So I've been getting into a new show lately and a.....
She-Ra is better than Miraculous
Don't hurt me
I'll be honest, I wasn't sure about it at first. It felt blaise. Then episode 8 and 11 happened, and I started falling in love. But then the horse made me wanna die. I was starting to think Catra was the only reason anyone recommended this show(which may still be true, honestly). I hate the horse. Some minor inconsistencies were starting to bother me. No big deal
But then season 3 was AMAZING. Entrapta, I'm pretty sure, is my all-time favorite. I'm still conflicted about whether or not Angella's sacrifice was earned. Glimmer is a bad daughter. Queen Angella is in the right. Bo is precious.
Now I'm on season 4. The stupid horse finally has a purpose, but I still scream for his death every chance I get. Turns out the "Power of Friendship" was used for evil. I now hate Glimmer almost as much as I hate the horse. Adora doesn't need your $h!t, Glimmer! And why are you letting her abuser just walk around! DT is a wittle devil, and I love it.
But the best part is, everyone is in character. And that's the best when it comes to consistency. Things are lining up plot wise and character wise. The minor characters are their own individuals with arcs. I don't even care if Catra gets redeemed because her character is amazing.
This was just me getting my thoughts out. I'll probably write about this show properly later.
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oh my god today was so comically garbage and I decided to end it by trying to make waffles for myself which I have been doing multiple times a week for the last month and I know the proportions by heart and yet I got them incredibly wrong and then I was like "no worries I will simply make a double batch and freeze some of them" and then I got the proportions even wronger and now I have like five very dense very dry waffles instead of eight regular waffles that would have had the right amount of milk in them and I am going to bed and tomorrow the gremlins had better cast their eyes on someone who isn't me or I cannot make any promises about what I will do
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hey. are you okay friend?
No, I'm not and c'est la vie! Sometimes you're okay and sometimes you're not. Thanks for checking in sweet friend 🫂 I hope you're having a beautiful day! 💕
Yesterday I helped Mr. Leonard deep clean his home that we're still trying to save and this morning I unfortunately headed back to the hag house I reside in! He was so nice. Sent me home with half his cookies and told me to share with the people who were kind enough to give me a ride. I didn't even mean to stay over last night but I was just so tired after cleaning... I slept for a whole 10 hours! Kind of a miracle for me. I must've been comfortable
Soon as I got back to the hag house and started to microwave my usual (a single jumbo corn dog), I was rudely interrupted and told by the biggest bitch here that I am no longer a part of the household even though I am living here for the next 30 days still???? They can deny the reality (that I have been part of this house since the day I moved in) and believe in whatever delusion they so badly want to- fine!!! But the sucky part is that they say I can no longer help myself to the food my fucking rent covers because of that decision... Wackadoodle :/ Funny how the carpet slides around. They're literally fattened up by greed. They're willing to starve me down to nothing if it means I'll die faster than I can move out. Whatever it takes to drive me away I guess since the other terror tactics just didn't work! She was giving me attitude and rude comments. Other housemate blasted trans hate (happy pride btw). Got defensive af over their food in their kitchen :/ whatever
Good news is that I reapplied for food stamps after a friend motivated me to. I'm fucking praying that this time my fucked up mother doesn't sabotage it by denying me my fucking mail again like she did last time which resulted in me starving/withering all summer of last year! I should've had it this whole time... Hopefully it gets processed soon. Phone interview will take place once the weekend is over... I hope there's a way to expedite it.
If I had my own PO box then I wouldn't have to depend on my mom actually giving me my mail... I don't have a key and don't live there with her anymore but this mailing address won't work. The people here tamper with my belongings out of hate. Why? Who knows. I try not to think about the whole "what if I was a pure white lesbian instead of a brown trans traitor? Would they respect me then?" rabbit hole. I don't care. Even if I was respectable to them, I wouldn't be their friend based on how they'd treat others. Anyways, yeah. Coming back home sucks. People are mean. My heart rly hurts and keeps acting up. Stings and feels like I'm going to pass out from time to time. It's hurting more than usual and bothering me as I type this
My on and off boyfriend also texted me saying he got hit by a car a few hours ago (he's okay, apparently.... Although I question since he refused to go to a hospital). Stresses my poor heart out to hear that tbh. But yeah. Maybe I'll go on a night walk or something. I hate this house that I'm in. If Mr. Leonard lived any closer I would just walk back there and beg him to let me in. I would feel better if I was out of here and around compassionate people. I'm gonna be okay
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there’s one version of an f/m/m triangle that crops up so often I’m surprised there isn’t at least a tvtropes/vernacular name for it. Miyokichi/Kiku/Shin. Molly/Fitz/Fool. Asuka/Shinji/Kaworu. Futaba/Taichi/Touma. not-really-but-you-could-shove-it-in-here Luthien/Beren/Finrod. Utena/Touga/Saionji is a twisted spun-on-its-head version of it. Specifically comprising:
masculine male character A: either is the protagonist or a character on to which male viewers can project.
female character B: a secondary character and A’s official love interest, often kept apart from A by story/circumstance/gender roles. Shows some resentment of the trials she’s put through by the story in being A’s lover such as being shoved to the side, cut out of his life, or put in danger.
less masculine male character C: another major character, A’s devoted sidekick, feminine and/or conspicuously cold toward women or sexuality, somewhat ill-used by A but not resentful about it, as a contrast to B.
The dynamic is used pretty equally by female and male creators, though probably with different purposes. Outside the story, there’s a clear explanation for how the roles are divided: men are main, women are peripheral. Obviously the female love interest has to be on the margins of the story. Obviously the male main character has to have an ally in-story who can bounce dialogue back. Any human person has to have a best friend (for men, has to be male) and a lover (for men, has to be female). The major character male bestie and the minor character female gf is the minimum character dynamic you need to sustain the main character as a believable construction.
Except within the story, the dynamic begs far too many questions. On B’s part: her other half and love interest uses her for sex once every few chapters and dumps her to go off on another plot-relevant adventure. She’s kept in the dark, talked down to, pushed away, and distrusted. Her place at her sweetie’s side is occupied by Some Dude and no matter how much she puts into their relationship, she’s always going to be a prize for after the mission. Why does she stay with him? What could possibly attract her about this bestubbled grunt machine whose passion for the sword outmatches anything she’s given him?
On C’s part: he gets used as an emotional support crutch, designed to service his best friend’s every need at the expense of his own goals or story. He’s a housewife, he’s a domestic, he does every thankless story task with a smile because he has to provide the exposition/set up the plot/set the plan in action that carries the main male character to victory. He doesn’t have a love interest of his own, meanwhile the most important person in his life is obsessed with a woman he barely speaks to. Why should he care so much about someone who only takes? Why is he committed to this one-way friendship? What does he think of taking the backseat, providing support, submerging his own will for the sake of a person instead of an ideology?
On A’s part: if he’s a red-blooded heterosexual male character who pursues a woman as is acceptable, why does he dig himself so deep in with his designated ally? Through dialogue and because he has to in order to show the audience, he exposes his heart and soul to C and keeps him in his pocket for as long as we are watching, so why then does he cast him aside so easily? He invests the most time and energy into his relationship with C, cultivating love and loyalty there, but he draws the line so firmly in the sand that the audience is sure he’ll never, ever step aside for one minute to follow the friend. Why does he choose a man for his emotional battery? Why doesn’t he communicate with his supposed partner? Why does he choose to use B and C for sex and solace respectively, and why don’t they ever mix?
The gender dynamics wrap around to simple: women aren’t up to being equal partners to a cool guy, so you need a male wife to do everything for you and appreciate the protagonist’s sick abilities. romance with a man is perverse and impossible, so you need a female love interest to prove that the protagonist isn’t gay and fulfil the audience’s needs. But in-between all of that you could ask some interesting questions of the spoke character, A, the male protagonist whose actions are taken as normal. the question being: bro. what’s wrong with you
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