#good for you tho queen!!

[avicecaro]

Whenever I see your blog title it really does snap me out of my scrolling spell

my nefarious plans.. they are succeeding.. cue my evil villain laugh

[arrestedexgirlfriendafterhigh]

Couldn’t stop thinking about this so I’ve willed it into existence

[akirapolarbear]

Cute Idea I had in my mind for some time

🙋‍♀️✨

[sysig]

“It could be that the loss of her children drove the Queen deeper into her darker desires...but, I don’t believe she was fighting against them that hard before that particular tragedy. No monster does.” (Patreon)

Bonus:

Hmm, wonder what he could cover those holes with :3c

[essektheylyss]

I do love thinking about how the Tales of Exandria: Bright Queen comics interact with campaign 3 in terms of timeline. All we know about the comics is that they occur in 855 PD, except that... there are a good nine-ish different years covered, and virtually none of them are consecutive (and some of them require significant gaps). Lolth is very much present in the earliest portion of it, which spans enough years for a child to be conceived, born, and grow to be, I dunno, four or five-ish?, so at the earliest could've concluded within the past two years.

However, the first part could also conclude after the campaign, and in fact it's possible that that is the portion occurring in 855 PD, which suggests that the ultimate plan for the end of the campaign is not to kill all the gods (or alternatively sets up CR to really lean into the time-honored comic approach of 'fuck it, separate timelines' lol). But for now, let's presume the former, and go back to the situation in which the first part has already finished, preserving the continuity of the overall timeline.

The subsequent part, which follows an adolescent drow, implied to have been killed at the culmination of the first section, being guided through anamnesis, does not feature the explicit presence of Lolth. It does include corruption that she has personally caused—and this section, because the adolescent is somewhere over twelve, must take place after the campaign ends. So even if Lolth were to be killed during the campaign, this suggests that her influence is not then gone from the world. We could also take it as a confirmation that Lolth does survive the current plot, as we know that the gods' influence does decrease when they are severely wounded, as that of Lolth herself did when she was banished to the Abyss during the Calamity, though this is not a given.

Nevertheless, if we take the continuity of the comics and the campaigns as generally in alignment, then even if the most drastic action—shy of Predathos consuming Exandria—occurs and Predathos is freed and the gods devoured, we can say with some confidence that it does not eliminate the tangible influence of the gods upon Exandria.

[def-not-kaz-brekker]

controversial opinion but inej ghafa is literally terrifying and (obviously) such a queen.

like she literally held a stadwatch guard at knifepoint after creeping up on him and whispered (I don’t remember the exact quote) “I like it when men beg, but nows not the time” like??? Queen?????

And the end of the crooked kingdom where she cuts pekka rollins after threatening him, and switched alby’s toy lion with a crow?? Fucking terrifying?????

My love for inej knows no bounds and she is undeniably a powerful and scary woman

[raconteur-wanpi]

People who don't like Usopp's current/initial Elbaf fit in 1127 are entitled to their opinion but that couldn't be me.

Yeah the fake beard is silly, and he'll probably loose that, but the big poofy adorable striped pants / overalls??? His Asterix type swag?? For shame? Is he not moe?

Big poofy pants are ALWAYS the right answer.

[fallen-goldfishcracker]

Top ten anime betrayals of all time

I am devestated

Bonus: possibly my favorite Cumberbatchification yet:

[marythequeen]

i've been feeling awful lately so i drew something new!! enjoy my simple crap

[machiavellli]

I’ll go into a social media exile for a bit, so idk when I’ll be back, but just picture me like this while I’m gone: working <3

[tlgtw]

Man that DLC's final boss has got me feeling kinda fucked. I'm kinda depressed about it now that I'm done. Everything else is, was, so good. But I do not like that plot development. I honestly think it is bad. Why did they choose not to foreshadow this in literally any way? Why did Miquella attempt to resurrect Godwyn at all in the first place, then? Practice? Was this really what was originally planned? There's no actual evidence to the contrary so you gotta assume it must've been.

So yeowch...

[palaceoftears]

"It is, of course, possible that these Spaniards lied, or dressed up the truth, to protect their beloved princess. It is also possible that they did not. Either way, they were no more or less likely to be lying than the witnesses in England. That makes their testimony as valid as that of those who claimed to have met an ebullient Arthur demanding beer to quench the thirst of a night of hard love-making. Their words add, if not a definitive tilt, then some extra grains of sand to one side of the moral balance on which Catherine is habitually weighed. That balance measures whether she was the pious victim of a cruel, selfish husband or a consummate liar hiding behind an apparently saintly exterior. Judgements of her have swung backwards and forwards from one extreme to the other over the centuries – and still divide people today. [...] Catherine can, of course, be measured on many more scales than just that which deems her either truthful or deceiving. The most important traits of her character have, in fact, little to do with honesty or falsehood. What really matters about her is the strength of that character. A protected childhood amid a family of intense, self-demanding Spanish women does much to explain where this came from. Catherine grew up to become a woman of deep, even exaggerated, intensity. The complex and unhappy early English years, with their constant illnesses, eating problems and stern written instructions from the pope to avoid the self-harm of excessive fasting, give the first few clues to that nature. These were the reactions of a young, perfectionist woman who found herself lonely, lost and unloved in a foreign land. That same intensity and perfectionism explain, too, both her success and popularity as a queen consort and her final embrace of potential martyrdom."

-Giles Tremlett, Catherine of Aragon: Henry's Spanish Queen

[dkettchen]

Why you, yes you, should watch Queen of Villains right now:

toxic yuri (covered in blood & stabbing each other w forks)

more hair cuts & dye jobs than episodes

several butch main characters, all of whom are babyfaces not heels

an actual wide variety of bodytypes

80s fashion, alt looks, & mullets

feral women doing sports and violence aka my favourite kind of feminism

the hypest shit you've ever seen

just trust me bro

[adultbeginnerballerina]

more celebrities going to see ballets and taking pictures with the companies

(maybe interviews about how they liked the performance?? 🤞🤞)

fewer “so-and-so tries ballet! let’s laugh at them!” like idk, respect the art?

if they took those trying ballet videos seriously, gave it an earnest try, I’d be here for that? (I think twosetviolin did it pretty well, despite giving them the swans (being classical musicians def helped))

(also if they had male dancers come in and teach men’s choreography, because then it’d be less “these big goofy guys are doing ballet as drag ha ha ha so funny tights and tutus on men how ridiculous what a joke!” can we stop doing that? that’s not even about ballet at that point, it’s just using ballet as a way to ~embarrass men as a joke… I mean, I guess they don’t respect danseurs either, but up close, seeing the muscle and power, I think they’d take it more seriously (…misogyny… but am I wrong tho))

like ballet does need the exposure, the attention, the support, so that there are full theaters and funding’s coming in; but idk, celebrity attention that respects ballet would be great?

[aroaessidhe]

2024 reads / storygraph

The Summer Queen

book 2 in a YA urban fantasy trilogy

follows a small coven of three teens in a small town: a hedgewitch who deals with local fey, and two cursed boys

when one’s little sister - who they recently discovered is a pixie - gets taken by the royal fey, the three of them make a deal to go on a road trip to find something important to the Summer Court, in the hopes of getting her back, but find themselves quickly entangled in political schemes they don’t understand

[angelcore-bitch]

The hairband is everything!