This is kinda how I picture readers cafe in Ilya // Logan Howlett.
Logan sits on that yellow stool day in and day out, just driving you crazy. But its welcome company. You didn't always have that yellow stool. But as your relationship with Logan changed and progressed into something not bound by labels, you got it for him. From the dumpster behind Wades apartment complex.
Before you knew his name, or anything about the brooding man who would eventually hold your heart in the palm of his hand, he'd sit at the table closest to the door. Still admiring from afar.
The books behind the counter have all been left behind by previous owners. They found a new home in your cafe much like Logan dose. He often asks you to pick him out something to read while its quiet, or for when he knows he’ll be back at his place in his own bed.
Your cafe is a wayward sanctuary for mercenaries, avengers, vigilantes and well—criminals. But no matter what there's one golden rule everyone follows. No one disrespects you. It doesn't matter what side they found themselves on or what moral compass they held…if something ever happened to you? It would cause a war.
Logan hangs the lights for you one day when its raining. He's known for months that you've been wanting to hang them up but never put them high enough on your priority list.
There's more blood soaked into the hardwood flooring of your cafe than your convinced is in your body. Its a small price to pay when your customer base is the apparently the scum of the earth. However, You have a pretty good first-aid kit and have been on a first name basis with majority of the first responders in your neighbourhood.
Logan helps you around the cafe more than he'd care to admit. But he knows how much love you out into your business. He knows why you do what you do. You give people who don't have much a place to call home. Somewhere safe. That's one of the many reasons he loves you.
When your daughter, Ilya, is born. Logan makes it his primary purpose to keep that little girl safe and sound at all times. So as you work with her literally on your hip, Logan is there to make sure not a soul comes in to cause trouble. The rule was and always had been ‘No fighting, fucking or freaking out past the threshold’ But sometimes things happen.
Logan babyproofs the cafe top to bottom.
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Hi Yuuri I just wanted to say I miss Howell. That’s all I hope you have a good day😊
I do too! There's still a lot about him I want to know and figure out. I was able to delve into him a bit more (and get some much needed closure) with some friends. I don't think he's really a character that I want to do various iterations of in different worlds and campaigns, because it's that specific story of his that I love. If it's removed from that world and story, I'd rather have another shot at a new character.
I was able to salvage a couple of relationships out of the rubble from the entire ordeal surrounding TnD, and I've got no beef with anyone who wasn't literal human trash, so Howell's place in my heart is unscathed in terms of being attached to a really shitty time and situation.
Reflecting on those days, that shit was a nightmare scenario. Obviously my own emotional turmoil pales in comparison to the literal criminal and victim in our midst, don't get that twisted because those most directly impacted by one asshole's actions should be the primary concern. It is a hell of a pill to swallow having something that dear to you go up in flames in such a public and grotesque way.
I don't blame anyone who feels any type of way about how it was handled and the aftermath of it. The truth of it all is, one person's really fucked up actions had widespread effects on a lot of people. The radius of that bomb was no joke.
Howell is very dear to me, and those Sundays were genuinely the favorite day of the week for me over that time. The backlash, anger, resentment, and then emptiness of it all really took its toll, as I'm sure it did on everyone caught in the blast zone.
The bad guy got got in the end, and I'm thankful for the folks who made sure that happened.
That year as a whole was really difficult. That wasn't the only heavy thing I had to work through that year. There was a stretch of six months that were probably the worst of my adult life in terms of interpersonal turmoil. The universe really took a bat to my kneecaps.
Saying ALLLLLLLL of that to say, if I had lost my love for Howell, it would have taken a significant toll on me creatively. I would not so freely share the parts of myself it takes to create the stories and characters I do now. I can pretty confidently say that something like Echoes or Shattered would never happen.
I struggled mightily with BitterSweet Chapter 3 for that reason. It was hard to want to carve out pieces of myself to share with the world, and certainly very difficult to work with anyone else out of fear that their bad actions could rob me of my passion even more.
But I learned a lot, and over that time I also think I was able to show my community how serious situations get handled while I'm at the helm. I hate that me and the team have been on the frontlines of a few really serious community PR nightmares, but I do think we've been able to exhibit an ability to treat things with maturity, respect, and direct action.
So Howell means a lot to me. We've been on two journeys, one fictional, and one real...and boy we've gotten our asses kicked more than a few times.
There is a chance, albeit a small one, that there's a DnD story to be told with Howell and some friends, for the world to partake in. Don't know if it'll happen, but the chances aren't 0%...
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Thinking about how the biggest reason I think the Young Justice show went with the origin they did for Wally and Barry (Wally doing the experiment Barry did, Barry doing the experiment Jay did) is because the creators of the show did not include the Speed Force. Greg Weisman does not like the idea, doesn't see the point of it (and in my opinion clearly misunderstands it) someone on Reddit did a write up on it if you wanna see all he's said here.
So what's this gotta do with the Flash origins in YJA vs comics? Well, first off, the Speed Force was something Mark Waid created to unify the Flash's powers and bring a bit of sense to them:
"It really was just a matter of trying to unify the powers. Barry and Wally's origins were identical, but Jay ostensibly got his speed by inhaling 'hard water,' a.k.a. 'ice.' I never really thought of it as 'mystical' in any real sense, just scientific --- or as scientific as you can get when you're talking about what happens on the other side of lightspeed (which was my original pitch, an idea that to this day I can remember its exact moment of birth)" (Waid from Ask Chris #317 here )
So without the Speed Force, YJA had to solve a problem Waid had solved with the Speed Force a different way. Waid chose not to or didn't have the option to change Wally's origin from being the exact same as Barry's so he made it make sense through the Speed Force, in essence, choosing Wally (and Barry and Jay and every other speedster). YJA had the option so they went a different way.
Barry was always inspired by Jay Garrick. In comics he was a lucky fanboy who got the powers of his favorite comic character and took his name. In YJA, he's not lucky, he, instead, performs the same experiment that gave Jay speed on himself (YJA Barry is simply more unhinged because what).
Wally, similarly, was also a lucky fanboy who got the powers of his favorite superhero (who happened to be the guy his aunt was dating... Very lucky). In YJA... Well it's the same as Barry again expect he's a literal child performing an experiment on himself which puts him in the hospital (comics Wally is notably fine, just wet from the chemicals).
I think it's a pretty significant change to make Barry and Wally want and grab for the superpowers of their heroes (and beg to be a hero before having those powers in Wally's case) instead of them being super fans that have powers thrust upon them. Powers they choose to use for good but not powers they chose.
And then we have Bart... See, with Bart, things are very different. They have to be. Bart's first appearance is in the exact same comic as the first appearance of the Speed Force. Getting rid of it... Basically gets rid of Bart.
Of course, he's in YJA, so that's not quite true. And, admittedly, I think there were ways to do Bart more accurately without the Speed Force... But it's hard. And YJA essentially avoided making a proper attempt at all and made a fully new character. Instead of him being raised in virtual reality while his body was speed aging due to his biological connection to the Speed Force, he is raised in a post-apocalyptic dystopia. He pretends to be chaotic, impulsive, and sorta dumb but is actually very calculating, a bit cynical, and jaded. He is an interesting character for sure... but he's definitely an original character in all but name, and you can see the character type they took inspiration from - the likes of Cable, Future Trunks (Dragon Ball), and Silver the Hedgehog, instead of his original characterization (a characterization I think is much more original and lacks a character that's similar). A final, more minor point, is that the lack of the Speed Force seems to be why he had to build his own time machine, unable to run through time as in comics.
Bart, in comics, is chaotic, whimsical, and impulsive. He was born in the far future because of some chaotic time travel-related reasons, and his father and aunt (the Tornado Twins) were killed soon after his birth. He was taken by the Earth government (in a roundabout way), run by his grandfather (who happens to be a descendant of the Thawne family... making Bart related to Professor Zoom), and instead of trying to stop his speed aging, merely observed him while raising him in a virtual reality. Iris breaks him out and they time travel to the past to get help from Wally. Through a series of events, Wally ends up handing Bart over to Max Mercury (basically the Speed Force expert) to raise cause Iris dipped and Wally is not capable of raising a teenager. Max, Bart's main parental figure, is not and cannot be in YJA because the Speed Force not existing or being known of, makes that impossible. It is the most intrinsic to his character out of all speedsters.
Much of Bart's character arc has him have to learn that life is not a video game and he does not get a do-over. There is a very powerful arc where Bart (who has this speed force power of essentially making clones of himself) loses one of his speed force clones and feels the death of his clone as if he died as well. It terrifies him. But without the Speed Force, without the powers that create that arc, this is not something that can be explored in the cartoon. YJA Bart is, in some ways, the opposite of his comic counterpart. He clearly understands death well; it's all he knows, a dying world. He likely expects to die himself traveling to the past like he does. Bart in the cartoon has to learn different lessons.
I think at the end of the day, this choice to ignore the Speed Force (and therefore the center of Flash lore since the mid 90's), is a bit disrespectful. I don't think Weisman saw it that way, of course. To him it seems he was adapting the Flash lore prior to that. Which does make some sense, seeing as Wally was Kid Flash and the Speed Force is very much tied to Wally's time as the Flash (something he never gets to be in YJA). And I am not saying I dislike Wally in this show, in fact that show is why he's one of my favorite characters. But I think it's all interesting to think about... And I do think the Flashes are much better handled in their comics, no matter the love I have for Wally in the show (except maybe the letting Barry be a dad part). But it's the nature of adaptations I suppose. Thanks for coming to my Ted Talk. 🫡
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God every day I think about Akane’s breakdown in door 3 because there really is no correct way to interpret that and every possibility makes me crazy. Like she sees this fucked up corpse whom Junpei (and the player, depending on how they play) believes is their friend Snake, but she knows that it’s Guy X. It’s a man she very intentionally put in the game for this very purpose, so that he could die horrifically and be displayed for everyone to see. And she has a full mental breakdown over being trapped in this room with the corpse, being trapped by Junpei, to the point where she rips out her hair and starts bleeding from how much she bangs on the door screaming to get out. And fuck, there’s so many possibilities like
Akane could be feeling genuine terror over the sight of the body, and with that remorse. She made this happen, she wanted this to happen, and now she’s forced to quite literally watch the damage she’s caused unfold. She can detach herself from his murder easily in other timelines where she doesn’t have to look at it, and she can sleep easy knowing that her hands are technically clean because she didn’t do the literal killing. But she can’t do that here, and she has to face the fact that not only did she happily cause this death, she failed her mission. She isn’t going to survive, and now this man is dead for nothing and everything is her fault
On the other hand, her entire breakdown could be completely fabricated in order to keep playing the role of the damsel in distress who is so innocent that the very sight of blood drives her to insanity. The interesting part about this is that if she could fake such a horrific breakdown, just how much of her personality a facade? We know she wants revenge, for everyone from Cradle to feel even an ounce of the pain she and so many others went through, but we don’t get to see the extent of how much she feels this way. We never hear directly from Akane about her feelings on any of the original organizers, just her note about her desire to punish them. She hates them, but does she see their deaths as a necessary evil, or does she feel joy and satisfaction at watching them go? It’s absolutely horrifying not knowing, not being able to see her true feelings, not knowing just how real or fake she is, the extent of her madness. Perhaps she doesn’t even know that herself
IN OTHER WORDS, it’s fucked
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