you do - you just haven't had the time. If you could, you would blame it on the extra hours you have had to put in after starting at the BAU, but that wouldn't be fair. Your transfer to the unit was the only thing that got you through his death at all.
After your husband was shot and killed in action while tailing a kingpin of one of the New York mobs, you couldn't bear to be in this house at all. You had gone back home to stay with your father for a couple of months, but eventually you had to get back to your real life. With a month remaining on your bureau-mandated leave, you returned to the home you had shared, before one of the lower-level mob soldiers misfired -
You didn't let yourself think about it for almost a year, but time heals all wounds. The poets were right. At least you hope they are.
Even back at home, you still couldn't bear to be there alone, other than when you were sleeping. That's why your peloton was gathering dust and your kitchen went untouched, until just now.
So, of course, the call from the office comes when you're making dinner. It takes five minutes to change into slacks and a button-up, and two more to toss your half-cooked vegetables in the trash, before driving down to headquarters.
A fourth girl has been taken in Seattle, and the local PD only now decided to invite your team. You know the BAU isn't well-liked by the other departments, but that doesn't mean you aren't effective.
When you enter the building, you rush through the I.D. check and jog over to the lecture hall, where Morgan and Reid are standing outside of a neighboring office like children waiting for their father to come and get them.
Shooting them both a thin-lipped smile, you step inside just as they finish discussing the unsub's pattern.
"They want you back in the saddle," Hotch says to the man beside him after greeting you with a nod.
Your eyes are so immediately drawn to Hotch that it takes you a moment to realize that you recognize the man standing next to him. You haven't seen him since the day you were assigned to the BAU, mostly because you were technically transferred to this unit because of his extended leave.
What was supposed to be one month became six, before Hotch informed you that your temporary placement would be permanent, if you were willing to stay in Virginia.
It was a no-brainer.
You turn your gaze to Jason Gideon as everyone in the room stares at him expectantly. He looks self-assured, but you're sure the confidence is a front. "They sure they want me?"
"The order came from the director," Hotch says simply.
"Well," Gideon states, "we'd better get started, then."
Hotch glances over at you as everyone files out of the room and you raise your eyebrows momentarily, a quick check-in between the two of you. He nods imperceptibly and it's enough for now. He didn't tell you Gideon was coming back today, but now isn't the time to give him hell for that.
***
Hotch is the last to board the plane, and he takes his usual seat beside you, this time in the aisle, a few rows away from the rest of the team.
"I was going to tell you," he says as soon as you close the case file in your hands. "The section chief wants me to evaluate him to see if he's ready to return to the team."
"That's a lot of pressure." They have to know that Gideon will be able to smell him out within the day. "You sure it won't get in the way?"
Hotch makes that face you hate, the one that says he knows you're deflecting. "I was going to tell you."
It doesn't take much for you to forgive him. It helps that you trust him completely, especially after everything he has done for you.
"Still," you smile, bumping his shoulder with yours, "it would have been nice to know about the sudden change to my job security."
You're mostly joking, but his frown is genuine. "Don't be silly. You'll always have a place on this team."
He takes everything so seriously these days. You suppose it's only fair, given the files he has to sort through on a daily basis. Picking which case deserves the team's attention the most.
But he wasn't always like this. You're the newest member of the team, but you've known Hotch longer than any of them.
You still remember the first time you met him, at eight years old. He was your first real friend at school, and you became inseparable easily. Your shared love for The Beatles and Law and Order made you fast friends, and as you grew older, your interests shifted in tandem.
Sometimes when you look at him, you still see that little boy who knew too much, but still managed to always make you laugh.
***
The team disperses soon after you land in Seattle. You've never had to come up with a profile in one afternoon, but it's also been a long time since your ticking clock to find the victim was just over a day.
When Gideon and Morgan head to the latest crime scene, you join Hotch and Reid to interview the victim's brother. The moment the three of you step into his house, his dog, Sandy, starts barking up a storm.
"It's what we call the Reid effect," Hotch smiles, walking over to pet her. "Happens with children, too."
You can't help but smile as well, peering over at Spencer, who looks about as uncomfortable as he usually does.
It doesn't escape your notice that the brother looks looser now. Hotch has a way with people that traces back to his childhood self. He was always wiser than his years, something you chalk up to his need to grow up faster than he should have, but his paternal instinct comes from practically raising his brother, Sean, after his dad's untimely death.
The casual interview reveals enough about the victimology that when you head back to the station, Gideon calls the officers in to explain the profile.
You can feel Morgan's agitation wafting off of him as he watches Gideon state his assumptions with startling clarity and confidence. Hotch, on the other hand, looks contemplative, which reminds you that he's been tasked with the returning agent's evaluation.
He can see your furtive glances in his direction, even as you try to remain secretive about your interest in his demeanor. He presses his lips together to keep from smiling as he thinks about how lucky you are that you went into profiling and not covert operations.
You have never been especially good at keeping your own thoughts or intentions to yourself around him. While some would call that a weakness in this field, he sees it as your greatest strength, because it clearly shows how much he can trust you.
As a kid, you were outspoken about every idea you had, and you used your strength and willpower to look out for him when he needed it. It took him a long time to admit how much he used to need you (maybe too long), but you always knew.
***
Gideon's profile leads to the arrest of Richard Slessman and Tim Vogel, and Elle manages to save the last girl while she's still alive. You catch your breath for the first time in 36 hours as you stand with Hotch in the shipyard, watching the paramedics and local police clear the scene.
"What are you going to tell them?" you ask under your breath as his gaze turns to Gideon, who is getting patched up in the back of an ambulance.
He had goaded the unsub into shooting him instead of the girl, but your mind can't seem to focus on the silver lining.
Hotch sighs, crossing his arms over his chest, as though to hold his coat closed against the breeze. "They want to know if he's fit to be a field agent again."
Normally, you would give him shit for using that tactic. Avoiding a question by providing more information. This time, you know he's just thinking out loud.
"What would you say?" Hotch asks as Morgan walks over and sits on a barrel next to you.
"Gideon saved her life," Derek shrugs, his eyes flashing to you for a moment. "That's good enough for me."
Hotch seems to ponder this for a second. "Do you know what Gideon means in Hebrew?"
"Mighty warrior," Reid interjects, popping in to the conversation with the subtlety of a tiger.
You're confused at first, but then you remember the baby names book that was sitting in Hotch's living room the last time you visited him. "You cannot let Haley name your child Gideon."
Hotch laughs suddenly, and you can tell you surprised it out of him. Your chest warms comfortably as he smiles, his cheeks flushing softly in the chill air.
He looks over at Gideon again, deciding in real time that he's going to recommend him to come back to the team. He would never admit it to you or anyone, but he knows that if your position on the team was in jeopardy from Gideon's return, he wouldn't have been able to complete his evaluation fairly.
It was Hotch who recommended you for the open position after he was promoted into Gideon's role as unit chief. You deserved the spot, of course, but Jeff's death had still been fresh and he knew better than most how much the job can take one's mind off of the other aspects of their life.
While Hotch watches Gideon, you watch him. You can tell from the look on his face that it's a done deal. Jason's coming back to the team. It will be a change of pace for everyone, but that doesn't mean it won't be good.
Having joined the team right after the bombing, you saw exactly how Gideon changed after getting the profile wrong, but so did everyone else. What people didn't talk about was how Aaron changed too. Rising into the rank. Growing to fill the hole that Gideon left in the unit, but somehow also shrinking into himself at the same time, because that's what this job does to you...it takes and it takes and it takes until you have nothing left to give.
But sometimes that's what you need: to give something up so you know you aren't losing everything.
***
Gideon settles into the team faster than you anticipated, and soon it's almost like he never left. Even though you can see the vein on Morgan's neck pulsate every time he hijacks a profile, you can't help but appreciate the support he gives to Spencer and Elle, both of whom are becoming incredible profilers before your very eyes.
That's also why you find yourself a little worried when Hotch tells you that Reid failed his weapons recertification.
"I thought you said you were helping him practice," you say as the two of you walk past security and toward the bullpen.
"I was," he emphasizes, before correcting himself, "I did. I'm sure he was just nervous."
You nod, pushing open the doors and spotting Reid sitting quietly at his desk. "He can test again in two weeks. He'll be fine."
When Morgan hands him a whistle with a quippy joke, you sigh into your coffee tumbler, but don't bother stepping in. He's being childish, but if you try to intervene, it'll just embarrass Spencer more.
"Okay," JJ starts, "Franklin Park, Des Plaines. Yesterday afternoon."
She dives into the case, but you have already read the file (and you know Reid has too) so you scoot your chair over to his desk and lean forward so only he can hear you. "I failed my first weapons certification at the bureau too."
Spencer looks up immediately, his face colored with surprise. "Really? You're one of the best shots I know."
You smile with a shrug. "The tests aren't real life. When it comes down to it, I get the job done. Just like you will."
He doesn't say anything for a moment, but then his lips curve up into a small smile. You both turn your attention back to the front just as JJ finishes explaining the case details.
"Wheels up in 30."
The flight to Illinois is filled with heated discussions about the bureau's fruitless history of trying to profile long distance serial killers.
"L. D. S. K.s are so rare, we haven't been able to build a standard profile," Hotch explains as the jet reaches cruising altitude.
Gideon chimes in immediately. "Here's what we do know: they're always male, and they frequently have law enforcement or military experience, and they always contact the police or the media."
Elle looks confused and you echo her sentiment as you lean your hip against her armrest. "To take credit or relive the experience?"
"Both," he says simply. "All serial killers attempt to relive the ecstasy they get from their killings. Some use souvenirs taken from the victims, and others return to the dump site to interact with the body. Both modes require contact with the victim, contact which, by definition, long distance serial killers don't have."
"Our unsub hasn't contacted anybody," you point out. "What do we do until then?"
"Sometimes it's not what the unsub does that reveals the profile. Sometimes it is what they do not do."
Reid glances up from the file in his lap, and you notice that he looks at Gideon first. "He doesn't kill his victims."
"Underkill's a unique signature," Hotch ponders, standing up and walking along the cabin. He only paces when he's deep in thought. "The question is, does he shoot them in the stomach intentionally just to wound them, or is he just aiming at the biggest part of the target?"
The team is silent as you take in this new analysis. You're not surprised when Gideon is the first to speak up. "Specifically, does the unsub lack the skill to make the head shot, or simply the will to take it?"
When the plane lands, you check out the last crime scene before spending the day talking to the local police and the victims' surgeons at the nearby hospital.
That night, when you check into your hotel room, the click of the door lock closing behind you is a welcome relief from the tension of the day. Many of the Des Plaines police officers were unhappy with the team's initial assessment, because it heavily implied that the unsub may have been a law enforcement official himself.
You wash your face and change into a tee shirt and a comfortable pair of sweatpants, before climbing into bed and opening the case file back up again. The rest of the team has also gone to their own rooms, but you can't help but wish you had another set of eyes looking at this with you.
As though reading your mind, a knock thuds on your door and you stand up quickly, in case it's an emergency. When you check the peephole, you see Hotch standing way too close to the door.
Unlocking it slowly so you don't startle him, you open the door to find him in still in a full suit.
"Is there a problem?" you ask immediately. "Do I need to get dressed?"
He shakes his head, glancing around the hallway so quickly that you almost miss it. "I was just looking over the profile and I wanted your opinion on some thoughts I had."
The corner of your mouth twitches and you open the door further to let him in. He doesn't miss a beat as he takes a seat on the armchair in front of your bed and flips open his notepad.
"I was thinking about the bullet we recovered on the scene," he says slowly, like he's thinking through every word he's saying.
You nod, sitting on top of the bed covers and crossing your legs under you. "Garcia called after you left the station. The bullet was a .223 fired from the M-4 variant of the M-16."
"That means he's military," Hotch says, reaching his hand out without taking his eyes off his notepad. You close the case file you had laid out and hand it to him. "M-4 is a shorter barrel than the M-16, so it's less accurate and a lot harder to fire, especially at these distances."
"This level of skill indicates specialized training. That means..."
"It means the underkill was on purpose," Hotch says, finishing your thought. "What is he trying to prove?"
You purse your lips as he sits up in the chair to give himself room to remove his jacket. His pinstriped button-down is slightly crinkled under his arms, but you can tell it was freshly ironed this morning.
"Maybe he's in a fast-paced occupation," you suggest, "which would fit with the profile that he has a big ego."
"Then we're back to law enforcement."
You lean forward, your eyes following his hands as they fidget with his cuffs and undo the buttons, one at a time. You've always been attune to every one of his movements, but maybe it's just because you've spent so much time around him.
"Hotch," you whisper-yell, snagging his attention from your case file, which he tosses back to you.
He hums and you take that as an invitation to continue speaking. "Be careful tomorrow, when you're giving the profile."
One of his eyebrows lifts and you can tell he's holding back a smile. "It's just in front of the Des Planes PD. You'll be there too."
"It's not that," you sigh, shaking your head. "Everything about this profile points to the shooter being either current or former law enforcement. I'd be surprised if they didn't take it personally."
His eyes flit up to yours, his brow furrowing. "I can handle myself."
"I'm sure you can, Hotch," you say with a breathy laugh. "Doesn't mean I don't still look out for you."
He pauses and it's like his whole body takes a beat. "I know."
***
You're talking to Dr. Landman with Derek, Elle, and Jason the next day when a gunshot rings out through the hospital. Last you checked, Hotch and Reid were in the E.R., but you haven't heard from them since you arrived.
"It's Phillip Dowd," a nurse informs you when you meet with local police outside the closed E.R. door.
After a quick call to Penelope, the profile becomes clear.
"He joined the army at 18," Gideon recites, pacing around the room in a vaguely reminiscent manner, "went to ranger school, did 6 years before being dishonorably discharged in '95 for conduct unbecoming. Obviously lied about it, joined the Arlington P. D."
"You were right," the police captain sighs. "He was a cop."
His hopeless tone is disheartening, and you find yourself upset for not the first time that your team was correct in their assessment.
After the initial commotion, the E.R. is silent except for a few muffled voices. You can't hear what's being said, but the lack of gunshots or loud noises is all that's keeping you from falling apart.
"It'll be okay," you hear whispered from next to you. You turn to see Derek, who presses his shoulder to yours briefly. "Hotch will know what to do."
You know there's nothing you can do from out here, especially with how precarious the situation inside is, but doing nothing has never been your strong suit.
"I know," you tell him, echoing your thoughts. "I just wish we could help."
Derek cocks his head at the S.W.A.T. team readying themselves to break the door down. "We can help. We need to give Hotch and the kid time to wear Dowd down."
His tone is light and you feel yourself laugh, ignoring the thickness that swells in your throat. "That shouldn't take long."
Derek bumps your arm again in a silent extension of comfort, and you mouth a silent thank you.
You can feel Gideon losing patience as he reasons with the captain, but he eventually buys them three minutes to do what they can. When the final five second countdown starts, you unconsciously hold your breath, only to be released when Hotch's voice calls through the door.
"Hold your fire!"
Your breath comes out like a gasp and you squeeze Derek's arm before rushing forward. Hotch stumbles past you with a murmur that sounds obscurely like "help Reid", so you push your way through the throng of civilians moving to escape until you see him.
"Spencer," you gasp, crouching down to help him into a standing position. You would never admit it to him, but ever since he joined the team, he's been something of a little brother to you. "What happened in here? Are you okay?"
"You were right," he says with a surprising steadiness to his voice. "I got the job done."
You don't ask what he means, knowing that Hotch will fill you in when the time is right. Instead, you decide not to fight the vaguely maternal urge rising within you and you pull him into a tight hug. It's more of a quick squeeze, because you don't want to push past his physical boundaries, but he doesn't complain, instead looking over at you with a small smile that's more than enough for now.
***
You find Hotch where the departed ambulance that patched Reid up was parked. All of the hustle and bustle of the paramedics and local police officers and bureau agents comes to a standstill as you walk over to where he's sitting on the edge of the curb.
"I heard what happened," you say as a way to announce your presence. "Can I sit?"
He nods without looking up, and you crouch down next to him, settling on the curb with your shoulder pressed to his. You can feel the tension in his muscles as he grips the sidewalk, his palms digging into the concrete like he could break through if he pressed hard enough. "Reid.."
"..is fine," you whisper, nudging him so he looks up to where Spencer and Jason are chattering excitedly. "He's more proud than anything."
He doesn't say anything, so you bump your knee against his. "I guess all of the physical training classes you made him take at the academy paid off."
He knows you know exactly what is running through his mind, so he doesn't bother trying to articulate it. Instead, he lets out the breath he didn't realize he was holding, and looks over at you. "Do you remember that self-defense class we took before law school?"
You're not expecting this question, and you almost laugh. "You mean the singular self-defense class you dragged me to before dawn in the summer before we started at Georgetown?"
He levels you with a look that you would think is serious if you didn't know him so well. "You don't regret it, though."
"No," you smile, your eyes blurring with emotion. That's where you met Jeff. "I don't."
He was your instructor that day. He only taught that class twice a week, between lectures at Georgetown Law, and it doesn't escape your mind that you so easily could've missed him. One day earlier or later and you never would've met him, never would've been his girlfriend, or his wife, or his widow.
Hotch remembers meeting him that day too. He had to literally come to your apartment and drag you out of bed to make the seven AM class that he had signed you both up for, and you had been grumpy the whole drive over.
There wasn't much, other than coffee, that could get you alert before eight in the morning, but the moment you walked into that gym, it was like you were wide awake. He spent the rest of the class trying not to look as the man he would later come to know as Agent Adler kept coming over to give you extra pointers, and he pretended that the coil of ice slithering up his spine was there just because he was watching out for you.
When he found out the two of you had started dating, he continued to pretend the nausea rising in his stomach was from the day-old sandwich he had had for lunch, because it wasn't fair. Especially since he was with Haley, and he was happier than he had ever been, even if the new law school course load was making it harder to see her as often as he wanted to.
But eventually, your happiness with him overpowered every protective urge he felt, and he realized that even if there was a feeling in his gut that he didn't recognize when he saw you two together, Jeff was perfectly suited for you.
***
"He's so gorgeous!" JJ coos, her hands twitching at her sides like she's trying not to reach forward and take the baby out of Haley's hands.
She brought Jack, their newborn son, in to work today to show the team, and Hotch looks prouder than you've ever seen him. "Thank you."
"If you find baldness and wrinkles attractive."
"Reid!" you chastise, swatting at him. He dodges your hands without even looking.
"Look at his widdy biddy nose," Garcia squeals, before turning to Morgan with an inquisitive look. "Don't you want one of these?"
He just laughs as he rests his chin on her shoulder. "Mm, I'll stick to practicing."
"Congratulations," Elle chimes in before returning to Gideon's side to continue discussing the new case that came in. She's always on top of things, and it's something you respect greatly about her.
"Thanks," Hotch smiles, his gaze returning to Jack after looking away for only a moment. Jack is like a siren, the way each of his little sounds or movements holds Hotch's attention so steadily. He's the most focused of all of you, but you've still never seen him this enamored. "She's amazing. I'm a little terrified."
"You're glowing," you tell Haley as the rest of the team heads to the briefing room. "How is it that you had a baby just a few weeks ago?"
"You're sweet," she smiles, before tilting her head forward. "Do you want to hold him? You're practically his aunt."
You gasp quietly, so as not to wake little Jack. "That is a title I will carry proudly. And yes, I would love to hold him."
Haley hands him to you slowly, and you make sure to support his head carefully as you cup your arms around him. He looks so much like Haley that you almost make a joke about Hotch's genes not even putting up a fight, but that nose...that nose has Hotch written all over it.
When you glance back to where the team left from, you see him turn back at the same moment and offer you an encouraging smile.
"How are you holding up?" you ask Haley, barely able to focus on your surroundings with a newborn in your arms. Maybe there is something to the siren thing.
"Jack's been incredible. He barely cries, it's kind of a godsend...but I do wish Aaron could take time off with me."
You give her what you hope is your most comforting smile. "We've been super swamped with cases here, but in all my years working with him, I have never seen him so eager to leave every night."
She laughs, a pretty sound you remember from your youth. "I know. I feel so unfair when I complain about these things, but I appreciate you humoring me."
"Not at all," you assure her, glancing back down at Jack, who is mid-yawn. "I understand completely. If I had one of these little guys, I wouldn't be able to think about anything else."
You hear her breath catch and you open your mouth to reassure her that it's fine, but she is already reaching forward to squeeze your arm. "You and Jeff would have made amazing parents."
When you both joined the bureau, you were so busy with work that kids weren't on your mind at all. It wasn't until you got settled at the BAU, and Jeff found his place with organized crime, that you even started talking about it.
You want kids, don't you?
Only a few. Maybe four or five. Yeah, five's a good number.
"I should get back to the team," you say softly, blinking away the memories.
Haley sees your face and she smiles sadly as she takes Jack back from your arms. "I'll see you soon. Tell him I'm heading home, will you?"
You nod and watch the elevator doors close in front of her, before joining the team.
***
"I can't believe you went bar hopping without me," Derek shakes his head, feigning offense as he leans so far back in his chair you're afraid it may tip over.
"I think hopping is kind of a strong word," you say, glancing over at Elle, who is perched on the edge of your desk. "We only had one bar in mind, but it closed earlier than we thought, so we went somewhere else after."
"This was a much needed girl's night," Elle grins, patting Morgan on the shoulder as he continues to pout. "We'll invite you next time."
"How was your weekend, Dr. Reid?" you ask, turning around to face him.
Spencer doesn't look up from his crossword.
You say his name again, recalling the attention of Derek and Elle, who had started talking about some trip they've been planning for what feels like months.
When he still doesn't look up, you pick up one of the BAU-provided pens on your desk and chuck it at him, just hard enough to bridge the gap between your desks, but not so hard that it hurts on impact.
"Ow!" Spencer yelps anyway, glancing up with a look that's somewhere between confusion and indignation. He picks the pen up off the ground and turns it over to see the tiny insignia on the cap. "This is FBI property."
"How was your weekend, Spencer?" you ask again, ignoring him. "Didn't you say you had some fun stuff planned?"
"I did," he lights up, instantly forgetting about the pen incident. "My local movie theater was showing reruns of the first season of the original Star Trek, so I got to experience it on the big screen."
Derek laughs and walks back over to his desk next to yours. "We have very different definitions of fun weekend plans, kid."
You're about to tell Derek that no one wants to hear what his idea of fun is when the office door upstairs flies open and Hotch and Gideon walk out.
Reid hands you back your pen, and Derek sits up in his chair so fast it's almost comical.
"We have another case," Hotch announces before coming to a stop.
Gideon takes it away. "Our unsub is male, intelligent, organized and methodical. He has the confidence of a man who's been killing for a long time."
"Only victim removed from the scene is Freddy Condore indicating some tie to him."
Hotch turns to you. "You, Elle, and Reid stay on Condore's background with Garcia. The rest of us will head to the crime scene."
You nod before standing up. "Let's go, kids."
Penelope's lair is just as eccentric as you remember it.
"Take a seat," she instructs before logging into her computer and opening up her criminal history database. "Just don't get too comfortable."
Your lips quirk up as Elle flashes her eyes at you, and you nod your head at the empty chair on Garcia's opposite side. Reid is already sitting on a desk chair by the back, spinning in aimless circles as he rattles off a list of markers to search for.
After a minute, Penelope stops typing. "Credit card receipts show Freddy loved crab cakes, preferred light beer and used to spend his Thursday nights with a woman in Fells Point."
You pick up a stress toy shaped like a tomato from one of her shelves and bounce it in your palm, just for something to occupy your hands.
"What about his associates?" Elle asks, grabbing a pen with a pom-pom on the end and poking it at Spencer's knee.
"Most of them have criminal records."
Elle glances up. "That much I guessed."
Penelope frowns, and looks pointedly at the pen in her hand.
"She's holding the tomato!" Elle complains, throwing a finger at you.
You lift up your hands in surrender, dropping the stress toy. "Thanks a lot, Greenaway."
"Anyway," Reid interrupts, to everyone's surprise, "One of these guys is particularly interesting. Pull up James Baker's rap sheet."
Penelope turns back to her computer as Spencer reads over her shoulder. "He spent time in juvenile detention for attempted murder, was released at age 21, and then subsequently arrested for, and this is in order, armed robbery, petty theft, burglary, narcotics sales, and rapе."
"What's so interesting about that?"
"When it comes to psychological behavior, anything is possible but this criminal history? It just isn't probable."
Elle nods in agreement. "I mean, as a minor, he began with attempted murder and then devolved into pettier crimes?"
"It's the criminal history of a fractured schizophrenic with multiple personality disorder," you sigh. "It just does not make sense."
***
Hotch calls you into his office when he and Morgan return from Baker's address. You can tell something is off before you even step through the door, so you shut it behind you and take a seat in front of his desk.
"What's going on?" you ask, your eyes glancing over his face to see if his micro-expressions can give you a hint. "What's wrong?"
He looks up with a sigh, his hands clasped on his desk. "Baker's place was an artificial dwelling, and the weapon we recovered on the scene was standard law enforcement issue."
It takes you a few seconds to comprehend what he's trying to say - a few seconds longer than usual - and your breath stutters in your throat. "He was undercover?"
"That's what it looks like," Hotch agrees. "I wanted to inform you before telling the rest of the team."
You nod, pressing your eyes closed for a beat.
He missed his pick-up, Mrs. Adler.
We'll call you as soon as we know more.
The memories start to flood back in and you squeeze your eyes shut tighter before opening them. Hotch looks blurry for a moment until your eyes adjust to the light again.
"Does organized crime know where he is?" you ask, desperately needing to fill the silence.
He looks down at the case file. "We assume so, but it's not like they would tell us. They weren't too happy that we were taking on this case at all, and now we know why."
"Maybe they'll talk to me," you suggest, even though the idea of talking to Josh Cramer makes you taste bile. You haven't seen him since a month after the funeral. It's not for his lack of trying, you just couldn't stomach looking at any of them after what happened. One missed call turned to ten and eventually they stopped trying.
There's a piercing pain behind your eyes and you squeeze them shut for a momentary relief. "It was only supposed to be three months."
Hotch's brow furrows and you don't look up at him just yet. You can already picture his expression, the anguish you know he feels for you whenever you bring up Jeff.
"It was a three month operation," you continue, knowing you won't be able to discuss it later if you stop talking now. "That's all we signed up for. Three months away from me and then he was on leave for the rest of the year, so that we could focus on us again. Maybe even start a family."
Your voice cracks on the last word and you tilt your head down to hide your face. He hates it when you cry, but that's not fair. He knows how important it is to get your emotions out, so they don't pile up inside of you, but if he had his way, you would never have had a reason to cry in the first place.
"I hadn't seen him in over a month when he was..."
He can hear the tightness in your voice and he resists the overwhelming urge to reach his hand out and take yours. You're sitting a foot back from the desk, and it's not he could reach you from here anyway, but his fingers still ache.
"I don't want to blame them, Aaron," you sigh. Your words sound watery, and he pulls a handkerchief out of his inside jacket pocket and hands it to you. He's almost surprised when you accept the gesture, pressing the cloth square under your eyes to catch the tears leaking out. You were so self-reliant as a kid, never wanting or needing anyone else's help. "I don't want to blame them, but I do. I can't help it, I just do."
Someone else would have consoled you. They would have assured you that feeling this way was natural, and that no one could blame you for feeling what you do, but that isn't who you two are. "Jeff wouldn't."
His name is like a dagger to your heart. You practically wince as Hotch digs further. "That team was his family, just like we are yours. He wouldn't blame them, not for this. Not for something he chose."
Something he chose. This is why you don't let yourself remember that day. This is why you kept that day - the day you got that horrible call - locked up inside your brain, where not even you could reach it. Because if you let yourself think about it and remember, then you will remember that it wasn't really Cramer or his unit or the bureau that you blamed. It was him.
For choosing to miss his pick-up. For choosing to go undercover. For choosing to join organized crime.
You take a deep breath and re-adjust yourself in the uncomfortable chair Hotch refuses to replace, even though it's literally splitting at the seams. Something about your tax dollars hard at work. "What are you going to do about Baker?"
He lets you change the subject. "We have to contact Agent Cramer before-
"What the hell is wrong with you people?"
Speak of the devil and he shall appear.
"Sorry?" Hotch frowns, both of you standing up immediately.
Cramer doesn't take his eyes off Hotch as he seethes with anger. "I told you, this is my case! You ran my agent through IBIS?"
"Because I wanted to know who he worked for and now that I do, I'd like to talk to him."
"You don't have him?"
You can hear your heartbeat in your skull.
Hotch looks at you then, and finally Cramer notices your presence. "Y/N...it's been a while."
Your lips press into a thin line. "Almost two years." The anger you've been trying to avoid seeps into your voice against your will and you sigh, returning to the investigation. "How long has Baker been missing?"
"About 12 hours."
"You think he ran?" you ask, watching Cramer closely as his jaw ticks.
"No, Jimmy's too experienced to run without contact."
He realizes his misstep immediately and his shoulders fall. To his credit, he doesn't break eye contact, even as his expression softens. "That's not what I meant. All I'm saying is that I think someone's keeping Jimmy from calling in."
You can feel Aaron looking at you, but you avoid his line of sight. If you're going to have to interact with organized crime, you might as well make yourself useful. "We all want the same thing, Cramer: to get Baker back to his family."
You wait outside as he explains the situation in more detail to Hotch and Gideon, and you're surprised when he's the first to leave. "Can we talk?"
Hotch comes out behind him and raises his eyebrow for a fraction of a second, a check-in. Swallowing thickly, you nod your head and follow him down the hall to the top of the stairs.
"I'm sorry I haven't reached out recently," he says as soon as you're out of earshot of the others. "You know Jeff was one of our top guys."
Your eyes shut at his name, as though someone clapped their hands too close to your face. It's almost laughable how sure you were that you were past your grief. You passed the bureau's psych evaluation after your six month leave with flying colors (because your team practically wrote the answers yourselves), and as each new day passed and you weren't so debilitated by just the thought of him, you thought it meant you were fine. Because time heals all wounds. At least it's supposed to.
"I know," you whisper scratchily, before clearing your throat. "I know that. And it's okay. We've all been busy." You look down at the bustling bullpen where his agents are interacting with your team. "Clearly."
Then you remember you're job here in the first place. "We really are just trying to help. It wouldn't hurt to keep us involved."
Cramer sighs and you know he won't refuse. "We'll loop you in."
***
James Baker is found and Vincent Perotta gets taken into custody, but you can still hear the end of the interrogation ringing in your ears.
"You were just responding to what you learned, Vincent.
When you grow up in an environment like that, an extremely abusive and violent household... it's not surprising that some people grow up to become killers.
And some people grow up to catch them."
You can't pinpoint exactly what you're feeling, but if you had to guess, it would be sorrow. Sorrow for that little boy who got dealt the worst hand you can imagine, and still turned into the best version of who he could've been.
Hotch can't get the interrogation out of his mind either. He had grabbed his briefcase and headed out to the elevators as soon as Perotta was taken away, in the hopes of avoiding everybody. He's about to let out his breath when a hand reaches between the doors and sends them flying open again.
Normally your appearance is a welcome sight, but tonight, he's had enough talking. Perotta took everything he had to give, and then some, and he doesn't know if he has the strength to go through the proceedings again with you.
"I just want to get home," he says as you stand next to him without a word and face the doors. To my family.
You don't say anything as the little fluorescent floor number ticks down - has it always been this slow - and he feels his nerves tighten with agitation. You're never silent, especially not about something like this.
Just before the elevator reaches the second floor, you reach forward and pull the emergency stop button. He whispers your name, half irritated half relieved, and you step in front of him, focusing your eyes on his. It's a classic profiler technique, both to mentally establish trust and to physically block him from the keypad.
"You're a great father, Aaron."
His mind flashes back 25 years, but he squeezes the hand in his pocket into a fist to keep himself from succumbing to the memories. "I'm trying."
He knows what you're doing, and he would normally be open to a healthy exchange between two adults, but tonight he just can't. It's too fresh.
You seem to understand at least a fraction of what he's trying to convey. Your next words are gentle. "That already makes you a thousand times better than him."
That almost makes him smile. "You can say his name, you know."
You shrug, looking at him with a glint in your eye. "Honestly, I don't think I can. I'm afraid I'll turn into a pile of ash, with the fury your father instills in me."
That's what gets him. He coughs out a laugh that echoes around the elevator, and you return to his side, giving him a moment to breathe on his own.
This time, when his mind spirals back to his childhood, he's not as equipped to block it. The memories come in flashes, a blackening bruise on his abdomen, a split lip explained away through roughhousing in the backyard, the thin scars on his hands and elbows as he finally started to fight back. He would've taken it all forever if he had to, if it meant that he could keep the horrors away from the people he loved. "I really should go."
"Yeah." You push the emergency stop back into place and the elevator hits the ground floor in no time. "I'll see you tomorrow, Hotch."
He steps out, half expecting you to follow him. Instead, the doors close and he's by himself again, and he suddenly can't remember why he wanted to be alone in the first place.
***
When the Keystone Killer is finally caught after 18 years of inactivity, he finds himself expecting for there to be some sort of celebration, either in the form of a commendation, or a much-needed break. Instead, what he gets is a mountain of paperwork.
He usually doesn't mind the paperwork that comes after a long case. It's a helpful way for him to sort through his thoughts on what went down, and to learn from mistakes that were made along the way, whether in the profile or in the capture of the unsub.
Lately, paperwork has felt like an added torture to the long hours he already spends at work. It's not that he wasn't excited about going home before, but ever since Jack was born, he hasn't been able to get out of the office fast enough. But being the unit chief of the BAU has its responsibilities, and this is one of them.
He's drowning in consultation files and case reports when you knock on his door, two coffees in hand.
"Thought that was you," he says, finishing the sentence he was writing.
You frown, setting one steaming cup down on his desk. He hasn't even looked up yet. "How'd you know? Or do you just say that to everyone who walks in here?"
His lip twitches and he puts his pen down. "I could smell the coffee. It always smells the same when you make it."
"Oh?" You weren't aware you had a method. "And how's that?"
"Burnt."
You take the lid off your cup and chuck it at him with surprising accuracy. It would have thwacked him in the forehead if he hadn't swatted it aside with his stupid catlike reflexes.
"What are you working on?" you ask after taking a scalding sip of perfectly brewed coffee.
He looks up for a beat before diving back into the file he was skimming. "Paperwork for the Keystone Killer case."
"But we just finished that," you point out before reaching forward and taking the file out from under his nose.
He huffs. "I was...looking at that."
"This is a report on what happened a couple of hours ago," you say, ignoring his remark. "You can easily do this tomorrow, or later this week."
"It's fresh in my mind now. I don't want to forget any details."
You shrug in a motion that says 'fair enough'. "Or, you could actually go home before midnight for once."
You slide another file off the top of his pile and flip it open, reading over the notes Hotch has scribbled in the margins. He's so meticulous about his job that you almost forget he was promoted just a little over a year ago. He became unit chief at the same time that you joined the team, so you didn't get to see him in his early days, but looking at him now, you almost can't imagine it. It's like he's built for this, for taking responsibility and leading people with kindness and respect.
"Elle said something on the plane today," he says suddenly, jerking you from your thoughts.
You close the file and look up as he runs a hand over his head, pushing his thick hair back just for it to bounce forward again. "She said that she's scared she's going to look up and see that her life has passed her by while she was chasing monsters."
Something cold runs through your veins and you sit up straighter in your chair. "And what did you say?"
"I told her the truth."
You smile in an effort to keep your eyes from shining. "What, that we're all doomed?"
He looks at you candidly. "That this job will eat you up if you let it." Your smile falls and he continues. "You just can't let it."
"I'm sure Elle loved hearing that."
He shrugs. "She was surprisingly receptive."
That gets a laugh out of you, even if the good humor doesn't last long. "I don't know how you do it."
"Do what?"
"This job, while also being a husband, and a father." You sigh, and you can almost feel the weight of the air as it leaves your body. "When I go home, I don't have to be anything to anyone. Most of the time it feels awful, but sometimes, after an especially bad case, I'm almost relieved when I can go home and just check out."
You aren't talking about him anymore, and he can tell. He doesn't mind, if this is what it will take for you to work through your emotions.
"We were gonna start trying for a baby."
That surprises him. Not that you wanted to be a mother - he knows that - but that he didn't know you were already thinking about it, especially because of how you grew up. You don't talk about it often, but after losing your mother to a drunk driver when you were ten, you almost transformed into her, becoming the emotional support for your family when there was no one else to fill that role.
You press your lips into a thin line and take a deep breath, your coffee cold and forgotten on the desk in front of you. "We had been talking about it for years, but with the paths our careers were taking, there just wasn't enough time before then." Your eyes look far away, and you don't seem to notice that your lips have unconsciously curved up into a reminiscent smile. "Jeff wanted five kids. Five. God, can you imagine?"
He can, but he doesn't say anything, because he knows you aren't looking for a response. Just for someone to listen.
"I'm an only child," you say with a laugh. "I don't even know what it's like to have one sibling, let alone four." But Jeff had come from a huge family, and he had wanted you to experience that. He loved how full his home always felt growing up, never without someone to talk to. Now you won't ever get to experience that. "I guess I just wish sometimes that we had tried earlier."
"You'll have it someday," Hotch says simply, practically reading your mind. "If that's what you want, you'll have it."
"I waited so long," you whisper, closing your eyes for a long moment. "I was just so afraid that I wouldn't do it right, because I didn't have my mother anymore to help me."
"You would've been a great mother," he assures you, his voice confident. "One day, you will be."
Your breath comes out like a gasp and you clear your throat to keep the tears at bay. "How do you know?"
"I just know."
***
When you push through the doors to the bullpen the next morning, you are greeted by a familiar head of blonde hair.
"Sean?"
He turns around slowly, clearly recognizing your voice, and pulls his lips up into a smile that you return. "Hey, Y/N, how's it going?"
You weren't close to him as a kid, mostly because of the age gap between him and Hotch. You had tried to make more of an effort after graduating college, but Sean was fierce in his convictions, and there were a lot of things he didn't understand about his childhood that you certainly weren't going to explain to him now.
"Good, good," you say, leading him away from the throng of staring women. You shoot them a look that makes them disperse. "You here for your brother? He's upstairs."
He nods, glancing up at the closed office door. You start to lead him to the stairwell when he stops in his tracks and turns to you. "What mood's he in?"
"Why?" you ask, your brow furrowing. "You got bad news? Nothing I need to worry about, I hope."
Sean shakes his head, glancing up at the closed door again. "Nothing like that. I'll just go up."
You let him walk up on his own, knowing he doesn't want you getting involved in whatever he's thinking about. Before you have a moment to catch your breath, the three women return to your side.
"That's Hotch's brother?" Penelope asks, standing so close you can feel her breath on your ear.
"Maybe Hotch is adopted."
"What do you mean?" you ask, unconsciously glancing up the stairs. "They're honestly pretty similar." You're only half joking. They don't look anything alike, but that Hotchner brand of righteousness runs deep.
JJ frowns. "I don't see it."
"Yeah, he looks...like that," Penelope murmurs, before looking at you. "Did you know him when you were younger? Was he hot then too?"
You choke on your own spit. "He was nine years old when I left for college, so...no."
Her eyes widen and she lifts her hands in surrender.
"Ooh, here he comes."
You look up to see Sean storming down the stairs, Hotch hot on his heels.
"Sean, listen to me."
He turns so fast, you're afraid they're going to crash into each other. "Don't profile me, Aaron."
Sean stomps out of the bullpen while Hotch watches him leave, and you can't get the striking feeling of deja vu out of your head. Two boys, 15 years younger than they are now, standing in the same positions, with the same looks on their faces.
You imagine that you and Hotch probably act the same way around each other as when you first met, at eight years old.
The memory comes easily, even with more than two decades of time standing in the way. The little boy with dark hair who had sat next to you on the school bus, just because there were no other empty seats available that day.
You hadn't said anything for the first few stops, just watched him out of the corner of your eye as he nodded his head unconsciously to the music coming out of his large headphones. Eventually, curiosity got the better of you and you tapped on his shoulder. "What are you listening to?"
He had taken his headphones off quickly, as though caught in the act. "What?"
You repeated your question before leveling him with a pointed stare that meant 'there is a correct answer'. You were a feisty kid, and you weren't always the best at making first impressions, so his steady response impressed you. "Beatles. Revolver album."
"I love that one!" you had gushed, leaning in closer without a warning to press your ear to one of the speakers on his headphones. "Is this Yellow Submarine?"
He had nodded, the confusion in his eyes slowly transforming into delight. "You know their stuff?"
"Of course. My favorite's Eleanor Rigby."
He had frowned then. "That one's too sad."
You weren't surprised by his opinion. You had yet to find a boy your age who could appreciate serious music, but liking The Beatles was a start, at least.
"I'm Y/N," you had said, extending your hand like you were starting a business meeting.
He shook your hand furtively. "Aaron."
"Maybe I'll see you around."
The school bus had stopped at your street then, and you had gotten up without another word to this boy, who would one day become your best friend in the world.
Luckily, the next day, Aaron chose to sit next to you again, this time with a second pair of headphones to attach to his compact cassette deck. Two days turned to three, and before long, you had a new friend.
***
"I can't imagine what two weeks away from this place is gonna feel like," you sigh, packing some essentials into your bag and snapping it shut. "I might actually miss you guys."
"Not me," Morgan grins, before pressing a kiss to your cheek as he zips around you. "Two weeks of pure heaven with nothing but young, beautiful adults looking to make vacation memories."
"Your friend's resort better be as nice as you say it is," Elle says sternly as she wiggles her finger at Derek, who is busy inviting Reid to join their vacation.
"Thanks, but I'm going home," he says quickly, without looking at any of you. "Have a good one, guys."
"I'll head out too," you announce, grabbing your things and following him to the elevators. "Wait up, Spence."
He doesn't seem to hear you, but you slip through the doors just before they close. "You okay?"
"Huh?" he says, finally looking up. "Oh, yeah. I'm just not looking forward to the Nevada heat."
You can tell he's lying, but you don't want to press him right before the long break. "You can always call me if you need anything. Seriously."
"Yeah," he nods. "I know."
You wave goodbye to him in the parking lot, and you're back in the silence of your home by the end of the hour.
The rest of your day is spent lazing around the house, and you're asleep when you hear a knock at your door. After Jeff's death, you started keeping your gun in your nightstand, more out of a general sense of security than any specific acute fear, but its proximity during late night calls has given you the peace of mind you needed to finally sleep through the night.
Lifting it from the drawer, you hold it behind your back as you tiptoe to your front door and look through the peephole. When you don't see anyone, you carefully pull the door open, only to find a small packet sitting on your welcome mat with your name scrawled on the top.
After bringing it inside the house and locking the door again, you pry open the seal and extract a large piece of paper covered in a series of numbers and dots.
That's when the phone rings.
***
"How's it going?" you ask Reid and Morgan as you enter the conference room where all of the Fisher King's clues have been laid out. Neither of them have taken their eyes off the paper you brought in since you tacked it up on the board.
As expected, Reid doesn't look up. "The answer to what book we need has to be in here."
"Yeah," Derek sighs, glancing over at you, "but we sure as hell can't see it."
"Yet."
You look at the numbers again, hoping that your short walk to the coffee station and back would have been enough to unlock something new in your brain. Nothing. "The answer has to be based on specific details of each person's clue." A small sound turns your attention to the couch, where Elle is lying on her side. "Is Elle asleep?"
"I'm awake!" she starts, sitting up lethargically.
At the outburst, Hotch walks into the room and points at her bags. "I'm sending you home. You need to get some rest."
"No-"
"We won't do anything without you, I promise."
"Elle, seriously, we're not any closer than we were."
She nods, her lack of sleep seeming to dawn on her as she yawns again.
"Anderson," Hotch calls out, before you stop him. "What is it?"
"I can take her home," you suggest, looking over your shoulder as she lugs her bags down the hall with bleary eyes. He looks like he wants to protest, so you speak up before he has the chance. "She barely knows Anderson. I'll make sure she's settled, and then you can send him to watch her house, so I can come back here."
"I don't know if that's a good idea," he sighs, his eyes still trained on Elle's silhouette lingering by the elevator. "We may need you here."
You cock your head at Reid and Morgan, who have been sitting in the same positions for so long, you're surprised their necks haven't locked. "It's like they said. We haven't made any progress in over an hour. I'm not helping here."
He still looks unsure, but you know it's just worry. He'll always worry about you. "Okay, go. Call me in an hour to check-in."
You dip your head in a nod and jog through the bullpen to catch Elle as she's heading out.
"So you're my bodyguard, huh?"
You laugh, pressing the button for the ground floor. "Something like that."
"Good," Elle says, trying and failing to stifle a yawn, "you're much more fun than Anderson."
"Prettier, too."
The car ride to her house starts off silent, but eventually you break your internal promise to let her come to you. "How are you feeling after last night?"
She just shrugs. "It was more annoying than anything. I'm just glad I got to enjoy at least some of my vacation."
"I heard there was blood all over your room," you point out lightly, trying to broach the subject in a delicate manner. "That can't have been fun to wake up to."
"It was all on the outside. That's part of why they weren't able to hold me. That, and Hotch's lawyer chops."
You raise an eyebrow, glancing over at her as you pull over to the sidewalk. "His lawyer chops?" You know he used to be a prosecutor before joining the bureau, but you never got to see his skills in action.
"Yeah," Elle gushes, her face brightening considerably, "you should have seen the way he walked in there. Those beat cops had no idea what hit 'em. He was in full prosecutor mode, went all rainmaker on them until they released me."
You can imagine it. If any of you were in trouble, he wouldn't let anything get between him and your safety. "I wish I could've seen that."
When you put the car in park, you help Elle with her bags and walk her up to her door, where she insists that she'll be fine on her own.
"I promised I would wait with you until another agent could come and relieve me," you emphasize, instinctively scanning the vicinity around her home as she walks inside and drops her things on the floor.
"In about thirty seconds, I'll be passed out on this couch right here," she points at the window seat behind her, "so you'll just be watching me sleep for an hour."
You open your mouth to argue but she cuts you off. "Y/N, I'll be fine."
If there's one word to describe Elle, it's stubborn, so you let her shut the door behind her and you walk back to your car. Even if she won't let you sit with her inside, you still can't bring yourself to start the ignition, so you lean your seat back halfway and close your eyes, just for a few moments.
You haven't gotten much sleep either, and you're about to doze off when you hear a loud thud from outside the car. Jerking up, you undo the clasp of your holster and push open the car door. The world is silent, except for the rustling of leaves in the wind, but you start making your way up the drive, just to be sure. There's another thud, quieter this time, and you reach for your sidearm as you ascend her porch steps. Then comes a gunshot.
You start running.
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