#game exploit
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raesthetic-ts4 · 1 year ago
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Its never too late to completely exploit the nectar making process in The Sims.. :) This mod will allow your nectar to be instantly finely aged! ...
Or if you think the current (game standard) nectar aging process is too quick- then I have added an amended that slows nectar aging down so it'll take twice as long instead..
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gear-project · 2 years ago
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As someone who experienced Account Scamming on Steam (Discords), I highly caution fellow players to choose your Online Friends wisely.
If something suspicious happens to you in-game for any reason, please report it IMMEDIATELY!
Thanks @comunidadarcsystemworks for the warning!
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themichelvictor-blog · 10 months ago
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Unstoppable force vs Immovable object solved
Unstoppable force vs Immovable object clearly has a loophole in the fact that unstoppable force hits object that is "Immovable", not unbreakable, so if force is truly unstoppable it just make hole in said object, leaving both force unstoppable and object immovable.
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bigfatbreak · 1 year ago
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Birds of a Feather previous / next
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theslimeologist · 9 months ago
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Its viscerally upsetting that our preferences are apparently respected but we’re all automatically opted in for tumblr’s AI 3rd party “partners” to supposedly scrape our posts and content? L O L
BLOG SETTINGS -> VISIBILITY -> ENABLE “PREVENT 3RD PARTY SHARING”
If you’re on mobile *you must first update the tumblr app*
THIS MUST BE DONE FOR EVERY INDIVIDUAL PUBLIC BLOG YOU HAVE
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b0tster · 1 year ago
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i really like how the enemies in the silent hill hospitals are not 'insane patients' and instead are the nurses
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mediumgayitalian · 8 months ago
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“Come here, you dweeb. Let me fix it.”
Will pouts, dragging his feet over and slumping half on top of him. Nico allows it with a smile and a roll of his eyes, pinching Will’s shoulder. He doesn’t react except for a wounded noise, muffled in Nico’s lap, so the situation is evidently quite dire.
“It’s just hair, Will.”
“But I worked on it!” He shifts around until he’s got his head in Nico’s lap, face turned towards him, body curled up on the grass around him. Nico brushes his tangled bangs off his forehead, meeting his big sad eyes. “I spent forty minutes with a stupid brush! And yet!”
“And yet,” Nico agrees, unable to appropriately school is face into one of somber understanding. Will scowls at him for his lack of proper sympathy, a little bit of genuine hurt in his eyes, so Nico leans down and kisses right between his brows in apology. He seems mollified, if only slightly, or at least he leans into Nico’s touch and stops mumbling quite so much.
“‘S’not fair.”
“Mhm.“
“Your hair listens to your instructions.”
“Yep.”
“Even Cecil’s hair listens to him, and no one listens to Cecil.”
Nico purses his lips thoughtfully. “I think Austin listens to Cecil.”
“Yes, I know. It’s an ongoing issue. I’m trying to train him out of it.”
“And how’s that going?” Nico murmurs, curling a strand of golden blond hair around his finger.
“Oh, well, I’m doing my best, so of course it’s going horribly.”
Nico snorts. He resists the urge to hold his palms to Will’s cheeks and kiss every single freckle at light speed, because he will screech something about how Nico is one-upping him in the romance department or something stupid like that. Instead he settles for looking at his dumb dramatic boyfriend’s face and marvelling over the fact that the cutest boy in the entire world, and Nico is being totally objective, hunts around camp until he finds whatever tree Nico is hiding under and curls up into a ball around him and trusts Nico to hold him while he complains about stupid things that genuinely hurt his feelings a little. It’s nice. So many people at camp are still so rigid around him, like he’s collecting information for their judgement day or something. Will prefers to exercise his lesser-known Apollonian talent of being a bigger drama queen than the god himself.
“Stay still,” Nico says softly, moving Will around so he’s laying perpendicular to Nico, now, head centered in his lap and staring up at the sky. Will sighs and squirms a little and turns his head to press a kiss to Nico’s knee, scrunching up his face and releasing it, and then settles in the position.
Humming something soft that exists on the fringes of his foggy memories, he sinks his hands into Will’s hair.
“It’s not that bad,” he promises, moving slowly and pausing whenever he comes across a knot.
Will harrumphs.
“I mean it, Marilyn Monroe. You can tone down the histrionics.”
“I used gel.”
Nico flicks a dried clump of it onto Will’s forehead, amused. “I can see that.”
“I followed every single one of Mitchell’s instructions!”
“I bet.”
“And yet!”
“And, yet.”
Nico has a sneaking suspicion that someone made a comment about Will’s hair, in the last few weeks. He can never confirm it and Will has been shifty about it every time he asks, but Nico has noticed the uptick in hoods and hats the past month and his little flinches every time Nico reaches up and tugs on it. Despite being oddly confident about the oddest things — why he is so proud of being able to fit his fist in his mouth, Nico will never know — Will is very sensitive to how people think of him. He needs to know he’s liked, and when people don’t like him, he gets…desperate, pleasing. The opposite of Nico, who becomes worse in an attempt to push them away on his own terms.
Nico leans down and presses a long, lingering kiss to his forehead.
“I like your hair, you know.”
“It’s a stupid mess.”
He smooths down a handful of it, pressing it over Will’s eye. He manages to keep a straight face for one, two, three seconds before he huffs a laugh, batting Nico’s hands away. Nico grins.
“I like the stupid mess.”
“Yeah, well, you like a lot of weird things.”
“Like you?” Nico suggests, pressing another kiss to the tip of his rounded nose.
“Shut up.”
Another strange thing about him, that Nico has to duck his head to hide his automatic smile: he gets embarrassed easily.
Nico never expected it of him, with all the dorky, medical-themed pickup lines and general shamelessness in his affection towards everybody on Earth, but especially Nico. When the poking, prodding attraction is turned on him, however, he shuts down like an overloaded Playstation. Nico can sometimes see the error messages playing behind its eyes. It’s hilarious.
“Will.” He pokes him in the cheek. “Hey.”
“What,” Will grumbles.
“I think you’re beautiful.”
Watching the slow spread of red from below the collar of his shirt to the roots of his hair is a delight. Nico watches in glee, wrestling Will’s hands away when he tries to slap them over his face.
“Shut up! Leave me alone! Go — flirt with somebody else!”
“You’d curse them to speak in rhymes for ten years,” Nico teases.
Will makes an agonised noise. “Who! Asked you! Shut up!”
“You’d sic Kayla on anyone who so much as winks at me, you jealous bitch.”
“I would not!”
“You would so. You rolled your eyes at everything Percy said for three weeks when you found out I used to crush on him —”
“I did not!”
“— and you didn’t even have the balls to ask me out, back then.”
“You are a — peddler of falsehoods! A prevaricator, a perjurer, and a fabulist!”
“And you sound like you swallowed a thesaurus,” Nico snickers. He catches the hand Will flails at him, pressing a kiss to the wrist, which only serves to fluster him more. He decides to take mercy when the kisses he trails down his arms result in one loud, long, tortured screech, pulling back and giving him some space.
Notably, he doesn’t move from Nico’s lap.
“I like it,” Nico admits, once Will has calmed down some. “I like that you’ve liked me for so long.”
Will peeks through the fingers he has covering his eyes. “It’s embarrassing.”
“Yes.” Nico squeezes his shoulders. “And endearing, which seems to be your sweet spot.” He presses a much softer kiss to the underside of Will’s ear, lingering there until he sighs, slumping under all the tension finally leaving his body. “I love you, Will. I love your clumsiness and your rambles and your nose and your freckles and your awkwardness and your jealousy and your hair and I love you, Will, all of you. Even the embarrassing weird parts.” He kisses him again. “Especially the weird parts.”
Will breathes slowly, carefully, evenly, face pressed to the inside of Nico’s thigh. His long eyelashes tickle his skin. Nico can feel the press of his Adam’s apple when he swallows, pulsing against his calf.
“I never thought you were a freak.”
Nico brushes his knuckles over his cheek. “I know.”
“I used to — talk about you. All the time. And your oxytocin levels.”
He smiles.
“I know.”
“Lee had a — chart.” Some of the flush rises back up in his cheeks. “A ‘Days Since We’ve Heard About Di Angelo’ chart.”
Nico bites his lip. Hard.
“The number never got higher than six.”
“…I am trying really, really hard, Will.”
Will sighs.
“You can laugh.”
Nico cracks up, trying desperately to muffle his giggles in his bitten fist. It doesn’t work very well, but the glare Will sends him is somewhat softened by the smile twitching at the corner of his mouth.
“Gods, you are — a mess.”
“Mhm.”
Nico cups the side of his face. Will turns, slightly, enough to press a kiss to the centre of his palm and then stay there, eyes closed, breathing against his sword-callused skin.
“I love you too, by the way. Obviously.”
“I know.”
“Don’t Han Solo me, you bastard.”
“Go ahead and try to stop me,” Nico challenges, grinning into the passionately indignant kiss Will presses to his lips, finally, letting Nico curl his hands in his hair.
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haliaiii · 1 month ago
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daisuke sketch for fun
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starcurtain · 3 months ago
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I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?
I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:
I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."
I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.
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Nah, we all know why Jade's trailer is Like That.™
Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.
Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:
Endearing vulnerability/helplessness
Gay ship tease
Give a character both, like Aventurine? They might as well be printing money.
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That sound you hear is Hoyo's stock prices rising.
So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.
We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.
He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!
The ultimate feeling evoked is: He needs to be saved.
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When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.
And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.
Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.
His motivations are always clear and consistent: get free, heal, and live happily ever after.
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Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--
Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.
Hoyo is not remotely discouraging people from literally buying into this emotional appeal.
And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.
In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.
This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂
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Bro can't even sleep in on his day off; life is so hard for this man.
Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?
Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?
It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)
Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.
The problem is that that's just not who the game is telling us Aventurine is.
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Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)
So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.
Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.
To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.
The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.
He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.
He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.
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This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.
He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.
He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.
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His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??
People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?
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Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.
The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:
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Like... Work is the least of this man's problems.
At really the risk of rambling on too long now, he's also just a massive walking contradiction:
Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.
You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.
He's the "chosen one" who will lead his people to prosperity... except they're all dead.
He's explicitly suicidal... andddd also a pathstrider of Preservation.
He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.
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He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.
He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)
He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.
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He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...
To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.
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Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.
In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.
Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.
Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.
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pyreo · 5 months ago
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Okay this is looking ridiculous
ArenaNet says by the end of the expansion's year-long cycle, around 800 decorations will be available.
It acts as a showcase for your in-game collection of skins and cosmetics. Any alts that you leave in your Homestead—they'll get bonuses for resting in it, including for WvW and sPvP—will still be chilling there when you log in with another character. There's also a stable for your mounts to hang out—great news for anyone who's got a fancy Jackal skin that they rarely have an excuse to see. Even your skiff is docked in a little pier, with some fishing spots available along the river.
With an armour stand, you can make a statue of their character that inherits your current fit—dyes and all. And the weapon stand will let you display any weapon that you've earned.
Any resource nodes that you've bought will be carried across to your new home, available for the daily gathering. And while it won't be available at the launch of Janthir Wilds, a new auto-collect feature is planned for one of the quarterly updates that will instantly gather every node attached to your Homestead's mine, logging camp or farm.
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pharawee · 9 months ago
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Yoon Phusanu my beloved never disappoints and has indeed hired a gaggle of lawyers to go up against Y.Entertainment.
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You can watch his whole press conference (with English subs) here.
It includes highlights such as:
Yoon would like to be fairly compensated because he has to provide for his family. His family are seven cats. He's brought pictures.
He's now officially gone freelance and Y.Ent are no longer allowed to use his name.
Yoon hasn't been paid in a very long time, even though he's tried to negotiate and reach an agreement. He's tired of having to run after his money.
He's "only" owed about 100.000 baht (~2.555€ / 2772$ / £2,192) but Yoon's lawyer states that this is a systematic problem and lots of actors in Series Y (Thai BL) aren't fairly compensated. Several actors have reached out to him personally. He also says that he doesn't put blame on the companies because Series Y is a very competitive field. Still, young actors should be careful about who they work with and stand up for themselves if they aren't treated fairly.
They're showing pictures of Yoon's cats again. Yoon has to provide for them, after all:
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Yoon doesn't have acting work lined up right now but he's actively looking for new projects and is in talks to join a new agency.
I'm not sure if this only affects Yoon or the other actors who are owed money by Y.Ent as well but apparently the cut-off date for payment was 11 March. He was offered money after that date but didn't take it because he already knew that he wanted to terminate the contract. Apparently, he had been with Y.Ent for over 4 years and the contract was supposed to be a six year contract (I'm not too sure about this one since the subs are terrible and so is my Thai lmao). Because he's been with them for so long, the whole thing pretty much blindsided him.
Yoon's mother is supportive of him acting in Y Series.
Many other Thai BL actors have talked to Yoon about being treated unfairly and he wants to spread awareness about that.
Apparently, Y.Ent never stated a reason for not paying him. They only told him that he'd be paid at a later date.
Yoon's lawyer says that he has every right to sue but for now he only wants to negotiate. He again urges young actors to thoroughly check who they're working with.
Yoon is asked if this disagreement will cause him problems with other companies down the line but he says that he doesn't believe it will negatively affect him as he's trying to solve the issue peacefully.
Yoon's lawyer again says that actors should read their contracts very carefully. Some contracts don't give the actors any rights but only duties. They might then have to hire a laywer to be able to break contract.
Yoon then says that sometimes he wasn't sent the script before filming and when arrived on set all he'd be given was an old brief that he'd already read. He was then asked (by other crew etc) if he'd practiced his lines which of course he couldn't. This embarrassed him.
The lawyer also adds that there is often a discrepancy between the number of episodes in a series and queues for a shoot. I'm guessing that he means that the actors won't realise that they actually have to work more hours for less money (since compensation seems to be based on episodes rather than hours worked?). This is very difficult to renegotiate and almost no actor in their 20s can afford to settle this in court.
This isn't the first time Yoon has spoken up against the mistreatment of himself and other Thai BL actors in the industry and I'm so glad he has the means to stand up for himself when so many other actors obviously can't.
Fans are so quick to blame bad shows and weird behind-the-scenes stuff on the actors themselves when in reality it's so often due to mismanagement and mistreatment. Imagine not even having a script on shooting day (yes, I'm aware this is common practice in soap entertainment but these are rookie actors without the experience and support that seasoned soap actors have - also in this case it seems to have surprised even the crew on set). No wonder things were awkward in Unforgotten Night. Do you really think actors who don't have a script get to practice and negotiate their intimate scenes together?
And judging by what Tor Atagorn has spoken up about recently (and many other actors have alluded to in the past) this is only the very tip of the iceberg, with young and inexperienced actors deliberately trapped in contracts that they have no way of getting out of on their own.
Yoon's lawyer urged young actors to be more aware of who they're working for in order to better protect themselves. In a similar vein, BL watchers should ideally be more aware of whose shows they're watching and what companies have a shady track record.
If nothing else, do it for the cats! These actors have children they need to provide for, after all!
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vikas-room · 1 year ago
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if you liked omori, please consider supporting melon kid (who recently came out with a thread describing workplace mistreatment by omocat) on ko-fi
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whenthewallfell · 8 months ago
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~ and if I can dissolve I do ~
(hanahaki au below the cut)
AU where Peeta develops the hanahaki disease during Catching Fire and the only people that understand the significance of it are Mrs Everdeen and Haymitch, both of which he swears to secrecy since he's going to die in the arena anyway. Snow also recognises the symptoms (rumour has it he underwent surgery shortly after his time in D12) when Peeta is unable to hide it from the cameras during the Quell. The flowers are removed as part of the hijacking process, but whether it was successful or not is uncertain - dandelions are a stubborn weed after all, and their roots grow deep.
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secretsimpleness · 1 year ago
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Brought to you by @butter-and-too-much-bread, who shared to me this idea in... 2020... Warden Cousland, Allison, Sten, Darkspawn 1 and 2 / Dragon Age Origins (c) Bioware
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lady-corrine · 10 months ago
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One of the (many) reasons I deeply dislike the "Annie and Finnick's wedding was only a propaganda move that meant absolutely nothing to anyone" take is that is... simply not accurate?
It is often claimed Plutarch had Finnick and Annie intentionally wear Peeta and Katniss' outfits to send some type of message, but that means to completely ignore how it was Katniss herself that offered to give Annie a dress for her wedding:
“when Plutarch has a fit over what the bride will wear — I volunteer to take Annie back to my house in 12, where Cinna left a variety of evening clothes in a big storage closet downstairs.”
How Peeta himself also made their wedding cake:
“As surely as the embroidery stitches in Annie’s gown were done by Cinna’s hand, the frosted flowers on the cake were done by Peeta’s.”
And to also disregard how everyone else felt and how happy and excited they were to be part of it:
“When it’s announced that children are wanted to sing District 4’s wedding song, practically every kid shows up. There’s no shortage of volunteers to help make decorations. In the dining hall, people chat excitedly about the event.”
All in all, it means to brush aside how everyone perceived their wedding as simply something good, genuinely so, and nothing linked to a false spectacle:
“Maybe it’s more than the festivities. Maybe it’s that we are all so starved for something good to happen that we want to be part of it.”
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elkian · 7 days ago
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Also one reason Bauhauzzo really speaks to me is how he takes in the beauty of the world. Of being alive. Not just natural beauty like sunsets and sunrises, but the beauty of human effort and interaction.
I get choked up all the time thinking of ancient manuscripts with cat pawprints on them, graves someone 400 years ago made for their faithful dog, stick figures with far too many fingers made by bored kids centuries past.
Humans have always been and will always be humans, and there are dark sides to that, but it's not all doom and heartache. Bauhauzzo talks about authoritarian-worshipping goosesteppers, but he also talks about the joys of innovation. He fondly remembers Cobigail's acts of fun and kindness alongside her pranks. He waxes poetic about how someone went to all the effort of breeding a blue rose, a thing that does not exist in nature. He remembers the light of the flames of war on the water in the same paragraph as he remembers the scent of a loved one's home-cooked meal.
I've said it before but what makes him such an excellent God of Memory and History is that he understands the past, he remembers it, but he doesn't live in it.
I haven't gotten all his anecdotes yet, but I did get the one about the Spire, and I think it's really characteristic of him. He remembers its lifetime fondly - he asks you to kiss the doorway. But he doesn't say, "everything is ruined forever until it is restored to its former glory". I don't think he'd be opposed to its restoration, necessarily (depending on the why of it, given how BuzzHuzz goes), but he acknowledges the movement of time and accepts the present, while still maintaining a fondness for the past. The Spire conversation opens with him talking about loving one's home, and I think the reference to Marie Kondo's system of Sparking Joy is deliberate. Keep what brings you joy, but you don't have to hold on to things just because they were once important to you.
Bauhauzzo loves and acknowledges and embodies the past, but never truly lets it hold him back. He understands that the present, and the future, are as important to History as the past. He doesn't want the world to stop, even if he feels a bit of nostalgia from time to time. He knows that's a natural feeling, and he might be a bit culpable for the BH situation, but it was never his intention. He was deliberately taken advantage of by the very people who claimed to be there to help him, and the very first thing he asks of you is to help him right this wrong.
Bauhauzzo is great.
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