#gods i love katara

[theladystrikesagain]

how does a show released in 2024 fail harder in showcasing fully rounded female characters with flaws and strengths and rich personalities than a cartoon from the 2000s. why has television & film legitimately regressed across the years when it comes to showing women as human beings lmao

[a-very-sparkly-nerd]

Heaven forbid women be angry

and as much as i'm always encouraging more people to watch The Dragon Prince bc it's great i will say i am glad it's a show on a smaller side fandom wise cause if i had to read some of the same sort of rancid widespread ATLA fanon takes (zk katara is my sleep paralysis demon i don't know her) i think i'd lose my mind

[elevenharbor]

I don’t even know…but here’s a 💋👩🏻‍❤️‍💋‍👨🏻

[freakurodani]

have we put them in a zombie apocalypse yet?

[demaparbat-hp]

Hi Dema!! Your art is fantastic and even the lineart is awesome! Solid and confident in where it's thick and where thin. I really like how your style has characters look more realistic and they have specific consistent features. Your blog has a pleasant atmosphere, and you're skilled in weaving AUs! There's a lot of details and structure, and I'd like to ask if any of them have a full story arc? Could you do a list of all of the AUs? Is there a motif that you especially like that repeats in any of the AUs? And whenever you add comments to my stuff in the tags I literally smile, it makes me want to keep at my plan to create everything I have in mind. So I'd like to spread this joy! I hope you have a nice day! (from late-draft ^^)

Hello, Late-Draft! I wasn't expecting this ask at all but I'm so glad to have received it!

First of all—I'll try to hold myself back from giggling like a schoolgirl. I'm having a sempai noticed me moment over here and that's just embarrassing. So give me a second to compose myself, if that's alright?

Okay, I'm back.

Now, on to business.

Character design, especially when it comes to facial features and how they're unique to each person, has always been a passion of mine. I always try to have a solid design for each character. I choose which features feel like the character in question, which face feels natural to draw, and go along with it. I love drawing Katara as much as I love drawing Zuko. Meanwhile, I seem to be on a never-ending battle against Sokka's features. Woes of an artist, I suppose.

Character design is actually one of the reasons I love your work so much, in case you hadn't noticed. I'm currently experimenting a bit with a different style... Hopefully it won't be long before the artwork is done and I can share it over here. I'm so excited for everyone to see it!

Now it's time for the reason we're all here.

I have said it before and shall say it once more: AUs are my lifeblood.

I love them so much! Building them, daydreaming the scenes, thinking of the characters and how they differ from their canon versions. The arcs and the themes and the worldbuilding. Building AUs is my passion, and I have so many of them!

There are a lot of motifs and themes that tend to repeat themselves in several of my AUs, I believe.

You'll notice that most of my stories are Zuko-centric, with a heavy emphasis on grief and humanity. There's the question of what makes us human and how to move forward when the whole world seems to push you back. I put a lot of stock in metaphors and symbolism within the narrative itself. I'm especially interested in the nuance of war and how it affects people emotionally, physically, and psychologically

I also tend to reutilize some elements of the lore and/or worldbuilding! Such as the Painted Lady's backstory, or the existence of War Children within the ATLA universe.

Now, the list!

I think I'll start with my current project, if that's okay :)

For the Spirits (New Gods AU)

Zuko was a child when he met Agni. Then, the spirits started coming to him. Eyes hidden in the hallways, voices pleading for help, for recognition, for remembrance.

Zuko could see Agni. He could see the broken remains of a Great Spirit and the empty smiles of amnesiac ghosts.

And they could see him in return.

I've been working on this AU for a long time, but only now did I get the chance to start writing the fic (linked up there!). I'm extremely excited about FTS and where the story will lead us in the future, but I'll try not to spoil too much.

It's a Zuko-centric story, with a heavy emphasis on Spirits and humanity. I'd like to add a warning for depression/mental health issues.

To Hesitate (Lee & Kya AU)

As she watches Lee and Kya avoid each other's eyes from across the room, the phrase comes back to her, swift and silent:

"To hesitate is to lose."

.

As Song treats the victim of an unfortunate interaction with a rare poisonous flower, her day takes an unexpected turn when it becomes apparent that the old man's nephew and her assistant have history.

A vivid history.

The Lee & Kya AU is a vibe, a feeling. It's probably one of my oldest AUs out there as well as one of my dearest.

A classical Lee and Kya From The Tea Shop AU, full with wholesome fandom tropes such as: fake (but not really) dating, fake identities, Ba Sing Se shenanigans, vigilante stuff, White Lotus missions, Iroh is a great Uncle, Zuko is an awkward turtleduck, and, of course, the fluffiest fluff you'll ever see.

Other than that, Lee & Kya is probably one of the less plot-focused AUs I have. However, that doesn't mean that there aren't scenes I can't wait to write or a canon divergence or two where Zuko is concerned.

(I have another fic posted but I'll leave that one to the end. You asked for a full story arc and, oh boy, does Soundless deliver.)

Kintsugi AU

Closer to being canon-adjacent than canon-divergent, Kintsugi is yet another Zuko-centric AU (and are we not noticing a pattern over here?).

I'd love to explain it in depth, but I believe the caption of the artwork linked above does a better job at explaining than I ever will.

Kintsugi is the art of decorating your scars with pieces of Agni.

In the Fire Nation, the amount of golden marks are a sign of status. Only the Royal Family can afford to seal every single wound with Kintsugi. Such is the weight of this tradition that, among the ones with Agni's blood, it is the highest mark of dishonor to have a natural scar, for it proves you aren't worthy of the privilege.

After the Agni Kai, Ozai forbid Zuko's scar to be sealed with Kintsugi. The boy wasn't worth his title, his traditions or his pride. Zuko would be broken, but he wouldn't be beautiful. Not anymore.

(And sometimes it's easier to pretend he never was)

Kyoshi Warriors AU

One of my absolute favorites!

In this AU, Ursa took Zuko and Azula with her when she was banished, so they could start anew. With help from Iroh and the White Lotus, she managed to relocate her freshly burned eight-year-old child and her crying daughter to Kyoshi Island.

Years later, when Avatar Aang and his companions first arrive at Kyoshi Island, they're met by the Kyoshi Warriors and their leader, Noriko of pale skin and warm brown eyes.

The Gaang leave Kyoshi Island many weeks later with a new companion. And if Jian Li, with his war paint and his scar and his dual dao, gives the island that he has called home for so long one final, longing glance as they fly away on Appa, they pretend not to notice.

Hunters AU

We're starting to dwelve deep into dangerous waters!

This is a Katara Joins Zuko In His Quest To Find The Avatar AU, with a twist!

This AU was born as a writing experiment. What if we take Katara's character, and change one of her core characteristics? Katara, who looked up to the Avatar as a saviour figure, now blames him for leaving and allowing the Fire Nation to wage war on the world.

Then comes Zuko, a banished Prince with a crew full of traitors and his own agenda. Zuko wishes for nothing more than to dethrone his father and end the war. He is a White Lotus member, an honorable, driven young man, and he has a plan.

The catch? He needs to take the Avatar to his father if he wishes to regain his title and be able to rightfully take the throne. Oh, and he will deliver the Avatar to the Fire Lord—but nobody said it had to be in chains.

Halfblood AU

I watched Blue Eye Samurai a few months ago and it destroyed me. The idea of a half-blooded child dead set on getting revenge for their very existence stuck with me, and this AU was born.

Kanna made a life for herself in the Earth Kingdom after leaving the North. Katara was raised by her grandmother in a small village, being taught to hide her bending if she wanted to live peacefully in a place she was only half of. Her mother had died in childbirth. Her father, a nameless warrior from the Southern Water Tribe who had loved Kya and left her behind, didn't know of Katara's existence.

Katara took over Kanna's clinic after she passed away. Always taking care of others. Always suppressing her need to bend. Always wishing for more.

One day, he arrived. A half-child, just like her. But while she was of Water, he was a son of Agni. He was searching for the man who brought him to this world. The man who scarred him. The man whose face he couldn't recall, whose name he did not know. The man whose specter had chased his mother to her grave. The man who would die at his hand.

The answers were hidden in a small teashop deep within Ba Sing Se. Lee offered her a way out, and Katara took it.

Soundless (Uiscefhuaraithe)

Katara of the Southern Water Tribe has hands scarred by fire and great talent, though no teacher.

Zuko is a mute War Child, a herbalist and healer, and the Blue Spirit. He bears the mark of fire, and the scar of the blade that took away his voice.

The first time they met, the Blue Spirit had just saved her, tough not before her hands got burned. The second time they met, his name was Lee, and he was healing her.

They live in war and they will fight, if not for the world, then for themselves.

You asked for a full storyline, and I shall deliver!

Soundless is probably the only AU I have fully planned. Three-books, Azula redemption arc, role-reversals and all.

This AU has everything. From travelling through the Earth Kingdom together, to odd character team-ups that somehow manage to work, and a major goal/conflict to resolve.

Zuko and Katara must find their way to Omashu in an Earth Kingdom ravaged by war as they also grow to understand each other, themselves, and the world around them. They meet with new and old alliances, keep their ears open for rumors of the Avatar (They say he is an airbender, Lee. Do you truly belive that?), and do their best to always be two steps ahead of their pasts.

Meanwhile, both the Northern and Southern Water Tribes are searching for the runaway heiress, Aang must find his way alone on this new, hostile world, and Azula must face the revelation that, despite what her father has stated for the last two years (liar, he lied at her! Her! He lied he liedliedliedlied), her brother might just be alive.

I'm sorry for making this such a long answer! I just get very excited about these subjects and don't know when to stop. If you made it all the way down here: thank you again.

I hope you have a good day ❤️

[kabruyearner]

imagine reading the history books to find out a group of teens (aged 12-16) were the main reason a hundred year war ended.

[redrobin-detective]

I have been awake all night and I think, since we got to follow Zuko from S1 even though he didn’t join the Gaang until the bitter end, we should’ve gotten the same for Toph. In between season 1 and early season 2 plots, we’d occasionally cut to this earth kingdom noble family for seemingly no reason.

Ok they are rich and they have the daughter. Alright she’s blind that’s interesting. The Beifongs will comment about canon events and their daughter is quiet and perfect in the background. Then one episode we see her earthbend something small, intriguing. Also intriguing she only looks helpless and lost when other people are around. We get more solo perspectives of her, she’s a bit more coarse away from her parents. Her earthbending continues to be used secretly, impressive but not monumental. We suspect she’ll be similar to Katara, an eager, untrained bender who learns as she teaches Aang. We wait with anticipation for this vulnerable girl to see the world and own her power.

And then they drop The Blind Bandit episode and every episode that follows are unchanged and oh. Oh. Now we are really meeting Toph.

[zukosdualdao]

the moon will sing a song for me (i loved you like the sun)

zutara month, day seven: divine intervention, @zutaramonth.

summary: when zuko takes the lightning aimed for katara, it takes a little more than her usual healing to get him back from the brink. feat. yue's words of encouragement and empowering influence on katara, medically necessary bloodbending, and a zuko who is too out of it to understand much of what is going on, but that's okay. katara has him.

content warnings: general references to violence and wounds, nothing more explicit than the show.

notes: title is from "the moon will sing" by the crane wives. yes i do too many lyric titles. no i will not stop <3. idk when sozin's comet officially ended but for fic purposes we are imagining the timing makes sense for the moon to be out after the agni kai. two pieces of dialogue were taken from the show.

Zuko groans as he's being turned over. His bones feel like liquid, his skin set alight, his heart like a crater in his chest.

Katara, he thinks, he tries to say, he doesn't know.

Katara looks at him with a worried expression, her lips turned in a frown, her eyes wide with fear and sadness as she presses a watery hand to his crumpled, prone form.

She is worried but alive. She is alive, and if she is here, then she must have defeated Azula.

Katara is alive. That is what counts. This was his destiny, then. To save her.

It wasn't a bad note to end on.

Zuko closes his eyes. There's a hammering thud in his chest. He is so tired. Normally, he'd associate the feel of it with exertion, or else desperation, and he would feel frantic. But he is so tired. He has been so tired.

"No," he thinks he hears Katara say. It sounds like she's underwater, or perhaps he is. "No, Zuko, don't you dare."

He struggles to open his eyes again because he doesn't want her to sound so angry with him and doesn't want her to be sad. It only feels like a moment has passed, or maybe it has been hours.

She is looking up. Pale, yellow light shadows her.

Katara is speaking with the moon.

The moon is also a girl.

Someone told him a story like that once.

A spirit, he thinks a little redundantly, with white tresses of hair and a glowy form and a gentle smile. The moon spirit?

Zuko jerks, a spasm of his body as he lights up again with the pain, and Katara looks back to him, alarmed.

"—but you know another way," the moon-girl insists softly to Katara, whom Zuko looks at as her mouth sets in a thin, determined line. Unless he's imagining it all, which is possible. "And I am here with you now."

After a moment's hesitation, Katara nods and sets her left, water-encased hand against his chest again and raises her other in a motion he faintly recognizes.

"This is going to hurt," she says warningly, sadly. "But it will help. I think. It has to." She shakes her head, torn.

Zuko doesn't know what's going on, but if Katara says it will help, that's all that really matters.

"I trust you," he slurs. Is that him? Does he sound like that?

Katara blinks. Zuko watches tears slip from her cheeks.

And then, it starts. She did not lie about it hurting. Despite himself, Zuko feels his body rising from the ground in pain and panic, and Katara has to keep him pressed down. His blood is boiling, his chest swelling. This must be what dying feels like. But then, he's pretty sure he was dying before. He supposes it's a process.

"—sorry, sorry, I'm so sorry—" Zuko makes out the words, faint in his ears, though Katara sobs them out.

Eventually, though, the beat of his heart evens. His blood begins to simmer down. The pain melts.

He watches as Katara pulls back, resting on her knees. The moon-girl smiles down on them before fading back into being just the moon, high in their war-torn sky again.

Nothing that just happened makes any sense, Zuko decides dazedly. But it was Katara who saved him, and that made all the sense in the world.

"Thank you, Katara," he rasps, looking up at her through heavy eyes. Looking at her made everything in the world seem alright again.

She looks down at him with a soft expression and a watery smile.

"I think I'm the one who should be thanking you."

[themuffinsoup]

Kataang is cringe lol and as much as I like zutara, I ACTUALLY wish katara didn't end up with anyone because NO MAN deserves her 😁

[five-flavor-soup]

literally begging ppl to treat the atla netflix live action as the adaptation it actually is. it’s like a fanfic, y’all. it’s a canon rewrite au. if you want to watch atla with zero changes watch the cartoon.

[eternal-moss]

When people continually whitewash my favourite characters.

[ID: A black and white, rough digital drawing of someone sitting at a desk and clutching their head in their hands. End ID.]

^thank you @describe-things

[kacievvbbbb]

You know I talk a lot of shit about the concept of not watching a show or abandoning a show because of the fandom.

But like I went to see Avatar the Last Airbender live at concert and god I had forgotten just how much I love that show.

I’d let my irritation with the fandom’s discourse allow me forget how much I love this show.

But my eyes are open now and by god I’ll never let them close again. Cause I love that show.

[avichor]

at the avatar the last airbender in concert ……. this is definitely not bringing the rot back. haha

[strawberrymilkyumyum]

zutara true beauty au where zuko is suho and sometimes just awkwardly hangs out with hakoda and also is just like standing so awkwardly all the time and never speaks

[blluespirit]

Zuko is gruff and imperfect in his attempts to show kindness, and yet fighting comes as easy as breathing. I love fics that tackle that awkwardness, that stumbling kindness, but don’t portray it in that way that makes Zuko just seem hopeless, and actually explore it. He wants to be kind. He wants to care, but he’s lived a life where that is few and far between.

We’ve seen zuko fight in all different ways, with bending, with swords, with knives, hell, even hand to hand. And yet, he stumbles over his words when Jin flirts with him, offers Li only a knife - a tool of violence - to show he’s thankful, pushes Jet away the second he reaches out when they meet on the boat. He steels that man’s swords from him out of revenge and selfishness and steals Song’s ostrich horse rather than face her and the truth. He robs the rich man on the highway, and lures a secret police officer into an ally to frighten him into spilling information.

Yet, he blanched at Song’s easy compassion and at Li’s parents offer to let him stay. It’s the easiest thing in the world to leave Jin behind, to leave Li behind, to fight Jet in the streats in Ba Sing Se. It’s easier to steal and fight and scream. It’s easier to fight for survival than ask for someone’s kindness. After all, he wouldn’t know what to do with that.

[mikasa-stan]

I'll just share it here 'cause I don't wanna type the same thing lol. But yes, it was soooo BEAUTIFUL!! I want to talk so much more about it.