#go kato

[who-do-i-know-this-man-s3]

⚠️Vote for whomever YOU DO NOT KNOW⚠️‼️

[melancholic-cinnamon-roll]

Ouh, viens, je t'emmène, on va faire un tour sur l'autoroute (freeway) 🚗🚐🚚

[gregor-samsung]

舟を編む [The Great Passage] (Yuya Ishii, 2013)  

[everyryuujisuguro]

[clemsfilmdiary]

Sword of the Beast / Kedamono no ken (1965, Hideo Gosha)

獣の剣　（五社英雄）

6/5/23

[randomrichards]

DEMON POND:

The bell must be read

So village won’t be flooded

Kabuki Princess

[idontthinkimokaymentally]

Hello there Go Kato fans.

[byneddiedingo]

Yukiyo Toake and Go Kato in Children of Nagasaki (Keisuke Kinoshita, 1983) Cast: Go Kato, Yukiyo Toake, Chikage Iwashima, Masatomo Nakabayashi. Screenplay: Keisuke Kinoshita, Taichi Yamada, Kazuo Yoshida, based on writings by Takashi Nadai. Cinematography: Kozo Okazaki. Art direction: Masataka Yoshino. Film editing: Yoshi Sugihara. Music: Chuji Kinoshita Keisuke Kinoshita was haunted throughout his life by the disaster that militarism inflicted on his country. His early film Morning for the Osone Family (1946) is a depiction of what one family, divided by its attitudes toward the war, went through during its waning years. Twenty-Four Eyes (1954), perhaps his best-known, is a sentimental yet oddly powerful anti-war film that takes place in a pastoral setting virtually untouched by bombing raids, yet deeply wounded by the conflict just over the horizon. Children of Nagasaki was one of his last films, and one of the few he made that directly confront the physical horror of the war. It's essentially a biopic of Takashi Nagai, a physician who survived the nuclear explosion in Nagasaki and devoted himself to writing about the event and its aftermath, using his training as a radiologist to document the effects of radiation. Most of Nagai's writing was censored by the occupation authorities and not published until after his death in 1951 from leukemia, with which he had been diagnosed before the bomb fell on Nagasaki.  In the film, Nagai (Go Kato) is at work when the bomb is dropped, killing his wife. His two children are in the country with their grandmother, and with her help he goes about the task of rebuilding their home and their lives. The film, which begins with scenes from the visit to Nagasaki by Pope John Paul II in 1981, is suffused with Nagai's Roman Catholic faith, and while it's not clear if Kinoshita shared Nagai's faith -- the director is buried in a Buddhist cemetery -- he treats it with deep respect, even reverence. Children of Nagasaki is an uneven film, a little too heavily didactic, as the literally preachy use of the pope to open the film suggests. Three-quarters of the way in, Kinoshita suddenly and clumsily switches to a narrator, Nagai's grown son, reflecting on the life of his father. But he makes one striking choice: not to depict the horrors inflicted on the people of Nagasaki by the bomb at the point in the narrative when they occur, but instead to show them at the end of the film in a flashback, reinforcing the point that such a story can't really have a happy ending.

[khaopybara]

❝The battle has only just begun.❞

KATO SHIHO as AYAKA and MORI KANNA as HIROKO episode 7 of AYAKA IS IN LOVE WITH HIROKO

[sannin-three]

[intervalart]

Happy 2nd anniversary to the Live A Live Remake! This game means so much to me, it's hard to put into words, lol

[doodleferp]

[rinshi-feels]

I just wanna talk about Rin's hair since I see a lot of "Rin's hair looks different in s3" comments which valid, but something to keep in mind is Kato herself has changed how she draws it too over the years and tbh I think previous seasons were still using her old style (and I mean season 1 and Kyoto Saga)

below these scenes are from the arc s3 covers THIS is how Rin's hair looks in that part

now let's compare it with her more recent art of Rin from the last few years:

I don't particularly think based on recent art that his hair looks off in the character model shown in these images: over time she has changed a bit how she draws Rin's hair and the front part in general got shorter and his hair a more soft fluffiness vs that more spikey fluffy

I will say I agree in this scene it looks a bit too short/less fluffy but based off the character model they have I like to think that will be more the way his hair typically will look in s3 (I hope so at least)

[gregor-samsung]

"Love"

An emotional state where you feel affection for someone, and you can't get that person out of your mind, day in and day out, affecting your ability to focus on other things, and makes you want to squirm inside.

When fulfilled, it feels like you're on top of the world.

舟を編む [The Great Passage] (Yuya Ishii, 2013)  

[kotselio-pagguhit]

Beef 🍖 or Chicken 🍗?

This is based off this. :)

If you don't get it, Emmet perceived the flight attendant's words as "Do you want to fight or are you a chicken?" (Don't quote me though. hehe)

Long time no post hehe

I promised valentine ingo and emmet but school really kicked my ass so yeah :")

My current fixation is hsr now :")

So yeah :")))))))

I'll still draw submas tho! hsr is just on the forefront hehe

[tekikato]

some traditional art doodles

a conversation in a moment's rest

also warriors and legend