#guess what i still can't draw hands
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gods-perfect-idiots · 3 months ago
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something something blood-soaked hands cradling your face something something
anyway here's the post btw
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#what if post dp3 logan struggles to emotionally accept that wade Will Actually For Real Survive Anything#and one time they are fighting some random baddies#and they somehow get in a few shots straight to wade's cranium and he drops like a bag of slutty slutty potatoes#and logan goes full berserker trying to get to him#like he just massacres everyone in his way and wade still isnt getting up ohnoohnoohnonotagainohno#(healing factor or no a few direct shots to the brain stem/t box take a bit to recover from)#(no more than five minutes but it's an eternity to logan)#and his heart sinks to the very core of the earth as he kneels down next to wade's body#and his hands are shaking and soaked in blood and he can't seem to sheathe his claws in his dazed adrenalined state#he tries to peel back wade's mask and fear is just *pounding* through his system because in that moment#all he can see are the xmen dead in massive pools of blood#and that feeling of unreality is rushing over him like thiscantbehappeningthiscantbehappeningnotagainohgodnotagain#wade's still and unresponsive and there is so Much BLOOD (hard to tell how much is Wade's and how much is just on his hands)#and logan doesn't even realize he's crying until suddenly wade's eyes light up like a computer restarting#and he's smiling and gasping and joking immediately#“well howdy there hot stuff what did I miss?”#and then he clocks that logan is Not Okay#“... well gee willikers golly goddamn peanut 'twas only a flesh wound! no need to go all waterworks over lil ol me”#“you know it would take a helluva lot more than that to make me shuffle off this here mortal coil!”#“see all better I'm hunky dory peachy keen right as fucking rain”#“I mean cmon I can't have been out for more than five minutes so let's just go back to you being exasperated with my bullshit antics okay??#“...okay sugarboobs? snookums? babycakes?.... Logan?”#and they just sit there on the floor holding each other for a while#wade babbling and logan crying about everything he's lost and wondering distantly how he has come to care so much#about this blithering jokester in like barely a week#that the thought of losing him brought him crashing back to the worst memory of his extremely rough life#anyway that's enough tag mini fic lolol I'm having feelings about my own drawing I guess 😵#poolverine#deadpool and wolverine#poolverine art
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icewindandboringhorror · 5 days ago
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Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems
#sketchbook#scrapbook#Actually I feel like these are kind of incomprehensible in photo form like.. In person holding the book its easy to look at#but as images on this scale I feel like there's so much tiny little text and small scribles and stuff you'd have to 'right click > open#image in new browser tab > zoom in' just to actually really see the thing. which for 7 images is excessive lol.. so. probably not the best#medium for sharing really but. I suppose I thought they might look cooler lined up next to each other. The whole part of using a#limited color palette is so that maybe they kind of seem to have more consistent color schemes or something throughout. but I dont#know if they look all that 'related' or not. I think these types of challenges I have always sucked at because I am a being of clutter and#excess. I can't just do like one little simple nice looking design and have that Crisp Neat calligraphy with evenhanded perfect lines#and perfect symmetical composition and etc. etc. Like some poeple post very aesthetically clean and cohesive looking sketch#pages or something but I simply cannot hold back the brain impulse to add more. more. more. Fill every single blank space with color#or a little drawing or a sticker or something. I take away 500 things and there are still a million there. Even when I thik I'm being#'simplistic' I'm still usually being 2x more complicated and cluttered than the standard or whatever lol. I guess thats clear from my#outfits/costumes though too. Like whatever that saying is from that person about something like 'before you leave the house take off one#more accessory. you dont need it' for me is like.. 'before you leave the house. add 10 more accessories. and 6 more layers. and another'#AAANyway. I wonder if also maybe some people would try to plan theirs in a way to look good or something or like.. plot things on the page#before placing them. I did sometimes have a theme for a day kind of (like day 10 I ended up finding a few gold and green things and then#was like.. hey... what if I looked for a few other things and only used these colors today') but aside from that I was just slapping down#stickers randomly and working around them to fill the page. Maybe a lot of neat minimalistic asthetic design is about planning and#having a Vision set ahead of time. instead of just complete random whatever. doodling whilst watching youtube videos or eating lunch. It's#a miracle actually I've managed to not spill any food on the book the whole time. anyway.. I do wish the highlighter really showed up. the#scanner kind of makes the colors look VERY different to irl. But also it got much clearer images than just camera pictures of pages. alas..#..Still oddly enjoy the phrase 'Salisbury Steak gently kissed with industrial pollutants'#probably my favorite section of 'gluing random papers and things onto the page' lol#Also I wonder if it's super obvious that I literally never ever use references when I draw (save for the few freakish looking youtube#face sketches) since everyone is always in the same positions and looking very similar ghhb. This could have been a good opportunity to#work on not solely drawing from my mind and try to do more Dynamic Experimental scribbles. NO. Same exact eye for the 90th time#be upon ye. But I guess it was meant to be casual 'daily doodles'. True 'practice' would make it seem too effortful like a full project. hm#(lol the one decimated pencil in the set... never hand me a writing utensil. i will passively destroy it somehow. shaving the sides of a#pencil off with a knife or snapping a pen in half as a nervous fidget without even realizing i've done it. sorry to the drawing implements)
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danikatze · 3 months ago
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[ID in alt text]
Another wip! It's kind of almost done :)
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sysig · 1 year ago
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Hello! I feel like rereading Vargas these days so, I'd like to request some Edgar, Scriabin interaction (maybe one of them being vulnerable), if that's okay?
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Day 14 - Stop making your lack of imagination my problem ò///q
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thedrotter · 6 months ago
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a once in a lifetime miracle: oc art!! this is Shiva.
doodles from a month or so, but i cant really draw properly right now. but i wanted to do something meanwhile so i colored these :33
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goblin-enjoyer · 3 months ago
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I swear why are half the things i like/fandoms im in made of mostly younger people while the other half are mostly older people? what are the zoggin odds with that?
How it feels being 20 in a fandom with a bunch of 30-40 somethings.
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VS how it feels being 20 in a fandom with a bunch of 14-17 somethings.
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like am do i just have extremely odd luck with things i like or is this just what being 20 is like?
#I go browse homestuck twitter and find out an artist I like is turning 16. I go to warhammer twitter and see a meme poster I enjoy is almost#three times my age.#like how do you get a person to somehow feel too old to be in a one fandom yet too young to be in the another?#i know this sounds stupid but it happens every time i like something#world of warcraft has people who have been playing this game for as long as i have been alive#despite aging with the game minecraft is primarily youngsters#team fortress 2 is somehow both too young and too old a fanbase#i've long since reconciled with the fact pretty much everything i like is over a decade old but why cant i just like something with a ->#similar age base? like it would be nice to interact with people that like similar things i like on a consistent basis.#I don't want to buzz around my 2 friends ears trying to not talk too much about my interests. Don't get me wrong I love those two gits but-#its not like i can complain about those childish gits who kept blocking the good fishing nodes in world of warcraft#I cant share my homestuck art and make references to characters that they don't know#I like making references! references make up roughly 1/3rd my jokes! Heck they make up my zogging dialogue too!#HECK I SAY ZOG AND GIT BECAUSE I AM A BLOODY STUPID MIMIC! I'M NOT EVEN BRITISH I LIVE IN MASSACHUSETTS!#YET EVERY TIME I GET A NEW “main interest” OR WHATEVER I END UP TAKING IN ZOGGIN SPEECH PATTERNS FROM THE DANG THINGS!#I ONCE MUTTERED “merde” WHEN THINGS WENT WRONG FOR LIKE OVER A YEAR BECAUSE SPY SAID IT AND ONLY STOPPED WHEN MY BILINGUAL AND FRENCH TAKIN#FATHER AND BROTHER RESPECTIVELY TOLD ME IT MEANT SHIT#I SAY “SLAPS ME ON THE KNEE” AND “SUCKS ON ICE” BECAUSE OF A MAIN INTEREST!#MY POSTURE GOT BETTER SOLELY BECAUSE I DID NOTHING BUT LEVEL A ZANDALARI HUNTER UNTIL LEVEL 120.#WHEN LAUGHING A MODERATE AMOUNT I DO THE /LOL ORC EMOTE. WHEN CHUCKLING I PUT MY HAND ON MY MOUTH LIKE SHIVER FROM SPLATOON BLOODY 3!!!#I HAVE BEEN UNINTENTIONALLY MIMICKING THINGS I LIKE FOR YEARS! I BOB MY HEAD AND WALK DIGITIGRADE BECAUSE I HEARD BIRDS/DINOSAURS DO IT TO-#BALANCE WHEN WALKING. AND THE ONLY REASON I SUCKED AT RUNNING WAS BECAUSE WHEN I WAS YOUNGER I WATCHED A SCENE OF ICE AGE WHERE SID WAS WAL#ING AND MIMICKED HOW HE WALKED FOOT -> FOOT INSTEAD OF HEEL -> TOE HEEL -> TOE#AND NOW I GUESS I'M JUST WAITING FOR WHAT ILL GET FROM HOMESTUCK HUH#ugh if you can't tell this is a midnight brainrot post. i may be awake and on my computer but this still has the energy of that kind of pos#saturday warhammer and the following wendys browsing for ya folks.#midnight brainrot#Man i needed to get those off my chest#not like anyone reads these midnight brainrot posts anyways#oh yeah gotta tag art and paint.net so i can easily find these drawings later if i need them
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katyspersonal · 1 year ago
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This is the third time in the row when someone blocked this blog yet didn't block my katyahina main and even likes posts from it 🤔 I mean I might be underestimating how much I spam BB tag with headcanons from this """personal""" blog but so many people only like someone's art as much as they like the person behind it that people who separate and art artist in 2023rd perplex me /pos
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unproduciblesmackdown · 2 years ago
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one in a million when i watch smthing in the horror genre and don't end up disappointed to/and/or pissed off about it so like "also yeah i liked it. ooo" is like relative to that an off the charts rave review of media of the millennium. also i did think about mh a lot along the way so would recommend its affect/effect if you like mh's horror too
#i didn't realize at first that's the director/creator tim's qrting. thought a rando went ''i love mh'' & he went ''& i love smthing else''#saw this a few weeks ago while also like writing or drawing or smthing like oh good plot's beside the point? b/c i'm splitting this focus#even checking in w/recaps was both like oh ok i missed that / didn't realize xyz could be a Thread or something but each of the like three#or four recaps i went over Also saw points differently in terms of even like; who was there or said what lmfao. or noting sm detail at all.#i went ''oh worm?'' at some early shot that may or may not have even gone mentioned by any of them. depending lol. doesn't matter#anyways we don't have time for tags media analysis except that i'll count this as: once again horror for children wins. even tho it's...#not rated? well anyways you know. probably generally not advisable for children as a direct audience lmao. however#like yes as per the premise as a child we've all experienced this [the media] anyways. perturbing summons dreams we've all had em#anyhow fr i'd even struggle to think of horror movies i'd say i mostly liked / would or did rewatch but still wasn't like. i disliked major#elements / choices to the point of being pissed off abt it. so many movies i can't be bothered to watch b/c i already know specifics like#i don't like or respect any of you people. or choices or elements or premises or executions or effects. not even interested fr like lord...#but often what has better odds are mediums that Aren't straightforwardly tv / film. like i'd compare mh to a series of several movies and#that's also imo largely a more apt categorization than saying it's an ARG or smthing but anyways like i'd recommend it to someone sure....#rare to be like yeah a movie was enjoyable. & if you already liked mh then that's a useful reference point here#which like usually i'd use mh as a categorical tag but idk i guess actually it's actively popular nowadays lmfao i really don't know#posting is already exhausting like whew but this one's for whosoever happens to follow me i guess#which is possible? nonzero ppl arrived for mh but unlikely lmfao. but also ppl see it on their own anyways coincidentally.#and you never know who observes the posts like hell yeah for an anon enjoying niche akd theatreposting who is to me ambiently out there#really odd the other day seeing an mh reblog like ''??? huh. i made that eons ago; then'' & people in the tags talking abt some repost like#on the one hand that Original Source post is two layers of deactivated blogs so a repost could be archival. but if they don't say as much#i.e. that it's even from a different source then that's not exactly it then is it. but also that even finding an original document For OP#is like. oh yeah that's me actually. but then knowing & technically saying as much doesn't / didn't actually affect me as that op lol#just kind of archival on both ends then. vs someone else in the tags saying they saw it on fb 9 yrs ago? definitely didn't post it there#my true op experience: keeping it nicheposting & just kind of saying sm shit & maybe some people are out there nodding thoughtfully#oh also in case fyi. that's tim as in actor playing [also tim] in mh. & did some writing for mh & other such behind the scenes efforts also#every time i look at the text in this post i notice a new typo of mine. get it tgoether (organic typo there. so; lol)
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franeridan · 2 years ago
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still thinking about it btw, the way he says he'd like to mourn suguru's body has me stuck and unmoving
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keeps-ache · 9 months ago
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ah yiss. the golden garbage premium pass (free!)
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stromblessed · 1 year ago
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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enkvyu · 1 year ago
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12:45am — gojo satoru ;
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“cute earrings, where’d you get them?” shoko asks.
“hm?” still clinging to sleep, you absentmindedly reach up to caress the metal dangling from your ear. the sharp indents of its gem pricks you back into a memory. “oh, these. i got them from a friend last week.”
“friend? or do you mean boyfriend?”
shoko’s words are throwaway, her wandering eyes and yawn a clear indication yet your face warms despite yourself. shaking your head furiously, you exclaim, “a friend! just a friend."
shoko hums, shifting her cigarette to the other end of her mouth. her gaze flickers somewhere behind you and you almost look too, when her words pull you back. “come to think of it, i don’t think you’ve ever told me what your type was.”
“my type?” your mind blanks. “i’ve probably never told you because i’ve never thought about it myself. i mean, being a jujutsu sorcerer and all, romance is kind of off the table.”
shoko keeps looking at you, pressing you without words. you grimace and sigh.
"i mean, i guess, maybe someone good looking? someone who’s not boring? and now that we're talking about it, someone who is fit and athletic too. they'd have to be smart, but not book-smart, like, street-smart." the more you think of it, the more words seem to spill from your mouth. "and someone who has a good sense of humour, someone who will make me laugh.”
“someone good looking, interesting, sporty, smart and funny? that’s too greedy.”
you giggle. “you’re right, there’s no way there’s anyone that perfect. i guess i’ll have to be single forever.”
“you'll always have me.” shoko says, grinning.
you push her shoulder but don’t deny it.
yaga walks into the classroom, cutting your conversation short. you spin around in your seat to face the front, eyes accidentally meeting gojo’s. he turns around too, and you reason that he was probably looking out the window behind you. you see getou snicker and whisper something in his ear, but gojo seemed to be having none of it, blatantly ignoring him.
seeing his face makes you think. didn’t gojo kind of match your type? someone attractive, interesting, athletic and maybe not academic smart, but he definitely carried an air of confidence when it came to fighting. and it wasn't a secret that he lightened the air wherever he went, intentionally or not.
with a start, you look back at shoko. “and someone calm. someone with manners.”
“well-mannered and calm. what insane preferences.” shoko chuckles. “are there any more?"
yaga slams his hand on the table a few times, reluctantly drawing your attention back to the front.
your previous conversation dies and twiddles away into the background, overtaken by droning lectures and predictable missions. by the end of the day, you can't even remember what you had told shoko early that morning.
when you enter the classroom the next day, you’re surprised to find gojo already there, seated at his table. his sunglasses hangs lower on his nose than usual and most curiously of all, a book is held in his hands. you’re not sure if he’s actually reading or not considering that pages were being turned far too quickly for someone reading “ordinary objects” by amie thomasson.
his eyes flicker to yours as you head in. “good morning.”
“morning. what’s with you?”
gojo clears his throat. “what ever do you mean?”
your frown transitions to a grimace. “why are you talking like that? did you break something of mine? was it my potted plant, gojo i told you to take good care of it!”
“i am taking care of it! it’s not dead yet!” he exclaims before pausing uncharacteristically. he sits back in his chair and turns back to his book. “i mean, it’s fine.”
“you sure?”
“i am.”
you narrow your eyes before looking away, dropping into your seat. “it better be. shoko got me that one.”
“speaking of shoko, is she not coming today?”
“i think she stayed overnight at the morgue.”
“is that so? perhaps i should write notes for her. i wouldn’t want her to miss out on class.”
you turn to him horrified. “so you did kill my plant!”
“i said it’s not dead!” gojo bursts. another pause. he clears his throat, adjusting his glasses. “i simply worry for her.”
you stare at him and watch as he fidgets under your gaze. “are you feeling sick? did you eat something wrong?”
“i’m not sick. what part of me looks sick?"
“well you’re usually not this…” you watch him as you wrack your brain, trying to find a word to describe this situation. “c…”
gojo leans forward. “yes?”
“crazy.”
he falls back in his chair, groaning, book forgotten and placed harshly down on the table.
you tilt your head. “where's getou, you guys didn’t come to class together? don’t tell me you fought.”
gojo peers up and frowns. “no, can i not show up to class early just because i feel like it?”
“it would be extremely out of character, yeah.” you rest your chin on your hand as you watch gojo mutter to himself, his jaw jutted out and his nose scrunched.
he was clearly unhappy, it didn’t take a scholar to know. it might take a genius to figure out why though.
you had time to kill, might as well take up the challenge. maybe he hadn’t had his morning dose of sugar yet, or maybe his favourite anime had delayed it’s upcoming episode. maybe he didn't save properly on the new game he was playing, or maybe he simply didn't sleep well last night. or maybe he had lied to you and he had fought with getou, leading to this strange attitude.
the more you thought about it, the more it made sense. the way he was acting now was like a mockery to getou's usual behaviour.
“are you trying to be like getou?” you try.
gojo whirs around to face you. “what?”
“well, you’re trying to be composed.” he keeps staring at you and you clear your throat. “like more well-mannered. more calm.”
gojo remains silent but you watch as his jaw drops. you think that he might say something but then his mouth closes, only to open again.
gojo speechless, what a sight. but as good of a sight as it was, you were beginning to feel concerned.
“are you sure you’re alright? what did you eat yesterday?”
he doesn’t register your question. “you think getou is well-mannered?”
“yeah?”
“and calm?”
you nod. “more than you, at least.”
“do you think he’s interesting too? sporty? smart? funny?” he pauses. “good-looking?”
the questions throw you off guard and you sit up. “what? where is this coming from?”
“oh my god, you do.”
“no? i mean, i think getou’s great and everything—”
“you think getou’s great?”
“don’t you?”
“you think getou’s hot.” he concludes. “and you think getou’s great.”
"what are you even saying?"
"i don't know. why don't you tell me?"
baffled, you flail for words. “are you jealous of him? that's strange, i didn’t think either of you would ever feel jealous of each other.”
gojo grits his teeth and looks away. with a pout, he says, “me neither.”
the door to the classroom is thrown open and getou steps through, rubbing the back of his neck. he yawns on his way to his chair and it wakes him up, looking between you and gojo as you both watch him enter.
“what did you guys do?” he asks with a sigh.
“nothing!”
“nothing.” gojo says and glares at him.
getou blinks.
“okay.” he says slowly, sliding out his chair and sitting. “what did i do then? why are you both looking at me like that?”
“gojo’s being weird.” you snitch. “are you guys fighting?”
“how should i know? i thought we were doing okay. gojo, if i did something, use your words and tell me.”
"i'll use my words to tell you to suck my dick instead."
"so i did do something. you're so predictable, gojo."
you snicker as gojo huffs and glances away, looking away out the window behind your head. his train of sight cuts right past you but you can’t help but feel slightly flustered as he looks on, almost like he was looking at you, so determined to ignore getou’s pestering.
subconsciously, you drown getou out too, your traitorous mind observing the blue in gojo’s eyes. you had always thought it was just one colour, but looking at it now, it seemed more like a kaleidoscope of blues, the many shades sparkling and dimming as he watched birds flutter outside the window, and you watched their shadows through his eyes.
something shifts, in the air or in the skies you don't know, and gojo meets your eye. startled, you hold the gaze and he holds it too, just long enough for your lungs to run out of air.
you look away hastily and inhale.
gojo glances to the front, oddly fidgety.
getou looks between the two of you. “what the fuck was that?”
“nothing.” gojo says.
getou clearly doesn't buy it but though he tries to get an answer out of you, you don't give him one either. cupping your cheeks, your thoughts mirror his question. what was that? it was embarrassing, that's what it was and your realisation is only heightened as a silence fills all four corners of the classroom.
gojo clears his throat. “for me, i like someone who i'm already comfortable with. someone i already know.”
at his words, you look over at him and find him already staring. he frowns as you don't give him any other reaction.
yaga saves you from addressing his statement, walking into the room as the bell for class rang. "oh? you're all early, even you gojo. where's shoko?"
“she’s staying at the morgue because of the recent mission.”
“i see.” yaga nods. “then let’s start.”
your mind fails to work as you turn over gojo’s words, thinking them through. what did they mean? what was he talking about? did this weird confession have something to do with why he was acting so strange?
slowly, you draw connections between your conversation with gojo and the talk you had with shoko yesterday morning. an epiphany shoots through you and you cover your mouth to hide a gasp.
did that mean…?
someone he knew? acting strange? getting mad when you said you liked getou?
you watch gojo’s side profile, hoping he’d turn around. if what you thought was right, he’d turn.
seconds tick past. yaga’s voice drawls on and yet gojo doesn't even spare you a glance.
no, maybe you were wrong after all.
just as you were about to face yaga again, gojo’s head shifts and his eye flicks over to yours. they widen when he finds you, and you’re sure you’re in a similar shocked state.
oh my god, you think, eyes darting between him and the other boy in the room.
gojo has a crush on getou.
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filler imagine based off of that One scene from the manga: "megane tokidoki yankee kun"
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sysig · 9 months ago
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Looking his very best, as much as he can anyhow (Patreon)
#Doodles#SCII#Damned#ZEX#The Captain#The theme of this set is ZEX's hair! So I guess Max's hair really lol#But double really it's ZEX's hair because Max would never let this happen to his hair lol poor abused hair haha#Cute floofy ZEX is cute and floofy <3#He can't control the hair - no hair bones here unfortunately lol - but at least there's something around his head eh?#Max with a buzz cut! Ah!!! The problem is I love him no matter what so I think he looks cute literally anyhow haha#S'cold! As if ZEX wasn't already sensitive haha - he gets a buzz cut and is just ''?????'' the whole time#And then someone pets his hair and it upgrades to ''?!?!?!?!?!'' haha#Weird to not have anything in his peripherals too :0 Always /some/thing to the sides of his head!#I think he looks quite silly in the third one lol - I would say I drew his hair too short but it's actually more accurate isn't it#Max's hair is like chin/shoulder-length! I just can't help myself haha long flowing hair is so fun and pretty <3#No he's beautiful however I stand by it#ZEX with slightly damp but not actually clean hair haha of course it feels strange! Not just water in there!#Actually drawing his green ends for a change haha ♪ And the grey in his hair! ;; ZEEEX weh#You can just barely see I tried to use one of my skin-tone pencils from the Crayola set but it doesn't scan the best :P#Or apply the best honestly lol they're quite hard pencils - I'm used to a softer formula like the yellow and green there! Very soft and nice#Yaaay Captain hehe <3 This is what you get for trusting someone untrustworthy ZEX lol#Okay but the way I reacted to reading there was Yarn tied in his hair I had a Normal reaction and I'm Fine about it lol#I made it red for Funsies and no other reason lol - really it's just the pen I (still) always have on hand haha#There's some in my blue as well! Just not as obviously lol - no wait that's one of his colours too just ignore that <3#ZEX is adorable ♪ The alien not understanding human traditions and culture trope is so lovely on him#And honestly the Captain is a very good sport hehe <3 He takes a lot in stride! Good for him
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barnacles34 · 3 days ago
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Professional Hazard (And Blue Tongues)
Karina x Male Reader
9k words
18+ smut
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'I expected you to have...'
'Grey hair? Glasses thick as tank armor?' You lean back. 'Let me guess—ancient and decrepit?'
'Something like that.' She toys with her iced americano, ice cubes clinking.
'Get that more than you'd think.'
'Can't imagine why.'
'Sure you can't.'
She straightens in her chair. 'Well? Are you going to ask your questions or what?'
'Did you have something specific in mind?'
'I thought you'd at least come prepared.' The sharp edge in her voice softens, adapting. 'After that email you sent.'
'I am prepared.'
'Do you know who I am?'
'I know you're Karina. I know you agreed to fund my little Italian vacation.' You keep your voice flat, unimpressed.
She laughs, short and sharp. 'They really sent someone who knows nothing.'
'Biographers aren't exactly growing on trees these days. Most of them are busy dying off.' [1]
'That's comforting.'
'About as comforting as your enthusiastic response to my email.'
'Ah.' She smirks. 'My monument to hubris?'
'Your words, not mine.'
'Christ, you're not exactly sunshine and roses, are you?'
'If only you knew.'
'Oh, I think I do.' She leans forward. 'People like me—we're your bread and butter. Desperate enough to take the abuse just to get that book written.'
'Quick study.'
'Experience, darling.' She draws out the last word like stretched taffy.
'If immortality's what you're after, we're off to a rocky start.'
'Not even grateful for the Italian holiday?'
You meet her eyes. 'Bribery's nothing new. Don't expect it to polish your image.'
'Tough nut to crack, aren't you?'
'I have what I need.'
'Meaning?'
'Let me put this delicately: my last subject bought me a year at New York's finest.' [2]
'Fantastic.' She rattles her ice cubes harder.
'You know what I think?' She sets down her drink with deliberate care.
'Enlighten me.'
'I think you enjoy this. The whole "unimpressed biographer" act.'
You pull out your notebook, unhurried. 'That'd make a great chapter one. "Local girl psychoanalyzes writer, lives to regret it."'
'There it is again.' Her smile doesn't reach her eyes. 'Tell me, do your subjects usually last long enough for chapter two?'
'The interesting ones do.'
'And the boring ones?'
You flip open to a blank page. 'They get a lovely rejection letter.'
'Which I didn't.'
'Yet.'
She leans back, studying you. The late afternoon sun catches the edge of her glass, throwing prismatic shapes across the table. 'You really don't care that I could walk away right now.'
'The door's right there.' You click your pen. 'But we both know you won't.'
'Because?'
'Because you didn't spend three months negotiating with my publisher just to storm off over hurt feelings.'
'Maybe I just like wasting time.'
'Maybe.' You meet her gaze. 'But people who like wasting time don't usually have a dozen designer brand sponsorships.'
Something shifts in her expression—surprise, maybe, or respect. 'So you did do your homework.'
'I always do.' You position your pen over the blank page. 'Now, shall we begin with the real questions?'
'Shoot.' She shifts in her chair, the late afternoon sun warming the cafe corner we've claimed.
'Tell me about your sister.'
Her eyebrows lift slightly. 'Not starting with the obvious questions?'
'Would you prefer those?'
'No.' She smiles, genuine this time. 'She's a nurse. Like our mom.'
'Close?'
'Very. She's the only person who still calls me Jimin.' She stirs her americano. 'Probably the only person who can get away with it, too.'
'Why's that?'
'Because she knew me when I was just the quiet kid who'd rather read in corners than talk to anyone. Before all of...' She waves her hand vaguely. 'This.'
'Still prefer corners?'
'Sometimes.' She considers the question. 'There's this tiny bookstore in Seongnam. When I go home, I still visit. They have this perfect spot by the window.'
'What do you read?'
'Whatever catches my eye. Last week it was about sharks.'
You raise an eyebrow. 'Sharks?'
'Don't look so surprised.' She laughs. 'They're fascinating. Everyone thinks they know them, but they don't, not really.'
'Speaking from experience?'
She takes a long sip of her drink instead of answering.
'You don't have to do that, you know.' You set your pen down.
'Do what?'
'Deflect. Turn everything into a metaphor.'
She meets your eyes for a long moment. 'Force of habit.'
'Bad one.'
'Says the person who's been matching my deflections word for word.' A half-smile plays at her lips. 'We're quite the pair, aren't we?'
'Difference is, I'm paid to be difficult.'
'And I was raised to be.' The words slip out before she can catch them. Her fingers tighten around her glass.
You wait.
'You're good at this,' she says quietly.
'At what?'
'Making silence comfortable.' She looks out the window. 'Most people try to fill it.'
'Most people aren't trying to understand.'
She turns back to you, something shifting in her expression. 'Is that what you're trying to do? Understand?'
'Would that be so terrible?'
'No,' she says.
'Progress.' You pick up your pen again. 'Though I've just realized something deeply troubling.'
'What's that?'
'Your americano's been empty for ten minutes, and you're still pretending to drink it.'
She glances at her glass, caught. 'Method acting.'
'Ah yes, the classic "I'm too invested in this conversation to pause for a refill" performance.' You wave to catch the barista's eye. 'Oscar-worthy.'
'Says the person who hasn't touched their...' She leans forward to peek at your cup. 'What even is that?'
'Green tea.'
'Pretentious.'
'Says the person who ordered an iced americano in winter.'
'It's barely spring.'
'Case in point.'
The barista arrives with fresh drinks. Karina raises an eyebrow at your cup. 'Still green tea?'
'I'm consistent.'
'Boring.'
'Strategic.' You take a deliberate sip. 'Can't blame caffeine jitters for whatever honesty slips out.'
'Sneaky.'
'Professional.'
'Same thing.' She stirs her new drink, ice cubes clinking. 'So what's next in your strategic interrogation?'
'Thought we agreed to drop the deflection thing.'
'Old habits. Ten seconds at a time.'
'That's oddly specific.'
'It's how I learned to swim.' At your questioning look, she continues, 'Ten seconds of courage. Then you can panic all you want.'
'Does that work?'
'Got me here, didn't it?' She gestures between you two. 'Letting a stranger with a notebook and suspiciously consistent beverage choices pick apart my life.'
'You could always run.'
'To where? Croatia?' She laughs at your surprised expression. 'What? I have dreams.'
'Of Croatia specifically?'
'Of anywhere that doesn't know my name.'
'That's rather poetic for someone who just called me pretentious.'
'I contain multitudes.' She mock-bows in her seat.
'Walt Whitman now?'
'See? You're not the only one who can be insufferably well-read.'
You make a show of writing something down. 
You flip to a fresh page. 'Tell me about Croatia.'
'Nothing to tell. Just a place.'
'There are plenty of places that don't know your name. Why that one?'
She traces the rim of her glass again, a habit you've started to recognize as her thinking gesture. 'Have you ever seen those old coastal towns? The ones with narrow streets and buildings that look like they're having conversations with each other?'
'Been to a few.'
'I want to get lost in one.' She looks up. 'Properly lost. No GPS, no itinerary. Just... walking until my feet decide to stop.'
'Most people want to be found.'
'Most people haven't spent years being findable.' The sharpness in her voice surprises both of you. She softens it with a smile. 'Sorry. That sounded more dramatic than intended.'
'Don't apologize. It's the first time you've stopped performing since we sat down.'
'I haven't been—' She stops. Laughs. 'Okay. Point taken.'
'Progress. Again.'
'You're keeping score?'
'Always.' You tap your notebook. 'It's kind of the whole point.'
'And how am I doing?'
'In being honest or deflecting?'
'Both.'
'You're averaging about fifty-fifty.'
'Generous scoring.'
'Strategic encouragement.'
'You're good at that.' She stretches slightly. 'Making people think they're in control of the conversation.'
'Are you not?'
'Please. We both know you've been steering this ship since you sat down.' She pauses. 'Though I will say, you're the first interviewer who hasn't asked about my routine yet.'
'Your routine?'
'You know. "What time do you wake up? What's your skincare regimen? How many hours do you practice?" That whole song and dance.'
'Would you like me to ask?'
'God no.' She grins. 'But I'm curious why you haven't.'
'Because routines are what people do. I'm more interested in who they are.'
'And who am I?'
'Still figuring that out. But I know you crack your knuckles when you're nervous.'
She stops mid-crack, caught. 'Observant.'
'Professional hazard.' You lean forward. 'Tell me something real. Not about routines or schedules or practices.'
'Like what?'
'Like what you think about at three AM when you can't sleep.'
She's quiet for a long moment. 'Sometimes I forget what my natural speaking voice sounds like.'
'What do you mean?'
'You spend so many years modulating everything—your voice, your laugh, your reactions—until one day...' She shrugs. 'One day you catch yourself using your "public" voice to order coffee at 3 AM in an empty convenience store, and you realize you can't remember what you used to sound like.'
'And that bothers you.'
'Wouldn't it bother you? Losing something that fundamental without even noticing it was gone?'
'Is that why we're here? Trying to find it again?'
'Maybe.' She smiles, but it's different now. Unpolished. 'Or maybe I'm just tired of having "public" and "private" versions of everything.'
'Including your voice.'
'Including my entire existence.'
'Right.' You snap your notebook shut. 'We're getting gelato.'
[1] The suspicious rate at which biographers are "dying off" has become something of an industry joke. Three prominent biographers mysteriously retired after attempting to write about a certain K-pop company's CEO. Totally not suspicious.
[2] The Plaza Hotel, to be specific. Said subject was a tech billionaire whose autobiography mysteriously never made it to print. The hotel suite, however, maintains legendary status among New York's housekeeping staff for its impressive collection of empty green tea bottles and rejection letters.
She blinks. 'What?'
'We're walking.' You stand, gathering your things. 'Unless you have somewhere to be?'
'Are you actually asking, or is this another strategic move?'
'Both. Neither. Whatever. Does it matter if there's gelato involved?'
A genuine laugh escapes her. 'Fair point.'
The early evening air hits your faces as you step outside. She pulls on a cap—more habit than disguise.
'Left or right?' you ask.
'You're the one who lives here.'
'Technically, I've been here three days.'
'And you already know where to get gelato?'
'First thing I do in any city. Professional secret.'
'Ah yes, the biographer's handbook. Chapter One: locate ice cream immediately.'
'Chapter Two: never reveal your sources.' You turn left. 'Unless they're wearing a questionably large cap and hiding from their own voice.'
'Low blow.' But she's grinning. 'Also, my cap is perfectly sized.'
'For what? Smuggling library books?'
'That's... oddly specific.'
'Says the person who just quoted Walt Whitman in a cafe.'
You find the gelato place tucked between a bookstore and a vintage shop. The owner, an elderly Italian woman, lights up at your approach.
'Due?' she asks.
'Sì,' you reply, then turn to Karina. 'What's your poison?'
She studies the flavors intently. 'What's the most unusual one?'
'Professional or personal answer?'
'There's a difference?'
'Professional would be something elegant. Personal...' You point to a vivid blue flavor. 'That one tastes like your childhood imaginary friend made a pact with a Smurf.'
She doesn't hesitate. 'Two scoops of that, please.'
'Really?'
'What?' She raises an eyebrow. 'Scared of a little blue tongue?'
'More scared of what my editor will say when the interview notes are stained cerulean.'
Ten minutes later, you're both leaning against a stone wall, gelato dripping in the warm evening air. Her tongue is, indeed, impressively blue.
'Yah! Why are you taking a picture?”
'Your tongue. I need photographic evidence for my editor.'
She complains, ‘self-respecting people would’ve walked a long time ago.’
‘And let me guess-’
‘Correct. Take a picture if you want.’
'Pulitzer worthy.' You take another bite of your considerably more dignified pistachio. 'So tell me about the sharks.'
'You're still on that?'
'You brought up marine biology in a cafe and then mysteriously changed the subject. I'm invested now.'
'There's nothing mysterious about it.' She licks a drop of blue from her knuckle. 'I just think they're neat.'
'That's the worst deflection yet.'
'Fine.' She pushes off the wall, starting to walk. 'When I was younger, I used to think they were lonely.'
You fall into step beside her. 'Sharks?'
'Mm. Always swimming, never stopping. Everyone afraid of them.' She shrugs. 'Stupid kid logic.'
'And now?'
'Now I think they're just... misunderstood.' She grins. 'That was terrible, wasn't it? Like a bad movie line.'
'Terrible. But honest.'
'You and your honesty fetish.'
'Says the person who just admitted to emotionally relating to sharks.'
She snorts, nearly dropping her cone. 'When you put it that way—'
'Oh, I'm definitely putting it that way. It's going in the book.'
'Absolutely not.'
'Chapter title: "The Shark Whisperer”. I can see it already'
She tries to hip-check you, but you dodge, protecting your gelato. 'I'm revoking your creative license.'
'Too late. The mental image of baby Jimin crying over shark documentaries is seared into my brain.'
'I did not cry over—' She stops. 'Okay, maybe once. But it was a very sad documentary.' [1]
The sun is setting now, painting the cobblestones gold. You pass a street musician playing something soft and acoustic.
'Your sister know about the sharks?'
'Of course. She bought me the books.' Her smile turns fond. 'Still does, actually. Sends them to me randomly.'
'Recent ones?'
'Last week.' She finishes her cone. 'She has... interesting timing.'
'Interesting timing?'
'Mm.' She wipes her hands on a napkin. 'Right after I told her about the interview. She sent me one about great whites. Said something about facing fears.'
'Subtle.'
'About as subtle as your interview techniques.' She eyes your notebook, still tucked away. 'Not writing anymore?'
'Memory's better when I'm walking.' You tap your temple. 'Also, harder to write about blue tongues while walking.'
'Still blue?'
'Devastatingly so.'
She sticks her tongue out at a passing window, checking her reflection. 'Oh god, it's worse than I thought.'
'Crisis?'
'Please. I once had to perform with my hair half-green because of a dye mishap. This?' She gestures to her mouth. 'This is nothing.'
'Half-green?'
'Not going in the book.'
'Already mentally drafting the chapter.'
She groans. 'I'm starting to regret this whole walking thing.'
'Because of the blackmail material or the exercise?'
'Both. Neither.' She pauses by a small fountain. 'It's just... nice.'
'Nice?'
'Yeah.' She sits on the fountain's edge. 'No schedule. No plan. Just... walking and talking and eating questionably colored gelato with a stranger who probably thinks I'm having a quarter-life crisis.'
'Are you?'
'Having a crisis or eating gelato?'
'Now who's deflecting?' 
And she pauses again, caught.
She dips her fingers in the fountain water, watching the ripples. 'Maybe I just wanted one normal evening. One conversation that wasn't prepackaged and pre-approved.'
'Mission accomplished, I'd say. Your tongue is literally blue.'
That startles a laugh out of her. 'You're never letting that go, are you?'
'It's going to be a running metaphor throughout the book. Deep, meaningful parallels between blue gelato and the human condition.'
'You're terrible at your job.'
'I'm excellent at my job. I got you to walk around Rome with blue teeth.'
'Is that the measure of success?'
'For this chapter? Absolutely.'
The street lamps are starting to flicker on, and the air has that peculiar Roman evening warmth that begs for a drink.
'Know any good bars?' she asks, as if reading your mind.
'Thought you'd never ask[2]. Fair warning though—my Italian's terrible.'
'Better or worse than your interview skills?'
'Much worse. But I can order Aperol Spritz in seventeen different ways.'
'Useful life skill.'
'More useful than relating to sharks.'
She shoves your shoulder lightly. 'One more shark joke and I'm leaving.'
'No, you're not.'
'No, I'm not.' She grins. 'Lead the way, worst Italian speaker.'
You find a tiny place tucked away from the main streets. The kind tourists don't know about, with mismatched chairs and a bartender who looks old enough to have served Caesar himself.
'Due aperol spritz, per favore.' You ask.
The bartender raises an eyebrow. 'Americano? Il tuo italiano è buono!' (your Italian was… apparently… good.)
'Peggio,' you say. 'Giornalista' 
(‘Worse. Journalist.’)
He laughs, already reaching for glasses. Karina slides onto a barstool, looking around with genuine curiosity.
‘He seems pretty impressed by your Italian.’
‘Oh trust me—he wasn’t. He just wanted to be nice. That’s all. The inflections are quite easy to catch.’
‘Alright, whatever you say. Giornalista—.'
You grin at her cute prod.
'How'd you find this place?' She asks; needless to say, she likes it here.
'Got lost my first night here––five years ago. It was either come in or keep pretending I knew where my hotel was.'
'And?'
'Woke up knowing exactly where my hotel was. And how to say "I'm sorry" in Italian.'
She laughs. 'That bad?'
'Let's just say there's a reason I stick to green tea now.'
The drinks arrive, vivid orange against the dark wood of the bar.
'To blue tongues,' you raise your glass.
'And bad Italian,' she clinks hers against it.
[1] The documentary in question was "Blue Planet II." Her sister still has the receipt for three boxes of tissues and a plush shark from the aquarium gift shop. The plush shark now sits in her studio, wearing a tiny version of her debut outfit. Her company has tried to mass-produce it twice. She's vetoed it both times.
[2] You were never this humble about your Italian until you talked to an Italian nonna. "Qui giace la dignità di un giornalista" (Here lies a journalist's dignity).
'Speaking of bad decisions—'
'We weren't.'
'We are now. Tell me about the green hair incident.'
'Absolutely not.' She takes another sip of her spritz. 'Some secrets I'm taking to my grave.'
'Come on. Half-green hair? There's got to be a story there.'
'There is. A great one. You're still not hearing it.'
'I'll trade you.'
'Oh?' She turns on her stool to face you fully. 'What could you possibly have that's worth my green hair story?'
'Remember when I said I learned to say sorry in Italian?'
'The plot thickens.'
'Let's just say it involved a fountain, three angry nuns, and a very patient carabinieri.'
She nearly chokes on her drink. 'You're making that up.'
'Want to bet your green hair story on it?'
'You know what?' She signals the bartender for another round. 'Fine. But if you're lying, you're buying drinks for the rest of the night.'
'Deal.'
'And no taking notes.'
'Now that's just cruel.'
'Professional hazard,' she mimics your earlier tone, then grins. 'Okay, storyteller. Dazzle me.'
The bartender sets down fresh drinks, and you lean in conspiratorially. 'So picture this: my first night in Rome, about five years ago...'
'Wait.' She holds up a hand. 'We need to establish stakes. If this story doesn't involve all three elements—fountain, nuns, and police—you're not only buying drinks, you're telling me where you actually learned to say sorry in Italian.'
'Counter-offer. If my story checks out, I get the green hair story plus whatever happened at that music show in Busan.'
Her eyes narrow. 'What music show in Busan?'
'The one you just reacted to.'
'That's... that's actually impressive.'
'Five years of professional nosiness at work. Deal?'
She clinks her glass against yours. 'Deal. Now stop stalling.'
'Right. So. Five years ago. I'd just finished an interview with this ancient countess at the bar. I mean, it’s the bar. Who else gets to interview a countess at a bar? That’s like crazy Bourdain-level shit right there.’
She nods along. 'Of course you did.'
'Anyway, she invited me to this wine cellar...'
'Oh no.'
'Oh yes. And mind you, I was already quite drunk. And she was very, very insistent about hospitality...'
Twenty minutes and much laughter later, you finish: '...and that's why you should never trust Google Translate to help you apologize to Italian law enforcement.'
She's wiping tears from her eyes. 'The part with the cat—'
'Hand to god. Still have the scars.'
'Okay.' She catches her breath. 'Okay, you win. That was worth it.'
'Time to pay up. Green hair. Spill.'
'Can I have one more drink first?'
'For courage?'
'So I can blame it on the drink.' She waves at the bartender. 'I still can't believe you showed those nuns your interview notes to prove you weren't a street performer.'
'Desperate times.'
'Speaking of desperate...' She takes a fortifying sip of her fresh spritz. 'Ever tried to fix green hair with grape juice?'
'No.'
'Don't.'
'There has to be more to this story than grape juice.'
'Oh, there's so much more.' She settles into her seat. 'Picture this: it's two hours before a live broadcast. I'm sitting in the makeup chair, feeling pretty good about life. You know, like that particular moment where your face just… shines. Then my stylist walks in, takes one look at my hair, and just... screams.'
'Screams?'
'Full horror movie scream. Turns out the hair dye we used was... let's say "not exactly approved by management."'
'Let me guess. DIY job?'
'Worse. My sister's friend's cousin who "totally went to beauty school."'
'Oh no.' You snort, taking a hefty drink of the remaining spritz.
'Oh yes. So there I am, one side of my head this bizarre shade of swamp-thing green, and everyone's running around like it's the end of the world.'
'Which is when someone suggested grape juice?'
'Actually, that was my idea.' She grimaces. 'I'd read somewhere that grape juice could neutralize green tones. What they failed to mention was that this works for swimming pools, not hair.' [1]
'So what happened?'
'Picture a very expensive wig, three cans of dry shampoo, and me trying to explain to the camera director why I couldn't turn my head to the left.'
'Did it work?'
'Define "work."' She takes another sip. 'If by "work" you mean "did I make it through the broadcast without anyone seeing the grape-juice-tinged disaster," then yes. If by "work" you mean "did I maintain any dignity," then absolutely not.'
'The fans never found out?'
'Oh, they did. Someone leaked a backstage photo three months later.' She grins. 'By then I'd managed to fix it. Mostly.'
'Mostly?'
'My sister still has a strand of green hair she saved. Threatens to post it whenever I don't answer her calls.'
'Effective.'
'Terrifying.' She raises her glass. 'Your turn again. What's the worst interview you've ever done?'
'Besides this one?'
She kicks your chair. 'I'm delightful and you know it.'
'You're something, all right.'
Three drinks in, and the bar's emptied enough that her laugh echoes a little too loudly. She covers her mouth, but it's too late – the old bartender shoots them an amused look.
'Sorry,' she stage-whispers.
'For what? The laugh or the fact that it just shattered three ancient Roman wine glasses?'
'Shut up.' She kicks your chair again. 'I don't always laugh like that.'
'Let me guess – there's a public laugh and a private laugh?'
'There's a whole taxonomy.' She sits up straighter, counting on her fingers. 'Interview laugh, variety show laugh, fan meeting laugh, oh-that's-not-actually-funny-but-you're-my-sunbae laugh—'
'Please tell me you're joking.'
'I wish.' She slumps forward, head on her arms. 'I once had to attend a laughing seminar.'
'A what now?'
'A laughing seminar. Professional instruction on the art of the public giggle.' Her voice is muffled against her sleeve. 'There was a PowerPoint and everything.'
'You're making this up.'
She lifts her head. 'I spent three hours learning about laugh-adjacent breathing techniques while a woman named Mrs. Kim hit a triangle every time someone laughed "inappropriately."'
You stare at her. She stares back.
'That's the most horrifying thing I've ever heard,' you say finally.
'I know.' She dissolves into another too-loud laugh, this one definitely not seminar-approved. 'God, I can still hear that triangle.'
'Is that why you're here?'
'Getting drunk with a biographer in Rome? No, that's just poor life choices.'
'Speaking honest truths to a stranger?'
'Oh.' She straightens up, but there's still something loose in her smile. 'Maybe. Or maybe I just really needed to tell someone about Mrs. Kim and her triangle of terror.'
'Triangle of terror.' You shake your head. 'That's going in the book.'
'Along with the blue tongue and green hair? You're really painting a picture here.'
'It's called character development.'
'It's called character assassination.' She signals for water. 'What else are you putting in there?'
'Wouldn't you like to know.'
'Actually, yes. That's literally why I'm asking.'
'Fine.' You pretend to flip through your mental notes. 'Chapter One: Sharks and Empathy—'
'Oh my god.'
'Chapter Two: The Grape Juice Incident—'
'I'm starting to regret everything.'
'Chapter Three: Laugh Taxonomies by Aespa’s Karina—'
'I hate you.'
'Chapter Four: Why Romans Don't Trust Her With Fountains Anymore—'
'That was you! That was literally your story!'
'Was it? Everything's getting a bit fuzzy.' You tap your temple. 'Must be all that professional memory I was bragging about earlier.'
She throws an olive at you. The bartender clears his throat.
'Sorry,' you both say in unison, then look at each other and start laughing again.
'You know what's really funny?' she says, once you've both contained yourselves.
'Mrs. Kim's triangle?'
'Besides that.' She accepts the water from the bartender. 'This is probably the worst interview you've ever done.'
'Oh, definitely.'
'And yet...'
'And yet?'
'It's the most honest one I've given.' She pauses. 'God, that sounded way less cheesy in my head. Must be the spritz talking.'
'Blame it on the altitude.'
'We're at sea level.'
'Blame it on the sea level.'
'You're ridiculous.' She's grinning though. 'Is this how all your interviews go?'
'Usually there's less gelato. More gravitas.'
'Gravitas is overrated.'
'Says the woman who attended a laughing seminar.'
'Hey, I'll have you know my triangle-approved giggle is very dignified.'
'Prove it.'
She sits up straighter, arranges her features into something serene, and lets out the most artificial laugh you've ever heard. It's so pristine it's almost disturbing.
'That was horrifying.'
'That was three hours of professional training.'
'I'm concerned about your profession.'
'Join the club.' She relaxes back into her natural posture. 'We have meetings every Tuesday. Bring your own triangle.'
The bartender slides over the check with a knowing look. Last call came and went without either of you noticing.
'Well,' you say, reaching for your wallet. 'I suppose this is—'
'Wait.' She puts her hand on your arm. 'I have a confession.'
'Another one? The green hair wasn't enough?'
'I read your book.'
'Which one?'
'The one about the ballet dancer who quit to become a motorcycle mechanic.'
'Ah.' You sit back. 'And?'
'And I maybe, possibly, completely changed my mind about this whole interview when I read it.'
'Because?'
'Because...' She fidgets with her empty glass. 'You made her sound so... human.'
'As opposed to?'
'A story. A headline.' She traces a pattern on the bar top. 'Most people would've written about the scandal, the career she "threw away." But you wrote about how she names each motorcycle she fixes. How she still dances in her garage at midnight.'
'Ah. That.'
'That.' She looks up. 'Is that why you haven't asked me about any of it?'
'Any of what?'
'Don't play dumb. The headlines. The speculation. The—'
'The triangle-approved responses you've probably rehearsed?'
She laughs, caught. 'Something like that.'
'Here's the thing about headlines.' You start gathering your things. 'They're usually more interesting than the truth.'
'And what's the truth?'
'That sometimes people just want to eat blue gelato and tell embarrassing stories in a bar and talk a biographer’s ears off.'
She kicks your chair again, barely noticeable. 'Even if those stories end up in a book?'
'Especially then.' You stand, offering her jacket. 'Though I might need you to sign a waiver about the grape juice incident.'
'I knew it! You are using it!'
'Chapter title: "The Perils of Amateur Chemistry: A Cautionary Tale."'
She shrugs on her jacket, shaking her head. 'You're impossible. That AI flair was so intentional'
'Says the woman who legitimately attended a laughing seminar.'
'I'm never living that down, am I?'
'Not as long as I have a functioning memory and a publishing contract.'
The Roman night is warm as you both step out of the bar. She stumbles slightly on the cobblestones.
You offer a hand which she quickly grabs.
'Don't you dare put that in the book,' she warns.
'Put what? The graceful interpretation of contemporary dance you just performed?'
'These streets are rigged.' She steadies herself. 'Also, your hotel's this way.'
'How do you know where my hotel is?' You’re not exactly one to remember locations, probably the reason you were able to gain such a repository of ridiculous stories.
'Because it's my hotel.' She grins at your expression. 'What? You think you're the only one who does research?'
'I'm concerned about your stalking tendencies.'
'Says the person who somehow knew about the Busan incident.'
'Professional hazard.'
'You really need new catchphrases.'
The walk is quiet, comfortable. Rome at night feels like a different city—all golden lights and shadow play. A cat watches you pass from its perch on a window sill.
'Don't even think about it,' she says.
'About what?'
'Making some poetic comparison between me and that cat.'
'Please. I'm a much better writer than that.'
'Sure you are, shark whisperer.'
You reach the hotel entrance. She pauses.
'Well,' she says. 'This has been...'
'Professionally catastrophic?'
'I was going to say enlightening.'
'That too.'
The hotel lobby is all marble and soft lighting. Your footsteps echo slightly.
'I have a balcony,' she says suddenly. 'And a really pretentious coffee machine I can't figure out.'
'Is this a cry for help with appliances?' 
'This is...' She fidgets with her room key. 'This is me not wanting the interview to end yet.'
'The interview ended somewhere between blue gelato and the triangle story.'
'Then what's this?'
‘Believe or not, some people just like having fun on their Italian vacation.’
‘Haha. Very funny.’
'This is...' You pretend to consider. 'Two people who might be friends if one of them wasn't writing a book about the other.'
'Complicated.'
'Professional hazard.'
'There's that phrase again.' She presses the elevator button. 'Come on. I'll teach you how to laugh properly.'
'With or without the triangle?'
She steps into the elevator. 'Depends on how good you are at making coffee.'
'Now who's the impossible one?'
The doors start to close. She holds them.
'Coming?'
You join her in the elevator. 'For the record, I'm excellent at coffee.'
'For the record,' she mimics your tone, 'that's going in the book.'
Her room is on the top floor, with a view that makes you understand why people write poetry about Rome.
'So,' she says, fighting with the coffee machine. 'This button makes it angry, and this one makes it hiss.'
'Move over, amateur.' You reach around her to press a combination of buttons. The machine purrs to life.
'Show off.' But she's smiling as she heads for the balcony. 'Bring your coffee wizardry out here when it's ready.'
The balcony is small, just enough room for two chairs and all of Rome spread out below. She's curled up in one chair, shoes off, looking more real than she has all day.
'Your professional opinion,' she says as you hand her a cup. 'Is this going to be a good book?'
'Depends.'
'On?'
'On whether you let me keep the shark metaphors.'
She laughs into her coffee. 'You're never letting that go.'
'Never.' You take the other chair. 'Though I might be willing to negotiate.'
'Terms?'
'Tell me something nobody knows. Something that won't make the book.'
She's quiet for a moment, looking out at the city lights. 'I sing in the shower.'
'Everybody knows that.'
'No, I mean...' She turns to face you. 'I sing the old songs. The ones I used to practice when I was just some kid in Bundang with a dream too big for my voice.'
'And?'
'And sometimes I still feel like her. That kid. Especially at night, in foreign hotels, when the city feels like it belongs to someone else.'
'Especially at night, in foreign hotels, when the city feels like it belongs to someone else.'
'Wow.' You let out a low whistle. 'That was incredibly profound.'
She groans, covering her face. 'I know. I'm sorry. That was straight out of a drama script.'
'I was thinking more indie movie. You know, the kind where people have deep conversations on balconies in Rome at—' you check your watch, '—one in the morning.'
'Oh god, we're living a cliché.'
'Complete with coffee and two chairs overlooking Rome.'
'Quick,' she straightens up, 'say something unprofound. Save us from ourselves.'
'My tongue is still kind of blue.'
She peeks at you over her coffee cup. 'Mine too.'
'Better?'
'Much better.' She slouches back in her chair. 'Though now I'm thinking about how this would look in your book. "Two idiots with blue tongues have existential crisis on expensive balcony."'
'Don't forget the part where one of them somehow charmed a coffee machine.'
'And the other one used to sing in her shower.'
'Still,' you correct. 'Present tense.'
'Still,' she admits. 'But if you put that in your book, I'll have to tell everyone about your fountain incident.'
'Mutually assured destruction. I like it.'
She yawns, then looks embarrassed. 'Sorry. It's not the company, it's—'
'The five Aperol Spritzes?'
'That. And the emotional toll of remembering Mrs. Kim's triangle.'
'Tragic backstory,' you nod solemnly. 'Very character-building.'
'Speaking of character-building...' She sets down her empty cup, turns to face you fully. 'This is usually the part in your books where something significant happens.'
'Is it?'
'Mm. Chapter twelve. Always a turning point.'
'You really did read my books.'
'I told you that already.' She's closer now, somehow. 'What I didn't mention was that I figured out your pattern.'
'My pattern?'
'The way you write moments like this.' Her voice is soft. 'When everything gets quiet, and the city's just background noise, and someone's about to do something...'
'Inadvisable?'
'I was going to say brave.'
'Brave is just inadvisable with better PR.'
She laughs, barely a whisper. 'You're deflecting again.'
'Professional—'
'If you say "hazard" right now,' she cuts in, 'I'm going to throw you off this balcony.'
'That would be...'
'Inadvisable?'
'I was going to say "terrible for my book sales."'
She's definitely closer now. 'Your book sales are about to be the least of your problems.'
'Because you're going to kiss me or throw me off the balcony?'
'I haven't decided yet.'
'Well,' you murmur, 'for what it's worth, one of those options would make a much better chapter twelve.'
She closes the distance between you, smiling against your lips. 'Professional hazard.'
You and Karina shared an instant spark that neither of you had experienced. Ever. The moment that first tease left your mouth, it was over.
[1] The sentiment of grape juice being able to eliminate green tones turned out to be completely unfounded. Despite this, wine sommeliers around the world have complained about Koreans with their distinct accent asking about grape juice’s ability to change colors.
The kiss tastes like coffee and Aperol and something sweet—probably the remnants of that ridiculous blue gelato. It's soft and quiet and perfect, the kind of moment that would sound made up in a book.
She pulls back slightly. 'Your editor's going to hate this.'
'Definitely.' You tuck a strand of hair behind her ear. 'Completely unprofessional.'
'Thoroughly inadvisable.'
'Absolutely perfect for chapter twelve.'
She kisses you again, and Rome keeps existing below, indifferent to your small moment of magic. Somewhere in the distance, a church bell chimes twice.
'You know,' she whispers, 'this is usually where you'd write something profound about the city of love.'
'That's Paris.'
'Now who's deflecting?'
'Still you. But I'm starting not to mind.'
She laughs, soft and real—definitely not triangle-approved—and rests her forehead against yours, your breaths intermixing, plenty of intimate eye contact. 'Is this going in the book?'
'What do you think?'
'I think...' Her fingers find yours. 'I think some stories we get to keep for ourselves.'
'I think some stories we get to keep for ourselves.'
'Even after I charmed your coffee machine? That's cold.'
She makes a face. 'You're really bringing up coffee machine prowess right after—'
'Right after you thoroughly compromised my journalistic integrity? Yes.'
'Your journalistic integrity was compromised the moment you let me eat blue gelato.'
'My journalistic integrity was compromised the moment I saw you.' You run your thumb across her knuckles.
Her eye contact wavers and her voice falters, ‘Gosh, you’re such a player.’
‘Flirting has never come so easily before.’ You whisper against her mouth.
'Oh really?'
'Obviously.'
'Which was?'
'Stare at that blue tongue some more.’'
She shoves you lightly. 'You're terrible.'
'And yet.'
'And yet.' She settles on your lap, the forehead to forehead more natural now. 'So what happens now?'
'Well, traditionally, this is where I'd write something about dawn breaking over the eternal city—'
'Please don't.'
'—with golden light catching on ancient stones—'
'I'm begging you to stop.'
'—as two souls find each other under the Roman sky—'
She claps a hand over your mouth. 'I will literally pay you to not finish that sentence.'
You kiss her palm before she pulls it away. 'Isn't that technically bribery?'
'Add it to the list. Right after "compromised journalistic integrity" and "suspicious coffee machine expertise."'
'Speaking of compromising situations...' You glance at your watch. 'It's almost three AM.'
'Worried about your reputation?'
'Worried about your triangle-approved schedule.'
'Bold of you to assume I ever sleep.' She stands, stretching. 'Want to order terrible room service and you can tell me about all the other journalists you've scandalized?'
'That's a very short list. Very enticing regardless.’ 
'Good.' She holds out her hand.
The night air has turned cooler, carrying the faint scent of jasmine from somewhere below. Her fingers trace the collar of your shirt, hesitant but deliberate.
'What happened to room service?' you murmur.
'It can wait.' Her eyes meet yours, playful but wanting. 'I'm conducting my own interview first.'
This kiss is different from the first. Slower, more certain. The city hums below, a distant lullaby of late-night cars and echoing footsteps. When she sighs into the kiss, it's the softest sound you've ever heard. When she falters against your forceful touches, it’s the softest you’ve ever felt a woman.
She pulls back just enough to breathe, her forehead resting against yours. Her heartbeat is quick under your palm.
'Better than chapter twelve?' she whispers.
You catch her lips again in answer, feeling her smile. The wind stirs her hair, sending strands brushing against your cheek. Everything smells like jasmine and coffee and her perfume—something subtle and expensive that you'll probably spend the rest of your life over-romanticizing.
Because that’s what Karina deserves.
Rome stretches out endless and ancient around you, but all you can focus on is how perfectly she fits against you, how real she feels away from cameras and crowds.
Your lips find hers in the dark, soft and certain now. Her fingers trail up your neck, threading through your hair, pulling you closer. There's an art to the way she kisses—deliberate yet desperate, like she's trying to memorize the moment. Your hands settle at her waist, and she makes a small sound that you know you'll remember forever.
Her lips part against yours, deepening the kiss until you're both breathless. The balcony railing presses into your back—when did that happen?—and her body is warm against yours, fitting perfectly in all the spaces between.
Her teeth graze your bottom lip, teasing. You respond by trailing kisses along her jaw, feeling her pulse jump under your lips. When you find that sensitive spot just below her ear, her sharp intake of breath makes you smile against her skin.
She pulls back just enough to meet your eyes. Her lips are slightly swollen, her careful composure beautifully undone––hair spread everywhere, but just so that she looks ethereal rather than messy. You brush your thumb across her lower lip, and she catches it with her teeth, playful even now.
‘Still planning to put this in chapter twelve?’ she whispers, breathless.
Your answer gets lost somewhere between her lips and… her lips.
Her laugh vibrates against your lips when you finally break apart. ‘We should probably—’
‘Go inside?’ Your lips find the curve of her neck again.
‘I was going to say breathe.’ But her head tilts back, giving you better access. Her pulse flutters under your kiss like a trapped bird. ‘Though inside works too.’
You pull back just enough to look at her. Hair mussed, eyes bright, that perfect composure completely undone. She's never looked more beautiful than she does right now, with the city lights catching in her eyes and her professional smile nowhere to be found.
‘What?’ she asks, suddenly self-conscious.
‘Just thinking.’
‘About?’
‘How this definitely isn't going in the book.’
Her smile turns mischievous. ‘No?’ Her fingers trace patterns on your chest. ‘Not even a little mention of how you completely forgot about journalistic integrity the moment I—’
‘Then chapter 12 would entirely consist of me betraying my profession in order to catch your lips with my teeth.’
‘Wow. You’re bad. Like, real bad.’
‘You have no idea.’
You cut her off with another kiss, swallowing her laugh. Her hands slide up your chest, around your neck, pulling you impossibly closer. The world narrows to just this: her lips on yours, her body pressed against you, the soft sounds she makes when you run your fingers down her spine.
‘Inside,’ she murmurs against your mouth. ‘Before we really give Rome something to talk about.’
You let her lead you through the balcony doors, both of you stumbling slightly, unwilling to break contact. She tastes like promises now, like stories yet to be written. Her hands are everywhere—your hair, your chest, your face – like she's trying to read you by touch alone.
‘Wait,’ you manage, as her lips find that spot below your ear that makes thinking difficult. ‘What about—’
‘If you mention room service right now,’ she warns, ‘I'm going back to my original plan of throwing you off the balcony.’
‘I was going to say 'what about your triangle-approved image?'’
She pulls back, eyes dancing. ‘Oh, that?’ Her lips brush yours, teasing. ‘I think we thoroughly compromised that at the first meeting.’
"Professional hazard?"
"Shut up," she whispers, and kisses you again.
She sighs into your mouth, a soft, vulnerable sound that makes your heart stutter.
Her fingers tangle in your hair, nails scraping lightly against your scalp, sending shivers down your spine. You walk her backward until she's pressed against the wall, her body arching into yours.
You trail kisses down her neck, learning her— the spot beneath her jaw that makes her gasp, the curve where neck meets shoulder that makes her fingers tighten in your hair. Her pulse races under your lips, a rapid drumbeat that matches your own. When you find a particularly sensitive spot, her sharp intake of breath is the sweetest sound you've ever heard.
She tugs you back up to her mouth, kissing you like she's trying to tell you something words can't capture. Her lips are soft but insistent, moving against yours with a rhythm that makes you dizzy. One of her legs hooks around yours, pulling you even closer, and you groan into her mouth.
Her hands frame your face now, thumbs stroking your cheeks as she kisses you deeper, slower, like she's trying to memorize every second. You respond in kind, pouring everything you can't say into the kiss—how beautiful she is like this, how real, how perfectly she fits against you.
When you finally break apart, you're both breathing hard. Her lips are swollen. You rest your forehead against hers, sharing the same air, neither of you willing to move away.
"Still thinking about the book?" she murmurs, voice husky.
You answer by catching her lower lip between your teeth, gentle but playful, and feel her smile against your mouth.
Her smile against your mouth turns into a soft laugh. "I'll take that as a no."
‘Take it as whatever you want.’ Your lips find her temple, her cheek, the corner of her mouth. ‘I stopped thinking about the book long ago.’
She hums contentedly, her fingers tracing patterns on the nape of your neck. ‘Good.’ Her other hand is still tangled in your shirt, keeping you close. ‘Because I have a confession.’
‘Another one?’
Instead of answering, she kisses you again, slow and deep. Her tongue traces your lower lip, and you respond by pressing her further into the wall, swallowing the small sound she makes. One of her legs is still hooked around yours, and when she shifts slightly, the new angle makes you both gasp.
‘That wasn't a confession,’ you murmur against her lips.
‘No?’ Her teeth graze your earlobe. ‘I thought I was being pretty clear.’
Your hands slide to her waist, steadying her. She's intoxicating like this, all careful control abandoned, her public persona nowhere to be found.
‘Jimin,’ you breathe, and feel her shiver at the sound of her real name.
Her response is to pull you closer, kissing you like she's trying to say everything without words. Her lips are soft but certain against yours, and you lose yourself in the feeling—the warmth of her body, the subtle scent of her perfume.
The city continues its nighttime symphony outside, but in here, the only sound is your shared breathing and the soft, desperate noises she makes when you find that sensitive spot on her neck again.
She pulls back slightly, just enough to meet your eyes. In the dim light, her gaze is soft, unguarded. Her thumb traces your lower lip.
‘What?’ you ask, voice rough.
‘I'm trying to decide something.’
"Whether to throw me off the balcony? Because I thought we moved past—"
She cuts you off with another kiss. Her hands cup your face, holding you there as she explores your mouth with a thoroughness that makes you dizzy. You respond by feeling her firm and perky ass.
‘No—,’ she moans when you break apart for air. ‘I'm trying to decide if this is real.’
Instead of answering, you trail kisses down her neck, feeling her pulse jump under your lips. Her head falls back against the wall, giving you better access. When you reach her collarbone, she makes a sound that's half-sigh, half-moan.
‘Feels real enough,’ you murmur against her skin.
Her laugh is breathy, unsteady. ‘I meant—’ She gasps as you find a particularly sensitive spot. ‘I meant this. Us. This whole night.’
You lift your head to look at her. Her lips are swollen from kissing, her carefully styled hair a mess from your fingers. She's never looked more beautiful.
‘If you think I did all of this for the fun of it, you’re clearly missing something.’
‘A gear in the head?’
‘Definitely—’
‘Gosh, how do I allow this sort of petulance?’
‘Because it’s me.’
‘You’re a player.’
‘Only for you.’ You catch her lips, even more wanting—and she forfeits it all. 
You pick her up, mussing up her perfect outfit, mussing up her perfect lips. And you finally throw her against the bed.
‘You’re really roughing up Prada’s global ambassador.’
‘And ambassador to a dozen other brands worth billions—couldn’t care less.’’ 
She smirks, and her arms open, waiting, pliant, obedient.
You rip off your buttoned shirt, tear off your pants; now, there’s truly no way of going back.
‘Wow. That scar is a lot larger than I imagined.’ She’s referring back to the scar that you received during that drunk haze of a night.
‘It was dark. Might’ve even been a lion.’ 
‘Mm. Heroic. Come here.’
Now, who could ever resist that?
You rip off her clothes, each layer even more decadent than the other. And then, she was there. bra barely containing her breasts, and a layer of dampness along her sexy panties.
‘That was expensive, by the way.’
‘I’ve got a payment plan on course.’
‘Mm. Enlighten me.’
You pull her panties to the side.
She’s dripping wet, nectar spooling right on her pink core. A glorious sheen that makes you stare far longer than you should’ve. She’s red-faced at this point, and her forearms cover most of her sight, and yet, she doesn’t move, doesn’t retreat. 
The first lick you place, just a brush against her engorged clit, crumbles every self-regulated triangle-approved behavior she has. Two pants turn fifty, one lick crumbles everything. Her hips coax you in ways gymnasts can’t even replicate, and of course, you oblige.
Soft licks, teases around her outer lips, swollen from all the anticipation and arousal; tonguing at her inner lips, just at the crux of her clit, gets her screaming in ways her deep voice would never register; and above all, she’s orgasming, squirting, losing every pretense in favor of her built up lust. 
‘Oh~fuck—’
Her fingers find purchase in your hair, and she softly pulls you in—rides your face like it was all that she ever desired: her eternal wish.
‘Ohmygod! Imcumming!’ Her voice turns mousy, and her pupils go back in pure pleasure, coupled with hip movements thought impossible: this was the greatest pleasure of her life.
You grab her chin, squeeze softly, her cheeks molding to your grasp, and you press a soft kiss right on her kiss-bruised lips. You let her taste herself on your tongue.
‘Good. Right?’
And she nods. A complete personality switch from the playfulness she displayed earlier. Delicate.
Her hands land on your boxers as she melted into your kiss. Once you felt her palm your cock, you groaned right in her ear. She starts softly, stroking. But her strokes grow more all-encompassing as you press harder into the kiss.
‘Fuck. You’re so good for me.’
She mewls back, on the gradient slide of unadulterated pleasure.
Softly, you release your shaft from the boxer. And you press your cock right on her core. Feeling the wet heat, the sticky nectar that pooled to a mindbreaking degree. 
‘It goes without saying.’
‘That I’m head over heels for you?’
You grin, ‘Well, that too, but you’re hopeless.’
‘Maybe if we weren’t so compatible.’
You grab a breast, palming it, ‘Well that, that too, goes without saying.’
She smiles, so warmly, every trace of everything else melted off her face––the sort of smile you’d never forget, and the sort of smile you’d want to wake up to… forever.
Finally, you press into her, and her wet heat envelops you, enough to make you groan, enough to make her moan like there’s no greater pleasure––because really, there’s nothing else.
Her pussy clings onto you, a wet suction that is immeasurably soft and yet, a vacuum-seal-like tightness that gets you groaning after every thrust.
Her arms cling to you, and her eyebrows knit, her small face full of emotion—all of it processing how good you fuck her.
‘Oh god. Would it be bad that I want you to declare to the world that you own me?”
‘Chapter 12—’
She cuts you off, ‘Something along the lines of: “Chapter 12: Karina is my fuckslut”’ 
‘I don’t tolerate Karina disrespect.’ You say, truthfully.
‘Even if it’s by myself?’
‘Especially for that case, sweetheart.’
‘Oh… you’re too good.’
‘You’re blind.’
Most popular idol in the world, and… she’s hopelessly down bad for you.
‘If I’m blind. Then you don’t have eyes—complete darkness.’
‘We’re two of the same.’
‘I’m your biggest fan.’
‘We’re two of the same.’
‘I love you.’
‘You have a way with words, Karina.’ You reply, pressing soft kisses along her jaw, whispering sweet nothings into her ear, thrusting into her harder, sharing breaths.
‘You’ve inspired me.’
And you lock lips with her, the thrusts were becoming a blur, and her moans music to your ears—it was all just… heaven.
There was no technique. Nothing too purposeful. It was all just pure affection, pure love guiding all your actions. And the fact that she’s cumming again was no coincidence.
‘Oh. My. Fucking. God!’ Her head goes back deep into the pillow and you follow suit. Pressing soft kisses that covered every square centimeter of her beauty, kisses that made her giggle even in her most orgasmic moment of her life. 
‘If I knew anything that felt like this… I’d be doing it constantly.’
‘Well—’
‘That’s right,’ Karina gives a soft peck, ‘I have you now.’ 
You could feel her heartbeat, her skin precipitate, and her cunt pulse—it’s just heaven at this point. 
‘Are you trying to convince me to follow you?’
‘2 years, finest in New York.’
‘Deal. Though you overbid a little.’
‘Meaning?’
‘Means anything you want, dear.’
The soft slick of her cunt made it nearly frictionless, just pure pleasure for both parties. Her hips gave way every time, an identity of its own, retreating when you thrust too hard, giving in when softer.’
‘Is this like a sugar mommy situation?’
‘Two words I never expected you to say.’ You both share a laugh.
‘I mean that’s what it is right?’
‘A power imbalance? Please. I can get you to buy a New York penthouse for me at this point.’
‘Well. You’re right. But—’
You bring your cock to the hilt inside of her, whilst stealing her lips for a deep kiss. She moans and mewls and gasps—music to your ears. You change positions. You bring her legs to your shoulders, and you begin kissing along her ankle while thrusting inside of her.
This time, you can see the full view. How her breasts bounce against the thrusts, how her slick has completely covered your entire length at this point, and how beautifully her face is framed between it all. 
Her mouth’s agape, moaning, giggling intermittently with the jokes shared through eye contact. You bite softly at her ankle then down her legs, to her calves, then releasing her legs altogether to kiss her again.
She fits perfectly against you, small and delicate but the perfect puzzle piece under you. She’s absorbent, aware of your needs, placing soft kisses along the ridges of your eyebrows, rubbing away the day’s fatigue along your jaw and temple. 
‘I love you.’
‘I love you too.’
‘I didn’t hear.’
You press against her, feeling her breasts spool against your chest, bring your thrust to the hilt, the wetness of her loins pressed against yours, all of them vividly apparent. ‘I love your beauty. I love your humor. I love how clever you are. I love how authentic you are. And I could continue on and on but I’m about to cum.’
Karina sniffled, ‘God, I was about to cry and then you say that.’ She softly smacks your shoulder, ‘just cum inside me and let’s cuddle.’
You oblige, the thrusts turn into a haze of pure pleasure, a desperate moment chasing the local maxima, and finally, you burst inside of her. Cum spooled, all inside her, and she moans so gracefully, staring at you with all the affection in the world.
‘We can worry about this tomorrow.’ She palmed your jaw.
‘Of course.’ You fall onto her, cuddling her.
Both of you are a mess, gross, bodily fluids spread everywhere, and yet, the both of you fell into a deep slumber.
A/N: I'd like to apologize for switching up styles so much (But if you enjoyed this dialogue-heavy work, then lmk!)
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teatreeoilll · 11 months ago
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𝐅𝐫𝐢𝐞𝐧𝐝𝐥𝐲 (𝐆𝐨𝐣𝐨 𝐒𝐚𝐭𝐨𝐫𝐮 𝐗 𝐑𝐞𝐚𝐝𝐞𝐫 𝐗 𝐆𝐞𝐭𝐨 𝐒𝐮𝐠𝐮𝐫𝐮)
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w/c - 1.4k content - MDNI! 18 + ! fem!reader, porn, Gojo eats you out while you sit on Geto's lap. That's it. That's the plot.
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Geto loves it when you sit in his lap. He loves it so much that sometimes he can't help himself; he puts a large arm around you first, nuzzling his face into your hair to smell its sweet scent, almost intoxicated. You draw closer to him; it's hard not to when the pads of his fingers begin to draw soothing patterns on your shoulder.
It's just a regular Tuesday night, and some average heist movie is playing idly on the television, and neither you, Geto, or Gojo - who made himself at home in your and Suguru's shared apartment with his feet crossed over on the coffee table - are paying too much mind to it.
You watch Gojo reach a pale, veiny arm into the bag of sweets. He takes out a piece of candy and unwraps it slowly, and you notice how his tongue darts out just a bit before he puts the chocolate candy in his mouth.
"Want one?" Gojo asks as he's about to take another one, and something in his small smirk when he says that makes your muscles tense.
With his hand still around you, Geto notices that - it's not the first time he spots it - he already took note of the light red flush that covers your cheeks when his best friend comes over after a workout with his shirt too tight from being drenched in sweat, or when you look just a moment too long into Gojo's blue eyes when you greet him before your eyes dart to the floor, the corners of your lips twitching up. Not that you ever do or say anything; it's all so innocent and sweet that Geto can't help but savor it, knowing his girlfriend's dirty little secret crush.
"Oh - no, thanks," you smile back at Gojo and lean further into Suguru's side, fixing your eyes on the screen.
Geto's arm around you tightens, and he reaches his other arm under your thighs to lift you up a bit and pull you on his lap. The heat spreads quickly on your cheeks, "S-Suguru," you whisper, fumbling away from his grasp, "not now." Geto knows you're not too much into public displays of affection, but the thought itches his mind, and his trousers grow uncomfortably tight.
Geto pulls you on top of him anyway, and Gojo's ever-perceptive pale-blue eyes stray away from the screen to land on your flushed face.
"Don't be shy," Geto whispers as his hand brushes the hair away from the back of your neck. His heavy breathing warms your skin, "We're all friends here, aren't we?" He raises his arm to grab you by the side of the face, turning it for your eyes to land on Gojo as he presses chaste kisses over your neck.
"S-Suguru," you whimper, feeling his stiff cock rubbing on your lower back through his trousers, "not - " but you can hardly breathe when you notice the sly smirk plastered on Gojo's lips and the way his jaw clenches each time you try to wriggle away from Suguru's touch.
"Satoru's a good friend, don't you think?" Geto urges, his hand leaving your face to brush over your thigh, raising the hem of your skirt, "I don't think you ever told him what a good friend he is, did you?"
"I don't think she did, Suguru," Gojo suddenly says, his eyes narrowing when the blush on your cheeks deepens to a crimson shade, "but I guess it's my fault," he sighs dramatically as he runs a hand through his white hair, "I don't think I ever showed her what a good friend I am. How's she supposed to know?"
Suguru chuckles, shaking your body along with him, "I guess she isn't," He runs his hand up your thigh to slide his fingers over your drenched panties, and you shudder, "But she wants you to show her. Don't you, princess?"
All you manage is a stifled mm-hmm before Gojo pushes the coffee table away, and it screeches as it reaches the middle of the living room, making space for him to kneel and settle himself between your thighs.
You gulp when you feel Gojo's hand run up your thighs, grabbing the sides of your underwear to pull them off, and you shiver at the touch of his warm hands running down along your legs together with your panties. He throws them on the floor and looks at you from beneath his long white eyelashes. The air gets trapped in your lungs.
"Come on, princess," Suguru's voice purrs in your ear as he spreads his legs, your own legs on either of his, revealing your wet cunt to Gojo's eager eyes, "Tell Satoru what a good friend he is, or he won't know."
"Y-You're a very good - " and Gojo reaches a long finger to skim along your folds, "Friend - Fuck - " you gasp.
"That's not nice," Geto chastises in your ear, his palms holding your thighs spread, and you place your hands on top of them, digging your fingers into them to steady yourself.
"It's okay, Suguru," Gojo smirks as his face draws closer to your clit, licking a teasing stripe along it, and you feel him smiling against your cunt, "She'll be nice in a minute."
Gojo's tongue begins lapping at your folds, and your thighs jolt, wanting desperately to close on his head only for Geto to hold them tighter in place, "Satoru - Fuck - " you moan, feeling Geto's cock twitch against your lower back.
"Feels good?" Geto murmurs, and you feel Gojo's two long fingers hover at your entrance before pushing in teasingly slow, his tongue still flicking at your clit.
"So sweet," Gojo pulls away from your clit, his mouth drenched in your essence as he works you open with his fingers, licking his lips clean, "If you told me she tastes so sweet, we would've done this a lot sooner."
Geto's chaste kisses on your neck turn to soft nibbles on the soft skin there as he groans every time your body twitches, letting him have a bit of delicious friction on his clothed cock, "Shit," he groans into your neck. He pulls his hand off of one of your thighs, running his fingers along your wet cunt to collect your essence before lifting them up to his mouth, licking them clean, "You are, so sweet."
Gojo's fingers pick up a ruthless pace, the pads of his fingers abusing the gummy spot inside you, "So needy," he smirks when he feels you clench around his fingers, and your vision nearly blurs when his tongue laps at your folds again, your hand darting out to grab strands of white hair to make sure he doesn't pull away again.
"Ah - Fuck - " you moan out as you writhe and squirm at the dizzying feeling of Gojo's fingers nudging your sweet spot, the heat pooling in your stomach as a Geto still holds you in place, "Shit - 'Toru - I - "
The lewd squelching noises coming from your wet cunt fill the room, and your back arches, tension coiling in your stomach as you almost instinctively turn your head to Suguru, who shakes his head. "It's okay princess," Geto's fingers grip your chin to tilt it down at Satoru, "You can look at him."
And you watch Gojo's blue eyes, desperate moans mixed with cusses escaping your lips as he looks up at you. His tongue still works hungrily on your clit, and his fingers push deeper and deeper with each erratic thrust while his free hand rubs his erection through his trousers for some relief.
The coil in your stomach snaps, and your release drenches Satoru's lips and chin as his movements finally slow down. Your nails dig into his scalp as you ride out your high on the slowing pumps of his fingers. He slides his fingers out, "'Toru - " you whimper when his tongue glides one more time against your sensitive clit.
You feel Geto's unsteady breathing at your neck as he locks eyes with Gojo, giving him a nod. Gojo rises from his knees, his face an inch away from yours, "You have one more in you, princess?" He asks but doesn't wait for an answer before pressing his slick-drenched lips against yours, sliding his tongue into your mouth as he moans at the feeling of your release rolling off his tongue onto yours, the sweet aftertaste of the candy he ate still present on his tongue.
He pulls out of the kiss, and you turn to Suguru, who eagerly pushes his tongue in your mouth, "I bet you do," Gojo teases, and you feel him between your legs again, pressing soft, wet kisses to your inner thigh.
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peachsayshi · 1 year ago
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˚₊· ͟͟͞͞➳❥ dirty diaries
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minors / ageless / blank blogs dni - gif by @sleepygetou 💓 (used with permission)
ೃ⁀➷ notes: @sleepygetou im blaming you for this quick drabble
ೃ⁀➷ tags: toji x reader; you convince toji to participate in no nut november; suggestive; mentions of groping; fluff - wc: 539
nov. 1 - 9:22 am
"hold on a second - we aren't allowed to have sex and I can't take care of myself either?!"
you smirk with amusement, scooping another spoonful of creamy ice cream from the tub. you're sitting on the kitchen counter, kicking your legs with intrigue while watching your husband place the last clean dinner dish in the cupboard.
"that's why they call it no nut novemeber," you explain, "you're supposed to be abstaining from sex and any sexual relief. oh, and you can't watch porn. that counts as part of the challenge..."
toji turns on his heel to take a step closer. he presses his body against your legs, dark eyes flickering to the spoon in your hand that you're slowly drawing it to his lips in order to feed him some of your ice cream.
he hums, "and the videos and pictures of you that I have on my phone..." he quips, both hands finding the meat of your thighs as he gives you a gentle squeeze. "does that count too?"
you tap the back of the spoon playfully against his nose, watching him scrunch it like a little kitten in response. "yes, they count..." you lecture, despite your cheeks growing unnervingly hot.
"can I still touch you?"
"you can but...like I said, it can't lead to us having sex or any sexual relief. these same rules will apply to me as well-"
"fuck that," toji scoffs, moving his hands further up until they are resting against your hips.
you stick the spoon back into the ice cream, keeping it place as you use your free hand to trail your finger along his jaw. "why not? you think you're going to lose that easily?"
he pouts; the front of his brows pinching together in annoyance.
if there is one thing about your husband that you know for certain, it's that he won't walk away from a challenge.
"what about kissing?" he grumbles, his cheeks turning pink. "because I'm not starting my day without my good morning kiss..."
you giggle, placing the tub absentmindedly by your side so you can wrap your arms around his neck. "kissing is fine," you sweetly assure him, and follow up by placing a gentle peck on his slightly blushing cheek.
he considers it for a minute before huffing in defeat. "alright, I'll guess give it a go..."
you can't stop smiling over the fact that he looks like a child who just had his favorite toy taken away from him and the expression is far too adorable for you to even handle.
"it'll be an interesting challenge," you prompt, already making bets that the man wouldn't last a week. "I promise I won't push your buttons..."
toji arches his brow, picking up on your playfully condescending tone. the hands against your hips snake their way up underneath his old tee that you're wearing, gliding carefully up along your soft tummy. he holds your gaze, can feel the change in your breath underneath his palms. "looks like we're both in it to win it," he murmurs, the scar at the corner of his uplifting into a sinister grin. he cups your breasts in his hands as he grazes over the buds of your nipples delicately. "I promise I'll be on my best behavior as well then, sweetheart. let's see which one of us caves first."
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