#genuinely one of the most important characters of all time for me

[tommykinard6]

This blog is here to stay. It will remain a Tommy Kinard and BuckTommy blog.

I’m pissed. I’m grieving. 9-1-1 is my favorite show and now they’ve pulled this shit.

If Lou had left the show because the death threats were too much, his mental health was suffering, or he just couldn’t take it anymore, I would absolutely understand. I’d blame a certain part of the fandom, but I’d respect his decision. But he didn’t even want this. He loves Tommy and Tevan. I don’t know what Tim is thinking.

I know it all feels like a waste right now, but it’s not. Let me recount really quick:

• Buck is bisexual.

• There have been some really important scenes to come out of his discovering his sexuality, including Josh’s speech and his own lesson in fighting for his relationship.

• Tommy Kinard will be a character you pry from my cold dead hands. A gay man who discovered himself late in life and is still living his life genuinely. A man who made mistakes and acknowledges them, but has grown far past them. What a wonderfully rounded character.

• Excepting the end of 806, the beauty of their relationship. They did so much with so little screen time.

It’s not a waste, even though the ending absolutely trashed the progress made.

Resolutely, I do not believe this is the end. I know, I know, “the interviews”. It’s not out of the realm of possibility that they’re misdirecting. Also, they haven’t even written the rest of the season yet. The storyline is fixable if there’s a make up.

Not telling anyone how to feel about Oliver’s comments, but I would caution about using TVline’s article as the Bible. It was a terribly written, heavily biased interview and frankly it’s an insult that it was even conducted.

Even if it is the end, no one has to stop shipping. No one has to leave the fandom. We did not lose. We still got our canon ship and it will forever be an irrevocable fact that it was canon. BuckTommy is endgame for me. I may be disappointed by expectations, but I will never be in the wrong for sticking by that.

Make your displeasure known to Tim and ABC, but do not lose your dignity doing so. Do not engage with the haters. No harassing Lou. You can hold Oliver accountable for his remarks, but no harassment of him. You can call him out without making him the fandom whipping boy. I’ve seen many people latching onto him as the outlet for their feelings on this. Do not harass or bully the writers or actors, but make sure the producers and showrunners know they fucked up.

And most importantly, look after yourselves and each other. We’re still a community and we’re here to stay. This week is one of the worst ever, but we will come out of it.

Thank you, Tommy Kinard, for the hope you gave us, the representation you presented, and the character you were. Thank you Lou for portraying such a character and being such a sweetheart. BuckTommy will forever be in our hearts, endgame or not.

As a reminder, BuckTommy is not the be all end all of the show for queer rep. Hen and Karen, our fabulous queens, and Josh will still always be there. Buck is still bi, no matter what’s next in store for him. Tommy, even if gone forever, is still a significant moment of gay rep. And that’s not even counting the small characters that come in and out. It’s not always done well, but it’s there.

[agoldenblackbird]

i'm gonna be a ranty bitch for a minute.

tbh i'm turned off even reading new buddie fic despite being a multishipper and have unfollowed a bunch of buddie accounts because i'm sick of the smug attitudes. one ask that i am otherwise not going to publish or respond to ended with 'sorry you don't understand media literacy bestie :)' fuck off. listen INFANT, i have been writing fanfic and original fic AND watching, reading and analyzing queer media since before you were born, i understand how character and story development works, and i know the difference between 'storyline i personally disliked' and 'bad writing.' this was BOTH, and it also was marketed to us as 'carefully crafted bi rep' and 'queer love story that is not about a bunch of pain and conflict FOR ONCE' so we have every right to be upset at the bait-and-switch.

the fact that i'm seeing the same exact posts - 'bt bones buddie CANON' that i saw three seasons ago after the bucktaylor breakup, or every time they thought buck and taylor MIGHT break up - says something. the fact that so many fans seem genuinely convinced (STILL!) that buddie is inevitable because there have been so many 'signs,' and then they rattle off a convoluted theory that would make the most hardcore taylor swift stan say 'wow, that's a bit of a reach,' honestly weirded me out a little when i first joined the 911 fandom. i have never been in a fandom where so many fans are insistent that their ship will be - not might be or could be, but WILL be - canon. i am skeptical both from past experience with other shows mishandling queer storylines or ship-baiting, and tim minnear's proven track record with this one of not really knowing what to do with buck's LI's. but i didn't want to yuck anybody's yum, so i let them have their theories and squee in peace, and unfollowed or blocked certain tags if i was seeing too much of it and getting annoyed. it's too out there for me, but i'm glad they're having fun!

yet they can't give us the same courtesy. they deride us as delusional for thinking that a canon pairing that was presented to us both in promo and the show itself as different and important (eg the bobby approval convo and 'buck getting off the hamster wheel') might last, and we're stupid to have ever liked tommy or lou or be disappointed at how the breakup was written, and if we point out the biphobia it's just sour grapes.

the bucktommy breakup is not the first time 911 has started out strong with an interesting storyline and fumbled it in the 4th quarter either because the writers got bored or in the name of needless drama/a 'gotcha' sudden twist. amir & bobby, eddie's fight club arc, the sperm donor SL, hen vs councilwoman ortiz, whatever the hell is going on with harry, the whole mess with shannon/kim, just to name a few. and especially the past couple of seasons, for me since 6b, the pacing has been off. they seem to have too much happening at once and many of the storylines don't have enough room to breathe to be narratively satisfying, or they get resolved in ways that feel lackluster.

if the toxic buddie stans who have been attacking lou on sm and sending death threats (wtf!) actually get what they want, which i admit is possible, but it's certainly not guaranteed….i don't know why they think the writers won't fumble that just as badly. it's not going to happen precisely the way they want it to because it is impossible to please everybody, that's what fanfic is for. but at this point i have zero faith that it would even be well done at all, and zero trust in the writers not to just sabotage or regress a character for funsies, and that's an excellent reason to stop watching the show. in most of my other fandoms i regard canon as a jumping-off point or a blurry outline at best, and i can have just as much fun in the 911 sandbox without any further input from canon at all, once i'm less angry.

[floridaboiler]

One sunny afternoon, a couple of tourists in San Francisco found themselves in the middle of an unexpected adventure. They were wandering through a small bookstore, scanning the shelves, when they heard a familiar, playful voice behind them. Turning around, they were stunned to see none other than Robin Williams, a grin stretched across his face, as if he had just cracked a joke that only he could understand. Rather than ignore his fans or hide behind sunglasses, he immediately engaged them in conversation. Within minutes, he had the small group in stitches with his improvised accents and quirky observations, showing not just his comedic genius but his humble nature. For Robin, connecting with people was never a chore but something he genuinely enjoyed.

Robin Williams had an uncanny ability to make every fan encounter feel unique and personal. Once, at a New York City comedy club, a young aspiring comedian approached him nervously, unsure of how to introduce himself. Instead of brushing the young man off, Robin put his arm around him, looked him in the eye, and asked, “Do you have a joke for me?” The young comedian, taken aback, stumbled through a joke that he’d been practicing. Robin burst into laughter, not just to humor him, but with genuine appreciation. He gave him pointers, shared advice, and even encouraged him to keep going, emphasizing how crucial it was to find his own voice. This brief encounter became a defining moment in that young man’s life, all because Robin Williams had taken a few minutes to make him feel seen.

Another time, in Los Angeles, Robin was at a coffee shop when a family approached him, excited but hesitant. They had a young boy with them who was clearly in awe. Robin noticed the boy’s nervousness and immediately switched into his "Mrs. Doubtfire" voice, asking, “Hello, dears! How’s everyone doing today?” The boy’s face lit up, and he broke into a smile, instantly recognizing the familiar voice. Robin went on to entertain the entire family with voices and impressions, making sure the little boy felt like he was in a private comedy show. For Robin, it was never about just signing an autograph or taking a quick photo; he went the extra mile to ensure that every interaction was memorable and heartfelt.

One of the most heartwarming stories about Robin’s humility happened during a hospital visit. He often visited children’s hospitals, sometimes unannounced, donning his "Patch Adams" persona or other beloved characters. During one such visit, he met a young girl who was battling a serious illness. Robin sat beside her, held her hand, and spent nearly an hour cracking jokes, making faces, and bringing a genuine smile to her face. He never once looked at the clock or acted like he had somewhere else to be. For him, being there and bringing joy to that little girl was the most important thing he could be doing. Hospital staff recalled how Robin made sure that every child in the ward had a moment of laughter, even if it was just a few seconds. His humility wasn’t a show—it was genuine, unfiltered kindness.

Even outside of public spaces, Robin had a way of connecting with people in the most unexpected places. There’s a story of him at an airport lounge where a tired airline employee was working a double shift. Robin noticed the fatigue in her eyes and decided to lighten her mood. With his classic mischievous smile, he slid up to the counter and started speaking in a thick, exaggerated Russian accent, pretending to be an international spy who had lost his passport. The bewildered employee couldn’t help but laugh, even as he continued to spin an elaborate story of espionage and intrigue. For those few moments, her exhaustion was replaced with laughter, and her long shift suddenly didn’t seem quite so hard.

Robin’s kindness extended beyond spontaneous encounters. He was known for staying after his stand-up shows, often for hours, chatting with fans who waited just to say hello. One time, after a particularly long show, a fan nervously approached him, explaining how his comedy had helped her through a tough time. Robin listened attentively, asking questions and offering words of encouragement. When she thanked him and apologized for taking his time, he responded simply, “No, thank you. You don’t know what this means to me.” For Robin, every fan interaction was a two-way exchange; he valued the connection as much as they did.

Perhaps one of the most surprising stories about Robin Williams happened during a taxi ride in New York. He struck up a conversation with the cab driver, who was excited but also overwhelmed to have the famous comedian in his backseat. Robin asked him about his life, his dreams, and his family, genuinely interested in hearing his story. By the end of the ride, Robin gave the driver a generous tip, but even more valuable was the memory he left behind. The driver later shared that Robin’s curiosity and warmth had made him feel important, as if his own life story was just as fascinating as any Hollywood film.

[yugioh-brainrot]

[xxplastic-cubexx]

sequel to this ramble cause the way james talks bout the reduced cherik scenes throughout the xmen films in this video is making me want to kill people. 'we'll always have paris darling' what if we all blew up.

[spending-life-pretending]

constantly thinking about the implications of you could’ve lived for her…but you didn’t know how

[goldiipond]

did you ever get stronger?

[pyrosomatic-metamorphosis]

genuine question but is there any fandom where a character is well written by the majority. im thinking about fandom culture and the spread of frustration when people dont write characters well but. honestly in all the fandoms ive been in there's only like, a Select number of authors who i trust to write Well, let alone write Well AND In Character. character analysis and writing and getting inside characters' heads are all separate skills (all of which are trained by roleplaying fyi can CONFIRM playing pretend with your friends is good for you). there's been more than once where I've disagreed with an interpretation that others agreed with, and then I turned out wrong. or i turned out right. like it doesnt matter WHO is right it just matters that differences in character analysis exist, so even if you DO write well AND write in character, your in character is still going to be someone else's out of character

there's this sort of. vibe. that to play in the sandbox you Need to be able to make a castle, and if you can't make a castle then you shouldn't bother, and it completely dismisses the idea that youre in that sandbox to PLAY in the first place. there's this Weight of disappointing someone if you can't build something that they like, but that forgets that you aren't there to build them a castle. like, be KIND. if you disagree with someone then please make an effort to do so kindly. i dont give a shit about fandom discourse but there is a reason kids get removed from sandboxes if they keep throwing sand in people's eyes. but if they don't like your misshapen sand pile, then youre not obligated to change it. even if you yourself end up hating that same sand pile later- youre not building a legacy. youre playing. and sometimes the result of that play is out of character drivel. theres a reason there are so many authors and so few who i like to consistently read and thats because everyone is Fucking Around in their hobby space. hash tag brag or whatever but i can build castles. ive built several that im v proud of. ive also dug holes in the sand for fun and then tripped on them when trying to get up. I often dug a hole and then got up and fucking- whoops, its a castle now, and i didn't realize i'd made something to be proud of until after the fact. the whole time while creating shit i was Convinced it was bullshit that didn't make sense. and then other times i was Convinced it was bullshit and then i was Right and i can look back and go. huh. ew. but it doesn't matter what the end result was, because i had fun playing in the sandbox

this wasn't meant to turn into a ramble but i have Feelings about bad art and art that's badly perceived and how public perception can screw with your head and how making art youre proud of is fucking. it's so difficult!!! it's hard!! it's really fun, which is why i try to make it, but i promise you it is Okay to not tryhard creativity. even if you CAN, it's okay not to do it all the time. or ever, even. fuck around find out have fun etc

[bacchuschucklefuck]

would you like to elaborate on any gender analysis or headcanons for the bad kids?

I love th way this is worded. what if I wouldn't like to where would we be

[hershelwidget]

I don’t know anymore have a Caleb prepared to Fight for his bestie

“she asked for no pickles” lookin scene

[welcometogrouchland]

What if I proposed the analysis that Belos actually has very little internal moral compass and that his veneer of righteousness has always been implied by the writers to be complete fabricated bullshit even before watching and dreaming basically confirms it.

[m0e-ru]

annual realization where this gas station’s operations and my life owe it all to visualive i’m serious

[arolesbianism]

In other news Odile crashed my game during her friend quest. Smiles in pain.

[jonnywaistcoat]

I'm really glad to see that everyone seems to be having a good time with The Magnus Protocol, and my heart is very full with all the wonderful comments people are making, but I do need to flag something up.

For some of these episodes, a lot of folks are giving me credit for stuff I did not actually write. The cases for episodes 3 and 4 were both by guest writers, Graeme Patrick and Cole Weavers respectively, and they really deserve some love thrown their way.

That's not to minimise my own part: me and Alex certainly do editing work on them, and add in a few bits here and there to make sure everything cohesively fits in with the overall story and tone of the show, but if you enjoyed these episodes, then Graeme and Cole are the ones to thank for it.

And for that matter, Alex wrote episode 2 and deserves more of the accolades for how good that one was than I think he got (my edits just made it a bit... squishier).

Protocol is much more of a team effort than Archives was and so while, in a broad sense, you can still lay most of the blame for bad things happening to characters you love squarely at my feet, it's genuinely important to pay attention to the "written by" section of the credits this time around, 'cause often it's not gonna be my name there, and someone else deserves the thanks for giving you a horrible treat.

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

[dunmesh]

okay i don't have anything smart to add i just genuinely love that these seemingly trivial jokes are actually an important part of his character. we see it throughout the entire manga, how he pushes aside his own frustration and discomfort to accommodate everyone else's and avoid needless confrontation- another example off the top of my head would be the barometz chapter in which he slowly gets frustrated with izutsumi but still tries his best to talk some sense into her calmly and soundly.

and in contrast, there are very few times he expresses his anger and hurt towards others, and it usually takes a lot for him to finally lose his patience and control.

i mean, even with kabru he tried to be polite despite the circumstances until the guy said the one thing that triggers an immense sense of shame, hurt and rage in laios. and you know, the manga does say it quite clearly early on. when we are introduced to namari and then to shuro, laios acts all friendly and shows his respect and trust in them despite how things ended between them, and everyone else gets frustrated with him for acting so strange- why are you the one who tries so hard to pacify the rest when you should be the angriest?

and they don't understand him. they don't know him well enough to be able to understand, but we as readers get to see during the manga that they aren't wrong to question him- he does, in fact, feel all those ugly emotions. and it's when the winged lion finally confronts him that we see to what extent these feelings he buried so deep go, and suddenly all those funny little moments where he sometimes pretends to be mr nice guy speak volumes about his character. honestly, ryoko kui is a master at using jokes in order to define important character traits and this one doesn't fail to amaze me.

and laios's hatred and rage and deep scars he can't get over aren't shown explicitly during most of these moments i mentioned before, but now you realize there are 26 years of emotional baggage to all of them and they sting. he is angry but he can't say shit, what difference would it make? it won't make his friends choose him instead of themselves when he needed them most, and it won't help his party get any farther. of course, this logic doesn't apply to them- they are absolutely allowed to get angry and it's fine to get mad at him, he can take that.

so after finishing the series it's so clear that he tries his best to avoid clashing with others not just due to the current circumstances and him needing to be a reliable leader but also because he knows that people don't even like him when he tries to show his good sides and hide all the rest, so who the hell would tolerate his rage and despair? who would stay after realizing that he is so deeply flawed he doesn't even like his own being?

but he does get mad. he can't help it, and sometimes it gets out of control and now everyone knows. and it's funny, isn't it? that most of those moments ended up bringing him closer to others. shuro admitting he is envy of him and actually becoming the friend laios thought he was all along, fighting for his sake and waiting for him to come back- believing in him even after he turned into a monster and searching for him the way he couldn't bring himself to do for falin when he learned of what became of her- or kabru being pushed to just let it all out because he couldn't bluff his way out of this one and get to laios any other way, so now they are even. they are both horribly honest with each other and they both choose to stay. a weird way of getting to know each other, but it is what it is.

it's simply... the more laios let himself just be, the deeper his relationships grew. and there's intimacy in being your ugly, weak and furious self around someone and them not leaving you. feeling safe enough to let it be known you are hurt and angry. and he knows that now, too.