#get very upset

[teddybeartoji]

I LOVE THE WAY YOU WRITE TOJI a lot of people just straight up make him an asshole in a not so affectionate way

NONNIEEEE:(((((((((((((((((((( THAT'S THE BEST COMPLIMENT EVER I LOVE HIM SOO SO MUCH AND IT MAKES ME SO FUCKING HAPPY WHEN PPL SAY THAT THEY LIKE THE WAY I WRITE HIMM OH MY GODDDDD:(((((((((((( THANK YOUU!!!!!!!!!!!!!!!! ILYYYY!!!!!!!!!!!!

i am a massive massive softie toji truther i think he's definitely a grump and finds it hard to open up but when you finally swivel your way into his heart? he's so done for. i think he's THE best husband material and idc if anybody says otherwise he's perfect to me<3333

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[qoldenskies]

i think its so funny when people take the way donnie acts at face value even though its a horrible lie because he's a horrible liar, while understanding leo is bullshitting very well despite him actually being GOOD at bullshitting. many such cases

[starry-bi-sky]

FUNNIEST fucking shit that comes with making Danny eleven years old when he had his accident in "late at night, when the nightingale sings" is the implication following, that everything that happened in the show did too. And I fully intend on (mostly) keeping it like that. There'll be some changes (of which I need to figure out) but for the most part??? Yeah relatively the same.

Like I FULLY intend on keeping Dark Danny occurring 6 months post accident. Do you know how fucking HILARIOUS that is??? That Dan got his ass kicked by a goddamn FIFTH-SIXTH GRADER?? I'd never show my face ever again. Homeboy spent the last ten years being a one-man mass extinction event, only to get his ass beat by a kid who hasn't even lost his last baby tooth. That's hysterical. I'm losing my mind just thinking about it.

AND PARIAH DARK TOO. Imagine being an eons old tyrant capable of dragging whole towns down into your dimension, and you get singehandedly shoved back into your coffin in less than 48 hours by a kid whose bedtime is still 8:30. You didn't even have the time to expand your army! You were still trying to take over the city the kid came from!

And he just!!! Shoves you back in!! Insane! This kid hasn't even been dead for a full year yet! He's still growing in his ghost fangs! And he just knocked you flat on your ass in an oversized mech suit. What the fuck! It's like looking down and seeing a four week old kitten meowing very indignantly at you and trying to bite your feet, except that kitten is also actually a black-footed cat and they have a 60% kill success rate, and oops! Now you're dead. You took too long laughing at the kitten trying to attack you that it clawed up your pant leg and ripped out your throat.

COULD I, realistically, span these episodes out over the course of 2.5 years prior to Danny's family dying?? Yes I could! Do I think it's hilarious (and horribly traumatizing, which makes it twice as fun) to shove all of this into the span of (roughly) a year instead?? Yes. Because the show has such a skewed timeline that I've always just assumed that at the end of the show, Danny was starting his sophomore year in high school. So fuck it, lets go for it!

[gigizetz]

Hi Gigi :3

Are we gonna get a hold them down animation? Or no because the uncomforty topic?

that's up for the future to decide

I'll be busy with commissions up until february I think, so util then I won't be working on any Epic animatics

and then once I have time again I'll finish God Games

and after that I kinda want to do Legendary-

[dragonpyre]

Ok but au where Jason had vitiligo or poliosis since he was a kid and always had the white hair streak but just dyed it when he was with Bruce so as to not give away Robins identity. Stops doing that after he died cuz there wasn’t really a point. Somehow the rest of the family (minus Bruce) didn’t even KNOW he has poliosis/vitiligo and just assumes it’s a death thing

This leads to many confusing conversations

[skeletood]

i've been sitting on a lot of disgrub related art.

no, context will not be provided (probably)

[poorly-drawn-mdzs]

Hello Madam. Sorry Madam.

[First] Prev <–-> Next

[honeyhobbs]

Trying to draw again 😔 so obviously had to be gaz

[somnoir]

Prodigal son beyond time - Part 1

Ra's Al Ghul had a son. No, it's not Dusan we spoke of right now. Ra's Al Ghul's first born child was a peculiar boy that was forged by the Lazarus Pits—or so what he says.

Talia has never met her brother.

Her brother, it has been years since she's found out about him yet her father never gives them a name—he thinks them unworthy of it. Even if he was not present, her brother continues to be the favorite, to be the child their father praised most. His absence is a glaring hole in her father's heart (though she is not sure if he has one).

It is no secret amongst the league that Ra's nameless son was unofficially the heir, even when Damian was born.

Talia has doubted her brother's distance many times, and yet she finds evidence of him over and over again.

Her father writes letters, strange ones that vary in language, dialect, grammar, writing styles. She did not mean to read one when she was young, but she couldn't help herself when she had seen it.

My dearest, son of mine,

It has been an age since last I beheld your presence. I find it most disquieting that you have not seen fit to visit, though I am not ignorant of how poorly time aligns itself with your affairs. Yet still, I dare to hope that you might bestow upon me a portion of your time, if but briefly.

Your siblings have inquired after you once more. Yet I am acutely aware that it would be unwise to bind you to this mortal realm for too great a span. Their hearts, tender and unfortified, lack the endurance I possess to weather the long absences your path necessitates. Nevertheless, I am not blind to the hope you carry—to one day stand before them, whether that moment lies near or far in the veiled expanse of time.

She could not finish the lengthy letter before the letter vanished from her hand, a burst of green and strange liquid slipping from her fingers. Talia had been startled, too young, assuming that this was Lazarus water that has stolen her father's letter.

And she found her father looming behind her, his expression stern get there was amusement in his eyes.

"Your brother is a curious person." Her father hummed, "He's powerful."

"We are not... Allowed to meet him?"

"Not yet. Until you steel your hearts." Ra's nodded, "Your brother does not stay in one place for long. But he is soft hearted and loyal to the family. You give him reason to stay and he will stay."

His hand, firm and guidind, pressed against her shoulder in a tight grip. "And I will not let any of you weaken him."

On that day, Talia realized that her father truly did love her brother. In his own strange way.

The next time she reads a letter, Damian was but a babe of one, cradled in her arms as a letter written on green paper rested in her father's hand. It was open, the wax seal carefully sliced from the envelope.

"Father."

"Talia." He replied nonchalantly, eyes flicking to Damian, his eyes softening momentarily as a longing look slipped to the letter.

Talia's heart tightened, resentful that her father was beginning to see his favorite child on her own son. She could not allow that...

"Your brother has written to me. It has been... Almost a year... Since the last." Ra's hummed, turning to Talia, then Damian, before flicking yet another letter to her. It startled her.

"From your brother." Ra's sighed, "I made the mistake of writing about Damian and now he wishes to meet you first. Not Nyssa, not Dusan—you."

"My brother?" Talia hesitantly accepted the letter. "I do not even know his name..."

Ra's clicked his tongue, "He signed it in his name. You will know from that letter." He paused, glancing back at her. "You have yet to prove yourself worthy, Talia, but... Damian's birth will surely being your brother back home."

Talia's heart palpitated in her chest.

The prospect of her baby, her son, her child—the mere thought that her baby would be the thing that successfully brings her brother home was... Outstanding.

"Read it in your own time... After that, seek me out."

Talia does not know... What to particularly do...

But she takes Damian, watches as her father leaves, and hurries along to her own quarters.

Talia tucks her son into the crib, narrowing her eyes at the nursemaids that were hired to nurture her son. She dismissed them immediately, watching as they silently leave the room. It is only when silence reigns does she takes a seat on her bed as Damian slumbers in his crib.

(Her hands tremble as the letter rested in her hands. It was light, not heavy, her her hands tremble as if she could not handle the weight.)

She takes in a deep breath, takes a dagger and carefully slices it away from envelope. It's intricately made.

The letter is written in the same green paper that her father received.

The letter read as thus:

My Dearest Talia, It would seem that I am now to be regarded as your brother, for Ra's has deemed me his son. Admittedly, this turn of events is of my own doing, as I endeared myself to him centuries past and found solace in his companionship, coming to view him as a father in truth. Yet you, his daughter by blood, remain a stranger to me, as do Nyssa and Dusan. How peculiar it is that Father should act in such a manner, withholding such introductions with his customary inscrutability.

She takes in a deep breath, awes by her brother's penmaniship... And then suddenly the writing style changes. Morphing from the olden age, the formality of a noble, to...

Anyways! Since you're my sister, I don't think I have to keep writing to you the same way Ra's does. It feels awkward to me, y'know?

She was not expecting that change but...

I've always wanted to meet you all. But my duties to my realm are hard. I can't freelt leave. It's especially worse since my world's time doesn't correlate to yours.

You might find the change of writing styles weird, but in all honesty, I'm from the 21st century. It's just that time never did agree with me. Had to comply with the old man on writing like that since he likes it. Weird, right?

But anyways! I heard you had a son! Congrats by the way. I'd like to meet him too, actually. Aside from that, I heard from Ra's you don't know my name.

Well, he's decided to call my Danyal as it's the Arabic version of my original name "Daniel". Though I often go by my nickname Danny. But it has been a delight to write to you, Talia. Hopefully, I'll be able to meet you and your son in the future.

Since you have my name now, you can write me letters too! It'll find me eventually.

Your brother,

Danny

Her brother's name was Danyal... Her brother went by Danny.

Talia blinked.

Her strange brother was a being that traversed through time, a person who was born in the 21st century... Her brother could be somewhere in the world in that moment and in another time the next.

She pressed the letter to her lips, unable to hold back her smile.

She had quite the silly brother...

And amongst her siblings, Talia was the first to know her brother's name. That bit about being able to write letters to him made her finally understand why her father was so possessive of a name.

(In the Infinite realms, High King Phantom received a letter from his estranged younger sister. He really didn't mean to find family in the Demon's head, but he found it anyways.)

Part 2 | Masterlist

[benevolenterrancy]

"Heavens, he doesn't understand again." "Every time he says 'I don't understand', Lui-shixiong grabs someone to demonstrate until he understands..." Ji Jue quietly complained to Shang Qinghua. No wonder the injuries at Bai Zhan Peak had only increased!

so this is obviously Liu Qingge's entire love language, right?

[technically-human]

Hello! I absolutely adore your art it’s lovely 💙

Could I request Edwin reading to Charles to comfort him after a difficult case? It’s my favorite trope and I’d love to see your take on it :) have a wonderful day!

I have actually made a similar drawing before here but it's never too much comfort for Charles!

Ko-Fi

[elsecrytt]

you fucking hate your job.

unfortunately, you also need it.

some old money family hires you to play housekeeper for their weird ass son. satoru gojo, you think.

he's handsome. just looking at him is a treat; stark white hair, bright blue eyes, a face like an actual idol.

and then he opens his mouth. illusion ruined.

whatever. you don't care that much about his "wow! you really didn't dress up for work, huh?" and "so, let me guess... no boyfriend?" you’ve dealt with worse.

you'd been excited when you got this job. you're broke. the pay is great. you're ready to do anything to not get fired.

you keep the apartment completely spotless, despite how many candy wrappers and packages he leaves around, the disaster that is his stupid fancy bathroom. 

seriously, who leaves soap and shampoo everywhere like that? who jerks off in the shower that often? throws towels around and knocks bottles and toothbrushes over? it's like he's trying to leave a mess.

you do his laundry, which he just leaves on the floor like a goddamn animal. there's some clothes with gross, crusty white on them.

one time, you'd caught him staring at you while you picked it up, smirking all the while.

this is the guy you’re being paid to look after. and you’re fucking trying! god, do you ever try!

you cook meals from scratch, hours-long, intensive processes. you check his fridge, shamelessly dig through his garbage to see what he likes and try to make things he'll enjoy.

he leaves empty boxes of takeout on the counter, your homemade dinner in the trash, untouched.

it's in your contract. you can't not cook for him. and you can't eat anything, either, not when you're terrified of getting fired and he obviously likes to make you miserable.

and your landlord just informed you last month - rent will be going up. and not by a small amount.

you'd just finished digging yourself out of one hole and life kicks you right back down.

you don't know how you're going to make rent this month. fuck, you don't even know what you're going to have for dinner. if you can afford dinner. if you can even afford to put the heat on tonight.

it's not even a question. obviously the answer is no.

sitting on the plush, luxury couch in gojo’s apartment, you bury your head in your hands, and cry.

maybe you can get another job? but there's only so many hours in the day. you're so fucking sick of working all the time. you already do.

is it too much to ask for life to cut you a fucking break?

"what's wrong?" your least favorite voice interrupts - and a hand on your shoulder, shaking you, none-too-gently.

"don't tell me..." there's that smugness, "are you cryin'?"

"sorry, i just need a minute." you say, swallowing your anger to look him in the eyes. "i just got some bad news. my landlord is raising the rent next month."

"oh?" his tone is only getting worse, "so what? just move out. or get some roommates, or whatever you poor people do."

god, the fucking mouth on this man.

"soooo? sounds like poor planning on your part," satoru says, casually leaning onto the edge of the couch, "i just don't get why you're crying about it. like, that's kinda pathetic, you know?" he snickers -

SLAP

dead silence. a sting on your hand. satoru's face bent to the side. you don't even regret it. not right now, as angry as you are.

"you-" a rant is just about to spring from your lips, and then -

satoru grabs your hands, pulling them into his, right in front of his face.

his cheeks are dusted red. pretty eyes wide and dilated, fixed on you. mouth twisted in a grin.

you glance down to the front of his pants, where a noticeable bulge has formed.

"do it again."

[claraoswalds]

#mrs flood who are you: time lord edition

[opens-up-4-nobody]

Suspirium - Thom York

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess