#i cant!

[greyangelpain]

THE WAY HE LOOKS AT HIM

[heartz4shauna]

i straightened my hair but it actually looks like someone’s booty hole

[wexhappyxfew]

shannon!!! hi!!!! i’d LOVE a director’s cut of your annie x brady one shot ‘home is an anchor’. that piece is sooooo intimate and emotional and their connection is so palpable. i’m a big annie x brady fan but i think that’s my fav of your writing on them so far. their connection!!! i could shout about it for days. so what stuck out to you about them as characters or their relationship in that one shot? did they say/do/think anything that surprised you? did it influence stuff you wrote for them after in a way you didn’t expect? i’d love to hear any and all thoughts!!! i’m just an annie x brady girlie at heart ❤️

HI ISSIE!!!!!!! thank you so much for the kindness towards that piece!!! 'home is an anchor' was by far one of my favorite pieces that i wrote because i remember i had a section of it written but didn't know where to go with it. and then all the sudden it HIT me where to actually go with it and then my fingers were practically flying over the keyboard to finish writing it. SO!!! thank you SO MUCH!!!! <3 'an annie x brady girlie at heart' - issie my friend it is an HONOR!!! so PLEASE LET ME INDULGE YOU!!! under the cut is my train of thought and dissection of this piece and all the fixings! please enjoy and thank you again seriously! annie x brady have been one of my favorites to write and one of my first to develop and so i'm glad their connection means a ton, so, please enjoy!!! :D

if anyone wishes to get another look into a specific prompt/one-shot, please feel free to send it in! <3

One of the main goals I wanted to pull across with this piece was a deeper look into Annie's background - a sort of explanation as to why 'Annie Bradshaw' is the way she is. Because there's so many factors that make up, at least to me, why someone becomes the person they are - namely, their background and upbringing. Annie's upbringing is one that forces her both to grow up fast and mature, along with lose her youth and childhood at the exact same time. She spent a majority of it caring for her younger siblings. Meanwhile, she was the oldest daughter with an older brother, Roy, who went off to work and make money, along with her father, who was trying to keep the Bradshaw family alive.

At the same time, her mother was drinking daily, not taking care of things at home, and leaving Annie to step up into the role. This is some things I didn't get into right here but: before the Depression hit, the Bradshaw's had a farm that worked fairly efficiently, the family was profitable and happy, but then once 1929 hit, things started really going downhill. Annie wasn't able to go to school much anymore because of the fact she had to care for the farm and her siblings, while her father and brother went to what jobs they could work at. So, at night, she'd usually stay up late, alongside Roy and he'd help her catch up in her studies, which led to her love for math and science. This is incredibly fundamental for her because it led to where she is now. But having this background really cemented her reasons WHY she is here.

Annie mentions that she gets a letter from her father, detailing that her mother's health is failing (because of the drinking/smoking/etc), and how Annie still holds onto guilt because she left her family to do what she could for herself. And THIS is where John Brady comes in as a main player for this storyline - and why he is so important to any in so many different aspects. Because for once, someone is stepping in and caring for her (not like she didn't have her little siblings, her father and Roy), but there's that bare spot where her mother's love should've been. And in a way, Brady fills that for her.

I think it is also an attribute to Annie's strength as both a woman and a pilot for the USAAF. She clearly has been through a lot that has made her stronger because of it and it comes off evidently as she leads as pilot for Silver Bullets. But it also allows her to know that it's okay to have a bit of a breakdown sometimes, to feel those hurt emotions that she's experiencing. It gives her a nice well-rounded balance, and a fun character to write!

SO -- for me, these are the things that mainly stuck out (1) about their characters. You have Annie who is evidently going through a rollercoaster of emotions from her past, this torment of guilt and coming into this era of doing things for herself and Brady, who is stepping in to be her sort of 'safe haven' - an anchor. Hence, why I've tilted it 'Home is an Anchor' because her home is slowly no longer back in Mankato, Minnesota - it's here in Thorpe Abbotts. It's John Brady. I feel this also applies to their relationship - as someone who is a fan of slowburns, I am stretching this out as far as I can, so by this point, I'd say we are near episodes 3/4. Meaning, Annie and Brady have known each other for some time, and are slowly developing these feelings and these emotions towards each other that they're having trouble forgetting. I would highly consider this the 'turning' point in their connection, too, in their time of knowing one another. Sharing an intimate moment that heavily emphasizes their importance towards one another in a somewhat subtle way, too.

(2) I'll be honest, writing Annie and Brady is ALWAYS a surprise for me (enter: Brady and Annie in his A2 jacket...like THAT was a surprise!). But genuinely, writing them is always me just typing away and then this idea/line hits me and I just have to do something with it. SO -- for this, Brady telling Annie that - now that they're up-close in this intimate hold they have on each other - he is now noticing her freckles and that they're cute, was by far the moment in the one shot that made me SCREAMMMM. I really wanted to take into account the fact that they're up-close to really try to bring forward this idea that, they've crossed this threshold and will recognize new things about the other - and one of those things is her freckles. A first step in a new direction!

(3) And with THAT, I would absolutely say it was influential, because then I started writing Annie and Brady in a more intimate way after that specific moment. Because we do have Annie sort of coming to the realization about her feelings - where she mentions the only thing on her mind and then trails off (that thing is in fact a Mr. John Brady, but she won't admit that). And I sort of play into that idea a bit with the entrance of Francis Montez, the co-pilot, into the scene, where she teases Annie a bit for it all (in good-fun of course). But it leaves Annie thinking. And so with that in following one-shots, I really played into that idea of 'everyone knows but them' sort of situation, which is a TREAT i must say haha!

This specific one-shot just really allowed me to explore multiple areas of Annie and Brady that was enjoyable - Annie's background, the importance of Brady to Annie and vice versa, what it means to go pass this 'friendship' (I say friendship in a very light ton lmfao) and into something else. To show that these two people both are important to one another and that they think equally very highly of one another as well - a sense of mutual respect that goes both ways.

And also, as I mentioned, I got to play around with Francis Montez's character as well. She is a pivotal person in the Silver Bullets crew, not only as the co-pilot, but as someone who watched their previous command pilot pass on, that being Captain Faulkner. Francis I will be exploring in an upcoming prompt or two (and another writing piece I have an idea for because co-pilots and their dynamic with the pilot fascinate me so....) and I'll be excited to build her character more!!!

This equally is one of my favorite pieces for these two, and I'm so glad you enjoyed it as well :) Annie x Brady will always mean the world to me, and to write them is a joy. So thank YOU Issie for indulging me!!! <333333 I appreciate it so so much and thank you again for the love and support!! :D

[u-friend-or-ufo]

The bugs when you lift up a rock That can't be Eric...Is it??? Eric is that you next to Alan????

[ylove-bandaesthetics]

Bands & Horror! 🔪

Karol G + Sally! 🪡🧵

“And does he notice my feelings for him?”

[hotsfortomglynncarney]

[dayone-ish]

the whole crowd dancing w jey GIRL COME ONNNNNNNN

[correctopinionhaver]

[jiminthestreets-bonesinthesheets]

My god, the sign is wrecking me.

Am I crying in bed at 3:30 am? Yes! Sobbing actually, to be pre ise, and I never cry at tv!! Like, what is this show doing to me?? Tharn! Pyaha! Desr god, NO BODY BETTER BE DYING!! MY LITTLE HEART WILL NOT HANDLE IT!!! LET THE BABES BE HAPPY, GOD DAMN IT!

[midnightfire830]

Hello Midnight! I just wanna say that the lost toys AU is soon gonna be one of my favorite AUs <33 I love the designs and everything! (The background look so delightful <333) I am looking forward to hear more about it ♡♡♡

AAUHFAEUHefnFAKASKSFKDSZFjdksasefdKJAHFSAFSDJsdfjFK

Thanks so much Melody!!! That’s so sweet of youuuuu!!!

❤️❤️❤️

Thanks for the ask! And the compliment!

[oh-my-damn]

Alrighty

takes off yellow polo shirt, chinos and loafers

Get on the bed and let's get this game started, sunshine.

-Lloyd

*I smirk, quirking a brow before I shrug, pulling off my dress, leaving me in just my underwear.*

Okay big guy, lets see what you've got.

*I crawl onto the bed, spreading the twister sheet out on the mattress before I spin the needle*

Right hand yellow. You're starting, tiger.

[fuckyeah-dragrace]

ma’am no one told me i was going to need tissues for this untucked

[endersdead]

ok so im deciding i dont have did anymore 😌 i just simply no longer have it. yep! this is going to work perfectly

[paintedcrows]

Did anyone tell Ford (bonus doodles: Family Movie Night, 70s Classics)

[koobiie]

shoutout to everyone who wants to infodump but cant string together coherent thoughts to form sentences and instead just look at you like this

[vonlipvig]

WE NEED TO KILL HIM