#get very upset

[teddybeartoji]

I LOVE THE WAY YOU WRITE TOJI a lot of people just straight up make him an asshole in a not so affectionate way

NONNIEEEE:(((((((((((((((((((( THAT'S THE BEST COMPLIMENT EVER I LOVE HIM SOO SO MUCH AND IT MAKES ME SO FUCKING HAPPY WHEN PPL SAY THAT THEY LIKE THE WAY I WRITE HIMM OH MY GODDDDD:(((((((((((( THANK YOUU!!!!!!!!!!!!!!!! ILYYYY!!!!!!!!!!!!

i am a massive massive softie toji truther i think he's definitely a grump and finds it hard to open up but when you finally swivel your way into his heart? he's so done for. i think he's THE best husband material and idc if anybody says otherwise he's perfect to me<3333

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[starry-bi-sky]

FUNNIEST fucking shit that comes with making Danny eleven years old when he had his accident in "late at night, when the nightingale sings" is the implication following, that everything that happened in the show did too. And I fully intend on (mostly) keeping it like that. There'll be some changes (of which I need to figure out) but for the most part??? Yeah relatively the same.

Like I FULLY intend on keeping Dark Danny occurring 6 months post accident. Do you know how fucking HILARIOUS that is??? That Dan got his ass kicked by a goddamn FIFTH-SIXTH GRADER?? I'd never show my face ever again. Homeboy spent the last ten years being a one-man mass extinction event, only to get his ass beat by a kid who hasn't even lost his last baby tooth. That's hysterical. I'm losing my mind just thinking about it.

AND PARIAH DARK TOO. Imagine being an eons old tyrant capable of dragging whole towns down into your dimension, and you get singehandedly shoved back into your coffin in less than 48 hours by a kid whose bedtime is still 8:30. You didn't even have the time to expand your army! You were still trying to take over the city the kid came from!

And he just!!! Shoves you back in!! Insane! This kid hasn't even been dead for a full year yet! He's still growing in his ghost fangs! And he just knocked you flat on your ass in an oversized mech suit. What the fuck! It's like looking down and seeing a four week old kitten meowing very indignantly at you and trying to bite your feet, except that kitten is also actually a black-footed cat and they have a 60% kill success rate, and oops! Now you're dead. You took too long laughing at the kitten trying to attack you that it clawed up your pant leg and ripped out your throat.

COULD I, realistically, span these episodes out over the course of 2.5 years prior to Danny's family dying?? Yes I could! Do I think it's hilarious (and horribly traumatizing, which makes it twice as fun) to shove all of this into the span of (roughly) a year instead?? Yes. Because the show has such a skewed timeline that I've always just assumed that at the end of the show, Danny was starting his sophomore year in high school. So fuck it, lets go for it!

[dragonpyre]

Ok but au where Jason had vitiligo or poliosis since he was a kid and always had the white hair streak but just dyed it when he was with Bruce so as to not give away Robins identity. Stops doing that after he died cuz there wasn’t really a point. Somehow the rest of the family (minus Bruce) didn’t even KNOW he has poliosis/vitiligo and just assumes it’s a death thing

This leads to many confusing conversations

[skeletood]

i've been sitting on a lot of disgrub related art.

no, context will not be provided (probably)

[poorly-drawn-mdzs]

Hello Madam. Sorry Madam.

[First] Prev <–-> Next

[technically-human]

Hello! I absolutely adore your art it’s lovely 💙

Could I request Edwin reading to Charles to comfort him after a difficult case? It’s my favorite trope and I’d love to see your take on it :) have a wonderful day!

I have actually made a similar drawing before here but it's never too much comfort for Charles!

Ko-Fi

[claraoswalds]

#mrs flood who are you: time lord edition

[opens-up-4-nobody]

Suspirium - Thom York

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[benevolenterrancy]

"Heavens, he doesn't understand again." "Every time he says 'I don't understand', Lui-shixiong grabs someone to demonstrate until he understands..." Ji Jue quietly complained to Shang Qinghua. No wonder the injuries at Bai Zhan Peak had only increased!

so this is obviously Liu Qingge's entire love language, right?

[lexithwrites]

before he met regulus, james was always praised, constantly told how smart and funny and attractive he was, and just everyday someone would make him feel so special and loved and perfect,,,and then he meets regulus who—trust me does all of that and more—is a lil mean but only in the context of sex, and never insulting, he just tells james he sounds desperate when he begs, how pathetic he looks when he's on his knees for him, how much of a slut he is when he's fucking him and whimpering and moaning into his ear,,,and its nice, its nice to have ONE person that makes james feel dirty

(this may or may not be based off of @spookeart 's latest patreon post,,,,,,you're amazing)

[mossy-paws]

Clementine returns. (PHIGHTING!)

deciding to accumulate all of these into a singular post to make my life easier + so that I can have some more food for you all,,, anyways.

My. My son. Clementine my baby my sweet boy,,, Some of these ARE actually reposts but the first 2 are for sure not :3! (I think at least LMAO), enjoy this :3! I must go back to my hole /silly

(Also a bonus as well )

[meteors-lotr]

Biggest tragedy in the tolkienverse is that when the dwarves were captured by the elves in Mirkwood, Thorin lost his sickass fur lined coat

Like don’t get me wrong the replacement ain’t half bad, but like that coat is everything I want in my life

[stardustedknuckles]

Listening to the Matron talk about the previous god of death cements for me the idea that Vax was always meant to have more time before she made good on their deal. She didn't mean for him to know the same eternal separation and grief she had taken upon herself - that she had chosen with eyes wide open. He was supposed to have time and happiness with Keyleth. Maybe even time beyond a natural lifespan, though that's probably pushing it a little. To the max of said lifespan at the very least. She didn't want for him - or for keyleth - what she had been through, but her hand was forced, and the only way to give him back in any capacity was to take away what should have been. His fate was to become her champion, yes, but there was time to live first. That fate was changed as a gift. It was all she could allow as the keeper of her domain and arguably, her mortality is what led her to give it at all.

Yes. She hears the sounds of grief and loss unending, unceasing. Death is less than nothing to her and the sum of who she is. She is synonymous to death in many ways, though she refers to herself as its steward and rightfully so.

But I think what sets her apart is that she never grows numb to it. That mask is to hide the fact that all of it still affects her. It's to hide all of it - her loneliness, yes, but also that she feels every death. She hears every cry, every curse, every regret. She stands before every soul individually and does what she must, and she wears the mask so that she can do so without giving anything of her mortal feelings away. The dead do not need to know that she cares, that she understands. Death is not about her. It is about who is standing in front of her waiting to be ushered into the beyond. She is the great reuniter, forever separated from the one she loves.

So yes. I believe that Vax was always meant to have more time, right up until time was the only thing left to barter. His fate was to die after a long and happy life, to go peacefully and take up the mantle at her side when he was done on Exandria.

But that had to change to save the fate of the world, and nobody in this realm or any other knows better the loss and the grief that came about from cutting that time short. Vax wasn't meant to understand it either. She wanted better for him and, by extension, keyleth.

[northstarscowboyhat]

The go to ship for destressing doodles