#god its all too real

[bugunlikeanangel]

discovering the song suneater by leanna firestone and pretending like its not making you feel absolutely insane that youve drunk-confessed exactly that to your boyfriend

[noknowshame]

why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[bigfatbreak]

In canon, a kwami's power must be used through a human wielding a miraculous, otherwise it'll have unforeseen consequences. So, in your AU, does Imago stealing Marinette's agonies cause any sort of trouble?

honestly the biggest unforeseen consequence is that this dude is around and being himself

no but for real, there should be a hypermassive consequence for a kwami unfettered peeking their head in, but there's not because of shit we'll get into later.

just consider it like this for the time being: now that Marinette is a sage and is capable of communing with the gods, she as a living being can be used as that intermediate conduit for power instead of the miraculous gems. If it was Tikki, for example, using her power raw with sage!Marinette, Mari would be able to access the power of creation or be swayed by it - however, it would put a massive strain on her, as she's not a miraculous but still capable of acting as that pipeline.

The reason Marinette has no ill effects from Imago, however, is because Imago is playing with a catch 22. Their purpose was to take agony away from Marinette, so even the exhaustion of accessing the unfettered power of a god was something he stole from her, so it seems like zero consequences have been had. In truth Imago is now SO tired holy moly and they DO NOT LIKE IT LMAO

[temporary-tats]

Drew a little comic today!

Viz, let Blake be a little shit to Raven in v10 and my life is yours.

Per usual, do not reupload without credit/permission. Thanks folks!

(My ko-fi, should you wish!)

[hydrachea]

Explorers of Sky is a good game.

[sophiphi]

Guys. GUYS. listen to me- kate carter is a natural brunette. no i’m not just saying that because daisy edgar jones has brown hair naturally, there’s a picture of young kate and her mom that is shown in the scene where she comes back home. I caught it on my second rewatch. I mean ofc you could chalk up her darker roots to it just being a dirty blonde but no, she really is a brunette.

Which brings me to this thought- I wonder what Tyler’s reaction (along with the others ofc) would be when they see Kate with brown hair. Let’s say her blonde dye was growing out enough for her to decide to dye it back. Maybe she does it when she went back to NY for a bit before going back to Oklahoma. Will there be chaos? Definitely. Will Tyler Owens get a heart attack? Duh. Like, imagine the possibilities guys, hellooo

[clockworkreapers]

Highly requested comic from TFTGS Bedside Manor

[rbtlvr]

(text from this post, fic is little kid with a big death wish by @remedyturtles)

i'm genuinely not sure where to start here - ig first of all this fic is absolutely incredible and if you somehow haven't read it yet you absolutely should!

okay. man. rem, this fic means so so much to me and i'm so glad i got to be here for it. i think this is one of those fics that'll stick with me years down the line even if one day i'm not into tmnt anymore, one i'll come back to over and over again

your writing has touched so so many people myself very much included, and i just. want to thank you so much for writing this fic and thank you for sharing it. you're an amazing writer and an amazing person and i'm lucky to know you. i can't wait to see what you do next

[eastbluecrewed]

outfit swaps bc i think about straw hat laundry day all the time

[liauditore]

cw// implied character death, double life nonsense

because you are love itself.

[vlasdygoth]

watch it

[trobeds]

i know the hunger games isnt about romance i know it isnt a love story but. theres just something so beautiful in the way peeta is the personification of what it means to heal and he /is/ the dandelion and the bread and the hope that things can be better even if they wont be fixed. even if the nightmares dont stop he will still hold her. wake her up and tell her shes alive. shes safe. and when its over and done and theres no more saving or protecting or trying their absolute hardest to die if it means keeping the other alive, the horrors dont stop. but katniss will still find that comfort in peetas arms.

[birdricks]

the really interesting thing about mortys fear of relying on rick is that it really does go both ways. like as much as hes afraid of needing rick... rick needs him just as much, if not more. and i think this ties into mortys fear of having to be responsible for ricks sadness.

there are SO many times where morty threatens to leave rick... just as rick constantly reminds morty that he can be replaced.

the difference is that morty COULD leave rick behind if he really wanted to. and he could probably be okay without him. but hell always come back to rick... because thats how hes meant to be. a mortys defining trait is how he will always put rick and his emotions first.

we can see this in evil morty and how he was able to escape the cycle simply by no longer caring about ricks feelings. what makes him different isnt being evil... its simply no longer prioritising the feelings of rick over his own.

like how many times do we see morty choosing to stay with rick despite everything rick puts him through? and i think this is partly where his forgiveness comes from. of course he does truly love rick and that plays into it, but hes also terrified of what might happen without him there to fall back on.

any time rick feels he might lose morty he spirals and lashes out in some weird manipulative way to keep morty reliant on him (which is ironically the very thing morty fears most).

and whenever he DOES lose morty for any amount of time he turns into a complete wreck. probably part of the fear of his own reliance on rick comes from knowing its largely manufactured by rick and not fully his own choice.

even WITH morty there to support him rick is incredibly prone to suicidal ideation and self destructive tendencies. its not hard to work out what would happen if morty was no longer around to cater to his emotions.

so he stays. of course its awful for him. but he does it. hes willing to sacrifice himself and his own emotions to save rick over and over again. because he knows what will happen if he doesnt.

[skitskatdacat63]

I've decided to do myself what the cowards at Aston won't. Behold.

[astriiformes]

Some of this is an expansion of a thesis that I was prodding at in my speech and debate piece ten years ago in high school (which was an admittedly somewhat naïve exploration of the relationship between science fiction, optimism about the future, and scientific progress, though I stand by elements of it), but there really is something fascinating about the way Back to the Future, as a piece of science fiction media, engages with its own genre.

In the "better" timeline, George McFly, an avid sci-fi fan, goes on to become a science fiction writer. Doc Brown was inspired to become a scientist by the works of Jules Verne (and in the video game, has another Eureka moment when he sees the 1931 Frankenstein film for the first time); in the musical, he describes his time machine as "A car for the stars / Like Captain Kirk's." As a sickly girl, isolated from her peers, Clara Clayton fell in love with amateur astronomy and stories about traveling from the Earth to the Moon.

I'm just so enamored with the fact that, unlike some other media, Back to the Future loves being sci-fi so much. There's a consistent throughline in every piece of BttF media--even the newer ones--that science fiction is something good, and inspirational, that makes people feel less alone, and forges connections, and encourages people to learn and invent. And that throughline is absolutely in conversation with the fact that the 2015 segment of the second film presented a decidedly aspirational vision of the future, even though other contemporary portrayals on the new millennium were starting to skew bleaker and more cyberpunk. It would come across as a little self-aggrandizing if it didn't feel so genuine--and it also helps that some of the positive impacts shown are smaller, and more personal. George finds a fulfilling career. Doc and Clara fall in love. It's more like watching a work of fiction earnestly believe it has something to say than it is watching it be self-important.

"You can accomplish anything if you put your mind to it," "Your future hasn't been written yet. No one's has. Your future is whatever you make it, so make it a good one." Do you see. Do you see it.