#general building supplies

[silverdalens]

Quality General Building Supplies for Your Construction Needs

Explore a comprehensive range of high-quality general building supplies to meet all your construction requirements. From durable materials to essential tools, find everything you need for your building projects with our reliable and efficient solutions.

[bookshelf-in-progress]

Me, faced with a shiny new story idea: Save it for the Inklings Challenge, save it for the Inklings Challenge, please save it for the Inklings Challenge, I'm begging you please save it for the Inklings Challenge

[daily-basil]

Ok I got a submission about it so I'm gonna do a quick update--

I'M SO SORRY FOR THE LACK OF DAILY BASIL! Literally everyone is busy right now. I am Attempting to make daily-basil doodles in anticipation of reopening the blog, but basically several other mods are either busy, on vacation, artfighting, or otherwise unable to contribute right now

I've been trying to draw some Basils so that I have a few to use when we do reopen the blog entirely but it has been a Struggle. Apologies for the hiatus going on for much longer than I had anticipated oops

- mod snuuy

[icewindandboringhorror]

a quite simple outfit, trying to use the little blue and white apron thing (which is actually a dress I think, that I just leave un-buttoned in the back and added an apron-like tie to lol)

[i-am-the-balancing-point]

you are not gonna be able to guess what lucky circumstances I managed to accidentally get myself into this time lmao I secured myself a spot at a nude drawing class without even knowing it was a nude drawing class. it’s absolutely fantastic tho! the class is usually super popular and spots are hard to get so I was really lucky

[solarpunkani]

How much am I allowed to post/ramble about the solarpunk zombie apocalypse story I'm working on before it gets annoying.

Bonus points: I haven't actually gotten to the solarpunk part of it.

[imperiuswrecked]

I'm never forgetting the Palestinian babies that were left to starve to death then rot in their beds by the IOF.

I'm never forgetting the Palestinian doctors surrounded by bodies of dead children begging the world to stop the slaughter.

I'm never forgetting the Palestinian children who held a press conference in English to beg the world to stop murdering them because they want to live.

I'm never forgetting the Palestinian Priest who said "We will not accept your apology after the genocide" to the world.

I'm never forgetting the Palestinian Imam who used the speakers of the Mosque, not to call people to prayer but to call out to God while the world around them was burning from American supplied Israeli bombs.

I'm never forgetting the grandfather who held his dead grandchild in his arms. Or the father carrying the remains of his two children in plastic shopping bags. Or the mother holding her dead child in a shroud. Or the father sitting among the rubble after he lost his whole family. Or the girl trapped under a broken building begging for people to save her family first. Or the boy who cried when he saw his brother alive. Or the girl who asked if she was still alive after being pulled from the rubble. Or the boy who carried the remains of his brother in his backpack. Or the old man the IOF used for a photoshoot before they shot him dead after getting pictures. Or the little boy wearing plastic gloves to pick up the remains of his family. Or the graves desecrated. Or the body of that small baby girl left alone in a tent because no one knew who she was or if her family was alive, small and alone and not one person who knew her name to bury her. Or the young boy who was shot in the street while his sister watched from the window. Or the men and boys who were stripped naked in winter. Or those tortured. Or those made to stand in open graves. Or the people who were raped by IOF soldiers. Or Palestinian workers kidnapped by the IOF and then labeled with wristbands, each one reduced to a number, then made to walk back to Gaza to be killed in the world's largest open air concentration camp. Or the people of Gaza starving because Israeli Zionists are blocking aid trucks. Or the Israelis dancing and celebrating the death of Palestinians. Or the lies spread by Zionists and their supporters. Or the people profiting off the oppression and deaths of Palestinians. Or the people of the West Bank being killed or kidnapped by the IOF. Or old woman who was older than the creation of the terror state of "Israel" who was shot by snipers for saying that. Or the Israelis dressed up as Palestinians to enter a hospital and kill three Palestinians in their beds. Or every single Palestinian currently kept in an Israeli prison. Or the journalists, doctors, poets, men, women, children, and the unborn all massacred. Or the fact that WCNSF exists now. Or the woman who refused to wash the blood from her hands. Or the dead, unburied and unmourned.

I'm never forgetting those who chose silence in the face of a genocide.

I may not know all their names but I will not forget the over 30,000 Palestinians dead. Or the over 60, 000 people hurt. Or the unknown number of people missing, still lost under the rubble. Or the 12,000 children slaughtered. An entire generation crippled or murdered.

I will never forget these things when Palestine is free.

[two-calicos-in-a-trenchcoat]

On one hand im glad I dont start work until Tuesday cuz it gives me one more day to mentally prepare

But on the other hand the anticipation anxiety is killing me. I can't stop grinding my teeth. I keep having to resist the urge to bite my hands. I cant focus on anything for more than a few minutes

Ik ill calm down once it starts and I see the environment ill be working in and start training and everything. And I know HOW my routine is gonna change as far as when im gonna have to get up and when ill get to come home. But its still a change.

A very large change cuz im gonna have to get up at 6am which is not a time ive ever purposely woken up except for one time for choir in 8th grade and the next time I was supposed to I purposely lied and said we weren't gonna have a spring concert so I wouldn't have to go to it

I just keep reminding myself that I need money so I can get a dog. Having money to live is not enough motivation for me. A dog is tho. That is the goal. I want a puppy. I am going to get a puppy. But I have to do this so I can get money to get a puppy. Im just gonna repeat that to myself every time I start feeling anxious.

[arolesbianism]

Starting a new oni save that's not a rime colony for the first time in forever and I am in agony how do y'all live like this (shaking and crying as it is forced to enter a mildly warm area for drekos)

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[batboyblog]

Things Biden and the Democrats did, this week #24

June 21-28 2024

The US Surgeon General declared for the first time ever, firearm violence a public health crisis. The nation's top doctor recommended the banning of assault weapons and large-capacity magazines, the introduce universal background checks for purchasing guns, regulate the industry, pass laws that would restrict their use in public spaces and penalize people who fail to safely store their weapons. President Trump dismissed Surgeon General Dr. Vivek Murthy in 2017 in part for his criticism of guns before his time in government, he was renominated for his post by President Biden in 2021. While the Surgeon General's reconstructions aren't binding a similar report on the risks of smoking in 1964 was the start of a national shift toward regulation of tobacco.

Vice-President Harris announced the first grants to be awarded through a ground breaking program to remove barriers to building more housing. Under President Biden more housing units are under construction than at any time in the last 50 years. Vice President Harris was announcing 85 million dollars in grants giving to communities in 21 states through the  Pathways to Removing Obstacles to Housing (PRO) program. The administration plans another 100 million in PRO grants at the end of the summer and has requested 100 million more for next year. The Treasury also announced it'll moved 100 million of left over Covid funds toward housing. All of this is part of plans to build 2 million affordable housing units and invest $258 billion in housing overall.

President Biden pardoned all former US service members convicted under the US Military's ban on gay sex. The pardon is believed to cover 2,000 veterans convicted of "consensual sodomy". Consensual sodomy was banned and a felony offense under the Uniform Code of Justice from 1951 till 2013. The Pardon will wipe clean those felony records and allow veterans to apply to change their discharge status.

The Department of Transportation announced $1.8 Billion in new infrastructure building across all 50 states, 4 territories and Washington DC. The program focuses on smaller, often community-oriented projects that span jurisdictions. This award saw a number of projects focused on climate and energy, like $25 million to help repair damage caused by permafrost melting amid higher temperatures in Alaska, or $23 million to help electrify the Downeast bus fleet in Maine.

The Department of Energy announced $2.7 billion to support domestic sources of nuclear fuel. The Biden administration hopes to build up America's domestic nuclear fuel to allow for greater stability and lower costs. Currently Russia is the world's top exporter of enriched uranium, supplying 24% of US nuclear fuel.

The Department of Interior awarded $127 million to 6 states to help clean up legacy pollution from orphaned oil and gas wells. The funding will help cap 600 wells in Alaska, Arizona, Indiana, New York and Ohio. So far thanks to administration efforts over 7,000 orphaned wells across the country have been capped, reduced approximately 11,530 metric tons of carbon dioxide equivalent emissions

HUD announced $469 million to help remove dangerous lead from older homes. This program will focus on helping homeowners particularly low income ones remove lead paint and replace lead pipes in homes built before 1978. This represents one of the largest investments by the federal government to help private homeowners deal with a health and safety hazard.

Bonus: President Biden's efforts to forgive more student debt through his administration's SAVE plan hit a snag this week when federal courts in Kansas and Missouri blocked elements the Administration also suffered a set back at the Supreme Court as its efforts to regular smog causing pollution was rejected by the conservative majority in a 5-4 ruling that saw Amy Coney Barrett join the 3 liberals against the conservatives. This week's legal setbacks underline the importance of courts and the ability to nominate judges and Justices over the next 4 years.

[electronalytics]

District Heating Market Analysis Key Trends, Growth, Demand and Forecasts to 2032

Overview of the District Heating Market:

The district heating market involves the generation, distribution, and supply of heat energy to residential, commercial, and industrial buildings within a defined district or area. District heating systems utilize a centralized heat source, such as a combined heat and power (CHP) plant or a renewable energy source, to produce and distribute heat through a network of insulated pipes.

District Heating Market size was valued at USD 276.9 billion in 2022 and is anticipated to witness over 7.8% CAGR from 2023 to 2032.

Key Factors Driving the District Heating Market:

Energy Efficiency and Environmental Concerns: District heating systems offer higher energy efficiency compared to individual heating systems. By utilizing centralized heat generation and distribution, district heating reduces energy waste and enables the use of more efficient heat sources. District heating systems also facilitate the integration of renewable energy sources, reducing carbon emissions and supporting sustainability goals.

Urbanization and Building Density: Rapid urbanization, particularly in densely populated areas, drives the demand for district heating. Concentrated urban areas benefit from the centralized nature of district heating, making it more cost-effective and efficient compared to individual heating systems. The need for reliable and sustainable heating solutions in urban environments fuels the growth of the district heating market.

Government Policies and Incentives: Many governments around the world have implemented policies and incentives to promote district heating as a sustainable and efficient heating solution. These measures often include financial support, subsidies, and regulations aimed at reducing carbon emissions, promoting energy conservation, and improving air quality. Favorable policies and incentives create a conducive environment for the expansion of district heating systems.

Aging Infrastructure and Energy Transition: The need to replace or upgrade aging heating infrastructure provides an opportunity for the adoption of district heating systems. As countries and regions transition to cleaner and more sustainable energy sources, district heating offers a viable alternative to fossil fuel-based individual heating systems. Retrofitting existing buildings and infrastructure with district heating systems becomes a key driver in the market.

Energy Security and Resilience: District heating systems enhance energy security by diversifying heat sources and reducing reliance on single energy suppliers. In case of disruptions or maintenance in one heat source, district heating networks can be connected to alternative sources, ensuring uninterrupted heat supply. This resilience factor drives the adoption of district heating systems in regions concerned about energy security.

Economic Considerations: District heating systems can provide cost savings for consumers and building owners. They eliminate the need for individual heating equipment, maintenance, and fuel procurement, resulting in potential cost reductions. Additionally, district heating systems can create local employment opportunities during construction, operation, and maintenance phases.

We recommend referring our Stringent datalytics firm, industry publications, and websites that specialize in providing market reports. These sources often offer comprehensive analysis, market trends, growth forecasts, competitive landscape, and other valuable insights into this market.

By visiting our website or contacting us directly, you can explore the availability of specific reports related to this market. These reports often require a purchase or subscription, but we provide comprehensive and in-depth information that can be valuable for businesses, investors, and individuals interested in this market. “Remember to look for recent reports to ensure you have the most current and relevant information.”

Click Here, To Get Free Sample Report: https://stringentdatalytics.com/sample-request/district-heating-market/11311/

Market Segmentations:

Global District Heating Market: By Company

• Fortum

• Goteborg Energi

• Vattenfall

• STEAG

• Statkraft AS

• Shinryo Corporation

• RWE

• Ramboll Group

• Ørsted

• NRG Energy

• LOGSTOR

• Korea District Heating Corporation

• Kelag Warme

• Keppel DHCS

• Cetetherm

Segment by Energy

• CHP District Heating

• Geothermal District Heating

• Solar District Heating

• Others

Global District Heating Market: By Type

Biomass-Based District Heating

Waste Heat Recovery District Heating

Combined Heat and Power (CHP) District Heating

Geothermal District Heating

Solar Thermal District Heating

Industrial Waste Heat District Heating

Electric District Heating

Global District Heating Market: By Application

• Commercial

• Residential

• Industrial

• Others

Global District Heating Market: Regional Analysis

The regional analysis of the global District Heating market provides insights into the market's performance across different regions of the world. The analysis is based on recent and future trends and includes market forecast for the prediction period. The countries covered in the regional analysis of the District Heating market report are as follows:

North America: The North America region includes the U.S., Canada, and Mexico. The U.S. is the largest market for District Heating in this region, followed by Canada and Mexico. The market growth in this region is primarily driven by the presence of key market players and the increasing demand for the product.

Europe: The Europe region includes Germany, France, U.K., Russia, Italy, Spain, Turkey, Netherlands, Switzerland, Belgium, and Rest of Europe. Germany is the largest market for District Heating in this region, followed by the U.K. and France. The market growth in this region is driven by the increasing demand for the product in the automotive and aerospace sectors.

Asia-Pacific: The Asia-Pacific region includes Singapore, Malaysia, Australia, Thailand, Indonesia, Philippines, China, Japan, India, South Korea, and Rest of Asia-Pacific. China is the largest market for District Heating in this region, followed by Japan and India. The market growth in this region is driven by the increasing adoption of the product in various end-use industries, such as automotive, aerospace, and construction.

Middle East and Africa: The Middle East and Africa region includes Saudi Arabia, U.A.E, South Africa, Egypt, Israel, and Rest of Middle East and Africa. The market growth in this region is driven by the increasing demand for the product in the aerospace and defense sectors.

South America: The South America region includes Argentina, Brazil, and Rest of South America. Brazil is the largest market for District Heating in this region, followed by Argentina. The market growth in this region is primarily driven by the increasing demand for the product in the automotive sector

Click Here, To Purchase Premium Report : https://stringentdatalytics.com/purchase/district-heating-market/11311/?license=single

Reasons Purchase District Heating Market Report:

• To obtain insights into industry trends and dynamics, including market size, growth rates, and important factors and difficulties. This study offers insightful information on these topics.

• To identify important participants and rivals: This research studies can assist companies in identifying key participants and rivals in their sector, along with their market share, business plans, and strengths and weaknesses.

• To comprehend consumer behaviour: these research studies can offer insightful information about customer behaviour, including preferences, spending patterns, and demographics.

• To assess market opportunities: These research studies can aid companies in assessing market chances, such as prospective new goods or services, fresh markets, and new trends.

• To make well-informed business decisions: These research reports give companies data-driven insights that they may use to plan their strategy, develop new products, and devise marketing and advertising plans.

In general, market research studies offer companies and organisations useful data that can aid in making decisions and maintaining competitiveness in their industry. They can offer a strong basis for decision-making, strategy formulation, and company planning.

About US:

Stringent Datalytics offers both custom and syndicated market research reports. Custom market research reports are tailored to a specific client's needs and requirements. These reports provide unique insights into a particular industry or market segment and can help businesses make informed decisions about their strategies and operations.

Syndicated market research reports, on the other hand, are pre-existing reports that are available for purchase by multiple clients. These reports are often produced on a regular basis, such as annually or quarterly, and cover a broad range of industries and market segments. Syndicated reports provide clients with insights into industry trends, market sizes, and competitive landscapes. By offering both custom and syndicated reports, Stringent Datalytics can provide clients with a range of market research solutions that can be customized to their specific needs

Contact US:

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Web - https://stringentdatalytics.com/

[sixteenseveredhands]

Wool-Carder Bees: these solitary bees harvest the soft, downy hairs that grow on certain plants, rolling them into bundles and then using the material to line their nests

Wool-carder bees build their nests in existing cavities, usually finding a hole/crevice in a tree, a plant stem, a piece of rotting wood, or a man-made structure, and then lining the cavity with woolly plant fibers, which are used to form a series of brood cells.

The fibers (known as trichomes) are collected from the leaves and stems of various plants, including lamb’s ear (Stachys byzantina), mulleins, globe thistle, rose campion, and other fuzzy plants.

From the University of Florida's Department of Entomology & Nematology:

The female uses her toothed mandibles to scrape trichomes off fuzzy plants and collects a ball of the material under her abdomen. She transports these soft plant fibers to her selected nest site and uses them to line a brood cell. Next, she collects and deposits a provision of pollen and nectar into the cell, enough pollen to feed a larva until it is ready to pupate. Lastly, she lays a single egg on top of the pollen and nectar supply before sealing the cell. ... She will repeat this process with adjoining cells until the cavity is full.

These are solitary bees, meaning that they do not form colonies or live together in hives. Each female builds her own nest, and the males do not have nests at all.

Female wool-carder bees will sometimes sting if their nest is threatened, but they are generally docile. The males are notoriously aggressive, however; they will often chase, head-butt, and/or wrestle any other insect that invades their territory, and they may defend their territory from intruders up to 70 times per hour. The males do not have stingers, but there are five tiny spikes located on the last segment of their abdomen, and they often use those spikes when fighting. They also have strong, sharp mandibles that can crush other bees.

There are many different types of wool-carder bee, but the most prolific is the European wool-carder (Anthidium manicatum), which is native to Europe, Asia, and North Africa, but has also become established as an invasive species throughout much of North America, most of South America, and New Zealand. It is the most widely distributed unmanaged bee in the world.

A few different species of wool-carder bee: the top row depicts the European wool-carder, A. manicatum (left) and the spotted wool-carder, Anthidium maculosum (right), while the bottom row depicts the reticulated small-woolcarder, Pseudoanthidium reticulatum, and Porter's wool-carder, Anthidium porterae

Sources & More Info:

University of Florida: The Woolcarder Bee

Oregon State University: European Woolcarder Bees

Bohart Museum of Entomology: Facts about the Wool Carder Bee (PDF)

Bumblebee Conservation Trust: A. manicatum

World's Best Gardening Blog: European Wool Carder Bees - Likeable Bullies

Biological Invasions: Global Invasion by Anthidium manicatum

[silverdalens]

High-Quality Building Supplies and Materials in Silverdale

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[amberautumnfaebrooke]

i think i could design a better death arena for children than those hunger games amateurs.

the whole premise of the games is all pageantry. every year you get a crop of 24 candidates around whom the entire state media apparatus dedicates an entire year to building celebrity narratives. this candidate is the younger sibling of last year's winner - these candidates are young lovers forced to compete - he's smart - she's fast - root for them, care about them, watch them, form opinions on them, bet on them. and then they stick them all in an arena to kill each other, which is a great entertainment premise, except that they make the arenas themselves really boring and generic. ooo, they're in...a forest.

it's not even an interestingly designed forest. imagine if the game designers treated their arena like an actual video game designer treats level design. discrete zones with multiple paths between each room, creative use of lighting to guide players to points of interest, points of interest scattered across the map, discoverable resources hidden to encourage exploration. instead they just have a generic outdoors location and if you get too close to the edge they throw a random fireball at you.

the 75th games are especially bad about this. the arena is laid out radially into 12 wedges, and each hour one wedge becomes especially dangerous in a 12-hour loop. as a mechanic, this is genius. it forces everyone to keep moving, making "survival by hiding" an engaging and tense viewing experience instead of someone sitting in a tree for three days. plus, it encourages players to return to the center of the arena, where travel time between wedges is short, which creates a high-value zone for players to regularly return to and conflict over. in other words, it's a mechanic which incentives players to adopt dramatic, dynamic, exciting behaviors which are entertaining to watch (not to mention it communicates geography to the audience well). but it only incentives those behaviors if the players understand what's happening, and they go out of their way not to tell the players anything! when they figure out what's going on, the showrunners spin the arena to disorient the players, like they're intentionally trying to get them to just. randomly wander the jungle instead.

this isn't even to mention how often they create undramatic, boring deaths. they plant poison berries around the arena. they supply no fresh water and no way to get it. they roll poison clouds over sleeping victims. these happen to work out in the books themselves but you have to imagine that extremely often these just result in players dying unexciting deaths.

the cardinal sin though, of course, is that nothing is done to personalize the arena for the crop of contestants that year. if i'm designing the 75th hunger games and two of my most beloved contestants famously had to cancel their wedding because of a return to the games, i would OBVIOUSLY give them a trail of, i don't know, wild game which conveniently leads directly past a well defended wedding chapel. will they hole up there for a while? hold a mock ceremony for themselves? do or receive ironic violence here? stare wistfully and move on? any of it is better television than getting attacked by generic attack monkeys. you should have a dozen of these things on the map for every single candidate. but the game makers are more interested in doing the same thing every other game has done than in telling a compelling story.

it makes me second guess enjoying the children's murder arenas at all.

[anonymouspuzzler]

HAPPY UPDATE DAY!!! 🏠

After all this time, all this hard work, I can finally tell you all more about my work on Welcome Home beyond "Dude Just Trust Me I Work On It I Swear" !!

I've been calling myself the "production manager" because a lot of what I've done has been in that realm - making checklists and spreadsheets, doing research, sending emails, and generally keeping our wonderful team on track to do the incredible things they do, with all the support they need! I'm very lucky and grateful to get to support Clown and all the incredible actors and artists we've brought on!!

that said, over the time I've been part of this project (I looked back and realized February 1st this year is when it all Officially Began, can you believe it), I've gotten to work on some more obvious, visible things you'll find on the site today as well! most prominently, I am very proud to say, I was the curator of the very real Welcome Home exhibition!! Clown was extremely generous and supportive in letting me bring his work into the world this way, and with their help it became bigger and better than I ever could have dreamed! Though this iteration was very small and private due to our venue, I hope the few of you I know who attended enjoyed it very much, and for the rest, know we hope to find ways to host the exhibition in other and more public venues in the future! (Where and when, I don't know, but I'll work hard to make it happen...!)

As part of the exhibition, I was able to create a lot of new props to help build the world of Welcome Home! Most excitingly, I was able to create a real working toy telephone, and help Clown to find our talented group of voice actors to provide the recordings! And of course, I was able to meet dear sweet Wally and Home themselves, who were the sweetest little peanuts and a true pair of professionals! Just delights to work with!!

Though this was my most prominent contribution, somehow, that wasn't all! You will find bits and pieces of my art and writing all over the newest website update (some places more obvious than others...), and I was able to contribute to building many of the new and updated site pages as well! We've all worked so hard on everything you'll find there, so I hope you all enjoy the exciting new additions to the neighborhood!

My final little statement while I have my sweet little soapbox here... every last one of you who has provided support, even just one ko-fi tip, has Directly made this update Possible!! Not only do these tips allow us very literally to pay for supplies, art, voice work and the like, it very directly Supports and Improves the livelihoods of every single person involved!! so if you have the means, and would like to do so, please do consider tipping or subscribing to Clown and/or any of the other artists and actors involved!

And with all that... thank you, neighbors!! And Welcome Home!!