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stevie-petey · 10 months ago

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episode four: the sauna test

Steve pushes at Dustin’s feet to help him move further, but he’s quickly berated. “Not my feet, dumbass. Push my ass!” “What?” You and Steve exclaim at the same time. “Touch my butt, I don’t care!” Dustin’s screeching voice is muffled from the walls of the vent. Looking at you one last time, Steve sighs heavily and places his hands on your brother’s butt and starts to shove him deeper into the air duct. He can’t believe he’s doing this right now, shoving the butt of the brother of the girl he’s in love with. You stand next to Robin, mortified of what you’re currently witnessing, endlessly ashamed of the two boys.

Summary: dustin has some brotherly concern for you (dont tell anyone though), steve is offended you dont think he can fight, nancy gets upset during therapy hour, robin encourages child endangerment, erica becomes your hero, and you lose your lunch on hawkins makeshift tower of terror (aka sketchy russian elevators)

Rating: general, swearing

Warnings: swearing, use of y/n, fem!reader

Words: 7.5k

Before you swing in: hello my loves ! had a busy may wrapping up finals, move out, and adjusting back to life at home. i finally had the time to write this, and while im still iffy with some parts, im just excited to finally be at the elevator scene tbh. ive been DYING to write her. enjoy !!

Dustin stands outside your room the next morning, fist hovering over the door, unsure if he should knock. It’s early and he can’t get the panic he saw in your eyes last night out of his head. He hasn’t seen you that consumed with anxiety since you guys were kids and your parents began to fight.

He feels horrible for putting you in that position last night, at odds with him, Robin, and Steve.

Especially Steve.

Dustin hadn’t meant to start a fight between you and the teen. Contrary to popular belief, he actually does want the two of you together, but now he’s worried he’s somehow caused a rift in your relationship.

Sighing, your brother allows his knuckles to rap against your door. When he doesn’t hear anything, he slowly opens it and pokes his head in. You’re asleep in your bed, blankets strewn everywhere, and Dustin knows he’s fucked up because you almost never sleep in this late.

Now he’s worried he’s going to have to force you into a code blue.

Dustin lets himself into your room and stands before your bed. Then, because he’s your brother and finds it hard to express his worries for you in a normal way, he pokes your cheek with his finger. “Wake up.”

You stir at the touch but remain asleep. Dustin groans and starts repeatedly poking you. “Dude, get up.” He now starts poking your nose, your forehead and eyebrows, anywhere his finger can reach.

Finally the onslaught of pokes to your face is enough to wake you up. You raise your hand and slap Dustin away as you scrunch your face in displeasure. “Why do you always insist on waking me up this way?”

“It’s fun for me.”

You slap at your brother again and take a moment to stretch. Your body is exhausted, you got home late last night after your drive with Jonathan. Once the two of you had been done discussing your relationship problems, you both decided to just drive around Hawkins and simmer in your limited time together. For those few hours, only the two of you existed.

Yawning, you blink your eyes open at Dustin. “Is there a reason you’re waking me up before my alarm is supposed to go off?”

Dustin’s smug smile falls. He coughs and starts to fidget with his fingers. “Oh, I was just–well. Last night… Do you wanna talk about it?”

The implications of your brother’s words cause you to fully wake up. “Is this your poor attempt at commencing a code blue?”

“Well, do we need a code blue?”

You roll over and throw your blankets over your head, blocking out the world. “I already talked about my feelings last night with Jonathan, please give me at least twenty-four hours to recover.”

Dustin flicks your ear that pokes out from under the blankets at the mention of Jonathan. “Why were you with that guy last night?”

“Stop touching my face!” You yell at the kid, annoyed. “And because he’s my best friend. We both had shitty nights so we drove around and cried together.”

Your brother pauses. “Did you actually cry together?”

“No,” you now uncover your face and sigh. “Only I cried, but it was therapeutic nonetheless.”

Dustin drops his head, remembering how upset you’d been standing in the hallway last night with the others. “I’m sorry about last night, Y/N.”

“Hey, no.” You sit up now and force him to look at you. “No apologizing. I understand.”

Your friends have all gone their separate ways this summer and I know you’re so fixated on the Russians because you’re lonely. I understand, and I’m here for you.

It goes unsaid, but Dustin knows that you have him all figured out, though it doesn’t ease the guilt he feels for dragging you into all of this in the first place. “You don’t have to join me at Scoops today, Y/N.”

“I know, but I will anyway after my shift.” I have to keep you safe.

“We both know you’re only going to make sure I don’t burn the place down.” You worry too much.

“Oh, don’t think I won’t call Steve once this conversation is done to make sure he keeps an eye on you.” I know, but it’s my job and I love you.

“You’re the worst.” I love you, too.

You ruffle Dustin’s hair with a fond smile. It’s an intricate thing, the hidden language that can only be found between siblings. All that goes unsaid becomes masked behind teasing and taunts, but you both hear what’s underneath.

When Dustin leaves your room to go to the mall, you roll over in bed and reach for the phone that rests on top of your desk. Your fingers press the numbers that have become ingrained within your brain from countless nights of dialing. The line rings only one time before Steve’s tired voice answers.

“Hello?”

You smile hearing his voice, despite the distance that seems to have now formed between you. “Hi, honey.”

There’s rustling on the other end of the line and you know Steve still lays in his own bed only ten minutes from your own. “Is everything okay?”

“Everything is fine,” you quickly reassure him, wincing when you realize you don’t normally call him so early. “Sorry, I was just calling to ask if you’d keep an eye on Dustin today? With the Russians and everything, I have work today and can’t be there–”

“Of course I’ll keep an eye on your brother, Y/N.” Steve gently interrupts your anxious rambling.

“Thank you,” you say softly with a laugh, embarrassed.

“Are we…” Steve hesitates, unsure how to find the right words. “Are we okay? I know things were–uh, weird. Last night. And that I was a dick and I just, I’m really sorry, Y/N. For everything.”

You close your eyes and exhale slowly, knowing that there’s more that Steve wants to say but is too afraid to tell you. Too ashamed to say that he’s embarrassed as well for allowing his pride to cloud his judgment, and you’re too exhausted to try and remind him again that you love him despite it all. “We’re okay, Steve. I promise.”

He takes a moment to respond, he doesn’t know what else to say. He’s never been good at this. Finally, he settles on what he’s able to give you. It seems that’s all he’s been able to do lately. “I’ll miss you today, angel.”

“I’ll miss you too, honey.” The name slips from your tongue in a languid manner, the warmth that accompanies the word still wraps itself around your body and reminds you of the love you feel for the boy. You hope he can feel the warmth too, you hope it descends down the landline and wraps around him as well. “I’ll see you after work.”

–

Your day only gets worse from there.

After only an hour or so of sadly sorting through books at work without a customer in sight, you hear a frail scream come from Mrs. Waters’ office. You run towards the woman in a heartbeat, panic stricken and afraid of what you’ll find.

Mrs. Waters is sitting tiredly in her office with her head in her hands when you run in. The usually upbeat woman is hunched over with despair and you’re quick to rush over to her with worry. “Mrs. Waters, is everything okay?”

She rubs at her temples and it’s then that you realize her telephone is in her hand. Without bothering to look, she clumsily places it back on the wall and looks up at you with sad, tired eyes. “I’m fine, dear. I–I just had a fright, that’s all.”

“What happened?” You pull a chair to sit next to the woman and grab her wrinkled, yet soft, hands.

“Oh, I’m old.” Mrs. Waters smiles at you sadly. There are tears in her eyes as she takes a deep breath to try and steady her nerves. “My, you would think I’d be used to phone calls from the hospital.”

“The hospital?”

Hearing the panic in your voice, your boss grabs the hands you have placed on top of her’s and squeezes with reassurance. “It wasn’t for me, dear.”

You’re still anxious for the woman in front of you. “Who then?”

“They called me for an old friend,” Mrs. Waters clutches at her chest with a certain fear that you’ve never seen within the woman. “She’s in the hospital because some young journalist found her eating fertilizer in her home last night. She’s always been… troubled.”

You gasp and pull away from your boss and your mind reels with this new information. Jonathan’s voice echoes within the walls of your mind, of his story of the woman he and Nancy had found last night after investigating the rats.

Mrs. Waters frowns at your unexpected reaction and notices the fear on your face. “Dear, I’m sure my friend will be alright–”

“What…” your voice shakes, and you clear your throat. “What’s your friend’s name, Mrs. Waters?”

The old woman sighs, sensing there’s something more to your worry, but her heart hurts for her friend and she’s seen more in her almost seventy years than she’s ever wanted to. “Her name is Doris Driscoll.”

–

You’re sent home early after your conversation with Mrs. Waters. She had been too worried for her friend and saw how shaken up by it you seemed to be as well, so she patted your arm and dismissed you.

“There’s no point keeping the store open today, Y/N. Go home to that cute boy of yours while I go visit an old friend.”

You had tried arguing with her, but even you knew it was no use.

Biking to Starcourt, now more than ever worried about your job, you feel your birthday looming over you and the worries of Nancy’s involvement with rats and old women eating fertilizer mixed with Jonathan’s fears.

This was supposed to be a good summer.

Your head spins as you walk into the backdoor of Scoops Ahoy, finding Robin, Steve, and Dustin all circled around the table as they discuss how to enter the Russian storage room.

“What? I sneak up behind, knock him out, and I take his keycard.” Steve is explaining when you walk in. He has his leg propped against the seat next to him as he twirls his sailor’s hat in his hand. “It’s easy.”

“Did you not hear the part about the massive gun?” Dustin blinks at the teen, having little faith in his confidence.

You make your way towards the group and lift Steve’s propped leg up so that you can sit before placing the leg across your lap. Feeling your touch, he looks up with surprise to see you, having expected your shift to end later in the day. “Y/N?”

“You’re not going near any Russian men with guns, Steve.” You say to him in lieu of a greeting.

Steve deflates in his seat. “That’s why I’d be sneaking.”

Dustin shares a look with you, the two of you remembering all the times Steve has tried, and failed, to win a fight. Clearing his throat, your brother crosses his arms and winks at you before turning to the teen. “Alright, please tell us this, and be honest. Have you ever actually… won a fight?”

Steve rolls his eyes. “Okay, that was one time–”

“Twice, honey.” You interrupt him with a smile, enjoying this conversation maybe a little too much. “Jonathan, remember him?”

“Listen, that doesn’t count.”

“Oh, but it does.” You pinch Steve’s shin. “He kicked your ass, I was there.”

He winces and moves his legs off of you. “He didn’t kick my ass–”

“You got a fat lip, crooked nose, swollen eye.” Dustin adds on, leaning against your chair now as the two of you gang up on Steve.

“He even pinned you at one point. I distinctly remember thinking he was going to kill you.” You say, smirking.

Steve scoffs. “Oh, you did not have any concern for me then–”

You hit his shoulder. “Yes I did! I’ve always been worried about you–”

“Can you guys not make everything about your weird relationship for like, three seconds, please?” Dustin whines as you and Steve start to bicker about something else entirely.

As the three of you argue, Robin seems to get an idea and runs out of the room. Noticing her sudden absence, you turn to Steve and frown. “What’s Robin up to?”

He stands up and sees her snatching money from the tip jar before running off. Steve calls after her, but she doesn’t slow down as she runs out of the shop. “What are you doing?”

“I need cash!” She says, as if that explains everything.

“Isn’t half of the tip money Steve’s?” You ask, now standing next to him by the register alongside Dustin.

“I’ll pay your boyfriend back later, Y/N.” Robin continues to walk towards the shop’s exit. “I’m going to find us a way into that room, a safe way, just like I promised you.”

You’re oddly touched that she remembered your insistence on keeping everyone safe. With a smile, you call across to her, “thank you!”

Robin blushes and forces herself to look away from you so that she can direct her attention to Steve. “In the meantime, sling ice cream, behave, and don’t get beat up. I’ll be back in a jiff!”

As you and Steve watch Robin leave, the two of you turn and catch Dustin licking at one of the ice cream scoops. You whack him with the back of your hand and cringe at him. “Dude, what the hell?”

Dustin flinches away from you as Steve snatches the scoop from the boy with his own disgusted look. “Not my scooper, man.”

“Why are you like this?” You ask your brother with disappointment in your voice, to which he huffs at.

“I’m a curious person.” You scoff at Dustin and he rolls his eyes at you before making his way out from behind the ice cream counter. “If I’m going to be judged, then I’m going to the arcade while we wait for whatever Robin has planned.”

He’s gone without another word, leaving you alone with Steve.

It’s still early in the day and there’s only a few customers in Scoops Ahoy, so it’s just you and Steve. It’s the first time you’ve been alone together since last night, when you’d been standing in front of him, begging him to listen to you, and all he could do was watch you silently with pain in his own eyes.

As if coming to this realization himself, Steve coughs and rocks back and forth awkwardly. He knows you told him this morning that everything was okay between you two, but things still feel off. Despite your best efforts, he can tell that you’re still struggling to seem okay with the whole Russian debacle. You’re still frail looking, unsure and anxious, and Steve hates that he’s the reason why.

Hesitantly, he reaches for your hand. “Care to, uh. Join me in the backroom?”

You raise your eyebrows at his question. “Are you propositioning me, Harrington?”

“No!” His eyes widen in fear and his voice squeaks, which only embarasses him more. He clears his throat and tries to swallow down his dread. “I mean, not like that. I figured we could, you know… talk.”

Now it’s your turn to fill with dread. He’s seen through you, despite your best efforts to try and appease everyone. Squeezing his hand, you nod at Steve and allow him to guide you into the backroom.

Steve pulls a chair out from the table and sits down, and before you can process what’s happening, he pulls you down and into his lap. You throw your arms around his neck to steady yourself at the sudden movement, which only makes Steve’s proud smile widen. “You planned that, didn’t you?”

“Sure did, angel.”

You laugh and shake your head at him, tightening your arms around his neck and settling into his lap. He rests his hands on your thighs and stares at you with such warmth, such patience, content to simply have you here with him. Despite the uncertainty that seems to now loom over the two of you, there’s still a certainty within it. There’s still a trust that accompanies the hesitancy, and it’s this trust that caresses your cheek and coaxes you to speak.

“I don’t like what we’re doing, Steve.” You confess to him, making your words as plain as possible so that nothing gets misconstrued; too often your words have gotten lost in translation.

Steve nods slightly, his eyes never leave yours, and he listens. “I get that, I do, and I’m sorry if I ever made you feel bad about standing your ground. It’s just… I wanted to go along with Dustin, pretend for a few days that I’m not some moron who couldn’t get into college, you know?”

“You’re not an idiot,” you fix a piece of Steve’s hair that has fallen out of his sailor’s hat and sigh. “But there’s more to this than just my stupid need to protect everyone.”

“Did something else happen?”

You hesitate, unsure if what’s been on your mind holds any real weight, or if you’re just being paranoid now after everything you’ve been through these last few years. Biting your lip, you decide that it’s Steve you’re telling this to. Paranoid or not, he’ll listen and try to help you piece it all together as well. He always does. “A few days ago I saw Billy stumbling on the side of the road. He was… bleeding.”

Steve’s eyes harden at the teen’s name and instinctively his grip on you tightens. “Did he do anything to you?”

“No,” you breathe out sharply, remembering how disoriented Billy had been. He was in no condition to cause you any harm, which in itself frightened you. “There was something off about him, Steve. I–I can’t explain it, but a day before I saw Billy, I had been with Will and he was almost similar to Billy, I guess? He just–he was frozen, staring off into space, until I got his attention again.”

“Why do I feel like there’s something else you’re not telling me?”

You sigh. “Because there is. There’s always something else in the fucking town.” Anger begins to rise within you and you force yourself to swallow it down. Now isn’t the time for the anger that always simmers just below the surface, waiting. “I talked to Jonathan last night. He’s been with Nancy investigating rabid rats and an old woman who was caught eating her fertilizer.”

“Christ,” Steve exhales with bewilderment.

“And now Russians in Hawkins? What are the odds of this all happening within the same week?”

“Do you…” Looking around, Steve lowers his voice. “Do you think it’s happening again?”

“I don’t think so, El told us she closed the gate, but… I can’t explain any of this, either.” You feel helpless, and you hate it. There’s something you’re missing, there’s something connecting it all, and yet you’re going in circles.

It all can’t just be a coincidence, and it’s a horrible, maddening feeling.

And Steve tries to absolve you from it. “We’ll figure it out, together. You and me, even if you want to kill me by the time we’re done, I promise you that I’ll help you–” The phone starts to ring, cutting Steve off, and he sighs. Patting your thighs, he silently asks you to get up so that he can answer it.

Lazily walking over to the ringing phone, Steve picks it up with slight annoyance. “Scoops Ahoy, this is Steve.” There’s a feminine voice on the other line, which he frowns at, before handing the phone to you. “It’s for you?”

Surprised, you stand up and take the phone, unsure who would be calling for you at the ice cream shop. “Hello?”

“Y/N, it’s me. Um, hi.”

“Nancy?”

“I–uh, I called your job and this older lady told me you’d be at Scoops Ahoy? I needed someone to talk to, and I–I just,” She clears her throat, and it’s only now that you notice the exhaustion in her voice and how thick it sounds from dried up tears. “You know what? This is weird, I shouldn’t have called. I’m sorry–”

“Hey, no.” You fumble with the telephone cord and desperately wish you were with Nancy right now. After what Jonathan told you last night, you feel horrible for the girl, and from the sound of it, she needs someone there for her right now. “Talk to me, Nance. What happened?”

You hear her inhale a shaky breath, always the first to try and disguise any upset and hurt she may be feeling for the sake of others. She takes another deep breath, exhales slowly, and then begins to talk. “Jonathan and I had a fight.”

She tells you everything, from Mrs. Driscoll and the rats to Tom firing them for falsely identifying as reporters. It’s everything Jonathan told you last night, all his worst fears come true, except Nancy also tells you what he told her this morning. How condescending he had been, how he had reminded her of how poor he is, how he belittled her need to figure everything out herself.

“He kept defending all those assholes, Y/N.” More tears lace within Nancy’s voice. “He wouldn’t listen to me. He just kept repeating over and over again about how he needed the job, as if it wasn’t the single more humiliating thing I’ve ever had to endure.”

There’s so much you want to say, but you’re afraid it will only come out wrong. “I can’t imagine what you had to go through, Nance. I know those men were horrible to you, but you understand where Jonathan is coming from, right?”

“I mean, I thought I did, but,” she sniffs, her voice is soft and defeated. “I’m not so sure anymore. It feels like we can’t understand each other, like we’re physically incapable of seeing eye to eye. I know he has to provide for his family, I–I love that he takes care of them, that he always does what’s right, and yet it infuriates me sometimes.”

You can’t help but chuckle at what Nancy has said. She sounds so much like Jonathan in this moment, reminiscent of him telling you that her ambition is what he loves about her, and here she is saying his integrity is what she loves about him. “God, you two and your pride; you sound just like Jonathan. He said practically the same thing about you last night–”

“Jonathan talked to you about this?” Nancy’s voice becomes cold, defensive, and you know you’ve just said the wrong thing.

“Well, I mean,” you frantically try to alleviate the situation. “He only wanted advice, that’s all.”

Nancy scoffs, and you feel your heart drop. “So he can tell you all about how he feels, but bottles it up when it comes to his girlfriend?”

Well, fuck.

“He was scared and overwhelmed.” You try to keep your voice neutral, not wanting the girl to assume you’re on anyone’s side. “It’s a difficult situation, and he came to me for help just like you are right now.”

Jealousy claws at Nancy suddenly, it clashes against the hurt within her. Jonathan went to you, as he’s always done, he sought solace in you for the emotions within him that he still has yet to share with her. It reminds her, then, just how little she knows about him still. How many years stretch between you and Nancy when it comes to Jonathan.

“I’m sure you know all about how he feels,” she says bitterly, unable to stop herself. “The two of you understand one another.”

You sense that there’s something important with what she’s just said. The words were said with a history behind them, an insecurity that you cannot compensate for, and you feel defenseless against Nancy. “He was hurt, and so are you–”

“God, I should’ve known you’d take his side! I mean, you two always do this. I’m such an idiot.”

Panic begins to surround you. “Nancy, I’m not taking anyone’s side, just please listen to me–”

The line goes dead as Nancy hangs up.

Numb, you place the phone back on the wall and stare blankly at it. The pressure of tears presses against your eyes and you try to steady your breathing. You’ve hurt Nancy, you’ve caused a rift between you that threatens to collapse into a chasm, and you don’t know what to do.

Steve sees that you’re fighting back tears and he tugs you against his chest. His embrace soothes you, but when he asks what happened, all you can do is shake your head, too overwhelmed to speak. There’s too much to explain, a history between you and Jonathan that you know Steve accepts, and yet now you’re terrified you’ll somehow hurt him like you’ve hurt Nancy.

“I’m sorry, angel.”

Neither of you are sure what Steve is apologizing for, but it’s enough for now.

So much for an easy summer.

–

“It is fascinating what twenty bucks will get you at the County Recorder’s Office.” Robin places a giant sheet of paper onto the table. On it are lines and shapes all drawn in blue with an intricate layout. You lean in close to inspect it as Robin continues explaining. “Starcourt Mall, the complete blueprints.”

Dustin praises her idea and you hesitantly agree; you would’ve never thought of asking for the mall’s blueprints. “You’ve got my attention.”

She smiles and starts to explain her plan. “This is us, Scoops,” her fingers trace over the paper as she guides you and the boys through the blueprint. “And this is where we want to get.”

“I don’t really see a way in.” Steve points out, now sitting at the table with an arm wrapped around you.

“There’s not,” Robin casts the top blueprint aside and reveals another one underneath. It’s similar in design, although this one lacks more shapes and is mostly lines. “If you’re talking exclusively about doors.”

You squint at the drawings, trying to figure out what they remind you of. “Are those…”

“Air ducts!” Dustin finishes for you, impressed with Robin’s idea.

“Safe, practical, and wouldn’t involve guns.” Turning to the girl, you nod at her and wink. “Buckley, you really keep your promises.”

Robin bows playfully. “Turns out, this secret room needs air just like any old room, and these air ducts,” she grabs a marker from the whiteboard and circles Scoops on the blueprints before drawing a winding line down to the hidden vault and circling it as well. “Lead all the way here.”

The four of you all look up at the vent above you, and while the idea seems like the safest option, you can’t help but wonder how horribly wrong it could go as well. You’ve never had the best luck, not when it comes to Hawkins, and the air ducts seem almost too easy of a solution to trust.

Steve finds a screwdriver in one of the shop’s drawers and takes apart the air vent with Dustin’s help. You stand next to Robin and watch with slight weariness, unsure where to go from here. Once Steve has removed the vent, he shines a flashlight inside and winces.

“I don’t know, guys. It’s a tight fit.”

“I can do it,” you step forward. “Can’t be that bad, right?”

Steve looks down at you from the ladder. “This feels like a trap.”

“Move, Harrington.” Once he’s off the ladder, you climb up yourself. When you look into the vent, your heart drops. It is a tight fit, there’s no way you’ll be able to crawl through it. Defeated, you climb down the ladder. “Well, shit.”

“I’ll fit.” Dustin now speaks up.

“No you will not.”

He rolls his eyes at you. “No collar bones, remember?”

“Excuse me?” Robin has never been more confused in her life.

Steve begins to explain Dustin’s medical condition while you continue arguing with your brother. “I’m not letting you do this!”

“You got the healthy genes while I got the rare genetic condition, Y/N.” Dustin starts to climb up the ladder as you tug at his shirt to try and stop him. “Let me abuse it!”

“But–”

Steve places a hand on your shoulder. “I’ll handle this, Y/N.”

You step back, hoping that he’ll talk some sense into your brother, but to your horror he only makes things worse. Dustin starts to climb into the vent with Steve below him, but he gets stuck about halfway in. “Steve, push me!”

The teen looks at you, unsure what the right call here is. “Do I…?”

“Yeah, just push the kid.” You rub your eyes, tired. “He’s already almost in the damn air duct anyways.”

Steve pushes at Dustin’s feet to help him move further, but he’s quickly berated. “Not my feet, dumbass. Push my ass!”

“What?” You and Steve exclaim at the same time.

“Touch my butt, I don’t care!” Dustin’s screeching voice is muffled from the walls of the vent.

Looking at you one last time, Steve sighs heavily and places his hands on your brother’s butt and starts to shove him deeper into the air duct. He can’t believe he’s doing this right now, shoving the butt of the brother of the girl he’s in love with. You stand next to Robin, mortified of what you’re currently witnessing, endlessly ashamed of the two boys.

The two boys argue, Dustin commanding Steve to push him harder as the teen tries his best to shove the kid, and Robin leans over to you. “Remind me, why are you into Harrington again?”

All you can do is sigh at her question, having no good answer as you watch Steve now manhandle Dustin and scream back insults at him.

They look ridiculous.

“Ahoy, sailors!” Someone rings the register’s bell impatiently. “All hands on deck!”

You and Robin turn to find Erica standing at the register as she repeatedly rings the bell and demands her daily free samples. You’re about to respond to her when you see Robin raise her eyebrows; it’s clear she’s thought of something.

“Would… Erica fit in the vent?”

Your hand snatches at Robin’s arm as you pull her away from the shop’s window. “Absolutely not. We’re not getting Erica involved!”

“C’mon, Y/N. She’s small, she could easily fit–”

“She’s ten.” She’s too young. You’ve always regretted that Dustin and the party were twelve when everything began.

You’ll be damned if you ruin another child’s life.

But Robin doesn’t know any of this, and she ignores you as she runs to the register and recruits Erica before you can stop her. Within a minute you have a very curious Erica Sinclair climbing the ladder up to the vent as she shines a flashlight through it.

You stand below her, helpless.

“Yeah, I don’t know.” She climbs down after a few minutes of studying the vent’s dimensions.

“You don’t know if you can fit?” Dustin asks.

Erica leans against the table and studies the four of you with distaste. “Oh, I can fit. I just don’t know if I want to.”

“Are you claustrophobic?” Robin teases her, but you only feel sympathy for the girl.

You step towards Erica, trying one last time to reason with her. “You don’t have to do this, you know. You can back down now, no one will blame you. In fact, I will give you all my allowance if you say no.”

Dustin elbows you roughly to get you to shut up, he knows what you’re trying to do. You glare at him and rub your now tender shoulder. When you look towards Steve and Robin for backup, both teens send you pleading glances similar to the ones from last night.

Once again, you’re the odd man out.

None of this is what you want.

“I don’t have phobias,” Erica informs Robin. Then, she turns to you, “and no one tells me what to do.”

Steve crosses his arms. “Okay, well. What’s the problem?”

“The problem is, I still haven’t heard what’s in this for Erica.”

Ten minutes later, you’re sitting in a booth with the others as Steve slides Erica a freshly made sundae.

“More fudge, please.” She requests, pleased she’s won.

Steve looks at you, already fed up with the kid, and you feel no sympathy for him. “Go on, get the girl her bribery fudge. This is what you wanted.”

He cringes at the sarcasm in your voice and knows you’re once again pissed at him. Defeated, he hangs his head low and leaves to get Erica more fudge without another word. Once he’s gone, Robin opens up her blueprints and shows the girl the air ducts. “You see this? This is the route you’re going to take.”

You sit there quietly as Dustin and Robin talk to Erica. After they’ve explained the entire plan, she mentions that this all sounds like child endangerment. You let out an exhausted chuckle. “It does, doesn’t it? Isn’t that just hilarious to think about?”

Robin tries to reassure both you and Erica. “We’ll be in radio contact with you the whole time–”

“Ah, ah, ah!” Erica waves a finger in Robin’s face, unamused. “Child. Endangerment.”

“It’s a shame only you can see that.” You drop your head onto the table, entirely over the situation. “I mean, how can only the ten year old see how insane this is, huh?”

Dustin throws a straw at you and shushes you, annoyed with your theatrics. Clearing his throat, he turns to Erica. “We think these Russians want to do harm to our country.”

“Unconfirmed, actually.” You retort. With every passing minute, it becomes more and more evident that this really is happening, and there’s no way you can back out now; someone sane has to be there to protect everyone. Dustin and the others all seem deluded by the idea of fame and adventure, but all you want to do is keep your loved ones safe.

“Shut up,” Dustin shoves you further away from him as he tries to win over Erica’s agreement. “Great harm. Don’t you love your country?”

“You can’t spell ‘America’ without ‘Erica’.” She takes a sip from her drink, now listening.

You lift your head up from the table and share a baffled look with Dustin, both of you going through how to spell America in your heads. Amazingly, Erica is right. You really can’t spell the word without her name.

“Incredible,” you whisper, in complete disbelief.

Dustin shakes his head. “Uh, yeah. Oddly, that’s–uh, totally true… So, don’t do this for us. Do it for your country. Do it for your fellow man, for America – Erica.”

After your brother’s speech, Erica puts down her drink and mocks him, still not entirely sold on the whole child endangerment idea. Instead, she goes on a whole spiel about how she loves capitalism and paying people for their services while you sit there, head pounding with a headache.

“And it seems to me,” Erica concludes with a smile, “my ability to fit into that little vent is very, very valuable to you all. So, you want my help? This USS Butterscotch better be the first of many. I’m talking free ice cream for life.”

Robin and Dustin mirror exasperated expressions on their faces, but honestly? You get a kick out of Erica recognizing her worth; she’s brilliant. Without saying anything, you lift your hand up for Erica to high five, which she happily accepts.

“To child endangerment!” You cheer, your voice oozing sarcasm, and Erica follows suit as Robin and Dustin both slump in their seats.

–

It’s your idea to prep Erica for whatever she may find after crawling through the ducts. You shoved a helmet on her head and forced knee pads onto the girl, which she adamantly protested against.

“This is excessive, even for you.”

You held up money, which promptly shut her up. “Wear the protection and do exactly as I say, or lose $5.”

After she took the money, you then held out your switchblade for her to take as well. “And use this if anything happens, alright?”

Erica had stared at you, slightly surprised. “Why do you carry knives on you?”

“Ask questions later.”

Now you’re anxiously waiting on the mall’s rooftop once more with Dustin, Steve, and Robin as you radio Erica for updates.

“You nerds in position or what?” Her voice drones through the walkie’s speaker.

“Yeah, we’re in position.” Robin confirms. The three of you have been scouting the shipment deck for the last thirty minutes, making sure all the possible Russian guards were gone. “It’s all quiet up here, so you’ve got the green light.”

You take the walkie from Robin. “But be careful, okay?”

“Yeah, yeah. Be careful and green light, roger that. Commence Operation Child Endangerment.”

Robin snatches the walkie back and cringes at what Erica has said. “Can we maybe not call it that?”

“That's exactly what’s happening here.” You say with a snort.

“Thanks for the help, Y/N.”

You give Robin a thumbs up. “Anytime.”

Erica announces that she’s in the air ducts and you feel the familiar burden of fear creep through you as she now goes quiet. Steve’s hand finds yours and he attempts to ease your discomfort as you all wait. “Erica will be fine, Y/N.”

“Yeah, totally!” Robin tries to reassure you as well, though she looks nervous too.

The minutes drag by at an agonizingly slow pace. The three of you hold your breath, waiting for Erica’s assurance that she’s safe and okay, and you pray to whatever god that’s up there to listen and keep her safe.

If anything happens to her, it would only be your fault for not having learned your lesson sooner.

“Alright, nerds.” You let out a breath of relief when Erica radios again, and you can feel Steve exhale as well. He’d been worried, too. “I’m there.”

“Do you see anything?” Robin asks, voice alight with excitement now.

“Yeah, I see those boring boxes you’re so excited about.”

“Any guards?”

Erica pauses a moment, presumably scanning for any signs of danger, before responding. “Negative.”

You breathe out again with relief. At the very least, Erica is in a safe enough location.

However, Robin isn’t done asking questions yet. “Booby traps?”

“If I could see them, they’d be pretty shit traps, wouldn’t they?”

You grab the radio again from Robin. “Erica, have I told you that you’re my favorite child?”

“You haven’t, but I know I am,” there’s a bang over the other end of the walkie, then a loud thud followed by a grunt, before her voice comes through again. “I’m in.” Then, not even a minute later, the door to the vault begins to lift up, revealing a smug looking Erica on the other side.

You all stare at her in awe, and she snaps her fingers at you. “Free ice cream for life.”

Steve lets out a surprised laugh and a smile crosses your face as well. Even though you’re still entirely against what’s happening, you can’t believe that the plan worked. You guys successfully broke into a Russian vault.

That beats Demodogs any day.

You, Steve, Robin, and Dustin climb down from the roof to get to Erica as fast as you can. When you finally join her, you risk her fury and pull her into your arms for a hug. “You’re so much braver than I was at ten.”

Erica shoves you off of her. “That doesn’t at all surprise me.”

While you make sure she’s okay, Dustin and the others investigate the room. There’s boxes everywhere with tape all over them. Lifting one up onto a table, Steve turns to you. “Can I borrow that switchblade, Y/N?”

“She’s got it,” you point to Erica. “Talk to the kid.”

Steve frowns, having unexpected this, and, being scared of the girl, he laughs nervously. “Uh, Erica? Can I have that switchblade now?”

She rolls his eyes at him and digs through her pockets to retrieve it. “Aren’t you the man in the relationship? Why don’t you have your own pair of knives?”

You cover your mouth to try and stifle the laugh that escapes you, but it’s no use. Steve hears it and sticks his middle finger up at you before finally opening the box. Cutting through the tape, he opens the box’s flaps to find a metal storage container within them.

When Steve reaches his hand inside the box, you stop him. “Please, be careful.”

“I got this, angel.” However, he slows his movements and carefully grabs at the container’s handle. Slowly, he turns it, and it lets out a terrifying hiss as air escapes it. Removing the lid, more air comes crawling out and reveals four individual cylinders.

“Definitely not delicious noodles and sensible shoes.” You breathe out, and Steve hums in agreement.

“That’s a weird way of saying ‘you were right, Dustin’.” Your brother snarks, and you hit his shoulder to shut him up.

Meanwhile, Steve waves his hand at the four of you, motioning you to back up. “Uh, maybe you guys should, you know, stand back.”

Robin and Erica don’t hesitate to listen, but you and Dustin remain where you are. There’s a silent agreement between the two of you to not abandon Steve, he needs you. When he sees that you both haven’t listened, Steve pleads with you. “Just step back, please? I’m doing this for you guys, this could be dangerous.”

“No.” You and Dustin say at the same time.

Steve tries to argue again, but you remain firm in your stance. “I’m not leaving you. Ever.”

His words falter at the sincerity in your voice, and he wishes it was just the two of you alone right now so that he could stroke your cheek and kiss away your concerns. He’s filled with warmth by your care for him, but just like you would never put him in danger, Steve would never put you in any danger either.

He loves you with everything within him, he just wishes he could tell you this.

“If you die, I die.” Dustin proudly declares, breaking Steve out of his thoughts.

You stare at your brother, as does Steve, and together the two of you awkwardly pat the kid’s shoulder to acknowledge his sentiment. With a cough, you add, “Hendersons with Harrington.”

Steve clears his throat, overwhelmed and slightly off put by the bizarre support. “Okay, I guess.” He grabs at one of the cylinders and twists slowly, and when it unlocks, he lifts and reveals a bubbling green liquid. “What the hell?”

Robin asks what the substance is and you feel like you’ve lost your mind. You have no idea what the fuck is happening anymore. “God I hope it’s scary Kool-Aid”

As soon as the words have left your mouth, you feel rumbling beneath your feet.

Immediately, you know you’ve fucked up.

Dustin looks up at you in alarm. “Was that just me, or did the room move?”

“Booby traps,” Erica whispers, looking scared as well.

A mechanical whirring sound infiltrates your ears as the room starts to shake again, and every part of your body screams at you to run. Something is very, very wrong. Grabbing Dustin’s hand, you start to head towards the door. “We need to leave. Now.”

“Let’s go!” Robin follows you, not needing to be told twice, and grabs one of the vials of liquid as she does so.

“Which one is the button, Erica?” Dustin asks, fingers hovering over the control panel’s buttons after pressing one failed.

“Just press the damn button, nerd.”

You turn to her, panic rising. “He is, but nothing’s happening.”

“Press ‘open door’.”

Dustin presses the button again but still, nothing happens. Frantic to escape the room now, you shove him aside and try yourself. Your fingers press roughly against it, but still the doors won’t budge.

Steve joins, sliding next to you as he starts to try pressing the buttons. “Here, press the other button.”

You slap his hand. You’re overwhelmed and scared and anxious and he’s five seconds away from losing an eye. “I already did that!”

Dustin starts to argue with Steve now and they push you back, repeatedly hitting whatever they can touch, as Robin and Erica shout their own useless and unneeded advice that is helping absolutely no one. You stand behind the boys, hands pressed against your head as you start to hyperventilate with panic.

Then, walls come slamming down on all sides of the room, effectively kick starting your panic attack. The lights begin to flicker as the room suddenly drops. Your stomach lurches into your throat as you’re thrown downward, and instinctively you grab for Dustin in your panic as Steve grabs for you.

Everyone screams as you plunge into the darkness.

⌑ series masterlist

⌑ if youd like to buy me a coffee ☕︎

⌑ thank you for reading ! feel free to like, comment, reblog, or send in an ask so we can chat <3

#steve harrington x henderson!reader #steve harrington x reader #steve harrington x you #stranger things #steve harrington fanfic #stranger things rewrite #slowburn #angst #nya #m's writing #steve is just a boy doing his best #and erica !!#WE FINALLY HAVE ERICA !!!

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ceratedfish24 · 5 months ago

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There are SO many negative nancys this season. Y’all need to cut it out. You’ve gotten so entitled.

“This was a bad wildcard” I don’t know how old you are, but I was in 3rd grade when I was taught how to give constructive criticism, and I was way younger when I learned that most people don’t like receiving unsolicited criticism. All of the players have loved the challenge of each of the wild cards. They have loved staying on their toes. If they genuinely hated it, they would have said something. Changes would be made. If it’s not interesting to you, then you can stay quiet and leave. You’ve gotten way too comfortable disrespecting people from behind a screen.

“The teams are unoriginal” Making sure that the players are having a good time is among the top priorities of this series. They are naturally going to link up with people they’re comfortable with. If you have a problem with that, then maybe you need to be put in a room with your best friends and some people you kind of know and be criticized when you gravitate towards your best friends. I don’t understand why you all are having such a problem with the concept of seeking comfort in a scary and unpredictable environment.

“Pearl shouldn’t be on a team with Cleo and Scott” well, she made her choice, didn’t she. That’s not up to you. She is an adult. She can choose who she hangs out with. Cleo and Pearl have not had significantly more of a rivalry than any other two players on the server. It seems like you’re just paying more attention to them because they’re women. Don’t try to take away from Pearl’s autonomy. Don’t try to conduct who she hangs out with. It’s really fucked up, what happened to Grian and Scar. Don’t let it happen again. Additionally, Pearl doesn’t care if you don’t think her character should be getting along with Cleo and Scott. The lore is made to fit the events of the server, and never the other way around. If you’re not creative enough to come up with a lore-reason for Pearl, Cleo, and Scott to be getting along, then I really don’t know how you’re still alive.

“Scott’s going to kill Pearl” why. Why would he do that. What record do you have of Scott betraying Pearl for no reason. The only reason he didn’t want to accept her as his ally in Double Life was because he just teamed with her in Last Life, and you all have proven just how much you’re gonna whine about a repetitive team. What history does Scott have of killing his own teammates. The biggest concern on that team is Impulse, who is notorious for holding grudges and betraying alliances. And yet your focus is on the catty two who are loyal to the core. Does that not sound like stereotyping to you? Do you even watch their perspectives? Cause you don’t act like you do.

It is a legitimate miracle that Grian is giving us another season. Be grateful, or we’re not getting another. You try coming up with balanced ideas that will last 6-8 episodes with ~15 people. See how many you come up with.

#i saw someone say that #the snail gimmick was bad #because it took so many lives and therefore the series will be shorter #how long do you think this series is supposed to be #many players were betting on these wild cards being more dangerous #it sounds like the series is going exactly how everyone involved wanted it to go #you’re not entitled to this content #be grateful #quit biting the hand that feeds #trafficblr #smajor #grian #pearlescentmoon #zombiecleo

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miraculous-metamorphosis · 2 months ago

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Love what you're doing!!! Is there anything about Marinette's and Adrien's family? Pics or just some more info about them? (I'm also kinda guessing that Julia is supposed to be Manon's replacement?)

Mod CN- So first thing's first, Manon isn't getting replaced! Marinette just has a younger sister now! But Julia and Manon are best friends.

But we did design the whole family! In fact, we designed literally every single character in the show, we just haven't shown them yet!

But for the Dupain-Chengs, we gave Marinette a younger sister b/c we felt like Mathias and Lucy would be the type of couple to have two children, by personal preference and the culture Lucy grew up in.

Mathias and Lucy haven't changed up much personality-wise in Metamorphosis, but Mathias is now a little bit more over-protective, based off of his characterization in the movie.

Lucy's side of the family is much more involved in the story now! Zhihao, Marinette's great-uncle, would be moving in to Paris to start a new restaurant there, and we plan to have several episodes focusing on giving Shu-Yin a character! We're still designing Marinette's maternal grandparents, but we have plans to give them a semi-big role in season 4!

Also, we're still working on this, but we plan to bring in some family angst, focusing on how Gina isn't spending a lot of time with her family. Making her a good person, just overall acknowledging her flaws more. As well as a deceased bigoted grandfather who still gives Mathias and Lucy trouble, even after he's long gone.

Mod LB- As for the Lachances... let's start with the elephant in the room.

As we have addressed in many posts, Gabriel is NOT the butterfly holder in this universe, neither is Nathalie for the peacock.

Despite this, Gabriel is still going to be the cause of MANY problems.

We're leaning on the idea that Gabriel is more superstitious in this rewrite, he believes in something called "The Lachance Luck." Which he believes is the root that leads to all the misfortunes the family had experienced over the years.

Also, in case you're wondering where Adrien's Bodyguard/Gorilla/Placide I.T. is, he's Major Daume now! Based off of his original conceptual design found here. We plan for Daume to be more of the fatherly figure to Adrien, allowing him to sneak around and find loopholes to give the kid more freedom. He also learns of Adrien's identity mid-season 1, and keeps it a secret, even from Adrien. He prefers to wait for Adrien to open up on his own.

Nathalie is toned down a little from the series, no longer an explorer hired by Tomoe or whatever, she's just a stoic secretary who eventually becomes more motherly to Adrien and Felix.

Amelie actually moves in with the Lachances after the death of Colt Fathom. She's still the same as she was in the series, although she butts heads with her brother-in-law frequently over his parenting skills.

As for the deceased... Emilie is, no questions asked, no ambiguity, just outright dead. A woman who haunts the narrative, and drives most of Gabriel's actions posthumously. But we still plan to give her a character, and a LOT of flaws, so she isn't going to be a fridged wife.

Oh also colt fathom isn't an abusive asshole, or that important. Just some yankee-doodle-dandy who kicked the bucket. But his death did impact who Felix is as a character, making him grow up too fast and learn to be more responsible for his grieving mother and family.

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tallykale · 5 months ago

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episode 19

as you can probably tell, i've thought a lot about what post-canon one would look like in my vision... i've said before that i have issues with straightforward fix-its, and i do genuinely love the tragic open-ended conclusion that the series has, but i... am not immune to playing with characters like dolls LOL

here's some writeups about where everyone is at mentally in these pictures. please please please PLEEEASE feel free to ask me more about this cuz i love talking about my beautiful mind palace

charlotte: somehow the most optimistic person in here, mostly out of necessity. when she died, she saw parker leading her out of a cave as her waiting room and was about to take his hand when airy respawned her, so she has a brief moment of bonding with bryce when he talks about the waiting room and seeing stella. with the knowledge that there is potentially a way to get out (bryce and liam being the proof) and the fear of rotting away again she is by far the most actively motivated to help liam figure out the computer. a lot of her days are spent talking to liam over the mic and writing out the code in the dirt so she can try to understand it. she still has to push against her natural misanthropy (and often shouts at liam or bryce for being fucking stupid and useless) but both working on the code and helping amelia give her something concrete to focus on outside herself. she wants to get home so she can make amends with her friends. charlotte is scared of dying! she's really genuinely horribly scared of dying and has awful vivid nightmares about rotting away. she often pushes amelia into talking about her life which causes some tension, but it's because she really hates seeing amelia lose herself like that - a metaphorical rotting away of the self.

subway seat & atom: not on the same level of pure existential depression as the batch 1 contestants, but they both feel the hopeless mood pretty harshly regardless. subway feels very lonely as the only hidden object still 'awake', and likes to carry whippy creamy around rather than just leave him sitting on the ground constantly. tray is too big and unwieldy for him to do that with, but he 'hangs out' with her anyway, talking to her and whippy creamy in the hopes that it'll get them to want to wake up again. atom doesn't talk much, but he still carries his piece of grass. he's definitely the person who's the least affected by the prospect of being stuck on the plane forever, since he… doesn't really perceive existence in the same way as everyone else? he's an atom. but his time in the competition definitely made him view everyone else as friends, and he feels even more powerless than usual in the face of this incomprehensibly difficult problem.

amelia: falls into total hopelessness when bryce rejoins, basically seeing it as the final sign that they're never going home. still calls everyone their competition names (she actually gets into a big fight with bryce about it lol). she gets really clingy and dependent on bryce when he first comes back but it crashes and burns pretty quickly when, during an argument, bryce tells her how much he wishes he could just go back and never have let liam in and forgot about everything… which really sucks for amelia to hear, given that she's part of that everything. after that, with bryce isolating himself, she's kind of reliant on charlotte to keep her going. she blames liam for airy dying and secretly kind of thinks he killed him but just isn't telling them… she also doesn't really believe there's any way of getting out and is just kind of waiting around to die of, like, old age i guess. after how long she's been here, amelia is convinced that she has nothing to even go back to and frequently forgets details about her life. regularly cries and hates being alone. the shift markings on the side of the water tub have changed from being a way to keep track of time and stay sane to a horrible reminder of how long they've been here and how much longer of an eternity they have before them.

bryce: hates himself and liam and airy and the plane and his entire stupid fucking life. bryce is really, really fucking pissed off at liam for losing the notes and letting texty die and every other mistake he's made, and isn't shy about telling him that. as well as being angry, he's also incredibly miserable, because he was finally starting to turn his life around (he quit drinking after the plane) and now it's all for nothing - and even worse, those 7 months he spent getting better were 7 months he did nothing to help the rest of them, especially amelia. he's horribly guilty about that, and that he didn't tell amelia about the fake votes before he was eliminated… but finds it easier to just let liam take the heat for that one at first. after he fights with amelia about it he becomes a bit of a hermit, hanging out by himself next to the plug, and never responds when liam tries to talk. contemplates suicide regularly but pretty much the only option is drowning himself, and the idea of that still scares him more than staying like this forever. would kill for a beer.

liam: tortured by horrible guilt every day over a million different things. these include getting bryce pulled back into this (plus delayed guilt over getting him for real killed), letting texty die and not saying anything about the charger, not telling amelia that everything was fake, knowing that charlotte is going to die if he doesn't get really smart really fast… he's frequently gripped by fits of rage where he almost smashes the computer and has to hobble around outside with the axe for a while to blow off steam. he has really bad nightmares and dissociative episodes, made worse by the isolation and spending hours in a dark cave. liam really wants to fix things with everyone but genuinely has no idea how to start that conversation. he assumes airy killed himself (and views it as an unforgiveably cowardly move) and directs a lot of resentment towards him. he has a lot of things he wants to say, especially to bryce, but the fact that he cant talk to anybody one on one makes things difficult. spends a lot of time just reading through the code, too afraid to actually make any changes in case everyone explodes, but talking it through with charlotte at least makes him feel like he's doing something. more than he would like to admit, liam catches himself staring at the plane as if it's a simulation or a livestream.

#hfjone #charlotte stern #amelia euler #bryce hansen #liam plecak #hfjone subway seat #hfjone atom #feels wrong to tag whippy creamy and tray but theyre there too.. sort of #my art #kind of proud of these i dunnooooooo i had fun playing with a new brush and light and whatnot. Whatever. Go my scarab

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jazziejax · 10 months ago

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𝐀𝐛𝐛𝐨𝐭𝐭 𝐄𝐥𝐞𝐦𝐞𝐧𝐭𝐚𝐫𝐲

𝐌𝐬.𝐋𝐨𝐯𝐞𝐥

Pairings- Black!OC x Abbott Elementary Cast, later Black!OC x Manny (Can be read as x Reader though!)

Summary- Pilot Episode Experience with Naoya Lovel

Warnings- Swearing, kids, mixed race reader( those aren’t warnings really, just what to expect)

Jazzie’sNotes!- let me know what you guys think!! I’ve been really obsessed with Abbott Elementary recently and I’m contemplating if I want to write S1&S2 just to get to the Manny season. I want to get there fast but I know what won’t be possible with two seasons worth of writing. Let me know what you guys think I should do.

Word Count- 6,358

“Okay, so you wouldn't put the number on the bottom because that's what?” The older woman asked, drawing out her words as she stood in front of her fourth-grade class, pointing at the whiteboard behind her with her yardstick.

“The denominator.” The class answered.

“Correct, and what do we call the one on top?”

“The numerator.”

“Yes! You guys are killing this lesson.” She smiled as she placed her hands on her hips. She caught the camera crew in the corner of her eyes and then turned to them. “Or should I say I’m killing this lesson?” She smirked, flipping her hair over her shoulder as she posed. It was silent for a moment as they all watched her just smile.

“Wouldn’t you agree?” She’s asked, looking at one of the guys behind the camera. He nodded, moving the camera along with him, causing her to smile and adjust her glasses. “Why, thank you.”

“Hello! My name is Naoya Lovel. Pronounced Now-Ya, it’s Japanese because I’m half Japanese. Don’t ask why I’m half Japanese in Philly, it’s a long story.” She sighed as she shook her head.

“Well, actually, let me tell you the story because it’s actually kind of crazy.” She chuckled, starting to explain, but it then cut to another clip of her in the class.

“Ms.Lovel, we ran out of paper towels.” A student said, standing in front of her desk with paint on the palms of his hands. Noaya looked up, at him, a slight frown on her face. “Ohh, okay, well I have some in my desk.” She started, pulling open her desk drawer. The camera angled down to catch the empty towel box staring back at her. She smirked up at them awkwardly and shrugged her shoulders. “What, I have a constant runny nose.”

“As a teacher, you teach kids how to solve problems while solving your own. In your personal life and at school. And in this school, there are a lot.”

“Ms.Lovel, I need paper towels too.” Another student said, showing her blue and pink palms to her teacher. Noaya then stood from her seat, looking around her room. “Okay, okay class. Give me one sec.” She said, nervously looking around her room to solve her paper towel problem. She the. Saw a stray beach towel near the window on her small bookshelf. “Oh! Here we are, guys.” She said, rushing over to the towel and snatching it up.

“This could be a lesson too.” She smiled excitedly and grabbed a pair of large scissors from her desk. “I probably shouldn’t have these just sitting out.” She mumbled to herself, giving the camera a sideways glance. “So class, this is going to be a hands-on moment. If there are almost thirty of you, how many pieces would I need to cut this into for you guys to share?” She asked, looking at all of them. There was a moment before anyone said anything, the kids thinking over their answer. Then, some of their hands shot up. Naoya flashed the cameras behind her a quick smile before turning back to the kids.

“Noaya, Jacob, and I came in last year with 20 other teachers. We’re three of the four left so…trauma bonding, I guess?” Janine said, in regards to the other girl.

“Yeah, I taught for two years before I got here, I transferred from Addington to here because those people are a bunch of stuck-up freaks who are just in it for a little extra on their check.” She said with a smirk. “And that’s not what I’m here for, I’m here to change lives.” She boated, folding her arms.

“Hey, Melissa, can you please tell “Ta-Nehisi Quotes” here that “white boy” is a term of endearment from the corner store people?” Janie said as she walked into the break room on the second floor.

“Ooh, cheese steaks?” Naoya questioned as she looked up from her papers, knowing the full situation after only hearing the words ‘white boy’ and ‘corner store’.”

“For Zach Ertz, yeah.” Melissa started, turning around with a fresh cup of coffee in her hands. “For him. It’s an insult.” She smirked, then paused at the sight of the cameras in her face.

“Well, you guys, I need a new rug. Mine is officially done.” Janie said.” Coming take a seat right next to the working woman.

“Mhmm! Me too.” Jacob started, taking a seat on the other side of her. “I shook mine out and all the asthma kids had to go to the nurse's office.” This conversation caused her to raise her head, placing her work aside and adjusting her glasses as she listened.

“Yeah, mine’s busted.” Melissa started. “And you can’t class up a rug like you can a couch with a nice coat of plastic.”

“You guys have rugs? All we have is a little mat.” Naoya started, looking between all of them. They all cringed at her words, but couldn’t say more before someone’s loud voice cut through the air.

“Hey-yo! What it does, baby-boo?” Ava yelled as she walked into the break room and over to where they were sitting. “What yall think about this little film crew I bought in here.”

“Distracting makes our jobs harder,” Melissa said disinterestedly, shooting the crew a glare.

“I wish I would have known this was going to be a video thing, I would have made myself look better,” Naoya mumbled, causing the camera to turn her way. She smiled, making her face appear happier than usual.

“But exciting. We about to be on TV.” Ava said, looking between them all.

“Because they are covering underfunded, loosely managed, public schools in America.” Barbra interrupted in a matter-of-fact tone.

“No press is bad press, Barb.” Ava practically disregarded the woman’s claim, continuing to smile at the camera. “Look at Mel Gibson. Still thriving.” She laughed. “ “Daddy’s Home 2”? Hilarious!” She looked around the room, either expecting people to laugh with or or just so confined in her large ego that she didn’t care if they laughed or not.

“Ava’s the worst person I know,” Noaya stated. “I’ve never seen her show an ounce of care about anything other than money. Which is a terrible mindset to have as a principal because you’re literally in the brokeest position of power.”

“There you are.” Ms.Schwartz sighed as she rushed into the room, spotting Ava. “Ava, can I talk to you?” The woman was out of breath as she stood before the principal, and her attire was disheveled. “I-I need an aid. I’m outnumbered there. The kids are crazy.” She ranted this wild look in her eyes. “One of the kids told me to ‘mind my six’ this morning, I don’t know what that means! I need help!” She ranted. Ava placed and hand on her shoulder.

“Calm down.” The darker woman said, cutting Ms. Schwartz off. “They’re just kids. And, besides, aids cost money, and we don’t have that.” She said before flashing a quick smile at the cameras. “Right, but I just—” Ms. Schwartz started again.

“Do you want to split your salary with somebody else?” Ava asked, leaning closer and angling both of them away from the cameras.

“No.” The other woman said dejected.

“No!” Ava cut her off before she could continue to rant. “No, I didn’t think so.”

“Well, if we can’t get aides, maybe we can get new rugs?” Janine chimed up, standing from her seat.

“All I’m hearing is “new, new, new, need, need, need,” Ava answered. “And yet, Barb, one of our best and most senior teachers here.” She continued, walking over to the older woman who sat at the table with Melissa and drank her coffee. “She never complains. What is your secret, Barb?”

“Knowing there’s not much you can do, Ava.” The woman said with a sarcastic smile. But Ava didn’t care to hear her condescending tone.

“So understanding.” The principal smiled, looking around the room. “Be like Ms.Howard, people.” That was all she said before she left the room.

Noaya shook her head as she started to collect her things, knowing the bell would be ringing anytime soon.

“But, I’m not Ms.Howard.” Ms.Schwartz cried from where she stood.

“Ohh, Tina, look.” Janine started, walking over to the stressed woman. “Try some counting exercises, between one and forty the kids start to quiet down.” The other woman gave a slight nod before she exited the room, still in obvious distress. “You, know, a little support might help make things happen, ladies,” Janie said, turning around to face the older two women in the room.

“My support was gonna do about as much as that five-year-old bra you’ve got on right there,” Barbra said as she pushed in her chair. The camera then cuts to Naoya staring at the camera, her jaw clenched. Janine looked down at her chest for a slip second, before covering it up with her sweater and deciding to ignore the woman’s bra statement. “Hey, it’s not impossible to get things. Melissa asked for those new toy cash registers for her classroom and got them.”

“Yeah, those aren’t toys.” The Italian woman stared as she put on her coat. “I know a guy who wired a Walmart demolition. I got a guy for everything. I know a guy right now working on the stadium build. Need rebar?” She asked, looking around the room.

Noya just shook her head.

“No,” Janine answered.

“Melissa is resourceful, capable.” Ms. Howard started, looking between all the younger teachers. Naoya’shead jerked back at what she was insinuating but before she could say anything, Janine placed a hand on her shoulder and started talking.

“Well, I think the younger teachers are capable.”

“Really? Then why is it that Ms.Schwartz’s hair is falling out? Why does Jacob here need a smoking break every five minutes?” The woman sassed, gesturing over to the male beside her.

“I switched to an herbal vape.” He tried to defend himself.

“And why can’t any of you stick it out longer than two years? More turnovers than a bakery.” She hissed before her and Melissa walked out of the door. Once it shut behind them, Naoya turned to her friends beside her.

“I almost lose my job every day dealing with the people here.” She shook her head, resting her butt on the table behind her, the other two following suit.

“You know what? Hell, I think we should still try for rugs.” Jacob’s said.

“Yeah.” Janine agreed.

“You know, before I taught here, I was in Zimbabwe.” Jacob started, causing Noaya to stand up completely and begin to walk to the door. “I was going Teachers Without Boarders, and what I learned—.”

“Jacob.” Noaya cut in, turning to face the two of them. “What did we say you about, like, not talking about your time in Africa?” She said, gesturing between her and Janine. The boy stuttered, trying to come up with an appropriate answer.

“We told you to stop. Yeah, it’s weird.” Janine finished, looking over at the male.

“I have an immense amount of respect for my elders, including the ones I work with.” Naoya smiled at the cameras. “But Mrs.Howard has a smart mouth on her. A mouth that has never been directed at me.” She continued to smile, although strained, and raised her hands in mock defense. “But the day it is the day I got to prison.” And although she was finished, she was cut off by the sound of quick hurried footsteps making their way around the corner. She turned around just in time to catch Janine with a student.

“Noaya, come quick, there’s a fight.” The older woman got out as best as she could, although out of breath. Naoya ran around the corner, practically leaving the child and shirt woman in the dust.

“Damn, she’s fast,” Janine said, briefing glancing at the kids next to her before rushing to follow the running woman.

“What the hell is going on here?” Naoya yelled as she entered the hectic scene with a bat in her hands. She saw the crazed look the teachers were giving her and she shrugged. “I heard there was a fight, I brought it just in case.”

“Where did you get that? I was right behind you.” Janie asked, out of breath with her hands on her knees.

“I didn’t know she had it in her like that.” Melissa nodded a proud smirk on her lips. “I like her.”

“That’s beside the point, what happened?” Naoya asked, looking at the older white woman standing in front of a child. “He hit me first!” Ms.Schwartz said, pointing at the boy across from her.

“Liar!” The boy yelled back at her, being held back by Ms.Howard.

“I’m a liar? I'M A LIAR?” Ms.Schwartz asked a crazed look in her eyes, her gaze solely trained on the little boy.

“I can’t believe she hit a kid,” Noaya said, shock written all over her face as she folded her arms. “I mean, I threaten that I will but I never actually do it.” She shrugged.

“Okay!” Ava yelled, interrupting the conversation between the small group of teachers. “So, not good. Ms.Schwartz was out of line and clearly didn’t know how to handle her class.” The woman sighed.

“You hired her.” Melissa spat back.

“And fired her,” Ava responded. “They give me a lot of power around here. It’s crazy.” The woman smirked.

Melissa and Noaya both gave the camera a look of disbelief.

“In the meantime, Mr.Johnson will be watching her class.” Ava finished.

“Mr.Johnson the janitor?” Naoya spoke up. “Our conspiracy theorist janitor? Teaching social studies? Do we not see the problem with this?” She asked, looking around at the group.

“I think maybe we should alert the school district to this,” Jacob spoke up, getting spins of approval from the rest. “I mean, a child was harmed.” He tried to finish before Ava cut in.

“Hey! Harmed?” She questioned. “I handled this. No need to let them know that a child was harmed on my wa—” She stopped, remembering that she was being recorded, and looked towards the camera. “On the school's watch, to be clear.” She clarified.

“Ava, this is not handled,” Janine spoke up. “There is a 70-year-old custodian who voted for Kanye teaching social studies right now.” The woman stressed, pointing down the hall. “We need help. Look, I know we don’t have any money—“

“Okay!” Ava cut her off. “Alright. I’ll make a small emergency budget request to the district, and then you guys can get pencils and hire aides or whatever else you need.”

“So, even rugs?” Janine asked her entire demeanor from earlier changing at the woman’s words.

“Sure! Just email a request.” Ava replied.

“Okay! I can- I can write an email.” Janine smiled excitedly.”

“Another day in principal life.” Ava smiled at the cameras before walking away, horribly singing some old song. “I believe the children are our future.”

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“Um…Hello?” An unfamiliar voice called out as she came into the school building, making their way to stand in front of the desk. “I’m looking for Ms.Coleman.” The man said. Melissa looked up at him. “Oh, yeah she’s—“ She was cut off by Ava rushing up next to her.

“Hello.” Again said flirtatiously, looking the man up and down.

“Hi, I’m Gregory Eddie. I’m the sun for the teacher who, uh…” He trailed off, looking down at the papers he pulled from his briefcase. “Pinter a student.” The man said worriedly, looking back up at her.

“Oh! You’re the sub.” Ava said. “Forgive me, I thought one of my colleagues here hired a stripper for me.” Ava laughed off, dismissing the looks Melissa and Barbra gave her. “Okay.” That was all Gregory could say to that, giving the woman obvious judgmental looks.

“Nice to meet you, young man.” Barbra offered him a kind smile.

“Yeah, nice to meet you, Ryan,” Melissa said, staring at the together papers.

“It’s Gregory.”

“Eh, let’s see how long you’ll be here.” She said, only flexing up after she was done stapling. “Then I’ll remember your name. Okay, Tim?”

Gregory didn’t even have time to fully digest the interactions he just had with the women before him before Jacob came around the corner. “Yes!” He smiled, stalking up to the man. “My dude.” He said, arms open for some sort of hug but was cut short by Gregory putting his hand out. “Oh, yeah,” Jacob said, placing his hand on the one offered out to him. “Keeping it profesh. I like that.” He smiled, leaning against the counter. “I’m Jacob. It’s nice to see another male teacher in here. It’s not a lot of us. Hey, now I got somebody to talk sports with. You like women’s tennis?” The paler man asked, before shooting the camera a sideways glance. “Or, as I call it, you know, regular tennis.”

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Naoya was walking the halls, whistling a tune with her bad over her shoulders when she came across a tall, good-looking man in a gray sweater. Hearing her, the man turned around to see a tall, light-skinned woman with a large, light brown puff ponytail at the back of her head. She had on specs that covered most of her face, enlarging her eyes. She was dressed in a slightly baggy pair of dark wash denim jeans with brown shoes that matched the brown in her green sweater, paired with a white shirt underneath. Seeing the mysterious man, she furrowed her brows at him from down the hall.

“Uh, hello.” The man waved awkwardly from down the hall.

Naoya waved back as she made her way closer to the man. “Uh, hi. Are you lost?” She asked, slowing down when she got in front of him. “In a school building?…And smelling like pee and/or vomit. I’m calling security.” She started to back up and pull out her phone, or even yell before she stopped and frowned. “Oh wait, I am security.” She said, moving her bat to her good hand getting ready to swing.

“Wait!” The man yelled, sticking out his hands in defense. “I’m a sub! I’m here to fill in for the woman who kicked the kid.” He defended.

Naoya visibly relaxed as she looked the man up and down, taking in his formal attire. “Okay.” She said, dropping her defensive pose. “That still doesn’t explain the smell.” She said, giving the man a disgusted once over. Gregory stuttered to get an answer, embarrassed by the cameras and such an awkward situation in front of another beautiful woman.

“It’s a long story. A broken toilet, a student wet his pants, another one threw up.” The man shrugged, a look of disgust crossing his face as he thought it all over. At his words, Noaya nodded with a look of understanding.

“No, yeah. I get it. Well, um, congratulations on being here considering…” She trailed off, gesturing around the school and then to him. “If you need anything at all, I’m at the very end of the hall. I'm Naoya Lovel, and I teach fourth grade. I’ll be here to help any way I can, I am known for having everything anyone might ever need, so.” She shrugged and began walking away, pat him, and to her class. The man nodded, a sliver of a smile on his face as his eyes stayed trained on the spot she just left. Catching the camera out of the corner of his eye, she quickly straightened up and then turned the opposite way to face her. “May I ask why you’re carrying a bat?” He asked.

Naoya stopped walking, the bad still in her hand as she angled her body slightly to look back at him. “No, you may not.” She said with a smile before continuing to walk away and into her classroom. Gregory just nodded and walked into his room as well.

“Today was utterly disgusting, but she and Janine seem nice.” He smiled slightly.

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“I got a good feeling about this,” Jacob smirked at Naoya and Janine as they and the rest of the teachers gathered outside at the entrance of the school. It had something to do with Ava needing them to see the improvements she made to the school. “Right? Me too!” Janine said excitedly. Naoya rolled her eyes, stuffing her hands in her pockets due to the cold weather.

“I wish I could live in the blissful ignorance you guys call optimism.” She said, looking between her two friends. They only rolled their eyes at the girl, who was usually a pessimistic person, so they didn’t take her words too seriously.

“Good morning!” Ava said to all the teachers before her, who were obviously in no good mood. “Good Morning!” Janine was the only one to respond.

“Gregory.” Ava finished, giving the man a look. Noaya furrowed her brows slightly, throwing the man a sideways glance.

“The district was so moved by my plea that they approved the emergency budget and sent us the money right away,” Ava said to the group. The crowd started clapping, Jacob and Janine were genuinely happy while most were in shock that the district pulled through.

“Okay, we could have hired aides, we could have got rugs.” Ava continued as the clapping died down. “But then I thought, “No. We need something more immediate.” She said, her words causing Naoya to nod her head as she began slowly making her way away from the group. She knew this wasn’t going to end well, and this was her stopping herself from throwing her loafers at Ava’s head.

“Oh, no, no. The rugs are immediate.” Janie spoke up. “They’re like instant Xanax for kids. I explained it all in my email.” She told the group as she made her way to extract her phone from her purse.

“Girl, who told you to send an email?” Ava asked, looking down the steps at the shorter woman. Jannie stopped what she was doing and glared at Ava. “You did.” She hissed, looking at her confused.

“Anyways, I always feel better when I get my hair done.” Ava continued, not caring for what Janine had to say, as she showed off her new blonde number. “Thus, I do better work, like I’m doing now.” She smiled at them. “You know, fix the outside, the inside takes care of itself.” She then gestured up to the giant tarp over the building, the man pulling it down to show a sign.

It was a giant Willard R. Abbott Elementary sign with Ava on it, leaning onto the letters. The teachers just stood there and looked up at the sign, no words were said between any of them. But they all had the same thought.

What the fuck?

“Yall seeing this?” Ava asked, copying her pose that was on the sign.

“A plastic sign?” Janine asked, looking between the woman and the sign.

“Thank God for the school district, because they gave us $3,000 and I had to spend all of it.” Ava said as if she didn’t care about the severity of the words she just said.

“You spent all of the money on this?!” Janie asked in disbelief.

“Rush job, can you believe this quality?” The terrible principal continued.

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“This is fucking ridiculous, she has gone too far,” Naoya said as she, Jacob, Janine, and Gregory rushed back into the school.

“Somebody needs to do something before I get my bat back out. Actually, Forget the bat, I’m gonna go get a gu—.”

“Okay! Yes.” Jacob cut her off, trying to ignore the scared look Noaya received from Janine and Gregory, while she just continued to sit in her anger, not even seeing them. “Somebody, anybody but you, should do something.” The man said to the angry woman.

“You know what. I’m gonna do something.” Janine said, as stored up and Naoya. Well, maybe not as much but still fired up.

“Okay, alright. Whatever you do, I will co-sign it.” Jacob encouraged. “Yes!” Janine said. “That is how change works. Someone does something and somebody co-signs it.” He finished.

“I want Jannie to succeed in what her plan is because Ava needs to be out in her place, “professionally”, or whatever Jacob said,” Naoya stated, rolling her eyes. “But I also want her to prove something to Barb. For her sake. Because Janine really needs a mother figure in her life and the constant groveling for Barb’s praise is starting to make me want to choke.” She finished with a shrug. “That’s my girl though, I love her.”

“Hey, you two, wait up! I’m going out to lunch too.” Janie called out to Melissa and Bard as they walked down the hall. The camera caught Naoya, who rolled her eyes at the situation she was just talking about making an appearance as she walked after Janine.

“Oh yeah, where are you going for lunch pip-squeak? Bird feeder?” Melissa joked, putting her purse over her shoulder.

“Thought you’d be working on your next miracle from Saint Ava.” Barbra pushed.

“Ha ha, No.” The shorter woman defended herself. “I don’t think I’ll need anything from Ava ever again.” Janine smiled, her words causing the other three women to look confused.

“What does that mean?” Naoya chimed in from behind them, ready to go out for lunch as well.

“Well, I emailed the superintendent and told him everything Ava has done today. No way she doesn’t get fired.” Janie bragged.

“Oh, for the lives of God.” Melissa groaned.

“Janine,” Noaya said in disappointment. “This is why I told you to tell me.”

“What?” She asked, looking between the three women.

“The superintendent never sees our emails,” Barbra told her. “He has them bounced back to the person in charge of where they came from.”

“Wait, I’m sorry.” Janie stared. “Person in charge? That means the emails go back to…” She trailed off, the dots connecting. Just in time for said person to come in the intercom with an announcement.

“Teachers, it’s come to my attention that some of you—one of you—.” Ava clarified, looking through the glass of her office at the group of women standing at the door, her eyes trained on one in particular. “Think it’s okay to go over my head. So, during lunch break—this lunch break—we’ll be having a trait workshop so that we can learn how to become a woke family.” The woman was clearly pissed off, glaring at Janine from where she sat. “It’s gonna be fun!”

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“We are at a crossroads, this is a crisis,” Ava stressed as she stood before the hired group of teachers.

“No, a crisis is eating the cafeteria pizza for lunch.” Naoya chimed in from where she sat in the back.

“Uh, why are we here, exactly?” Gregory asked his seat right in front of hers.

“Well, chocolate drop.” Ava started, causing Naoya to snicker at the name. “I learned that someone here doesn’t respect me. But it’s not about me. Because if you don’t respect me, how can you respect this school?” She continued, causing them all to look at her confused as such a stupid correlation. But, it looks like Ava took that as a look of confusion due to her question.

“You can’t. It’s mathematically impossible.” She finished.

“W-Whoa. Who doesn’t respect you, Ava—I mean, the school?” Jacob asked.

“Me,” Naoya said but seemed to be completely ignored.

“It’s not important. We’re gonna make this a group matter so as too not to single any one person out.” The woman answered him. “Let’s try an excuse where we say whatever we want out loud to each other, no matter how critical. It’ll be fun, let’s start with Janine.” She said, looking over at the short woman who was practically shrinking in on herself.

“Janine?” She asked, smirking evilly.

“Yes?” Janine asked dejectedly, knowing that this whole situation was her fault and knowing that Ava did the exact thing she said she didn’t want to. Single her out.

“You’re pushy, squeaky and annoying,” Ava stated.

Collective disagreement was heated around the room.

“Excuse me?” Melissa piped up.

“Thaya just…” Gregory said.

“When is it my turn?” Naoya asked, starting to take her earring out of her ear.

“No, it’s not bad. No.” Ava defended. “We’re shaking to make us all better. Constructive. Hershey kiss, why don’t you try, start with Janine.” She pushed.

“I don’t want to.” The man sighed.

“You’re right, it should be someone who knows her better. Noaya, Jacob, Barbra?” She asked, looking between the two.

“When is it your turn? I wanna go when it’s your turn.” Naoya stated, folding her arms to keep herself at bay. Gregory glanced back, seeing the look of pure hatred on her face.

“Well, her hair is—“ Jacob started before getting cut off.

“Not!” Noaya and Barba said at the same time, the younger more so talking to her friend next to Janine, who gave the man next to her a look of disbelief.

“Ava, no one’s doing this to anyone.” Melissa started, looking at the woman before her.

“Hold on, I came prepared for this. Sheena, come on in.” Ava said, looking behind her to a student who was sitting behind the library desk.

“Ava, that is my student, she should be at lunch right now,” Janine complained, as everyone in the room looked at the little girl, trying to see what Ava's plan was.

“I am kinda hungry.” The little girl sighed, begrudgingly walking closer to the woman.

“Sheena, remember what we talked about? What was the thing that you wished was different about Ms.Teagues?” Ava asked the little girl. She just stood there, not knowing what to say as the whole room waited on her.

“She got some big feet.” Mr.Johnson chimed in from the very back of the children’s library where he was sweeping.

“Okay.” Janine sighed before standing from her seat. “Everyone, that’s enough. I am the person who disrespected Ava. I emailed the superintendent to tell him that she spent the school's money on a sign.”

“And got her hair done,” Naoya said, Janine, gesturing over to her in agreement.

“I’m sorry, Ava.” She continued. “And I’m sorry everyone missed lunch, especially you, Sheena. But I didn’t it because I care about the kids in this school, and that shouldn’t be a bad thing.” She ranted. “I—Okay. You know what.” She sighed, done talking. She felt as if no one was listening anyway and just wanted to leave. She was on her way out before turning back around. “Sheena, you should have this. I’m sorry.” She said, handing the school pizza over to the girl.

“Uh, no thank you.” The girl said, shaking her head. Janine just sighed again and turned to leave.

Ava chuckled as she watched the girl walk off, shaking her head. “Not a compelling speaker.” She smirked as she shook her head. “Charisma vacuum, am I right?”

Noaya cracked her neck as she stood up. The teachers in front of her filmed a little at the sound and her sudden movements. But she ignored that. “You know what, Ava? I was going to whoop your ass in the parking lot, and as much satisfaction as that would bring me, I don’t want to lose my job. Because I care about these kids. Just like Janine. And she may be a lot of things, like naive, a bit clingy and too cheerful—.”

“Ooh, this is good stuff, let me call her back in here,” Ava smirked as if she didn’t hear the first part of the girls’ speech.

“But she is also right.” Barba cut in, standing up with Naoya. “You know, actually wanting to help the children at this school shouldn’t be a bag thing.” The older woman finished for her. Afterwards, both her and Naoya walked out, letting Ava sit with their words.

They walked out to find the girl in front of her classroom, looking through the window. “Janine, ignore Ava. Big feet are a sign of fertility.” Barbra stated.

“I’m telling you to just give me the signal, I can have her framed for mur—something.” The light skinned girl said, catching herself in front of the cameras.

“Every lunch period, guys.” Was all Janine said before stepping out of their way to show the inside of her class. They both looked in seeing a little boy napping on his jacket, as the library door sounded again. “Every single one, Amir comes and naps in the rug.” She said, informing the whole group as Melissa, Jacob and Gregory joined.

“Mm-hmm. He was in my class.” Barbra said with a fond smile on her face. Mom’s got a lot of kids. Dad’s not around and when she is, the parents fight.”

“Right, so he doesn’t get much sleep. I told him to sleep at his desk, but she says that rug is softer—.” The shirt woman paused, trying to get emotional over the whole situation. “Softer than his bed at home.” There was a moment of silence as all the adults sat with her words. It’s hard hearing about the life of the kids you see everyday, knowing they live lives no one should. And knowing it’s on you to create a better life for them at school.

“You know what? I don’t care I you think I’m good at this or not anymore. I care about whether or not I can make a change.” Janine told Barbra as sternly as she could, which wasn’t a lot.

“Janine.” The woman started. “Teachers at a school like Abbott— we have to be able to do it all. We are admin, we are social workers, we are therapists, we are second parents. Hell, sometimes we’re even first.”

“Mm-hmm.” Melissa agreed.

“Why?” Barbra continued. “It sure ain’t the money.”

“Yup. I can make more working the street, easy.” Melissa chimed in. Causing Jacob and Naoya to look at each other in concern.

“Prostitution?” She mouthed over to the man, who shrugged.

“Look, we do this ‘cause we’re supposed to.” Melissa said to Janine. “It’s a calling. You answered.”

They all looked at eachother fondly, before Jacob started.

“I believe it was Brother Cornel West—“

“No.”

“Don’t.”

“Not right now, white boy.”

They all told him, causing the man to retreat back to his corner.

“You want to know my secret?” Barbra asked, ringing the subject back to where it was. “Do everything you can for your kids.” She smiled. “We’ll help. Hey, I suggest we put our money together and buy Janine the rug.” The older woman encouraged. “What yall think?”

“Absolutely.” Melissa said, pulling out her wallet.

“Guys, you can’t.” Janine started, looking between them. “You don’t have it. I know because I have the same salary as you and I overdrafted on a doughnut hole this morning.”

“Don’t tell me how much money I have.” Noaya stated, holding her hand out as a halt to the girl's words. “I do not claim that broke energy.”

“Well, why are you gonna do?” Barbra asked. “Steal a rug?”

“Not me, but I know a guy who knows a guy?” Janie trailed off, looking between Noaya and Melissa. The light skinned girl raised her hands. “I don’t know a cute guy that can steal that many carpets that fast.” She shrugged, a hopeless look on her face as she glanced at Melissa.

“Way ahead of you.” The woman said as she started typing into her phone. “I’m gonna have to bake a ziti.” She said, holding the phone up to her ear. “Hey, Tony, ya big strung, listen, you still working that stabiuk build?” She said into the device as she walked away from the group.

Sometime later, a guys pulled up in a truck around back with a bunch of rugs for them. They all celebrated, going one by one to grab a rug. “Yay! I finally have one! My room was so depressing.” Naoya said as she waked down the hall with her rug.

“You’re on a mission.” Gregory stated, looking at the shorter girl in between him and Noaya. “It’s cool to see.”

“Thank you. Just a day in the life of being a teacher here. You get used to it.” Janine smiled.

“And that smell in the walls?” He asked, pointing.

“Oh no, you’re never gonna get used to that. Sometimes I wish I had a bad nose like Naoya.” She joked, elbowing the girl next to her. The taller woman lightly groaned. “Janine, you know that’s a big insecurity of mine. I have a fear of smelling bad.” The half Japanese girl tried to clarify to the male. “You’re subbing to go full time right?” She asked, wanting to change the subject.

“Um, we’ll see.” He said as they all briefly stopped in the hallway. “This job definitely surprises me.”

“Well, I hope you stay.” Janine said. “For the kids.” She clarified. Naoya shot a quick glacé to the camera, a small smirk on her face. She then decided to walk away. The camera caught Gregory’s eyes jumping from both women walking away, a small smile on his face. He then looked in the camera and dropped his expression.

“I’ll stick around for a while.” He said. “You know, for the kids.”

“Look guys!” Naoya said as she rolled out her shakes rug for her students. They all celebrated, clapping excitedly at the fact that they had a rug now.

“Ms.Lovel, I hate the egales.” One student said, standing next to the woman.

“Yeah, me too, kid. But don’t tell anyone I said that.” She said, patting the top of their head as Ava walked past her door. She paused at the sight of the rugs. Naoya placed her hands on her hips and cocked her neck, making Ava glare at the woman for a quick second before walking away.

“And that kids, is how you get rid of the enemy without fighting.” She said, pointing around the room to make sure they were watching. “Now that we have a rug, let’s watch that nature documentary!” She said excitedly, causing all the students to yell with excitement well.

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wishful-thinking64 · 8 months ago

Text

Hazbin Hotel & Helluva Boss Rewrite Ideas #01

I truly believe that both shows have a lot of untapped potential that we'll unfortunately never get to see thanks to Viv refusing to take criticism and the fact that her writers are all yes men. However, that doesn't mean I can't give out rewrite ideas like they're candy to those who wish to tap into either show's said potential. With that being said, here are some rewrite ideas that you could use for Hazbin Hotel and Helluva Boss! ______ #01.) Have Mrs. Mayberry become one of the residents of the Hazbin Hotel. I promise you, this one writes itself. #02.) Have Glitz & Glam be Fizz's rival co-workers to parallel his time in the circus when he worked with the Buckzo twins who acted more like a family to him. #03.) Write some new workers for the Hazbin Hotel since they're still severely understaffed. You could make these new employees a Hellborn, a Sinner, an Overlord, or Goetia royalty if you wanted too. The possibilities for this one are endless! #04.) Let Heaven contrast with Hell based on how they operate. For example, in my rewrite for the Hellaverse, Heaven doesn't use currency at all. It quite literally doesn't exist up there. Instead, they use the Bartering System as they view it to be the most fair exchange of goods and services. #05.) Have there be a character who doesn't belong in Hell but got sent there anyway for whatever reason. I'd recommend using Valoris (my take on renaming Vaggie) if you don't mind keeping her as a fallen angel or using her original Sinner backstory however I feel like Amélie (I renamed Emily solely because her name is so common. It's not bad but you can tell that there was barely any thought put into it either.) could work just as well since she'd be a fallen Seraph. #06.) Make Lucifer and Stolas evil as they were originally intended to be before Viv scrapped the idea in favor of something worse. Stolitz is a toxic ship no matter how much damage control and retconning Helluva Boss tries to do and when initially asked about how Lucifer would act later in the series on an old livestream, Viv originally wanted to have his character be on par with that of Willy Wonka so do with that information what you will. #07.) Allow for Charlie's, "Anyone can be redeemed," mentality to constantly be challenged by those around her. Don't be afraid to have her be in the wrong because we all know that not everyone can be redeemed. Some people (Valentino) truly aren't deserving of it and others won't be accepting to change. You can lead a horse to water all you want but the horse has to decide to drink it. #08.) Create a proper foil ship for Fallen Star (I hate using the ship name Chaggie) cause if even Stolitz can have one in the form of Fizzmodeus then Fallen Star should have one too. Most people opt to use Emilute but I'm a damn GuitarSpear shipper so I opted for a crossover ship that has Emily and another character from Helluva Boss instead. Listen, if a rare pair and joke ship like CherriSnake can become canon over a ship like Sir Pentious x Rosie that actually makes sense when you consider they're from similar time periods, then a crossover ship being in my AU rewrite is the least of my problems.

For context, here's a screenshot for one of the HH mockup episodes before Viv and her team decided to scrap it. Like the majority of the HH mockup episodes. ______ Well, that's all I've got for now so happy writing and good luck!

#helluva boss critical #vivziepop criticism #vivziepop critique #hazbin hotel critical #hazbin hotel rewrite #helluva boss rewrite #hellaverse critical #anti stolitz #anti stolas #anti vivziepop

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zvtara-was-never-canon · 1 year ago

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Can you give examples of Aang showing Empathy? Oh wait, you can't.

Actually, I can - because unlike you, I base my opinion of the characters on the actual stuff that happened in the story, not the bad faith takes dumb people on the internet come up with.

Zuko literally only survived past book 1 because Aang was the ONLY person amongst the heroes that gave a single fuck about his well-being. Aang offered to be FRIENDS with him as early as episode 13, even though this dude is trying to kidnap him.

In the first damn episode we see him realize and try to remedy Katara's struggle with no longer being able to act like a kid and have fun. He wants to travel with her so SHE gets to learn waterbending. He willingly lets Zuko take him into his ship because he understood that a conflict could lead to the people of the water tribe getting hurt or killed.

In Warriors of Kyoshi he apologizes to Katara for letting all the praise and admiration go to this head. He makes sure to put out the fires Zuko and his crew started in Suki's village.

He tries to help remedy the Hei-Bai situation, even though he is unsure of himself and even scared, because he knows he is the only one that has any chance of helping - and the thing that allows him to connect with Hei-Bai is the fact that he is ALSO upset about the destruction the Fire Nation has caused AND hopeful that the world would eventually heal.

He thinks Jet is awesome because he wants to help people that are being oppressed by the Fire Nation - and then is horrified when he finds out his intension is to "free" them by killing everyone

He wants to help the two rival groups not only safely cross the Great Divide, but also stop hating each other.

He confesses that he hid the map to Hakoda because Bato, Katara and Sokka are showing how much they appreciate and trust him and he feels unworthy of it after what he did because he knows it'd hurt him if the roles were reversed.

He is so devastated by the fact that he ACCIDENTALLY hurt Katara that he swears to never firebend again. He is also able to recognize the same principle behind his mistake in Zhao's fighting style, allowing him to win the battle against the bastard.

He accepts the fact that the Northern Air Temple is now occupied by people who not only don't belong to his culture but also don't understand it and unknowingly destroyed something sacred to him (and that one of them had been forced to make weapons for the Fire Nation) because these people have nowhere else to go and he doesn't want them to suffer.

He is furious at Pakku for refusing to teach Katara waterbending, because he knows how much it'd mean to her and how unfair it is that she can't learn it just because of her gender.

He is so devastated by the death of the Moon Spirit that the Ocean Spirit latches onto him to avenge it and save the day - and the leve of destruction it causes haunts Aang, even though the violence was against his enemies. And still, he tries to go into the Avatar state again because people are dying and he can't accept that.

After the fall of Omashu, he wants to rescue Bumi, not because he needs a teacher, but because they're friends.

He felt empathy for Toph when she was explaining to her parents how lonely and unappriacted their over-protection made her feel.

He and Katara both feel bad for snapping at Toph during "The Chase" and wanted to apologize for not understanding that being part of a group was a radical change to her, even though she had refused to even try. He also didn't have a problem with fighting alongside Zuko and Iroh against Azula, AND he looked concerned when Iroh was injured.

After Katara comments on the fact he called Toph Sifu but not her, he calls her Sifu while bowing, to show that he respects her both as his master and friend.

The hopelessness and downright depression he was feeling after Appa was stolen only starts healing because he saw a couple being happy with their newborn baby - the same couple he decided to help cross the Serpent's Pass, even though he and his friends had just been allowed to take a much safer route to Ba Sing Se.

His understanding and sympathy towards Jet, even after everything the guy did, was so strong that it freed him from literal brainwashing.

He doesn't want to push his love for Katara aside to gain power because he cares about her too much - and then does it anyway because, even though not making her his main focus 24/7 offers the risk of her being hurt, him neglecting his mission guarantees she'll get hurt.

He is devastated to learn that the world thinks he is dead because he knows he was everyone's last hope - and yet in the end he still accepts the burden of failure because he understood that, at that moment, everyone would be safer if no one else knew he was still alive.

He goes to a Fire Nation school and bonds with the kids, wanting to give them a taste of freedom and joy, as well as trying to understand what the war is like from their perspective. The same episode also has him pull Katara for a dance because he noticed she was feeling left out.

The boy felt empathy for, and understood the mistakes of, both Ruko and Sozin. SOZIN. Aang could see the humanity in the monster that is responsible for him losing his entire culture and everyone he loved.

When Zuko spoke about wanting to control his impulses so he wouldn't accidentally hurt anyone, Aang explicitly connected with that struggle and saw them being teacher and student as fate, and Zuko agreed because that's how deep their connection was.

Aang is not happy about Katara wanting to murder a man, but he still lets her take Appa on her mission and is not disapproving when she ultimately spares the guy but does not forgive him and makes it clear she never will.

He feels empathy for freaking Ozai, to the point that refuses to kill the guy - even as he has the balls to say that Aang's family, his people, deserved to die. He spared that guy - but only after he had a way to do that without it meaning the death of more innocents. Aang, the pacifist, was going to turn his back on everything he believed in just to avoid more human suffering.

So yeah, miss me with your bullshit and don't come back until your brain is developed enough to understand a cartoon aimed at kindergarterners.

#anti zutara #pro aang

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tumblingxelian · 8 months ago

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If I may ask with an open enough mind, might I hear out your thoughts on the character of Chloe Bourgeois? I don't expect an answer right out the gate so don't rush on my account. I'm merely trying to collect varying perspectives over what's become a uniquely controversial character.

Oh my that is a doozy of a question, I've debated no less than three separate videos on the topic and multiple essays to boot. Still, she's on my mind and the thing I am working on is obstructing me from modelling or writing but quires breaks to let stuff load so I have time for a longer ask:

So, what are my thoughts on Chloe Bourgeois?

Exactly where to start is rather tricky, so forgive any digressions or rambles.

Chloe is thematically the everyday reality of an Akumatized person.

What I mean by this is that Akuma victims are people in states of emotional distress, tribulation or trouble. Who thanks to the enabling of a power greater than themselves are both encouraged and enabled to lash out at others with borrowed power.

These people are meant to be sympathetic, their emotional tribulation taken advantage of, their situation, methods and thought process untenable. But they do need to be stopped from doing harm, and then healing needs to begin, with some effort made to redress the issue that led to them lashing out in the first place.

Akuma victims are the supernatural theme, Chloe is the reality.

Of course, some might claim she has no reason to have issues but...

Her mother is negligent and largely absent. The time they spent together prior to Queen Wasp, consisted of Chloe praising, giving gifts and trying to please Audrey. Only to be torn down, ignored, rejected or have her efforts disparaged. The woman doesn't even get her name right and the only means by which she earned even a scrap of approval was through being cruel. Something explicitly encouraged by the show's main character which is ???.

Though it seems Audrey got bored with her fairly quickly regardless.

Audrey is unrelentingly hostile, selfish and cruel and encourages these traits in others and only avoids turning them on a person if they are sufficiently useful, or a match for her in viciousness. You are either her victim, her tool, or a conspirator. This is a hilariously awful parent, the damage she can do limited only by her sheer lack of interest.

Andre is somehow worse.

I am going to ignore the reading undertones of subtext into things but suffice to say that ratchets him up from just a bad parent to kill him with fire parent.

What we see with Andre is a man who explicitly taught Chloe to lie, cheat, intimidate, extort and bribe people to get what she wants. She is fourteen, and has been doing this since before she was in double digits. She's not bad because there's something innately wrong with her, she behaves badly because she's been explicitly taught that was the proper way to conduct herself.

We know full well Andre is capable of reigning Chloe in, be it gently in the Christa episode or with disciplinary action in Kung Food. However he only does this when it suits him, or her actions might cause him problems. For all his alleged affection for her, or her alleged influence on him, Chloe's always on the end of a leash Andre can and will tug back on the moment he feels like it.

This isn't just bad because it's so blatantly hypocritical and self serving. It's bad, because it means he enables Chloe's most self destructive and harmful traits so long as they don't impact 'him'. Given also that he is the one who, to put it charitably, raised her, that means the consequences and fallout of her actions should fall on him.

The fact he is presumably the one who encouraged Chloe to impersonate his wife, given Audrey didn't start rewarding that behavior until Queen Wasp, is also bad parenting. Like even if you ignore the disgust factor, its just fucking awful parenting and like everything else he taught her. It contributed to the fact Chloe is a social pariah hated by most people she has to spend time around.

Because let's get to the next stage, subversions!

In most shows like ML, Chloe as "The mean girl" would be popular, or at least feared, able to pose a threat in a social context, and is usually insulated from the more magical issues.

None of this applies to Chloe.

Even if we don't treat Origins as the shows starting point, she's already only tangentially involved in class stuff. Her fathers hotels own doorman outright says she has no friends, extremely out of pocket of him. & Origins sees one of the first things said to him being that Chloe is a brat and he halfway ditches her before 24 hours are up, and keeps her at nominal arms length for the rest of the series.

We can talk about how there's reasons for this, sure, but the thing that's interesting here is the subversion.

Chloe's mean-ness has not won her friends or influence as it does other mean girls in fiction, such as Heathers or Mean Girls.

Instead, it's made her barely tolerated by her peers and this only grows worse for her as the show goes on leading to her ensuing isolation which only worsens her condition and attitude. This is something Chloe is even varying shades of aware of, as she tearfully confessed to Ladybug when hiding from her Akumatized father. She knows something is wrong, but doing things differently goes against everything her parents taught her or exemplified, so it's not a shock she struggles.

Similarly, compare how Bonnie from Kim Possible could actually out-compete Kim for the role of cheer captain.

Can Chloe beat Marinette in anything?

No, not really, or least the narrative never lets her do so even when she does have the skills for it, such as 8 years of ballet losing to nice vibes.

This is much less interesting than the previous point because it's basically just the writers using Chloe as a speed bump which gets boring after a while.

Then consider how Totally Spies own Mean Girl, Mandy is rarely tied to the actual adventures save maybe in a way other civilians are; leaving altercations with Clover as civilian affairs.

Does this apply to Chloe?

Fuck no XD

Chloe's frequently targeted by AKuma, even when she either shouldn't be singled out, (Ivan, everyone was scared) or for comparatively minor transgressions (Nathanial, his teacher screamed at, insulted & shook him) or outright targeted by the main villain of the show. (One who has known her since she was an infant!)

Even before she had a Miraculous, Chloe was a frequent target of violent murder attempts. But this is largely treated as neutral, or even as comeuppance for bad behaviour. The issue is, the sheer scale of what she's being targeted with is so completely disportionate to what she did, assuming she even did things wrong, that it comes off as more unfair than anything else, & liable to give trauma.

Especially as the show has double standards at times.

I think often-times the writers neglected to actually think through their karmic punishments for Chloe.

Take Pixelator,

Chloe is the one who recognized Jagged, helped her father, and actually did her fucking job, but is the only student not rewarded with a concert ticket despite having done nothing to piss Jagged off.

Or how when her locker was broken into she's largely dismissed and needs to threaten the principal with her father to get a response. One might say this is abusing her power, but A, it's her dads power and B, we see with Lila later that the principle will basically just bow to whoever can make the bigger fuss. This isn't a Chloe issue it's a Damocles issue and I think being upset people broke into her locker isn't exactly unfair.

Similarly, I noted above how Chloe loses to Marinette even when she shouldn't logically do so.

A bigger example of the narrative short hand delivered is the fact we see other characters do stuff Chloe does and get free rides.

IE, Kagami can dramatically strut into a fencing hall talking the most boastful shit, actually lose more or less legitimately, Akumatize and still be treated with sympathy and become a hero.

Chloe boastfully auditions to be Ladybug for a music video, but actually is the best audition scene, but loses out to positive vibes, gets angry & through her father lashes out, gets punished & no one gives a shit about her side of the story.

To be clear, I like Kagami, I find this comparison interesting, I just don't think the show realized that it did this or does stuff like this a lot.

That whole episode also demonstrates what I said at the start, about Chloe embodying the thematic of Akuma, IE, anger or distress, powerful sponsor, lashing out, ETC.

So the double standard in how she's framed and treated VS Kagami is framed and treated becomes a weakness of the writing and show.

We also see this with stuff like her & Marinette sabotaging Kagami, but Marinette largely getting portrayed sympathetically for doing so while Chloe isn't.

This creates the impression the problem isn't Chloe's bad behavior, it's with her mere existence.

IE, she's the audience and writer's punching bag/designated target, so it feels like the writers just kind of don't bother a lot of the time actually making her wrong or thinking through the implications of their story beats with her, or other characters' behaviour.

This stuff is present in Season 1, much more overt in season 2 and basically caps off season 3 which is where I stopped watching.

Cos like, the villain who's known her since forever has been actively trying to utilize her through the seasons, who explicitly aimed to puther in a state of severe emotional distress, ambushed her in her own home & had her parents in his grasp.

Right after the show's hero blatantly walked back a previous ruling that kept Chloe from being Queen Bee, (& did so for selfish and if one considered HK targeting known heroes, incredibly callous reasons)

But we're meant to hate the 14 year old for responding badly?

I would also argue stuff like this is a large part of what makes Chloe such an ensemble dark horde to the fandom. Not just because one can read into things about her history and character, but because the author's hand is so heavy it actively hurts and hinders its own narrative in order to harm Chloe and so feels unfair.

Some final notes I couldn't place elsewhere:

Akuma don't usually harm their loved one's. Chloe's mother tried to kill her on sight & then kept looking for excuses to do so & finally did. Andre turned the powerful & willful Audrey into a simpering hanger on and wanted to do the same with Chloe, which again, yikes.

When fused together they declared her incapable of loving anyone but herself. A fact blatantly disproven already but even in the episode itself with her demanding their release in exchange for helping Hawk Moth. & then tried to fucking EAT HER.

Her butler, school friend and teacher seemingly love her more than her own parents.

As an aside, Sabrina's explicitly encouraged to work for Chloe by her father as it makes her "Useful" which has loads of implications. But at least one can't blame Chloe for Sabrina's character.

Madame Bustier, when Akumatized uses having "Taken care" of her father as a lure to try and get Chloe to come to her. So again, yikes if one wants to read into it as it means even as an Akuma who was upset by Chloe, Bustier perceives Andre as the threat/problem to her.

Chloe by all accounts seems to live alone in a hotel suite, not even one of the fancier, super suites but like... The walls are 50% glass with no curtains, that lead to publicly exposed areas (as we see interviews with Jagged being conducted in them) and there's almost nothing to identify it as a space she lives in. Hell, the pictures on the wall are often blank and it seems she's lived here alone since she was a toddler.

That would have calamitous impacts on a Child's psyche & development!

Despite her portrayal, Chloe was shown to be extremely good at being Queen Bee in many respects.

She almost soloed Mayura.

She is the first person shown able to resist Akuma, got civilians out of an Akuma infested train cart & protected Sabrina during the second red Akuma swarm.

She was able to quickly and easily keep up with Ladybug on the roof tops and using a similar weapon & travel style creates a visual parallel between the two which carries implications of them being counterparts.

But most especially Chloe proved herself a skilled and heroic combatant during Heroes Day; covering for the other heroes without orders, doing so easily & needing to be targeted by multiple villains all with personal ties to her to be brought down, while protecting other heroes.

But that never really gets acknowledged.

So much like with "Nearly being brutally murdered for being kind of a dick" this sense of narrative imbalance engendered sympathy from those who notice.

I also find it fascinating that Chloe is, despite spending her life surrounded by abusers and enablers both, that she, without any real guidance, managed to soften their behaviors on her own.

Yes she buys Sabrina presents in luew of saying sorry, but she also spends time with her and does fun stuff, Andre just buys her off. She wants Adrien at her side and the like, but she doesn't actually try to stop him from befriending people she hates, Gabriel tries to keep him locked up. She doesn't like losing, but compares her relatively mild huffiness or brief theatrics to Audrey's violent response to merely being snubbed.

She's already doing better than all of them despite explicitly being taught or demonstrated, or victimized with all the wrong lessons and is fourteen.

Chloe also obviously has a deeply unhealthy understanding of relationships as seenin in how she recreates her parents awful dynamic with everyone around her.

IE,

Andre fawns on Audrey, who is domineering, never satisfied and harsh at best. Chloe acts accordingly with Sabrina, while fawning on her mother and Ladybug who are much the same though for different reasons. She's internalized this deeply unhealthy dynamic and applies it to herself as much as she does to anyone else.

This is just one element of the fact she honestly seems deeply troubled on a social level. I mentioned earlier that Chloe seems to know "Something" is wrong with everyone hating her & is clearly unhappy about it. But also seems unsure how to fix it, or what the source of the problem is.

The fact she often doesn't seem to get social cues, even from people she's treating like a peer, such as Ala or Adrien, gives off the sense that her problems go deeper than just "Being a brat".

This is further emphasized by the fact that so much of her daily persona seen is her doing an impression of her mother. Or otherwise putting on a show to try and get her dad or Kim, or the principle ETC, to do something.

Because when she's "upset" it's all theatrical prancing and squeals of daddy and then it's over.

But when she's actually upset, like panicking over losing Adrien upset, or breaking down cos Ladybug chose another hero with a known identity over her (Said by Kagami in the episode so we can't pretend it's not true). Chloe usually builds up to a brief explosion followed by a collapse, or just collapses outright into a panicked, curled up state. One that in one instance seemed to be intentionally drawing comparisons to an infant, but again give what we know that says less about her & more about Andre.

Basically, Chloe's life is a performance, we rarely see the real her, because she's always trying to play a role she thinks she's meant to, in order to be liked and successful & is confused, hurt and lonely because it's not working the way her family promises or demonstrated it would.

I also think it's interesting how Marinette & Kagami both firmly instruct her to stop bothering about seating arrangements. Like, we see he react to insults and anger with anger back, but those firm instructions seemed to make her actually inclined to listen, or at least intimidate rather than rile her up.

Also on the insults front, I think it's notable with the pariah angle that Chloe did basically become an open target. No, she doesn't do herself any favors, but her efforts to do video assignments, or participate in art class getting naught but degrading insults. Or her simply not participating in Madame Bustier's birthday causing the class to collectively tear into her says a lot.

Also much like with Damocles, Chloe getting away with mean-ness is not a Chloe thing, the other students get away with it too. At most getting a mild "Well that was kind of mean" which gets shrugged off.

So again we are back into one rule for Chloe another rule for everyone else, which engenders sympathy or frustration in many of the audience.

Also I find her & Adrien's friendship conceptually fascinating. because like... Adrien outright admits that he totally understands sabotaging a train to try and win a parents love. Meaning he both can likely imagine himself doing the same and also does not grasp how fucked up it is to think one has to go to such insane lengths for someone who treats them like trash.

Am I speaking about Audrey or Gabriel?

Trick question, it's both!

As a sort of final cap off, I quite enjoy the fact that Chloe's so aggressively defiant. Yes she can get scared & panic, but like. She spent 95% of her Stoneheart kidnapping oscillating between bored, pissed off and irritated.

One can say it's a fight based trauma response and I agree, but it's also just a fun dynamic to have for a character who'd normally be relegated solely to screaming damsel.

So yeah, I think she's a fascinating character in concept and at times execution. Who subverts, twists and breaks expected tropes tied to her archetype in fascinating ways but who's handling leaves me wanting, I hope this was useful!

@princess-of-the-corner @generalluxun @maestro04yayyy you might like this post too!

MAJOR EDIT!

I can't believe I went through Chloe's entire persona section & neglected to mention the fact that her efforts to flirt with guys always come off as so awkward and in-genuine compared to her enthusiastic adoration of Ladybug.

#ML #chloe bourgeois #miraculous ladybug #Text Post #Ask

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miraculouslbcnreactions · 11 months ago

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Keep hearing people say maribug keep asking adricat if he's ok and he keep saying he's ok instead of telling her his problem but I don't remember it happened more than once in s4 in Rockettear but even then the circumstances of that episode did warrant the "nothing" answer he gave her unless he want to tell her that "nino tell me you let nino and alya know each other identity" which will reveal adricat identity. So when else did she ask? about the thing in hack-san, I think another credit goes to alya since she's the one who bring the topic to maribug who seems to be blissfully unaware that her leaving without telling adeicat that she send subtitute would be a problem.

I didn't get into this side of things in my other post because it was long and I wanted to focus on why Chat Noir's behavior was so frustrating, but this ask brings up the other big reason why the season four conflict was such a frustrating and terribly written plot line. Specifically, the part of your ask where you point out that Maribug seems blissfully unaware that her actions are having a negative impact on Chat Noir until someone points it out to her.

Yes, she is presented as blissfully unaware of this and every other interpersonal conflict we're given in season four. Your ask treats this as a failing on Maribug's part as if she should have obviously realized that she was in the wrong, but that's the whole problem. Telling kids - telling anyone really - that they should just magically know what others need is a frankly terrible life lesson as that's just not how the world works. You cannot just assume that everyone will have the same view of the world as you do and instantly pick up on the same issues as you do. That is the path to easily avoidable frustration and conflict. It also teaches people to assume that their view of the world is inherently correct when that is rarely the case. We often don't know the whole story and the other person's point of view may end up being equally or even more valid. This issue is extremely present in season four as Marinette has legitimate reasons to behave the way she does, which I'll get into in a bit.

If Marinette were written as feeling guilty about how she was treating Chat Noir, then this would be a different story. She'd be way more in the wrong and would shoulder a much greater portion of the blame. But as is? She has no idea that she's doing anything wrong. And until someone takes the time to tell her that her actions are causing harm, she is going to continue causing harm because she has no idea that she's causing harm.

In fact, I'd argue that the Alya thing in Hack San is a point in Maribug's favor. Throughout the episode, we see Marinette sending Alya messages on ways to be a good partner to Chat Noir, proving that she does in fact care about him. And then, as soon as Alya says, "You need to talk to Chat Noir," what does Maribug do?

She goes and talks to Chat Noir, giving him a pretty good apology for the problem she now knows she caused. Because, shockingly, Maribug doesn't actually want to hurt her partner. She also clearly cares about his feelings, making me want to take the season four conflict and tear it into itty bitty pieces because what is the conflict even supposed to be when you write shit like this?

I want to briefly step away from Miraculous and talk about this issue in a broader context via this YouTube short:

This short is from a Vietnamese woman who moved to Germany. Her YouTube channel is about her experiences there, including things like the short above which goes into the differences between what it means to be a dinner guest in Vietnam and what it means to be a dinner guest in Germany. In Vietnam, it's apparently standard for the guests to cook dinner with you where as, in Germany, you're expected to have the meal ready when the guests arrive, making this a situation where it's super easy to come across as rude just by doing what you think is normal.

Society is relatively aware that these types of culture clashes are a thing, but you don't have to be from different cultures to have these types of situations. Every person has their own unique needs and ideas of what "normal" is. The culture they were raised in will affect this, but so will their family, their personal needs, and many other factors. Two people can be raised on the same street and wind up with wildly different world views even though they supposedly share a culture. This is extra true when you add in compounding factors like neurodiversity, which is why it's an exercise in futility to say, "But Maribug should have realized..."

Well, she clearly didn't. And you can't change that she didn't realize whatever you're mad about. All you can do is have someone tell her what she's doing wrong. If she then continues the behavior, go ahead and judge away. But if she immediately corrects it like she did in Hack San? Doesn't that just prove that she truly didn't know that Chat Noir was hurting and would have probably fixed all of his problems if someone just pointed them out to her?

This is only exacerbated by the fact that Marinette's behavior in season four is largely unchanged from her behavior in previous seasons. The only major change is that she revealed her identity to Alya, but as soon as that's pointed out as a problem, she course corrects with an apology. After that, she thinks that everything is okay because why wouldn't she? Chat Noir said it was fine and everything else has been business as usual.

Bringing temp heroes into help as needed? That's been going on since season two. Having these additional members has been vital in multiple battles and there have been plenty of times where Chat Noir took a background role to the temp hero of the day like in Sapotis, Rena Rouge's season two debut. So why would Maribug suddenly think that this dynamic is a problem when it's been working fine for so long? We even had a whole episode about how Chat Noir was still needed in spite of the new heroes back in season three! Or, at least, I think that was Desperada's message? This show is shockingly bad at giving clear lessons.

Keeping guardian knowledge from Chat Noir? That's also been going on since season two and was even treated as a conflict that supposedly got resolved in the episode Syren which was the episode that ended with Master Fu coming to the mansion to talk to Adrien after everything was over.

When I watched that episode, I assumed this meant that Chat Noir was going to be more involved in things like picking the temp heroes. I actually thought this was how we were going to get Queen Bee because I knew she was going to be a thing, but it made no sense for Marinette to pick Chloe for a miraculous. Of course, I was wrong. Nothing changed after Syren. Chat Noir remained nothing more than the comic relief while Ladybug got all the insider info.

To be clear, I think that was a terrible move writing wise, but it doesn't change the fact that this is what they went with. This is the established dynamic. I can't even say that Alya learning Marinette's secret led to something new. She's just taken Marinette's old role while Marinette has taken on Master Fu's old role. This show loves it's status quo and Chat Noir has been at least tolerant of that status quo since Syren, so it's not surprising that Maribug doesn't register that this is a thing that should change and no one bothers to point it out to her even though she has a mentor in Tikki (and Su Han, I guess?) and a confidant in Alya and a whole slew of Kwamis who could also provide insight if they were allowed to do that sort of thing. (Sass and Wayzz were robbed of mentor roles.) Additional blame goes to Plagg because he should absolutely have told Adrien to talk to Ladybug. What is the point of giving these characters mentors who never mentor? It's aggravating in the extreme.

To circle back to the first part of your ask, outside of Hack San and Rocketear, I don't think there are any times when Ladybug invites feedback from Chat Noir unless you want to give credit to the end of Kuro Neko:

Cat Noir: (lands next to her) I've been a really temperamental kitty, m'lady. I didn't realize how much trouble I'd make for you by giving back my Miraculous. Ladybug: (sits closer to him) Just because I don't need you all the time doesn't mean that I don't need you at all, Cat Noir. No one could ever replace you.

Which isn't Maribug inviting him to tell her what's up, but she is clearly willing to listen to him and reassure him, further backing up my point about this conflict being some of the worst writing I've ever had to suffer through. If Maribug always fixes the issue as soon as she learns about it, you are not writing a situation where she's clearly in the wrong. You are writing an easily solved communication issue where she gets blamed for something she clearly doesn't realize she's doing wrong and it is so frustrating!!! I feel so bad for her. The next episode is Penalteam, btw, which starts the battle with this gem:

Ladybug: (laughs) Nice scare tactics, but it's not gonna work. Cat Noir and I are the best at soccer! Cat Noir: (Whispers to Ladybug) I don't know a thing about soccer M'lady. Maybe it's time to call the real team?

And basically just spends the whole episode making Chat Noir seems like a worthless partner while Maribug tries her best to make him - and everyone else - feel special.

Oh, and the episode before Kuro Neko? Well, it's technically Ephemeral, but that got magically overwritten so let's go one further back and we get to Dearest Family, which ends with this:

Cat Noir: (grabs a golden paper crown on the coffee table) Since I'm the king, (wears the crown on his head) would you be my queen, Ladybug? Ladybug: With pleasure, kitty cat! Tradition is tradition!

Oh yes, these two are in such conflict and Maribug does nothing to validate Chat Noir. He's in pain every episode and she's just totally oblivious to it.

If that was what they wrote, then I'd probably agree that we needed more instances of her asking if Chat Noir was okay. But it's not what they wrote. If you look through the list of season four episodes, you'll find that less than half of them deal with the supposed conflict of the season (by my count, only 8 of the 24 episodes before the final actually showcase the conflict and they are not in a logical order in terms of escalation as I tried to demonstrate above). The rest of the episodes flat out ignore it or even straight up work against the conflict like when Ladybug says this to Chat Noir in Guilttrip: "I probably don't tell you this enough, but I couldn't do this without you. And it'd be a lot less fun too."

Seriously, what even is this season? What is the conflict supposed to be? Because it sure as shit isn't Maribug undervaluing Chat Noir, if memory servers, season four sees her validate him more times than any other season. And it isn't her guiltily hiding things from him like so many fanfics claim because we have multiple points of evidence that prove that she's completely oblivious that there even is a conflict. So what conflict are the writers actually trying to write?

What's even more baffling is that none of this logically leads to the loss at the end of the season:

Maribug's new secrets didn't lead to her downfall. The only reason she lost was because of the secret that's always been there - a fact that's never revealed to her - and a freaking evil twin! So why did it matter that Maribug was keeping secrets? This is made even worse by season five maintaining all of the secrets, once again begging the question of what lesson were we trying to teach here???

Chat Noir wasn't needed for the final fight of the season, Maribug only needed the powers of a few of the temp heroes to win, a baffling ending to a season whose focus was Chat Noir feeling unimportant. You could scrap that conflict entirely and the ending would not change. In fact....

Adrien quitting to be nothing more than a good little boy who obeys his father would have actually saved the world from eventually being rewritten. If you think about it, the season four final actually punishes Adrien for being defiant. So does season five as, if Chat Noir had quit, his father would still be alive. I thought this show was supposed to be a romcom, not a tragedy. Why is Adrien being punished for being a hero? Is this supposed to be karma for lying to Ladybug with the whole Catwalker thing?

This shit is why I say I'm a writing salt, character sugar blog. I can't get mad at the characters when they're in such a nonsense story where things never logically tie together. They all deserve so much better.

None of this is meant to imply that ignorance is a blanket excuse for hurting others. Nor is it meant to imply that you have to forgive someone who hurt you just because they didn't mean to. There's a ton of nuance around these topics. But season four acknowledges none of that nuance while creating a situation that desperately needed nuance because there was no clear right and wrong here. Should Maribug work to be more aware of others feelings? Sure, but that journey can only start after she's made aware of her faults and no one ever points them out to her. Does Chat Noir need to work on clearly communicating his needs? Desperately, but no one is teaching him that lesson so he remains a terrible communicator who suffers in silence. What impressively bad writing.

#ml writing critical #ml writing salt #adrien deserves better #marinette deserves better #kuro neko salt #my queendom for some good character arcs #and good story arcs #there's just so much squandered potential here #ml fandom salt #ml fandom critical #Adding those tags because I am sick of people holding Marinette to unrealistic expectations #This was long so I didn't add this part of the rant but:#It's important to remember how much we know as an audience vs what Maribug knows #Adrichat is really good at putting up a front that everything is fine #And Marinette knows nothing about his homelife when he's Chat Noir #Plus the show has made this kids kinda terrible at understanding Adrien's home life

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