#grad school fodder

[edwardian-sea-witch]

Why did no one tell me that fairy tales count as their own fandoms on AO3?

I’d always avoided fanfic and fandom culture because seeing other people’s (entirely subjectively) Wrong Opinions on existing IP tend to make me irrationally angry (and that is something I’d like to work on Not Doing—why do I do that?) but!!! Straight-up fairy tale retellings? That aren’t AUs of copyrighted media?? Taking the tools of modern transformative fiction and applying them to traditional tale types and thus creating a hybrid between the very new and the very old???

[mycoursehelpint]

How Can You Gain Practical Experience in IT While Still in College?

In IT, getting early practical experience during college can help you advance in the field. This is probably why so many students looking for someone to write my Information Technology assignment end up understanding the field better working on their advanced IT topics. School is not just about showing up; it's also about demonstrating what you've laughed at having shown out. Here are five ways to do it:

Internships: You can also intern if they want to acquire work experience first-hand. Various companies propose internships that are more targeted towards students who will get a chance to work on real-time IT projects. They are designed to apply your theoretical courses and see what working in a company is like. Internships may also lead to networking opportunities leading you towards a post-grad job. Consider internships that relate to what you want to do or specialize in.

Freelance Projects: You can also work on small projects for businesses and individual customers online, using websites like Upwork (www.upwork.com), Freelancer (www.freelancer.co.uk) or Fiverr. It allows you to set your terms and conditions while building a portfolio. Whether coding, building websites or providing essential IT support, freelancing can be a valuable tool to further your skillset and make extra money while in university. Include these projects on your resume and LinkedIn profile These projects are often utilized by students as a part of their Information Technology assignment help to consolidate the information they have learnt in class.

Open Source Contributions: One of the other good options is contributing to open-source projects. Many projects are available on resources like GitHub, an open-source platform that allows you to work with established developers. These features enable one to work with different technologies, level up their coding skills, and join a global developer family. You also get practical knowledge, and the next time you need help with Information Technology assignments, it would be a one-time ticket. Also, direct involvement in open-source contributions can offer great Information Technology assignment help by familiarizing you with real-world problems and solutions to code. For guidance on writing clear and effective documentation for these projects, check out my post on How to Write Clear and Effective Documentation for Your Programming Assignments.

IT Clubs and Competitions: For instance, join IT-related clubs at your school and compete in coding challenges/hackathons. Especially in hackathons, you can learn problem-solving and hone creative ideas under pressure. This excellent resume fodder will allow me to network with other performers. The knowledge acquired through such competitions here becomes a part of your major Information Technology assignment help since it forms the theoretical base and practical word connection helping you to score better grades.

Personal Projects: My own tip here would be to start doing personal IT projects, which is one of the best ways to get hands-on practical experience. Whether it is a mobile app you are building, a website, or an automation task, personal projects help us apply what we learn in class and show our skills to prospective employers. Initiative: These projects demonstrate that you can take the initiative and create something from the start of a problem.

Conclusion

Getting hands-on experience in IT at a young age is very important to obtaining the suitable skill base and understanding that will lead you to success within an industry. Experience through internships, freelancing, open source contribution IT clubs, and side projects is an opportunity to exercise researched knowledge in the real world, which strengthens your foundations for your upcoming career. Start looking for these opportunities now, not after graduation, to ensure you can secure a job in IT. They will also act as an application of the Information Technology Assignment Help you have received during your time in school.

[gentlethorns]

me vs. the insatiable urge to start edits on my novel early. PATIENCE dummy don't rush a good thing. it's like two more weeks so spend your time fucking off now while you can bc if you want to use this novel as fodder for your portfolio for another round of grad school apps in november you need to hit the ground running in august

[ivan-fyodorovich-k]

I’m in a bit of a bind in my life

whatever the value of whatever I’ve accomplished, my family, in general, is astonished that I’ve gotten this far

on the one hand, I guess it’s nice to exceed expectations

on the other, why was the bar so low?

but more importantly, having already done more than any of the people who know and love me best evidently thought I would, I really don’t have a strong sense of how to continue. I don’t think I have the energy, talent, or vision really to go on

So I guess they were pretty much right about me

the bar wasn’t much higher than they put it

[honeylikewords]

ok im gonna go beddybye before i make an Op-Ed piece about why the met gala got me sixteen different levels of angry

[landinrris]

Different sideblog, same Kolyarostov (with literally all of the same content. Please i had 1300 posts on my old blog. it was hell)

A general guideline of the drivers I'm supporting in order of most to least (as of 9/1/2024):

General guideline of the within-f1 ships I'm supporting:

Notable links:

Main blog | Kolyarostov ao3 | Writing Tag

Notable relationship tags:

Carlando | Norrix | Galex

Fic-specific tags relating to either current WIPs or past projects below the cut!

General fic fodder inspiration tag

Current WIP: Football au (or, the one where Carlos is a Premier League football player and Lando is his long-term pottery boyfriend)

Witch au (ao3 link; or, the one where Lando, Oscar, George, and Alex are a small coven of witches, and Carlos crashes into their lives)

Grad School au (ao3 link; or, the one where Lando and Carlos are in a Ph.D. program and also doing a friends-with-benefits thing)

Hell Chaos Sumer 2023 (ao3 link; or, the PR relationship fic where Carlos and Lando are dating on the down low)

Vampire au (ao3 link; or, the one where Carlos turns Lando into a vampire)

Photographer!Lando au (ao3 link; or, the one where Lando's a paddock photographer and Carlos is a Ferrari driver)

Glass Closet fic (ao3 link; or, the one where Lando and Carlos figure out their shit towards the end of 2022 and live in a glass closet)

Sleeping With Other People au (ao3 link; or, the one that starts with a university one-night stand and ends up in a marriage license ten years later)

Birdsong au (ao3 link; or, the one where Lando's yearning for a new life and Carlos is a visiting apprentice and not-so-secret artist)

[chicago-geniza]

Remembering when I got locked out of my apartment after joining advisor and friends on a post-choral-concert pub crawl my first year of grad school and crashing on her couch and being loaned a pair of her pajamas and fully going

About it and while I am more normaler (...and drink in moderation) now it is unfortunately the germ, the genesis of Dybbuk Story. The story has evolved considerably since then & is far from like, Based on True Events or wish-fulfillment fantasy fodder, it's become much more about...the city of Chicago as a living text, what we owe to the texts we interpret, academia, "modern midrash," exegesis, emigré stuff, Anti-Car Polemic (lol), problematizing Romantic doikayt revival, and ~disembodied poetics, but am still wrestling with the ~ethics of even self-publishing when the zerno-yadro of the project is evident and its initial inspiration likely discernable in the text to anyone who knows me IRL. Oh well!!!

[conduitandconjurer]

Sigh. Okay. 

I can see that I’m going to have to write a full scholarly review of D.isappearing A//ct in order for anyone to understand my position on it.  As usual I can’t occupy one extreme point-of-view or the other, so both the people praising it unabashedly and the people who think it’s total trash are going to misconstrue me unless I’m very, very careful.   

I am seeing a sudden rash of back-and-forth posting between so-called “pros” and “antis” about the tension between censorship and moral obligation in the creative sphere: --Just because you can cover content that has a real and negative impact on other people, people who are vulnerable and traumatized by the content you share, should you? --Is art and writing that is inherently self-serving, cathartic, therapeutic, for the author, really bad or selfish, or is it necessary? -- When does someone have the right to ask for trigger tags? When should they just block/unfriend/unfollow? --At what point does cancel culture, which goes after problematic content and seeks to “shut down” its creators, go too far? (I have been on the receiving end of this myself, so believe me, I know how painful it is to be harassed and personally judged  for your work) --Just because you can’t harass someone for producing harmful content that is fictional, does that mean they have unchecked freedom to produce content of any nature in a public sphere? I also have complicated feelings on these issues, and Rob’s book, which involves body horror, dubcon, child abuse, scat, and explicit pedophilia (with an unclear authorial pov about all things involved, which may be what unsettles me most, because women, children, and the poor should not be turned into tools for stoner-bohemian slumming-it shock value fodder)  is fecund territory for the debate....so, because I’m Like That™, it’s making me feel pressured and uncomfortable.  

I am reassured that my qualms are just the product of a provincial mind, that I need to expand my world-view and appreciate the freedom brought by creative amorality, which takes no clear ethical position on anything (usually the term used is “it’s not preachy” with the implication that the greatest of sins is said “preachiness”), but merely explores, ponders, and at times divulges. Clearly, I’m told, this is my middle-class Protestant background getting in the way of my intellectual potential. But I think that excuse is hackneyed, reductive and even condescending.   And so I continue my search. 

I’ve literally been up till 3 and 4 am several days this past week haunted by this, unsettled further and further by each of the short stories as I read them. It has dislodged and called into question my fundamental views of the author as a person  (a person I had previously admired highly without qualm), and what effect his literary work might have on his fanbase, in a COVID19 world where over 88% of us, reputedly, in a recent study, have developed “significant mental health problems, including clinical depression and suicidality.”  No, of course one actor turned author isn’t responsible for the emotional welfare of the planet.   But what role does his artistry play in all this? I can’t say that I know anymore. And I’d like to.  I’d like to know the immediate relevance, the immediate impact, of new media produced by great artists. 

If I were smart (which I’m not--after all I went to grad school, became a college professor, and now base my self-worth entirely on my ability to share with and support others) I would just keep my mouth shut till the shitstorm dies down. But again, I’m not smart. 

So, at some point,  I’ll be sharing an extensive analysis of the book which I hope comes across as clear, nuanced, and respectful, while maintaining my cardinal rule about media consumption: you can do it critically, informedly, and still enjoy it.  A fair and balanced critique does not equal hate. 

[philosopherking1887]

I'm reading the writing sample of a grad school applicant who wants to work on fashion and how it expresses one's authentic self (or fails to do so) and I'm wondering if this will give me philosophical fodder for my Garashir fanfiction...

[bigskydreaming]

Here's a random question for you: I know you're a big (the biggest) proponent of Scanny, but if you had to pick someone else for Danny to have a relationship with, who would it be?

I actually have thought about this! Honestly, my go to after Scott for Danny is Mason, because the younger characters are literally only two years younger than the original characters even if it seemed otherwise a lot of the time. And so given that we never saw Danny and Mason interact due to the whole ‘oh sure, he totally graduated offscreen a year early just in time to not be around for the season that revolved entirely around his specific expertise aka hacking’ nonsense....I can easily imagine a few years in the future, Danny and Mason meet in college or grad school or somewhere they’re on even footing and learn they have mutual friends/experiences/knowledge in common and from there grow into a friendship and also maybe then they’re boyfriends and then husbands and then dads and then grandpas and happily ever after yada yada.

Meanwhile, if Danny encountered Liam at any age, I feel like he would just be like: “No.” And then wave his hand around in Liam’s direction in a circle like to encompass all of him, as he’s all. “All of this is just exhausting, whatever it is. I am too old and too tired to deal with this....vibe you’re emitting.”

LOL I can’t explain it, like Liam and Mason have entirely different energies and I feel that age isn’t even a factor as to why Danny would just not at all have patience for Liam. Like, I don’t think he’d DISLIKE him exactly, so much as just....’I’m going to be over here, and you’re going to stay over there, and I just think that’ll be best for everyone and we’ll all get along great that way.”

Hmm, who else. Controversial I guess, but I actually did kinda like Dethan, waaaay back at the very beginning of it, before that very same season crapped all over any real potential it or even the twins at all had in the show. Given that I’m fine with them and even like them in AUs or fics that diverge before they had anything to do with Boyd’s death, but if that’s at all in canon for a story, I have no interest in them as anything other than cannon fodder. Which let’s be real, you always kinda have a need for in TW stories. 

But initially, I REALLY REALLY liked the fact that there was this (at the time) mysterious new character that was there for DANNY, like, deliberately seeking him out because of real or suspected significance....I was all for that, because I was like yes, excellent, clearly this means they have plans to focus more on Danny and bring him into the core group eventually and also obviously Danny’s gonna turn this guy away from the Dark Side and make him betray his pack of overcompensating losers for Danny and the power of LOVE because who doesn’t love that trope, am I right? Its all so clearly laid out!

Ahhh, to be that dumb again.

Anyway, so in AUs or early canon-divergent fics, I can be all for Danny and a better, more fleshed out and non-jackass depiction of Ethan. But by the time Ethan returns in actual canon, the fact that he’s with Jackson just irritates me in a ‘hooking up with your ex’s best friend is a jerk move and we get it, show, you don’t consider Danny important and never did, jfc’ kinda way. Beyond that though, I’m just like, Jackson can have him at that point, they deserve each other, go Team Jerkwad.

I don’t see Theo and Danny ever happening because I like to think that Danny’s view on scheming, ambitious and boundary-breaking friends with possible homicidal inclinations has changed since Jackson and Ethan’s presences in his life, and he’s like.....”Nah, I’m not doing that again. Two of that type are enough for me, and I’m kinda always gonna put up with Jackson at this point because...look, I had my reasons probably, just because I can’t remember the basis of our friendship now, like....just back off, okay?”

Just saying, I don’t think he’d inherently hate Theo if Theo’s story happens in an AU kinda way where he doesn’t murder and betray his way through the show’s social hierarchy, lol, but Danny would still just be like “Look, whatever your issues are dude, I’m not trying to judge you for them if you don’t make me, but like, go put in some you-time offstage and then maybe we can talk. I am not emotionally equipped to put up with the schemes of yet another person whose whole thing seems to be ‘am I good or bad, you decide, because I sure as hell can’t.’ I don’t care how big your biceps are, that is not going to be a deciding factor for me, not this time, no sir, I have learned from my mistakes, I have had hashtag Growth, and you need to go now, and also please put on a shirt. I SAID GOOD DAY, SIR!”

Danny and Stiles is Lol That’s A No For Me, of course, Danny and Boyd I would be totally down for and can picture them being like, a snark queen power couple who hang back and watch all the drama unfold around them while providing entertaining commentary back and forth to each other but otherwise act like they’re not even there, and when someone annoyed by their running commentary finally snaps and goes “Why are you two even here?” like, I can so picture Danny and Boyd just blinking slowly and looking at them, then at each other, then back at them as if confused by the question. 

“It’s Date Night,” Danny says slowly, in the tone reserved for being asked to solve the equation on the board that’s already got the answer written out right there.

“Okay, fine. But why are you HERE, then? If its your Date Night, like.....go have your date then. Catch a movie. Its all good, we don’t need you guys here at the moment.”

Boyd squints at them. “This IS our date. Whoppers?”

The latter is directed to Danny, as Boyd extends the box of candy towards him.

“Yes please,” Danny says, reaching for a handful.

Exasperated sighs are heard all around the room.

LOL anyway....who else....Jackson tends to be a no for me too, not for any real reason beyond like....I’ve read too many fics where they’re essentially treated as the Mirror Universe version of S/ciles, and you KNOW how I feel about that ship, so like, all even dubiously associated ships are by mere proxy also noped by me. *Shrugs*

Which mostly just leaves Isaac, and....idk, tbh. I’m not inherently opposed to them, and I’ve actually even read a couple of fairly long-ish and pretty enjoyable Danny/Isaac fics. But enjoyable in the sense of like....just as their own thing, a fun romance set in the TW setting/universe, between Danny and an Isaac-shaped woobiewolf. As the few Danny/Isaac fics I’ve found over the years tend to suffer from the exact same thing that’s always kept me from really ever getting into Scott and Isaac as a couple in anything other than theory...

Like, in the fics I’ve tried, I always tend to run into the same tendency to just....sand down all of Isaac’s rough edges and make him this shy, insecure, soft boy who is withdrawn until Danny or Scott bring him out of his shell....even when its based on the events of the show and Isaac’s already been turned into his leather jacket-wearing, snark-wielding, deliberately apathetic werewolfsona. 

And that’s just...not Isaac to me? So if I treat him as an original character basically, I can enjoy those stories, and do, just because there’s sooooo little Danny-centric fic that awhile back, I absolutely spent a good year or so making sure like, I found every last scrap of it, lol. I went spelunking in some deep, dark places in search of even a little spotlight time for Danny, because He Deserved Better and I was willing to put up with a lot to see him get even a little (except for like, blatant and unavoidable Scott hate being front and center in the fic as well. Then I exited with rapidity. I love Danny, but not even for him can I stomach that).

But yeah, otherwise, I very very rarely found a lot of Isaac fics, no matter who he was paired with, where he wasn’t like....constantly soft and vulnerable and the focus of Scott or Danny or whomever else’s regular attempts to comfort and protect him. Which I mean, I love Isaac, and I’m always projecting onto abuse survivors in fiction even if just a little bit, so its not that I object to the comfort and desire to protect him parts, just the sheer unevenness that tends to be present in his dynamics as well. I’ve always said that for me, the true theme of TW was survivor empowerment, that all of these kids had been hurt and exploited and traumatized in various ways and they all struggled individually and together to find ways to cope and to heal, and also to feel empowered enough to protect THEMSELVES from whatever or whomever tried to hurt them again in the future. 

And that’s the element that so often is missing from Isaac’s arc in fics, IMO...any hint of the character who he spent a lot of time and effort growing into on the show. Evolving first into a character who reveled in the power he’d been given and that made him feel safe and strong for the first time in his life, to the point where he was quite frankly an asshole a lot of the time. 

But then from there he grew into a character who came to terms with the reality that as his own power grew, so did the power of the new tormentors he was now often in conflict with, due to the source of his newfound strength...and his strength and brutality and apathy were not at all the tools able to help him find true protection and recovery in his new world. They just weren’t going to get the job done, and that’s when he started to let Scott’s example sink in and take his lead from that, finding the power and strength in committing himself more to others, becoming more of an active participant rather than just a spectator or a henchman who needed orders before acting.....allowing himself to be vulnerable in exchange for the benefits being more open to others afforded him.

Isaac’s growth onscreen from season to season was the very thing that made him so interesting and enjoyable to me....as well as how his bond with Scott did the same thing....so when the former isn’t really present in fics, even the presence of the latter doesn’t really do a whole lot for me. And its the same thing in the Danny/Isaac fics I read, so yeah. There for it in theory, but the execution I’ve found has never done anything to make it any more compelling a ship possibility than any other random ship.

I think that’s pretty much everyone though? Well I mean like, there’s Corey, but I don’t have strong feelings about that possibility one way or another. And there’s Derek, given the whole ‘Miguel’ thing in S1, but you know me, even in future/aged-up settings, I still tend to be ‘what if Derek dated people his own damn age tho, like just for the sheer novelty, let’s explore that some more’.....not to mention that as the show progressed, the more fandom hated on Braeden and her relationship with Derek, the more I spite-shipped them. To the extent that now I find it hard to picture even AUs where they’re not endgame, or if Derek HAS to be in another ship for some reason, then they still were a super serious relationship before the fic and there’s always that hint of her being the one that got away, kinda. 

*Shrugs* What can I say? The enemy ship of my enemy is my OTP. The Art of War, fandom style. I have no problem admitting it, lolol.

But yeah, that’s all of them I think now.

[rebelsofshield]

Panels Far, Far Away: A Week in Star Wars Comics 11/13-11/27/19

It’s certainly unfair for Lucasfilm to pick my first semester of grad school to start supplying us with more Star Wars content than at any other point in recorded history. Jerk move on their part. Anyways, as a result, here are three (!) weeks worth of Star Wars comics review in which: Marvel’s ongoing ends its seventy five issue run, Doctor Aphra gets her groove back, and Chewbacca knocks some heads. Hopefully I can be quicker about this in the future!

11/13/19

Star Wars #74 written by Greg Pak and art by Phil Noto

In its seventh chapter, “Rebels and Rogues” hurtles towards conclusion. The result may just be the strongest installment of an arc that has been chockfull of great ideas, but often struggled on just how to tell its sometimes overly scattered story. With the different teams now in open communication with one another and each fighting for their lives in desperate situations, writer Greg Pak’s take on the galaxy far, far away has never felt more a live and energetic.

We hop between narratives with surprising ease and elegance and the flow of the story is easy to follow, high energy, and positively fun. Han, Leia, and Dar Champion are flying for their lives in a defenseless ship against an Imperial star destroyer, Luke and Warba are in route to the planet’s rebels but with an Imperial patrol of Stormtroopers riding velociraptors right on their tale, and Threepio and Chewbacca are right in the center of a growing conflict between the rock people of K43 and Darth Vader himself.

Threepio’s arc here still remains the most fascinating stuff in “Rebels and Rogues.” For the first time in a long time, old goldenrod feels like he has an emotional story all his own and it culminates in a moment of self-sacrifice that capitalizes off all the themes of sentience and personhood that this surprisingly delightful subplot has been playing with since day one.

The promised Chewbacca/Darth Vader showdown on the cover doesn’t occur until the comics final pages but it sets up what should be a killer finale. Noto draws a suitably visceral encounter and no other panel in this creative team’s legacy will likely spark as much joy as Chewie spiking a boulder off of the Sith Lord’s ebony helmet.

Score: A-

Star Wars Jedi: Fallen Order: Dark Temple #4 written by Matthew Rosenberg and art by Paolo Villanelli

At the time of this writing, I’ve actually finished playing Star Wars Jedi: Fallen Order. The first single player Star Wars game in over a decade provides a very fun and rewarding experience that is populated with some truly outstanding characters. The game also shows that its tie-in comic, Dark Temple is surprisingly more consequential than one might have originally thought. Sure, Cere and Eno Cordova were known characters in the game from the start, but Dark Temple sees the two encountering numerous elements from Fallen Order for the first time.

Even outside the comic’s surprising consequence to the game it draws from, Dark Temple continues to be a very entertaining prequel era narrative. Even four issues in, writer Matthew Rosenberg is still providing us with new information and twists that upend our understanding of what exactly is going on. Cere and Cordova may have gotten involved in something bigger than they originally anticipated and there is more on the line than freedom for Fylar. Rosenberg has weaved a complex web and just what exactly lies within the titular temple is just as much a mystery now as when it started.

It also helps that this comic is arguably the best looking Star Wars comic on the stands now. Paolo Villanelli has always excelled at drawing dynamic and well choreographed action sequences and he truly shines here as the violent conflict between Flyar and the DAA corporation explodes into full blown war. Villanelli is great at creating a sense of motion and scale and these moments of larger conflict are filled to the brim with well designed characters and explosive energy. Colorist Arif Prianto makes the comic feel like it comes ablaze too with multicolored embers peppering each panel.

Between the surprisingly complex story and the killer art, Dark Temple has quickly evolved into one of the stronger tie-in comics that Star Wars has released in recent memory and a significant improvement on both creator’s previous works in the franchise. Its final issue may not stick the landing, but this is a comic that is well worth considering picking up.

Score: B+

Star Wars Target Vader #5 written by Robbie Thompson and art by Cris Bolson, Robert Di Salvo, and Marco Failla

So turns out the Hidden Hand isn’t the rebellion? I’m very lost at this point. The mysterious crime organization that has been at the center of Target Vader from its start has always been its biggest head scratcher. A last panel reveal at the end of the comic’s first issue heavily hinted that the Hidden Hand was actually just an organization used by the Alliance to work in the criminal underworld. Over the past few issues, we have been given to doubt this reading, until now, where this theory is thrown out the door. Turns out the Hidden Hand may have older and more mysterious origins, but now we are just as lost as ever.

It speaks to the overall aimlessness of Target Vader. Despite the violent thrills of last issue, this miniseries has still been a mostly confused and overly long affair. Beilert Valance is still a mostly dull protagonist and his quest to neutralize Vader feels even more muddled than ever before. Writer Robbie Thompson does some work to try to remedy this situation by giving us an issue that is split between retelling Valance’s past and maiming by the Imperial military and the present where he is now caught between the grip of the Empire and the Rebel Alliance. It creates an interesting scenario for our central anti-hero, but ultimately fails to reveal much enlightening about Valance as a person. We may know why he is a grumpy, angry loaner by this point, but it doesn’t make his relatively one-note behavior any more interesting.

It also doesn’t really help that we have three guest artists on board instead of Stefano Landini. Marco Failla’s pencils may do a good enough job of approximating Landini’s style, but as a whole the result is a bit jarring as the comic never establishes a clear visual consistency. Combined with the fact that we already lost Marc Laming after issue one, this just adds to the weirdly confused reading experience that Target Vader has maintained to this point.

We have seen this comic work. Last issue’s installment was a brutally realized explosion of violent chaos, but we only have one issue now to really bring it all together, and I’m worried that Target Vader may not be up to the task of making this long, strange voyage worth it.

Score: C+

 11/20/19

Star Wars #75 written by Greg Pak and art by Phil Noto

All roads lead to K43. In its eighth and final chapter, “Rebels and Rogues” sees all our team members converge on the rocky moon for one climactic stand against Darth Vader and the Empire. In this extra sized finale, Greg Pak and Phil Noto try their best to pull the disparate threads of this arc together while also delivering a satisfying finale. The result proves fun, very strange, and ultimately forgettable. It ends with a summation of this run as a whole: filled with smart art and ideas, but lacking in standout storytelling beats to leave a lasting impression.

Some of the disappointment comes from the fact that much of this issue comes down to our various cast members beating up on Darth Vader. We open with the final blows of Chewbacca and Vader’s brawl which Noto clearly enjoyed bringing to life, but much of the rest of the issue resorts to the extended ensemble blasting away at him in various set pieces. It plays out like a miniature version of 2016’s Vader Down, but lacking in the edge and thrills of that original crossover.

There’s also some strange choices made with the rock people of K43 that don’t entirely gel with what came before. Part of what made these characters so refreshing throughout this story arc has been how Pak used their existence to challenge our characters’ concepts of sentience and to allow C-3PO to bond with another group of non organic life that is similarly overlooked. This fun play continues, but the conflict of it all is handwaved away in a manner that feels unusually flippant. Given the amount of effort put into finding a way around murdering this race, Pak introduces a last minute plot detail that makes it all feel unnecessary and that’s before the giant planet sized stone giant appears.

Yes, this comic gets very weird and it’s certainly fun, but it feels more than a little scattered and chaotic in a comic that already feels all over the place.

With that, we bid goodbye to this short but enjoyable era of Marvel’s Star Wars ongoing. While Empire Ascendant will presumably be the final issue of the main series, with it being rebooted for a new post Empire Strikes Back ongoing headed by Charles Soule and Jesus Saiz sometime in January, there is a sense of finality to this creative team’s last chapter aboard. Pak and Noto prove a fun bunch and had a great sense of playfulness and scope to this ongoing during its final days even if the execution wasn’t always immaculate. I’m glad to hear that Pak will be staying around to write the next volume of Darth Vader. He has some big shoes to fill, but if the heights of this comic are any indication, he is capable of the same spectacle and intrigue as past creators.

Score: B

11/27/19

Star Wars Adventures #28 written by John Barber and Michael Moreci and art by Derek Charm and Tony Fleecs

Chewbacca’s adventures with his porg sidekick, Terbus, are pretty much perfect fodder for an all-ages Star Wars comic. Given how strong Adventures’ visual storytelling has been since day one, having two protagonists who speak through grunts, squawks, and body language is right up this teams’ alley. Yes, it’s cutesy and yes it is a bit simple, but there is undeniable charm in the way Derek Charm draws us through the liberation of Kashyyyk. It may not be as visually inventive as last issue, but the way that Chewbacca hops through the forest and takes on First Order baddies is still illustrated with the same energy and personality.

There is a bit of tonal whiplash here though. While it’s hard not to be won over by Porg salutes and Wookiees knocking heads, there are moments where the enslavement of the Wookiee population is presented as an all too real possibility. The lighter, more playful execution of this issue may do a lot to make this subject matter more palatable for younger readers, but one wonders if this should have been the direction that the story went with at all.

Michael Moreci’s droid adventure is more tonally cohesive and certainly also a fun time, but it lacks the standout visuals and heart of the Chewbacca section. Last issue succeeded by pairing the under appreciated droids with another outcast that also was invisible to the First Order, but the events here are less concerned with character and theme and more so with the fun action of their plan. All the same, it’s still a decent read and sure to delight younger readers.

Score: B

 Star Wars Doctor Aphra #39 written by Simon Spurrier and art by Caspar Wijngaard

With just one issue left before the end of their tenure, Simon Spurrier and Caspar Wijngaard are pulling out all the stops for the end of Doctor Aphra. After the misstep that was “Unspeakable Rebel Superweapon,” it has been nice to see Spurrier get back in the swing of things with “A Rogue’s End” as each issue improves upon the last. Wijngaard and colorist Lee Loughridge feel more in sync here than ever before and Spurrier twists the knife as Aphra digs herself further and further into a disaster of her own making.

While she was first introduced in Kieron Gillen’s run on the title, Magna Tolvan and her relationship with Aphra have been staples of Spurrier’s run since he first stepped into the title. Here as we hurtle towards the big finish, it seems only fitting that the tortured and complex romance between these two very different souls take center stage. “A Rogue’s End” isn’t afraid to really dig into what it is about these two broken and confused women that drives their attraction to one another and just how deadly and ill advised their love, if it can be called that, is. It’s antagonistic, violent, but ultimately brimming with the sort of affection and tension that makes a good Star Wars romance sing. There is one image in particular here that is beautifully realized by Wijngaard and Loughridge and may rival the two’s first kiss for the iconography of this pairing.

It’s not all two woman coming to terms with one another under extreme circumstances, Aphra is still full speed ahead on her own mission survival. We hurtle towards a series of decisions at the issue’s end that may just cross the line into Aphra’s biggest moral slippage to date. Spurrier seems poised to deliver final judgement on what kind of person our dear rogue archaeologist may be, but knowing her and this series, the final thematic resting point is anyone’s guess. It’s a good thing that Spurrier makes the whole thing so damn fun to read and Wijngaard creates such beautiful imagery.

Score: A-

[keyofjetwolf]

The Chosen: All the notes and answers to shit you wondered about for years

Hey. Hi there. How are you? I’m good, thanks for asking.

So, you remember when, at the beginning of the year, I said I was officially retiring my Buffy the Vampire Slayer continuation, The Chosen? If this is the first you’re hearing of it, a) SORRY TO DROP THAT ON YOU, and b) you may want to read this post first.

All caught up? Awesome.

I told you guys I’d share my stuff. This right here is that. I’ve searched through countless backups, terabytes of data, the remnants of three computers, AND MY SOUL (not really my soul; it doesn’t have a convenient find option), and I think this is everything. If there’s anything left of The Chosen that isn’t contained here, then it’s almost certainly lost to time and I wave it a fond farewell.

But don’t worry. There’s a lot here.

What I have for you are all the notes, plans, and ideas that I had written during the time when The Chosen was pretty much my entire world. From late 2003 to mid 2005, I was on my Buffy creative shit, and OH THE PLACES I WANTED TO GO. I’m not sure I’ll ever not be sad that, in the end, I couldn’t do it the way I wanted. Still, I’m glad to finally be showing you where we were heading.

I’ll try to give this as much order as I can, but my notes were strewn across a mass of files, and in some cases, I straight up can’t remember what the fuck I even meant any more. Feel free to ask if you have questions! Just be prepared that the answer may have to be an apologetic shrug.

I’m not sure what to wish for you all in the reading here. Closure, of some kind, I suppose is what we’re really all after. So closure it is! Happy closing, friends.

Thank you so much for allowing me to have captured your interest and attention, and for accompanying me and these characters I loved on the journey toward the ending I hoped for them.

** Any comments from present-me will be marked in this format. Otherwise, everything is untouched from how I wrote it whenever-the-fuck ago. Section headers are either as I named them at the time, or taken from the file name.

S8 Ideas

General Ideas

Rogue Slayer girl ' 'Full Circle'; Faith-centric.

Possessing demons ' personification of control ' W&K breakup episode.

Xander gets powers, but in exchange for his humanity. Comes to realize that his humanity is what his friends need, and he gives up the power.

Dawn's key powers are reawakened ' ability to unlock and enter doorways to parallel dimensions/realities and back again. Episode where this happens and she visits a parallel world (where she is the Slayer?). Possibly triggered by Doc, seeking to reawaken Glory?

Monster that eats body parts to rejuvenate them.

Emotion sucker.

Incubus that tries to seduce Buffy in her dreams.

Siren/rock group ' playing in club.

Faith/Buffy/other Slayers hunted for sport.

Super Slayer, enhanced by the DC. Big Bad? Guinea pig.

Legion of Super Slayers, created from life force of girls who reject the offer to join the DC.

Things to Name and Figure Out

The name of the new town.

New town is in center of three-Hellmouth triangle, consisting of Cleveland, Ohio, Syracuse, NY, and Washington DC. The gang is settled in a fictitious town in Pennsylvania, not far from Williamsport.

Name derived from three? Trinity, Trillium, etc.

The name of the Bronze replacement. (The Vortex?)

The name (and personality) of Kennedy's new Watcher.

The name (and personality) of the turncoat (the girl Giles talks to in Ep #1)

The name (and personality) of the girl Faith recruits (future cannon fodder)

Better name for the Dark Council.

Better name for the Dark Coven.

Assorted Ideas and Quotes

Scene: Someone shopping at a local bulk warehouse place. How much to Slayers eat? A LOT.

Possible use for the drug from "Helpless" that neutralizes Slayer powers?

Scene: Junior Slayers fighting monster. One says "You ARE the weakest link... Goodbye!" The others make fun of her for using such an outdated pop culture reference. She pouts that they should add a class about banter to the Slayer curriculum.

QUOTE: "D'you ever think sometime we should, you know, run AWAY from the blood curdling screams?"

QUOTE: Buffy doubts Tara's return. Willow: "What, you hold exclusive resurrection rights?"

QUOTE: Tara and Dark Coven guy. Tara: "She'll kill me. After I do this...Buffy will kill me." DC: "After you do this, will you care?"

QUOTE: "Excessive? I think you and excessive have already met in a head-on collision and exchanged insurance information."

QUOTE: Tara talking about doing stuff with Dawn: "You know, shopping, getting our hair done ... girl things." Willow: "I like your girl things."

QUOTE: Someone's sick, but denying it. They cough, get an accusing glance. "I just have something stuck in my throat." "Yeah, it's called ILLNESS."

QUOTE: Faith to somebody, possibly a young Slayer, who goes on at length about what they're going to do to a bad guy or deal with some serious challenge or something similar. "You're full of crap, you've got no idea what you're talking about. (beat) But you mean what you say, so that's gotta count for something."

Notes

1st ep

fate of SS's

Dawn's powers

X taking Watcher's courses

G distancing

W going to grad school

B/T going back to school

prophecy bits

G gets ring

Buffy bit - blood

Ante released

Season 9 Ideas

based on 7 samurai - group of people want to come in and hire the seven to clean something out

something happens where buffy or dawn disappears and the other goes to find them

core four have notoriety as evil forces (four horsemen) with some other community

sdhs reunion episode

"Demon that draws strength from guilt, hate, love, etc. Especially bad if it gets hold of Faith..."

---

I had a really cool thought about Buffy and relationships while I was in there though, which I think I'll have to work into The Chosen.

A common thread in each of her big relationships (Angel, Riley, Spike) is that when she tells them she loves them, they don't believe her.

Well Angel does, but he doesn't think she loves him enough. When he leaves, it's despite her telling him over and over that she loves him enough that him being a vampire and them not being able to do "normal" things doesn't matter. He doesn't believe her, and so leaves.

Riley tells Buffy during their big pre-him-leaving fight, that when she says she loves him, he "doesn't feel it". His disbelief in her and her words causes him to leave.

Then there's Spike. Final episode, Buffy finally tells him that she loves him. "No you don't. But thanks for saying it." And then he dies.

At this point in Buffy's life, there are a lot of reasons why Buffy wouldn't want a relationship in my opinion. But not the least of which is the fact that she MUST be able to answer the question of why none of these guys she loves ever believe her? (Even if you don't think she did love Spike, to Buffy I doubt that would matter -- HE didn't believe her EITHER [and how dare he not believe me, by the way!]).

It's a concept I just managed to sort out (in the shower, of course), and I don't think it's an "obvious" connection, but I do think it's an extremely valid one. I think before I'm done, I'll have to work this into the story somehow. And not resolve it, because I don't think it's easily resolved, and I think it's an issue outside the scope of what I'm trying to do, but I think the issue should be raised.

Season 9 Episode Ideas

Episode where everybody speaks in rhymes. Possible reintroduction for Faerie character?

De-aging episode, Giles' 50th birthday. Courtesy of Ethan Rayne. ("Many Happy Returns"?) Zaps Giles, Willow, Buffy and Xander back to four or five or so, leaving Tara, Faith and Dawn to look after them.

Episode dealing with the murderers in the group: Faith, Willow and Giles. Finch's son/daughter hunts down Faith to (confront? get revenge?) for his death. Sub-plots for Willow/Warren and Giles/Ben. Interesting to note that Faith is the only one who has ever shown any regret for her murder.

Herculean labors parallel. Xander? ("Labor Day"?)

Seven deadly sins with each main character embodying one of the sins? The one least like themselves?

Buffy: Greed

Willow: Sloth

Xander: Pride

Giles: Envy

Tara: Wrath

Dawn: Lust

Faith: Gluttony

Some other Slayer in the past, fighting an enemy that arises today. The gang have to read through the old Watcher's diaries to learn about him and how she defeated it. Shows this old Slayer and her Watcher via flashback. Maybe our Big Bads?

The characters get sent into Faerie Tales where they're forced to sort of act out the tales they're in.

Inanimate creation of some sort (puppet like) who makes other inanimate objects come to life. Specifically mannequins, by switching them out for real people. Some Scoobies, of course, fall victim to this.

Xander getting set up on blind dates. Amusing segment where Xander explains to date after date about what happened to his eye, each reason becoming more and more outlandish. Finally he just gives up and tells the truth - "It was gouged out by a crazy preacher man." The date laughs: "You're so funny!" Could end with Xander getting fixed up with the girl we introduced in S8 and possibly have seen a few times since then - Xander's love interest.

Revisit ideas: nameless, faceless army for the good guys, what are we doing with our army?

Tara dealing with family issues. Why am I back? Madrigan as new father.

Banan the collector

Alt world where Core4 seen like 4 horsemen (Title: "The Four"?)

Conversation where some characters are guessing who would've been the next successor to the Slayer line.

"Other side" episode with dead characters

Buffy/Dawn ep about Buffy's role in Dawn's life. Seeing the others intreract with her, wondering what her place is in Dawn's life. Parallel with flashbacks about VS and her sister. Starts with Buffy finding Grip and Dawn making out, leads to Buffy giving Dawn "the talk" and failing miserably. ("Sometimes, after you and a guy ...... they CHANGE.") Dawn learns nothing, goes to Tara from there, who knows nothing about having sex with a guy, but is supportive and encouraging. Buffy overhears and then begins to try to find how she fits into Dawn's life. We learn at the end that although B/D are vastly different from the VS and her sis, the bond is still just as strong.

Willow (and Tara) meeting up with Willow's parents again.

Big Bads

Vampires, return to the simpler times a bit. Not apocalyptic, but personal. Female vamp with a real mad-on for Buffy. Pissed because Buffy failed to save her? Also possibly some sort of vampire army. Fem is a modern-day Sun Tzu, right hand to this guy in charge of everything.

Addition (3Jul04): After some discussion, we're leaning toward making the femvamp a Slayer who was turned waaaay the heck back when. Possibly held or captured by some other vampire later on in life, and she was released by the head of the army, thus earning her allegiance. Maybe she's Japanese and thus very honourable? If we take her from 1600 or 1700's Japan, that might work out well. Might also give added weight to why her soul has no bearing on halting her quest for vengeance - honor demands that her sister's death be avenged. Possible imagery: maybe she was tortured by whoever held her? The mental image of big ol' cross scar over her eye is intriguing.

Season 9 Episode Chart

Notes

Need to work out (soon!) everybody's hell stuff so it can be incorporated into earlier episodes.

Willow versus hacker vamp idea. Why? What's at stake? Possible fill for humour ep at 9x16?

Corollary: Replot Willow's arc through S9 and possibly into S10.

Get new prophecy for Giles.

Work in at least one other prophecy stanza this season. Important to figure out soon. Who, when, how?

** This was a chart which doesn’t translate well to Tumblr, so I’ll break the cells apart and show column separation with ||

Updated - 22 June 2005

Ep # || Monster/Conflict || Plot Developments || Focus

9x01 || Vamps || Buffy kills Hitakno || Group

9x02 || Dante || Faith comes home || Faith

9x03 || Slone || Sunnydale HS reunion in LA || Group

9x04 || Vamps/Demons || Yuugana arrives in Trillium, Xander quits the Council || Xander

9x05 || Belastung || Tara goes home. || Tara

9x06 || Ethan || Giles birthday, Scoobies regressed  || Giles

----------------- NOT YET AIRED -----------------

9x07 || Slayer || Demon girl on run from Slayer. Buffy and Slayer at moral odds. Dawn key powers awaken fully. || Buffy/Dawn

9x08 || Amy || Amy cashes in on Willow's debt. (Fake) Buffy accompanies. || Willow

9x09 || D'Hoffryn || Xander makes a wish that Anya hadn't died. || Xander

9x10 || The Furies || The Furies drive Finch's child to revenge. While they're here, they decide to spread the love. || Faith/Giles

9x11 || ??? || Funny episode - Camping trip? || Group(??)

9x12 || Yuugana || Faith visits Hazel's parents (Xander accompanies). Upon return to Trillium, is attacked and nearly killed by Yuugana. || Faith/Xander

9x13 || Yuugana/General || Sister's parallel. Buffy and Dawn, Yuugana and Hitanko. Yuu's backstory. General arrives, drains Willow and Dawn. || Yuugana/Buffy

9x14 || Yuugana/General || Buffy insists that the gang re-ensoul Yuugana. They do so; it makes no difference. Buffy attacked, put in coma. || Buffy/Group

9x15 || Antediluvian || In an effort to save Buffy, Tara, Xander, Dawn and Kennedy go in search of Ruth, and the Antediluvian. || Tara/Group

9x16 || ??? || Funny episode - ??? || Willow(??)

9x17 || The General || The General's plans come to fruition. || Group

9x18 || Giles' Demon || A demon Giles thought defeated years ago comes back to continue their arrangement. || Giles

9x19 || 7 Sins || The Seven Sins are unleashed on the Scoobies. || Group

9x20 || The General/Yuugana || The General releases Yuugana and they formulate a new plan involving Dawn. Yuugana kills the General and takes Dawn as bait. || Group(?)

9x21 || Yuugana || Part 1. Yuugana takes Dawn into the Private Hell place where she was recently kept. The Scoobies must follow. || Group

9x22 || Yuugana || Part 2. The Scoobies fight their way through their personal hell. Buffy vs Yuugana. || Group

Original Chart

** “VS” stands for “vampiric slayer”, so Yuugana before she had a name.

Ep # || Monster/Conflict || Plot Developments || Focus

9x01 || Vamps || Buffy kills the VS's sister || Group

9x02 || Serial killer || Faith comes home??

9x03 || ?? || Sunnydale HS reunion in LA || ??/Group(?)

9x04 || ?? (vamps?) || VS arrives in Trillium || ??/Group(?)

9x05 || ?? || Tara goes home. VS denied immediate revenge. || Tara

9x06 || Amy || Amy collects on debt. Wants Will to help her get a book. ||  Willow/Buffy

9x07 || Ethan Rayne || Giles birthday/regression || Giles

9x08 || Doc || Dawn & Doc - Key powers fully awoken || Dawn

9x09 || Finch's child (furies?) || Murderers haunted by past || Faith (lesser: W, G)

9x10 || D'Hoffryn || Xander's wish (Anya) || Xander

9x11 || VS/?? || Sister's parallel episode || Buffy/Dawn

9x12 || Monster in woods || Camping trip (Tara and blade of grass) || Group

9x13 || VS || Buffy vs. VS -- VS ensouled, Buffy drained || Buffy

9x14 || VS minions(?) || Buffy injured. Group goes after Antediluvian || Tara/Group

9x15 || ?? || "Labor Day" (Kenn still around) || Xander

9x16 || artifact || 7 Deadly Sins || Group

9x17 || Computer Program || Willow and the computer program || Willow

9x18 || ?? || Faith visits Hazel's parents || Faith/Xander

9x19 || Demon || Demon that's possessed Giles. Comes every 10(?) years. || Giles

9x20 || General || Fight with General - General loses || Group

9x21 || Demon Dimension || Four Horsemen ("Four"?) [Abortive attempt by VS to separate Buffy from her strongest allies?] || B/W/X/G

9x22 || VS || Big battle -- Buffy vs. VS || Buffy/Group

Yuugana

need: how does Buffy come to believe what she does about Yuu? Conversation beforehand? Difficult. Why doesn't Yuu just kill her? Could make threat, but then Buffy is gambling with everyone, and makes no sense why Yuu nearly kills Buffy later. (Especially as threat will come when Buffy falls unconscious.)

Buffy must be able to draw conclusions ahead of time. Paint picture of Yuu that Buffy will be privvy to. Draw parallels b/w Buffy's life and Yuugana's life. Buffy will internalize.

NEED: When/How will gang find out that she is Yuugana? When will this name be dropped? How? May be good if we can draw General as being very, very powerful. They're afraid of him. Getting Yuu on their side would be huge in fighting him.

Idea: General nearly kills Dawn, draining key powers. Yuu saves her. Buffy thinks it is because Yuu knows what it's like to lose a sister. In truth, Yuu isn't ready for Dawn to die yet - that will be the most painful blow of all.

buffy believes -- utterly believes -- that Yuugana will be good if given her soul. Spike was good, Angel was good ... maybe all vampires can do good if given the chance? Who is she to be judge, jury and executioner?

Internalized: this could be me. What would I do if someone killed Dawn?

** I found two sets of Season 9 character arc notes. The first set are what I think what I was mainly working from, but I’m not 100%.

Character Emotional/Plot Arcs – Season 9

Season Theme: Consequences

Buffy

Will be target of the Big Bad’s wrath as a consequence of killing the BB’s sister early in the season. Buffy’s primary emotional arc will be in the realization that every action, even the most seemingly natural or inconsequential, has far-reaching repercussions, that affect not just Buffy but those she loves.

Willow

Willow’s emotional arc returns to one that was never resolved or given enough attention (or mangled thanks to magic=crack) – control issues. Throughout Willow’s history on BtVS, she’s exhibited time and again a deep NEED to control the things around her. Her need for this never changed, save for her becoming so paranoid she was afraid to breath for fear of killing everyone in S7. Her catalyst for these deep-seeded emotional problems re-emerging stem from a few basic changes. 1) Tara’s back, and Willow doesn’t think she can take losing her again. 2) The Big Bad has made things very, very personal. And Willow remembers only too well what happened last time a Big Bad vampire took things personal. 3) This Big Bad is smart. Really smart. In some ways, even smarter than Willow. And for all the enemies they’ve faced, Will’s never had to go against someone who’s been able to out think her before. And she freaks.

We’re going to have to be careful with this one, though, because we don’t want a return to “Willow Uses Way Too Much Magick” again. We’re therefore going to have to find others ways in which Willow exercises that control trigger finger. Her computer skills could certainly help out to a degree, as well as her smarts, but we’re going to have to be careful. We definitely don’t want a rehash of S6’s problems. Willow is – or very much should be – wiser than that now. And while Will has sort of always had a bad case of “the ends justify the means”, we don’t want a rehash. So care is needed.

We could help to show this by maybe having Willow do something like casting a really powerful protection spell that somehow backfires. What will be vitally important here is taking care to make it very clear that Willow isn’t relying on magick for every little thing (no spells for decoration or closing curtains) … the magick is simply her most powerful tool for keeping everyone safe. This should NOT be about black magick, but about a need for control.

NOTE (4Jul04): After discussions, will probably meld Will's character arc with the fact that Buffy and others (Tara and Giles probably excepted) don't fully appreciate or realize the pressures they put on Willow to come up with the answers and be the big gun, while simultaneously not wanting her to go too far. Magick is bad, except when they need it. They don't accept their own consequences for the actions they push her toward. This still feeds into Willow's character flaws above - her need to protect everyone, to be the best, to keep the nasty stuff at bay.

Xander

Xander, being the human element, will have the root of his emotional arc derive from one of the most basic of human desires: to live forever. Not in the biologically immortal sense, but by wanting to live on long after he’s died. Xander realizes that of all his friends, he is the one that history is least likely to remember. The odds on him being studied in school centuries from now are next to nothing. Buffy will be recalled as the world’s most successful Slayer. Willow as the witch whose spell changed the world. Giles as the founder of the new Watcher’s Council (and new world order?) Any history mentioning Willow is almost guaranteed to include Tara as well. Dawn and her Key potential is fascinating and going to be mentioned … but Xander? There’s nothing so remarkable about Xander, he feels, and thus begins his quest to somehow ensure his own immortality to history.

This might somehow be triggered by the emergence of a new sort of threat. With Slayers all over the world, there’s absolutely no way that NOBODY is going to notice them. Even if people in the Buffyverse have shown time and again that they’ll simply ignore what they either can’t or are unwilling to understand (gang related, PCP), not everybody is so willing to pull down the veil. Thus begins the emergence of a conspiracy theorist, someone who somehow has managed to trace his story to Slayer Central. In doing so, he somehow manages to put a level of importance on each of the Scoobies … except Xander. Which stings.

Xander would eventually come to realize that while history may not remember him, those he loves certainly will, and when all’s said and done, that’s enough for him.

Giles

Giles’ arc will come out of an inevitability – his age. One of the earliest episodes will be reflecting on the fact that Giles is now 50. He’s done such a good job with the Council that much of the bureaucracy continues without his direct involvement. He’s not really keen on that side of things anyway, so he’s not sorry to see it go. But what he does want to do instead is get into the thick of things physically. But, unfortunately, he simply can’t anymore, and it’s a lesson he very much doesn’t want to learn. Giles will ultimately come to realize, however, that while he can’t swing a sword to match the Slayer, what he DOES have is his incredible mind, which will certainly be put to great use in the confrontations with the Sun Tzu-like Big Bad. The fight could not be won without Giles’ intellectual input.

Tara

Tara will spend much of her arc wondering about her place. When she was alive, she had some difficulty in fitting in. And it wasn’t until just before her death that she really started to come into her own. A year and a half has passed now, however, and things and people have changed. Tara aspires to be more than just an extension of Willow, and as voiced in “Family”, she wants very much to feel useful to the Scoobies.

But Tara’s need to find where she fits extends beyond simply within the Scoobs. Tara has a very definite sense of nature and balance, and her being brought back from the dead is something of an abhorrence to her. She can’t quite shake the feeling that in order for her to have been brought back, something had to go out in her place to keep the balance. What that may have been disturbs her beyond words.

How exactly these issues become resolved is currently unclear. Tara should certainly remain the moral and emotional center of the Scoobies. She has more power now, but power was always Willow’s contribution, not Tara’s. On the death thing, perhaps something mystical helps her? Maybe the big Wicca chick we bring in at the end of S8 can help somehow? Show that Tara’s coming back was, in its own way, as natural as her passing was UNnatural. Her return is, in and of itself, a righting of the scales.

Dawn

This is a big year for Dawn. She’s a senior in high school. She’s turning 18. She’s becoming an adult. Oh, yeah, and she’ll finally figure out that she’s got all those Key powers still. Dawn’s story will be about transitions. From childhood to adulthood, from being just a normal (as normal as she could be) girl to having all those powers as the Key and whatever that implies for her. We will also need to decide this year where Dawn’s going to college (her awakening Key powers could be a good excuse to keep her local).

Faith

Faith’s story is going to be about guilt. Hazel’s death at the end of the previous season happened right before we ended the whole thing, so at that point we will have gotten to see precious little carryover. This is the time to dwell on that. Faith would feel tremendous guilt over Hazel’s death – Faith is the one who recruited Hazel, who brought her there. She was Hazel’s mentor, and Hazel sacrificed herself for Faith. We don’t want to retread over the “do I belong here?” line, since we’re dealing with that in S8, but Faith should certainly be questioning whether or not she should be leading little girls into dangerous battles. It’s one thing for Faith to risk her life night after night, but another entirely to be responsible for the lives and deaths of others. Unsure how this will resolve, but it seems the logical arc for Faith given the closing of the previous season.

Big Bad

NOTE: We’re going to have to come up with a really good reason why Willow just doesn’t ensoul the vamp chick … or she does and it makes no difference at all. Could be an interesting commentary about vampires and souls. Hm.

The more we’re discussing this, the more we’re liking this idea. The notion of souls in the Buffyverse has always been sort of hazy at best. Loosely, they seemed to be of the opinion that getting a soul somehow made you good … but there are countless number of humans in the world (and the Buffyverse – look at Warren) who are human and, one therefore assumes, have a soul. Yet they are still capable of great evil. Even more so than some demons that they encounter. So despite however neat and pat Buffy likes to make it sometimes, a soul does NOT automatically mean that someone is going to be good. And maybe that throws her for a hell of a loop. Willow ensouls the BB, but it doesn’t make one bit of difference. Vengeance is, after all, as much a human emotion as anything else, and the BB still wants Buffy to suffer horribly for what she’s done. At most, the BB may feel some measure of guilt for the people that she’s had to kill over the past 300 or 400 years (however long she’s been vamped), but as it turns out, she doesn’t. She looks at it with the detached, cold impracticality possessed by Slayers – she did what she had to in order to survive. Maybe she wasn’t a fan of torture (we’re painting her very logical and such, so this should work okay), and simply did what she needed to. The Slayer in and of itself is very predatorial and most definitely a survivor – there’s not necessarily much difference between them, and this will further demonstrate that fact.

This could also further add to Willow’s continued feeling of being out of control. This SHOULD have worked and didn’t.

Season 9 Character Arcs

Buffy:

Buffy's arc will deal with a continuing gray area between what is good and what is evil. What is a soul really? Does having a soul make you good by default? The vampiric Slayer will prove that's not necessarily the case. Additionally, Buffy will be trying to sort out a few things about her life. What does she ultimately want to do? She could very well be the first Slayer in history to die of old age. Does she want to be involved with that all her life, or does she want more? Would Buffy maybe like to return to school? (Might be fun to have her and Tara going back to school together.) Around midway point, Buffy is nearly drained to death by vamp Slayer, she must rely on others to take care of her - doesn't always have to be the strong one.

Willow:

Willow will come to the realization that her magick is of no use against the Big Bad this year. What is Willow without her magick? What else can she contribute? Progressively, other things may fail as well, so that Willow is systematically deconstructed and having to find her true purpose and how she can contribute outside of her raw power.

Xander:

Xander will explore his roles this season. He's said that he won't be forgotten or shoved aside, so then the question becomes, how will he contribute? It's up to Xander to answer this question. He tries his hand at a variety of roles - maybe a Watcher, maybe a husband (though he's already "failed" at that one). Come the end, he realizes that his role is support, and it's the role he's always fallen into naturally.

Giles:

Giles is pulling away from the others. He's beginning to see the Slayers as nameless, faceless people. He realizes that he'll have to sacrifice them - and some part of himself - again at some point in the future, so he's subconsciously distancing himself from the pain. He's slowly becoming the Old Council. Comes to realize that while he may have to distance himself from the body as a whole, it doesn't mean he shouldn't have any attachments at all. And that he can be those two people - the one that can love them, but still sacrifice them for the greater good if necessary (which will work, as Giles will ultimately sacrifice himself, NOT for the greater good but because he doesn't want them to die).  ** Which may be a good time to point out that I was going to kill Giles next season, kisses.

Tara:

Tara's quest this year will be for her place. She's died and come back, but this isn't "right". There is a balance in things, and she feels she's upset that balance. She'll explore her past and her family to find out why, in a grander sense, she's back and how she fits in now.

Tara and Willow:

Tara discovers that Willow has somewhat enshrined her as a result of her death and return. Willow caves to Tara almost constantly, and it's beginning to affect them both, but Willow can't bring herself to fight with Tara as a result of what happens every time they fight. She doesn't want Tara to go away again. They must fight, they have to learn that it's okay. Tara pushes it with Willow and makes it happen. Maybe when Tara goes to visit her family, that's the catalyst.

Dawn:

Dawn becomes victim of the time-old adage, "be careful what you wish for". She's always wanted to be a Scooby, but now that's beginning to conflict with her other desire to be a regular teenaged girl and her other big desire: to be an adult. All these worlds are colliding and Dawn's not sure which is more important. Blows off Scooby things for friend-things sometimes. Blows off friend-things for Scooby-things.

Re Grip: They're getting closer, but she keeps having to put off things with him due to Scooby situations. Grip notices and (kindly) confronts her, wondering if she really just doesn't want to see him anymore but doesn't know how to tell him. When he finds out about the baddies, he'll back away, needing time to process. Poor Dawnie.

Faith:

Faith will spend the season getting back onto the redemptive path she's been on for years. She doesn't feel bad that she killed Judith and is wondering what the means (somewhat like when her mother died). She'll learn that just because she's stumbled doesn't mean she's fallen. She begins in England, hiding out from Trillium. Thinking she should go solo, it was easier when she didn't have anyone else to worry about. Doesn't want to go back, but Kennedy pushes her. Once back, Faith avoids everyone. Should Giles maybe get Faith into therapy?

Buffy agitated that Faith isn't really being punished. Faith points out that a lot of people around Buffy are killers and they've never been punished either. Buffy needs things black and white, Faith is another shade of grey and it's getting harder and harder for her to do her job.

Xander gets to the heart of things too much, and Faith doesn't want to deal with that. Finally it's Willow who lets Faith know that there's someone who DOES understand. It's the first step in getting Faith back into things, but she still doesn't want to teach.

Maybe at some point in the season, Faith takes off? If so, Xander should probably pursue. (Might tie in nicely to Xander's "what's my role?" arc. Perhaps he has a job interview or something that he can't miss out on that will further define him, but he misses it because he has to help Faith, and that's the choice he makes) Could be where Hazel's death gets resolved. Goes to Hazel's house and parents for that?

Faith's murder issue will probably come to a head when she's face-to-face with Finch's child. Kid wants revenge, and Faith understands that. States how it won't make anything better, but gives up and says that if s/he wants it so bad, just take it. S/he doesn't, of course, which would probably disappoint Faith to a degree.

Maybe show Faith just starting to teach again at the end of the season, rather than some big culmination. Maybe she's forced into it when the VS keeps the other Slayers occupied? Buffy would be elsewhere at the time.

  The Big Bad

** These are some of my earliest notes, as reflected in how I’m using my placeholder names like “Dark Coven”. A lot of it deals with what happened in S8, but it outlines the larger arc, which would have come to a head in S10.

What the Bad Guys Want

The Dark Coven is seeking to reawaken The Old Ones. As per Giles in “Welcome to the Hellmouth", the Old Ones were driven out when the lost their "purchase" on this reality. The last vestiges of the Old Ones fed on a human, mixed their blood, and created the first vampire. This proves that humans were around during the time of the Old Ones. He also states that vamps, demons and some magicks are leftovers from the time of the Old Ones.

The Dark Coven is a group that has been around since the time of the Old Ones. They are in allegiance with them, and are currently seeking to free them. In their current incarnation, they are very, very close (comparatively speaking). The Old Ones are sealed away somewhere by a series of extremely intricate locks, well nigh impenetrable. But they actually are already well on their way to opening them.

More than anything else, the DC is a master of manipulation with OODLES of patience. They've been working on freeing the Old Ones since their imprisonment. As is eventually revealed, they have been twisting events with the Scoobies for years, bringing them to the point where the Old Ones are ready to be freed.

When the Old Ones Roamed

They were, quite simply, lords of their domain. They are few in number, but unfathomably powerful. As with many nigh-omnipotent beings, however, they became bored and complacent. They began to tinker with things and began creating demons, unleashing them on the world. The demons, however, were little more than slaves, and no matter how evil, nothing much likes being enslaved. The demons, together with humans (quite possibly including the Shadow Men from "Get it Done") were able to ensnare the Old Ones -- you can't kill them, but they were imprisoned. Once the Old Ones were gone, their power slowly vanished, diminishing their partners/lackies/etc. (like the DC), and leaving the created demons and humans to fight over the rest of the land.

Season 6 Manipulation

The DC, although powerful, are themselves, collectively, unable to open the remaining locks (if they could ever open any at all). However they soon discovered one girl, Willow Rosenberg, who had the innate ability to channel the energies necessary to set things into motion. She just needed the right motivation to get the power.

Exactly how far their manipulation into these events goes, we don't know. What is for certain is that they fixed it so that Tara would be shot and killed by Warren's stray bullet. (The reasoning for this idea: there's absolutely no way the bullet could have possibly killed Tara in the way it did. Warren was in the backyard, running away and shooting upwards. Tara was standing by the bedroom window on the second story. The bullet shot through the glass, and through her, at no angle at all. Obviously in-show this was done for dramatic purposes, but they left a door open for outside creative interpretation and I’m going through it.)

As they knew it would, this prompts Willow to become hell-bent on revenge and absorb enough power to destroy the world. She goes to Kingman's Bluff, raises the effigy of Proserpexa, and begins to funnel her energies into it. Had she done this enough, she would have raised one of the Old Ones herself (or Proserpexa could have take the next step in unlocking one of the doors), however Xander interceded and saved Willow before this could happen.

NOTE: Perhaps Xander's interception is what was actually needed here? I always found it interesting that he completely blocked and seemingly absorbed all that power Willow was throwing at the effigy without even blinking. Was this maybe super-charging him for something? Could this maybe be key to what they will need to save him from later on? (S10 stuff.)

The Proserpexa angle maybe have been removed, but the DC didn't mind -- Willow had now unlocked enough of the power within herself to open another lock.

Season 7 Manipulation

This stems from a whole lot of S7 never really standing up to much scrutiny. Take, for example, the scythe. Caleb and the First spend SO much time and energy in uncovering the scythe, claiming to know how very important it was to NOT allow Buffy & Co. to get it -- when if they hadn't even been trying to get it, Buffy wouldn't have ever known it was there. This in and of itself seems to make ZERO sense, particularly since it never seemed to be that the First could use the scythe himself -- it was all about keeping it from the Slayer. So, very stupid to not only sit on the darned thing, but to ACTIVELY BRING YOUR ENEMIES TO IT (the "trap" in "Dirty Girls" leads Buffy and the Slayers to the vineyard, They never would have bothered going there otherwise).

My reasoning: The First is also an Old One. And he set his plan up specifically to fail. He himself is immortal, he cannot die. And he doesn't really give a crap about ubervamps and Bringers. Their plan all along was to make the Scoobies unleash the scythe to awaken all the Slayers.

Why? As mentioned in "Get it Done", there is a well of Slayer power. That well is usually filled nearly to capacity. It was, after all, only being used by Buffy, and then Faith. The fact that the emergence of a second Slayer did nothing to diminish either's power indicates that it's not shared on that kind of level. In addition, the awakening of all the Slayers at the end of "Chosen" didn't seem to cause any sort of power drain. Instead, we theorize that the well is deep, but has a finite capacity. When Willow did the spell, she in essence pulled the stopper on the well and drained it dry. This well, however, happens to be one of the keys to freeing the Old Ones, and once it drops to a certain level, the "door" that it locks is open.

Moving on -- The Chosen

When Slayers die now, one is not called in their place. There is a finite number of Slayers in the world now. When they die, their Slayerness returns to the well. Only once it reaches a certain level (presumably it's "default" state, pre-spell) will the "natural" process resume. The DC obviously don't want this to happen, as once it "refills" to a certain point, the door will close again. Hence their working with the Assemblage of Merodoch (previously, "Dark Council"); by harnessing and funneling the Slayerness into an already existing Slayer, it does not return to the well, hence no refill.

But that isn't the only reason the DC are working with the Assemblage. The AoM also has another key: an angel that they're keeping chained up in the deepest sublevel of their headquarters. This angel has, perhaps, been around as long as the Old Ones themselves. Perhaps he even aided in imprisoning them. He was captured shortly thereafter, however, and has remained that way ever since (we're talking pretty close to pre-recorded history here, as long as the Slayer line has been in existence, possibly longer).

Idea: The angel can only be freed by a descendant of one who imprisoned him in the first place. Maybe a Giles?

He is a key -- maybe something he says? His true name, perhaps? The DC want him, but the AoM have him and won't give him up. They have said, however, that once Order is restored to the world, they will provide the DC with the means to do whatever they need to do with him. The DC is okay with this -- they're currently getting something from the Council (someone to alert them to the need to funnel Slayer energy and someone to keep all that tiresome business together while they focus on the really important stuff).

Like good ol' Willow Rosenberg.

They call Willow "The Sangerand" ("the bloody"), and they should absolutely not be done with her yet. Willow's independent further role, we don't yet know, but she commands their greatest amount of attention. Her, and Tara. ("The Curat", or "the pure"?)

When they resurrect Tara, it is ostensibly under the guise of killing Willow. However the true reason is to fulfill Tara's part of this prophecy (which includes her death, resurrection and making the choice to not kill Willow), possibly including the sharing of power that Willow will need to do to save them.

Thinking on it, it would be cool to have each Scooby play an important role somehow in all of this. Sort of like their being together in this way was a fated thing. "The Chosen" indeed.

**ADDENDUM** I really like this idea of each Scooby playing a particular role. This could still lead up to the eventual death of Giles, which in and of itself will provide the beginnings of the Coven's downfall. They do whatever they're doing to Xander, which will kill him - but that won't matter because his role in unlocking the door will be done. Will is going to be doing the spell to save him, which will kill her in turn, but that's okay too because her part is also played in releasing the Old Ones. Giles, however, has NOT yet done his part, and he completely surprises everyone when he takes Willow's place, thereby saving both Will and Xander. This totally throws the Coven for a loop, though obviously they must still be able to do what they need to without Giles, else their plans are over with right then and there. It's crucial that his sacrifice NOT be part of the DC's plans, else it takes away from its poignancy.

Will need some sort of prophecy-type thing detailing what is needed to be done to release the Old Ones. Should be nice and vague, but with meaning once you figure it out.

Scooby Designations

Willow: The Sangerand ("the bloody")

Tara: The Curat ("the pure")

Xander: The Vedere ("the sight"), The Asar ("all-seeing eye") -- "The Baani" ("The Architect" - Urdu)

Buffy: The Kusari ("the chain"), The Revenire ("the returned"), The Gula or The Bau ("Lady Who the Dead Bring Back to Life")

Giles: The Verhaal ("the history"), The Shoukin/The Infria, ("redemption"), The Shin'ar ("Land of the Watchers")

Faith: ("the dark"), ("the restrained"), ("the wild")

Dawn: ("the cherished"), ("the gateway"), ("the portal"), ("the key")

The Prophecy

Opening Quatrain

Buffy :: The Trimarga :: Three Path A heartbeat thrice begun A death mark thrice given All roads lead to the town of three When her spilled blood shall spill again

Willow :: The Sangerand :: The Bloody Blood flowing, blood taken Forces awoken, decline and ascent Blood given, life exchanged Freely, she will fall

Xander :: The Baani :: The Builder Grief and rage, life's destruction Mind and body, life's cohesion Heart and spirit, life's devotion Melding, merging; essence anew

Giles :: The Tezan :: The Way Forger of paths, the first and his kin The demon wields the plague of black Summoner, banisher Pierce the barrier, paths renewed

Tara :: The Curat :: The Pure Birth and rebirth, the cycle complete Connected to evil, untainted Power innate and power borrowed Through the light she will free the ancient one

Dawn :: The Amelatu :: The Gatekeeper Living energy made flesh and form Younger in life, older than death Truth altered, life shed And the walls will fall

The Slayer Well Solitary hunter, night's enemy She alone will stand When the well is drained and strength is shared One becomes Many

Closing Quatrain And so it is written Seven locks hold fast The masters expelled, the world cleansed Until the Chosen play their part

Seven keys for seven locks From the first to fall, five score and one If all locks turn, the door lay open And the Old Ones shall reclaim the Earth

Buffy: The Trimarga ("three path" :: the triple path of Knowledge [jnanayoga], Devotion [bhaktiyoga] and Action [karmayoga]). Three times her heart has started beating, three times she's been marked by a vampire (Angel, Dracula and the Vamp Slayer [yet to happen) and in town of threes(??). Something to do with blood - some of it needed to open the lock. Blood of a Slayer is already potent, and Buffy's was obviously enough to close the portal in place of Dawn.

Willow: The Sangerand ("the bloody"). Willow will cast a blood-sacrifice spell, that will enable her to willingly exchange her life for another. It has to be this spell based upon how Mads and the others are killing Xander. Very, very powerful, only she can do it. The flow of the energies will open the lock.

Xander: The Baani ('the builder"). Xander is the "incuabator" for two very powerful magicks. They don't impact him directly, but it is his nature - his very self - that will enable them to merge within him to create something new. The first blast came from Willow on Kingman's Bluff. The second, from the orb destroyed in "Win, Lose or Draw". Madrigan will take Xander around the mid-point of S10 to extract the magicks from him. It will kill him in the process, but that's of little concern.

Giles: The Tezan ("the way"). Giles' role is to obtain a ring that has been in his family for generations upon generations. Unknown to those recently, the jewel of the ring actually contains a demon - a demon that was the original cause of the Black Plague in the 1330's. Giles' ancestor, a powerful warlock for the Council, was the first human to pierce the barrier between this dimension and a demon dimension where he summoned a demon and bound it to his service. The demon was sent to China, where it was supposed to take out a group of other demonic creatures trying to open a Hellmouth there. It did indeed do that, but not before starting the plague. The Council, rather than destroy the ring and banish the creature, said "We'll control it better next time." The ring's purpose was eventually lost,. Giles is supposed to release and then banish the demon, again piercing the dimensional barrier and opening that lock. ** He dies instead, sacrificing himself to save both Willow and Xander. Oops.

Tara: The Curat ("the pure"). Tara's lock will open upon her freeing the Antediluvian. The Antediluvian is an angelic creature that was captured by Robespierre's ancestors. Its imprisonment means the lock is sealed - its freedom opens it. Tara is able to free it due to her lineage as a witch, her purity of spirit, her completed cycle of birth and rebirth, and (by binding with Willow) her immense white magick power creating the necessary conditions. Ruth, Tara's grandmother or great-grandmother, was also thought at one time to have been the Curat, but was not. However she does recognize the qualities within Tara. (Perhaps the Antediluvian, despite its imprisonment being a good thing, can do great good if it's released?)  ** Later in S9, Tara and Co. would have freed the Antediluvian to save Buffy after Yuugana’s attack.

Dawn: The Amelatu ("the gatekeeper"). Dawn herself is able to open the lock. Not a lot of detail here. We'll need to sort out somehow or another that Dawn will do this ... or perhaps she already has? There seems to be little better time for Dawn to have opened the necessary lock than when all the dimensional walls were coming down.

Additional Lock: The well of Slayer power being drained. This was done by Willow in S7, but is not Willow's specific key.

Additional Info: Once any lock falls, there is a "timer" of 100 years for the rest to fall, or they all lock again.

** It may not escape notice that Faith is not part of this prophecy. That became by design, not oversight. I loved how this idea of “The Chosen” worked into the larger series theme, but I also hate the ideas of fate and destiny being controlling factors. Faith was going to be my argument against all that. When all the prophecy pieces were revealed, Faith would (rather defeatedly in her Faith way) note that she had no part to play. But she is the embodiment of being Chosen, as the characters choose to have Faith by their side and fuck prophecy anyway. Their unreserved acceptance of Faith, and Faith’s acceptance of THAT, would have been the culmination of her character arc in S10 (and my series).

S10 Ideas

Something to do with tarot cards, with each member maybe being a particular card?

Several characters get thrown back in time to an earlier season. Dawn especially should go, as she wasn't around then.

stained glass idea. couples. Buffy left free. Valentine's day ep.

"The Impossible Dream" - Man of La Mancha lyrics

Faith having conversation with Kendra -- result of illness, injury, or prophetic dream

** An episode I was definitely going to do, but frustratingly can’t find any notes for (making me feel there must be SOMETHING else out there somewhere but fuck me if I know where) had Willow and Tara going to Los Angels and visiting Lorne’s bar, Caritas.

S10 Ending

Everyone ends on a thematic note, their actions in the final battle bringing together 10 years of development:

Giles's sacrifice makes victory possible - by finally following his heart rather than his duty he saves the world.

Xander, by virtue (and surprise) of simply being Xander, strikes the final blow.

Willow succeeds only by keeping herself in check, refusing to break and believing that she can win.

Buffy's victories come from not only sharing herself (mentally to Willow and physically to Faith and Kennedy) but truly, finally, accepting that she's not in this alone.

Dawn makes the sacrifice she was destined to make from the moment she was created.

Tara is the touchstone, giving the strength and support to everyone else and the lifeline that ultimately saves Dawn.

Faith has no greater role handed to her by fate -- but she's here and kicking ass so screw you, fate.

(work on Kennedy, she ends up fighting w/ Buff and Faith, but does she start there? maybe she and Faith start with Tara and Dawn?)

IDEAS

Seneca final battle. He's winning. Standing over Buffy, gloating smile. Then he finally speaks. Something like, "I've waited a long time to--" Then he gets skewered (Faith or Kennedy, maybe both.) He can't say anything else, just gurgle.  He dies, and the Slayers stand over him.

Buffy: "Blah blah blah. You know, just once I'd like to meet a bad guy who knows how to keep his mouth shut."

Kennedy: "No lie. Still, I wonder what he was going to say?"

Faith: "Who the hell cares?"

Buffy HAS to be part of final Madrigan fight. She goes initially with Xander and Willow. Xander gets struck down by Mads, seemingly dead. Buffy gets nailed too. Willow needs Buffy to get through this though, and Buff gives Will her strength (flashback to "Same Time Same Place" as well as early Chosen w/ Willow and Buffy being so attuned -- see, not a throw-away plot point! Planned all along!) Leads to good "final" conversation/bonding with them as they search for Madrigan in the mental plane.

Earlier in the season, Madrigan extracting the magick from Xander. Very painful for Xander. Madrigan talking to him though, very chatty, very casual. Xander trying to dig for info, Madrigan clearly seeing through it. He likes the cliche though (exposition while acknowledging how clunky and stupid it is to have exposition here). Mads being real bastard (passively though) to Xander this whole time, noting how Xander isn't even really important in and of himself, it's only what others do with him that counts (maybe include little side wink-nudge point, it's what's inside Xander that matters). Mads ends the conversation by apologizing. "Sorry dude, this has gotta suck for you. Hey, you know what I like to do when I'm down? TV! You like 'Murphy Brown'? I've been Netflixing it." He and Seneca proceed to sit down and watch while Xander is essentially tortured behind them. Mads just turns up the volume.

Season 10 Final Fight

Buffy, Kennedy and Faith will go after Seneca.

Willow and Tara will be walking along in the facility when they're attacked. Tara is thrown away from Willow, who is then going to be caught behind an impenetrable shield with Madrigan. He wants to face her alone on an astral plane of sorts. Tara can't join her. Willow is depowered somewhat as a result of the spell she was casting to save Xander. Madrigan wants to fight her, however. Will surprises him - she thought like him and figured he would do this. As a result, Xander is piggy-backing with her, and she's not alone. Madrigan says that he knows Xander, and Xander won't kill him. He's wrong. X: "He don't know me very well, do he?"

Meanwhile, the door to release the Old Ones is opening and they can't stop it. Or they think they can't. Dawn realizes that she, being the Key, can. She begins to do so, but it's taking so much power, it's essentially killing her. Dawn is reverting to pure energy form. Buffy screams at her, tells her not to, but Dawn says she's spent the past five years wondering - feeling, even - that she should've died on that tower. Now she knows that she wasn't supposed to die, she was supposed to live to do this. "This is the job that I have to do." Buffy can't stop her. Tara fights though, won't let Dawn go. Tara eventually passes out and Dawn disappears. The energy is gone and so is Dawn, but the door is closed and locked again.

Not long after, Buffy goes home. Willow and Xander are with Tara at the hospital (she’s drained but okay). Buffy seems to be alone. She's completely dispirited - Dawn is dead. She enters her room, only to find Dawn there. B: "What are you doing here?" Shades of Dawn's first appearance. Turns out (as we'll learn in the final episode) that Dawn has given up all of her Key powers - for real this time. She is now, completely and utterly, a very real, very normal girl.

** And finally, I give you all with this. It’s a rough sketch of the scene after Giles has died, so would have come about 2/3rd of the way through Season 10. I wrote this in 2004, about a week after the death of my grandfather. I like to think that, if I’d gotten that far, this would have been one of those moments that would have stuck with you. I certainly would’ve tried.

Giles Death Reactions

These are a sequence of silent scenes.

We first see Faith in a darkened training room. She's punching a punching bag.

We're in Giles loft, the lights all dark. The door opens, and Hannah's standing there, on the threshold. She doesn’t enter.

We're in a hospital, private room. There are two beds. The one on the far left contains Xander. He looks gaunt, pale, near death. But breathing. His heart monitor gives a steady readout. Dawn sits next to him, inbetween the two beds. Tears are streaming down her cheeks – simply falling, she's not sobbing. She watches Xander with a fearful, worried expression, then turns to the next bed. There's Willow, also pale and drawn. She doesn't look well either, though not quite as bad as Xander. Tara sits on the other side of the bed, as close to it as she can possibly get. One of Willow's hands is held up in both of hers, Willow's fingers resting on Tara's lips. Tara's eyes are red – she's obviously been crying too. She meets Dawn's gaze. Neither smile.

We're in Giles' office. Buffy is standing in the doorway. Her face is blank.

We're back in the loft, Hannah's position mirroring Buffy's. She walks inside and finds herself drawn toward Giles' stereo system. She runs her hands over the CD collection, full of albums and songs from their past.

Faith's punching of the bag increases. She's venting, her jabs more vicious, more focused. Over her shoulder, we see Kennedy watching.

The hospital. Dawn runs a hand through her hair and wipes her eyes after watching Xander intently. She turns to Willow and watches as Willow opens her eyes and blinks. Dawn watches in surprise, and Willow seems to sense the scrutiny. She turns to Dawn and smiles – just a small smile, a pained one, but it's something. Dawn's face breaks into an expression of pure joy and relief, and she says something. Tara has either been locked in thought or asleep, Willow's hand clutched to her forehead, but her head jerks up at Dawn's words. She focuses on Dawn for the briefest of moments before her eyes go back to Willow. Willow is already looking at her, and she smiles again, a bit stronger this time. Willow says something too, and it causes Tara to laugh. The laugh turns into a sob of relief though, and Tara kisses Willow's hand several times then leans over and kisses her forehead. Will is weak, but is able to give Tara a one-armed hug, kissing her on the cheek, then turning to Dawn and extending her other arm. Dawn is there in a heartbeat, also crying in relief.

Giles' office. Almost trancelike, Buffy moves further into the darkened office, which is lit only by the lamp on the desk. As she walks, her eyes are drawn to things. The rows and rows of books that Giles surrounded himself with. The bookcases that Xander built, not only filled with books but also decorated with knickknacks – various small statues and effigies and an Owl plushie. She looks to the opposite wall, where hangs a variety of pictures, but dominating them all, easily the biggest and with the proudest placement, is a picture of Giles, snapped at a moment none of them were expecting. He was obviously the victim of a random group hug attack – Buffy, Willow, Xander, Tara and Dawn, all hugging him fiercely. Giles has that look on his face where he's trying hard to be annoyed with them, but is secretly loving every moment. Buffy's movement into the office hasn't halted, hasn't slowed from its already snail's pace. She's at the desk now. Bathed in the warm glow of the lamp, she sees a cup of tea, only half-drunk, as though Giles will be returning any moment to finish it. Most prominent, however, are the sealed envelopes on the desk, several of them, each bearing a name. We see Buffy's name on the top one, and can see hints of other's beneath: Willow, Xander, etc. Giles' glasses rest nearby.

Faith is almost in a frenzy of kicks and punches now. Her teeth are clenched and she looks like she wants nothing more than to have the bag turn into the Grim Reaper himself so she can pound the crap out of him. A hand rests on her shoulder, and Faith whirls around to see Kennedy there. Faith looks like she might just start beating the shit out of Kennedy as well, but then Kennedy takes Faith's hand and puts a stake in it. Faith looks down at it questioningly, then looks to Kennedy. Kennedy holds up her own stake. Faith's eyes narrow and she nods, just slightly.

Hannah's by the window in Giles' loft, simply looking out, looking at nothing in particular. She hugs herself and her head drops as she starts to softly cry.

In the hospital room, Willow casts an anxious look at Xander still motionless in his bed. She looks first to Dawn, then Tara, who says something that causes Willow to relax considerably. She smiles, but soon realizes her smiles aren't being returned. She again looks questioningly from one to the other, but neither speak. She's getting really worked up now, scared, and Dawn starts to say something. She doesn't get far, though, before she can't speak any more. Willow turns immediately to Tara, who picks up where Dawn left off. Willow watches, still afraid. Then the fear turns to disbelief. She's starting to cry now and she shakes her head in denial. She looks to Dawn, looking for someone to tell her that what she's heard isn't true, but Dawn can only cry. Willow looks back to Tara again and says something, begging for it not to be true. Tara can only look at her with sympathy and matching pain as Willow dissolves into tears.

Giles office. Buffy is sitting in the corner, her back against the wall, curled in on herself. We can't see her face, but her shaking shoulders tell us all we need to know. She's hugging the Owl plushie for dear life. 

CUT TO BLACK

** And that, my friends, is that.

[gentlethorns]

eeeee 20k words!!! roughly about a third of the way done (i think? kind of hard to tell, i'm just estimating based on my average word count per chapter so far and my estimated number of chapters based on my outline). the glamor of "oooh new shiny project" has worn off but that's okay as long as i keep going. it's still exciting to think that i could finish a long work in its entirety and potentially have a novel to pitch/use as fodder for a portfolio for new grad school apps by the end of the year. overall if i have to exchange that creative mania i used to have in high school for a calmer, more sustainable discipline i think that's a fair and beneficial trade

[cadreformed]

8 PEOPLE I’D LIKE TO GET TO KNOW BETTER.

✨ TAGGING: ✨ TAGGED BY:@90smagicalboy

001   /   alias(es).    none i really like??citrus was p.much forced on me but like i otherwise dont have a pen name 002   /   birthday. march 19th 003   /   zodiac.   pisces sun (technically im a cusp idk) aquarius moon Sagittarius rising 004   /   height.    5′0” 005   /   hobbies.    writing, crocheting, toy modification, videogames, ceramics,tending to my plants, and idk work is becoming all consuming ajgrka 006   /   favourite colour(s).  greens and browns (im colorblind hell if I know what it actually is) 007   /   favourite book(s).    gosh its been so long since ive gotten to read for fun.  Coyote America:A Natural and Supernatural History. The Secret Lives of Trees.  008   /   last song listened to.    i think it was uptown funk idk we were cooking 009   /   last film watched.    oh gosh uh-I dont even remember Im NOTICING A TREND HERE agkahk 010   /   inspiration for muse.   I take a lot of inspiration for my OC’s from folklore or places i see a hole in fiction; ie: tova came because i got pissed off seeing all the sons of charles xavier but no one had at that time created a daughter which i thought was dumb. geist is definitely based on poltergeist activity and also some things i experienced in my own life that just seem so fantastical they make good fodder for stories but seem too unbelievable for real life. mostly growing up gay in a place that was most certainly trapped in the 40s and had definite Stepford Wives. People in grad school were convinced I grew up in a Cult and Im just..Yeah I can see that.

But I mean folklore is a huge inspiration for me. So much so I was writing a book on folklore and fae but I stopped because Things.

Ill also get inspired by relationship types; I love writing familial relationships and platonic friendships because I find them enjoyable.

or like jobs Ill get inspired by careers I see and think huh I wonder what thats like/ what psychological traits make that successful.

I also think aspects/traits are inspiring too. For instance Tova is inspired by very stereotypical femme things and very much an exploration of femme things that I never was allowed to experience because my family thought femininity of any type was weak. So I have a lot of fun exploring fashion and concepts that were offlimits to me as a kid.(Like ballet! or Dance! Or Pink! Or Makeup! Or doing nails!)

I m kicking around a few more OC ideas 

[abitterlifethroughcinema]

      Three Summer Taquilla Behemoths in Cinemas!       WOKE! Film Reviews...Halfway Through Summer                                        by Lucas A Cavazos

It goes without saying that Disney is undoubtedly the strongest hand in all of cinema. They have proved that beyond any shadow of a doubt over many decades but definitely most recently, what with the takeover of Pixar and LucasFilms and Marvel Studios and and and… As I hinted at last time, growing up, whether in Texas or Brooklyn, my dorky bum always had that weekly subscription of Entertainment Weekly waiting for me come week’s end. And that meant I had all the box office data, top album sales, Nielsen TV ratings, book sales and such all there to satiate my stats-obsessed appetite. Now, I bring to you a summer run-down of what fare has been most successful throughout this first half of the summer. Believe it or not, we are only halfway through the summer cinema season and these last six or seven weeks mark the last summer fare that either got delayed from the early summer due to concern of being pulverised by these upcoming blockbusters, or they are merely getting rid of fodder too long on the shelf or in need of distribution.

I’d dare say in fact that it was a rather smart move on behalf of Guy Ritchie and the entire marketing team behind the live-action remake of Aladdin, to release it just before the summer season truly hit. It is now fast closing in on 25€M in Spain alone, and has surpassed 1.1€B globally…quite an accomplished feat and second in box office stealth only behind Endgame for 2019 so far.

But let’s please talk newer reviews first as Disney’s The Lion King ###-1/2 burst into Spanish cinemas with a loud roar two weeks ago, and the same can be said of its success worldwide. Now soon to pass 19€M in Spain in a matter of mere days and more than 1.0€B globally, we at Bitter Life are pleased to say that the film, much like the formerly mentioned live-action remake, is a thing of wonder. What director Jon Favreau, who so lovingly concocted the impeccable remake of The Jungle Book a few years ago, does so well is adapt a timeless, and much beloved, cartoon classic into a breathtaking adventure story of the animal kingdom. One thing is for certain, if you are a true lover of the cartoon, this film will merely be palatable. For those few of us who were none too keen on the cartoon and its cheese-tactic musical numbers nor its cornball last-attempts at Top 40 numbers by Elton John, this film is quite the spectacle to behold. Telling the story of a proud lineage of lions who preside over what could best be described more as a savannah than a jungle, this rendering gives us a lifelike portrayal of fathers and sons, duty and honour, and is easily a testament to whatever family means to any individual. Apart from the brilliant, yet almost frightening, way in which the creators have anthropomorphised the creatures into almost too-real perfection, there isn’t too much to tell that the viewer is not going to know already, and thereby lies a part of the challenge that I find intriguing. While Disney continues to take risks in revamping their classics into live-action newer ones, do they then run the risk of petering out of new ideas? I mean, now that they have Pixar and so many more studios to pick up the slack, will we slowly see the demise of the annual big, Disney cartoon classic? We already have Frozen 2 appearing soon enough in cinemas, but even that is not building anything new and original into the cartoon oeuvre…it’s a damn sequel. I say it’s fair enough that most all investments in Disney live-action prequels are bound to be successful in terms of box office. Still, few of them will boast the talent power of Beyonce and Donald Glover, along with original Mufasa James Earl Jones, plus John Oliver, Seth Rogen, Keegan-Michael Key, Alfre Woodard. Amy Sedaris and so many more. These artists breathe life into a fun, if tired, film that we’ve all seen before, just never in this way. Here’s to hoping the tots of today don’t scare too much from the frolicking if fierce, fun found in this film.

The next big movie that has blown up the taquillas here in Spain is also the best one of the lot…Toy Story 4 ####.  If we have to wait nearly a decade between film sequels to have this type of wonderment thrown lovingly at our eyes, I’ll gladly take it and wait. So far, the film has taken in a nearly whopping 19€M in Spain alone, and it is also nearing 950€M worldwide, so far be it from me to deny that absolute scores of millions agree that this film marks itself in our hearts yet again. It is rather surreal that over the span of well over a generation, the creators have moved through the mid-90s to damn near 2020 with the same revolving door of a family, while carefully detailing the intricacies of our own nostalgia…and playing on that also forces us to love it.  Again, I dare say that they have achieved that tremendously throughout the entirety of the series’ lifespan. The premise this time revolves around Andy, now all grown up and, I’d suppose well past grad school, has donated his toys to little sister Bonnie, who has her own taste on what she prefers to play with versus her older brother, and dear ol’ cowpoke Woody, sensing certain neglect under the ownership of Bonnie, sneaks himself into her rucksack one day y voila!…the new adventure commences. The others set off to search for Woody, outdone by no one less than Buzz Lightyear, who is allowing himself to be led by his inner voice, which fits wonderfully into the guffaws of this type of silly and campy humour. What I began to notice while the screening went on is that the film continues to come up with a specific theme that ties itself into the plot, the denouement and frankly, throughout the film. Simply put, that would be the fear of rejection or not being wanted/accepted. Herein is where story developers like John Lasseter, Andrew Stanton, Rashida Jones, Stephany Folsom, amongst others, and all under the directing tutelage of Josh Cooley, spring to life and steer the film into witty and on-fleek, au courant elements that should make excellent fodder for post-parental conversations! What more can be said? Steal away and grab a 10’er and retreat to the coolness of your local cineplex!

Lastly, the other big box office behemoth so far this summer in Spain’s movie houses is Spider Man: Far From Home ###-1/2, with just under 12€M reaped into the Spanish taquilla coffers. This time around finds us back in live-action mode and with our recurring Marvel characters picking up after the what can only be described as intense ending of Avengers:Endgame. Okay then, while I was not a fan of the new Peter Parker with Homecoming from a couple of years back, I can now see how Tom Holland has taken a stab at ye olde generic if endearing dork-that-could appeal, and he feels much more fluid now a few Marvel flicks in. Director Jon Watts and go-to writers McKenna and Sommers seem to strike a chord with their flow, though we really do have to wait until the last half of the film to see the ebb actually catch up with that flow. Here’s why…our Marvel superheroes have gone bye bye, you dig? Flashbacks of the fallen Marvel superheroes actually made me a tad sad to be honest, so when the injection of the last part kicks in with all its CGI glory, what I take the director and writers to be doing, this time around, is actually showing us how Parker is growing into his own belief within himself and his powers. Zendaya as his love interest, and I’ve monitored her from afar for quite some time, is fun as hell to watch, and she should seriously star in a film version of Sade’s life story, but it really does come down to the charm and vivid need for suspension of disbelief that envelops the characters towards the end of the film. This has a lot to do with the enter-stage-right presence of Quentin Beck, a.k.a. Mysterio, played with an enigmatic if smug awareness by Jake Gyllenhaal, and frankly, all of the myriad cast of characters do their thang to breathe a sense of renewal just when you think the film is getting a tad too slow and eager. From Sam Jackson to Marisa Tomei, though perhaps not Jon Favreau as Stark caretaker Happy Hogan…he’s best suited as a director of Disney re-boots these days, me thinks (see The Lion King review above). Apart from all that, I’d say the Marvel universe has quite rightly fixed another pathway into the continuance of the Spiderverse journey.

[noirbriar]

MDZS x Corpse Party AU Dump :

I said I will do it. SO I SHALL! Okay so we probably wont have a exactly character to character crossover so bear with me!

Imagine everyone here is :

LianHua College

Wei Wuxian

Jiang Cheng

Jiang Yanli ( retained because of Jin Ling, teenage pregnancy )

Cloud Recesses University

Lan Wangji

Lan Xichen ( Post grad course, Camp Counsellor )

Cloud Recesses Academy ( Pre-School )

Lan Sizhui ( found and adopted by Lan Wangji as a infant, single dad LWJ lol )

Lan Jingyi

QiShan College

Wen Qing ( Infirmary Doctor )

Wen Ning 

Wen Chao (someone needs to be canon fodder.)

Lanling City College

Jin ZiXuan ( retained because of Jin Ling, married early to Jiang Yanli )

Jin ZiXun ( Post grad course, Camp Counsellor )

Mo Xuan Yu

Jin Guang Yao ( Post grad course, Camp Counsellor )

Qinghe University

Nie Ming Jue ( Post grad course, Camp Counsellor )

Nie Huang Sang

Lanling Pre-School

Jin Ling

Lan Ya School

Ouyang Zizhen

Yi City School (Demolished)

a-Qing > Yuki

Song Lan

Xiao Xing Chen

Xue Yang > Sachiko (lol)

Chang Ping > Yoshikazu

Chang Ping’s father > Principal

- So our characters are all having a Summer School Exchange in a chalet that was built over an old school ground called Yi City School. And they are on their last day in camp, so they decided to tell ghost stories in one of the multipurpose rooms.

- They spoke of the history of Yi CIty School, where kidnappings of 4 kids happened and resulted in the murders of a elementary kid and 2 middle schoolers. Only one of the kids survived. The suspect was a teacher called Chang Ping who went mad. However, strange things happened and later the Principal, Chang Ping’s father, committed suicide. The school was shut down and demolished.

- Somehow among the group of friends/acquaintances, an argument breaks out (most likely between Wen Chao and Wei Wuxian) and for some reason and a dare or as a diversion from the argument, also someone (Jin Guang Yao or Nie Huai Sang idk someone shady af) pulls out a paper doll, a charm known in urban legend circles as the Xue Yang Friends’ Charm. By doing the Charm, the participants stay as friends forever. Thinking its just a harmless charm, they do it, speaking the name “Xue Yang” the same number of times as the participants are doing the ritual.Before they tear the doll and participants need to keep the scrap of paper doll. Should they fail then bad luck will befall on the owner.

- Immediately after the ritual, an earthquake occurs and they find themselves seperated/alone in a creepy building almost like the camp building.Some in different planes of the same school. Its a twisted version of the Yi City School and malice fills the air. Should they stay too long, darkening occurs, the demons in the hearts will overcome their will and they start killing their friends...

-They find many bodies, victims from other schools in the Yi City School, who participated in the urban legend.A charm found online on forums.Papers and notes tells of the Yi City School’s past and curses adorn the walls. Gruesome body parts and ghosts of the victims lurk the halls. And a Derange corpse of Chang Ping roams the place, killing anyone in sight as well.

- Find the killer, appease the victims and find a way to get out. But without succumbing to the darkness and killing your loved ones while going mad. 

Good Luck.