#getting to the end of my next animatic
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sad-leon · 1 year ago
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Hey look, I finally made LFLS fanart :D
I think this was one of the first few long fics I read in this fandom and I still do like it quite a bit
I haven't used my watercolors in so long, so if was fun to go back and take a break from digital for a few hours
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buttercupshands · 1 month ago
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be ready I'm still sketching (so it's like post 1 of couple today) (also those are like... almost animatic parts but I was like ehhh I wanna draw something related without thinking)
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puppyeared · 1 month ago
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I can teach you how to be just like me
crying all night, sleeping till three
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astranauticus · 11 months ago
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oh i absolutely gave myself way too much of a workload this semester but holy shit i finally have like... about 80% of that orv changgwi animatic down in concept and i am. cartoon villain cackling
#asto speaks#when (yes WHEN not IF) i get it done its gonna hurt so bad#i mean i dont think it'll get done *soon* cuz god my workload this semester is. something#but if my math isnt wrong the webtoon is only gonna get to chapter 188 (where i plan to cover up to in the animatic) in like june so#ive got time?? kinda?? anyway i literally *cannot* stop thinking about this fucking idea so mark my words i will get it done#also yes its going to hurt me to make too because i havent ever done an animatic for a full song yet#changgwi is one of those songs thats kinda impossible to split up idk#also because my BEST ideas are at exactly the beginning and ending of the song. convenient.#the ending was like my one major concern when i first thought of this idea actually cuz the part of the song that#originally made me think of orv was that second (third?) verse of like the spirit telling the story of its own death that felt very yjh idk#but i just had. no idea what to do with the second half of the song#but then i read the novel and chapter 188 hit me in the back of the head with a baseball bat#and now that ending might be my favourite part of the whole project#>:)#big massive sorry to all my rwd mutuals btw i know there was a bit where i kept talking about making another rwd animatic#i do still have that sitting in my brain just cuz ive already animated a few segments of the song#i just dont reaaally have a full plan for the whole thing exactly so#by this point im just seeing if we get any DX-TR lore in s5 that might inspire me idk#project 2 electric boogaloo#stay tuned idk i have a bit of a proof of concept i plan to make this/next week#its funny actually cuz i got introduced to this song through an arknights animatic i saw on bb and i spent#honestly an embarrassing amount of time worrying if some of the ideas i have in my plan were just like. subconsciously stolen from that one#but i was like procrastinating schoolwork today and trying to plan out some stuff and just#went and looked up every changgwi animatic on bilibili i could find#and turns out the stuff i was worried id been stealing are honestly just like. common among *all* the stuff ive seen that use that song?#like cuz the official lyric video for the song is just so. stylistically *striking* a lot of genetic material from that just makes its way#into everything people make using that song like at this point the monochrome red colour scheme and like#ending on a backwards timelapse (?) through the vid is basically like scenes a faire for any changgwi animatic LMAO
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steeloptic · 2 months ago
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drawing every day
days 291 - 300!!!
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heroes-wear-green · 8 months ago
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Stunted - Remember Sports
So this is where everything leads You can pretend that you're nothing to me When everyone's making me choose Write you another sorry excuse I really hope we don't lose I really hope we don't lose
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frijolebean · 1 year ago
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my first short animatic ive really done
[video description: a grayscale animatic of Batman, Wonder Woman, and Superman. Batman is looking down at a screen that reads “Mission success! Yay!” while Wonder Woman and Superman smile and cheer in the background. Batman asks, “Mind if I get excited real quick?”
Wonder woman and Superman look over at Batman questioningly, and Batman asks," Have you ever seen a grown man smile?"
A close up of Batman shows him smiling widely with sparkles next to his face. He goes back to a serious expression and the sparkles fade away. He then says, "Now you have. Anytime I show emotion, it disturbs a lot of you."
Wonder woman and Superman look at Batman with surprise and confusion. End of video description.]
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gigizetz · 4 months ago
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I have a patreon now!
Due to popular demand, I created a patreon account!
if you want a way to support my art while getting to see exclusive content, early access to my videos, special thanks at the end of my videos and even getting an art commission every month now's your chance!
Highly appreciate everyone who's joining at any tier (even the $1 a month one)!
AND, even if you don't feel like joining right now, I highly suggest you to click that link for a little sneak peek of my next animatic!
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saixria · 4 days ago
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The ICHBW live stream animatic is hitting me hard hours after the fact I’m not a crier but I’m actually tearing up. Now I can fully articulate what I love about Athena’s part. Athena’s character came together so well I love it and I think the visuals combined with a day more of thinking + discussing with friends really helped me better understand everything. Those last 90 seconds of ICHBW was the BEST PART OF THE ENTIRE SHOW. Ridiculously long Athena character analysis under the cut which quickly devolves into thematic discussion lmao
First of all, the expressions they have on the animatic makes it abundantly clear that ody and Athena weren’t separated. HER SMILE!! HER LIGHTNING SCAR!! ODYSSEUS’ EXPRESSION SOFTENED TO A SMILE AFTER GETTING OUT OF QUICK THOUGHT!! Odysseus definitely pieced together what she did for her right then, there’s no other reason for Jorge to show Athena showing Odysseus that scar otherwise. It’s like they immediately slid back into place like puzzles pieces even after 10 years. They’ve been changed in completely opposite ways. Odysseus the mortal has been turned to be less human, more ruthless, while Athena the immortal goddess has been turned to be more human, more empathetic. The latter partially because of Odysseus. Tbh Athena ever showing her face to Odysseus after My Goodbye and saying “I can’t help but feel like I’ve led you astray” is as close to an apology as it’s gonna get LMAO. The unresolved WOTM melody in the end is actually because their story together hasn’t ended, it’s because Odysseus doesn’t have to be her warrior of the mind anymore.
I once said that open arms is more than mercy, but treating the world kindly to lead to kinder souls down the road, to change the world for the better, and it holds true even more now. Odysseus is too tired for this. He’s just a man, he knows a better world is possible but he can no longer be a part of it. He can’t witness the better world in his short mortal lifetime, he just wants his happy ending with his wife. He doesn’t want to be Athena’s warrior of the mind anymore, and that’s ok. And yet, and yet he knows it is possible. He needs it to be possible, and he needs Athena to make it possible. Athena accepts it with a soft “very well”. That doesn’t mean they won’t ever see each other again, just that they no longer have that obligation of mentor-student, they’re just two old friends. They can rebuild their relationship slowly but surely with what they have.
Telemachus is the Warrior of the Mind now (AHHHHHH HIS ATHENA CAPE AND HELMET I LOVE HIS UPGRADE). From here, Telemachus and Athena are gonna truly fulfill Athena’s mission of “making a greater tomorrow” except it isn’t to turn the world more logical and ruthless like she once thought, but to make the world more empathetic and kind — she’s finally found what she was fighting for. Perhaps this is why the WOTM melody in God Games ended with Legendary — Telemachus is the new warrior of the mind. Odysseus fought for a world where his son can be safe and grow up kind and he succeeded in that. Far from war, Telemachus grew up able to afford kindness and empathy while also retaining the ability to be ruthless in face of obstacles — and now he can use this to change the world to Athena’s new ideal — where people held each other with more empathy — as Athena’s new Warrior of the Mind.
Athena’s verse existing is a sign of her reconciliation with Odysseus (in character might I add! I don’t think they’re the type to express their affection so easily, they know each other so we’ll that they just know), so instead her verse is there to expand on the show’s theme as I will be talking about next.
I absolutely adore the depth Athena’s ICHBW verse adds to the thesis of the show. I’ve always thought of epic as mostly being about how it was best to strive for a balance between ruthlessness and open arms, but circumstances only allowed Odysseus to become ruthless which was tragic, while different circumstances allowed Telemachus to be both. But it’s not just that. Sure it’s good to have a balance between the two ideaologies but what if we could make a world where ruthlessness wasn’t needed at all? What if we could be unconditionally kind and be treated with kindness in return instead of taken advantage of or hurt? Where, when given the choice between open arms and ruthlessness, people would choose open arms? It wasn’t possible for these characters, but it could happen someday in the future. If Athena and Telemachus can work towards that future so can we. So should we, considering we’re in a much better place compared to them. A friend of mine said this was a call to action to us in the present and I just. Have not been able to stop thinking about it.
Athena has always thought in “maybes” about her purpose. from WOTM to My Goodbye we’ll be fine to ICHBW. “Maybe one day…” -> “One day you’ll…” -> “maybe if I…” -> “what if…” it’s like she’s representing the future, the “greater tomorrow” of what could be, because as Odysseus said, she’s immortal and she will live to see it and change it. Circe saga has something similar — “Maybe showing one act of kindness leads to kinder souls down the road”, “maybe one day the world will need a puppeteer no more, or maybe one day the world will need a puppeteer more”. The connection of these hypotheticals “maybe one day” with a future world that could possibly be changed for the better by spreading kindness and open arms extends from Athena’s songs to There are Other Ways, one of the only times in the musical where, when Circe could choose between ruthlessness and mercy, she chose to show mercy and help them in hopes of spreading kindness to the world and making the world a slightly better place — aka a scenario that showed how unconditional kindness, “open arms”, could work, for kindness isn’t the inability to be cruel but choosing kindness even when you have the choice not to be. “Kindness is brave”, like Polites said.
Because of her immortality, Athena is the character who’s most connected to “time” in the musical with her time-related abilities like “time dive”, making people think quicker, having a domain essentially outside of time and space… She doesn’t just have a connection with the future but also the past. As someone who lives forever, she is the one who can connect the past, learning from past mistakes, to change the future: “To fall is to learn one way”.
Speaking of her connection to time, You can almost see that at one point Athena was the narrator of the story (see cut songs: full speed ahead demo and Ismarus) like Hamilton’s Burr: simultaneously an observer and a participant of the story. In the animatic of ICHBW she’s overseeing everything happening from her hour glass, wondering out loud from a meta perspective about the themes of the show, hypotheticals of what a different story, a different world could have looked like, and bringing everything to a close. It really feels like Athena is who’s gonna “live and tell their story” as per Hamilton, as always has been the case from burrthena narration days of Old Epic. She’s not just the bridge between the past and future but also between the story and the audience, by bringing up these themes on a meta level to directly tell the audience to make the world a kinder place, because we have the choice, unlike Odysseus who can only choose to accept his actions and move forward. Because she lives forever she can carry on their memories forever. She can keep telling their story over and over again to remind herself and others to change the world by showing empathy and open arms, and she will keep telling this story to us until ruthlessness is no longer needed in the world. The world where this is possible is not theirs but OURS. It is WE who have the chance to choose between ruthlessness and open arms and the show is telling us that, when we have this choice and aren’t forced to be ruthless, to always choose kindness and empathy. Like Circe, like Telemachus. So that we may impart some kindness unto the world and make it a better place.
“Maybe one day we’ll reach them and we’ll make a greater tomorrow then they’ll see I know we’ll change the world cuz we are the warriors of the mind!” — yes, they have reached us. We are all also warriors of the mind, doing our part to change the world for the better, to be kinder.
To me, one part of Athena’s character that’s never clicked for me was her motivation in WOTM. “Make a greater tomorrow” “we’ll change the world” why? How? What’s the point of including this in her song when it’s never come back up again? Now with the ICHBW verse, everything is tied up with a beautiful ribbon. She has always wanted to change the world for the better, and now she’s finally found out how — to spread empathy and Open Arms — and it’s inspired by the desire to help her friends, to prevent what happened to Odysseus from happening again, honoring him, just as how Odysseus tried to embrace Open Arms to honor his dead friends’ memories.
All in all, I’ve grown to genuinely really really like Athena’s verse in ICHBW. It’s so short but so effective at conveying so much. I hope that made sense bc it’s more a compilation of thoughts I had rather than a structured essay. Perhaps one day I will restructure this into a proper essay but not today for after all I’m- *gets shot
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hoodedjelly · 4 months ago
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Sleep walk BTS post!
will go in depth with my process and put better quality drawings in here!
Before any of this i was listening to several fiddauthor/ford playlists to hear a song that really got my brain moving. Funny enough i didn't get Sleep walk from one of the 100+ song playlists i was listening to, it was in my oc playlist (thats a mad scientist who would've thought). Originally i wanted to make a fiddauthor animatic (who knows maybe i will), but THIS SONG just caught my brain in a way i couldn't refuse.
So i technically started working on it the late night of September 27, exactly a week ago! which yes yes i hear you all in unison go "WHAT???" to that, and all I have to say to that is.... I have untreated adhd and lots of caffeine in my system! (honestly felt like ford sometimes while workin on that animatic)
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Started it off with some notes, then thumbnails. I had my tbob AND J3 open next to me stood up with clips for reference (prob looked a little insane looking back but its fine)
now for the rough animatic! i did this in Adobe animate 2022 (i'll get back to that later) the only thing that really got changed was i wanted to add the diner scene from j3. i realize now that it messed up the timeline i was going for with the animatic but i like to think things are out of order because of the state ford is in, things start to merge together.
After i sat with this rough animatic for a bit, i wasn't sure if i was going to make it in Adobe animate (what i usually do) or make it all in Clip Studio Paint. I wanted this animatic to be way more visually interesting then i usually do, so CSP it is. But! i only have CSP Pro, so i had to draw and export every single new frame from this animatic.
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it was a little tedious at first (again never done an animatic like this before) but i got used to it! I edited it all together in CapCut and thats really it!
The missing J3 pages from TBOB spoke to me in a way that im not fully comfortable talking about to my followers. I put a lot of myself in this animatic then i'd want to realize, it's very important to me. The night when i uploaded it i was literally shaking with anxiety (and caffeine-) but the overwhelming support for it is really amazing, thank you so much! if you have any more questions please ask away i love talking about the art process.
Below im going to talk about the code and put HD backgrounds!
thank you for dyemro on here for cracking the code first! now i can talk about my insane little thought process about it
So i never planned to add a code until halfway through with the animatic. i was watching ThatGFFan videos and him talking about gravity falls codes got my brain cooking. i wanted something sweet and simple (i realize with dyemro's post it wasn't as simple as i thought, give me some slack it's my first time). like what you should with making codes you start at the end. And i wanted something that was a nice send off for drawing ford be fucking miserable for 1 minute and 30 seconds.
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so i got this. (honestly every time i look at this drawing after finishing the animatic it makes me real emotional)
There are 4 codes in this whole animatic 0:02, 0:15, 0:30, and 0:58
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wanted the first one to be REAL noticeable so people can stop and be like "wait... theres stuff in here". people usually think to use the bill symbols, but no! from the description theres a little hint to use the Author symbols
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doing that code it leads to: imgu r.com /a/uZa iVfu (and if you know that double line a under a letter means capitalization + im a dumb dumb that used a code image that didn't have a Z so thats just a normal Z)
it makes a LINK! > imgur.com/a/uZaiVfu <
now enough of that boring stuff, heres some HD screenshots and backgrounds of my fav parts
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keferon · 18 days ago
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I'm about to be running on very little sleep as Final's just hit. So I whipped this up really fast, because I am now a sucker for Texaid. Hopefully by the end of Finals I can start working on that texaid animatic i'd say i do. ________
[COME ON IN BABY~] The white text on Vortex's ever red screen showed, before he was opening up, allowing the medic turned pilot to step inside. Felix doesn’t think he’d ever get used to Vortex calling him baby, it was weird and annoying when he did it the first couple of times. But now It has become a comfort for him, it lets him know that Vortex is not really all that serious, and is trying to get a kick out of him.  All of his other pilots couldn’t take a joke, to which he reminds the haunted mecha that he killed or mentally damaged them before he really got to know any of them. [THEY WERE NEVER AS FUN AS YOU.]
“Flattered.”
Felix takes his seat, hooking himself up with the neural link so they can talk in real time.
“So any big plans on how to take care of this one?” The mecha powers up, much like the few others still in the station. Rodimus, and a few others he has really only spoken to once, as they are still too scared of him and his mecha.
‘I’d say let's have some fun with it, we haven’t had one dancing in a while.’ Felix chuckled at the suggestion, but nods. It would be fun to get one of those aliens to get itself tangled up in its tentacles trying to grab at them.
‘I’d known you’d take my suggestion baby.’ xxx
[DO YOU TRULY FEEL SAFE INSIDE ME?]
Felix looks back at the closed visor, the dead of night had hit. Frankly Felix does not want to try and walk through the halls where he might end up running into Pharma, he’s been acting weird lately, more than usual. 
“Yes, I do. Funny isn’t it. You can kill me in the most gruesome way, yet I'd much rather be with you, then finding myself face to face with a fellow human.” Felix smoothed out the sleeping bag on Vortex’s floor, fluffing up the pillow, then made his way inside to fall asleep. [YOU ARE WEIRD.] “I thought you liked that about me?” There was a long pause, before the sound of grinding gears entered his ears. The sound of metal laughing. 
[YES I DO. NOW SLEEP. BEFORE I CHANGE MY MIND AND GRIND YOU UP INTO A PAST.] An empty threat. Felix finds himself smiling. He reached out of his sleeping bag to pat at the surprisingly warm metal. “Whatever you say, Vortex.” His eyes were already shut, not being able to see the next line of text.
[SLEEP WELL FELIX BABY.]
xxx
[STOP IT YOU’RE HURTING HIM, STOP IT YOU’RE HURTING HIM, STOP IT YOU’RE HURTING ME, STOP IT YOU’RE HURTING US.] No matter how much he begged for Felix’s life, no matter if Shockwave could see him or not. The mad scientist was not stopping, Felix’s screams were not ceasing. 
While the screams of the perishing were normally something he relished in, delighted in hearing. This was not one he ever wished to hear. The agony in Felix's voice was loud and uncomfortable, he wished he could reach inside of himself and pull Felix out. 
But that would hurt Felix, he knows it will. It would harm him to a point he could no longer be his pilot. So he pleaded, he did something he never thought he’d stoop so low too. Yet he did. He did it because he wanted to stay by Felix’s side for as long as he could. 
Because he wanted to hear Flixes’s voice, he wanted to feel his excitement as they crushed the alien invaders, his curiosity when dissecting them to see how their body’s worked. He wanted their late night talks, just them in the silence of an inactive mecha charging station. 
He wanted this and so much more. 
But he won’t get it if Shockwave completely take’s over Felix’s body. 
He had to do something and fast.
‘Hang on Felix, I'm coming.’ 
My texaid soul IS THRIVING
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madfantom · 2 months ago
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Full animatic And so, part 2 of my comments, let's start.
◁Part 1 || Part 3 ▷
In the last part, and here, the order in which the children got to William is shown, and I will explain why it is not the order of the murders Here is a MEMO with missing children to make it easier to navigate, since I drew very simplistically.
I mean, when watching usually fnaf animations, I myself had the question "who the fuck are all these kids?" and, either in another animation I understood, or I did not understand at all, or the designs were so simplified that you can guess (I mean a child in all red or with a pirate armband is foxy, Freddy is all brown, etc.) So I just made outlines of their hair and costumes and that's it
It's just a little complaint here, don't pay attention, I'll just say it once, and that's because I didn't think that someone would write the same thing all the time when writing AU And one more thing. Chick's name is SOFIA. Please guys, I know that Suzy from fnaf 6 exists, okay? She's there, hell, she's even in the animation next to Cassidy. I just shifted her from being a chick to another one, not removed. And she also has an interesting role and a different design logic, I just don't have time to do everything. In fact, I even have a reason why Sofia exists and I wrote a very long text post about it, but I haven't finished drawing sketches there, so you won't see it yet. It's just that I'm starting to get a little bit hung up by the same type of comments from Pinterest, although to get rid of this, I write in big letters everywhere that it's AU
Let's go back to the animatic
I have displayed the methods of killing, which will then be reflected in the appearance of the ghosts. In fact, I took the idea from my old horror zine Fnaf art when I was thinking about how the children died there to make their appearance more creepy. Some of the ideas remained, and some were redesigned, as well as some designs
Sofia was placed in a ventilation unit. William caught her and left her there suffocating in the off ventilation , after a light strangulation, suffocating in the off ventilation. She didn't actually die, but she was the first (And I refer to this also in a custom night with the phrase "I was the first, I have seen everything!") And now imagine how the room smelled of chemicals after cleaning it from all kinds of oils and other liquids necessary for mechanisms that are very difficult to wipe off. While ventilation did not work and the girl was locked in a narrow place after she was strangled, forced to watch through the slots for the children who were after her That's why Sofia's ghost makes such a quiet clucking sound, as she coughs as if she's still in the ventilation. She won't die of suffocation, nah, in this comic she's still alive and William can cut her throat.
About the rest it is more obvious, well, not counting the pictures on the Background.
Jeremy was electrocuted, so his ghost hair is pulled up as if by an electric shock. He also has charred lips and eyelid skin and no eyebrows, and his hands have torn and charred stripes from just the same clamp. He looks like the most crippled of the three
Fritz couldn't stand the blows from blunt and sharp objects and in the end they attached a mask to his face with a nail gun or something like that and set it on fire quite a bit. Well, just a little bit. His background is directly related to the comic, which Redraw at the beginning, and now I continue. I'm still doing it, but I need a lot of time for it
Gabriella was basically cut while they wrapped one of those cables around his neck that are forever hanging on the walls in fnaf and pulled out his eye after death
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tapakah0 · 2 years ago
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pt. 2 | The end of Ep 6 [Lair games] YEYE MADE IT AGAIN I DON'T KNOW WHO THE HELL OR WHY IS STILL READING IT BUT THERE IS A HELL OF AN ANIMATIC IT IS SO WORTH SOME GOLDEN MINES AND MY HAND SHAKING HANDSHAKES Next episode It was… well, unexpected… I originally planned 3 chapters of fights, the last of which would be between Leo and Mikey, the "greatest battle of grasshoppers", but apparently Casey is in charge here… So now we only have 2 chapters with fights and Mikey officially secured his status. I'm still trying to get used to them all and trying to figure out how to present the story….
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puppyeared · 2 years ago
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This one is for my one and only true fave artist...
Pupper,
Puppy, You're so cool!
*cough* How was the process when making one animatic?
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seirindono · 1 year ago
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The Missing Scarf VIII - part 33 (END (1))
Eye contact
-
And there you have it, Part VIII ends here... for now ⸜( *ˊᵕˋ* )⸝
Almost six months of activity on this blog, that's quite something. Unheard of, even, I hope you're proud that you had a great time with Mel and the gang! They'll be back for new adventures next year (sometime in may or june prbly). And HT Sans will be along for the ride this time!
Some side stories, extras and animatics might drop in the meantime (no promise) but I'll try to answer a few asks first… and before that, finish my assignements, get over that cold, and enjoy a nice holydays ( ´ ▿ ` )
TLDR the comic is taking its annual hiatus, updates will be less frequent but you can expect some lore, silly stuff, and other random things to be released now and then.
Thanks for reading and supporting TMS!
First part | Prev | Next
Ko-fi | Patreon | Comic | Commissions  | To support the comic
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anniflamma · 1 year ago
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My next animatic will probably be Ruthlessness. So I have been sketching out some ideas, I guess, for Poseidon, and I ended up making him a horse. So I like to depict the gods as animals or change sizes when they are expressing big emotions. And Poseidon has this calm anger throughout all of his songs, but his anger is simmering beneath. So my first ideas, I started out having him as a dark horse chasing Odysseus' boat. And when he becomes angry, he becomes more horrifying. But then I realized that meant that I had to draw a freaking horse throughout the whole animatic, and I didn't want that, so I gave him a human form....
His human form isn't really 100% decided yet. I don't really know if he fit of the delivery the song.
If I remember right, in the snippet of Get In The Water, Jay said that there will be a "twist" in the song. Probably Athena will appear or something. I don't know what it can be. But I do have some theories.
I have a headcanon about Poseidon in the musical. I see him more like a personification of vengeance itself. It's based on the parallelism between Odysseus, Poseidon, and even Hector.
Hector was the man who died and couldn't protect his son from the perpetrator. Poseidon is the man whose son became mutilated and is trying to take revenge on his perpetrator. Odysseus is the man who does everything he can to make sure he won't end up in the same spot like Hector/Poseidon.
So this design of Poseidon is more based on what if Poseidon was the representation of Hector's ghost trying to take revenge for the murder of his son.
It's a stretch, but I kind of like it!
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