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[abitterlifethroughcinema]

      Three Summer Taquilla Behemoths in Cinemas!       WOKE! Film Reviews...Halfway Through Summer                                        by Lucas A Cavazos

It goes without saying that Disney is undoubtedly the strongest hand in all of cinema. They have proved that beyond any shadow of a doubt over many decades but definitely most recently, what with the takeover of Pixar and LucasFilms and Marvel Studios and and and… As I hinted at last time, growing up, whether in Texas or Brooklyn, my dorky bum always had that weekly subscription of Entertainment Weekly waiting for me come week’s end. And that meant I had all the box office data, top album sales, Nielsen TV ratings, book sales and such all there to satiate my stats-obsessed appetite. Now, I bring to you a summer run-down of what fare has been most successful throughout this first half of the summer. Believe it or not, we are only halfway through the summer cinema season and these last six or seven weeks mark the last summer fare that either got delayed from the early summer due to concern of being pulverised by these upcoming blockbusters, or they are merely getting rid of fodder too long on the shelf or in need of distribution.

I’d dare say in fact that it was a rather smart move on behalf of Guy Ritchie and the entire marketing team behind the live-action remake of Aladdin, to release it just before the summer season truly hit. It is now fast closing in on 25€M in Spain alone, and has surpassed 1.1€B globally…quite an accomplished feat and second in box office stealth only behind Endgame for 2019 so far.

But let’s please talk newer reviews first as Disney’s The Lion King ###-1/2 burst into Spanish cinemas with a loud roar two weeks ago, and the same can be said of its success worldwide. Now soon to pass 19€M in Spain in a matter of mere days and more than 1.0€B globally, we at Bitter Life are pleased to say that the film, much like the formerly mentioned live-action remake, is a thing of wonder. What director Jon Favreau, who so lovingly concocted the impeccable remake of The Jungle Book a few years ago, does so well is adapt a timeless, and much beloved, cartoon classic into a breathtaking adventure story of the animal kingdom. One thing is for certain, if you are a true lover of the cartoon, this film will merely be palatable. For those few of us who were none too keen on the cartoon and its cheese-tactic musical numbers nor its cornball last-attempts at Top 40 numbers by Elton John, this film is quite the spectacle to behold. Telling the story of a proud lineage of lions who preside over what could best be described more as a savannah than a jungle, this rendering gives us a lifelike portrayal of fathers and sons, duty and honour, and is easily a testament to whatever family means to any individual. Apart from the brilliant, yet almost frightening, way in which the creators have anthropomorphised the creatures into almost too-real perfection, there isn’t too much to tell that the viewer is not going to know already, and thereby lies a part of the challenge that I find intriguing. While Disney continues to take risks in revamping their classics into live-action newer ones, do they then run the risk of petering out of new ideas? I mean, now that they have Pixar and so many more studios to pick up the slack, will we slowly see the demise of the annual big, Disney cartoon classic? We already have Frozen 2 appearing soon enough in cinemas, but even that is not building anything new and original into the cartoon oeuvre…it’s a damn sequel. I say it’s fair enough that most all investments in Disney live-action prequels are bound to be successful in terms of box office. Still, few of them will boast the talent power of Beyonce and Donald Glover, along with original Mufasa James Earl Jones, plus John Oliver, Seth Rogen, Keegan-Michael Key, Alfre Woodard. Amy Sedaris and so many more. These artists breathe life into a fun, if tired, film that we’ve all seen before, just never in this way. Here’s to hoping the tots of today don’t scare too much from the frolicking if fierce, fun found in this film.

The next big movie that has blown up the taquillas here in Spain is also the best one of the lot…Toy Story 4 ####.  If we have to wait nearly a decade between film sequels to have this type of wonderment thrown lovingly at our eyes, I’ll gladly take it and wait. So far, the film has taken in a nearly whopping 19€M in Spain alone, and it is also nearing 950€M worldwide, so far be it from me to deny that absolute scores of millions agree that this film marks itself in our hearts yet again. It is rather surreal that over the span of well over a generation, the creators have moved through the mid-90s to damn near 2020 with the same revolving door of a family, while carefully detailing the intricacies of our own nostalgia…and playing on that also forces us to love it.  Again, I dare say that they have achieved that tremendously throughout the entirety of the series’ lifespan. The premise this time revolves around Andy, now all grown up and, I’d suppose well past grad school, has donated his toys to little sister Bonnie, who has her own taste on what she prefers to play with versus her older brother, and dear ol’ cowpoke Woody, sensing certain neglect under the ownership of Bonnie, sneaks himself into her rucksack one day y voila!…the new adventure commences. The others set off to search for Woody, outdone by no one less than Buzz Lightyear, who is allowing himself to be led by his inner voice, which fits wonderfully into the guffaws of this type of silly and campy humour. What I began to notice while the screening went on is that the film continues to come up with a specific theme that ties itself into the plot, the denouement and frankly, throughout the film. Simply put, that would be the fear of rejection or not being wanted/accepted. Herein is where story developers like John Lasseter, Andrew Stanton, Rashida Jones, Stephany Folsom, amongst others, and all under the directing tutelage of Josh Cooley, spring to life and steer the film into witty and on-fleek, au courant elements that should make excellent fodder for post-parental conversations! What more can be said? Steal away and grab a 10’er and retreat to the coolness of your local cineplex!

Lastly, the other big box office behemoth so far this summer in Spain’s movie houses is Spider Man: Far From Home ###-1/2, with just under 12€M reaped into the Spanish taquilla coffers. This time around finds us back in live-action mode and with our recurring Marvel characters picking up after the what can only be described as intense ending of Avengers:Endgame. Okay then, while I was not a fan of the new Peter Parker with Homecoming from a couple of years back, I can now see how Tom Holland has taken a stab at ye olde generic if endearing dork-that-could appeal, and he feels much more fluid now a few Marvel flicks in. Director Jon Watts and go-to writers McKenna and Sommers seem to strike a chord with their flow, though we really do have to wait until the last half of the film to see the ebb actually catch up with that flow. Here’s why…our Marvel superheroes have gone bye bye, you dig? Flashbacks of the fallen Marvel superheroes actually made me a tad sad to be honest, so when the injection of the last part kicks in with all its CGI glory, what I take the director and writers to be doing, this time around, is actually showing us how Parker is growing into his own belief within himself and his powers. Zendaya as his love interest, and I’ve monitored her from afar for quite some time, is fun as hell to watch, and she should seriously star in a film version of Sade’s life story, but it really does come down to the charm and vivid need for suspension of disbelief that envelops the characters towards the end of the film. This has a lot to do with the enter-stage-right presence of Quentin Beck, a.k.a. Mysterio, played with an enigmatic if smug awareness by Jake Gyllenhaal, and frankly, all of the myriad cast of characters do their thang to breathe a sense of renewal just when you think the film is getting a tad too slow and eager. From Sam Jackson to Marisa Tomei, though perhaps not Jon Favreau as Stark caretaker Happy Hogan…he’s best suited as a director of Disney re-boots these days, me thinks (see The Lion King review above). Apart from all that, I’d say the Marvel universe has quite rightly fixed another pathway into the continuance of the Spiderverse journey.

[goodnightirene22]

Some songs just have the power to bring you back to a really specific time or memory.  Luckily for me, every time I hear "Jar of Hearts" I am taken back to 1-East Freshman year.  Jamie would come in to the room we were in belting that song with such emotion.  T'was beautiful.  Sometimes I miss those simpler times. :)