#get a job ep

[applejazzproduction]

Bonus https://tunetrax.com/selwyn-masango/uploaded_audio/9193/bonus #bonus #yearbonus #GetajobEP

[esperfraud]

When John keeps gaslighting himself into believing that he became attached to humanity because of a random nurse and not because of Arthur

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[rontra]

(this is comic #12) [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [all posts] [from the start]

the school festival, part 1

well, it's important to learn how to organize and problem-solve independently, but it's also important to learn that you can & should ask for help when you need it. right? (looking at kawakami) RIGHT?

i miss becky so bad i need maid time soon

[storge]

What's all this first thing in the morning? You've been on leave for two long months. I was afraid your men's skills might be rusty. So I thought to help them warm up. In that case, I should thank the Jinwu Guards. You're welcome. Now that your men have warmed up, I'll personally help you warm up.

CHENG LEI as Shang Bieli & LUO YUNXI as Jiang Xinbai

Follow Your Heart (2024) 1.07

[mydarlinglaszlo]

ok so i was really waiting for someone to gif the mika/jules scene at the end of 21x02 cause i unfortunately do not know how and i wanted to reblog it badly so ig a screenshot will suffice for now. ahhhhhhhh. it was such a short scene but it was!! so much!! to me!!

this was so soft??? them coming back to mika's house wearing civvies so they were together after work? the song in the background was so good. they were obviously holding hands or something before that. and jules stopping her for a moment before they're heading inside. the forehead touch. the way they were about to kiss before they heard Kwan playing video games (so it was obviously late). I'll forgive Kwan for the blocking cause my boy is Going Through It and I did love that they joined to keep him company, and mika helping jules beat him?? GOD!! 🥺

i love them sm!! why are they giving this to me now when midori is about to leave the show. i should not get invested in her and jules. but alas i fear it is too late. idk there is just something so sweet about them :(

[feelingtheaster99]

Thank the lord for Jawbone for addressing Riz’s bottling up of his emotions. He certainly hasn’t told any of them about his tough financial situation even though Fabian definitely could HELP, and I don’t think he’s even told them about why he made up Baron—about being ace and thus feeling left out when they all were in couples either.

[wolves-in-the-world]

it remains so so fun to me that near the end of the cross my heart job (with a kid in danger and very personal stakes) nate tells eliot to take someone's gun with them in the ambulance and eliot doesn't even hesitate.

my memory's a little hazy, but… big bang job aside, last dam job aside, does eliot even do that? pick up a gun without immediately taking the ammo out, and with the possible intention to use it? I really don't think he does.

and we don't even see how it goes. by nate's count the villain's got one more contingency plan in place and we don't even see what it is. we skip straight to the hospital like nothing much happened. and maybe it didn't.

I do think the team would look more rattled if eliot flat out shot or killed someone in front of them. and, y'know, I like and respect the spirit of the canon, the rules they like to follow - that the good guys pretty much win, that nobody drops the idiot ball, that no innocents die on their watch, that the team doesn't outright kill anyone - so I'm inclined to say nothing big happened in the time we missed. but sending a warning shot past someone's ear, or even just shooting out some tires, might not be that big.

and sitting in that ambulance with the gun in his hand keeping an eye out for dangers, running through possibilities, his hands shaking slightly with the possibility that he'll have to do what he's good at again, because nate told him to, and because it's for a good cause, and if he can save a kid to help make up for it all he will--

that, to my mind, is very possible.

and that [mean voice] is what's so fun to me.

(and if he was calm in the moment? if he was focused and methodical and nate's order and the kid's life in the balance carried him through the situation until he had time to unpack what it meant later? that's almost worse.)

[secriden]

love sea episode 2 rewatch thoughts:

in hindsight, this opening should've clued us in that this episode was going to be horny as fuck.

ok so if episode 1 was about establishing mahasamut, i think the purpose of episode 2 is really to give us a much more nuanced introduction to tongrak. what's fascinating is that the show chooses to impart this insight to us through a rather unusual medium: sex (and, specifically, tongrak's attitude about sex).

we open with kinky kinky beach sex and it tells us that tongrak is impulsive, hedonistic, and tends to give into the emotions of the moment (something that, as the series develops, he does with increasingly self-sabotaging results; eg. when he lashes out at mahasamut after the 1st run in with prin or when he runs off to appease jak when he gets fearful in episode 9).

it also tells us that tongrak is very comfortable with his physical wants and needs. sure, mahasamut kinda flusters him because he awakens desires that are more intense than he's is used to, but tongrak's still grounded enough in his sense of self that he can roll with it pretty quickly and becomes an active, willing, even enthusiastic participant. (it's not going to be his physical desire that drives a wedge between them; its going to be the emotional connection that ends up being terrifying to tongrak.)

this episode also lays a ton of groundwork to set up why and how intensely mahasamut and tongrak are drawn to each other.

a lot of it, early on, is purely physical.

mahasamut and tongrak clock that they're compatible in their (D/s) kink immediately and they embrace this with gleeful abandonment. other people have made this point a lot more clearly than i could ever hope to (see @williamrikers excellent analysis of mutrak's kink dynamic), so i won't belabour the point, but i would like to point out how thoroughly the show wants the audience to know that these two are a perfect match physically and sexually (specifically with their particular kinks) and that they are incredibly comfortable with that.

(an aside: one thing i adore about peat's portrayal of tongrak's submissiveness in the beach scene is the way he starts out being the initiator in the kiss - in the gif above, it's tongrak that grabs mahasamut and yanks him into the kiss at first - but once its clear that mahasamut is on board, tongrak is almost constantly angled up, head tipped back, responding to mahasamut's cues but making no attempt to direct whats happening. there's so much surrender in the pliant way peat holds himself as they kiss and the way he goes from pulling mahasamut into the kiss to just clinging to his torso as he lets mahasamut take control. even when he reaches for mahasamut's dick, the second mahasamut pins him down and gives him an instruction, tongrak makes no attempt to redirect and just goes with what mahasamut wants. there's just such great detail in this portrayal of surrender.)

but what makes this encounter different (from the many, many other ones they've both had) is going to be how neither of them were able to keep this connection as purely physical for very long. (this is what episode 3 is for, though, so lets put a pin in that thought.)

back to insights into tongrak's character: we also get an escalation/confirmation about how tongrak views sex (and relationships) as purely transactional. tongrak's entire backstory is grounded in the idea that 'everybody has a price' because that's what his parents showed him. to tongrak, every human interaction is about finding the right things to give (usually money in his case) to get what he wants and this has allowed him to rationalise that feelings and emotions (both his own/the other person's) don't matter.

tongrak firmly believes that as long as he's offering something of sufficient (monetary) value, he's perfectly within rights to demand what he wants without consulting mahasamut's feelings, wants, or thoughts about the matter. in fact, he thinks of mahasamut as kind of an object for his sexual gratification and/or convenience. this is why he feels no remorse about kicking mahasamut out after they have sex even though mahasamut clearly wants to cuddle/come down from the physical high together. the next morning, it never pings to him that he should be guilty about how he treated mahasamut.

(look at his face. he's such an entitled diva. i love him so much.)

not only is this attitude - in reality - a very inaccurate way to view human beings (because as a species we are creatures very much led by our emotions), but it is the source of tongrak's own dissatisfaction and unhappiness. he never acknowledges any of his own emotional needs and so cannot manage or address them in a meaningful or healthy way.

so to summarise tongrak understands and is comfortable with his physical desires but does not know how to even acknowledge his emotional ones whilst impulsively being led by them in the heat of the moment: already we can see that this is a recipe for disaster and tells an unspoken story of pain and trauma.

(i also want to mention how well mahasamut continues to respond to tongrak's specific brand of caustic entitlement. he doesn't bother making a big deal about tongrak throwing money at him, but he also never names a price for his 'services' either. he blatantly refers to tongrak as his "owner" but also makes it clear that it's not tongrak's money that's keeping him around, but rather mahasamut's own desire for tongrak. it's like he'll act in tongrak's play but he won't quite stick to the script either. its so, so effective because he doesn't trigger tongrak's fight or flight response but he's still undermining and proving tongrak's assumptions wrong at every turn. this is what allows mahasamut to worm his way behind tongrak's walls whilst simultaneously chipping away at them.)

one last little bit of (this time non-sex-adjacent) insight into tongrak: he has a great capacity for compassion. (which will, eventually, turn into love.)

mahasamut, at this point, is mostly just an incredible lay to tongrak. but already he shows care and concern for mahasamut that's separate from what he can offer tongrak. he's concerned at a (relatively minor) hint that mahasamut has been mistreated in the past and then again concerned that mahasamut will suffer the repercussions of any hit to his reputation. [note: this is informed by a backstory regarding homophobia on the island that's from Khom/Connor's story in Love Sand, but even without that insight we can see tongrak's concern is for mahasamut.] (again, this is something the show is setting up to callback to later when tongrak gets offended on mahasamut's behalf when he thinks the waiter made fun of mahasamut.)

these little glimpses give us such a contrasting perspective on tongrak compared to episode 1, where he was mostly just a rich, entitled, and fairly unlikable character. we're being shown that what we've seen so far is really a mask as tongrak's true character slowly starts bleeding through as he has more interactions with mahasamut.

and then the episode closes on heartbreak: You're aware aren't you? Love is just a figment of our imagination.

tongrak's expression right before he says this is filled with resignation and disappointment. he hates that he has to say it but he feels its his duty to burst mahasamut's bubble. he genuinely believes this and so to him he's just doing mahasamut a favour by telling him a Truth about life. for us, this is the final crack in the mask and we see just how lost and fragile and hurt tongrak truly is.

(and the way peat sells this part - the cold almost clinical look in his eyes when he says the line. the tiny pout of his lips like tongrak can't help but feel sad about it, even though he accepts it as reality. the cold, flat tone peat uses to deliver the line when tongrak's usually quite expressive and uses lots of inflections and intonations in his speech. ugh <3)

but this is also really important because this is why we, the audience, start to care about tongrak. mame takes us on this journey, sets us up to wonder why tongrak's the main character when he starts out kinda of awful and then shifts the ground out from under us by showing us his soft, wounded underbelly. we can't help but want him to be loved, now, and this is why we become invested in 'tongrak mahasamut'.

[cherrywhite]

One thing I love about Hayward in s1 is ya, sure, he's a cop. But most notably, he's not even a good cop. 

Hear me out. This isn't saying Hayward does not have the intuition one would associate with your typical, glorified cop from tv shows (in chapter 40, Hayward is absolutely right in that he immediately figured Carpenter out the moment he spotted her in Marcel's Crossing) and other instances, like chapter 43, shows that he has good reflexes for moments under fire (is the first to notice Brother Philly and co. at the door and pushes Carpenter out of the way). Not to mention that Hayward was on the force since he was 19, and to survive on the force for that long means he surely had plenty of solved cases under his belt, regardless if pressure has slowly built up by the time we're introduced to him.

No, when I say he's not even a good cop I mean in the sense of: he's not good at what cops actually do. 

One of the very first things Felix reminds him is to not "forget his gun this time." Implying that this has happened before, enough times for Felix to sound audibly tired about it (and he does have to go back for his gun at least two times in season 1). When Mr. Finch points a gun at him, he sits on the ground for a conversation. When asked, Hayward is confused as to why Daggler would need a knife when they find Carpenter and Faulkner's abandoned car, the thought of slashing the tires never even crossing his mind. And instead of immediately taking her into custody with no warrant whatsoever aside for his hunch, he sits down with Carpenter for an amicable conversation and a meal; only later showing his hand long enough to warn her that he's a cop and he's on to her. He's a cop and he has the Stink on him; because s1 Hayward is a bad cop. Because he does not immediately resort to violence. 

(And this isn't to dismiss his role as a cop entirely, something we're never fully privy to; chapter 3 alone shows us how his mere position as a cop was enough to cause a death that could have easily been avoided, because that role prevented Hayward from providing Mr. Finch with the actual help he needed.)

Daggler is such a ridiculous, exaggerated character but he's also the picture perfect cop. The Lieutenant-Colonel sends Daggler of all people, when they think Hayward can't solve the case. And, look, we don't really know what Daggler's position on the force is compared to Hayward, but he's clearly trusted enough to be sent, to be the exception to personal gods and keep a rhetorical god. Clearly trusted enough to close the case efficiently. Yes, Daggler is utterly ridiculous when put next to Hayward but that's because Hayward is a bad cop. Daggler is the ideal: he gets results quickly (by losing patience and immediately assaulting the bookseller), he takes perps to court and wins (with the use of The Coiling Speaks, not a liar's god btw), and he knows how to tell a compelling story (because of course Carpenter tried to attack Hayward. And of course the Good Cop shot and killed the Heretic to Protect His Partner). Good publicity all around.

S1 Hayward shows that there is no "good cop;" because being "good" is antithetical to what's expected of cops. There was no way he could continue being good and being a cop, it's why the Stink was beginning to creep up on him. "You're one of them nice coppers." says Mr. Finch. Nice. Not good. Because so-called good cops are probably the first to get sacrificed; because these institutions are not built with morality in mind.

[no-tengo-ojos]

S5 Arthur Lester

[tulipe-rose]

Dazai: I didn't die at twelve, I guess I'm here 'til ninety three

[luminut]

(sound on!)

"Tomorrow, we're sure to have clear skies."

A Boonboomger Video Comic 🌧️🌈

The comic in (mostly) still form

Here is the Youtube video in case the uploaded video quality is really bad.

[babacontainsmultitudes]

Squinting intensely at Will as he says that after thousands and thousands of years the bigfoot world suddenly looks like the 1950s (albeit like the Jetsons version). Mr. Campos that's a rather suspicious thing to say paired with that other suspicious thing people picked up on you saying in episode 1. You know, this:

🤨 Anything you want to share with the class, Will?

[eliza-the-hunted]

Thoughts b4 bed, this...got ridiculously long..SKIP TOWARDS THE END for my Peri and Dev idea I'd like to personally see if you don't care about my godparenting ramble. 💖 (I marked it with a star for easy spotting.)

Godparenting is self harm (in certain situations). You CANNOT pair a fairy, who has basic empathy, with a child who is being neglected and/or abused, and expect them to NOT get attached or to love them.

Cosmo and Wanda loved Timmy. They were his parents!!

Juandissimo loved Remy. He couldn't move on from him.

It's also horrible for the kids when they get a fairy who doesn't develop that parental/guardian relationship.

Peri failed Dev because he remained distant and overly professional. (I'm not saying he didn't care, that's a whole other debate. I'm just saying he was not what Dev needed. Dev needed a Cosmo, Wanda, or Juandissimo.)

I'm sure other fairies failed kids in similar situations, maybe even worse, because they didn't want to fall into that emotional trap. It's BEYOND hard not to. You would have to be extremely hardened, dissociated, or heartless in order to do that.

At least the kids get to forget their failed experience.

Fairies have to remember. They have to remember for the rest of their lives that they either:

A) Got bonded with a kid and had to say goodbye, a type of goodbye that's honestly like a funeral. You will never see each other again (except in passing. But you can't contact them.) The loss and yearning would be too much for anyone.

B) Have to remember that they couldn't bond with the kid and thus failed them. They failed that neglected/abused child. That child had to grow up with their abuse without any escapism because you had to remain professional and throw away your whimsy. I'm CONVINCED Peri is NOT the only fairy to be annoying about "da rules". I'm actually pretty sure that's the NORM because of how all the fairies reacted to Cosmo and Wanda with Timmy.

Going into fairy godparenting, knowing that you could come out with either outcome, is self harm to me, (SH is doing anything that you KNOW will hurt you physically or emotionally, it can be any number of things! JS this here because people have a VERY narrow view about what counts as SH!) and really makes me overthink about like...

Fairy mental health? How does fairy therapy look like for these situations? I kind of envision it similar to ppl IRL who work with abused kids need therapy, yet they keep going. They keep moving on and helping kids (or doing their best to).

⭐️All this to say my idea for Peri and Dev:

I would love for Peri to learn from his situation with Dev and why it didn't work. I know ppl want them to get back together asap, but tbh I think a slow burn would work best, for Peri's mental health. I think Peri should shadow his parents and Hazel for a bit, and learn/see how they do things, including how they interact with kids. I think Peri needs some self reflection first.

My idea is this:

Peri shadows his parents for awhile and does some self reflection. While he shadows his parents, he watches Dev from afar. Not like, intently like some ppl HC, just in passing. Like Dev will interact with Hazel and Peri will make passing remarks like "he's a good kid", (if him and Hazel are getting along) or "oh, Dev.." (if he does smth rude to Hazel)

Eventually, smth happens to Dev that finally seals it for Peri, he has already been meditating on everything for awhile, but whatever happens to Dev is the final straw. (I wonder what happens??) And he gets permission to be Devs godparent again and then bursts in to save Dev!

(this would all happen maybe thruout the whole season, and this event would happen at the ending of S2? Ik ppl would be impatient for that, but!! I think it would work best AND be a rlly satisfying season conclusion!!) and a rlly good start for S3 (iiiif we got all that lmao, I'm being VERY hopeful that we get at least 3-4 seasons! which I shouldn't when S2 is still up in the air lol. oh well. I can dream.)

Uuuh. Yeah. IDk just some thoughts I've had. Sorry this was so long. If you read it then wow! I'm shocked haha. 💖 (bonus points if u read the tags hahaha)

goodnight. 💖💖

[bellshazes]

ok but for real it's fucked up to me that bdubs only actual customer at his s8 redstone shop (etho) wasn't even sure when he placed the order if it was a prank bc everybody who watches bdubs knows redstone with bdubs is a longrunning joke. but he has clearly spent all this time working so so so hard at things that are not his expertise just so he can make his builds better and more alive and you see it growing in the s9 little machines that may not "do" anything and they may not be efficient but he bent redstone to his will.

he is so incredibly studious and my favorite thing about building with bdubs is he actually gets time to share his process and how he figures out how to totally change the game. couple eps back he was talking about builds in the fourth dimension of time! at the same time he's the best I've ever seen at framing not just in 3D but as you move around. he's right about the game being way better with closer fog. I know he's taught himself blender and to paint and draw but it's not for us, he's just learning to learn and grow. it's not just texture and gradients, he's thinking about ambient occlusion and what story different block values tell about the build.

dunking on bdubs may be my hobby but it is very much also that I really respect him doing all this and still in the end putting joy and fun above all so you don't even always notice. even fooled his friends!