I love the contrast of Ed and Stede jumping into the water to get to each other.
Ed yells at his toxic past self, a former "crewmate," and then elegantly swan dives into the water, climbing onto the ship, when Stede is freaking out, the crew is screwed. And he saves their lives, yells to hoist the white flag. He then saves Stede's life again with the act of grace. He goes toward the chaos knowing what it means. That he'll, they, will be arrested, but he goes to Stede, be with him. He didn't leave him.
On the other hand, Stede yells "Ed, I'm here." He is still in the mindset that they'll have a romantic reunion. He is so excited he belly flops over the edge, no elegance, pure instinct. He is also going toward danger. But he is not aware of the danger, unlike Ed. He gets on board his ship, and takes a second to take in the utter devastation. What has happened to his dream, his old status, the physical manifestation of Ed's mental state reflected by the storm damage.
Ed jumps to known danger, death, after leaving Stede physically but not emotionally. It's elegant.
Stede is instinct, not fully knowing the danger he is jumping to, of mutiny and almost death. It's flailing. He also left Ed physically but not emotionally.
This parallel kills me.
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thinking a lot right now how kabru’s fascination/obsession with humans makes him such a ruthless fighter against them in the same way that laios is so effective against monsters because he studies up on them endlessly
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i haven’t seen anyone talk about it yet but medusa’s actress is so insanely talented?? most of her face is veiled but she did an AMAZING job at portraying the subtle changes in her emotions like “not him. me” DESTROYED me you can tell how strongly she feels about the subject but also how she’s trying to keep her cool and appear calm and collected to these kids and tell them of the ways their parents suck
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headcanon that percy's most reoccurring nightmare about tartarus is the one where he loses annabeth to the pit. the one where he trips over the rogue lace of his left shoe and misses her fingers by centimeters. the one where his hands get clammy due to nerves and she slips out of his grasp. the one where they descend over the cliff together but he isn't strong enough to hold the weight of arachne. the one where she uses her knife to slice his palm and catch him off-guard so she can wiggle free. and the one where she's bleeding from the wound on her head. begging him not to tamper with fate. to let the prophecy play out. and a silent conversation passes between them. an 'i love you' and 'goodbye' in the same breath. and he stares into her eyes for what he knows is the last time and lets go. the one where he has to watch annabeth sacrifice herself to save the world.
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Rin, smiling, and nagging
Rinsha Fana’s character is summarized in a couple facts thrown here and there. Because she worries for him, she follows Kabru to help his cause and protect him, and to nag him. She’s a grumpy angry tsundere, but it seems not only rooted in her attitude but on a deep rooted physical level, to the point where any intense emotion she feels will make her frown and scowl even if it’s genuine joy. Her childhood was half spent ostracized in the tallman community her family lived in and half with the elves, where she’s said to have been treated like an animal.
We don’t know how she was raised exactly or who it even was, but knowing she was "treated like an animal" by the elves taking care of her…
Elves are shown to have a highly hierarchical society, not only with their concern with status such as nobility and the purity of bloodlines but also reflected by its social culture imo. They have high society and etiquette, upmost devotion to the queen, very role-oriented, like cogs in a machine, and as such, it’s a bit skewed since most of what we see of the elves is in a military context with military people but they seem to value having emotions under lock and key to be efficient and not bring dishonor, Flamela is an interesting character on this. Don’t be a bother and do your job until you’re called on, fulfill your role, everything else is extra at best inconvenient at worst.
Personally I do think the canaries kept Rin, it’d make sense that whichever canaries got stuck with the job at the headquarters would be barebones with her and treat her like an ‘impounded article’, they couldn’t find another place for her and this way they can get her report on the events whenever she can speak again in however many years, and this way it makes sense that she could keep in touch with Kabru too. They’re used to prisoners, not kids. Being raised in a military context rather than at some orphanage would shape her further.
All of this to say…
She’d already seen the world’s harshness to those who don’t conform in her hometown, but with the elves? Her disdain for those who had formal education at a magic school?
Wouldn’t she become very concerned with proving she is not an animal, proving that she’s smart and skilled in her own right on her own merit, even without schooling. And to do this she nitpicks and nitpicks, because even being pristine isn’t enough to be respected, but at least it’s not giving others reasons to disrespect and dehumanize her.
Learning to school her emotions, to scowl as a defense mechanism because anything else makes her vulnerable, because they don’t care about her as a person with feelings, because showing other expressions was dangerous or punished in some way: because it was fit in or don’t fit in and that’s the difference between having your house burnt down and being tolerated, between getting her food or having her questions answered and being yelled at to shut up… Because all her life she’s been surviving in hostile social environments and at the mercy of others, but unlike Kabru she doesn’t become a people pleaser but becomes very self-reliant and wary of socializing.
So she nitpicks and nitpicks and nags, because she’s worried. Because flaws are dangerous. So she has a hard time smiling and laughing, because it’s dangerous to allow yourself to feel safe in being authentic.
It would be nice…
Is my red, red enough? I'm waiting for your teeth at my throat. It’s only good manners. -Stephanie Valente
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