#god the background characters really did look infinitely more interesting than her
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77. Godkiller, by Hannah Kaner
Owned: No, library Page count: 288 My summary: Kissen wants one thing, and one thing only. The death of the gods - the gods to whom she was going to be sacrificed as a child, the gods who technically saved her life, the gods who took everything from her. Elogast is a baker who has put his life as a knight far behind him, until the king comes calling to ask a favour. And all Inara wanted was to understand why she is bound to a god of white lies, and what mysteries lie in her background. It was fate that brought them together...but what trials will they face? My rating: 3.5/5 My commentary:
Killing gods. Really, what else do you need to draw you to a book? I love fantasy, I love gods and monsters, and I love humans with the guts to stand up to something infinitely more powerful than themselves and say hey, you're doing something wrong and I'm going to stop you. This was recommended by a coworker, and I know you shouldn't judge a book by its cover, but I literally picked this one up mostly on the strength of that cover. Hey, it's a good cover. So anyway, expectations were high for this book. Did it disappoint? No! I enjoyed it quite a bit.
Our characters here are Kissen, who survived being a sacrifice as a child and wanted to kill gods in revenge, Elogast, who fought for his king in the God Wars and has since become a baker, and Inara, the secret child of a noblewoman who is bonded to a small god of white lies. They're all strong characters and balance each other pretty well; Kissen's core of strength and mistrusting nature, Elo's determination to save the man he loves, and Inara's childlike stubbornness and faith in her own abilities. The narration switches between their points of view and Inara's god, offering a different look at similar scenes. Each character has parts of the story and world missing from their perspective, simply because it's not something they've yet encountered or they're working on less information. Which sometimes leads to the reader being better-informed than the characters, or more able to guess what's going on, which is interesting.
The world is revealed in small bites - I don't recall any lengthy exposition in this book, just glimpses hinting at a wider history here and there brought up by several of the characters. The God War, for example, is shown only in brief flashes when characters remember certain events or talk about aspects of it. It's an interesting approach to worldbuilding, though I have to say that early on, I got confused easily, as characters referred to ideas and words I had not yet been exposed to. Thankfully, however, this lessened as the story went on. The world painted by this book is a really cool one, a twisted landscape that has recently survived a war against impossible odds, filled with small and large gods and the people who worship them, despite that being illegal. There's so much history and depth hinted at here, it really leaves you wanting more.
As for the storytelling itself, I did have some quibbles with the way the narrative and characters progressed. Kissen and Elo's relationship, for example, was a very straightforward rivals-to-lovers situation, and the hints towards their relationship developing in this way were hardly subtle. There was also that dodgy plot device where the characters think they've been betrayed around the end of the second act - specifically, when they find out that Elo's on a mission from the king. It isn't quite as annoying as I usually find this trope, but I still could have done without it, you know? None of this was enough to spoil my overall enjoyment of this book, though, and I'll definitely be looking for sequels when they come out!
Next, the story of a boy and a gem.
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Shoutout to all the other background characters looking much more interesting and believable than Kiriko herself in that last shot. Also why was her mom a ninja, why would they need ninjas in the year 2070? Personally would've let the healing tags and teleport slide if it was tied to hard light or some tech. And I guess they're going the "noodle dragon" route seeing the spirit is alive rather than an extension of oneself. I don't think I've been this annoyed by a new character since Ashe.
Well as far as Ninjas in the year 2070 goes, there's already the Shimada clan, but the fact that she's another ninja riding on Shimada coattails without even answering any significant lore questions with regards to the Shimada clan is kind of a slap in the face. I mean with Ashe they at least went through the effort of distinguishing her from Cassidy and making her a decent foil by giving her the "Resentful Rich Kid" backstory and even though I didn't finish Ashe's novel I do think it had some really good worldbuilding with this whole 'futuristic wild west' setting to give us a better idea of what Post-Omnic Crisis America looks like, plus Jennifer Hale at least has a solid amount of charisma.
Kiriko on the other hand?? This is Blizzard plunging balls-deep into the "Mystic Asian" stereotype, not really acknowledging the fact that the Shimada clan are literally a criminal empire, and making her a cutesy magical girl heroine with no actual nuance. Like when I wrote Rei I made a point of frequently confronting her with the ethical dilemmas of not just being from a family of ninjas, but also growing up in a renegade splinter cell organization. Kiriko just teleports around going "I will protect Kanezaka! I use a bit of the old and the new, tee hee!!"
Like if we were going to get another hero from Japan , I would have preferred we got like... a detective character who's against the Shimada clan, someone who knows a lot about them but from an exterior perspective who's fully aware of all the people they've hurt. Instead we have no answers on what the fucking dragons are, no actual context on the Shimada clan's influence, and a magical asian cutesy fox sidekick.
Hell, I could barely tolerate Noodle dragons in fanfics. I really hope that's not the direction Blizzard is taking them in.
On the bright side though, this thing is pissing me off enough that I've blown the dust off of my "Okay here's my sci-fi explanation for the Shimada Dragons" ficlet. So stay tuned for that.
#'sarah where are you going to put kiriko in your fic continuity'#with the fucking hamster that's where#god the background characters really did look infinitely more interesting than her#that's what blizzard fucking gets for giving her the stupid headband instead of a badass mask
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Things from Archie Sonic that I would love to see return in the Mainline Games and/or IDW Sonic!!
Recently, I decided to read some of the Archie Sonic Comic, from like issue 186ish up until the first MegaMan crossover and the reboot, mainly because there were some gaps in my knowledge of those stories. Mainly Issues 198 till 235, which I never got to read as a kid and, I have to say, there were a lot of really interesting concepts during Ian's run of comics before the reboot that I really loved. There was a lot of really interesting concepts I love after the reboot too. I wanna celebrate that. A lot of these concepts and story idea I feel really deserve another chance.
So I wanna make this list of stuff I wanna see return in either for stories in the Mainline Games or the IDW Sonic comics. Before we start, I do wanna add somethings. This post isn't meant to be shitting on IDW and being like "IDW would be better if they did this". I really love the IDW comics and universe. I also know that some of these concepts likely can't be done due SEGA Mandates and I'm not gonna include stuff like "Bring back the Freedom Fighters" because I feel asking to bring back characters isn't gonna be very productive, as much as I would like to see their return. Anyways, let's begin.
The Fate of the ARK
One thing that really inspired this list was this scene right her. We'll talk more about Silver's Future later but for now, let's focus on the ARK. I'm gonna assume anyone reading this knows the story of the ARK from SA2 and Shadow. Sadly, the ARK hasn't really been revisited in the main canon since Shadow, despite how iconic of a set piece it is. In the Archie Comics, we get a look at Silver's future and one of things that may have been the cause of how bad things are is the ARK crashed. Sadly, Archie got rebooted before the writers could go more into it but, from SA2, we know that the ARK was set to crash into the planet if all 7 Chaos Emeralds are placed into it, wiping out all life on the planet. This could be an excellent premise of another Silver adventure, whether it be in the comics or games, where Sonic, Silver and some friends have to stop someone from making the ARK crash into the planet.
Expanding the Eggman Empire/Egg Bosses
Something I've always found a bit lacking in the game canon is how the Eggman Empire itself has been presented. In the games, the Eggman Empire is usually just made up of Eggman, Metal Sonic, Orbot, Cubot, a bunch of robots and (recently) Infinite. It's not really an Empire if it's just one guy and a bunch of robots. The main goal is the conquer the world but we hardly see Eggman actually see what happens when Eggman conquers a place, like what happens to the people who used to live there, besides like Colours and Forces, where the Wisps and Mobians are usually just seen being imprisoned. The Egg Bosses are the perfect solution to this and adds so much to Sonic's World.
The Egg Bosses are Mobians who, either willingly or unwillingly, aligned themselves up with Eggman for whatever reason, becoming commanders of the Eggman Empire. This usually comes about when Eggman has taken over a part of the region and the people living in that region have no choice but to join the Eggman Empire, for their own safety. Not only does this make the Eggman Empire feel more than just one person but it also makes Eggman more a villain himself. It able to portray Eggman as someone to be feared and, I mean, this is a dictator and genocider who is pretty much declaring war against the world.
It also brings up some interesting thoughts about the world. Characters like Maw, Thunderbolt and even Nephthys to a degree joined up with Eggman because they felt it was the right thing to do for the sake of the world, or in Nephthys case, to stop things getting worst later on, meanwhile characters like Grand Battle Kukku are plotting to usurp Eggman, with Clove and Beauregard only working for Eggman to protect family or close ones.
As I said before, having these Egg Bosses also makes Eggman look more threaten, both because he's able to look like a "bigger bad" next to these villains he has command of and, because almost all the Egg Bosses hate Eggman's guts, they are cyberized, a terrifying process in which those who work for Eggman are focus to have parts of their body replaced with cybernetics, with either bombs which will blow if they decide to leave or a locking mechanism that will paralyze their entire body, ready to be locked up.
If either in the game or the IDW comic, I would like to see the Egg Boss concept return. It doesn't even need to be the same characters or use the name "Egg Boss." It would help expand the army of the Eggman Empire, as well as provide some fun bosses for the games I think.
Mobians and Humans living together
This was always a weird hangup I felt the series had. In the case of games between Sonic Adventure & Unleashed, Sonic and friends were the only Mobians, humans made up the NPCs while Mobians were reserved for main characters. Then in Forces and IDW, Mobians made up the background characters, so then Eggman is the only human. I really prefer it when they have the two living together, it makes it seems more normal and, honestly, a better solution than the whole "Two Worlds" explanation.
Eggman Seemingly Defeated
Can I just that I love Issues 198-200? In these 3 issues, Sonic and friends Eggman's main base, the Egg Dome. This including fighting on the outside of the base, involving fighting hoards of the Dark Egg Legion soldiers and Eggman in the Egg Phoenix. After dealing with the outside, Sonic and friends raid the Egg Dome itself, taking different directions, with the Dark Egg Legion seemingly retreating, until they reach the center of the base, where they are blocked off by a barricade, which only Sonic can pass through, giving a "Point of No Return" vibe, Dark Egg Legion soldiers lining up and saluting Sonic. Then Sonic reaches the center and finds Eggman in the Egg Tarantula, starting their final battle which Sonic wins. This defeat is enough for Eggman to lose his sanity, seemingly ending the war Sonic and the Freedom Fighters have been fighting their entire life.
Of course Eggman returns but, god, it's just such a memorable couple of issues. There's a real sense of finality to it. I would a sequence like this in the games, something that feels like truly ending the Eggman Empire and defeating them once and for all. Of course, it wouldn't be the end, Sonic games are always needing to be made which would lead to...
The New Rulers of the Eggman Empire
In the comics after the defeat of Eggman, the Eggman Empire is taken over by some of it's Commanders, the Iron Queen and Iron King, who rules the Empire as their own until they are defeated and Eggman's return.
I love the idea that even if the Eggman, there will always be someone there to take his place. The games could do this by having Neo Metal or Infinite take his place. Hell, IDW did have Neo Metal take over but I think what made that less interesting was that Neo Metal wasn't doing it for himself, he was doing it for Eggman. I think this would work well if a concept like the Egg Boss was introduced in the games, maybe have one of the characters part of that group take over OR have a lot of the more ambitious Egg Bosses war against each other to take command, until eventually Eggman returns and puts them in line.
Silver's Future
Silver is one of the most recurring characters, who always joins the gang when his future is in trouble. The problem is that we never see his future besides 06. We have no idea what Silver's future is currently until it's in danger and, even then, we never see it.
We see Silver's Future in both continuities of the Archie Comic, with two different takes. Pre-SGW has a destroyed city vibe, like 06 but less lava. Post-SGW brought a whole new take where people are ruled by a corrupt council where people are put into class groups, and security robots will arrest if you are not at your job at the right time. They even re-contextualize Silver's bracelets as cuffs that the robots can activate. With Silver being my favourite character as a kid, I remember being obsessed with this new world and story, wanting to know more.
I'm not saying they would need to copy this world exactly but it would be nice if they gave us a concrete and consistence look for Silver's Future.
The Heroic Metal Sonic
Right before the SGW, we were introduce to Shard the Metal Sonic. His story is that he was the original Metal Sonic, the one that raced Sonic in Stardust Speedway. He appeared later in the comic, where Sonic made him realized there was more to life than just being Eggman's killing machine. He seemingly died, but was rebuilt to serve as a member the Secret Freedom Fighters.
This one would be tricky to be included. It worked in the Archie comic as they had been many Metal Sonics throughout the series, each one getting destroyed. Meanwhile, there's only officially been one Metal Sonic in the games made by Eggman (two if we count Classic and Modern). Admittedly, Gemerl fits Shard's personality and does need to be used more in the games but having it be Metal Sonic is just a cooler concept.
I think a solution to this is that we have Metal Sonic 1.0 made by Eggman and, in Rivals 2, we have Metal Sonic 3.0 by Eggman Nega from the future. But what about Metal Sonic 2.0? I think we could have a game where after Metal Sonic fails, Eggman builds a replacement, being 2.0, which would give reason to Metal Sonic wanting to revolt, which could lead to a redemption? While I am loving the IDW comics, I do really miss a lot of what both Archie continuities offered. I haven't mention the some other concepts and stories I liked that really focused on certain characters such as Naugus, Geoffrey St. John, Dimitri etc. Maybe I'll talk about that another day...
#Sonic#sonic the hedgehog#archie sonic#idw sonic#pre-sgw#post-sgw#sega#eggman#eggman empire#egg bosses#shard the metal sonic#silver the hedgehog
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The asks for Julianne
for julianne i went for the general and background questions...
Name: Julianne Traven
Associated game/era: Oblivion, born in 3E 392
Race: Breton
Sexual orientation: very ace
Class (or a general description of their skillset): mage, specialising in alteration, alchemy and restoration
Background
Is this character from their race's home province/territory? If not, what is their relationship with the region? Do they feel a connection to it?
julianne, her sister and her mother are all from anvil, which is her very favourite city in the world. her father's family moved from high rock with the usual excuse: to escape the petty politics and oppressive societal norms. julianne has visited daggerfall a handful of times - the first time perfectly under the illusion that she'd immediately feel an affinity to it: so she was startled when she did not. found herself lost among dark timber frames, and a dialect she'd only ever known second-hand
Where did they grow up? A city? A village? Isolated, in the wilderness? What was it like to leave?
the traven's house is right in the centre of anvil, a pretty affair near to the mages' guild: and while julianne has spent most of her life now living in the imperial city, she misses anvil intensely, and often goes back, - far less hurried; much more friendly; and the dank and close rumare fog is a far cry from the infinite liberated sea breezes of home
What was their childhood like? Who raised them? Do they have siblings?
hannibal and myriam traven were always decent enough parents, - a little on the strict side perhaps; and always encouraging the best of their children; but kind and adoring, and attentive to their budding interests...
julianne taking to magic at a young age, she was often taken to the mages’ guildhall to watch the other mages at work; and being fond of reading, had more books than you could shake a stick at. it was only natural she’d follow in her father’s footsteps: she has always looked up to him, and he was always her most ardent teacher
her sister corinne is less academic; but that does not mean they don’t get on. indeed when julianne’s life starts to diverge from corinne’s - and in some cases quite drastically, when the latter joins the city watch and the former joins the thieves’ guild - julianne misses her, and feels nostalgic for their joint upbringing
If they are an adventurer, why did they choose that life? Did they choose it at all?
‘i am an adventurer in spirit,’ julianne might say: and indeed her imagination wanders far and wide, even when her daily walks only wind over city isle or the gold coast clifftops. when however she finds herself in truly dangerous situations, she is quite out of her depth: only knowing battle-magics theoretically; and finding the reality of endless forest and damp socks to be perfectly unbearable, compared with dreaming in an armchair with a nice mug of hot chocolate
Do they worship any gods? Who? How do they feel about the gods in general?
in theory, julianne favours julianos, as the preferred god of mage-scholars; in practice, it’s more because she’s named for him than anything else. really she is a bit indifferent towards the gods - believes they exist; but is mostly religious out of cultural tradition, going to chapel on special occasions, but not often thinking about it otherwise. her ventures as an occasional bellringer in anvil were all out of love of music, and nothing out of association of that music with dibellan theories of art
it’s only during the daedric (and aedric) interventions of the oblivion crisis that she really starts to question the beliefs she’s never really bothered with... the influence of marianne, who despite being the grey fox is fond of the aedra (especially mara and zenithar), also tilts her a little towards more regular chapel-visiting, if only as a gesture of acknowledgement
What are their interpersonal relationships like? Are they close with many people?
she is gregarious when the occasion calls for it; and indeed may be seen by some as perfectly sociable; but in truth has a small circle of close friends, and finds it difficult to make new ones out of acquaintances
her best friend at the university is tara-lei, a brilliant but rather more sensible mage who helps keep her from becoming excessively distracted. marianne is also one of her greatest friends - a partner in crime, you might say, who fills a little of the gap left by childhood antics with corinne
What guilds do they join? Are they committed to those guilds, or are they mostly in them for the benefits?
the mages’ guild is her life and love - she never anticipated becoming arch-mage; but really it’s the perfect role for her, since she has ever been so devoted to it. devoted enough, indeed, almost to die for it, when mannimarco threatened all that she held dear... it’s an admirable aim, to make magical resources and instruction available to all: that is what has stuck with her ever since she first read the guild-charter. when she visited the original guild-hall in firsthold, she almost fainted from excitement
the thieves’ guild is a more occasional occupation: but that does not mean she is not committed to it. she admires the grey fox more than most of the cyrodiil nobility, and almost romanticises the robin-hood-esque mission of the guild. while she rarely undertakes any actual thefts, she becomes essential in the legwork for them - in researching, in enabling, in training. and then when it’s done there’s a warm hearth in a strangely cosy little house on the waterfront; friends of value infinitely beyond their means; and life lessons to be learnt, always
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The Yugioh Arcs Ranked
I’m going to rank all the main arcs of the original Yugioh anime with the exception of season zero and Capsule Monsters, because I haven’t seen those. This is just my own personal opinion, it’s not objective in any way. In fact, from looking at other people’s lists, I think I might piss a few people off with how I ranked these. Remember, this is just my opinion. Also, disclaimer, I did watch this show in dub. While from what I’ve seen of the sub is infinitely better, I did get into the show and I do still think it is a good show in dub. Still, some of the story details might be slightly different for that reason. (Going forward with the spin-offs, I am watching sub.)
7 Dungeon Dice Monsters
This arc served one purpose and one purpose alone: to introduce Duke Devlin/Ryuji Otogi and establish him as a friend of the main group before he comes back in Battle City to… do basically nothing? Personally, I barely saw the purpose in Tristan/Honda and Anzu/Tea so introducing yet another cheerleader for Yugi who doesn’t do much on his own confuses me. Ryuji admittedly has more character than Honda and Anzu and the stuff with the Dungeon Dice Monsters game itself is kind of cool but the other arcs had much more to them so this arc is at the bottom just by default.
6 Noah’s Saga (Or Virtual World)
Onto the first filler arc. There are three arcs of this show that don’t accomplish anything for the overall story and this is one of them. If you don’t know, these arcs aren’t even from the manga. In Japan, Yugioh was based on a then ongoing manga so the filler arcs were created to give the manga writer time to finish the manga so the anime could adapt it. So while I understand the reasoning behind this, I think placing Noah’s Saga in the middle of Battle City was a pretty bad idea in my opinion, as it's nothing but a distraction that destroys the flow of the story and goes on for way too long. It’s not bad though. The deck master gimmick is fun and adds an interesting twist to the duels. It was also interesting learning more about the Kaiba family and especially Seto’s backstory. Overall however, this arc drags in parts and while Noah is still a good villain objectively, he's a complete brat and I personally find that annoying. Still, it was nice seeing Mokuba turn Noah to the heroes’ side through sheer goodness alone.
5 Grand Tournament (Or KC Grand Prix)
Another filler arc. I’m putting this one over Noah’s arc because while that one had the better individual moments and did more for the characters, this arc didn’t overstay its welcome like that one did. It also genuinely shocked me by having Kaiba actually defeat the main villain rather than going the stereotypical way and having Yugi beat him. That’s worth a few points in my book. (It was also just a really good duel.) I also liked Joey’s/Jonouchi’s duel with Yugi’s grandfather, his former mentor. It was annoying how he didn’t recognize him but it was still a nice way to show how far Jonouchi has come since the start of the series. Overall, this arc is just fine. I’d probably skip it if I ever rewatched the series but it’s not without its merit.
4 Duelist Kingdom
Okay, this is the point where I’m probably gonna piss people off. Don’t get me wrong, I still like Duelist Kingdom. It’s a really good start to the show, gradually establishing the characters and the game of Duel Monsters in a really natural way. It also includes some of my favourite duels in the series: Kaiba and Yugi’s duel on the tower, and Kaiba and Yugi’s duels with Pegasus. Speaking of Pegasus, he’s a great villain. He is made out to be undefeatable and actually lives up to that reputation due to the powers of the Millenium Eye. Yugi and the Pharaoh have to repeatedly switch minds in order to beat him, which was really interesting to see. However… This is not the best arc of the show. A lot of the duels before the finals aren’t all that interesting and go on for way too long. They’re not bad duels per say, just uninteresting and padded. When I first started watching this show, I was mostly using it as background while I wrote. The filler duels just didn’t grab my attention and I have no interest in revisiting them. The parts that made me look up from my writing were anything with Kaiba (who I latched onto very early for personal, coping reasons), the times Bakura went into evil mode, and pretty much everything from Yugi and Kaiba’s duel on the tower and onward. I knew about Kaiba attempting suicide but what I didn’t know was that the Pharaoh nearly went through with killing him and had to be stopped by Yugi. That was the moment where I realized this show was more than just “a dumb kids’ show” and was willing to go dark places, despite how much the 4Kids dub wanted to hide that. It was the moment where I actually became interested in the show. So yes, this is a good arc, but later arcs in my opinion topped it.
3 Waking the Dragons
Yes, I put a filler arc over the classic season one. Honestly though, this season was so good I didn’t even know it was a filler arc until I did my research. Sure, it moved the focus away from the Millennium Items but the character development for Mai, Yugi, and the Pharaoh felt so genuine and was really interesting. This season basically forced me to see the differences between Yugi and the Pharaoh by separating them for quite a bit of the season, which was another thing that really surprised me. I was used to this show being darker at this point. However, I never expected them to actually kill the main character, even if it was obviously just temporary. That’s a pretty ballsy move. I grew to really like the Pharaoh and Yugi this season. And Mai’s fall to villainy and the exploration of her trauma from Battle City was very interesting and tragic. This show writes villains very well and this season is a great example of that. I really like stories where the villains’ motivation is to destroy the world due to their hatred of humanity/the world. Valon, Allister, and Raphael all have genuinely sad backstories that perfectly explain why they adopted this viewpoint. Dartz not so much. However, he is still a great villain. He has such a presence and the way he manipulated all these people and even twisted their minds with the Orichalcos was delightfully twisted. However, his ‘redemption’ at the end was really out of nowhere and unnecessary and Pegasus’s involvement in this season was… weird to say the least. Overall, however, I really like this arc. I understand the backlash, since this is a filler arc and a really long one at that, but I personally really enjoyed it.
2 Dawn of the Duel
Yeah, the final arc isn’t the best one. Time travel stories really don’t appeal to me personally. However, in situations where the thing in question was already bonkers as hell before introducing time travel I’m more willing to let it slide and get into the silliness of the time travel idea rather than picking it apart. A lot of its logic makes no sense if you think about it even a little but seeing the conclusion to all these long running arcs was really satisfying. Bakura is also a great villain. I was wondering what they were going to do with him all series so for him to finally have the spotlight as the main villain and to learn that he actually had a sympathetic backstory was really cool to see. This is the arc with the least actual dueling so I can see why people who watch this show for the duels would be disappointed. However, I watched the show for the lore and the characters, which were the focus of this arc and personally, I loved seeing the ancient real life version of Duel Monsters. The battles felt more intense due to them being real. Also, I will admit that the final scene where they all say goodbye to Atem got tears out of me, which I didn’t think this show would ever do.
1 Battle City (Both parts, splitting it was stupid)
Okay, this is the season that made me a fan. It’s the point where I started actively blogging about it and even analyzing it a bit. First of all, this arc had, in my opinion, the best villain in the series: Marik. His redemption arc was the only one in the show that was justified or made any goddamn sense for that matter (besides Kaiba but I don’t really count him as a villain). Marik’s backstory did a good job making him sympathetic without excusing his terrible actions. Even before his darker side took over, Marik was a really good villain, using his millennium item to mind control and kind of terrorize his minions all while hiding in the shadows so when the heroes actually see him, they don't even realize it's him. Granted the story didn't do much with that plot point but it was still cool. Also, I didn’t think this show would actually go as far as to have the villain mind control Yugi’s friends and even force Yugi to duel one of them to the death. That genuinely surprised me, as did the Yami Marik twist. This arc also added a lot to the lore, which was the aspect of Duelist Kingdom that I was most interested in and was barely touched on in that arc. In Battle City however, we got the Egpytian God Cards, two more Millenium Items, the history of the Tomb Keepers, all of which were really interesting. This arc also has a lot of the best duels in the series, which I can try and list:
-Kaiba vs Ishizu (I hate the way destiny is written in this series, but Kaiba changing his destiny was the most badass thing ever. Even I can’t deny that.)
-The best Yugi vs Kaiba battle (Tied with their Duelist Kingdom one honestly, those are both great but this one had two god cards clash. I can’t help but love it.)
-Jonouchi vs Marik (The sub gave me chills and even the dub made my heart skip a beat and think they were actually going to break anime rules and let Jonouchi win. Also, the dub gave us the amazing “according to my math, six is higher than two” line, which I unironically love.)
-Yugi vs Marik (I mean come on. It’s the final battle and seeing Marik regain control and overcome his dark side was great.)
Anyways, that was my personal ranking. I think I’m generally in agreement with the fandom consensus except I feel Duelist Kingdom is a little overrated and Waking the Dragons is underrated. I will do this with GX when I finish it though I admit I have been really on and off about watching that show due to real life reasons.
#yugioh#yugioh duel monsters#classic yugioh#yugioh classic#yugi mutou#pharaoh atem#seto kaiba#marik ishtar#I talk about them a lot lol#marik and kaiba are my favourite characters in the original show
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Watching Star Trek TOS For the First Time! Season 1 Reaction
I’ve been a TNG, DS9 and Voyager fan for maybe 10 years but had never watched TOS until I decided that I would. And then I realised I couldn’t live with the possibility of the internet not being able to know my incoherent rambling reactions if it so desired. Most of these were written the day after I saw them but with the early ones it was later so sorry if I don’t remember your favourite.
Season 1:
The Cage: Be still my beating heart why must number 1 leave the show? Why?! Imagine a world in which Majel Barrett got to continue to be her in the Star Trek universe instead of Lwuxana (sorry I don’t love her) and Nurse Chapel. She’s so beautiful I love her. And she gets to where pants and be the second in command. While the episode for sure has sexist moments it does seem like there was more of an actual effort to present to future as having gender equality. When you compare this to the ultra mini skirted version of the actual show, it does feel like executives went through it to make it more marketable. It’s been noted by others that she is quite similar to what Spock’s character became: the cold, logical one, while Spock smiles in this episode. While I ended up loving Spock I still would’ve loved to see a woman in that kind of role, especially in the 60s. Although I’m not sure she would’ve been treated that well.
So Vina can’t like, get medical treatment from Starfleet doctors who know how to put a human body together? No? We’re just gonna leave her there? She’s too ugly? She’s better off living in a fantasy world where she’s pretty? Ok then…
The Man Trap: I don’t even really remember this one so I’d have to rewatch it.
Charlie X: Charlie sees women and becomes an incel, Kirk has to try and teach him not to be. This is a decent goal that somehow culminates in a space boxing match. Kirk loses his shirt. Sexual tension is presumably resolved. Uhura sings.
Where No Man Has Gone Before: The pants are back. Man becomes some kind of god and Kirk beats him up if I remember correctly.
The Naked Time: This is where The Naked Now comes from. This one was less sexual, which is probably a good thing, and less drunk, which is too bad cause I love drunk Crusher and Picard trying to focus on work while their brains won’t brain. Highly relatable mood. This one is where the immortal line “sorry, neither” comes from, spoken by Uhura in response to Sulu calling her a “fair maiden.” According to the internet that was an ad lib and I so hope that’s true cause it’s amazing. Also according to Spock Sulu is a “swashbuckler at heart” which is cool and all but I wish we got to find that out by him actually being a character that we know the personality of rather than a background diversity guy who gets to say a couple of lines sometimes. Also each to their own but shirtless Sulu is infinitely more attractive than shirtless Kirk.
The Enemy Within: Bad. Women at Warp podcast said it best, it’s bad because they say the evil Kirk is still Kirk and is needed for him to be a good captain/person. This could’ve been ok if he didn’t do something so irredeemable, or they could’ve not had him be defined as a true and necessary part of Kirk, but you can’t have both and sell it as an ok message. Rand not being able to look at ‘good’ Kirk after really makes it feel real, her acting in general makes it feel too real.
Mudd’s Women: Women take beauty pills that make them have makeup on and men find them too ugly to marry without them even though they are still beautiful. Also said women were kinda slaves but don’t worry about it! *hand waves*
What Are Little Girls Made Off: I don’t know what the title has to do with the episode. This is the episode where Nurse Chapel is introduced even though she was in a previous episode. And she’s taken more seriously than I thought she would be. Kirk gets an android version of himself made by a guy who he already doesn’t trust and doesn’t predict that maybe that’s not a good idea. Apparently to make an android all you need to do is put one person and one dummy on a giant plate and spin them around real fast. If only the guy who wanted to take apart Data in Measure of a Man knew.
Miri: Problematic. I think the crush angle could’ve worked if it was one sided, but Kirk played into it and it was creepy, and you know, also manipulative, assuming Kirk doesn’t actually feel the same way and is using it to get her to help them. That’s my more charitable interpretation anyway. Also McCoy doesn’t know how vaccines work. Also this episode doesn’t know what puberty is, or rather when it starts. If the virus is supposed to get to you then, that starts round the preteen age. Miri is older than that even though she’s not an adult.
Dagger of the Mind: This was the first one where I was starting to quite like it and it was feeling a little more like Star Trek to me (I know this is the first Star Trek but there’s a certain way 80s/90s era Star Trek feels to me). I really liked the beginning where it was setting up this whole maybe prisoners become violent because of how the prison treats them thing and that it was challenging the viewpoints of some of the main characters, although McCoy was already team prisons are bad and I love him for that. It then went more into the lobotomising asylum type story which was still ok. The guy turned out to be a doctor rather than a prisoner which I didn’t like cause I wanted the prisoners to be humanised. Although you could’ve done a “see anyone, even ‘innocent’ non criminals can be turned violent with this treatment” but they didn’t really emphasise that.
The Corbomite Maneuver: I don’t remember this. Kirk playing poker with some alien I think. Edit: I’m been informed this is the one where the alien turns out to be a lollypop guild kid lip-syncing to an adult’s voice, which I do remember, and probably thought it was some kind of sleep-deprived fever dream.
The Menagerie Part 1 & 2: I laughed so much when they wheeled Pike out and I finally got the Futurama reference in Where No Fan Has Gone Before. I mean I obviously knew the whole thing was a Star Trek Reference, but I had never seen that specific imagery before and now the joke makes sense! Also Pike wanting to go back there seems kinda wrong. I mean they say he’s a vegetable mentally I think but he doesn’t seem to be? I can kinda get that he’s got more incentive to be there than Vina who could probably be helped by Federation doctors but also, he hated that place and spent the whole episode trying to get out of it and it doesn’t feel like a fitting ending for him.
The Conscious of the King: And here begins Star Trek’s love affair with Shakespeare. The only thing I have to say really is, if I didn’t mishear something… a father and daughter played Macbeth and Lady Macbeth? A married couple. And no-one thought that was weird? She was the daughter of a dictator though so there was an Ivanka Trump vibe.
Balance of Terror: Romulans. Spock wasn’t sure that they were related to Vulcans till this ep, though he suspected it. How far back did they split for it to be unknown? I like that the Romulans were sympathetic and we had scenes with them just in their ship from their perspective, and they had some conflicting views with each other. And I really like how Spock was suspected as a spy cause racism and of course he wasn’t and saved that guy cause he’s the better person. That said I found this episode pretty boring and I don’t know why. I kinda wish it turned into a witchhunt situation and was more about the racism on the Enterprise, kinda like The Drumhead from TNG.
Shore leave: Wtf was this episode?! And I don’t ask that because the white rabbit from Alice in Wonderland showed up, or that it was a random holodeck planet episode, that’s fine. When the White Rabbit appeared I was just like, ok it’s going to be one of those episodes, that’s fine. Holodeck episodes are fun, I don’t even mind a random magic alien or two appearing for no reason to wreak havoc, say by making everyone larp as Robin Hood, that’s all Star Trek, that’s Star Trek doing a Star Trek, what I didn’t like is this episode goes nowhere! McCoy sees the White Rabbit, we’re off to a good start, Sulu “Swashbuckler at Heart” sees an old gun that he geeks out on, cool. Kirk sees some woman of course. Also there’s some guy fending off a tiger. Random female guest star of the week rather than letting Uhura be part of the story gets her uniform torn by some guy. Then she imagines a princess dress and if that were me as soon as I realised I could think things into existence I would just imagine all my dream clothes. Kirk imagines an old student friend who is attempting very hard to be Irish (thank you Colm Meany for saving us from this).
Anyway so the planets a holodeck cool. And I’m like, Spock should beam down, I wanna know what he’ll see, this is where the episode could get interesting. And then it happens, but nothing happens, they don’t even make much of a deal of him not seeing anything. But then I thought what if! What if Spock didn’t beam down and this was another imagination?! What if he was some alien with some ulterior motive OR better than that we get to see Spock as imagined by whoever was thinking of him. You could go down a very fanfic road if it were Kirk’s imagined or desired view of him, or maybe you could show different people’s perceptions and then they still suspect he’s not acting like himself even though it’s how they see him, but its not quite right, cause it’s not actually how he is. Or at least I thought they were going to find out what was going on. But NOPE none of that happens. Instead leprechaun guy shows up again and Kirk just wonders off to fight him for the next fucking millennium! The uniforms they wore at the academy seem like they were made out of better quality material than that of a Starfleet captain’s. Poor Kirk must be having to replicate new uniforms every other day. Then they laugh I think, and sexual tension is presumably resolved. Then the aliens show up and are like yeah this planet is a holodeck we thought you’d like it also McCoy died but he didn’t and I’m like THEY DIDN’T CONSENT TO THIS. But then they decide to party.
It reminded me of a Red Dwarf episode called Better Than Life where they knowingly go into a virtual reality game which is basically the same as this planet. But over time Rimmer keeps sabotaging what he imagines cause he hates himself so much his brain won’t let him have nice things. And it’s still a comedy, but there’s an opportunity for exploring the character’s psyche with this setup that wasn’t done here and that made it boring.
The Galileo Seven: This episode was good!! In contrast to the last one it delivered on promises it made, it had a satisfying ending, it’s probably my favourite so far. The whole time I was like this should be about how Spock can be wrong and logic isn’t everything to be a good commander. But given the quality of the previous episodes wasn’t that great and Spock was always right about everything I didn’t trust them to do that. BUT I WAS WRONG. I thought it would be about how just because you don’t have emotions doesn’t mean you can disregard those of the crew. But instead it was about how he couldn’t predict their enemy wouldn’t act based on emotion rather than logic. And then he admitted he was wrong and helped the guy bury the other guy, and then they were about to die and McCoy was like at least I’ve lived to hear Spock say he fucked up. And then Spock jettisoned the fuel so that it might act like a flare but it gave them less time and I was like no you’ve learned nothing! Don’t just do things that severe without asking your crew. But then after they were saved it was described as an act of desperation rather than anything logical and Kirk was like that’s an emotion isn’t it? You acted on emotion? And Spock was like well yes but I’m not gonna say it like that.
I like that emotion was good actually. I think it’s a fine balance between the message of its ok to be different and using Spock as an analogy for racism, and inadvertently neurodiversity, but also not buying into the idea that emotions = weakness and lack of emotion, or emotional repression = objectivity. Even if you don’t factor emotion into your decisions (which would be impossible unless you don’t experience emotions at all) it doesn’t mean that you don’t have personal biases in your perspective. So I’m glad Spock was wrong for once.
The Squire of Gothos: This is Q this is Proto-Q. He does all the same things that Q does; he shows up in clothes that are way out of date (and he thinks they’re from 900 years ago when they’re clearly early 19th century) and he flirts with the captain. Oh and he has powers, maybe they were computer powers, but not all? And he goes on about humans being brutal, warmongering people but he’s kinda into it. He fights Kirk but there was actual tension so it wasn’t annoying like the one with the Irish guy. And then it turns out he was just a kid exactly like the Futurama episode, except he is a kid not 35. I think him being a kid makes the flirting seem weird though.
Arena: Kirk and the Gorn at Tanagra. Kirk fights a lizard because aliens wanted to encourage them to not fight by telling them to fight. I thought maybe these lizards could be proto Cardassians but then I thought they can’t be they don’t talk, but then he spoke so I thought they could be, but then he was the one who was invaded and was only defending his people so I thought they couldn’t be, unless that was actually just lies and justifications in which case they definitely would be, but then that would undermine the message of the episode so I guess not. I wonder how many leaders have killed each other before these alien’s negotiation tactic actually worked.
Tomorrow is Yesterday: This was fun. There were a lot of twists and turns. I wonder if it was before or after the moonlanding. Every plan just makes it worse and more and more people keep getting exposed to the future. Kirk could’ve easily just closed the door and beamed back at the end but instead opts to punch like six people. (I think this is where “a woman?” “Crewman.” Comes from).
Court Martial: What if Kirk actually did it though? Would that be more interesting? Maybe. At least here he has an age appropriate love interest. She’s prosecuting against him which is surely a conflict of interest. AND she has a uniform with a longer skirt! And it actually looks good, like it looks like an actual dress that she can sit down in and it still looks like a dress and not a crumpled up shirt. It’s elegant but it’s still short. I could see this being an option (for any gender) as a dress uniform but it would still make no sense when they’re serving on a ship.
Return of the Archons: I am LIVING for Spock in a medieval style hood. It’s giving me Peter Cook in a Mother Superior’s wimple in Bedazzled vibe, it’s not quite on that level of beauty, but it’s close. For some reason Sulu returned from the planet in 18th century gear but then everyone else is dressed like it’s the 19th century, with some medieval robes thrown in, and this annoys me more than it should. Maybe it’s because he’s a swashbuckler at heart. Apparently they had a completely peaceful society except for the nightly purge they seemed to have going on that is never mentioned again.
Space Seed: KHHANN! I liked this a lot until the end. I want to know the lore behind Data’s Dad having his middle and last name. Edit: Actually only the middle name is the same and the last name is just similar. I still think there’s lore there (excuse the pun), probably he’s a descendent of his cult followers or something. The story seemed to be eugenics bad and also the type of guy to basically be a eugenics cult leader would be super manipulative and abusive but just charming enough in a relationship. It does a pretty good job of showing the abuse in his relationship with the historian woman, how he switches between being loving and I guess charming, and flattering to being abusive and degrading. I wish that the historian woman could find someone that she can explore domination and submission with consensually cause that seems like it would be what she really wants. Anyway but in the end they just let him go? Like he tried to take over the ship but they were like here have a colony. They compared the place to Australia when the colonists arrived at Botany Bay and that it could be... I forget what the word was but basically ‘civilised’ and No NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO STOP RIGHT THERE NO Australia was already populated and didn’t need eugenicist cult leaders who were demonstrably bad to show up make it ‘better.’ AND THEN the historian is given the choice to go with them and she does and its framed like it’s good? Or at least ok? When they just did a pretty decent job of showing how abusive and manipulative he was and she had redeemed herself by turning against him? So I get that they probably wanted to bring him back although they’re probably not gonna bring her back, but they could’ve easily had him escape instead.
A Taste of Armageddon: Suicide machines. I forget the rest.
This Side of Paradise: SEX POLLEN! Well it’s more fall in love pollen, I guess, for one character. There’s a woman and there’s the music and the soft focus and BUT WAIT then the camera cuts to Spock not Kirk! Because she has taste. It’s about this point that I think the ‘Spock’s the most popular but Shatner wants to remain the star so we’ll emphasise their character’s relationship thus inadvertently inventing slash fic’ might’ve started. It’s time for a love triangle! She makes Spock get the sex pollen, which is not getting consent, and then he falls in love with her and is climbing trees and is all happy. Kirk can’t get a text back from Spock. Then Kirk and two others get the pollen except Kirk didn’t, but he did, but anyway I thought everyone would be horny but they weren’t they were just brainwashed. Soon Kirk is all alone on the bridge, then he gets the pollen and is happy to live as a poly triad but then he gets angry and it’s gone. Then he calls Spock to the ship and approaches the situation in the only way Kirk knows how: Homoerotic punching! So they fight for not long enough and then Spock is cured but he’s a little sad, there’s sadness in his voice, it’s not quite so matter of fact. Then Spock’s gf gets sad and the sex pollen is gone too, Spock might still have feelings for her but he has responsibilities to the ship and “to that man on the bridge” which if he was saying to just mean once again the whole ship, and its mission and the captain in a professional sense, seems a little redundant, which would surely be illogical.
The colonists get sad that they haven’t done anything for years because the sex pollen made them unambitious but I would argue maybe the sex pollen was right and you were better off just vibing. This episode was more interesting and less silly than I thought the creator of sex pollen would be. At the end Spock says that for the first time in his life he was happy. While every other character could still easily become addicted to a thing like that they could at least know they would experience happiness or any feelings again in their life, for Spock it was going back to nothingness.
Devil in the Dark: Spock calls Kirk Jim which I don’t think he has before, when he’s talking over the communicator and he’s worried he’s in danger, there’s some actual fear or urgency in his voice. Also the moment that got me was when Kirk wanted to send Spock back the ship cause he didn’t trust him to kill the creature and Spock was like “but… I’m not really as useful there I am here… so…” If I was writing it I would’ve played that up more but anyway, I like that they didn’t kill the creature. I like that McCoy said the thing. And also said “I’m starting to think I can cure a rainy day.” He’s my favourite.
Errand of Mercy: It’s kinda becoming the Kirk Spock show now, I like the ship but I miss McCoy. I like that the passive pacifists who Kirk was so angry with were actually more powerful. And KLINGONS! Oh yeah the orientalism, the yellow peril, it’s… it’s there all right. They were played a lot colder here, a little Cardassian maybe, still bloodthirsty but I don’t believe this guy has to do it himself to feel honourable, he can kill for sure but he’s fine ordering someone else to do it and being a chessmaster too.
The Alternative Factor: God this one was boring. But it does have a man with the worst beard wig I’ve ever seen. Now he’s stuck fighting the bad version of himself or something to save the universe. So remember that when you’re watching later Trek series, all of this could suddenly be destroyed if one of them gets tired.
The City on the Edge of Forever: UHURA GETS TO GO ON AN AWAY MISSION! Aaaand she doesn’t get to do anything :/ The usual three go back in time! To the 60s again! Oh wait… that’s meant to be the 30s? Oh. That’s some tall hair that lady has for the 30s. But at least said lady is a character, she’s a little perfect but she does things, she has strong beliefs, she might be written a little idealised, but she is still written like a person compared to almost every other Kirk love interest. “He says it (captain) even when he doesn’t say it” is an interesting line. So she has to die, I still think they could’ve just convinced her that you don’t make friends with fascists but ok. They never say what the Clark Gable movie is.
Operation Annihilate! Kirk’s brother dies, and so does his sister in law, leaving his nephew without parents. This is never resolved and the episode ends with them laughing about how Spock got his eyesight back.
#star trek tos#star trek tos reaction#star trek reaction#star trek tos season 1#star trek tos season 1 reaction#star trek tos first time viewing#Spock#Kirk#McCoy#Uhura#Sulu#is a swashbuckler at heart#crushing on number 1#you don't make friends with fascists#sex pollen#spirk#is a fun ship#wtf was shore leave though#futurama#at least I've lived to hear Spock say he fucked up - Dr. McCoy
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A Review of “Zack Snyder’s Justice League (2021)”
The movie that hardcore dedicated Zack fans fought for has finally been released. I'm not a huge Zack fan and I honestly didn't like Batman v Superman (BvS), although I did like Man of Steel, I also supported the movie because I believe the movie released should've been Zack's true vision. I watched Justice League (2017) in theatres when it came out and thought it was a very bland movie that had very obvious reshoots from another director in it. If I had to give that movie a rating then I would give it a 1.5/5. The premise is still the same "Fueled by his restored faith in humanity and inspired by Superman's (Henry Cavill) selfless act, Bruce Wayne (Ben Affleck) enlists newfound ally Diana Prince (Gal Gadot) to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly awakened enemy. Despite the formation of an unprecedented league of heroes-Batman, Wonder Woman, Aquaman (Jason Momoa), Cyborg (Ray Fisher) and The Flash (Ezra Miller) -- it may be too late to save the planet from an assault of catastrophic proportions". So does this live up to the hype or is it overrated?
Let's get this out of the way first, this version is infinitely better than the 2017 version. The best scenes in the 2017 version were all Snyder from watching this version. I did wonder how different this version was going to be from 2017 one but it feels completely different. I would say 70% of the 2017 version is in this movie but the editing, removal of Whedon scenes and addition of new scenes changes this into one with tonal consistency and coherent storytelling. Since this version is longer, it also feels like there are more build-up and tension throughout. Due to this every scene that was also in the 2017 one now feel a lot better and earned. The screenplay is still written by Chris Terrio but unlike BvS it feels a lot more engaging and not unironically silly. Some powerful and emotional lines here resonated with me which is quite surprising.
Additionally, the action scenes are more enjoyable in this one due to its R rating and how it's longer now. The biggest change is to the action in the climax where instead of in 2017 where Superman does everything, the team all contribute so it feels like everyone was relevant to the team. Junkie XL returns to score this version from BvS and it is amazing. His score adds a lot of impacts compared to Danny Elfman's 2017 version. It's a lot more memorable and makes scenes feel more exhilarating. There is also an Aquaman and Flash theme of the sort that sounds great albeit not as iconic sounding as say the Wonder Woman, Lex Luthor or Superman theme from BvS. The cinematography by Fabian Wagner is pretty good for the most part and there are still those gorgeous shots that we expect from Snyder. The humour from the 2017 version is now toned down substantially so no more "wHaT iS BRunCh? or Flash landing on Wonder Woman boobs, thank god. Surprisingly, there is still a fair amount of humour here compared to BvS which some say was lacking in a lot of fun. The humour in this version land a lot better and is the right amount as well which add some levity to a mostly serious natured story.
The biggest improvement this version has is the characterization. Cyborg has a proper fleshed out arc in this version. You have a greater understanding of his dislike for his dad and his feelings about his current situation but still having a believable development where he grows to accept who he is now. He is the heart and soul of this movie in thanks to Ray Fisher's wonderful performance. They turned a character I barely cared about even before the 2017 version, into one of the most interesting and memorable characters. His relationship with his dad played by Joe Morton is some of the best aspects of the Justice League. They also conveyed his power very well and made it seem incredibly powerful. Flash is also improved a lot as he now has more to do. Despite still being the comic relief of the team, he is no longer unbearably annoying or treated as trash compared to Superman and is now actually doing super cool things that make him way more interesting. Ezra Miller is quite lovable in those comedic moments which are genuinely funny but when the serious moments come, he delivers a great performance.
Aquaman has some slight improvements as well. More scenes are explaining his reluctance to become King of Atlantis and also some more scenes showing his stone-cold outwards personality but hidden kindness compared to the others. I also love his interactions with the Flash including a small scene where Flash is asking Aquaman which looks better which is just a nice interaction. He also does a bit more aqua looking powers in the neat climax. Wonder Woman has more action scenes that make her more badass which is nice. Her animosity and rivalry against Steppenwolf is a lot clearer as well. She also has some nice interactions with nearly every member of the league including Superman and Alfred. Batman has a naturally continuing story from BvS where he is the one who is trying to assemble the team. His interaction with Alfred are some of the best with Alfred questioning him not doing things with a reason but from guilt instead. Unfortunately, his action scenes don't live up to that of BvS and he doesn't change at all from beginning to end. Superman appears near the end, so there isn't much to his character arc or story since it was just beginning. He wears a black suit in this version but it doesn't have much significance in terms of story or reason behind it apart from it looks cool I guess? Batman and Superman the most iconic characters are the weakest characters in the story surprisingly. Steppenwolf (Ciarán Hinds) has clearer motives this time around as he now wants to collect these Motherboxes to get back into his master, Darkseid, good graces again. His new design makes him look more alien and his action scenes make him more fearsome. He is a better villain compared to the 2017 version but is still just someone for the league to fight rather than an interesting villain.
However, some characters don't improve in this version including Lois Lane (Amy Adams) who in every scene is just mourning Superman. She is described as a key character but doesn't do anything else apart from hogging screen time. Commissioner Gordon (JK Simmons) has fewer scenes in this version compared to 2017 and both just involve him talking. Makes me wonder why JK Simmons bulked up for the role just for talking scenes.
The 4-hour length of this movie is honestly fine since it is releasing on streaming and since fans have been fighting for ages, they might as well see everything that Zack shot. However, in terms of the story, the movie could still convey important aspects without having to be 4 hours. There are a lot of scenes that drag on for too long or pointless scenes that don't add much which could easily be cut. The pacing of the first half is incredibly slow as well and it takes a fair amount of time for things to start picking up. There are also some scenes with slo-mo and some vocal song in the background that are kind of cringy and go on for way too long as well. The team don't even assemble until over 2 hours. The ending also goes on for too long which is weird as there is a very satisfying ending but then it keeps going. This new additional shot ending from Zack is cool but it feels slapped on. There are also some scenes concerning a certain character that occurs over halfway through the movie but is just really distracting from the main plot. They then appear at the ending but it feels kind of unnecessary for the story. I don't particularly mind the 4:3/square ratio that this movie has but it does take a while to get used to and I still find 16:9 would look better on my TV. Finally, some of the CGI looks bad and unpolished which is slightly distracting because they are very noticeable.
Overall, I was incredibly surprised at how much I enjoyed this version of the movie. I'm not a big fan of Zack Snyder but this might be his best work so far. I am glad he got to release his vision of Justice League and hope that this isn't a complete one-off thing. This was a great win for fans and was worth the long, gruelling fight.
#movies#film#zack snyder#zack snyder's justice league#justice league#batman#superman#Wonder Woman#flash#aquaman#cyborg#DC comics#dc#dceu#justice league 2021#ben affleck#Gal Gadot#henry cavill#ray fisher#jason momoa#ezra miller#zsjl#zsjl spoilers
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Is that Solaris I see on the cover of Superman/WW Future State? He returns! I am suddenly interested in Future State.
Anonymous said: So, Future State? Not gonna lie, at the very least I'm liking the artist line up. Also, Idk about you, but the designs for Diana and Yara Flor (the Wonder Woman from the Amazon) are the only ones that I'm really liking so far.
Anonymous said: FUUUUUUTUUUUUUURRRRE. state
Anonymous said: Thoughts on DC Future State?
Anonymous said: Thoughts on Future State?
Anonymous said: You’ve probably been asked already but thoughts on Future State?
Anonymous said: So... Future State just kind of showed up and is very mixed.
Anonymous said: Future State Superman has a heroic cop battling a villainous anarchist. Topical.
Anonymous said: On Dc future state announcements???
Anonymous said:So. Future State's been officially revealed. Your thoughts?
‘Future State’ this, ‘Future State’ that! Look, what’re you gonna believe, Jim Lee or your lying eyes?
So this looks...pretty good? Infinitely better than their previous filler stuff like Zero Month/Villains Month/Future’s End/Convergence. And given Jo Mullein is part of this, Bendis isn’t doing these Superman issues, Steve Orlando mentioned on Twitter that he was told to set aspects of this up in Wonder Woman rather than it being allowed to appear apropos of nothing like most of these, and this isn’t built around a *single* all-encompassing tone or hook - along with getting Dan damn Mora to do your main promo images and a bunch of the character designs - I do believe the plan is that this is still going to lead into new ongoing series, just all the last couple of those crossovers I mentioned did. That’s probably where we’ll see Bendis doing Jon, the Zdarsky/Fraction thing, I expect more of Ridley Batman, and maybe one or two others. In any case, nice to see a bunch of fresh talent in the mix and a more diverse lineup both on and off the page, and a lot of these concepts are neat, even if there are as always some turds in the punch bowl. The anthology model being carried forward from the Walmart titles definitely heralds more of the same, whether in the main line or for a continuation of this. And as for the books themselves, I’m gonna take my reactions one by one.
The Next Batman: Obviously I’m down for this.
Dark Detective: Bruce having a specifically defined new role (as do most of the rest of the old guard) is a smart move for making this sustainable. Tamaki’s let me down recently, but Mora, and also if this follows up on Detective #1027 we might see the Black Casebook. Backups definitely look tepid though. I’m probably gonna hold off on making a call until there’s a preview.
Harley Quinn: Pass.
Robin Eternal: ehhhhhhhh
Catwoman: Oh hell yes, V/Schmidt doing a heist.
Nightwing: Nicola Scott doing Nightwing! Andrew Scott wrote a decent little Wonder Woman/Metal Men teamup story in one of the recent anthologies, so I’m up for this.
Batman/Superman: YES. This seems to be a bit of a prequel thing, but who cares, it’s Yang/Oliver doing World’s Finest.
Superman of Metropolis: I’ve only heard of Sean Lewis doing a few indie horror books, but of course I’m curious about the Jon-as-Superman book and the groundwork I expect it lays. His costume works for me, fitting that ‘sleek and futurey’ mandate without actually rocking the boat too much (and its differentiation is a lot more tolerable with Clark still rocking the cape and trunks), and the premise is really interesting - not surprising, as editor Jamie Rich says many of the ideas for the Superman books came from conversations with Grant Morrison. Which is probably why we’re seeing so much Seven Soldiers and DC One Million stuff in here, although bringing back Manhattan Guardian, given his background, and this premise, for this moment, is questionable at best.
Superman vs. Imperious Lex: This is probably going to be the best thing to come out of this whole shebang.
Superman: Worlds of War: Privately I called that Clark would be rocking the Kingdom Come getup in here (with the belt buckle from Man of Tomorrow for some reason?). I did NOT call that he would literally have the God of War sword. I’d be skeptical at best, but PKJ and Rich have both assured they’re not doing a Dark Superman thing with this, and hot damn, Midnighter backup by Becky Cloonan!
Superman/Wonder Woman: I think this is going to turn out to be one of the biggest gems of this entire enterprise. Dan Watters did an absolutely phenomenal short story for the last Batman: Secret Files, and it’s a big teamup against Solaris!
Kara Zor-El, Superwoman: The Bombshells team reunited! Here for it.
Justice League: God, this might be really good or it might be the biggest disappointment of the bunch. Just at the sight of that I want that to be the Justice League from now on, that is an all-timer iconic cover and set of designs to introduce a group of characters, the concept’s really good, and Flash being from another universe is so cool...and the actual book is Williamson/Rocha. Rocha’s a steady hand I trust well enough, but clearly this is where Mora should have been, and you’re really leaving this to Williamson? He has done good comics, but not many. I can only hope he’s basically a placeholder setting up the status quo for a Future State Justice League imprint book same as I think PKJ and Lewis are setting up whatever Bendis is going to do later. Still, I’m not writing this off entirely, Williamson has still done some good comics and this might well be as enjoyable a two-parter as it should be. And in any case, Ram V doing future stuff with the magic characters is a win.
Aquaman: I was going to say no thanks, but the premise is a little interesting, Daniel Sampere is a good hand, and I haven’t seen Brandon Thomas’s work before but at a glance he seems to have tried some ambitious sci-fi work at Image. I’ll call this a maybe.
The Flash: Hahaha, now we’re in the shit of it. Literally there is nothing about this that would indicate it was set in the future if not for the title, a flat regurgitation of the most tired old bullshit, and it’s by a Young Justice writer to boot. Glad to know even in the future the regular Flash book is going to suck.
Teen Titans: Speaking of books we can be assured will always suck
Shazam!: Who could possibly care
Green Lantern: This one I kinda don’t blame for being nothing, Far Sector is the big Green Lantern thing in this period and they’re not gonna fuck with that so they gotta work around the fringes. Hardly sympathetic enough to get me to buy it though.
Suicide Squad: Okay, alt-Earth Flash rules, but you come up with a disabled Flash with a heavily redesigned but still recognizable and extremely rad new look - looking every inch the “Far Sector but for Flash” premise I’ve been calling for - and you put her in this nonsense? And you waste Javier Fernandez here too? I guess Robbie Thompson is passable from what I’ve seen and maybe the whole Earth 3 thing will result in this turning out alright after all, but this feels like a waste, and that’s before you get to the one story here set in the 853rd century being about Black Adam.
Immortal Wonder Woman: Oh shit this one’s gonna rule though.
Legion of Superheroes: So’s this one!
Swamp Thing: This will be excellent too but I don’t care about Swamp Thing.
Wonder Woman: I’m seeing some immediate division on Wonder Woman - some like her new costume and some hate it (I think it’s really busy but like it a lot with the blues highlighted when Mora draws it), and I understand some have problems with a Brazilian Wonder Woman rooted entirely in Greek mythology rather than any sort of indigenous religion (which I am not remotely qualified to weigh in on). I’ll hope for the best, and obviously it’ll be very pretty, but I wasn’t blown away by Jones’ writing when I tried her Catwoman book, and I hope she won’t fall flat on her face regarding representation.
I’d divide this up into
* Basically no chance in hell: Harley Quinn, The Flash, Teen Titans, Shazam!, Green Lantern
* I’d need to hear good word of mouth: Dark Detective, Robins Eternal, Aquaman, Suicide Squad
* Fingers crossed, getting it but it could go either way: Superman of Metropolis, Justice League, Wonder Woman
* Yeah, I’ll grab this one, looks fun: Nightwing, Superman: Worlds of War, Kara Zor-El: Superwoman
* This is going to be really good: The Next Batman, Catwoman, Batman/Superman, Superman vs. Imperious Lex, Superman/Wonder Woman, Immortal Wonder Woman, Legion of Superheroes, and though I’m skipping it, Swamp Thing
A pretty incredible preliminary hit-miss ratio, and along with all I said before, big shoutout to Darran Robinson for across-the-board incredible logo design work. Like the Superman books mixing Morrison and Bendis, Batman is hyper-topical with a black Batman fighting super-cops who hate resistors in masks (whole Bruce can still be part of the fight but has to reckon with not being the guy in front throwing money around and setting terms anymore), Wonder Woman goes for the obvious pun, and JL feels appropriately iconic, while the rest is hit-or-miss as not central to further plans with this setting. I had zero expectations of this as anything other than Future’s End 2.0 with a couple leading into the not-5G imprint, but while I think that’s still the same basic endgame, for the most part it feels like they’re really trying with this one and I’ve got a good feeling about it.
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Thinking journal for season 12 Prime Empire 😎😎😎 (2/2)
Here we go with the next part! I really hope we get some major big plot twist at some point, because it's all really cool but I need something to really change from good to GREAT
For now, let's focus on the next episodes!
It's the 17th of April and here we go!
GENERAL
I feel like there's little time to really pull up something, I don't know. Like, what plot twist could happen now that there just half season left with only Unagami/Dyer's identity and maybe Scott's past as mysteries? There's little space for more plotlines, that's what I think
Overall fighting scenes, character designs and game backgrounds are AWESOME!!
Let's see how it goes, maybe I'll be surprised. Wouldn't be weird for Ninjago to pull a bomb last episode 😅
ONE STEP FORWARD, TWO STEPS BACK
ZANE AND PIXAL FINALLY!!! IT'S DETECTIVE TIME!!! 😎
Okay, so there is a photo, and there is a friend. As I thought, Dyer might not be Unagami at all, I feel like there's a lot of backstory coming along. I wonder if Scott has a part in this... WHERE IS SCOTT 💙
Ah, of course Kai would spend his credits on an avatar, I should've known, my flame babe can be such a dummie sometimes I mean why would you even do such a thing as buying an avat-
NEVER MIND I LOVE IT 😍😍🔥🔥 I thought him being blonde was going to bother me, I actually kinda like the change. Still prefer my baby brunette, but it's really cool as well. The best of this season are definitely the characters designs
Was that "let's fight an ogre mission" a hint for next season? I wouldn't be weird, but it's been a while since I've seen forshadowing for new season in this show
HECK YEAH THE DANCING EPISODE!!! I was waiting for this, Jaya is so cute while they are on the dancefloor 😍 They have chemistry 😘😘😘
I like the implication that Nya was really bad at dancing before Jay, like Kai covering his eyes because he cannot handle her sister not being perfect at something 😛
And Cole being the dance expert, that little tango moment with Kai I bet made many lavashippers super happy 🖤❤🖤❤
THE TRIPLE TIGER SASHAY ALL THE WAY FROM SEASON 1-2 ABSOLUTELY YES YES YES!!! AND HE DIDN'T ROAR, HE STRAIGHT UP SAID "NO ONE PUTS COLE IN A CORNER" I'M DYING!!! With this and Nya's 'catch me', I expect so many Dirty Dancing AUs from this 😂👌
JAYA BEING AWESOME HECK YEAH ❤💙❤💙
JUST LOOK AT THEM!!! Nya better say I love you back soon, like Kai and Skylor are a little behind, Zane and Pixal already said it, Jay can't stop doing it, come on girl it's your turn! 😎😎
RACER SEVEN
SCOTT IS BACK YES!!! 😍😍😍💙💙💙
Okay, I think my theory won't happen 😅 Feels like there are not enough episodes for a good reveal, and it doesn't seem like Scott is that influenced by Jay. My last idea is that perhaps he has spent so much time in the game like Jay said (POOR BABY 😭) that he doesn't remember. Maybe the moment he will come back, we will find out that it is Jay's brother/twin, I mean he still has those dragon and lightnings drawing on his back... yeah I like this theory a lot, gonna hold on to it!
So Scott is indeed a person trapped in a game, at least that's confirmed 👍
Also he's got some major issues, the poor thing, and I think there is some special reason behind him not wanting to race besides having just one life.
HERE IT COMES
OH MY GARMADON 😂😂😂 Okay, okay, it's actually better than I expected really. The scarf is cool, and so are the golden tattoos, the suit and the golden sleeve. It's just the mohawk that will take time to get used to, it's not even bad, just weird 🤷♀️
Racer Seven is so cool! Always nice seeing a new female character in this show that is not a love interest. I do love Nya, Pix and Sky to death, but I love variety too 💪
Really, really nice the piece of all Racer Seven's crashes! Impactful and sad, a never ending loop that she wants to break through from. That's the heavy stuff I like!
Okay, ready for the race! And I'm... scared? Like, a lot of they guys have one life?? KAI HAS ONE LIFE?? 😱😱 I hope for the best I guess 😅
THE SPEEDWAY FIVE-BILLION
Might be my favorite episode yet
Seven is SO COOL, it's another reason why I'm sad these episodes are so short! I really would had liked see her more, truly have her bond with the guys
Soooo... I guess since Scott's been in the game for 30 years it's safe to assume he's not Jay's brother/twin. To be fair it's really hard to tell a LEGO person's age😅 At this point I guess he could be either Dyer's friend, even if it sounds unlikely, or... idk, still think he could have a connection with Jay. Maybe he's like... an older brother? Libber had him a long while ago?
NOOOOOOOOOOOO!!! WHY DID SCOTT HAVE TO DIEEEEEEEE??? 😭😭😭 Just when he was getting more involved, come on! He even said he wanted to try that hero stuff, I love him! WE WILL SAVE YOU MY TECH BABY!!!
Cole getting a ride from Kai, this season has some pretty good lava material ❤🖤❤🖤
I've got some major Ninjaball Run vibes from this, that brings me back 😂 Even the no rules thing is there, come on, there has to be a little bit of inspiration from it!
Still don't know what I think of the rats, kinda seems useless and annoying, gonna be honest. But it's a nice race, exciting with nothing big happenin-
Kai and Cole sacrifice for Jay
I KNOW I THOUGHT ABOUT IT BEFORE BUT I'M NOT OKAY WITH THIS!!! MY FLAME BABE AND MY ROCKY BABY!!! 😭😭😭😭 WHY PEOPLE KEEP DYING IN THIS EPISODE???
I so, so enjoyed how they did it. Like, one look between them to realize that yes, this is it, Jay is the expert and needs to go on. This is the end of our race... AAAHHH!! (Infinite shipping potential too)
Omg Nya screaming her brother's name and Jay his best friend's name, while Lloyd looks so devastated (those masks are actually kinda espressive, I really like them). Wow. This is the angst I needed, finally👌
YES SEVEN WON!!! HECK YEAH GIRL!!! SO HAPPY FOR HER!!! Also Okino in the background being happy, nice touch!
And now they are three... it's gonna end up with only Jay huh. I... I'm not ready actually, my heart 😢 They better all hug when this is all over!!!
STOP, DROP AND SIDE ROLL
I CAN SEE THEY ARE KEEPING THE FEELS FOR LAST APPARENTLY??? 😭
The music of the old school section was actually very nice, reminds me of the past, I kinda hoped The Fold were going to release some game themed songs. Been a while since I have one of those 😍
Lol, explaining the side scroll games was actually pretty cool
YES THEY ACTUALLY ACKNOWLEDGED THE AIRJITSU!! Maybe they will remember they can used it, right Cole? The ladder scene? YOU CAN FLY???
OMG NYA ACTUALLY SAID CICLON-DO JUST HOW CUTE IS THAT!!! All the way from my favorite season Possession, Jay's definition of airjitzu that I actually still kept in one of my fanfictions 😂
Okay the design of the temple of madness is REALLY cool, you can immediately tell it's from an old videogame. Gives me the double vibe the googles for the first 3D movies used to give me 😂
Also look at this
THIS IS ADORABLE!! 💙💚💦 Really old style videogame 😂
And there we go!! Harumi!! Since I saw her in the set I was wondering what she was going to be, maybe an avatar or an NPC of some sort... THIS HURTS WAY MORE!!! And of course pure heart BABY boy Lloyd doesn't feel good fighting her, he had a crush on her! AND HE FREAKING SAW HER DIE!!! It's really sad that he still hopes for her to be good...
The fighting scenes are really, REALLY good! So fluid and active! This fight was really pleasant to watch, not gonna lie 💜
NOOOOOOOOO!!!! NOT MY GREEN BABY BOY!!!! I KNEW IT WAS GOING TO HAPPEN BUT STIIIIIIL!!! 😭😭😭
Okay, down to three members. Remaining Zaptrap and water godess... omg Nya will totally die first and at that point Jay will go completely nuts. I'm both scared and DYING TO HAPPEN!!! ANGST FINALLY!!! THIS IS THE STUFF!!
Got some major Skybound feeling, like when it was only Jay and Nya... will Nya finally say I love you back?? I HOPE SO ❤💙❤💙
With the three keytana now, what will happen? I'm actually curious now, this is the exciting stuff I need! And yes I do realize it's a little weird that for getting hype I need my faves to die 😅
NINJAGO CONFIDENTIAL
OMG THEY ACTUALLY DID A DETECTIVE THEMED EPISODE BLACK AND WHITE I'M DYING 😂😂😂
The Weekend Whip with sax, never thought I needed this in my life 😍
Bet Brent had a blast recording this
Okay this is the third Chima reference I see, they better throw some Nexo Knights hits as well next season! Come on, it's about freaking knights!!!
This is not what I expected when they said there was going to be an episode with only Zane and Pixal but I'm sure as HECK not complaining 👌
Oh, seeing Pixal joining in so normally is so beautiful, I really wish we could have her even more often
Dareth's karaoke bar! From Sons of Garmaron! Also him guessing first try because the ninja really do get post in other dimensions very often 😂 Gotta love them indeed
Pff Zane narrating and getting stopped every time because of it, how I missed this naive little nindroid
So the bartender Tony is the friend? That's it? A little easy really, hoped for more... still calling him Milty is cute 💕
Buddy's Pizza from season 2!!! This season is killing me with references and I LOVE IT SO MUCH 💜💜💜
So, the mechanic is free again (the Kryptarium dudes should really learn how to do their job right 😓), Zane is kidnapped, and Pixal has a fedora that makes her possibly even cuter. I have emotions
AH!! KNEW IT!! UNAGAMI IS NOT DYER!! FREAKING CALLED IT!!... kinda expected really, but still called it 😅
So Unagami was the first name of Prime Empire and is also an AI that got crazy and was shut down, but now is back after programming the game itself and wants to get to the real world?... I'm down with it
So I'm guessing we won't get much of a Scott backstory... Eh, let's see how it goes!
THE PRODIGAL FATHER
I was seriously confused by why those dudes wanted to kidnapped Wu, but it made sense later. Still come on sensei, you're a freaking half god or something, pull yourself together 🤦♀️
Very nice that Pixal is the one to bring up the argument about feelings and AI. So very nice to have her in this!!!
I THOUGHT ZANE WAS GOING TO TAKE A BREAK FROM LAST SEASON, WHY ARE THEY MAKING HIM SUFFER AGAIN??? 😭
Oh finally the backstory of Unagami I'm really curious about what happened in the past and what exactly brought the shut down of Prime Emp-
I LITERALLY CARE ABOUT NOTHING ELSE BUT THIS BEAUTIFUL GAMER BOY IN REAL LIFE!!! 😍😍😍😍😍
So Scott was the first beta tester, Milton asked Unagami to make the experience as exciting as possible, and that ended very badly so the game was shut down and THEY LEFT HIM INSIDE FULLY KNOWING HE WAS THERE??? I HATE DYER NOW!!!
Although it is really interesting knowing a tech genius like him, until now we got Dr. Julien and Cyrus Borg that were plenty open about the idea of AI with feelings as meaningful as humans'. While he doesn't get that, they are only machines for him and that's the reason why he doesn't understand how much Unagami is mad and filled with need for revenge.
This is why I want more than 11 minutes, the themes of this season are really, REALLY cool. I would have loved more introspection and development.
I guess Scott being Jay's brother is officially debunked 😅 Although I am curious about the life he left behind, since he was stuck in that game for 30 years. He still has those lightnings on the jacket I don't understand...
DON'T YOU DARE LET ZANE BE DESTROYED AGAIN PLEASE I STILL CRY WATCHING "THE TITANIUM NINJA"!!! 😢😢😢😢😢😢
The portal is open, Zane might get destroyed, Unagami wants revenge, Jay and Nya are the only one left and I'm pretty sure Nya will be killed as well leaving only Bluebell so there's THAT. So yeah, this is actually pretty cool!
Two episodes left. Okay Ninjago season 12 Prime Empire, wow me 😎
THE TEMPLE OF MADNESS
This felt a little simple if I'm gonna be honest. I felt like the last mission before facing Unagami was a little basic, with nothing really exciting. Still liked it, but this is probably my least favorite episode 🤷♀️
Of course, put Jay is a sushi restaurant-themed level and he will kill you with puns 😂 I love this prankster
Again, the fighting scenes are dope. Definitely one of my favorite things since they changed the animation. You lose something you win something 😙
Wooo, Jay saying that he had trained for years just for kick his butt was actually cool! Bluebell is unleashing!
"And that's how we roll!". You rock we roll, am I right 😂
AH!!! CALLED IT!!! TOTALLY CALLED IT!!! MY POOR BABY BLUEBELL 😭😭
I wish Nya said that she loves Jay back though! Freaking come on girl, he is your yang!!! ❤💙❤💙
Unagami is not Dyer, he wants to get to the real world, I'm actually kinda curious about the confrontation that is about to happen... ALSO THERE BETTER BE LOTS OF HUGS WHEN THIS IS OVER
I... genuinely forgot about the dragon medallion 😅 Eh, I love dragons so I'm fine with it. Well, let's see how it ends!!!
GAME OVER
Wow, I actually love this ending?? A LOT?? After last episode I didn't have much hope, but after seeing it I gotta say, it was really great 👌👌
Thanks for not dying on us again Zane, much appreciated
Jay taking charge is quite rare and when it happens you know things are about to get crazy 😂 It was really nice seeing how sensible he could be, telling that Unagami wasn't evil after all, that he needed closure and answers
I know I miss the animation peak we reached with SoG and Hunted, but I gotta say the atmosphere of the city with the lightnings and the gray sky was really awesome. Very cool.
Pff, that part with the elevator though, reminds me of the one in season 1 that made me start watch Ninjago ✌ Also it's always Borg's Tower indeed 😂
OKINO KICKING BUTTS HECK YEAH LOOK AT OUR RONIN GO!!!
And wow. WOW. I didn't expect Jay to drop the I'm adopted bomb on us, I think I never heard him talk about it since Skybound (that technically never happened so 😅). It was SO good seeing him sympathize with Unagami because he was also left with no explaination. His desire to know, along with the hope that the past is the past, but they had a good reason for. Also he freaking said he didn't have the chance to ask because Cliff is dead and I 😭😭😭😭
And here I melted, because we finally see the situation for what truly is, the way Jay also sees it: Unagami is a kid, a child that doesn't understand how the world works, that just wants to make his father proud but got rejected instead. The confrontation was actually touching, I really wish we had more time for that. Even a little resistance from Unagami, another fight, and a finally reconcilliation with Dyer.
MY NINJA BABIES ARE BACK I MISSED YOU GUYS SO MUCH!!! ❤💚💙🖤💦💎
Could you seriously be cuter than this?? ❤💙❤💙 I wished for more hugs but I'll settle for this I guess 😍
Okay, very nice to see Seven and Okino out there and deciding to live their lives in Ninjago, nice to see some others like the rats going back to Prime Empire. As Unagami said, he gave them a choice, it's up to them at this point
But I'm sorry, WHY ARE WE NOT GOING TO TALK WITH SCOTT??? That guy's been trapped inside the game the longest, not even a "Hey bud, you're alive, cool cool"? I know I've been overbearing about how much I love Scott, especially since I had all those theories about him (still don't know why he has lightnings on his jacket and hat, is it just a style thing? Idk), but come on! Well I guess if he's happy I am 🤷♀️
Is that his girlfriend or something? After 30 years? Or maybe she got trapped with him a while later? Or maybe that's his... mom? Look, we all know determine the age of LEGO characters is hard, give me a break please 😅😅
Overall, very nice ending, it brought everything together quite nicely. I'm satisfied, yes!! 💜💜
FINAL THOUGHTS
As I said, the episodes' lenght I really think gets in the way of making this an excellent season. There is so much that could be explored more, the choice matter, all the amazing characters, and the AI feelings stuff from the latest episodes. There is room for more, I wished we got that
The characters though were really amazing. Between Scott, Okino, Seven and Unagami himself, there were very different personalities with very different dreams and thoughts, that made this ride much more interesting
Fighting animation was 👌👌👌
Comebacks from past seasons were 👌👌👌👌👌👌👌👌👌
Maybe it didn't really focused on Jay as much until the end? Yeah it was about him, but we got to see his sensibility and his past only last episode. He loves Nya, he likes videogames, of course but there's more about him than meets the eye! Wished we saw that, but in general it was nice seeing him first line again 💙
I liked this season. It has flaws, but I enjoyed many parts and at the end I was left satisfied 👍
Just... wasn't Jillian supposed to be in this? Or is it next season? She said a mom was going to come back, I took for granted it was going to be Edna. I'm curious about next season now... FINALLY A COLE SEASON EVERYONE!!! 🖤🖤🖤
Thank you for leaving notes to my last rant, this helps me not jump excitedly every time a new episode comes out 😅 Well then, that's all from me!! Have a nice day everyone!! 💜💜💜
#ninjago#lego ninjago#ninjago season 12#ninjago prime empire#prime empire#spoilers#ninjago spoilers#jay walker#ninjago jay#kai smith#ninjago kai#kai ninjago#nya smith#ninjago nya#cole brookstone#cole bucket#ninjago cole#zane julien#ninjago zane#lloyd montgomery garmadon#lloyd garmadon#ninjago lloyd#ninjago scott#ninjago unagami#unagami#pixal borg#ninjago pixal#master wu#ninjago wu
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Things I learned while re-watching Star Plus Mahabharata (Part 16/many):
1) As ever with Duryodhan, I cannot disagree with anything he says.
2) Oh god. This scene. Panchali’s curse. Her walking away as Arjun looks on. Gold.
3) Not sure I like this new version of Krishna seekh.
4) Also we have not seen Krishna fight once in this battle of Dwarka vs the King of Shalva.
5) I also don’t like crying Krishna. Not saying he can’t. But I can’t take him seriously when he cries. I need him to be infinitely more chill than SRJ is being right now.
6) Ah, Arjun swearing at the Kurus. A+ 10/10.
7) Oh my fucking god, Subhadra’s opening line to Arjun: how could you let this happen? I expect nothing less from her.
8) Madhav is back now, after chilling in his war. He’s still in a self-driven chariot.
9) Wow, he’s so pissed at the Pandavas and rightfully so.
10) Draupadi telling Krishna that she’s become impure. And anyone who comes near her would also become impure. No. NO. Every woman in the world knows this feeling.
11) Okay, first of all, Krishna, you moonlighting feminist, the first thing you should tell Draupadi is that she has not become malin because of what Duryodhana and Dushasan did. This is on them, not on her. I cannot but compare StarBharat with BR Chopra Mahabharat, the comparisons come very easily to me. And the truth is, they just did some things better.
12) Draupadi’s now fallen at his feet. Krishna is just like, Lord give me strength.
13) This scene is important because I feel like for once Krishna is putting his grand plans on hold for one second to give Draupadi back her peace of mind. Because first and foremost, the Lord is kind to those who follow him.
14) It’s so nice that StarBharat has shown this sort of sisterly solidarity between Draupadi and Subhadra, which is so important.
15) Draupadi is not even remotely impressed by Yudhishthira’s theatrics.
16) Draupadi’s pratigya makes her sound like Bhishma. Intentional or unintentional.
17) I cannot imagine Subhadra watching idly by as the Pandavas and Draupadi walk to the forest. I’m sure she put up a fight against her brothers to be allowed to go.
18) Speaking of, where is Balaram in all of this? His cousins are heading for vanvas and he is still chilling in Dwarka? Unrealistic.
19) Oh nice, Abhimanyu hasn’t even been born yet but somehow Krishna has managed to name him.
20) That scene where Arjun stops Subhadra from touching his feet. Some of StarBharat’s dialogueless scenes are just as touching.
21) Krishna’s glare as Shakuni enters the Indraprastha palace lmaoo.
22) A well executed scene but the watering hole scene happens only towards the end of the 12-year vanvas period.
23) This is hilarious. Yudhishthira is basically like Krishna is going to whoop my ass if I let something else happen to Panchali.
24) Oh god. Everyone loves Arjun the most. But I think Yudhishthira loves Bhim the most.
25) It’s time for Yudhishthira to meet his bio daddy!
26) Arjun doing tapasya for Shiv is my jam.
27) Bhim is such a cutie.
28) This Hanuman story is different though, right? Something to do with some lotus for Draupadi.
29) Is Hanuman a Yadav? He wears the same tilak. Or is this some Ram/Krishna connection we don’t quite know about.
30) I love Hanuman’s character! He’s so playful. And also the Hanuman Chalisa in the background score.
31) Oh so Hanuman knows that Krishna is Ram/Vishnu avatar and says he will chill on the chariot that’s being manned by God.
32) Oh no they never told us about the magic bowl Draupadi had that was gifted to her by Surya Dev which gave them unlimited food.
33) Also, do the Pandavas and Karna ever realise that they are all ‘gifts’ of Durvasa.
34) Krishna creeping in the background like some mega creep 😂
35) This is a conversation for another time but some day we need to talk about the incessant whitewashing of our gods such as Ram and Krishna in modern mythological serials. Also of Draupadi/Dhrishtadyumna/Arjun—basically anyone who’s described in canon as dark. There is some modern fetish for fair-skinned gods that just doesn’t sit right. I miss the dark-skinned Aruns and Nitishs.
36) Durvasa is still not impressed by Krishna. This man is literally god.
37) Arjun is fishing.
38) Oh nice, Indra is also here. Old gods and new.
39) Not sure whether I like this Shiv. Shiv in general I love.
40) Aaaand Jayadrath is here. Can’t wait for this guy to die in tomorrow’s BR Chopra Mahabharat episode.
41) Duryodhan low key throwing shade at Jayadrath is my jam.
42) Really, what does Dushala see in this man?
43) Kaun ho tum? Really? Draupadi doesn’t know her own brother-in-law? That seems highly unlikely.
44) Why is Arjun wasting time with all this trash talk?
45) Arjun is having a lot of second thoughts about keeping Jayadrath alive for Dushala’s sake but this is going to change very quickly during the war. Also Nakul rightfully points out that this man will give grief to Arjun later on.
46) This is by far the worst and most inaccurate map of Aryavarta to ever exist.
47) Oh no Jayadrath’s hair makeup is so not on point at this moment.
48) Mamashri Shakuni is literally fortune telling at this point and this is my jam.
49) So it’s canon that both Shakuni and Krishna are Slytherins, right? Yet they are the two most diametrically opposite Slytherins we have ever seen.
50) Also I want to see Dushala but these shows never give me what I want. When I make the Mahabharata I will make sure the women get equal and opposite screen time and character development as the men.
51) Yudhishthira is getting on my nerves.
52) This Draupadi is infinitely nicer than BR Chopra Mahabharat’s Roopa Ganguli who used to give it to her husbands every opportunity she got.
53) I also have lots of complaints. They didn’t show Dhrishtadyumna taking Draupadi’s sons home to Panchal to raise them.
54) They didn’t show Arjun chilling with his bio dad in heaven! They didn’t show Urvashi hitting on him and him rejecting her advances! Then she curses him, causing him to lose his manhood. And then she reverses the curse after Indra begs her and she limits it to lost manhood for one year of his choosing. That’s how Arjun uses the Brihannala guise for a year during agyaatvaas!
55) Shakuni training himself to think like Krishna. Looool.
56) Nakul bullying children is my jam.
57) Clearly this sattoo ke laddoo business is some sort of secret code amongst the Pandavas.
58) At least Uttar and Uttara are aptly shown as young teenagers.
59) My fav is back! Brihannala! 😍
60) Also what is this face covering nonsense by Sairindhri?! Women in the Later Vedic Age did not cover their faces or their heads behind purdah!!!
61) The Pandavas meeting together after a long time is giving me hope! This is what it’s going to be like when lockdown is over and I meet my friends 😭😭😭
62) This Keechak guy looks evil but I can’t take him seriously because his voice makes him sound like a prepubescent boy.
63) What is this casual classism from Keechak? Like Jesus, what a dirtbag.
64) Again there was no ghunghat back in those days?!?!
65) But iss Keechak ne toh consent ki maa behen kar di.
66) How happy the Pandavas are to see Panchali! Arjun the most, perhaps 😍
67) Virat making a dig at Dushasan. I’m here for this tea.
68) I can’t take Keechak seriously because of his voice.
69) This logic whereby if Draupadi has five husbands so she can have one more—like I will never understand this! She consented to five and no more???
70) Brihannala, my one true fav, is back!
71) Keechak vadh is my favourite episode, behind Shishupal vadh and Jayadrath vadh. Do you see the pattern?
72) Why is Draupadi here? I wanted to see Bhim’s giant form hidden as a lump under a blanket, enticing Keechak.
73) Bhim is here! 😍 Seriously, no one loves Panchali as much as Bhim does. Arjun toh is smitten by our Yadav homegirl.
74) Now Arjun is going to do his tandav dance. This should distract the others from the noise nicely.
75) Oh nice. Nakul and Sahadev are also participating.
76) Predictably, Jyesth Bhrata, Yudhishthira, is not invited to this Keechak vadh party.
77) King Virat is like oh no what a loss.
78) Yudhishthira looks pissed, as always, when his brothers have done something good.
79) Haha. Duryodhan has caught on to the fact that Bhishma is trying desperately to stall so that the Pandavas are not found out.
81) Now Duryodhan is now accusing Vidur of partiality. Again, he is not wrong. I’m so impressed by how well his character has been written. Not one word he says is incorrect.
82) Nice. Duryodhan has his father wrapped around his little finger. He knows exactly how to manipulate him so that Dhritarashtra rises to the bait.
83) After all these centuries Bhishma realises that Shakuni is after the destruction of Hastinapur.
84) Shakuni is admitting now that all of this is revenge for Gandhari. Oh man. Do you think Bhishma knew that the Mahabharat was the result of his poorly executed actions (intentional or otherwise)?
85) King Virat is so smart. I like him. I’m going to be so sad when he dies.
86) Brihannala is going to stay behind. Great. It’s so interesting to see this story in retrospect (which is how it’s told to Janamajeya and Vajra) in the first place.
87) I like Virat with open hair.
88) What the hell is this? I cannot be attracted to Pitamaha Bhishma and Mama Shakuni with their open hair and battle armour?! Adharm!
89) Oh what a cool sundial!
90) I’m glad they showed Uttar as nothing more than a teenager.
91) Mama Shakuni is so fit.
92) Do you think Bhishma recognises Arjun as Uttar’s chariot?
93) Poor Uttar is probably shitting his pants.
94) Arjun praying to Agni Dev to return his Gandiv. Old gods to the rescue.
95) This background score! It’s my absolute favourite! Parthasya Dhananjaya! My fav song on my fav, Arjun 😍
96) Bhishma looks thoroughly pleased. He recognises the sound of the Gandiv’s twang.
97) Now they will fight about the authenticity of the calendar. They should go to a calendar expert.
98) Bhishma looks proper chuffed at Arjun. How on earth will they fight against each other in the Great War?
99) Oh man, Karna is here. Ugh.
100) Karna is here to trash talk as per usual. Oh god both these men are useless. Fight no instead of talking so much.
101) Oh man, the charioteer’s son has been thrown from his chariot but not before taking a shot at Arjun.
102) Ah Karna’s divine armour makes an appearance!
103) Oh shit, this just got real! They’re calling on divine weapons!
104) Bhishma steps in. Of course.
105) Duryodhan’s hah! 😂😂
106) Arjun crying that if he is responsible for Bhishma’s death, it will be hell on earth for him. Oh, Arjun. You must still suffer, a lot.
107) Arjun’s threat, that all the Pandavas will come to avenge Draupadi’s insult. Yes. 100%. I hope in this yug even if men are not punished for their crimes against women on earth, they will suffer forever in hell for their misdeeds.
108) The Pandavas and Draupadi are ready. It’s time for the Great War. It’s time for Mahabharat.
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15.12 - Galaxy Brain
Episode Review/Recap
This is not pretty. Not the worst episode ever, but definitely somewhere in the bottom 10. It mainly suffers from having the focus on “fan favourites” I stopped caring about seasons ago, and contempt for Sam and Dean and their fans coming through loud and clear in the writing.
Everything under a cut because some people can’t handle the truth!
Official episode summary to get us excited and want to watch live: Sam and Dean respond to a frantic call and together along with Castiel, Jack, and Jody Mills (guest star Kim Rhodes), assist in an extraordinary and heartbreaking rescue. Billie (guest star Lisa Berry) surprises everyone with a visit to the bunker.
My reaction:
“Heartbreaking rescue” 😂
Kaia is shown in the recap and since I know from the promo that Jody is also in this episode, it’s yet another Wayward af episode being forced onto an audience who were very clear they didn’t want it 🙄. The recap is sending me to sleep and my bitter Sam girl is rising since he’s barely in it. Checks who wrote it and rolls eyes: Teleplay by Bobo the 🤡. Dean likely isn’t going to be much better off, prepares self for Destiel pandering and Dean being used as a side character to prop up the actual side characters. Awesome. Roll on Walker where I hope I won’t be subjected to this shit.
The radio shed scene is boring. Done with “fan favourite” Chuck and have been for several seasons now. Chuck’s droning on about Sam and Dean, yet it’s Dean and waste of space who are being shown sitting down together, with Sam barely in the background. Awesome. I just. Why? This is like when someone says something about J2 but we get a gif that includes M. Why are we incapable of getting just J2 or Sam and Dean?
Moving quickly on, we transition from one character I used to love but now don’t care about, to another character I used to love, but now don’t care about. “Fan favourite” Jody is examining a dead cow. “Fan favourite” Alex calls her, she must have been busy doing something else as she doesn’t appear in the episode. Side note, Berens put the line in about vegan lasagne because the girl playing Alex is a vegan. Oh… so we’re putting in shout outs to the side characters now? Maybe that’s why the writing is so bad. #justsaying 🤷♀️
Jody gets whacked on the head and is it wrong to hope she’s dead? 😔 I know she’s not dead, I know this episode is going to be TFW 2.0 rescuing her (though I predict they will end up being the ones needing to be rescued because Wayward af). It’s too much to expect some real cases, some real urban legends to investigate in the final season. Show went too big when it should have gone home.
Almost 7 minutes in and we finally have Sam and Dean. Yay! Berens has finally remembered they are still characters on the show, but I guess he hasn’t focused on them as they aren’t “fan favourites”. And of course “fan favourite” waste of space is in the scene because Chuck fucking forbid we get the brothers without their waste of space hanging around because he somehow has nothing else to do the last 4 seasons.
We’re pandering to “my three dad’s” fan fiction crowd in this scene, though sharing 1 braincell Destihellers for sure will be tweeting about “dads” Dean and waste of space and cheerleader Uncle Sam. They’re talking about “fan favourite” Jack and him eating hearts. Sam doesn’t want to trust “fan favourite” Billie (good call imo). Dean seems disconnected from this scene. Same Jensen, Same tbh. Jared, bless him, is trying his best with this shit, even bringing out the big gun puppy eyes of doom, but I’m feeling nothing but anger.
We move from them to Jack wandering around the bunker. We see him looking at “fan favourite” Mary’s initials carved into the table… and thank you show for reminding me of that fuck up that I’d wiped from my memory. 😡🤬. We learn during this scene that Jack has been trying to contact Billie, but she’s busy so sent him a reaper.
Back with my three dad’s and Jensen can barely keep the contempt out of his expression to deliver this script. 😂
We learn in this scene that Jack trusts Death so waste of space trusts Jack (me plaintively, why???), This appears to be the part in the season that waste of space is being set up to be the tool, which they’ll forgive him for yet again. 🙄 and also 😴 and 😡, a lot of 😡
Ooh, Sam just asked the obvious question, “If Jack kills god, what about Amara.” Nobody really answers it though.
Jared side-eyeing Misha at the end of this “brother” scene. Wtf are you doing in this scene? Your contribution was what exactly? Did I get any time off during any of this for you to stand in this scene doing nothing, other than pandering to Destiel stans that could give a fuck about me, than as a cheerleader for their non ship? He flounces out. I wish I could leave as easily Jared, but you sucked me into this show the first time you popped your cute mop of emo hair around the door and asked, “Do I have to?” I’m here to the bitter, bitter end my friend.
Back with Jack and “fan favourite” random reaper we’ve never seen before. No offence to the lady, but it might have been nice to see “fan favourite” Tessa back. I don’t think she bit the dust, did she? Anyway 😴 through this scene.
Parent!Sam goes to find Jack and hears him talking to someone. Immediately concerned, he knocks on the door, and enters. The reaper has disappeared. Sam asks who Jack was talking to, Jack says no one, Sam knows that’s not the case but doesn’t push it. Sam says they’re glad to have Jack back and asks if he knows that and that Jack could have come to them first, they would have helped him. So… we’re just ignoring the whole box thing and the end of last season? Awesome, said no fan of good writing or continuity anywhere.
By the way Jack, that was your cue to be honest with Sam about the reaper.
Ah, yet another pandering moment!! How would we have endured the last few seasons without one or two or twenty of these crow barred into every episode. Screams from the rooftops “waste of space is a god damn angel, he doesn’t eat or drink, why the fuck are you trying to humanise him you twats.”
Anyway 😴 through that scene and I swear, I would pay to have a version of this show with waste of space completely removed from the last few seasons. Zero purpose to this, other than setting him up to be wrong again, and taking Dean along with him, because if Jack’s anything other than a red herring, I’ll be very 😡
As an aside, I don’t know who that is in this scene but it’s not Dean. It’s not my Dean that I fell in love with. I hate how much this show lost its way and dragged everything down to pandering and soap opera drama.
As another aside, this scene is like an outtake with seeing who can have the deepest voice, their vocal chords are going to be permanently screwed.
However, what amuses me as always with any Dean and waste of space scene, they don’t actually talk, except about Sam or Jack and this scene is no different.
Dean’s phone rings. It’s Jody. I started watching this epsiode, then took a break for a couple of days and had somehow completely forgotten she was in the episode. That’s how efficient my mind is at removing the trash. 😂. Anyway she’s in trouble and tells Dean where she is and that he has to come, otherwise she dies.
Dean and Sam drive to the location given by Jody and I’m incredibly surprised that waste of space isn’t cadging a ride in the back seat. Seems this is a random time they can deal with things on their own without requiring the assistance of several others. Just like the good old days. Shame they’re saving one of the Wayward failures rather than a brand new case that would have been infinitely more interesting.
Sam and Dean get to pretend they remember how to hunt in this episode, Dean covering Sam’s back while Sam helps untie Jody who is tied to a chair in the middle of a barn is the best scene in the episode so far. Jody has plenty of time while Sam’s untying her to warn them to watch out for “fan favourite” Dark!Kaia but no, and that’s how bad this is. She barely gets a gasp and a “look out” before Sam gets whaled on. And of course they are both going to get their asses handed to them because “Wayward af” 🙄. Fucking hate Wayward, not content with ruining 4 episodes of season 13, they’ve come back uninvited to waste another in season 15.
What the fuck did I just see? No seriously, what the actual everloving fuck did I just see? (My swearing goes up exponentially the worse the writing is, I make no apology for that). Samsel-in-distress is writhing on the floor, while Dean is being choked by whiny dark!kaia complaining about her spear, so of course Jody has to be the one to rescue the Winchesters by whacking her on the back with her chair 🙄. To add insult to injury, we don’t even get a padabooty shot to make up for this atrocity we’ve had to endure. And believe me, I could see Jared desperately trying to give us that shot. I’m 😡
Now that Jody’s been shown to be more competent than the Winchesters because “girl power rules”, Sam’s able to stand up again and both he and Dean get their guns trained on dark!kaia.
Long boring scene later – mainly between Jody and Kaia because why write for the two guys you’re paying a quarter of a million dollars per episode for, when you can write for the cheap side characters and have Sam and Dean just stand in the scene doing practically nothing. Are you chuck damn insane with this nonsense? Oh sorry, upshot is Kaia is alive and Dark!Kaia can see her world ending and needs to open the portal to rescue her so she lured Sam and Dean to get to Jack (for him to open the portal like he did before). 😴
Jack and waste of space are playing connect 4. Jack wins. 😴
Sam and Jody arrive back at the bunker. We get a waste of screen time between Jody and waste of space who meet for the first time, with Sam once again being very expensive, but beautiful background. Dean comes in a little later so he can have a dramatic entrance with dun dun dun, dark!kaia. 😴
I love how the Scooby gang are all off to the side, having a conversation but Dark!kaia is clearly within listening distance so it just makes them look like dumbasses.
Jack’s off limits in helping Kaia (Parent!Dean said no), but Sam says they’re going to look for another way. Ummm… wasn’t that what the entirety of Season 13 was about and you needed the grace of an archangel for? You’re just going to “check the lore” and miraculously find in half an episode what you couldn’t find in the entirety of a season? This is bad. Waste of space is going to call plot device “fan favourite” Sergei. How they never stumbled across Sergei before, I have no idea as he seems to be the oracle as far as Drabbernatural is concerned.
Dark!Kaia is so whiny. They are terrible at writing teenage girls, it’s actually insulting at this point.
Oh, I thought Jack had found the right spell in research, but turns out the monster needed for the spell is now extinct as they read about it in dad’s journal. Wow, I don’t remember the journal being mentioned in a long time, surprised they remember it even existed, let alone used to be the holy grail of hunting and pretty much what the show centred around in the early seasons (*whispers*, when the show was good).
Wow, they even managed to make the 30 second broment boring. This is a new low. 😴
Jody and waste of space scene because yes, out of all the scenes I could have wished to see in the final season, this was on the list. 🙄. They talk about “fan favourite” Hunter!Barbie Claire (who couldn’t be in this episode because she’s all that and a kit kat now - Supernatural who? I don’t know her.). We find out Claire loved Kaia. I mean yeah, it’s totally normal to fall in love within 15 minutes of knowing someone. Fucking hell, someone take this pandering hack’s laptop away and save us from this trite aimed only at people who share 1 braincell who only wanted the relationship as it’s a “parallel” to Destiel. But since Dean dancing with a lamp a couple of episodes ago was a parallel for Destiel, why are we pandering to them. (*whispers* the writers are all narcassists and put stoking their ego before good writing).
This is bad. Did I mention this was bad? No, but it’s really, really bad.
Jack was listening in so he’s going to do something stupid so Claire gets her “love” back. Of course he is. 🙄
He goes to speak to Dark!Kaia. She’s still whiny, we’ll fast forward this garbage to the point Jack looks inside Dark!Kaia’s head to see what she sees, which is Kaia struggling in lizard world. 😴
Jack goes to Sam and Dean and says he’s helping Kaia because he owes her. Parent!Winchesters are funny, neither are happy with what Jack wants to do but they support their mother killing son.
Reaper is back to stop Jack doing something that is “Winchester dumb” and Jesus fuck, how much contempt does this hack writer have for the lead characters and the 99% of the audience who love them?
Anyway the next few minutes are how stupid the Winchesters are that they can’t even fix the warding on the bunker, and I hate this writer is getting paid actual money for handing this crap in. Unfortunately, he’s got his fellow writers and a couple of hundred sycophants telling him how absolutely amaze balls he is with the rest of the c list cast tweeting around each other at how good they all were.
This is my favourite bit of the episode – not really – but it amuses me the Hellers are making mountains out of “I need to borrow your angel” (😔 pandering) and completely ignoring that no-one bats an eye or puts up a token protest that the reaper needs to use waste of space to feed the wards to keep them running as long as they need for the spell to work. No one asks what harm that might do to him, waste of space is yet again, nothing more than... well, a waste of space really. Never change Hellers, never change. 😂. I’d like to point out that if Sam has been needed to charge it, the reaction from Dean would have been entirely different. 😂
Dean makes the spell, Sam reads the words, while 2 of the 3 side characters just stand there with no purpose. The warding going up throughout the bunker is the coolest part of this episode though. Special effects used their $2.50 dollar store budget wisely this week. 👍
10 second broment where Sam asks Dean how Sam’s feeling about what they’re doing.
Sam: honestly? It feels like we’re taking a big, probably stupid risk… it feels good. Disobeying cosmic entities, doing the dumb right thing, it feels like we’re back.
Note to Berens, I think you could have fit a few more dumb synonyms into that speech to let us know how you really feel). 🙄
I like how Sam checks Dean’s backpack in this scene though. I’m wondering if that was J2 rather than writing or direction.
Yet another scene between Jody and waste of space. 😴. Jody thanks him for staying behind to look after the reaper. Waste of space says he wants Jody to stay behind too.
Jody (out of absolutely nowhere): What is that? Some bs male chivalry thing?
Fuck off with your sjw feminist bullshit to please the single braincellers. With shitty lines like this, it’s absolutely no surprise Wayward didn’t get green lighted.
Waste of space talks about how he’ll never be able to make what’s right, what he “took from Claire”. Oh, you’ve remembered you possessed a child, incapable of consenting to being possessed, in order to blackmail her father to agree to being possessed again against his will. A father and husband you got killed because you provoked Lucifer by shouting “Hey assbutt” at him and getting Jimmy blown to smithereens? And you still wander round wearing his face and clothes? No, waste of space, you can’t ever make up for that.
Anyway, the reason he doesn’t want Jody going is that if Claire loses her on top of what she’s already lost (including Kaia), then it would kill her. Jody agrees. I meanwhile have to stop watching while I try to find my eyes which have rolled right out of my head at this point of the episode. 🙄
Found them, we’re back!
The reaper and Castiel put their hands on a stone tablet, not sure if we’ve seen it before or it’s just a random object the reaper has handy. 🤷♀️. The wards are supercharged (hiding the use of Jack’s powers from Chuck so he doesn’t alert Chuck that he’s back). Jack opens the portal and Dark!Kaia, Sam and Dean step through to lizard world.
It’s raining heavily, but not on Sam’s hair bizarrely. Denied wet!Sam so here’s a gif from a good episode.
And because I'm here for both my boys, here’s wet Dean as a bonus
They start walking to find Kaia and are set upon by those creatures from the first Star Wars movies – the ones that sell the droids and this bit is exciting, finally we get what I’m here for. Sam and Dean are going to kick as…. Or not, because why write Sam and Dean doing what they should be doing. The creatures don’t want to fight, they are scared of the world ending and run away. Totally anti-climactic. 😔
They find Kaia and in the most bizarre writing so far in a season chock full of bizarre writing, Kaia rushes to the guy who pulled a gun on her and forced her to do something she didn’t want to do, resulting in her getting stranded on that shitty lizard world alone, and instead of stabbing him, she… hugs him.
In fairness, it was ooc writing by I think Berens that had Dean pulling the gun on Kaia in the first place so this is just a really weak attempt at fixing the original bad writing, which only ends up compounding the problem.
Sam “the writers never bother to write in a hug for me” Winchester just stands back and smiles at Kaia. In fairness, Sam never getting hugged goes way back and I headcanon that Sam has “back off” vibes to protect himself. Common in younger siblings that experience a lot of loss early in their lives.
Kaia notices dark!kaia and looks about to kill her but Sam says that she helped them find Kaia. They go to leave but dark!kaia wants to stay because she doesn’t belong in their world. Sam says she’ll die and she seems to accept that, being left behind as Sam, Dean and Kaia run for the portal.
We see Dark!Kaia’s world pretty much ending, with her embracing it, just as Sam, Dean and Kaia step back through the portal.
Jody and Kaia hug and I think we’re supposed to feel 🥰 at that, but I care for neither of them (and Kaia was the one I originally liked in season 13, but Wayward af and the trite with Claire, plus dark!kaia episodes ruined it).
Kaia and Jack scene and Kaia looks really well put together considering the entire time we saw her in the AU, she was clearly having mental issues, but like a magic wand has been waved, she’s completely normal and healthy and no worse for 2 earth years in complete isolation in a world you have to fight to survive in every day. Miraculous, but that’s a Wayward af cardboard cutout character for you.
Jody comes in and offers Kaia a home at Jody’s home for cardboard cut out girl!power hunters. Kaia asks if Claire will be there and Jody says soon.
Sam, Dean and waste of space are crammed into a frame and we wouldn’t have this overcrowding in a scene if they didn’t insist on crowbarring him in. There would be more space in the scene if he wasn’t wasting it. I’m guessing it’s to frame Jack in the front with his “three dad’s” behind 🤮. It just looks bad.
After Kaia and Jody leave, they go back to speak to the reaper. They’ve remembered they have two stars in this framing, Sam and Dean are together in the front of the shot, Jack and waste of space are behind.
Sam asks the reaper if the warnings worked. She snidely answers that the fact they are all still alive says it worked. She’s killed milliseconds later by… Billie. Oh “fan favourite” reaper, so sad to see you go. Maybe you’ll be resurrected in a later episode. We can always hope.
“Hello boys”. Wait, isn’t that Crowley’s line (and before that Ellen?).
Oh my chucking lord, why the dramatical looks at Death and everyone being scared. This is bad. This is like that Clint Eastwood movie where they all look at each other.
It’s bad. Who directed this? Lol, I think it might have been Richard. He’s been hit or miss for me. And this one’s a miss.
Sam and Dean step aside to allow Billie to get to Jack and can I just say, no parent would ever do that. I don’t believe Sam and Dean would do that, but they do, do that (sniggers childishly at do do). They just step aside without saying a word, but who cares about them and what their characters would do. Certainly not the writer of this episode.
Death tells them they risked everything for one girl and for what, because all the worlds are dying.
Waste of space says it’s Chuck and glares impotently at Death (I think that’s what he’s doing, he might just need the bathroom again, who knows anymore tbh), while she agrees with him, saying Chuck has been wiping out galaxies for the end.
Sam asks what her end game is. He asks how Jack is going to kill god, what the plan is.
Long, boring monologue later, God has a book in Death’s library, meaning he can die. Billy: Everything dies” 😂
We flashback to original death in the pizza place with Dean and I wish they hadn’t. The difference between that scene and anything in the last season is glaring. But I was right from something we were talking about a few weeks ago, because we get this quote from Death to remind us;
Death: In the end, I reap him too
Original!Dean: God? You’ll reap god
Death: oh yes
Waste of space, “And why would god write the blueprint to his own death?” (that would have been a good line for Sam or Dean who have barely had anything to say or do this episode as it is, and they’re in the scenes just standing there getting paid a quarter of a million dollars to watch someone who hung up his acting shoes before season 7, give this line, and I can’t with this).
Anyway, god didn’t write the book, the books write themselves.
Another boring monologue, the upshot of which is Chuck had to write himself into the framework, hence he has to have a book, but it’s not explained very well and I’m fake coughing bullshit on this plot device as it doesn’t make any sense but I throw my hands up in the air. If the writers don’t care about even trying to make it make sense, then why the fuck should I put any effort in to explain it away. 😴
God hasn’t read his book and can’t unless Billie lets him. Sam asks if Jack is in god’s book. She says yes and “so are you. I told you Dean, you and your brother have work to do, this is your destiny. You are the messengers of god’s destruction.”
Oh great... they’re messenger boys now? Awesome.
Back with Chuck, he’s still in Radio Shed, watching a number of televisions and all of them show worlds being destroyed.
Chuck gets up to leave, the “fan favourite” Radio Shed employee asks if he’ll be saved. Oh you sweet summer child!
Chuck says he’ll be fine, but as he leaves we see a meteor hit the store (and show, if you think that was a surprise twist ending, it was flashing neon lights from the very beginning).
The episode seemed to be double the length of normal, but nothing really happened and it was boring af.
Somebody get this show a defibrillator. Stat! Oh wait, on second thoughts, slaps “Do not resuscitate” sign onto show. Let it die in peace.
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RWBY Random Rant #2!
What villain is the best? (Cinder vs Roman)
Second rant everyone! This one may be a bit longer than the first, so if you don't have time but find this interesting, then I suggest reading this later. If you have infinite time on your hands and your board, then this might help depending on your interests. So let's jump into today's rant!
So, the world of Remnant is a big place. There, you'll find friendly people, weird people, mean people, and people who are just flat out crazy. But today, we're looking at a certain group of people: Villains. Now before we jump in to the blender of craziness, this post is an analysis that can be used for predictions and plot lines. I may be wrong, but I'm writing this off of what I know.
Anyways... Let's start with the basic question, What IS a villain? A villain (or for the more technical term: antagonist) is a character who is trying to stop the hero (or protagonist) from accomplishing his or her goal. Either this, or they're trying to get something and the hero is trying to stop them because what the villain wants is wrong. This is the loosest definition, so you can imagine that this goes way deeper than you think.
There are some things that you need to ask and have answered before you confirm who is the villain in a story. Some of which includes the following:
Who is this guy? (Basic background)
Why is he or she interested in this scenario? (Could this benefit to their cause?)
Why are they doing this? (If so, then why?)
So if we take this and try and apply it to the "villain" we can tell if this is a VILLAIN. Another important thing to note is the quality of the character. What sort of events cause the villain to act like this, and why?
Well, when we're talking RWBY, then villains come in different shapes and sizes. Some villains are immature, and others have experienced enough pain and defeat to know exactly what will work to achieve their goal and/or stop the hero. Then you have the peeps in the middle who aren't as overwhelming as the big baddie, but have enough common sense to know what's going on, what needs to be done, and why they're doing it.
So I'mma gonna start at the bottom of the rainbow and work my way up to the best colors. I'll also be rating these characters on a scale of one to ten. I won't do everyone. Let's start with the entire fandom's LEAST favorite character.
Cinder Fall
Stars: 0/10
Now if I was a writer for the show, I think the most interesting thing that could happen to Cinder is if she just dropped dead. That's how bad she. Literally. Now, what makes her so disgusting? There are two answers.
She did horrible things. Like hacking the communication towers (With help from Watts, of course), making the people at the Vytal Festival Tournament doubt the leaders of Vale, and, to top it off, KILLED Pyrrah and Ozpin.
But these are the actions a normal villain would do, so what really makes her Terrible? The second answer has the reason.
2. She's a poorly written character with a lack of depth are perception.
I have no idea what made the writers want to make Cinder a hated character, but whatever did worked really well. Honestly, it's like Roosterteeth did the opposite of what Disney did to Cinderella. But when I say she lacks depth, I mean there is nothing that makes her character any good. She's also one of the biggest mysteries in the show, and I don't mean that in a good way. Here are some of the questions that I often ask about her:
Why does she want power?
Does she want to rule the world?
Why does she wear an outfit that's guaranteed to help her freeze to death?
Does she want to kill Salem?
Why doesn't she learn from her mistakes?
WHY THE HECK DOES SHE EVEN EXIST?!?!?!
Well, after some examination, I found out something shocking. She is just a plot device. She may talk and act evil, but in reality, she's just there so that the characters have something to worry about. She has nothing that makes her good, or relatable. To add to that, she's like the Grimm, all she does is attack and kill and if she loses, she DOESN'T reflect on her actions, and she DOESN'T try to fix her mistakes. She just goes back into the fight with the same strategy as before. If the main protagonists studied Cinder's basic movement, then they would be able to take her down, no doubt.
Can Cinder be saved? The answer is no. I bet that, judging from the road she's going down, her strategy will be her ultimate end.
Hazel Rainheart
(I may have spelled his name wrong. Sorry.😁)
Stars: 2/10 ☆☆
Now Hazel is a bit more interesting. Unlike Cinder, he has a reason he's on the side he is now, but like everyone, he has his flaws. He lets his anger get the better of him, and he's quick to judge. But the real reason why he's not so good is because of his reasoning. His sister died on a training mission because SHE chose to become a huntress. But Hazel takes all of his anger out on Oscar and Ozpin just because he (Ozpin) was the headmaster of Beacon, and let her into the school in the first place.
And I gotta say, this reasoning is understandable, but it's still dumb.
But there is something that makes Hazel a huge threat to the heros: his semblance of pain nullification. This gives him the ability to block out pain. And I kinda get where it comes from.
When his sister died, he was broken. She was probably the only family Hazel had, and when she was killed, he wanted to block out the emptiness, the grief, the pain. Thus his semblance was unlocked and he could no longer feel pain. This ability is probably how his aura charges up so quickly. If pain can block aura from charging, then he has the tools to be a force to be reckoned with. The only downside is that just because he can't feel pain doesn't mean that he's not hurt.
Can Hazel be saved? Maybe. But if he goes on a redemption arch, then he will probably die. But that doesn't mean that he's a lost cause. There's still plenty of things that can be added to Hazel's character to make it better. But at the present, he could be better.
Adam Taurus
Stars 2/10 ☆☆
This character is relatively horrible. In fact, he's worse than Hazel!
But the thing is, he's like Hazel in a special way: he has a tragic past. Certain events that wreck a kid's childhood can scar them for life. Adam was discriminated for his faunus traits, and this set him on a path of revenge that would be his bitter end.
He was a threat, but small compared to the real one. His semblance made him very dangerous, but it also makes sense. To be more specific, his semblance is, what I like to call, absorption of impact (or for the EruptionFang version, moon slice). This gives him the ability to absorb any damage done by the enemy into his blade, then release it back at a more powerful rate. This can cause devastating damage to both the enemy and the environment. As for why he had this semblance is pretty basic once you think about it.
Adam desired to get back at those who mistreated him. He wanted them to feel his pain, but a lot more extreme. He wanted them to feel what he felt, but worse.
Adam had a lot of potential, but, well when you get stabbed in the back, it's not easy to get back at your enemies. Over all in terms of writing, the thing that would've made him better was a better understanding of what he went through.
Tyrian Callows
Stars 4/10 ☆☆☆☆
If Adam wasn't crazy enough for you, then Tyrian's your go to guy.
I think that Tyrian is insane enough to join Salem, but has enough sense to know how to kill. He's kinda tough to figure out, but thanks to some much needed information in Volume 7, we now know a bit about Tyrian's past.
Tyrian was a mad man killer on the continent of Anima but was captured. He was then rescued by Salem and her Grimm. Since he's mad he owed his life to her ever since.
He's mad, so there's no bad excuse. And to add to that, he is flat down dangerous. His semblance is the ability to cut through aura, making him a hard to beat.
Can Tyrian be saved? Not really. The only way to kill him is for someone to fall victim to him while another strikes the killing blow.
Doctor Aurthor Watts
Stars: 5/10 ☆☆☆☆☆
Alright. Here we go!
Watts is very interesting. That's saying alot. Now that we have more information on him, it's easier to see why he wants to screwer Ironwood.
He was an Atlasian scientist who went against Pietro in the effort to make something great for Atlas. While Watts helped write the Atlas security code, Pietro found that the best inspiration is found inside. That was were Penny was created. Watts was disgraced and faked his death. Then Salem found him and he joined her group to get both revenge on Ironwood and respect from Atlas. Though he is clearly unaware of what Salem's true plans are.
He is a wiz when it comes to technology. Besides that, I believe he has some experience with combat. His semblance could have something to do with technology, but we're still figuring that out.
Can Watts be saved? Writing wise, maybe we can get more details about Watts in the final episodes. He's not a lost cause when it comes being a more interesting villain.
Story wise though? He's a dead man.
Salem
Stars: 6/10 ☆☆☆☆☆☆
Yes, I didn't save her for until the end.😼
Now from the writer's point of view, Salem's backstory has been completely fleshed out. It's pretty complicated so I won't go into details. But from that alone, Salem's actons make sense. As a prisoner of life, she yearns to be free. She wants to die. And she believes that the only way to do this is to divide humanity and summon the gods in there darkest hour. Then the gods destroy the world and Salem is free. She doesn't care about the people she is hurting. She hates humanity and wants to destroy everything. But above all, she wants to get permanent revenge on her ex Ozma (or Ozpin or Oscar). She wants him to die and stay dead when millennia ago she made great sacrifices to try bringing him back from the dead.
Now she has nothing to show for it except endless years of war, hatred, and suffering. There is some relation that one can have with Salem. If anyone who is reading this tried to do something for someone you cared about, but got nothing to show for it in return, then that's what Salem would be feeling. And this has caused her to spiral into madness. She is the purest definition of crazy.
Can Salem be saved? It depends at this point. Story wise, most likely not.
Emerald and Mercury!
Stars for them both 7/10 ☆☆☆☆☆☆☆
These two are going to be paired in honor of their beloved ship: Emercury.
Both characters have tragic pasts, so that gives them some common ground, but both are looking for something different. Emerald is looking for love, the one thing that she never had in her entire life. Mercury is looking for a purpose in life, a way to make himself Worthy of greatness. He claims that Cinder recruiting him was just destiny.
Both of these peeps are incredibly good at what they do. Both can fight better than the members of team CFVY.
Emerald's semblance is Perception manipulation, which makes perfect sense in her case. In a very special case, her semblance is similar to Adam's. She wants others to see what she sees, Emerald wants people to see how alone she is, and just how much she needs family. Her semblance is an incarnation of her desire. And she uses it to make people see what she wants them to see.
Mercury's semblance is currently unknown at this time. But we do know that his semblance was stolen by his father. After killing him, Mercury probably got his semblance back, but lives under the illusion that it's still gone.
Mercury grew up in an abusive household, under the guard of a murderer. He was tortured everyday by his father.
Emerald grew up on the streets.
Basically, these characters are well written, and both have great potential as well. There's even some hope of a redemption Arch for these two, and possibly some romance.
Can Emerald and Mercury be saved? Writing wise, yes. More trauma and info can definitely help. Story wise? Hopefully, yes.
Roman Torchwick
Stars: 9/10 ☆☆☆☆☆☆☆☆☆
Time for the classics!
This charming young schemer has been the first character in the actual show. Fans everywhere love him, and will often mark him as the best villain. Honestly, I have nothing against it. But for the sake of this post, let's break down this lovely character and examine his awesomeness.
Roman's origin is currently unknown, but maybe we'll get some light cast on it with Neo's backstory as well. Many believe that he is somehow connected to Brunswick Farms, and it's still a possibility that has yet to be ruled out.
Roman is a good fighter and a master mind behind the underground crime rings of Vale. By himself, he is a relatively good fighter. Though his semblance has yet to be determined, he has his own Roman candle.
Another aspect of this character that won the hearts of fans is his charming personality. I mean, who can blame him? Though his death was sudden, and unfair, his handsome face will live on in the hearts of many.
Neo Politan
Stars: 10/10⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐
The star of the show, folks!
Neo made her big enterence in Volume 2 episode 4 Painting the Town, and ever since has been one of the most popular characters in the entire show. If you break down Neo's character based on what we know, then it's actually really interesting. Let's scoop ice cream!
Neo's backstory is unknown, but we're hoping to have some light shed on the subject. Based off of the song "One Thing", we can tell that Neo's backstory is tragic in some way. She lost everything except for Roman. And she is willing to fight to protect Roman from the death. How do I know?
Her semblance is called illusions by many, but Unicorn of War calls it Mirrors, which I think is the most accurate. Her semblance gives her the ability to reflect her opponent's attacks upon themselves, and she can change her appearance right down to her hair and eye color.
What does any of this have to do with protecting Roman? She will use Any means necessary to protect what little she has left, and to her, that one thing is enough. She Will change her identity as many times as possible, and she often gets away with it. But she is so fierce in protecting that during a fight, any pain that the enemy can dish out to her dumdum would make her determined to kick her opponent's butt. She would give them a taste of their own medicine and literally reflect their attacks upon themselves.
She is a reflection of protection. And like that reflection she represents, she says not a word, but shows people how exactly they can hurt the one she loves.
After Roman's death, Neo Politan is determined to reflect her loves justice upon the true enemies. If you can't face yourself, then you can't face Neo.
So, there you have it, villains everywhere.
Be sure to reblog if you found this interesting!
If you have questions, then ask away!😁
#RWBY Random Rant#RWBY#rwby villains#cinder fall#hazel#rwby tyrian#tyrian callows#doc. Watts#Salem#rwby salem#more historical data that doctor oobleck would faint if he saw it all#emerald#Mercury#Roman#neo politan
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The Longest Library #3: Griffin & Sabine by Nick Bantock (Or, Eidolon again talks way too much about previous relationships, also, pretty art!)
(This is a series in which I attempt to read and review all (or most of) my library of 297 books.)
Rundown: Postcard artist Griffin Moss gets a weird letter from a weird lady who can apparently see what he's drawing telepathically. They form an ill concieved bond over it. The story is told in colorful postcards and envelopes you can open and then read the mysterious things inside. 4.5/5 for calling me THE FUCK OUT and having some BOMB ASS ART.
I can't give it a full 5 because not everyone is going to have that experience when they read this. It's just going to look very strange and floaty and things won't make very much sense. This book hits close to home with me because it heavily echoes (more like yells about) my first long distance relationship. I'm not really able to see this book through any other lens, so that's what my commentary is mostly about.
So for the part that ISN'T about that stuff though: The art is amazing. Even though it's made by one person technically, both fictional artists have their own, distinct style. Let's be real: The art and the interactivity is the main draw of this book. There are envelopes inside with letters carrying a myriad of little details: Griffin uses a typewriter for his long-form letters, and bits where he's crossed out typos or added in letters with pen, or that Sabine's correspondence is something I now recognize as someone who uses quills or manual dip pens. The inconsistency in the color of her writings suggests she's using a homemade ink, brownish in color, slightly too watery. Maybe it's even watered down watercolor and not even ink at all. They've also made the background of her letters and cards a rich dark gray, while Griffin's is a clean, sterile white.
"Will you explain to me about those geometric paintings you did at Art college? I want to understand their hidden language of color and shape. It's so alien to me."
So this is about the fourth time I'm reading this book since I first got it, and now that I have to write about it, I'm noticing so many more details. Here the line "It's so alien to me."is written in smaller, slightly more rounded letters. The ink is much darker here too, suggesting she wrote this slowly, thoughtfully. What a detail!
Anyway that's it for the objective bits of the book, the rest is entirely subjective from here on out.
"The phenomenon that links us has taught me much about you, yet I am ignorant of your history."
My years and years of suffering emotional abuse set me up to be able to read and predict what was going on in your head perfectly, as well as respond in the most helpful ways with eerie precision, yet I am ignorant of your history, and who you really are (because you use such obtuse floaty language and metaphor. Who were you really? Suffering, but that's about all I could tell.)
"Why doesn't this alarm me as much as it should?"
Because we're already "in". And I "feel safe" to you because I've been trained to be the least offensive, most placating being in the universe. If I could build a business model on conversational comfort, if I could sell my goddamn empathy like the capitalist machine really wants me to, *I'd be so rich*. It would be like, a step down from therapist. Anybody want a virtual friend for like an hour? Gimme 20 and we can watch stupid videos or I can calmly talk you through bread making. It's okay, you can cry. GOD PLEASE LET ME JUST SELL MYSELF SAFELY, I WAS MADE FOR THIS GODDAMNIT.
"I want to hear everything. Write in detail. Tell me all about yourself. I demand to know - please."
This is like fucking CRACK to those with a suppressed self. An unwitnessed self. "Someone who's interested in ME, and won't yell at, ignore, or dismiss me for talking! Holy fuck I love you!"
"Finally I knew who you were. I counselled myself to be cautious and find out what you were like before revealing myself fully."
Sabine at this point is to the reader who I was to Him. A weird mythical creature, the non-human monster of your lonely adolescent imaginings, who is intimately aware of your secrets, "I've been watching you" it says before introducing you to a wondrous world free of the pains of living, where you actually feel loved and all is well forever and ever. Except I wasn't as inhuman as I wished to be.
"Occasionally I'd come home to a re-enactment of The Battle of Britain in the front room. [...] My entrance would make no difference to their dogfight, but when one of them accidentally (and inevitably) knocked over a pile of books, they'd stop instantly and unite to examine the extent of the damage."
The whole 'making light of a not-great home life because it was your normal for so long that you still haven't learned that you need to be horrified about it' thing. As well as passing it off as something funny. Thankfully this character's parents (SPOILER?) get literally run over by a truck and he gets sent to live with his mom's step sister who is really good and lets him ditch school to become a potter's apprentice and eventually go to art college. He never really deals with the grief when the step sister dies, OBVIOUSLY.
"And hearing that my existence eased your pain made my heart race. We have found one another, and I give thanks."
Hearing that my existence wasn't going to be punished but instead, made someone happy? Fucking HEROIN. Downplay it a little with grateful gentleness, I don't want to be punished for being presumptuous or for seeming like I like it too much. If I like things too much they get destroyed, hard.
"My kinsmen are responsive to me - but there is no one to reach my heart, and you who are so far away, have been closer to me than any man on the Islands."
This is something I remember. So far all they've done is shared eachother's life stories and gushed about how close they feel now. She (like my past self), has confused the feeling of 'finally, a witness! they're witnessing me! I've been Seen!' with the feeling of attachment. Of course she would feel infinitely more attached to this man. She's witnessed his most private moments as a creator for a good portion of her life. It's been a mainstay throughout her adolescence through adulthood, so of course an unwarranted sense of intimacy is going to be attached to this mysterious figure. The whole thing wrapped up in a dream like sense of mysticism.
"I remember your first erotic drawing; I was trembling from head to foot by the time you'd finished. Was that Sarah? No don't answer; I'm only teasing."
...Unless? (Man the implications hurt to think about. I REMEMBER THIS FEELING. This author has unintentionally called me out. I wonder how much of Sabine’s writing is actually calm, or if she’s reigning herself in almost constantly?)
"I was finding it hard to get over the idea of there being other men in your life when I reached the part in your letter about my erotic drawings. I stopped being jealous. We were lovers and I hadn't realized it. The drawings weren't of Sarah; they were of you."
ow ow ow ow ow ow JUST SAY IT ow ow ow ow, Also, I REALLY wanted her to be like 'bitch that looks nothing like me, what the fuck', but instead she's all like "So you've been making love to me ten thousand miles away - how tantalizing." URGH. TOO CLOSE, TOO FAST. DISENTANGLE YOURSELVES NOW. GRIFFIN GET HELP.
"I had failed to understand how unhappy you are. You cover up with jokes and a front of being self-contained. I'm worried for you."
EVEN SHE SEES IT, GET HELP.
"When you found me, I thought my loneliness had gone for good. I was kidding myself. I desperately desire your company. I haven't talked to anyone in three days. I was sure I was going to start seeing your pictures like you see mine. I've tried so hard. [...] How can I miss you this badly when we've never met?"
BECAUSE YOU MISS HUMAN CONTACT AND YOU DON'T HAVE ANY FAMILY LEFT YOU NERD, GET HELP. DON'T HANG IT ON ONE PERSON WHO IS TOO FAR AWAY TO HELP YOU IN THE WAY YOU NEED.
"Island magic works on island souls. You and I will heal eachother."
ANTIDEPRESSANTS MAYBE UUUUGGGGHHHHH
"I've started to hate this city, this country, all these stupid fucking people [...] I finally snapped. [...] I want to know what you look like."
*HEAVILY RECOILS*
"Why, my kindred spirit, are you prepared to settle for a postcard of my face? If you wish to see me, why not come here? What is there to stop you - you're clearly unhappy where you are. Come."
Yes. I offered and I offered and I offered. What's to stop you from just fucking TALKING TO ME instead of DISAPPEARING OVER AND OVER AGAIN. and then COMPLAINING THAT YOU'RE SO HURT AND LONELY. I'M LONELY TOO. WHEN I HAD THE MONEY YOU DIDN’T TAKE MY OFFER FOR ME TO COME SEE YOU, SO WHAT THE FUCK IS UP KYLE?
"Foolish man. You cannot turn me into a phantom because you are frightened."
This kind of sentiment is what lead to the breakup. This feeling of being large, and dark, and slighted. Being real and supernatural. Make your choice. Say REAL words instead of just flagellating yourself. Do I exist to you?
"If you will not join me, then I will come to you."
Unfortunately, Sabine has what I definitely did not: Mobility, the ability to make things real. She had a job and money and her own life and the ability to travel. I had a shitty little shared room in my parent's house where I spent most of the time partially starved and dodging devils in one form or another. Many many times I wanted to spontaneously show up and give him the closeness that he needed. But I couldn't. And he wouldn't take my words. He wouldn’t take me.
3 down, 294 to go.
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Everything I Watched in 2019
Movies
The number in parentheses is year of release, asterisks denote a re-watch, and titles in bold are my favourite watches of the year.
01 The Death of Stalin (17) does a neat trick of building goodwill for Steve Buscemi’s Krushchev, then brutally pays that off in the last few minutes.
02 Sorry to Bother You (18)
03 Support the Girls (18)
04 Paddington (14)*
05 Rogue One: A Star Wars Story (16)
06 Eighth Grade (18) probably the most terrifying movie I watched all year, if you didn’t watch it through your fingers, who even are you?
07 Morvern Callar (02) much less bleak than the book, but then, nearly anything would be
08 The Favourite (18) revolting and beautiful.
09 Columbus (17) a really lovely movie about architecture and parent-child relationships.
10 Bring it On (00)*
11 The Land of Steady Habits (18) feels wackier than your average Holofcener, but still a good watch.
12 Spotlight (15) i was really bowled over by this, and wasn’t expecting to be. Workmanlike filmmaking, but an extraordinary story, well-told.
13 The Killing of a Sacred Deer (17) Barry Keoghan is a blank, but somehow compelling screen presence. This one has an ending that made me bark with laughter.
14 Legends of the Fall (94)
15 Moneyball (11)* if you don’t feel like watching anything in particular, you can always watch Moneyball
16 If Beale St Could Talk (18) very beautiful, but I failed to connect with it on any other level.
17 For Keeps (88)
18 Abducted in Plain Sight (17)
19 Oscar Shorts (Animated) (18) the offerings were very sappy this year, but the winner was decent! Lots of Toronto content (weird).
20 Oscar Shorts (Live Action) (18) *unquestionably* the worst one of these won ¯\_(ツ)_/¯
21 Velvet Buzzsaw (19)
22 Vice (18) ugh
23 Friends with Money (06)
24 Can You Ever Forgive Me (18)
25 Bohemian Rhapsody (18) haha what. was. that.
26 Mars Attacks (96)*
27 Paddington 2 (18)
28 Buffy the Vampire Slayer (92)*
29 Shoplifters (18)
30 Blindspotting (18) jacked Ethan Embry in a supporting role?! Whither? Howso? Wherefore?
31 Witness (85)
32 Harry & the Hendersons (87)*
33 The Matrix (99)*
34 T2 Trainspotting (17)
35 Blockers (18)
36 The Slums of Beverly Hills (98)
37 Can’t Hardly Wait (98)*
38 Avengers: Infinity War (18)
39 Iron Man II (10)
40 Isle of Dogs (18)
41 Chinatown (74)*
42 To Live & Die in LA (85)
43 Age of Innocence (93) Daniel Day-Lewis manages to make Newland Archer compelling, where in the novel he’s...the worst?!
44 Shopgirl (05)*
45 The House (17) didn’t sustain all the way through, but then, that’s how mainstream comedies often go.
46 The Beguiled (17)
47 Badlands (73)*
48 Poetic Justice (93)
49 The Empire Strikes Back (80)*
50 Calibre (18)
51 The Kindergarten Teacher (18)
52 Hounds of Love (17) a nice little Aussie thriller, set in the 80s
53 Kicking & Screaming (95)*
54 Octopussy (83)*
55 Jaws (79)*
56 Lover Come Back (61)
57 Frenzy (72)
58 Always Be My Maybe (19)
59 Certain Women (16) took a while to get to this one, but it’s as great as they say it is.
60 Baby Driver (17) all flash, little substance.
61 Sneakers (92)
62 Roadhouse (87)*
63 Bull Durham (88)*
64 Ghostbusters (84)*
65 Booksmart (19) I think this will improve on multiple viewings, though I loved the soundtrack and the mix of characters.
66 Hereditary (18)
67 Rebecca (40) George Sanders as Rebecca’s cousin is BRILLIANT
68 Vertigo (58)*
69 The Dead Don’t Die (19)
70 Crawl (19)
71 Dazed & Confused (93)* If you don’t watch this once a summer, what is wrong with you?
72 Jackie Brown (97)
73 Talk Radio (88)
74 The Guilty (18)
75 Killing Heydrich (17)
76 Lady Bird (17)*
77 Billy Elliot (00)*
78 White House Down (13)* Channing Potatum saves the White House!
79 The Film Worker (17)
80 Whitney (18)
81 Mascot (16)
82 Apocalypse Now (79)* technically I’d only seen the Redux version from the early 2000s, so the regular cut is new to me.
83 Apollo 13 (95)*
84 Psycho 2 (83) the twist is very guessable, but there are a couple of nice-looking scenes.
85 Eternal Sunshine of the Spotless Mind (04)*
86 The Bodyguard (92)*
87 Murder Mystery (19)
88 Wildlife (18)
89 The Stepford Wives (75)*
90 Willy Wonka & the Chocolate Factory (71)*
91 The Natural (84)
92 The Other Boleyn Girl (08)
93 Speed (94)*
94 Opera (87)
95 That’s my Boy (12) haha what?!
96 The Big Short (15)
97 Elizabeth the Golden Age (07)
98 The Glass Castle (17) when I read the book, I genuinely thought it was fiction, it’s so insane.
99 Dawn of the Dead (78)*
100 All About Eve (50) lady on lady violence is a special thing
101 La La Land (16)
102 Morning Glory (10) remember Rachel McAdams?
103 Casino (95)*
104 Talladega Nights: The Ballad of Ricky Bobby (06)
105 Pet Sematary (19)
106 Clue (85)*
107 Her Smell (18) amazing soundtrack and the songs were well-chosen. Heartbreaking musical moment in the final act.
108 Bobby Sands: 66 Days (16)
109 She’s Gotta Have it (86)
110 Good Morning (59)
111 Hustlers (19) I didn’t connect with this as much as the reviews led me to believe I might.
112 Nocturnal Animals (16)
113 Kill Bill Vol 1 (03) I’d only ever seen the second one before, being a non-Tarantino completionist.
114 Fried Green Tomatoes (91)* I watch this more than anticipated...
115 Steel Magnolias (89)
116 Notting Hill (99)*
117 A Beautiful Day in the Neighborhood (19) the tiny city models were inspired!
118 National Lampoon’s Christmas Vacation (89)*
119 Let It Snow (19)
120 Frozen (13)
121 The Irishman (19) most interesting as a sort of pastiche/reckoning on the part of Scorsese about his other gangster films. Really outmoded view of unions. Definitely could have been edited down if anyone were able to come to it without undue reverence, but I did love the bit about the fish.
122 Girls Trip (17) actual plot is beside the point.
123 About a Boy (02)* I always think of this as the “vomit and sweaters” movie, anyone else?
124 Animal House (78)*
DOCUMENTARY : FICTION - 4:120
THEATRE : HOME - 9:115
TV Series
01 Russian Doll - I think I would have enjoyed this more if it hadn’t been bingeable - would have made a nice week-by-week discussion sort of show. I loved to watch the changes between re-ups of our major characters, and I think the actual plotting would reward re-watches.
02 Catastrophe S4 - A satisfying ending to an excellent show, with very charismatic leads (and deeply weird supporting characters). Had to write around Carrie Fisher’s death, and I’m sure did a better job of it than Star Wars did.
03 Friends from College S2 - More of the same, which is what I was after. A show like cotton candy (but with more infidelity).
04 High Maintenance S3 - A lot more of this season took place outside of New York City, which was a great change of pace. And a great deal more information about The Guy and his own life; both difficulties and successes included.
05 Losers - This was a great little docuseries on Netflix that I didn’t hear a lot of people talking about - it’s about sports losses, but unusual sports ie curling, figure skating and the like. You’d think it would get repetitive, being as it’s always about recovering after loss, but it doesn’t! I wish they would make another season….
06 Shrill - a tight six episode dramedy about an alt-weekly journalist in the Pacific Northwest, based on Lindy West’s memoir of the same name. John Cameron Mitchell as her boss (based on Dan Savage) stands out of the ensemble cast, as does Annie’s roommate played by a British standup Lolly Adefope.
07 Broad City S5 - I haven’t always kept up with Broad City, but I came back to it for its final season, and thought it did a good job of setting its characters up for big changes in their lives.
08 I Think You Should Leave - It’s easy to assume that all sketch comedy is terrible and always will be, but then you see this, and throw your TV out the window (due to all the laffs)
09 Fleabag S2 - Everything you’ve heard is true, this season is goddamn hilarious and ridiculously sexy. A huge step up from the first season, which was already pretty fantastic and incisive.
10 Fosse/Verdon - Musicals are not particularly my bag, so I’m sure there was a lot that I missed in terms of references, but the lead performances ably carried me through all of the time jumps and various performances.
11 Stranger Things S3 - Say it after me: d-i-m-i-n-i-s-h-i-n-g r-e-t-u-r-n-s! Maya Hawke kills it, though.
12 Big Little Lies S2 - Unnecessary, and (if possible) even sillier than the first season.
13 Lorena - Part of the ongoing quest to rehabilitate the maligned women of the 1990s, this gave me tons of context that I had no idea about at the time, due to being a dumb kid.
14 Glow S3 - I felt like I was losing steam on this series this year, but episodes like the camping ep kept me coming back. A great ensemble, though some unusual character choices (like a certain kiss *cough*) took me out of it by times.
15 Lodge 49 S1-3 - I’d kept hearing about this show, so I finally sought it out. I can’t say it was amazingly compelling (I almost dropped it after the first season) but it’s definitely an oddball of a show, slipping from setpiece to setpiece with little regard for logic. For me, a background show.
16 Chernobyl - This show really gave me the Bad Feeling, humans were definitely A Mistake.
17 On Becoming a God in Central Florida - Kiki in a trashy mode, not as infinitely appealing as the version she pulled off in the second season of Fargo, but scrappy and industrious nonetheless.
18 Show Me a Hero - I’d put off watching this for years, it felt like it was going to be too dull (housing policy in Yonkers?) but it’s great, and larded up with Bruce Springsteen songs, obvs.
19 Great British Bake Off S9-S10 - I’d also held off on watching this for a long time, out of loyalty to Mel, Sue, and Mary Berry. But I needed some comfort viewing towards the end of the summer, and the new hosts and judge do an able job, although the show’s tropes are feeling a bit well-worn at this point.
20 Righteous Gemstones S1 - A rollicking ride for sure, with a great cast. Your mileage/patience with Danny McBride may vary, so keep that in mind, naturally.
21 This Way Up S1 - A small show starring the fabulous Aisling Bea, about mental health and families and some nice comic physical acting. Oh, and in case you were watching The Crown and crushing on Tobias Menzies’ version of Prince Phillip, he plays a hot dad love interest in this, which gives you all the Tobias you’re looking for, without the PP racisms.
22 The Crown S3 - This is the first season of the big cast switchover, and I thought it stuck reasonably well, once we were in it an episode or two. This season concentrated even less on Elizabeth herself, preferring her sister, husband, and (newly!) her children.
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Winter Weebwatch #3
I feel a little bad for giving out so many two and three star scores, so I should probably clarify that three stars is meant to be ‘generally pretty good’ and two stars is meant to be ‘watchable but very flawed.’ We’re not working on IGN metrics here.
Also, this week is the week I finally drop a show! What could it be, what could it -- it’s Plunderer. Of course it’s Plunderer. I couldn’t get all the way through this week’s episode and life’s too short to bother watching any more of it.
Also also, while In/Spectre hasn’t been dropped, it gets subbed so late that I’m skipping it this week and rolling this week’s episode over to next week’s post.
ID: Invaded.
★★★★☆
God, why was this show relegated to the Death Season, Where Anime Goes To Die? For three weeks running now, ID: Invaded has stood head and shoulders over all of its competitors, and while there’s always the possibility it could collapse in under its own weight, it so far seems to be going pretty strong.
So episode four (again, see remarks about how one and two aired in the same week) sees Sakaido and the team in a race against the clock to catch the Gravedigger, a serial killer who traps people into enclosed spaces with just a few oxygen canisters and livestreams their struggles, showing the world their final moments and even continuing the livestreams to show their bodies decaying. The Gravedigger has kidnapped a new victim, and for the first time left enough cognition particles behind for Sakaido to dive into his mental world.
Whereas previous episodes have focused heavily on the mystery angle, this episode largely focuses on the stress the case puts on Sakaido and the team. The Gravedigger’s world is a uniquely dangerous mess of fire, explosions, and shifting architecture, and Sakaido dies again and again as he struggles to find any evidence of the Gravedigger’s identity.
Much like the last episode, this would sit at a solid three stars, being a fairly engaging and somewhat harrowing story of Sakaido and the team putting themselves under immense stress to save a victim. What boosts it up to four stars is the moment where the writers pull the rug out from under the characters and the audience: The Gravedigger they’re hunting is only a copycat of the real Gravedigger, and his victim has been dead for days, the ‘livestream’ actually a recording.
The episode also hints at a bigger role for the Perforator in future, as the team attempts to use him as a back-up detective, Akaido, only to find out he’s ill-suited for the role.
Pet.
★★★☆☆
Pet was so close to a four star rating this week. So close.
So, this week’s episode continues an unclear amount of time after the last week’s episode, with Hiroki and Tsubasa having bought a fish store (as in a pet store that sells live fish and naught else, not a fishmonger’s), which Hiroki believes means they can stop doing work for the shady Committee -- only for Tsubasa to inform him that the Committee paid for the store in the first place, but not to worry, he’ll do all their jobs, and Hiroki doesn’t have to do any of them.
So this episode is … moderately upsetting, actually. Intentionally so.
The bulk of the storyline, in which Tsubasa alters a bodyguard’s memory so that he’s compelled to murder one of his boss’ friends, isn’t what’s upsetting about it, although it does deal with some sensitive subjects, namely domestic abuse and the objectification of vulnerable people. No, what’s upsetting is that, like with last week’s story about Hiroki and Tsubasa altering the memories of a couple, this one also harks back to Hiroki and Tsubasa’s relationship -- specifically, that Tsubasa is emotionally abusing Hiroki.
We get hints of this early on, when Tsubasa is deliberately vague about whether he’ll psychically synchronise with Satoru, another character who, at least in Hiroki’s mind (although evidently not in Satoru’s), is something of a romantic rival. As the episode wears on, Tsubasa goes about his work, while Hiroki, left alone at the fish store, begins showing his immaturity by acting out with his powers before eventually becoming sullen and unresponsive. All of that wouldn’t be enough to indict Tsubasa as being abusive, except in the final scene, as Katsuragi snidely remarks that their new store will never be successful and Hiroki will have to return to a life of crime, Tsubasa mildly returns that he knows it won’t be successful, and he knows it will hurt Hiroki, but that’s just part of ‘taking care of a pet.’
Aaaand we get our title, with all of the unpleasant implications of how Tsubasa views the much more immature and emotionally vulnerable Hiroki.
This episode would have scraped a four star score, but the early parts of the story are a bit too fast paced and a bit incoherent. That really was the only thing holding this absolute gutpunch of an episode back.
Bonus points to the episode that the thing that prompts Hiroki to act out with his powers is seeing a woman’s domineering and callous boyfriend, implying that he is at least somewhat aware of what Tsubasa is like.
Honestly, when this show started I was not expecting a meditation on the subject of abusive relationships, but here we are, and I’m down for it.
Darwin’s Game.
★☆☆☆☆
Oh my god, I just watched it. I just watched it, guys, and I don’t remember even the tiniest bit of it. Am I crazy? Is this what crazy feels like? It’s like I’m blotting the show out of my memory.
I remember something to do with plants and that’s … that’s actually the only thing I remember about this episode.
I don’t even think Darwin’s Game is bad (although let’s be honest, how would I know), it’s just not really anything. It has somehow hit that sweet spot between good and bad where it just fails to make any kind of impact at all, and my brain just interprets it as background noise and proceeds to flush all data pertaining to it.
I might drop it just because this has got to be getting boring for anyone reading these reviews by now. Watching this show is like a sneak peek of suffering from dementia.
And yet, I still know for a fact it’s better than Plunderer, so it gets one star.
Plunderer.
☆☆☆☆☆ (DROPPED)
Aaand I’m out.
Look, after the shitshow that was the first episode, I should have dropped it straight away. I gave it a chance, and the second episode convinced me that, hey, maybe this wouldn’t be so terrible, maybe the first episode was just an outlier.
The first episode was not an outlier. Episode three isn’t entirely sexual assault and sexual harassment, but about twelve minutes in it does segue into an extended sequence of exactly those things, getting worse with each passing minute. I got up to fourteen minutes, the point at which a supporting character was cheering on the protagonist to sexually assault someone, before I just couldn’t stomach watching anymore.
This show could be the most interesting, engaging, thought-provoking thing on television, and the constant sexual assault would still make me drop it. Luckily, even if you take out all the sex crimes, all you’d get is a show that was basically okay at best.
So zero stars for Plunderer, and I’m dropping the show. To be perfectly honest, I should have dropped it after episode one.
Sorcerous Stabber Orphen.
★★★☆☆
Onto more pleasant news, man, I just don’t know what’s up with Sorcerous Stabber Orphen’s pacing. Having proceeded at a truly glacial pace for the first two episodes, this episode caps off the entire current story arc, bringing it to an abrupt close.
Now in the company of his old mentor Childman and a task force of sorcerers, Orphen tracks down the dragon-ified Azalie, attempting to reason with her, only for Childman to stab him and eviscerate Azalie. In the aftermath, however, Orphen realises that he’s been played: The dragon he thought was Azalie was actually Childman, and the person he’s been thinking of as Childman is actually Azalie.
So, that was a weird twist. It’s not, in fact, completely out of the left field. The episode sets up early on that Azalie was skilled not only in elemental Black Sorcery, but also in telepathic White Sorcery, and that she should have access to those spells even as a dragon, something which is cause for concern because nobody in the task force has White Sorcery, including Childman. Later on, the confrontation with Dragon-Azalie (Drazalie, if you will), has a character call attention to how she hasn’t used any White Sorcery since the battle started. So when it’s eventually revealed that Azalie did, in fact, use White Sorcery, secretly swapping her mind with Childman’s and letting him die in her place, it actually fits together in quite a neat fashion.
The episode ends without any real hint as to where the story is going to go next: Azalie escapes in Childman’s body, and Orphen is still an exile from the Tower of Fangs, and there aren’t any other pressing story threads, so I guess we’ll see.
Infinite Dendrogram.
★★☆☆☆
This is the second week in a row that I’m giving Infinite Dendrogram two stars, and it actually physically pains me to do so, because I really like this series. I think apart from ID: Invaded, it’s my favourite anime this season, by quite a significant margin.
But nothing at all happens in this episode.
Okay, that’s only half true. The episode opens with the Player-Killers roaming around Altar having all been killed, which journalist (that’s literally her character class, which I kind of love as a concept) Marie Adler says was the work of just the four ranked players. One by one, she shows the main cast a video of each one taking out a clan of Player-Killers in their own unique way: Arena gladiator Figaro takes his targets out one by one, sadistically toying with them before striking the killing blow; cult priestess Tsukuyo uses magic to immobilise her targets, before letting her cult skewer them one by one; martial artist Lei Lei takes them out in a surprisingly friendly and sporting fashion; and the King of Destruction, whose identity is unknown and definitely not Ray’s big brother, definitely, absolutely, just levels the entire forest his targets are hiding in.
I … do see the necessity of introducing them. The Superiors are basically this show’s Gotei 13, or Gold Saints, or Hashira, or <Insert Group Of Loosely Allied Big Tough People That Are In Every Post-Saint Seiya Shounen Anime> here. There are, however, more interesting ways this could have been done than having the characters watching four videos of fights they already know the outcome to.
For example, what if, instead, you had an episode setting up the characters all getting trapped in different areas, pursued by higher level Player Killers, only for them each to be saved by a Superior. That would actually have some tension and dramatic stakes, and it’d be a much more dynamic way of introducing them.
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❝ I was a living star. I was combustion. I was a new sun born to shatter air and eat the earth. I am ruination.❞
KARLA SOUZA? No, that’s actually ARTEMIS YAXLEY. Only TWENTY-SIX years old, this RAVENCLAW alumni works as an UNSPEAKABLE and is sided with THE DEATH EATERS. SHE/THEY identifies as AGENDER and is a PUREBLOOD who is known to be DISTANT, CRYPTIC, and AMORAL but also MACHIAVELLIAN, CURIOUS, and KNOWLEDGEABLE.
CHARACTER PARALLELS: Sherlock Holmes ( Book & Elementary TV Series ),Natasha Romanoff ( Marvel Comics ), Rosa Diaz ( Brooklyn 99 ), Alice Quinn & Julia Wicker ( The Magicians )
TRIGGERS: slight misgendering. if i missed some, please let me know!
The Yaxley’s are a notable family within the Sacred 28 -- a legacy only strengthened by Corban Yaxley during the First and Second Wizarding Wars. Akin to Death Eater royalty, the family has been paying their dues and been loyal to the Dark Lord, blood purism & the power within society it rendered for as long as time has stood. The standard was perfection, the game was simple: stay loyal, stay powerful. Artemis knew from a young age what was and wasn’t expected of her and she played the role of dutiful daughter perfectly. The matriarchs were given just as much responsibility as their patriarch counterpart, if anything, Artemis had less room for indiscretions than her brother -- because he was the one who asked questions. She had them, but she never asked them -- Apollo always did. Always pushing the envelope, always pushing boundaries until he was old enough to properly break them, Artemis continuously picked up the slack. She compensated for his lack of respect because her brother Apollo was her sun, her best friend, the person she entered the world with, because he loved her and knew her better than anyone else. The game of chess came easy to her because she’d been playing one her whole life, every move several steps ahead, every loss calculated, backup plans to backup plans made.
As a child she was always fascinated with things far away, things she couldn’t touch because although the environment she grew up in was not bad by any means -- it was stifling. The stars were her escape, they alerted her to a different world, the great what if, cultivating a deep love for astronomy and muggle philosophers -- anything she could get her hands on. Apollo always pushed her to keep going, to keep learning, her family encouraged her to live inside their world while he told her she could do more. Book upon book was stashed in secret locations around their manor. The Yaxley’s were livid when they caught Apollo encouraging Artemis’ fantasies ( what they called them ), even more livid that Artemis let them. In turn, they became better at hiding, better at sneaking, just better at deceiving their parents. As they grew older and Apollo became more vocal, Artemis knew that if the path he went on was going to continue to be against what their family stood for -- he’d be quietly disowned or worse.
Entering school was an escape, another chess board and a place where Artemis was finally able to properly nurture and challenge her mind. Ravenclaw was the perfect house for her, talking in riddles herself when she could for the thrill of it ( how else would she separate those worthy of her time and not? ), lies rolled off her tongue easier than ever as the person who walked barefoot around the Astronomy Tower at night and wore heels to societal functions by day had to learn to reconcile who she was while at school. Faced with more people, new people, curiosity and the pursuit for intelligence, her mind expand and she loved it. Artemis tried to be even more for her family, while Wesley Rowle was already a close friend ( more than close, a mindmate ) of Artemis’ & someone she’s happy to spend her life with, their betrothal was an extremely advantageous affair for the both of their families. In her last year of school, Artemis hoped that Apollo would shape up and that her betrothal, her doing everything she possibly could to take the pressure off of him, would help him to be able to finally take his role as who he was in the Yaxley family -- he left. Of course, Artemis forgave her brother because she understood his motives and she loved him very very much but her family recoiled from the loss and put more pressure than ever on Artemis to succeed. Succeed she did. She was so good at the game it felt like she was meant for it.
Naturally, her love for knowledge propelled her into becoming an UNSPEAKABLE and it’s probably one of the aspects of her life she enjoyed most. Still one to talk in riddles to see who keeps up with her, almost everything she does in that sense – confusing & frustrating – is a defense mechanism. Her observant nature means she notices everything, although she doesn’t always understand it ( especially Muggle culture ) she’s always interested. Though she often seems to be neutral in demeanor, she never is in mindset, be sure to know that Artemis is watching you, observing you, collecting data to use against you as well as she doesn’t understand people as much as her brother did. Definitely the more sociable and pleasant of the two, Apollo had a gift with people and was always just kinder, more open than she could ever be. His gift was his heart that hers, though it’s her most prized possession that she felt was a curse at times, was her mind.
She was given a choice when the war started again -- become a monster or let the person she loved most die. Was a monster still a monster if they had valid and noble reason for it? Are they still a monster if they don’t believe in the monstrous acts they’re about to commit? ( Always. A monster is a monster the minute they choose to shed their human skin and bear the monstrosities as their own. )
There was once a girl who believed in the stars never once thinking she’d be the one to shoot them dead. Unlike the way stars have to collapse into themselves – she always had a choice. Neutrality was just as bad as the Death Eaters in Artemis’ eyes, a person who usually lived in the grey was black and white about this one thing. If she was going to commit such sins, if she was going to sell her soul to the cause, she was going to be extraordinarily bad. She was going to become a monster to live with being a monster her girlhood wrung out like a death, the girl who looked at stars and wondered about them, starting pinning them down, to dissect, study, keep them for herself. Artemis is smarter than to believe she is a god, to believe she, Wes & her family are invincible because power shifts all the time -- what’s to say they won’t be next to be thrown under the guillotine?
She is the member of the family who helps them plan, strategize, how to collect power and keep it. Many other Yaxley family members in higher up positions, littered throughout the Ministry, she played her part in writing them in the stars so their legacy could last millions of years before burning out. It wasn’t that she wanted power, not really not for herself, but Artemis needed to play a part to convince even herself that her life on a day to day basis had significance. For a person who could be described as machiavellian, Artemis’ finds this acquisition of power to be more of a requirement than a personal necessity, the lack of freedom would be remedied and easier to deal with, the deaths, the murder, the destruction, the endless chess game of life, would mean something if Apollo was still alive & well -- wouldn’t it? It would. The further down the rabbit hole Artemis went, the more she found herself enthralled with a game that is a merely a distraction, her humanity straying further away from her as finds ways to give into her life.
There are days she finds herself, looking at the stars, thinking of another universe where she’d never have to make the choices she did, where she sees infinite possibilities, the outcomes of who she could’ve been. There was a time where Artemis found herself among the stars, where she saw herself as one, so distant from everyone around her but content, anciently bursting with life, even if dimly lit, collapsing into her own mind, only to become something anew as more knowledge fed her light. The girl she once was had disappeared, had been shut away, the light in herself something she was unable to find replaced by a gift to be terrible, her goodness caved into itself revealing something dark. The light had always been Apollo’s speciality, she only took it from him, she only consumed -- even from the person she loved most. The more she looked up at them now, the more she consumed of people, situations, things, the more it hit her. Was she ever like them, really? Artemis was always more black hole than wishing star. Had she really ever had a chance to be anything else?
RANDOM NOTE ( tw: slight misgendering ): As a writer I think there’s an interesting thing in how Artemis’ gender presents itself in relation to her familial background -- she’s seen as a woman by her family but she’s aware and the people closest to her are aware that she’s agender. She’s felt a connection to the power that being a patriarch & matriarch in the Yaxley family has, but she’s never identified herself with it. In fact, gender has never been something she’s connected to as a concept or a thing for herself. Artemis is very interested in gender theory and the like but due to her life, has not let herself delve into it further than to explain who she was to herself and to understand who she was for herself.
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