#god I need a fucking break
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Being trans just makes everything a whole level more fucking difficult can't get mad or else I'm being a girl, get sad again I'm being a girl. Can't take myself out of a situation by isolating myself in a room or else I'm being a girl. I yell and I'm being a little girl, oh but when cis guys do it it's actually valid 👍👍 cuz they had actual reasons to do that
Can't do shit without everyone bringing up that I'm trans or decide to just misgender me bc that's actually cool to do when you're mad at me!! Like don't be a fucking bitch jesus christ imagine that being the only shit you can say to me? It's because they don't have shit to say Because I'm right but they don't want to admit it so it's wayyy easier to misgender me bc I hate it and it feels bad!! Yay!!!
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mochatheangelkiller · 2 years ago
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Dropping out would be easier.
Then I could focus on getting a job and not whatever the fuck I'm doing to myself now
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purrrrrrna · 2 years ago
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x
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chitinleg · 2 years ago
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got him off-balance!
#my art#ds9#star trek deep space nine#julian bashir#elim garak#garashir#watercolor#image desc in alt text#i normally post on mondays but. today im breaking my pattern! getting a little silly. getting a little wild. garashir jumpscare#“tumblr user chitinleg garak would neot easily let himself be swooped off his feet into a hug like that” yes i know BUT!#look at his expression. look at how his arms r pinned. he didnt let this happen LMAO julian just surprised him. grabby huggy human behavior#if you look really closely you can see the tiniest frown in the world on Garak's face. because he's like “EEP !”#cant see bashirs face at all in this only his body but i think we can all imagine that whatevers going thru his head. he needs this hug bad#ALSO. for anyone wondering what the fucked up shadow is that starts at the juncture of the teal sleeve-cap where its set into the armhole#the jumpsuits have a bit of a fold of extra fabric (called an Action Pleat) there which allows for a little more maneuverability of the bod#AND creates a really sleek and flat back panel#because you can see the fabric twists along the side arent grabbing the flat back fabric theyre grabbing the fabric folded beneath it#often times i think about drawing out a dissection of kiras first uniform and this voy era one for other artists to use. bc god knows#i struggled at first to find full body references#they like to shoot ds9 very close to peoples heads. and the camera is so blurry. they smeared butter on that thing. god bless
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deoidesign · 5 months ago
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I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.
I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.
This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.
When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.
And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.
It's unsustainable and untenable, and it's also the expectation our audiences have.
If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.
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avalencias · 3 months ago
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I don’t know what to do—I have to trust someone—I don’t know who to trust
massive, massive props to aabria for this episode (here at this point and after!!)…to all of them really, but it was about here that I was driving yesterday morning and had to frantically try to hold the image in my head for the rest of my commute. I only kind of succeeded but it is what is. wow. what an episode
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carnivalcarriondiscarded · 1 year ago
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all this to say: i think it'd be cute if Barnaby literally howls with laughter
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brideofre-animator · 6 months ago
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i rlly rlly rlly love benson obsessing over randy. at first hes just another kid that works there. but over time he notices him, how pathetic he is, how weak he is. how he looks right into your eyes when he talks to you, pupils dilated with fear like a scared animal. his fidgeting, his shallow breathing. benson watches him like a hawk. he convinces himself hes just intrigued by him. he starts to think about him outside of work. wonders what hes doing. what music he likes. what does his skin feel like? he almost smacks himself. "you fucking disgust me" he'd mutter to himself in the mirror. he washes his hands, scrubs them till theyre sore. it gets worse. he feels randy under his skin. he hears his voice in his head. he cant even look at the color blue without wanting to punch something. he fucking hates him. he wants to split him open. he wants to kiss him. he wants to tell him to man the fuck up. he wants to hold him. he wants to fix him. he wants to see him cry. he wants to ruin him. he wants to save him.
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ganondoodle · 5 months ago
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should surprise absolutely no one that i much much much prefer radahn when hes older (and not mindless! or mindcontrolled!)
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(doesnt look amused about what malenia just did in that ol trailer- and possibly even moreso about what she said)
that (and base game) version of him is the only one to meeeeeeeee
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valgeristik · 1 month ago
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revisiting the modern au now that ive gotten to know them better🫡
more info + some elaborations under the cut <3
Vetted Gaza Evacuation Fundraiser List
E-sims donation
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^ this is from my very first post on the topic, and i still think most of this applies. maybe i went too far with the architect part tho but it was funny in the moment
But this is what i mean by calling him 'man with every job'. it was really funny to me how he does many errands for people all over the place in the games, and i want this to translate. hence, he's the guy who can fix your broken chair. and build a shed. and drive. etc. most useful neighbor to have
what field did he get a PhD in, u ask? entomology. he was like 'man, i wish i could get paid for lookign at bugs all day'. and well...
if u really think about it, ull see my vision
As for Zelda... I think she spent a lot of time being pressured by her father to get the best grades n nothing less, and then to get into a good college etc, leading to many nervous breakdowns and other. Issues.
By the time she's about 23 the relationship becomes less strained, there's less pressure from his side, and in any case it was fine, really, he just wanted a good future for her, really, so- Point is, she wants to keep a good relationship with her father despite All That. Link still fucking hates the guy tho If her dad is the only one getting burnt food at the new years party, it was an accident and no one can prove anything <3
and i think she'd be in the engineering field. it just. feels right i dont think theyre actually married. yet
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triglycercule · 29 days ago
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mtt therapy moment except dust keeps taking breaks to talk to phantom papyrus and horror just wants this to hurry up so it can get to his turn because he couldn't give two shits about dust and killer's trauma and killer physically cannot discuss his issues and just starts zoning out while crying for some reason during it
and i'm the therapist listening to all of this writing down notes fervently because ITS CANON MATERIAL CANON I NEED TO GET THE CANON MATERIAL
#i have to break apart like 34 potential fights with my otherdimensional godly creator powers#i would be an ass therapist i will not lie. infact i would make them worse with my knowledge of their lives. never put me in a room w them#OH MY GOD I JUST REVISTED THIS IDEA AFTER LEAVING IT TO COLLECT DUST (hehehe) IN MY DRAFYS FOR A MONTH#ANS TJIS IS SO FUCKING FUNNY HELP 😭😭😭😭😭 HELP😭😭😭😭😭😭#still real tho highkey i havent changed 1 bit. ITS CANON OMG WRITE THSY DOWN WHAY WERE THE EXACT REACTIONS#ive got these guys wearing microphones i got cameras in the room i got advanced psychologists watching to explain every detail#is it a therapy session or just a badly disguised interview#nooo nooo its therapy......DONT LEAVS!!!! (activates the chains (that coincidentally all are connected to eachother) (heheheheh))#now youCANT leave😈😈😈😈😈 not until im done asking my questions ASSHOLES. dont question the handcuffs that keep you guys together please#actually id probably get like nothing out of them because theyre all repressed and defensive and whatever. BUT im simply more determined so#tricule rant#killer sans#horror sans#dust sans#murder time trio#utmv#sans au#fandom event if the mtt ever became real. we're all lining up to the facility to ask one question#world's hardest challenge: if you could ask the murder time trio one thing what would it be#FUCK idk...... id simply hav too many questions!!!! UGH!!!!!!!!!#triglycercule do your homework SHUT UO RESPONSIBLE VOICE IN MY HEAD!!!! I WONT!!!!! NOT UNTIL THIS IS DONE#fall headcanons for the trio when. i'll think of them once i'm done with homework#see a reward system! now i have a thought that i dont wanna say in tags this will be going to the side blog#anyways! i think that's enough drafts undrafted and posted i REALLY need to do my homework#i dont even have that much it's literally 2 assignments but i know damn well doing 1 of them is gonna bring me to dream and nightmare's age#sigh......... i hate school bring me back to summer break i wasSO productive. SMH
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teh-inggris · 5 days ago
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yo this might be a stupid question, but did pvpciv evbo ever slept (or rested at all) after the iron swords found out that he could respawn??
Just think about it; they had Tabi captive so it's basically pressuring him to get through the gold level as fast as he possibly could. But he could only get to the gold level when it's his guard friend's turn to escort him.
We don't know exactly how long the average duration that he was kept in that cell for in a day. He's kept in a cycle of dying and respawning. It's insanity, especially when he had to fight Ferre.
And the iron swords don't know if it's day or night, Evbo does when he respawns though. Or perhaps they do know in the form of their circadian rhythm but still!! They dont know if it's actually day or night!! They could be killing Evbo anytime of the day regardless if it's late or not
Now mix that with sleep deprivation
Like do you think he purposely didn't get up from his wood level bed and the only reason he did is because a guard is forcing him to. He doesnt get to sleep in his own mansion that he bought himself. And i cant imagine the floor of his cell being comfortable to sleep on (im saying this as someone who occasionally sleeps on the CERAMIC floor of their room)
His bed on the wood level is practically the only proper bed he has access to. He so desperately wants to sleep and not think about anything else but nooo he became The Sacrifice, and has to 'go save the world', and his friend is held hostage and he has to free her, or whatever and hes just not allowed to sleep for more than 8 hours!!!!!
This is the rambling of a madman. I have a killer headache rn so its not organized but pls do humor me im going insane about this stupid minecraft roleplay series
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ryomaandgundhamkin · 8 days ago
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Okay. I have a lot to explain. First:
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Listen- I am REALLY sorry for not drawing a lot. For the last month (by this point it’s probably been a month), I’ve been really, really behind on drawing and TSAMS lore. I don’t really feel that I’m apart of the fandom anymore. I just lost all my energy to actually dedicate myself to the lore of the show. I feel exhausted. Plus, school isn’t helping. For the last two weeks it’s been kind of hard for me, I mean aside from my trip, but then I had to catch up on work then do 1 project. I had two tests today.
Art block is hitting hard and I hope you understand. I just feel like I want to draw, I have a lot of ideas, I just can never get a result I actually like. It’s a process of drawing and deleting all my progress. I feel like it’s either 1., I make too much art, which in turn exhausts me further, or 2., I don’t make art at all. I’ve just been lurking around Tumblr and going around, like “oh I’m so going to draw this”, but I’m realizing that I definitely do not have enough energy to draw anything TSBS right now.
My main focus at the moment is school and school only. I hope you understand this because I had a shit ton of late work I had to do from the days I missed while I was away (7 fucking pages), and I had to zoom through that, THEN I had the science test. I had my math test today and I did well and now I’m tired af. I just don’t feel like drawing in general, period. Coloring maybe, but I just have too many things to do OUTSIDE of drawing online on here. Basically this is just me taking a small break. I’m sorry that content may be slower on my account, but I feel like I need this or else I will eventually just actually pass out from the stress. No one did nothing wrong aside from me. I’m just torturing myself. My brain hurts and my sleep schedule is damaged. Planning events is NOT fun and every weekend, I seriously just want a break, but OH someone’s coming over or we’re doing something or we’re going somewhere. I seriously cannot take a break unless I have NOTHING TO DO, which is kind of impossible considering my mother’s plans.
I just don’t feel like drawing. I feel like I’m starting to sleep more early everyday. My mind is a mess. It hurts. It hurts.
I’m just so sorry about this. I hope you guys understand I may not be in the best mental state (even if I act like I’m not, and same at with school, @kiwikay3 …), and I don’t feel like drawing for a bit. Just expect me to give you updates once in a while and maybe that’s it. Just don’t expect a ton of content or doodles from me.
This problem has nothing to do with you guys, I just want you to know this and know what to expect from me from now on. I’ll catch up with all my art requests and things like that eventually, I just feel like school has taken a toll on me. On my health. But, just myself overall. I don’t want anyone to worry. I’ll probably be active less and less so it’s fine if you unfollow me or something because I feel like I’ve already failed you all, and I’ve already reached the peak of my art journey (mid-October or so). I’m so sorry but I feel like when I write these I just get so emotional and I can’t really describe any of it in words. I’m probably going to sleep after this before I actually start crying. I’m actually so annoyed and sad and I just feel so many emotions. My brother is not helping, because HE does not care about his physical health so me and my parents do instead.
Sorry. Thank you all.
I feel like I’m going to have a mental breakdown fuck i hate this
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necrotic-nephilim · 2 months ago
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"--but why should I let you go when you look so pretty like this?" w/JayTim
send a quote and a ship and I'll write a short fic!
this one was such a fun pick, anon. i will warn you, this one has some... very dark dialogue. the JayTim is absolutely unrequited, but Tim is forced in a situation where he has no other choice bc of some Ra's tomfoolery. you *could* read into there being Ra'sTim as well, but that's not the focus, it's just 2.8k of unhinged JayTim. enjoy <3
Tim had lost count of the days.
He was pretty sure he was somewhere in the range of ten days and two weeks. He couldn’t use how often he was fed as a gauge when it seemed purposefully sporadic to throw him off. There were no windows in his cell.
Not that it looked like a cell, but Tim insisted on mentally calling it one, mostly for fear of Stockholm Syndrome getting the best of him. No matter how large the bed was, with an ornate carved cedar headboard and cotton sheets. No matter the plush carpets and en suite bathroom with a gloriously large shower with limitless hot water. No matter the shelf full of books to keep him entertained and patterned wallpaper.
This was still a prison. Tim was still forcibly attached to the bed by a long chain connecting to a thick metal cuff around his wrist he’d yet to figure out how to pick.
Tim had to let himself believe the lock could be picked. He had to hold onto hope there was some kind of escape.
The real contrast of the lavish room wasn’t the chain, though. It was Tim’s current state, naked and questionably close to bleeding out.
Not that it would matter if Tim died.
Ra’s al Ghul had already revived him with a Lazarus Pit at least four times, and he had made it clear he had no qualms doing it again. And again.
Tim went with ‘at least’ as a mental marker, because he was certain the Lazarus Pit was starting to influence his mental state.
However many times it took, repeating the vicious cycle of coming in to torture Tim until his body gave out, then giving him a violent, unwanted rebirth. Each time, Tim was pretty sure he lost a piece of himself, somewhere deep in those glowing waters.
He was sure he’d been angrier and fighting harder to break free once. Now, that anger was drifting somewhere in the Pit, far out of Tim’s reach. Tim had heard that rapid repeated exposure to the waters of Lazarus could have degrading effects on one’s mental state.
But he never thought he would learn that firsthand.
Instead of fighting and clawing at the wrist cuff like Tim had been doing for days, he just laid on the bed, sprawled out and staining the chartreuse sheets a bright crimson, staring at the cuff. One time, Tim had clawed at the cuff until his nails ripped out of their beds and he was biting a pillow in pain, watching his skin shred trying to pull it apart.
Those injuries, much like his feral desperation, were washed away now. Every scar Tim had earned over the years was gone now. He was losing pieces of himself.
After his next death, Tim promised himself he’d redouble his escape efforts. Run his hands along the walls again, test the door frame, find something that he must’ve missed his first dozen tries. He wasn’t going to let himself rot here and be changed into someone else, just wearing the corpse of Tim Drake.
Ra’s could take a lot of things, but he couldn’t have Tim’s humanity.
For now, though, Tim was just going to lay in the bed, breathing as shallowly as he could. All his body’s survival instincts were in overdrive, making him light-headed and his heartbeat a rapid, fluttering thing, trying desperately to hold on. He had yet to figure out how to get his body to let go of those responses yet.
Because the worst part wasn’t dying. The worst part was the animalistic attempt to survive that came just before his body gave out. Tim’s mind had fought alongside his body the first time he died. The second time too.
By the third, Tim had just naively hoped Ra’s would let him stay dead.
Now, Tim was just tired and waiting for it to be over with.
Just when Tim was considering getting up and trying to speed up the process, he heard a commotion. He lifted his head and squinted.
The ninjas who brought his food were always so silent in how they moved that Tim couldn’t hear them even when they were in the room. So the running feet, the yelling-
The gunshots.
Definitely a fight. Tim snapped back to reality. He sat up as fast he could, trying not to let his body dip and sway the way his perception did. It had crossed Tim’s mind, that rescue would come at some point. But he refused to hold onto it as anything other than a futile last hope.
And even now, it didn’t feel real.
No one who would save Tim used guns. The ninjas definitely didn’t use guns either. Tim carefully wrapped the chain around his fist. Whatever energy was left in his body was better spent fighting like hell than just laying there and accepting death.
The door to Tim’s room slammed open and Tim sucked in a breath.
Of all the people it could’ve been.
“Look at that,” a smug, modulated voice crowed. “I’m the lucky guy who actually found your sorry ass.”
Jason Todd reached up and pulled his Red Hood helmet off, shaking his hair loose. Tim didn’t like the look of his smile.
Granted, he didn’t like the look of Jason Todd in general, but that was beside the point.
“What are you doing here?” Tim hissed through clenched teeth.
Jason just shrugged, walking into the room with slow, casual steps. “Bats wanted to find you bad. Bad enough he was willing to call me and offer a truce if I helped storm the stronghouse.” He shrugged like it meant nothing to him. “Looks like you’re lucky I said yes. You’re already half dead.”
“Others are here?” Tim’s breath caught on his hope.
“The whole fucking calvary.” Noises of a brawl sounded in the distance and Jason spread his hands, as if his point was proven. He took another step forward just as a ninja ran into the room, sword raised and charging Jason. Before Tim could warn him, Jason shot the person in the head over his shoulder, making them drop to the floor. A full-bodied flinch went through Tim at the sight of blood spraying the beautiful wallpaper. With an annoyed huff, Jason turned and kicked the door shut.
He didn’t signal for backup. Tim’s skin prickled at the sight of the shut door and Jason stalking toward him.
“This is the part where you say thank you,” Jason prompted lazily, getting within an arm’s reach of Tim. Tim couldn’t stop his body from recoiling, eyes flicking down to the dead body on the floor. “Oh come on. Now’s not the time to worry about morals. I gave them a quick death. You should be thanking me for that too.”
“I’ll thank you when you get me out of this,” Tim said, lifting his arm to show the cuff. He pressed his palm against the cut on his chest, the one responsible for most of his blood loss. Ra’s had blamed Tim for that one, saying it was his fault for squirming too much. Tim knew better, though. He knew every drag of Ra’s’ blade was always exact and purposeful.
Jason tilted his head to the side and leaned in close. He smiled with tiger teeth and snake eyes. “See, I would but-” his eyes dragged up and down Tim’s battered form- “why should I let you go when you look so pretty like this?”
Tim was suddenly all too aware of how naked he was, skin prickling. He grabbed a handful of sheets and yanked them over his lap, trying to cover himself. Jason made no move to stop him, just watching the motion of Tim’s arm as it grasped for a crude attempt at modesty.
“You said Bruce is here,” Tim chose his words carefully, trying not to show fear. He was better than being afraid of Jason of all people. He blamed the worst of his feelings on the vulnerable state he was already in. His fingers clenched the sheets to hide the way they shook.
“He’s around somewhere,” Jason waved his gun in the air dismissively. “But he’s not here, is he?” Another wave of the gun to gesture to the room. Jason’s eyes flicked down to the gushing chest wound. “You really need to cauterize that.”
“Do I look like I have something to cauterize it with?” Tim shot back, sluggishly. He didn’t let Jason distract him from the real point. “If you try anything, I’ll-”
“You’ll what?” Jason rolled his eyes. He searched around his utility belt, pulling out a lighter and a knife. “Tattle to Bruce? Fight me?” He snorted. “I don’t know which is more amusingly unrealistic.” He flicked the lighter on and held it under the knife.
Tim watched the blade heat up, eyes widening. “You’re not going to-”
“You’ve got a better idea?” Jason arched an eyebrow. “It’ll really piss B off if you fucking die.”
“Won’t be the first time,” Tim muttered under his breath. He cringed as soon as the words came out. That was too much information to be giving to Jason.
Another cruel snort came from Jason. “You got your own taste of the Pit, didn’t you?”
“No,” Tim tried to lie, shifting a bit.
“You did,” Jason hummed. He leaned in even closer, until his face took up Tim’s entire field of vision. “Trust me, I recognize the look in your eyes. Hold still.”
That was the only warning Tim got before a red hot blade was pressed against his skin. Tim opened his mouth to scream against the burning pain, but gloved fingers were shoved into his mouth to muffle the noise.
Tim tried to bite down on Jason’s fingers hard enough to break them, but the gloves were too thick and his body was too weak. All he could do was glare and grasp at the sheets.
The look in Jason’s gaze was terrifying. His lips held a slight smile and he looked hungry, eating up all of Tim’s tormented noises. Tim’s pain was a feast for Jason’s sadism. Tim was struggling just to stay alive and Jason looked like he was having the time of his life, licking his lips and swallowing hard.
Tim was starting to think maybe he preferred Ra’s over this.
Finally, Jason pulled the knife off of Tim’s searing skin and Tim sagged in relief. He almost fell over before Jason caught him around the waist, pressing Tim against his suit. Blood smeared over Jason’s jacket.
His fingers were still in Tim’s mouth.
Tim tried to speak around them but Jason just forced his fingers in deeper, making Tim gag.
“I could probably sneak out with you, you know,” Jason whispered into Tim’s ear. “Tell Bruce I got bored and left. They’d just think it was a bust.”
TIm had never understood Jason’s complex over him. He knew it was something he wanted to avoid at all costs. With Ra’s, Tim could at least find the root of the obsession.
With Jason, not so much.
He was always breathing down Tim’s neck and trying to get a rise out of Tim. Wanting Tim to work with him, pay attention to him, anything he could get. It reminded Tim of trying to tame a needy dog.
This was a step too far, though.
This made it all make sense in ways Tim regretted knowing as soon as it hit him. He twisted his head around until he managed to spit out Jason’s fingers, coughing.
“You don’t have Ra’s’ manpower,” Tim bit out the words. He tugged hard and uselessly against his cuff. “You couldn’t hold me for long.”
“Sounds like a challenge,” Jason hummed. “Tell me, Drake, you pissed off enough to actually try to kill me, yet? Or do you need another dunk?”
“Give me that knife and find out,” Tim curled his hand into a fist. He was bluffing. Just the thought of killing someone nauseated Tim, his eyes briefly flickering over to the dead body on the floor.
No amount of the Lazarus Pit could turn Tim into that. A cold-blooded killer who didn’t even look before he shot. Tim was better than that.
He was better than Jason.
He just had to distract Jason long enough to find where he kept his lock-picking tool, stab him in the eye with it, and then break free and find anyone else.
Maybe Tim was against murder, but there was just enough cold rage in him to crave bloody violence. He squirreled away his logical thoughts on the matter, for now. The situation warranted just a bit of brutality.
Someone had to teach Jason that he didn’t always get to have what he wanted.
Jason dared to groan softly. “Tempting. So fucking tempting. How would you kill me, Drake? Would you gut me? Slit my throat?” He sounded far too into the idea of it. The knife in his hand started trailing up Tim’s bare back. Not deep enough to cut, but still leaving goosebumps of fear in its threatening wake. “We borrow enough Lazarus water and we can take turns killing each other.”
“Borrow,” Tim echoed the word with an incredulous laugh. “Like Ra’s would let you.”
Jason’s laughter was sickening. “Didn’t plan on asking permission.” He paused, just as the knife dragged up to the base of Tim’s skull. “I’m serious, you know.” His voice got quieter. “I’d do it if you wanted to.”
“Kill each other?” TIm’s heart was pounding. He was doing the exact opposite of getting himself out of this situation. He was sinking deeper and deeper into Jason’s clawed grip and didn’t know where the escape route was anymore. He couldn’t pull away from the hold, with the knife pressed where it was. He definitely couldn’t fight Jason like this.
Tim was trapped in what he was pretty sure was a prison of his own making.
“Kill, kiss, fuck.” Jason shrugged. “I’ll take any of the above.”
Tim swallowed down blood and bile. “You couldn’t handle me.” He couldn’t show fear. More than couldn’t, he refused to. Giving Jason his fear would just spur Jason on more. Or maybe piss him off to the point of just killing Tim and leaving him there.
Now, with the teetering edge of Tim’s sanity under Jason’s scrutiny, Tim was positive he’d shatter if he got dipped in those green waters again. And he refused to let Jason keep the pieces left of Tim to himself.
He was not going out like this.
“Wanna bet?” Jason asked. “Winner takes all.”
He sounded insane. He probably was.
And he wasn’t letting Tim dance around a lack of an answer any longer. The tip the knife started to press harder until blood was trickling down his spine.
Placating Jason seemed to be the obvious and smartest survival method. If Tim faked it long enough, he’d have to have an opening sooner or later.
“If you can keep me alive long enough to get the hell out of here, then we’ll talk,” Tim chose his words as carefully as he could. He kept his tone light, in a way that was practically teasing. He hoped it was enough.
Jason practically preened, his whole body shivering against Tim’s. He lifted the knife from Tim’s neck to reach for his belt. Tim was able to suppress his sigh of relief, hearing the lock on his cuff click.
“Can you stand?” Jason asked, pulling away to stand up, but still keeping a hand on Tim’s shoulder. Possessively, almost.
Tim gave him a withering look. “Do I look like I can stand?”
“Good point.” Jason shrugged. He lifted Tim almost too easily, an arm around Tim’s waist to haul him off the bed, forcing the sheet to fall away. “God.” Jason paused for just a moment, looking over Tim’s naked form. It made Tim felt studied under a microscope in a way that made him want to crawl out of his skin.
He’d just signed a deal with the devil, and he was already regretting it.
Jason managed to snap out of it and carried Tim toward the door. Tim just held onto Jason’s neck for support and closed his eyes, trying to convince himself he hadn’t just made the stupidest decision of his life. He could still distantly hear other Bats fighting off ninjas. Salvation so close to Tim, yet still out of reach. Jason easily stepped over all of the dead bodies as they slunk through the hallways, away from the noise and into the darkness.
Tim couldn't escape the awful chill crawling down his spine; pressed against someone who was possibly more psychotic than the madman he was being promised escape from, grandeur illusions traded for the ugly truth of Jason's desire. His flicker of hope felt like it was being snuffed out by every heavy step of Jason’s boots. The best he could pray for was for Jason to give him a cell as nice as the one they were leaving behind. 
Out of one den of vipers and into another.
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stardust-moth · 29 days ago
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In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.
Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.
1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.
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Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.
He has to watch helplessly as she disappears.
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He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.
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2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.
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In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.
Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.
He has to watch helplessly as she drives away.
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3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.
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For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.
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He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?
He has to watch helplessly as she drives away.
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It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.
3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.
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The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.
Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.
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She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.
He has to watch helplessly as she drives away.
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4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.
Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.
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4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.
On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.
He's helpless to save her, again.
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4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...
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El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.
Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...
Once again, he has to watch helplessly as she drives away.
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4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...
There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.
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Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.
She's losing. She's choking. She's dying. He's helpless.
He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.
She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.
Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.
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The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.
He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.
And it works. It's music to her ears.
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dykedvonte · 1 month ago
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I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.
Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.
I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.
#like even I forget that all actions taken in the game were people trying to remain in protocol outside of Jimmy#Anya couldn’t have jus stolen the scanner and got the gun cause she’s a sensible person and knows she’d be in legal trouble#or get everyone’s credits docked or just hoping that there’s some chain of command for this sort of thing#Daisuke only really acted in accordance to his direct superiors because he’s an intern he wouldn’t know the first thing about protocol or#what to do in any situation. like this is essentially implied to be his first real job#Curly may be the captain but he still has to follow rules and procedures and we see with the letter the Pony Express likely has very shady#and shitty ones. he gives the best not depressing or totalitarian options he can otherwise everything is just his word which aren’t even his#or like him just asserting his position with the gun which he wouldn’t do#Swansea follows the book begrudgingly because he’s trying to stay right and not fall back into who he once was#I feel like it’s not incorporated nearly enough that the environment they were dropped into heavily affected their actions#say there was a single person higher than Curly or a plan of action when a crew member is considered a danger to himself or others#I think it’s fascinating how people will stick to protocol and break when they get scared or to their limit#cause the game shows how normalcy deteriorates and I think discounting what the characters where put through by the company takes a way a#real and scary aspect of what happened to Anya because as a friend Curly didn’t do enough for her at all his comfort was there and he#appreciated but it was a distracted sort of care but as a Captain he didn’t protect her but he’s was a Captain of the Pony Express like what#if they told him to wait to? he still should’ve done something because Anya was actively suffering and Jimmy should’ve been reprimanded but#he’s a captain with orders like the Tulpar isn’t his ship in the same way like#god I wanna explain this in a way that makes sense but the Tulpar is like designed to breed animosity and work on the bare requirements one#needs to get things done that’s not how people work and if anyone deviates or interrupts that it literally has nothing to handle it#it becomes clear that if any social unrest happens why they just say fuck it and give the Captain the gun because if something happens the#blame can easily be placed on the person they put in charge despite what they put them#in charge of like this is just like work place harassment irl because often the perpetrators are not punished but the supervisors for not#stopping them with meetings or cuts or whatever but the environment the company fostered is rarely fixed or blamed#like why was this allowed to occur? and honestly that is because Jimmy did what he did#ask me about this if this is confusing cause I worded it crazy#mouthwashing#mouthwashing game#the pony express
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