#great yokai war

[graphicpolicy]

Preview: The Great Yokai War: Guardians Vol. 3

The Great Yokai War: Guardians Vol. 3 preview. Kei and his friends return from the realm of monsters to the human world, re-joining with the Yokai Corps! #comics #manga

[lensflarenz]

Ryuunosuke Kamiki recently celebrated his 30th year. So here are some cosplay pics from that movie where he first had a leading role.

[astoundingbeyondbelief]

Kaiju Week in Review (May 28-June 3, 2023)

Yukiko Takayama passed away on June 1. She was the screenwriter of Terror of Mechagodzilla, which closed out the Showa Godzilla series in 1975. Given no instructions from Toho besides "bring back Mechagodzilla," she turned in a surprisingly dark work centered around a peaceful dinosaur transformed into a weapon of war and a cyborg girl struggling to hold on to her humanity. She's also one of only two women to receive a writing credit on a Godzilla film, after Kazue Kibo (Son of Godzilla). She brought back both Titanosaurus and Katsura for the 2016 novella 2075: Meister Titano’s Counterattack, which you can read on Toho Kingdom. Rest in peace.

Skull Island co-showrunner and writer Brian Duffield took to Twitter to answer questions about the show, always a difficult tightrope to walk before your show's actually been released. What we learned: the show is set in the early 90s (so well after Kong: Skull Island but just a little before Skull Island: The Birth of Kong... love these distinct titles). Don't expect any returning characters. Season 1 will be 8 episodes long, and while Season 2 seems to be at least partially written, it's not guaranteed to happen.

More Monsterverse characters have joined Godzilla Battle Line: Mothra and King Ghidorah from Godzilla: King of the Monsters. Poor Rodan got snubbed; there's even a space in the artwork for him. Maybe next update. Mothra looks to be a beast, shielding nearby allies from stun effects when you summon her, slowing down enemies with long-range silk, and boosting her player's energy upon death. King Ghidorah is strong, naturally, but probably too costly.

SRS Cinema continues its hot streak by licensing Kadokawa's 2021 blockbuster The Great Yokai War: Guardians. The film bombed spectacularly, which I can't say I fault Japanese audiences for, but it's still a huge get for such a small company. As usual, the Blu-ray release will come first, with a more widely available DVD to follow. No VHS gimmick for this or The Whale God though; guess Kadokawa wasn't a fan.

I continue to be staggered by how many Movie Monster Series figures Bandai is cranking out: here's Mothra from Godzilla vs. Mothra and Larugeus, Kaigel, and Mammoth Flower from Shin Ultraman. For the sake of sculpt quality, maybe they should slow down; the bird looks traumatized and the plant looks like it's rising out of a dung pile.

[kinasin]

The Great Yokai War, 2005

[nightheartcomics]

AKIRA (1985) by Katsuhiro Otomo

THE GREAT YOKAI WAR (2005) directed by Takashi Miike

[thenewnio]

The Mundane... The Magic... The Monsters...

Nicky: AAAAAAAAAHHHHHH!!!!!

Something dire has awoken...

[Leviathan roars]

Meslamtaea: At this rate, the whole of the Earth will...

[Map breaks]

Rake: Heck no!

The world's only hope lies in the hands of a reincarnated warrior princess...

Yeren: What do you say, kid? Are you up to it?

Nicky: Yeeeeeee- Nope!

Fiskerton: Say what?!

[A wild new adventure for the fans by the fans]

Nicky: AAAHHH!!

Harpy: She's just a child!

Yowie: DO YOU UNDERSTAND?!?!?!

Nicky: Uh... Yeah...?

Yeren: Frozen with fright, are you?

Nicky: I'm not scared at all!!!

Will Nicky save the world from the dreaded Leviathan?

[Featuring all your favorite monsters]

Momo the Ubume: We're at war, I tell ya! AAAAHHH!

Guest starring The Secret Saturdays!

Zak: Hold on!

Nicky/Fiskerton: AAAAAAAAAHHHH!!!

A monster epic unlike any ever known or shown!

Harpy: Will you fight for the Earth?

Jersey Devil: I've been waiting for an opportunity like this!

Kappa: This is it, everybody! Brace yourselves!

CryptozooWars

Yowie: CHARGE!!! ...Ah.

[Leviathan roars]

Yowie: RUUUUN!!!

Nicky: Really?

Premiering Halloween 2024 Commercial-Free on Cartoon Network

[ljaesch]

Titan Comics to Publish the Witch of Thistle Castle, The Great Yokai War: Guardians, and Alpi the Soul Sender Manga in English

Penguin Random House is listing the following manga for release in English from Titan Comics: Title: Witch of Thistle Castle Creator: John Tarachine Release date: September 5, 2023 Summary: Spirits and magic are everywhere in the streets of Edinburgh – if only you dare to see it. Dive into this heartfelt manga about a witch and her apprentice as they try to find their place in a world that hates…

[m1nd-r0t]

8551 Daitarabotchi … named after the Japanese Yokai colossal giant.

The asteroid represents the essence of massive, awe-inspiring, and ambivalent power—both creative and destructive—drawing from the Japanese folklore of a giant who shaped the landscape of Japan. Daitarabotchi symbolizes monumental, overwhelming forces beyond ordinary human comprehension, embodying traits of divine wisdom, uncontrollable might, and the simultaneous potential for harmony and chaos.

Traits, themes, characteristics;

The native has a “colossal” power/presence.. The overwhelming size and strength of Daitarabotchi define its mythos. It creates mountains and lakes effortlessly, representing forces capable of massive, lasting impact on the physical or metaphysical world.

Themes of creation and destruction (As a being who sculpts landscapes, Daitarabotchi bridges the duality of creation and ruin. Mountains rise, valleys sink, and entire ecosystems form or vanish at its touch.) The Daitarabotchi is a descendant of the God or Creation.. powerful, almost divine energies are at play here.

Traits of defiance and AWE.. The stories of humans trying to outwit or appease Daitarabotchi reveal its role as a symbol of the human struggle against overwhelming natural or cosmic forces. The rituals to drive it away reflect fear of what cannot be controlled or understood. These people also have the potential to leave an enormous footprint behind (metaphorically, obviously.)

—————

A prominent Daitarabotchi (conj, square, opposite. Etc.) can signify a native with an immense impact, a transformative presence, or a connection to monumental change. This asteroid speaks to themes of vast ambition, divine creativity, raw destructive energy, and encounters with overwhelming odds, etc.

Keywords include, but are not limited to; monumental creation and destruction, great passion, overwhelming strength and presence, enormity, a terrifying, yet awe-inspiring force, shaper of environments and destiny, duality of benevolence and hostility, colossal hunger for power, influence, and resources, ancient wisdom and primal instincts, impactful legacy and eternal footprints, fearsome defiance and unstoppable will.

——————

THROUGH THE SIGNS

Daitarabotchi in ARIES

Daitarabotchi in Aries represents the raw, explosive force of colossal energy infused with the fiery, pioneering, and impulsive nature of Aries. It is an embodiment of overwhelming power, relentless determination, and a drive to leave a permanent mark on the world. In someone’s life, this placement manifests as an uncontainable urge to conquer, create, and dominate, often in ways that feel monumental or larger-than-life to others. Aries thrives on action and initiation. With Daitarabotchi here, the individual becomes a figurative giant in their world, capable of reshaping their surroundings through forceful decisions and bold actions. They approach life with the mindset of a conqueror, needing to carve out their place by sheer willpower. This may play out through audacious career moves, dramatic personal transformations, or relentless pursuit of goals that others consider unattainable.

This placement speaks to ambitions that are not just big—they’re overwhelming. The person feels the need to act on a grand scale, often pursuing projects or goals that seem too large or daunting for others. They may build empires (literally or figuratively), striving for achievements that cement their legacy.

Aries is ruled by Mars, the planet of war and action. The combination with Daitarabotchi can make the individual incredibly assertive, even aggressive. They’re not afraid to fight for what they want, and they’ll often confront obstacles head-on, regardless of the consequences. However, the impulsive nature of Aries means their actions may sometimes lead to unintended destruction.

Like the mythological giant shaping the terrain, these individuals often influence or reshape the lives of those around them. Whether through leadership, confrontation, or inspiration, they become a towering figure in their community, profession, or personal relationships.

Daitarabotchi in Aries embodies the idea of clearing the old to make way for the new. In someone’s life, this can manifest as cycles of destruction and rebirth—burning bridges, leaving past situations behind and starting anew. These individuals often feel “bigger” than the world around them. They may struggle to find places where they can fully express their energy, leading them to seek environments where their larger-than-life personality is not just tolerated but celebrated.

Keywords; Monumental power. Pioneering spirit. Creation through destruction. Towering presence. Raw aggression. Unstoppable force. Chaotic energy. Passion. Monumental influence. Etc…

Daitarabotchi in TAURUS

Daitarabotchi in Taurus embodies a titanic force grounded in the physical and material world. It fuses the massive, terrain-shaping energy of the mythological giant with the steady, patient, and determined nature of Taurus. Daitarabotchi in Taurus reflects immense creative and destructive power toward building, stabilizing, and accumulating resources, wealth, or influence.

Taurus is the sign of persistence, with Daitarabotchi here, the native feels compelled to build something monumental that will withstand the test of time. Could manifest as constructing a literal empire, amassing wealth, or creating a powerful legacy rooted in actual tangible physical achievements. Approaching life like a mountain. I.e: immovable, enduring, and deeply rooted in their purpose.

Taurus ruling material possessions and earthly pleasures, having Daitarabotchi here magnifies exceedingly. Native may be deeply driven by the need to acquire wealth, land, or resources to secure stability and power. Or, they may feel overwhelmed by the weight of material responsibilities or a fear of scarcity, leading to an insatiable desire to stockpile and persevere.

Unlike the explosive, impulsive Aries, Taurus tames the great Daitarabotchi with patience and deliberation. This placement represents slow, but unstoppable growth. Said natives do not rush into action; instead, they cultivate their goals methodically, ensuring that every step builds on a solid foundation.

An absolute inability to quit. A cosmic-level ability of determination and resilience. Natives possess incredible endurance and will push through even the most insurmountable obstacles. Beware of this determination leading to stagnation and resistance to needed change.

Keywords; monumental stability, titanic patience, material mastery, earth shaker, immovable determination, sensual monolith, weight of responsibility, enduring legacy, constructive destruction, cosmic builder, luxury overdrive, enormous resourcefulness.

Daitarabotchi in GEMINI

Daitarabotchi in Gemini manifests as an immense, transformative force operating within the realms of communication, intellect, and duality. This placement symbolizes someone whose mental faculties and verbal expression are colossal, far-reaching, and capable of shaping the minds and environments of others. Just as the legendary giant Daidarabotchi left lasting marks on the landscape, this placement ensures that the individual leaves an indelible intellectual or social imprint on the world around them.

The mental titan

A mind that operates on an enormous scale, constantly seeking to gather, connect, and disseminate information. Their thoughts and ideas seem larger than life, often overwhelming to others. Reflecting Gemini’s duality, they can seamlessly adapt to different roles, shifting between conflicting identities or viewpoints with ease, much like the Daidarabotchi’s ability to change shape. Their ability to connect people, ideas, and information creates vast webs of influence that reshape their social and intellectual environments.

Endlessly curious and always moving, they find it difficult to remain in one place—physically, mentally, or emotionally—leaving behind profound changes wherever they go. Communication becomes a superpower. They can uplift, inspire, or utterly destroy through their words and ideas, wielding language with the force of a giant’s footsteps. While they may exhibit lightheartedness and wit, their humor and curiosity mask an intimidating depth of intellect and ambition.

Totally unparalleled communication

A masterful ability to express even the most complex concepts in a way that others understand. They can be persuasive, entertaining, and magnetic when speaking or writing. They thrive in environments that require quick thinking, adaptability, and creativity. These natives are able to bring together disparate ideas, people, or disciplines, they can create innovative solutions that others would never imagine. Their charisma and intellectual prowess make them natural leaders in social or academic circles. Their ability to manipulate and dominate conversations or social environments can intimidate others or create alienation.

They often become experts in their chosen fields, but their expertise spans multiple disciplines. They could be polymaths, inventors, or prolific writers. This placement can translate to mental mastery. Known for their speech or writing, they might publish groundbreaking works, deliver unforgettable speeches, or revolutionize how ideas are communicated. Much like Daidarabotchi’s footprints became lakes, their words and actions create lasting ripples in the collective psyche or societal structure.

Keywords; intellectual colossus, shape-shifting communicator, enormous curiosity, monumental ideas, hyper passionate communication, words that CUT.. DEEP.. social architect, mental chaos, cerebral dominance, etc..

Daitarabotchi in CANCER

Daitarabotchi in Cancer wields emotion like a giant reshaping the earth, capable of creating serene lakes of love and support or unleashing tsunamis of destructive force. This placement ensures that their emotional impact will resonate far beyond the bounds of their personal life, shaping not just individuals but entire emotional landscapes. Daitarabotchi in Cancer signifies a monumental presence in the realms of emotion, nurturing, and protection. This placement embodies the vast, almost primordial depths of feeling and connection, a cosmic interplay between the maternal and the monstrous. With Cancer’s lunar influence amplifying Daitarabotchi’s already overwhelming scale, this person operates as an emotional and protective giant, reshaping their inner and outer worlds through profound instincts and tidal waves of sentiment.

General themes

Their feelings are titanic, capable of carving landscapes within relationships, family, and community. They feel not just for themselves but for the world, channeling ancient, universal emotional currents. Like a divine protector, they are fiercely nurturing, defending those they love with an intensity that can be both awe-inspiring and fearsome. Their emotional care feels larger-than-life, but so too can their protective anger. Their intuition operates on a massive scale, sensing shifts in the emotional atmosphere like tectonic movements, often acting on these instincts with an unstoppable force.

These natives create and destroy emotional foundations, reshaping personal and family dynamics with their colossal influence. This can feel comforting or overwhelming to others. Their internal world is vast, complex, and oceanic, reflecting both the nurturing calm of a tranquil sea and the overwhelming power of tsunamis.

Unstoppable Nurturing Power: Their ability to support, heal, and care for others is profound. They often act as the emotional anchor for their family or community. They can access emotional depths that others barely understand, offering profound insights into the human condition. Just as Daidarabotchi’s footprints became lakes, their emotional contributions leave a lasting mark on the people and places they love.

Overwhelming Sensitivity: Their emotional currents can be so intense that they drown in their own feelings, struggling to find emotional balance. Their colossal feelings may lead to dramatic responses, creating chaos in situations that require calm. Their emotional depth may alienate them from those who cannot comprehend or match their intensity.

Emotionally Transformative Presence: Wherever they go, they profoundly influence the emotional atmosphere, reshaping how others feel and interact. They are drawn to roles or causes where they can shield and nurture, whether as caregivers, activists, or healers. Their relationships feel vast, intricate, and enduring, often resembling entire ecosystems of shared emotion and history. Their personal stories and emotional legacy often become larger-than-life narratives, influencing those around them for generations.

Keywords; emotional titan, cosmic nurturer, nurturing force, oceanic depths of feeling, cyclical emotional energy, overwhelming care, emotional anchor, creator of emotional ecosystems, etc

Daitarabotchi in LEO

Daitarabotchi in Leo is a towering figure of creativity and leadership, reshaping the world through their radiant presence and dramatic flair. Their life is a stage, their impact a legacy, and their heart a sun that burns with unrelenting passion. This placement ensures that they will never simply exist—they will leave an indelible mark on the landscape of life. Daitarabotchi in Leo represents a massive, awe-inspiring presence in the realms of self-expression, leadership, and creative power. This placement combines Leo’s solar brilliance and dramatic flair with the colossal, earth-shaping nature of Daitarabotchi, creating someone whose personality, creativity, and charisma radiate with overwhelming force. These individuals are natural-born leaders, performers, or creators, reshaping their environment with the intensity of their presence and vision.

General themes

Colossal ego & creativity; Their sense of self and creative drive are larger than life. They often see themselves as central figures, not out of arrogance, but because their presence naturally commands attention. They shine like a sun, exuding dramatic flair and the ability to captivate an audience, whether onstage or in daily life. Their energy is regal and dominating, like a giant who reshapes the world with their vision and passion. They possess an unshakable belief in their uniqueness and abilities, often inspiring or intimidating others with their sheer self-assuredness.

Transformational leadership & authority; Their leadership style is both grand and impactful, often changing the lives of those they guide or influence. They approach life with courage and passion, driven by an intense connection to what they love and care about.

They radiate warmth, confidence, and charisma, drawing others to them like moths to a flame. They effortlessly draw others into their orbit, using their charm and brilliance to influence or inspire. They are deeply driven to leave a lasting legacy, whether through their creations, leadership, or relationships. Their creative talents and self-expression are expansive, capable of reshaping cultural, social, or artistic landscapes.

Potential for an overbearing ego. Their confidence and sense of importance can tip into arrogance or a need to dominate. They may struggle with insecurity if their efforts go unnoticed, becoming overly reliant on external validation. They may demand to be the center of attention or insist on being in control, alienating others in the process. Their immense pride can make it difficult for them to admit mistakes or accept criticism.

Keywords; titanic & massive charisma, enormous self-expression, regal presence, monumental creativity, overwhelming pride, radiant self-belief, grand legacies, royalty, visionary builder, courageous creator and destroyer.

Daitarabotchi in VIRGO

Daitarabotchi in Virgo merges the boundless might of the cosmos with the small, exacting details of life. These individuals are humble yet powerful, unassuming yet transformative, capable of shaping the world through their unmatched dedication to perfection and service. Their lives are a testament to the beauty and impact of diligence, showing that even the tiniest details can create monumental change. Daitarabotchi in Virgo manifests as a monumental force focused on precision, service, and refinement. This placement merges Virgo’s analytical mind and meticulous nature with Daitarabotchi’s massive, terrain-shaping energy, creating individuals who see no task as too small and no detail as insignificant in their pursuit of excellence. Their lives are defined by a profound commitment to structure, order, and purpose, reshaping their world through acts of diligent service, relentless improvement, and transformative problem-solving.

General themes

These individuals amplify Virgo’s natural inclination toward precision, making their work and efforts feel immense in scope yet intricately refined. They have an overwhelming need to improve, heal, or optimize, tackling problems others would find too complex or overwhelming. They approach their goals with rigorous focus and organization, excelling in environments that demand careful analysis and execution. The natives have an a relentless desire to perfect themselves and their work. Endless self-improvement. Their work ethic borders on obsessive, driving them to extraordinary levels of achievement.

A massive analyst, their capacity for analysis and critical thinking is monumental, allowing them address problems others may overlook or dismiss. These natives are also incredibly intelligent, much their Gemini counterpart. They can also create very long lasting frameworks - be it in relationships, projects, their work, etc - that withstand and endure due to their painstaking attention to detail.

These people can also be overwhelming perfectionists. Their genuine obsession with getting everything so precise can lead to stress, burnout, and paralysis in the face of imperfection. Their attention to detail may become excessive and lead to them to also become exceedingly and over the top nitpicky. Also a capacity to become super critical over themselves and others. Extremely judgmental people.

On the plus side though these natives can be incredibly planners and have quite exceptional organizational skills. They can be very precise and have quite the impressive work ethic. Their work ethic and discipline can be absolutely indefatigable.

Keywords; monumental precision, colossal refinement, healing power, systematic mastery, tireless, indefatigable, relentless discipline, obsessive improvement.

This is my first post with this much detail and that’s this organized.. if it does well, I’ll release part 2, containing Daitarabotchi in Libra-Pisces…

[cupcakeslushie]

Alrighty, you’ve all been asking for it and here it is. I hope this timeline of what’s basically the first two seasons, makes following the comic easier. Which speaking of—obviously there will be spoilers for the future of the comic, so if you want to continue on reading that with blinders I would just ignore this completely or you could only read up to the prologue end where what’s been released catches up. And obviously the “filler episodes” might not make it into the comic—I’ll probably just get by on those being simple one shots or something, but I wanted to include all my thoughts.

This is really mostly for the ppl who want all that lore now. Or the ones who don’t want to go through a thousand pages of unorganized text posts 😜

Big Freaking Timeline for Empyrean Weeping Separated AU

Pre-Prologue

Many Generations ago…

The Leader of the Foot Clan [name lost to time] made a deal with an oni for power and was sealed inside his own armor. He turned his clan to the ways of murdering innocents and pillaging villages to spread their control. He quickly gained the name the Shredder. Hamato Karai, daughter to the Shredder, created her own clan to fight them. After many years of the two clans warring, Karai was able to banish the oni, killing her father. The power behind the armor was destroyed, leaving it as basically nothing more than ornamentation for each new leader of the Foot to inherit.

Karai sealed the demon in the twilight realm, but was killed by the demon’s final blow.

Many years later….

Hamato Yoshi and Oroku Saki are born into the still warring clans. Hamato Sho, grandfather to Yoshi, struck down Saki’s parents in revenge for them killing his daughter, Atsuko. He then took their infant son Saki and raised him alongside Yoshi, telling the two they were brothers, hoping that one day this would lead to a path of uniting the two clans.

Yoshi and Saki grew up together, trained in the art of ninjutsu, but Yoshi left to become an actor. Saki found out the truth of his parentage, and he embraced the Foot clan’s bloody path. He swore revenge on Yoshi and the entire Hamato clan.

Yoshi meets Big Mama on the set of Crouching Shrimp Hidden Tiger Prawn and the two date for a few years but break up.

Yoshi ran into his old childhood friend Tang Shen and the two began a romance, got married, and had a baby girl—they named her Karai after Yoshi’s great ancestor.

Big Mama kidnapped Yoshi from his wife and daughter, and kept him trapped in the Battle Nexus as her champion. Saki, not realizing Yoshi was gone, attacked Teng Shen, but found Karai in the fire and took her.

For five years (I know the creators said ten but idk that’s just way too long imo) Yoshi fought in Big Mama’s Nexus, until taken by Draxum.

Yoshi broke out during Draxum’s experiment and grabbed the four turtles he saw. As he’s escaping he dropped the soft-shell, but thanks to the fire and debris, was blocked from doubling back to rescue it, forced to leave it behind.

Draxum was left with a destroyed lab and only two of his five test subjects; Three—the male soft shell turtle, and Five—the female box shell turtle. Five was much too weak to live on her own, so Draxum was forced to keep her in a coma, confined to a healing vat. He worked on rebuilding his destroyed lab, and raised Three with the intention of training him to be a great warrior in the fight to save the yokai. As Three grew, Draxum was already impressed by the intelligence he saw from Three, but was not too pleased with the lack of interest Three showed for combat training. Still Draxum would work with what he had, and if nothing else, having access to Three’s blood meant at least he wasn’t starting from scratch. The boy was smart, and helpful in the lab. For eight years Draxum trained Three and helped nurture his mind. Draxum even found a way to get wider access to Empyrean, and was really able to continue his work, but the effects of working with the Empyrean….

Prologue beginning

Under the Cut

Five years after Splinter saved the turtles he could (Raph:7, Leo:6, Mikey:5). He brings them topside, having no choice but to do a food run with them all—unfortunately the Foot finds them, and Leo and Mikey get captured.

On the way, Leo is able to injure the nin holding him and Mikey enough that he drops Mikey. Leo ordered Mikey to run, while he struggled to keep the Foot Soldier from recapturing him.

Mikey left Leo behind and ran to hide in the alleyway behind Big Mama’s hotel, where he’s later found and taken in by the spider yokai, who finds Michael adorable and interesting enough to hold her attention for now.

Leo is taken before the Shredder, and Saki decides to raise Leo instead of killing him. He trained Leo to be Karai’s(10) bodyguard and demanded Kitsune use her mystic spells to bend Leo’s memories and mind so he became the perfect soldier.

One Year After Separation

Raph(8) meet April(9) and the two became best friends. Splinter begins training them both in ninjutsu so they can protect themselves from any surprise Foot Clan attacks.

Two Years After Separation

Three(8) developed an idea for a drill that Draxum took and employed to begin a secret way of mining empyrean without drawing the attention of the Hidden City Police. As the years passed, his experiments on Three became more and more depraved. The stress and torture caused a lot of strain on Three’s mind.

Three continued his work on Five’s body, convinced he can create something that will allow her to live outside her tank.

Overseas Saki ran the Japanese branch of the Foot, and ordered the destruction of a hidden yokai village. Usagi Miyamoto(9) is taken hostage and begins lessons with Leo(8) and Karai(12).

Four Years Post Separation

Saki returned (with his odd gaggle of child soldiers) to lead the US branch of the Foot Clan.

Five Years Post Separation—(ONE YEAR BEFORE SEASON ONE)

Usagi(14) finally escaped the Foot Clan

Big Mama grew bored of raising Michael(12) and threw him into her Battle Nexus. (First Actual page of the comic)

Big Mama and Draxum cut a secret deal, once he learned she has his Fourth subject. He offered Five to Big Mama as a go-between on the grounds that she will report Four’s status in the Nexus back to Draxum, but in the interim Big Mama may use her however she desires.

Three(13) began making shock collars for Big Mama with the demand that they will never be used on his brother, and that he got to see the weekly footage of Four’s Nexus fights.

Draxum met with the Foot clan and began providing Saki with empyrean in exchange for weapons. He saw Two(13) there, under the Shredder’s command. Draxum brings Three with him from then on, to gauge just how deep Two’s loyalty to the Foot Clan ran.

In that year of dealing with Saki, Three talked excessively to Leo any chance he got in the maybe four or five times they met, but was not provided with much of a response.

Usagi, with nowhere else to go, signed up for a few fights in Big Mama’s Nexus. He meets Mikey. Out of all the jerk contenders, the two actually like each other well enough. They’re as friendly as two people that may someday fight to the death would be.

After frequently running into each other, April(15) and Raph(14) got Casey(15) to give up her role as a Foot recruit and join their side. She gets the idea to become a double agent, and is now always sneaking out to meet them and be, in her own words, “a badass vigilant”.

After a few months fighting in the Nexus Usagi left and spent a few weeks on the streets before sneaking into Run of the Mill Pizza and getting caught by Hueso. The skeleton offered a safe place for Usagi to stay.

One night while patrolling, just the two of them, April(16) and Raph(15) see Mayhem get taken and April chased after just before the portal closed. Raph went to Splinter for help and the two headed off to the Hidden City. Before they can make it to Draxum’s lab, they spot Mikey(13), fighting in the Nexus, on one of the massive view screens.

After recovering April who’s basically saved herself and Mayhem without Draxum being any the wiser. Raph and Splinter brought her back home and then quickly returned to the HC and requested an audience with Big Mama.

Splinter dropped to his knees and begged to make a deal. He would fight Big Mama’s current champion if he could have his son back. Raph cut in that he would be the one to fight, and Big Mama accepted.

Raph fought a host of contenders before Big Mama revealed that he would face off against Mikey, who didn’t seem to recognize his big brother or father. Raph managed to grab Mikey in a bear-hold and got him to listen long enough for Mikey to remember the night they were separated. He and Raph and Splinter cried and hugged and Mikey confronted Big Mama to announce that he would be leaving with his family and that he would not fight for her any more.

Big Mama remained stoic and cold, taking the news rather well, until alone in her office. In a fit of rage she screamed and even threw a few glasses at the wall before she called for Five, who she had named Venus(13).

Big Mama gave Venus the footage for the previous week of Mikey’s fights. Along with the news that it would be the end of her and Three’s deal since Mikey was now gone.

Venus returned to Draxum’s lab and ran immediately into Three(14). Three, upset by the news that he would not be getting the most recent footage Big Mama had, and that their deal was ending, became upset and his yelling drew the attention of Draxum.

Draxum locked him up for a week before he allowed Venus to release her brother. Finally Venus sat Three down and began to tell him that Mikey is now with One and Lou Jitsu.

Quick Cut—Shredder has noticed that Kitsune’s magic on Leo’s(14) mind seems weaker, and demands more exposure to the empyrean. With a demon under his control, and Karai as the perfect successor, the Foot Clan will be unstoppable, and he will finally have the ultimate revenge on Hamato Yoshi.

Mikey returns to the lair with Raph and Splinter where he meets April. He’s shy, but content. Later, when in bed Mikey’s thoughts do wander to worries that his family may one day grow bored of him, just like Big Mama did. Mikey falls into an uneasy sleep.

SEASON ONE

Leo day after day as Second in Command of the Foot Clan finds his mind harder to focus lately. Something about the two turtles he keeps running into on missions plus the odd, manic one that always accompanies Draxum during his deals with Master Shredder. They seem to scratch an itch in Leo’s brain that just won’t go away.

Leo runs into Raph and Mikey and April long enough for them to finally try to talk, but . But Tigerclaw interrupts and takes Leo away when he refuses to fight his brothers.

Later when Leo is kneeling before Saki, Leo finds his Master isn’t pleased that he failed to kill their enemies when he had the perfect opportunity. Saki punishes Leo far more severely than he has in years. Casey, who knows Leo is in danger, fetches Usagi from his job at Run of the Mill, and Mikey meets them in the alley with the idea to go to Big Mama for the fastest route to Saki’s private compound and save Leo just in time.

Leo spends the next few months recovering and reluctantly staying in the lair, smart enough to know that returning to his Master would be a death sentence. Eventually his memories that were tampered with start to slowly return and he feels deeply the need to protect Mikey. Unfortunately his hatred for Splinter doesn’t seem to be dissipating and he spends a lot of time butting heads with Raph. He sees April’s skill and is impressed. He ignores Casey and refuses to see her as anything but a traitor.

Eventually his family grows comfortable enough to let him have more freedom, and Leo begins to join them on patrol.

While out one night, Leo cuts down a whole squad of Foot ninja when Mikey gets badly hurt. Raph is pretty shaken up and Splinter bans Leo from patrolling with the team, until he can learn to use less lethal methods.

One day, Splinter brings Leo into the dojo and shows his son the old shrine that was made for him and Mikey.

Splinter then shows Leo the weapons hung next to the shrine.

(Excerpt from notes app lol)

Splinter looked at the wall as he spoke. “Raphael and Michelangelo have already chosen their own. I always planned to gift these to you boys. Seeing how effortlessly you used to copy me when I practiced myself. I’d be honored for you to carry a piece of the Hamato clan with you.”

Leo mirrored Splinter’s gaze and stared straight ahead, not knowing how to feel about that bit of information. Regardless he found it easy to keep his tone detached.

“Shredder had me master a number of weapons. But I’ve always been best with my katana.”

Splinter chuckles with a fondly, sad smile. “Hm, yes. You were always most eager to swing around anything you could when you boys played. And would pretend to stab Raphael in the gut whenever he offered to play the role of the big scary dragon.”

Stoicism was now perhaps a bit harder. Still Leo would not allow himself to show any weakness over something so trivial as a tale he didn’t even remember.

“It would be foolish to trust your enemy with such a deadly weapon.”

Finally Splinter took his eyes off the wall and faced Leo. The terrapin refused to return the courtesy, but Splinter wasn’t deterred by the cold shoulder.

“You are not an enemy. You are my son.” Leo was slightly shocked at how easily Splinter claimed him. The rat spoke as surely as if he was simply reading facts from one of those dusty old scrolls he had tried to get Leo to read. A (poor) early attempt to reintroduce Leo to the great and honorable Hamato Clan. Perhaps his father had hoped it would be one possible way to cut through all the lies that Saki had spent years filling his son’s head with. Leo had not gotten very far into the literature before tossing it aside in frustration.

The rat continued on, still not once wavering. “The katana has always been a weapon of honor. I trust you to use them well, in the service of protecting this city and your brothers.”

Leo grew pensive—it was like viewing a weapon he’s cast his eyes on a million times in a new light. It had been a few years since Leo had heard something rather similar.

Only one other person in Leo’s entire life had spoken to him of honor in regards to the blade.

The slider tried not to think of the boy he hadn’t even seen in years. Now that he’s not so far under Saki spell, Leo could recognize the lump of coal that sat heavy in his stomach as guilt. Just the small reminder of the rabbit set it immediately ablaze.

Leo’s not sure why only now the idea of honor moved something in him, but since first waking up in the lair, and the months he’s spent with his actual, true family. The slider had found his thoughts more open to wandering and engaging with ideas that he would’ve never entertained while under Master Shredder.

Splinter continued quickly, seeing some kind of headway in the more and more open look that grew on Leo’s face. “These have been in our family for generations. And even though you boys were apart, It seems fate of some kind has paired you to each of these.”

He paused just a moment to chuckle sadly as if a stray thought suddenly occurred, “I do wonder, with you choosing the Katana. That just leaves the Bō. I’m curious how your brother Donatello would have wielded it. A simple weapon but in the right hands it can be most versatile.”

“Donatello?” Leo searched the bits of stray memories that had returned to him these last few months, but in none of them, he recalled seeing a third brother. Splinter’s words had him beyond confused, and a little worried that he had even more lost memories to regain.

Splinter looked embarrassed over the clear confusion his rambling had caused to suddenly shatter the previous air.

“Ah….yes. Forgive me. I did not wish to overwhelm you when you first arrived, but I suppose now you are ready to hear about how you were created. How Draxum—“

“Draxum?!”

Season One Midpoint

Draxum decides to finally hold another meeting with Shredder after a few months. Three now finds out that Two has ran away after failing in a mission. When he returns to his lab, Three activates the tracker he secretly placed on Two and is beyond shocked to see him in the company of One and Four.

Three suffers a serious break when he sees them with April, and thinks he’s been replaced by a human. As the final straw shatters his control, Three attacks them all in an attempt to get answers and find out why they all seemed so happy together while he was left alone. After an intense fight, Raph manages to grab Three and Leo knocks him out, so they can take him back to the lair.

Donnie spends the next few months getting used to living with his family.

Raph and Leo continue to get into frequent arguments. Leo’s anger only seems to be getting worse. Mikey tries to keep the peace and does his best to keep the lair running smoothly. Leo takes his anger out on Mikey and immediately feels bad.

Tide Pod bros themed episode. Leo apologizes to Mikey for yelling at him. They bond while doing something silly.

April and Casey start dating. Hypno and Warren episode (plot tbd but they keep interrupting the girls’ first date)

Donnie starts constructing his lab and finally seems like he’s developing a stronger relationship with Leo. The two come up with the whole ‘twin’ idea and agree to share a birthday.

Mikey and Raph have a fun bonding episode (Maybe either Meat Sweats or Stockboy)

Venus runs into the family while out on a mission for Big Mama. Donnie tries to talk with her but she remains silent and shows no mercy in attacking him. Later Donnie explains who she is to the fam and the brothers promise him they’ll find a way to bring her home.

April, Raph, Donnie run into the Purple Dragons while incognito at a tech store that Donnie really wanted to go to. Donnie is beyond impressed by them, but Raph is wary. April warns the boys the Purple Dragons are trouble. But Donnie doesn’t listen, and fights with April then to spite her, asks to join their group. They let him in after he shows off his tech and eventually Donnie discovers that April was right. She helps Donnie take back his tech that was stolen, but the Dragons get away. Donnie apologizes for the way he’s treated April since joining the family and the two gain a better understanding.

Leo and Raph argue one night and it’s so bad that Leo takes off. While out he gets recaptured by the Foot and Saki holds him for weeks at his secret compound. Leo sees visions of his long dead ancestor Karai who tries to help him through the constant torture, but thanks to Saki merging Kitsune’s magic with the empyrean, Leo’s mind is falling further than ever under the Shredder’s control.

Season One Finale

When the family finds Leo, he is trapped in a new type of mystic armor and doesn’t even seem to recognize them, viciously attacking them. He takes out everyone but Raph, and when he goes after his oldest brother, he almost manages to take him out as well, but Karai comes to Raph in a vision and helps walk Raph through the ancient ritual she created to banish the empyrean from Leo’s mind. Now free the two then take on Shredder, before grabbing their family and retreating. Family also learns about Karai being Splinter’s daughter.

Season Two

Twins’ Birthday episode for season premiere! Home once again, Leo finds he’s much calmer, only growing angry for shorter and less frequent bouts. And now that the family knows what’s causing it, they can work on controlling it. Donatello informs Leo that he and Draxum were the ones responsible for providing the Shredder with the empyrean, but Leo doesn’t care and tells Donnie not to worry about it. They enjoy their first real birthday with the whole family.

Another run in with Venus while Donnie is out with Mikey. This time Donnie tries his best to explain that he never wanted to leave her behind, and wants her to come back to the lair with him. Venus looks unsure, but refuses and retreats. Mikey&Venus twin reveal.

Leo and Raph gain a new understanding and grow closer. They settle into co-leading the team.

Leo, April, and Donnie have a fun episode together. Raph and Casey vigilante B plot. Splinter and Mikey want to watch their shows but the Wi-Fi is not working, with Donnie gone, they accidentally destroy the lair attempting to fix it.

April and Casey try again for a second date that once again keeps getting interrupted by goofy stuff. This time by the boys.

Rat Flu episode

The gang run into a salamander mutant named Mona and have to stop her from stealing a big jewel from a museum. Raph is pretty smitten when she manages to surprise him by taking him down easily and escaping.

Purple Dragons episode (plot tbd) but something akin to the Fourfold Trap from tmnt!2012

Donnie manages to convince the family to try and repeat the very same ritual Raph did on Leo, on Draxum. They reluctantly agree, as long as Donnie goes through it as well. He agrees and they come up with a plan to capture Draxum.

Season Two Midpoint

Venus agrees to join them temporarily, and helps them take down Draxum long enough to get him back to the lair. In the middle of the ritual, Mikey’s mystic powers activate and somehow manage to link Donnie and Draxum’s minds, pulling the boys in and letting them see all the horrible things Three went through. They run into the darker hallucination versions of themselves that Donnie always sees and have to make a run for it when they’re attacked. Then they meet an adorable, little Three who guides them deeper into the mental link where they finally see Draxum, who looks worse for wear and cries upon seeing the small, child version of Three.

The ritual works and Draxum is purged of most of the empyrean, when the boys are pulled out however, they realize it didn’t work on Donnie for some reason. Donnie doesn’t seem bothered and is just excited about what the ritual working on Draxum means, but Draxum is too ashamed to face anyone and makes a run for it while the boys are distracted.

The boys and April have a fun day enjoying the snow, but get into it when they can’t agree on whether Lou Jitsu or Jupiter Jim is better. Raph and Mikey are on team Lou and Leo and April on team JJ, Donnie who can’t decide, keeps switching back and forth.

The gang spends a day in the Hidden City and ends it by attending a show where the lead singer is a shockingly loud, spunky female turtle. The boys are confused to see another mutant turtle, but Donnie promises Draxum only had files on the Five of them, and is convinced she must be a yokai. The band gets attacked by some of Big Mama’s goons and the gang rush in to help. After everything is settled the female turtle introduces herself to the gang as Jennika and vows to repay the boys for saving her.

Karai episode (plot tbd)

Leo, Raph and Splinter all have trouble accepting the new Draxum so Mikey as Dr Feelings has the bright idea to spend a fun day touring New York. April comes up with a scavenger hunt but it quickly goes off the rails thanks to Big Mama (not exactly Battle Nexus: New York, more like a mix between the Hidden City episodes and then the start of the BN:NY ep)

(Now closer to the actual BN:NY ep) The whole family gets taken prisoner by Big Mama, who reveals her grand plan to have Raph and Mikey battle it out to see who will be her new champion. They win by outsmarting her and the last shot is her looking very disheveled and angry. As a last resort she calls a contact from deep in the underbelly of the Hidden City. A man covered with bandages, who looks practically like a corpse, emerges from the shadows and asks how he can help.

Leo asks Usagi to join him on a vision quest and the two leave for Japan via portal, where Usagi knows of a place that is said to provide those worthy with great inner peace. Usagi-centered episode. We get to see his village which Leo and Usagi are shocked to find out has been rebuilt in the years he’s been gone.

Season Two Finale

Donnie’s side effects from the empyrean are growing worse and he begins to research in secret the origins of the mystic substance. In his desperation for answers Donnie ignores an alert for a 317-39.4 that comes up right as he’s made a huge discovery. Not wanting to stop just as he’s found something big Donnie takes off without telling his brothers. His findings bring him to the Crying Titan where he discovers the source of the empyrean, the skeleton, inside. But before he can attempt to investigate further he’s stopped by the appearance of a young boy calling himself Casey Jones Junior, and his hooded companion. The companion warns Donnie that unless he wants to lose an eye, he shouldn’t get any closer to the creature. Donnie is skeptical, but heeds the warning, especially when the boy tells him they’ve come back from the future to help and uses a special code Donnie developed during a late night bout of insomnia driven boredom.

Donnie takes the new strangers back to the lair where Raph and Mikey are both upset over Donnie’s disappearance. Raph says they could’ve used his help fighting Warren Stone and Hypno, who managed to make off with robbing some old artifact. Donnie admits to ignoring that alert in favor of his research and Raph grows even more upset.

The hoodie figure declares to the boy that they’ve arrived too late and the two future strangers tell the family that they’ve come to stop the Kraang and that they need to call Leo back home. They will need everyone if they’re going to stop the end of the world.

MOVIE TIME

Haha jk no major spoilers quite yet.

[graphicpolicy]

Preview: Great Yokai War Vol. 1 Guardians

Great Yokai War Vol. 1 Guardians preview. After giant kaiju threaten to destroy Japan, the guardian spirits of the nation, known as 'Yokai' appear before the young boy Kei… #manga #comics #comicbooks

[etheries1015]

AYYE EITHERIES YOU'RE BACK

You're on the stan Lilia path I see? You are a person of culture as well. I was reading about myths and realized that the non-human immortals in Yuu's world is totally different from the faes aka the only non-human immortals in TWST because most of them either love or lust for humans. For example, I have heard that nine-tailed foxes seduce humans to drain their life force, youkais falling for humans, and in my country there are tons of stories where genies fell in love with humans. On the other hand, twst faes are like EWWW humans. Total opposites despite both having magic powers lmao.

Imagine the anti-human faes like general era Lilia, Sebek, and Baul with you, their close friend who's a powerful non-human immortal thing. You have great powers but what pisses them off IS THAT YOU ARE A HUMANSEXUAL 🤯👹😠🤬 Out of all fine faes you decided to flirt with HUMANS

Remember the distracted boyfriend meme years ago? The one where the guy is distracted and admiring the girl in red clothing while his gf is angry right next to him? That sums up your friendship dynamic with the anti-human fae.

I'M BAACKK yesss I am slowly turning into..like..A Lilia stan blog...BUAHAHA. I'm about ready to drop an ungodly amount of money for Lilia merch to fill my hyper fixation. Someone needs to shoot me and drag my corpse outside to touch some grass, or before I make some seriously problematic financial decisions.

I LIKE THAT HAHAHA Reader being a Yokai or succubus of somesort (because i'm hrny 24/7) and so infatuated with humans, being friends with Faes that have no interest in them is very interesting to you. Like. They are so cute when they wriggle around on their two legs with very little going on in their brains...it's less of love for humans, but more of...infatuation? Interest? Kind of like someone who enjoys reading mythology and going down a rabbit hole of mythical creatures they find fascinating.

Lilia- y/n. For a being incredibly talented in many aspects of martial arts and magical properties, I must say I am incredibly disappointed in your choice of whom you bring home at night.

Y/n - I have told you this time and time again, they are useful for replenishing my energy, Lilia! I don't understand what is with the fae of your world that hate humans so much. Aren't they cute? how they crawl around kind of like ants?

Lilia- That's...hmm. I do not agree with your stance, however...your analogy is kind of funny...

Baul, annoyed- I feel that this war should make it fairly obvious why we have such distaste for humans. Why don't you try another species? Beastmen, perhaps? Or even Fae? They have ample amount of magical energy you can also obtain from.

Y/n- that's like telling a meat eater to substitute chicken for chicken-flavored soy products. It just isn't the same! You two will never understand.

Baul, folding his arms- you're lucky you are aiding us in the war. Albiet at the price the shitty humans you like to mingle with despite your martial prowess.

Lilia- and that time you stopped mid battle simply to ask a human if they'd like to sleep with you.

Y/n, shrugging- don't knock it til' you try it

Lilia- ...i'll pass. Go shower, you smell like human stench.

Right to left;

Lilia, immortal/magic being Yuu, humans

HAHAHA thank you for this, it made me cackle

[astoundingbeyondbelief]

Kaiju Week in Review (March 5-11, 2023)

The post-Godzilla Godzilla Rivals issues continue to impress. Mothra vs. Titanosaurus is light on Mothra actually battling Titanosaurus, but the egg-saving efforts of its clearly-in-love scientists are so absorbing that you should take that as only a mild complaint. I also loved its explanation of how kaiju come into conflict; more interesting and more grounded in reality than, say, the MonsterVerse's alpha obsession.

Here's the first episode of Godzilla Island with Toho-approved subtitles, with another one already on the channel. At the current pace, they'll finish in 2025. All those official English names... Wikizilla's gonna be busy. The rest of you, enjoy the Bandai toys being waved around.

Godzilla the Ride: Giant Monsters Ultimate Battle was evidently enough of a hit at the Seibuen amusement park that they brought back Takashi Yamazaki (who, yes, is still directing the next Toho Godzilla film) for Ultraman the Ride. It looks to be based on the original show rather than Shin Ultraman, keeping with the park's Showa trappings. It's scheduled to open in the early summer.

I thought 2021's The Great Yokai War: Guardians was a pretty lackluster effort by Kadokawa to revive one of the marquee tokusatsu series they inherited. That they brought back Daimajin in the same film, only to barely let him do anything, made it all the worse. Film festivals aside, it still hasn't been released in the U.S. yet, even by Arrow Video, who brought all the old Yokai Monsters films to Blu-ray the same year. Nonetheless, Titan Manga is publishing the first of three volumes of the Guardians manga adaptation here on September 5. (They're part of the same company responsible for all the MonsterVerse novelizations and a couple of the art books.) Here's hoping it's more exciting than the film.

[kairithemang0]

Disney is such an interesting company, the way it's evolved over time to what it is now. Apart of me is disappointed, another part of me feels as though the current drought of good Disney content was inevitable.

I think about right after Walt died, how the company struggled then. However, even then I think their movies were still good, Robin Hood, the Aristocats, Great Mouse Detective, they're still good movies.

That's the era my parents grew up in, sure looking back on it now you can see the flaws in some of the movies, how the animation wasn't as polished as it was before Walt's passing, but then I compare it to the movies now.

The 2020s haven't been a good decade for Disney, Raya, Strange World, Wish, they all flopped. Encanto only made waves on Disney+, which is a good thing but that's one movie out of 5 that have come out of Disney in the past 4 years

Then you have to look at the remakes, how much money they're getting from those. However, their recent ones are flopping. The public knows what they're doing now, just remaking their old movies isn't going to keep bringing in money. The Lion King, Aladdin, they made over 1 billion dollars, The Little Mermaid? Under 600 million. That's still a lot of money, but Disney is also putting in so much money into these movies just for them to fail. People are sick of the remakes, they're sick of the sequels, but their original products aren't causing any excitement.

I don't know if Disney is still dealing with lost time and profits from Covid, but it's sad to see other studios doing so well only for Disney, who reigned supreme last decade with Moana and Frozen and Wreck it Ralph, to fall behind again

Disney seems to do this a lot, actually. The 80s were bad, the 2000s weren't great, the 2020s are bad again. Maybe the 30s will bring us something good, if Disney gets their act together and figures out what people want again.

People ask for 2d, for that old disney feel to come back. An obviously evil villain. Villains don't need a tragic backstory, they don't need anything, but this twisted foulness, a catchy song, and to be memorably evil.

Scar, Ursula, Lady Tremaine. You look at them and you go "oh yeah, they're evil". Which not to say Disney can't do twist villains, but it fails more often than it succeeds. Turbo was a great twist villain, his motivation was there and he was fun. But Hans? And Yokai? It felt random, out of place, like they were lacking the motivation to be good villains.

Scar wants power, so does Ursula, and Tremaine more of enjoys torturing her adopted daughter. These three are so iconic because they're so unashamedly evil and cruel, they're these powerful figures that spark fear into people who get what they deserve in the end.

But Magnifico? He's so painfully boring, he's so underdeveloped. It's sad, disheartening the way he could've been so interesting and yet fell flat in such a pitiful way.

I sometimes think about once upon a studio, this gorgeous mix of all pieces of disney animated history, every movie in there. No pixar or marvel or star wars, just everyone who started this, who made disney disney. It's such a lovely short, and it just radiates this pure disney energy, vibrant and colorful and magical. That's what disney is missing now, maybe that's me growing up, maybe it's just not for me anymore.

but honestly, i don't think this generation is going to have that nostalgia for disney the way me or my parents did, it's lost that because it feels so manufactured, this charm that only disney could do gone.

a weird way to say this is the new intro that plays at the start of their movies, it just feels so manufactured, like all it wanted to do was slide references into it to remind you of better movies. that 2000s/2010s CGI intro? that's my shit. the basic 2d intro? it's a classic, it's memorable, but this new one just doesn't have that affect

this is one man's opinion on something he once loved, but i'd love to hear other thoughts on what disney has become

[demifiendrsa]

Weekly Shonen Jump 55th anniversary appendix in Weekly Shonen Jump 2023 issue #33

1968 Weekly Shonen Jump Issue #1 Otoko Ippiki Gaki-Daisho by Hiroshi Motomiya 1969 Dr. Toilet by Kazuyoshi Torii 1970 The Gutsy Frog by Yasumi Yoshizawa 1971 Tezuka Manga Award 1st Edition Samurai Giants by Ikki Kajiwara & Ko Inoue Boy of the Wilderness Isamu by Soji Yamakawa & Noboru Kawasaki 1972 Astro Kyudan by Shiro Tōzaki & Norihiro Nakajima 1973 Play Ball by Akio Chiba Hochonin Ajihei by Jiro Gyu & Jo Big 1974 Akatsuka Manga Award 1st Edition 1975 The Circuit Wolf by Satoshi Ikezawa Doberman Deka by Buronson & Shinji Hiramatsu 1976 Toudai Icchokusen by Yoshinori Kobayashi Kochikame by Osamu Akimoto 1977 Ring ni Kakero by Masami Kurumada Susume!! Pirates by Hisashi Eguchi 1978 Cobra by Buichi Terasawa 1979 Kinnikuman by Yudetamago 1980 Dr. Slump by Akira Toriyama 1981 Captain Tsubasa by Yoichi Takahashi Cat's Eye by Tsukasa Hojo Stop!! Hibari-kun! by Hisashi Eguchi 1982 High School! Kimengumi by Motoei Shinzawa 1983 Fist of the North Star by Buronson & Tetsuo Hara Ginga -Nagareboshi Gin- by Yoshihiro Takahashi 1984 DRAGON BALL by Akira Toriyama 1985 City Hunter by Tsukasa Hojo Miraculous Tonchinkan by Koichi Endo Sakigake!! Otokojuku by Akira Miyashita 1986 Saint Seiya by Masami Kurumada 1987 JoJo's Bizarre Adventure by Hirohiko Araki The Burning Wild Man by Tadashi Sato 1988 Bastard!! by Kazushi Hagiwara Jungle King Tar-chan by Masaya Tokuhiro Rokudenashi BLUES by Masanori Morita Magical Taluluto by Tatsuya Egawa 1989 Weekly Shonen Jump reaches 5.000.000 copies in circulation Dragon Quest: The Great Adventure of Dai by Riku Sanjo & Koji Inada Video Girl Ai by Masakazu Katsura 1990 SLAM DUNK by Takehiko Inoue Chinyuki by Man Gataro Yu Yu Hakusho by Yoshihiro Togashi 1992 Hareluya II Boy by Haruto Umezawa 1993 Tottemo! Luckyman by Hiroshi Gamo Hell Teacher Nube by Makura Sho & Takeshi Okano 1994 Midori no Makibao by Tsunomaru Rurouni Kenshin by Nobuhiro Watsuki 1995 Weekly Shonen Jump reaches 6.530.000 copies in circulation Sexy Commando Gaiden: Sugoi yo!! Masaru-san by Kyosuke Usuta 1996 Hoshin Engi by Ryu Fujisaki Yu-Gi-Oh! by Kazuki Takahashi Kochikame 20th Anniversary & Chapter 1000 1997 I's by Masakazu Katsura Seikimatsu Leader den Takeshi! by Mitsutoshi Shimabukuro ONE PIECE by Eiichiro Oda 1998 Rookies by Masanori Morita Whistle! by Daisuke Higuchi HUNTERXHUNTER by Yoshihiro Togashi 1999 Hikaru no Go by Yumi Hotta & Takeshi Obata The Prince of Tennis by Takeshi Konomi NARUTO by Masashi Kishimoto 2000 JoJo's Bizarre Adventure: Stone Ocean by Hirohiko Araki BLACK CAT by Kentaro Yabuki 2001 Bobobobo Bobobo by Yoshio Sawai BLEACH by Tite Kubo 2002 Strawberry 100% by Mizuki Kawashita Eyeshield 21 by Riichiro Inagaki & Yusuke Murata 2004 Death Note by Tsugumi Ohba & Takeshi Obata Gintama by Hideaki Sorachi Katekyo Hitman Reborn! by Akira Amano D.Gray-man by Katsura Hoshino Muhyo & Roji's Bureau of Supernatural Investigation by Yoshiyuki Nishi 2005 Neuro: Supernatural Detective by Yusei Matsui 2006 To Love Ru by Saki Hasemi & Kentaro Yabuki 2007 Sket Dance by Kenta Shinohara 2008 Nura: Rise of the Yokai Clan by Hiroshi Shiibashi Toriko by Mitsutoshi Shimabukuro Bakuman. by Tsugumi Ohba & Takeshi Obata 2009 Kuroko's Basketball by Tadatoshi Fujimaki Beelzebub by Ryuhei Tamura Medaka Box by Nisio Isin & Akira Akatsuki 2010 ONE PIECE New World Begins 2011 Nisekoi by Naoshi Komi 2012 Haikyu!! by Haruichi Furudate The Disastrous Life of Saiki K. by Shuichi Aso Assassination Classroom by Yusei Matsui Food Wars: Shokugeki no Soma by Yuto Tsukuda & Shun Saeki 2013 World Trigger by Daisuke Ashihara Isobe Isobee Monogatari by Ryo Nakama 2014 Hinomaru Zumo by Kawada My Hero Academia by Kohei Horikoshi 2015 Black Clover by Yuki Tabata 2016 Yuuna and the Haunted Hot Springs by Tadahiro Miura Kimetsu no Yaiba by Koyoharu Gotouge BORUTO by Mikio Ikemoto & Ukyo Kodachi The Promised Neverland by Kaiu Shirai & Posuka Demizu Kochikame 40th Anniversary and Serialization End 2017 We Never Learn by Taishi Tsutsui Dr. STONE by Riichiro Inagaki & Boichi 2018 Jujutsu Kaisen by Akutami Gege

2019 Chainsaw Man by Tatsuki Fujimoto Mission: Yozakura Family by Hitsuji Gondaira 2020 Undead Unluck by Yoshifumi Tozuka MASHLE by Hajime Komoto Ayakashi Triangle by Kentaro Yabuki Me & Roboco by Shuhei Miyazaki BURN THE WITCH by Tite Kubo SAKAMOTO DAYS by Yuto Suzuki 2021 The Elusive Samurai by Yusei Matsui WITCH WATCH by Kenta Shinohara Blue Box by Kouji Miura 2022 Akane Banashi by Yuki Suenaga & Takamasa Moue

[tmntseparatedaucompetition]

Villain PB&J Duo AU

By: @onionninjasstuff

Iteration: 2018

Where You Can Find It: Tumblr

Support The Artist: Kofi

Summary: Behold! Supervillains PB&J duo are on their way to eradicate humanity! Brought up by the great warring warrior scientist Baron Draxum and trained into killing machines for half of their childhood, will they be able to defeat the threat to the yokai? Least injury-inducing answer: yes, absolutely. A little more complicated answer: certainly not with those two teenage normal ninja humans getting in their way every time! 

Featuring funny hijinks, Megamind levels of presentation, just a spoonful of angst and three million barrels of absolute madness.