#going completely crazy at this point

[evgar]

[unnonexistence]

hermann thoughts: if i discredit newton and his approach enough, the martial won't give him the equipment for his kaiju drift, and i can protect him from himself. if he despises me for it, so be it. there is little i wouldn't sacrifice to see him safe.

newt thoughts: this is a Best Science competition and i have to Win

[goldengirlgalaxy]

Danny runs to Gotham after a reveal with his parents gone wrong. Bruce Wayne ends up catching on to the fact that he's a homeless kid in need of a good home. Danny, however, does not want to deal with another rich, potentially-insane, definitely-obsessed A-hole, so he does his best to steer clear of him. Doubly so when Batman takes an interest, as he want to put his hero days behind him.

Eventually, Danny, sick of running and wanting a way to make the two stop hunting him, decides that he should let someone else adopt him instead. Cut to him being found by Harley Quinn, who decides that she should totally pull a Bruce and adopt this black-haired, blue-eyed child. Hopefully Ivy won't mind!

[moongothic]

You know I was wondering if Crocodile ever did have any kind of involvement with the Revolutionary Army in secret (lest the Government finds out and revokes his Shichibukai status), what kind of involvement would that even have been

And now, with both the Vegapunk/Ohara flashback and Kuma's flashback, it's being made very clear to us that the Revolutionary Army was broke as hell 22 years ago. Like the fact that this has been brought up twice now in a relatively short span of time is interesting to me, that's usually a sign it's not an unimportant plotpoint

But you know who would have had money to help fund the Army

A funny little warlord who would eventually go and build a fucking casino to run for funsies. A warlord who had to give the Government some of his Pirating Income to keep his warlord-status

Like Crocodile hated the Government anyways so why not help fund the Revolutionary Army in secret, out of spite if for no other reason

Vaguely related, but I keep on remembering this scene (post-Enies Lobby), which at first glance just seems like a basic Lore Dump

But then there's the

"Yet..."

(Or "however", she says "no ni" in Japanese and you could translate that in many ways, I would probably have gone with "however" but that wouldn't have fit into the speechbubble)

Mind you, the conversation just kind of ends there, next we see Garp realize he probably shouldn't have mentioned Dragon infront of such a massive audience, so wherever that "yet" was going to lead to we will never find out, because Oda conveniently changed the subject before we got to it

And you know. Like yes, Robin could be just expressing her shock over finding out that the leader of the Revolutionary Army had a child with someone

But also, Robin was a part of an organization that was trying to overthrow one of the founding countries of the World Government in an explicit attempt to go against said Government (compared to like, Blackbeard, who currently wants to make Fullalead into a "pirate country" that's a part OF the World Government)

Like you don't have to be a genius to look at Crocodile's ultimate goals and compare that to what Dragon is doing and find a few similarities here and there maybe

(Also like, Crocodile's equivalent in Romancing SaGa 2 is meant to be Wagnas, the queer-coded leader of the Seven Heroes (whom the OG Shichibukai are based on) who "hoped to help the world". You know, an interesting detail and all.)

Not to mention, during the time Robin spent with Baroque Works, if Crocodile was ever in contact with the Revolutionary Army at all, considdering she has the ability to easily spy on people and that she didn't trust Crocodile one bit, it wouldn't be unsurprising if she ever spied on Crocodile and/or just overheard a phone call or knew about Crocodile having secret spending habits or something

(Mind you, I'm not saying "she knew" Crocodile was involved with the Revolutionaries, more that she might've been Suspecting Things, that "yet" being about her connecting the dots while unsure if her conclusion was right or not)

Of course Crocodile's plans can't have been Dragon Approved by any means, especially considdering the Army had been looking for Robin for over 10 years (pre-timeskip)

Four years of which were with Crocodile. Like if he was FULLY allied with the Army and KNEW they were looking for Robin, surely he would've called Dragon and been like "hey I found the kid from Ohara, wanna come hang out" or something. But no, he had bigger plans and kept Robin a secret from the Revolutionaries and the Government alike

Also like, I have seen people question why the Revolutionaries weren't involved with Alabasta's rebellion at all, and "Oda hadn't come up with the Revolutionaries yet at the time of writing" (/"OP was meant to end at Alabasta at one point so there would've been no reason to introduce the subplot at that point") aside Between Baroque Works being a secret organization working undercover (thus the Army might not have been aware of the civil war being manufactured), the framing of the King making him look bad and very much the type of monarch that deserved to be overthrown in the Army's eyes, and Crocodile maybe lying through his teeth about what was happening in the country... Yeah, the Army's lack of involvement with Alabasta suddenly makes sense

EDIT Minor addition: Just realized that because Crocodile was technically working for the Government, if the Revs ever did send forces to participate in Alabasta's civil army and taking down the throne, the Government could've easily ordered Crocodile to step in to stop the rebellion and take down the Revolutionaries, right? Because he was supposed to be on the Government's side, right? And surely the Army wouldn't have wanted to fight against Crocodile if they were secretly allied (Croc's secret betrayal aside), and if Crocodile refused to fight the Revs the Government could've seen that as a reason to revoke his Shichibukai rights (which wouldn't be great if they wanted to keep Crocodile in a position where he could fund the Army?). So it could've also been a case of it being for the best for everyone's sake to let this one play out "naturally"

But my point is

I'm just deeply intriqued by these little details and wonder if I'm Actually Masterfully Connecting The Dots Like a True Genius or just seeing a pattern where there's none. Like this is far from confirming the theory, I'm just saying, the pieces do kinda fit together do they not

[saturnniidae]

"I should've seen the signs" I feel like Stoick was basically reliving the way he lost Valka.

To him, after a lifetime of wanting nothing but to kill a dragon, Hiccup's suddenly and inexplicably changed his mind. To him, Hiccup saying he can't kill them is just like when Valka refused to and tried convincing others as well, then as a result was 'killed' by one herself.

To him, way Hiccup tossed his weapon and shield to the side then approached Hookfang while speaking about how dragons aren't what people think they are probably bares an uncomfortable resemblance to the way Valka put down her weapon and stared a dragon in the eyes and as a result was taken.

To him, attempting to do anything but preemptively defend yourself against a dragon will only end in tragedy, so he has to do anything he can to stop Hiccup before it's too late.

(And just like with Valka, he unintentionally escalated the situation by trying to protect Hiccup but only agitated the dragon, causing it to panic and react, inadvertently putting someone he loves in danger. again)

Stoick of course, wasn't acting rationally, but it makes sense when you think about how traumatizing Valka's 'death' must've been for him (and how much Hiccup reminss him of her); he watched her get taken, presumably killed, and couldn't do anything about it.

[that-angry-frog]

why did I actually start tearing up a bit during the fakeout death at the end of astrobot wtf??

Im genuiely scared at how attached Ive become to this lil robot in just two days

[nelkcats]

Apparently the Fenton kids were not the only ones with secrets, before Amity Park, the Fentons lived in Gotham, a city with a lot of curses and ghosts.

Maddie and Jack were excited, telling everything to his little girl, who was extremely bored, but at least she made a friend, some circus boy that was in the town.

His little brother was still to little, but he was friend of a Crime Alley's kid, Todd was an interesting boy, even if he was teaching Danny how to steal, he was a good friend.

Until their parents fucked everything, because of course they will, they created the "Fenton Memories" that was designed to remember everything, good experiences mostly.

But like every invention of theirs, it failed and did exactly the opposite, Danny and Jazz forgot their childhood friends, remembering them as a recurring and pleasant dream, and the parents, feeling guilty decided to move out of town.

Fortunately they found Amity Park, the perfect place for their portal, a lot of ectoplasm in the air that was waiting for them. And probably because they didn't want to make their children sad they never mentioned the "Imaginary friend" of Jazz or the "Dream Friend" of Danny.

Now, if only they remembered that information in their little vacations in Gotham maybe Red Hood and Nightwing will stop following them for "friend stealing"

[blackbatcass]

me trying to comprehend the Late Stage Batman Pre-New 52 Saga (ressurection of ra’s al ghul black glove batman rip final crisis batman reborn red robin b&r 2009 batgirl 2009 return of bruce wayne)

[patrickzvveig]

I think saying Saltburn is simply "homoerotic" really erases the obvious queerness of it. Like, okay. Homoeroticism is definitely related to but also distinctly separate from queerness. It's like saying The Talented Mr. Ripley (1999) is not queer because Tom doesn't kiss Dickie, or even Peter for that matter. Like no, the whole film is literally about the obsession and heartbreak of queer desire. I'd argue Saltburn does literally the same thing, though not to the same level of success or nuance (and this isn't shade, I love this movie even if I don't think it's, like, good). But to imply that Oliver and Felix are just best friends with an intensely close relationship is ignoring literally everything about the film. Like Oliver is pretty clearly infatuated, aroused by, and in love with Felix, in the same way Tom Ripley is Dickie. Like this is not even subtext, it is the text of the film. He licks a bathtub filled with semen-water and puts his penis in the dirt of Felix's grave. And while those things are certainly not as interesting, or even disturbing (!!!) as Tom killing Dickie and holding his lifeless body (and making Dickie hold him back) but there's no "heterosexual" way to read this. And I'm not saying that this is necessarily good, or that you have to like it, or that you cannot be disinterested in the way Saltburn handles queerness, but it is textually queerness. It is not just homoeroticism. There is textual desire.

[skrunksthatwunk]

yu yu hakonstruct intricate rituals which allow you to touch the skin of other men.mp4

crossposted to youtube

[carefulfears]

thinking about "you have a life" / "i don't know what i have" + "what do you want, dana?" / "i want everything that i should want at this time of my life" + the perceived shame in scully's loss of normalcy... "unlike you, mulder, i would like to have a life" + "do you believe in the afterlife?" / "i'd settle for a life in this one" + "don't you ever want to just stop? get out of the damn car? settle down and live something approaching a normal life?"

her friend ellen saying, "well, first you have to get a life." tara, pregnant with their christmas gift, saying that life before one grew inside her was "somehow...less, just a prelude," while barren dana cries in the kitchen. "i know you and dad were...disappointed...that i chose the path that i'm on."

thinking about how mulder said, "this is a normal life," and how she smiled. (he doesn't know any different). how, in the end, he said, "hey, scully? i know it's not your normal life, but thanks for coming out there with me."

(christmas before quantico, "i guess i'm afraid of making a big mistake. dad thinks i am." and missy's response: "it's not his life, dana.")

her application to adopt emily was rejected: "you're a single woman who's never been married or had a long-term relationship. you're in a high stress, time intensive, and dangerous occupation."

bill's reaction: "sounds like something your partner would say. this isn't about any little girl, dana. this is about you. it's about some...void, some emptiness inside you that you're trying to fill."

and mulder to the judge: "the fact that she can adopt this child, her own flesh and blood, is something i don't feel i have the right to question, and i don't believe anyone has the right to stand in the way of."

(that last christmas with missy before everything: "there is no right or wrong. life is just a path...just don't mistake the path for what is really important in life. the people you're going to meet along the way. you don't know who you're going to meet when you join the FBI. you don't know how your life is going to change, or how you're going to change the life of others.")

and ultimately, it all leads to a leather couch. and after contemplating that sacrifice of normalcy, what she should want, the decisions she could have made, she says, "i once considered spending my whole life with this man...what i would have missed."

she could've been a doctor, like her father wanted. she could've settled down, married waterston, had a normal life, like her friends and brother wanted. but what would she have missed?

"what if there was only one choice and all the other ones were wrong?" / "and all the...choices would then lead to this very moment. one wrong turn, and...we wouldn't be sitting here together."

[kitnapz]

because so much of my art inspiration and creativity was based in like, fanculture and popular media, i often feel like im just waiting around for the next thing i get invested in. first it was homestuck, and then it was demon slayer, and then i never really found "the next thing" i get hyperfixed on and make art for. idk if its because ive just become busier or if im just waiting around for something thatll never come

[lilacerull0]

i haven't even seen the episode yet, but learning about the fact that they didn't include such an essential aspect of the story is making me feel so irrationally sad

[toddtakefive]

btw todd’s reluctance to join the dps because he doesn’t want to read (which is then accommodated for) and is scared to put himself out there (which is also worked through) being read as todd not wanting to go AT ALL, and thus neil making the proper accommodations (“todd anderson, who prefers not to read, will keep the minutes of the meetings”) and encouraging him to step out of the box that stifles him being seen as ‘forceful’ or like he can’t take no for an answer makes me insane with rage

[opens-up-4-nobody]

...

[mummer]

they could never EVER neverrrrrr ever ever do this even ryan condal would never cede such an “iconic” setpiece & “memorable” dialogue and even if he wanted to HBO simply would not allow it but in my minds eye ideal hotd adaptation of the battle of the gods eye completely discards EVERYTHING supposedly recounted/editorialized in fire and blood no anime dialogue no ultra choreographed fight scene no cinematic beautiful shots of the dragons dancing no leaping from dragon to dragon its actually like incredibly fast and loud and incomprehensible to the audience just beasts colliding and ripping each other apart dirt and blood and horrific and disgusting and ultimately super SUPER pathetic ❤️ daemon and aemond dont get to make any epic last stands theres no glorious blaze out, no chilling last words, no grand narrative, in the end it really is just two men thudding to the bottom of a lake and getting eaten by fish. make the craziest climax in the world an anticlimax. ultimate antimoment