#and this piece means so much to me!

[wexhappyxfew]

shannon!!! hi!!!! i’d LOVE a director’s cut of your annie x brady one shot ‘home is an anchor’. that piece is sooooo intimate and emotional and their connection is so palpable. i’m a big annie x brady fan but i think that’s my fav of your writing on them so far. their connection!!! i could shout about it for days. so what stuck out to you about them as characters or their relationship in that one shot? did they say/do/think anything that surprised you? did it influence stuff you wrote for them after in a way you didn’t expect? i’d love to hear any and all thoughts!!! i’m just an annie x brady girlie at heart ❤️

HI ISSIE!!!!!!! thank you so much for the kindness towards that piece!!! 'home is an anchor' was by far one of my favorite pieces that i wrote because i remember i had a section of it written but didn't know where to go with it. and then all the sudden it HIT me where to actually go with it and then my fingers were practically flying over the keyboard to finish writing it. SO!!! thank you SO MUCH!!!! <3 'an annie x brady girlie at heart' - issie my friend it is an HONOR!!! so PLEASE LET ME INDULGE YOU!!! under the cut is my train of thought and dissection of this piece and all the fixings! please enjoy and thank you again seriously! annie x brady have been one of my favorites to write and one of my first to develop and so i'm glad their connection means a ton, so, please enjoy!!! :D

if anyone wishes to get another look into a specific prompt/one-shot, please feel free to send it in! <3

One of the main goals I wanted to pull across with this piece was a deeper look into Annie's background - a sort of explanation as to why 'Annie Bradshaw' is the way she is. Because there's so many factors that make up, at least to me, why someone becomes the person they are - namely, their background and upbringing. Annie's upbringing is one that forces her both to grow up fast and mature, along with lose her youth and childhood at the exact same time. She spent a majority of it caring for her younger siblings. Meanwhile, she was the oldest daughter with an older brother, Roy, who went off to work and make money, along with her father, who was trying to keep the Bradshaw family alive.

At the same time, her mother was drinking daily, not taking care of things at home, and leaving Annie to step up into the role. This is some things I didn't get into right here but: before the Depression hit, the Bradshaw's had a farm that worked fairly efficiently, the family was profitable and happy, but then once 1929 hit, things started really going downhill. Annie wasn't able to go to school much anymore because of the fact she had to care for the farm and her siblings, while her father and brother went to what jobs they could work at. So, at night, she'd usually stay up late, alongside Roy and he'd help her catch up in her studies, which led to her love for math and science. This is incredibly fundamental for her because it led to where she is now. But having this background really cemented her reasons WHY she is here.

Annie mentions that she gets a letter from her father, detailing that her mother's health is failing (because of the drinking/smoking/etc), and how Annie still holds onto guilt because she left her family to do what she could for herself. And THIS is where John Brady comes in as a main player for this storyline - and why he is so important to any in so many different aspects. Because for once, someone is stepping in and caring for her (not like she didn't have her little siblings, her father and Roy), but there's that bare spot where her mother's love should've been. And in a way, Brady fills that for her.

I think it is also an attribute to Annie's strength as both a woman and a pilot for the USAAF. She clearly has been through a lot that has made her stronger because of it and it comes off evidently as she leads as pilot for Silver Bullets. But it also allows her to know that it's okay to have a bit of a breakdown sometimes, to feel those hurt emotions that she's experiencing. It gives her a nice well-rounded balance, and a fun character to write!

SO -- for me, these are the things that mainly stuck out (1) about their characters. You have Annie who is evidently going through a rollercoaster of emotions from her past, this torment of guilt and coming into this era of doing things for herself and Brady, who is stepping in to be her sort of 'safe haven' - an anchor. Hence, why I've tilted it 'Home is an Anchor' because her home is slowly no longer back in Mankato, Minnesota - it's here in Thorpe Abbotts. It's John Brady. I feel this also applies to their relationship - as someone who is a fan of slowburns, I am stretching this out as far as I can, so by this point, I'd say we are near episodes 3/4. Meaning, Annie and Brady have known each other for some time, and are slowly developing these feelings and these emotions towards each other that they're having trouble forgetting. I would highly consider this the 'turning' point in their connection, too, in their time of knowing one another. Sharing an intimate moment that heavily emphasizes their importance towards one another in a somewhat subtle way, too.

(2) I'll be honest, writing Annie and Brady is ALWAYS a surprise for me (enter: Brady and Annie in his A2 jacket...like THAT was a surprise!). But genuinely, writing them is always me just typing away and then this idea/line hits me and I just have to do something with it. SO -- for this, Brady telling Annie that - now that they're up-close in this intimate hold they have on each other - he is now noticing her freckles and that they're cute, was by far the moment in the one shot that made me SCREAMMMM. I really wanted to take into account the fact that they're up-close to really try to bring forward this idea that, they've crossed this threshold and will recognize new things about the other - and one of those things is her freckles. A first step in a new direction!

(3) And with THAT, I would absolutely say it was influential, because then I started writing Annie and Brady in a more intimate way after that specific moment. Because we do have Annie sort of coming to the realization about her feelings - where she mentions the only thing on her mind and then trails off (that thing is in fact a Mr. John Brady, but she won't admit that). And I sort of play into that idea a bit with the entrance of Francis Montez, the co-pilot, into the scene, where she teases Annie a bit for it all (in good-fun of course). But it leaves Annie thinking. And so with that in following one-shots, I really played into that idea of 'everyone knows but them' sort of situation, which is a TREAT i must say haha!

This specific one-shot just really allowed me to explore multiple areas of Annie and Brady that was enjoyable - Annie's background, the importance of Brady to Annie and vice versa, what it means to go pass this 'friendship' (I say friendship in a very light ton lmfao) and into something else. To show that these two people both are important to one another and that they think equally very highly of one another as well - a sense of mutual respect that goes both ways.

And also, as I mentioned, I got to play around with Francis Montez's character as well. She is a pivotal person in the Silver Bullets crew, not only as the co-pilot, but as someone who watched their previous command pilot pass on, that being Captain Faulkner. Francis I will be exploring in an upcoming prompt or two (and another writing piece I have an idea for because co-pilots and their dynamic with the pilot fascinate me so....) and I'll be excited to build her character more!!!

This equally is one of my favorite pieces for these two, and I'm so glad you enjoyed it as well :) Annie x Brady will always mean the world to me, and to write them is a joy. So thank YOU Issie for indulging me!!! <333333 I appreciate it so so much and thank you again for the love and support!! :D

[kimdokjas]

though the movie might be cancelled, yuri on ice will live forever in our hearts. thank you yoi fandom, it's been real ♡

[o0kawaii0o]

no mercy 😭

[thesockdrawersblog]

THEMB…💕💕

[mipexch]

I WAS MADE FOR YOU // YOU WERE MADE FOR ME

[itty-bitty-sunshine]

It's been 10 years and just now im learning how to draw the ogs smh

Happy ten years at Freddy's! 🎉

[reineydraws]

i dont have a caption for you lol i'll let shanks's heart eyes speak for themselves 🫶

(source)

[hinamie]

sidelong

[pyr0frnzy]

East blue polycule you are so very dear to me…..

[pseudopigeons]

started watching the silly little pirate show

[oxygenisachoice]

They are best friends (trust me)

[tatretot]

hellooo danandphilgames buddies!! happy belated 10 year (more like 5 but shhh) anniversary :-)

[puppyeared]

littlest furth shop

@laikascomet

[twinstxrs]

idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.

[catabasis]

He sees you, and he likes what he sees.

Demonology and the Tri-Phasic Model of Trauma: An Integrative Approach by Nnm

[sapphorror]

The Narrator's perspective only gets more horrifying the longer you think about it. Like, imagine being an Echo of yourself—one of many, all made to serve a very particular purpose and knowingly living on borrowed time, if 'living' is even the right word for your current state of pseudo-existence.

You've inherited the mission of a dead man—it's literally the only thing left that you can do before fading, so you sure as hell better believe in it; the alternative would be unbearable. Only you keep failing. With every loop that you don't remember, your lack of agency in this situation becomes starker—you can influence small things, sure, but it becomes increasingly clear that you have no real power, no matter how personally invested you are in the events unfolding in front of you. You are, after all, only an Echo. You've forfeited the right to meaningfully engage with the world.

Worse—every loop you're made aware of is another time you've failed, with unimaginable consequences, though you had no control over these previous iterations of yourself and can't even learn from their mistakes. Everyone around you is operating on a shared perception of reality that you are not part of, will never be part of. After a few repetitions, you are, ironically, the least informed person in the room. All you have left to go on is an evidently outdated script. At the same time, everyone else is experiencing a contiguous version of you, comprised of parts that are, in some sense, also you, while at the same time existing at a complete remove from your current perception of self. Whatever you don't know you did—that's you now. You are, after all, only an Echo. You've forfeited the right to define your own identity, never mind know what it is.

Even worse—this has trapped you within a stagnant hell of your own creation. Nothing you say or do really matters in terms of your own self (the rest of the world is a separate issue entirely). Anything you've come to believe—say, for totally hypothetical example, that you were wrong actually and your envisioned paradise is really a hell beyond any you had the capacity to envision—has about as much permanence as a drawing in the sand. 'You' will continue, exactly as you were, no matter how much you might like to change your behavior. Every possible future has already been set in stone. You are, after all, only an Echo. You've forfeited the right to say anything you haven't already said.

For some reason, no part of any of this has made you feel more comfortable and at peace with the general concept of finality.

The really, truly absolute worst part, though?

There is no one for you to blame but yourself. And that's exactly what turns your story into such a tragedy.