#gaining dimensions and life

[jeremiahthefroge]

Man there's really something about the way MCD very slowly sinks you into this bigger narrative and makes you forget it's "just" a minecraft world. Sure, as far as episode 24, we're still getting YouTube intros where she introduces herself as Jess, but we've also got Levin, and all of her struggles with potentially having to give him up. And there's the looming threat of the shadow knights, there's Sasha in the village, the subplot with dale and molly and logan and Donna, there's Zenix being missing. We've got Aphmau acting stressed, acting sad, acting worried about the NPCs in her village, regarding them more and more as people as they appear to BE people.

Side note, all the plot stuff with Lords being a reality-warping force, turning simple NPCs into evolved thinking + feeling characters and having those characters devolve when they're away, are we meant to see this as "the NPC's AI gets so advanced they become more involved characters in the video game but if you turn off the video game they cease to exist" or like "minecraft is a sort of portal for irl people to interact with this other dimension, which they see as the minecraft world, and they're warping the reality of another real place, and real people are forgetting their memories when the lords are disappearing" or what?

Players don't seem to be the only people who can be lords, given Bright Port's Lord Burt, who clearly has the same/similar effect on Brightport that Aphmau has on Phoenix Drop (his absence causes some guards to start forgetting things and acting weird, as well as some of the roads disappearing). Plus there's definitely some variance in the personalities and stories of the NPCs around her, Lord Burt says that Azura is a special guard that can't be corrupted by the king bc she's pure of heart and has a bond to him. I don't think we're meant to believe the NPCs are just NPCs, at least not by this point in the series.

I'm interested to see how this develops and I'm curious as to how I'll want to handle it in my potential rewrite, if I decide to divorce the plot from the game of minecraft entirely. Which I did intend to, to give the characters a bit more breathing room. I wanted to start out with all the characters being fully themselves so we can get good early interactions.

Though there is very much something to be said about Garroth being stuck in that NPC state and Aphmau being around slowly brings his memories and autonomy back. Especially since she never seems to hold it over him, just glad to get to know him as he becomes his own person again.

Could make it a curse that the King cast, to prevent the people of the kingdom from organizing against him on their own after he starts killing off lords to steal their land. Making the only real threats to him the remaining lords and not just any town full of peasants with a bone to pick. Much to consider.

[minionsuncle]

Blarmy!

[charmixpower]

Thinking thinking 🤔🤔

What scar do you think each of the girls would have? I'm doing doodles and I was thinking about how they'd collect scars as they got older and such and I'm curious what attacks y'all think should of left a mark

[ur-favoriterecord]

"Elytra's are so broken :/" of course they are you get them at the end of the game wtf did you expect????

[silentaura]

i know the triforce doesn't necessarily translate neatly into botw . . . but i love the idea of the zelda that lacks wisdom . the zelda who is expected to embody wisdom but just . . . isn't quite there yet . who gains wisdom and journeys to get there through trial and error . its very in a researcher's nature to ask questions and venture out to learn . . . and fail at times in pursuit . i saw a note once where someone mentioned something about how courage can be innate , and strength can be intentionally built , but possessing wisdom is something outside of anyone's control and is not something anyone is just . . . naturally born as . it is the force that just takes time . not to gush over my muse , but i love playing a zelda who is undeniably intelligent but also a little dumb and immature in her feelings and ways of navigating through life . she really is at that "coming of age" point in her life .

[fellhellion]

granted this is just me applying some broad strokes of the 90s backstory to miguel's movie iteration and this may just end up unapplicable but idk. i honestly think there's something really interesting to be mined from the entire thing with gabriella not just being about desiring a fantasy of a happy family life, but also being an opportunity to genuinely grapple with miguel's relationship w fatherhood, both regarding himself and the fathers in his life. something something never being able to envision yourself as a father or perhaps not even considering that it could be something you wanted until you saw a mirror of yourself do it and be so happy with that in his life.

[cybertron-after-dark]

what the FUCK happens in cyberverse

Here's a list just off the top of my head, in no particular order. MASSIVE spoilers ahead.

-Wheeljack keeps making party drugs. This is not only accepted but wholly encouraged by the Autobots. He's made the bot equivalent to cocaine so strong it made grimlock physically unable to stop himself from running around the ship at mach 5. This was the basis for an entire episode. He's also made patches that give you a direct link to the Allspark that he passed out at a party specifically to get everyone as fucked up as physically possible. I cannot overemphasize that Optimus make no effort to stop this until things turn destructive on both occasions.

-Soundwave and Shockwave completely fucking hate each other and have a whole rivalry trying to be a better and more useful follower for Megatron than each other.

-Soundwave is a fucking memelord who will play clown music or dramatic riffs to dunk on people from the soundboard he has built into his hardware.

-theres a sort of liminal dimension referred to as Unspace that you can get stuck in and if you are there for too long you will straight up disintegrate. We see this happen to the entire crew aboard the arc from different timelines several times while the main timeline crew we follow tries to escape this fate, thus dooming dozens of other timelines.

-Cheetor is basically Allspark Jesus, and he's tired of all the fighting, so he tries to have Optimus and Megatron settle their differences once and for all. The chosen method for this was making them both play the Newlywed Game. They were both terrible at it, the MegOp Divorce agenda is alive and well.

-the Quintessons invade Cybertron and stick the entire population into a simulation a la The Matrix, which slowly drains their life force until they die. This kills countless unnamed Cybertronians, both Autobot and Decepticon, as well as Hound, who does not get to appear on screen.

-the Quintessons also catch Starscream, rip his face off, and modify him into an Eldritch tentacle beast with his brain attached to two other aliens, and then appoint that amalgamation as the judge that decides the fate of the universe in regards to whether they exterminate all life within it.

-Shockwave commits suicide for Megatron's approval. He launches his spark straight into the Allspark to taint it specifically as a last desperate fuck you to the autobots.

-Soundwave acquired laserbeak by just kind of grabbing a random bird out of the sky.

-Soundblaster is an ex-decepticon that left out of shame. That shame being Soundwave beating his ass in a beatboxing competition so fuckin hard he couldn't show his face around his faction anymore.

-The autobots keep starscream captive and try to get him to take a therapy session with the Arc's AI, and he starts out willing to actually give it a shot but said AI is kind of Stupid and screamer ends up tricking him into letting him escape through an air vent to go wreak havoc instead.

-Starscream also starts a suicide cult with the other Seekers, gains control of Vector Sigma and the Allspark, has the seekers forfeit their sparks to him, thus resulting in a cosmically powered Starscream. He uses that power to "remake" his followers into scraplets that he refers to as, with nothing but love in his tone, his "children."

-Shockwave and Wheeljack are shown to be ex lab partners. Shockwave has an army of drones that look exactly like his altmode that Wheeljack helped program. They are programmed to be able to break out into a coordinated dance number at any given time. Originally this was just to make Wheeljack laugh. Shockwave kept that function in throughout the entire war and initiates it the second there's a truce and Wheeljack asks to see it again.

-Shockwave kidnaps Wheeljack at one point for Science Under Duress purposes and Wheeljack is too invested in all the sweet fuckin tech Shockwave's been making while they were apart to really care that he's being held against his will, and then proceeds to escape without too much issue because he knows Shockwave well enough to know exactly how to disable everything.

-Bumblebee distracts the Decepticons by running in front of their surveillance cameras and shaking his ass in the most underwhelming way imaginable.

-Grimlock is only stupid when he's in his altmode because it takes a lot of power to sustain and he has to sacrifice some of his higher brain functions to keep it manageable. In robot mode he talks like he went to an Ivy League college and knows what champagne tastes like. He throws upscale parties every chance he gets.

-Grimlock also helped start an anticapitalist revolution with Bumblebee when he found an underground society of insect transformers that had a rigid caste system. This was within moments of finding out that the ultra wealthy were hoarding the limited energon reserves for themselves. Grimlock is a comrade and he does not fuck around.

-Skybyte is here and he sounds like Skeletor.

-Windblade and Slipstream are nemeses and somehow it's even more toxic yuri coded than Arcee and airachnid in tfp.

-speaking of Arcee, she's besties with Grimlock. They at one point have a physical fight over who gets to die to protect the other.

-hot rod and soundwave are forced to share leadership over the team of bots and cons that escaped the quintessons' simulation and it's packed with so much homoerotic tension its unreal.

-Maccadam is some kind of lovecraftian war machine that can unfold himself into a whole armory whenever he feels like it. We have no idea what his whole altmode looks like, all we see are the ominous shadows of the weapons on the walls. He uses this specifically as a threat to keep anyone from fighting in his bar bc he's insistent it remain neutral ground. He also can kinda just. See into the future. And casually drops prophecies that get written off as spoonerisms until they turn out to be relevant.

-Optimus Prime has horrific social anxiety that he can kind of power through when he's in a crisis, but the second things are chill and he has to give a speech at a party or something he simply does not know how to function.

-the entire planet of Velocitron gets taken over by cosmic rust and everyone inhabiting it that couldn't escape in time was killed horrifically.

-cosmos is a girl and she hangs out with a dude named Meteorfire who is, for all intents and purposes, just robot Steve Irwin.

-Astrotrain keeps closing doors in people's faces for the funny

-Megatron is killed by a version of himself from an alternate universe that went nuts and starting creating a master race of perfect Decepticons to inhabit Cybertron. Said perfect Decepticons were carbon copies of idw Tarn in all but personality.

-Acidstorm is canonically genderfluid and keeps switching between male and female seeker frames whenever they feel like it

-Kup, who had not been in the show at all until this point, decides to show up and narrate an entire episode like hes giving a political speech.

And, the infamous one we all know and love

-Megatron is a twitch streamer and he livestreams Starscream's fucking funeral. The chat has custom Decepticon emotes.

[cucumberteapot]

Okay, so I've read the Spider-man: Across the Spider-verse artbook, and there is this fantastic passage on Earth-42 that gives context to the dimension, Miles G., Uncle Aaron and the Sinister Six.

“Miles comes face to face with a parallel world version of his own in Earth-42 – an alternate reality where he never gained superpowers and where his Uncle Aaron is still alive. “We wanted to craft this moment where Miles encounters this powerful figure in his life that he loved so much and he lost," says director Justin K. Thompson. “That's when he realizes that he is not really in his own dimension, as well as the gravity of what he has lost. In this reality, Aaron has had to shake off his life of crime and became a surrogate father figure to Miles.”

The artists changed Uncle Aaron's outward appearance to reflect this new reality and convey how he has changed. The Uncle Aaron of Earth-42 has a little gray in his beard. His clothing still has the old “cool streetwear” vibe, but he has a more sophisticated and older look. In this alternate reality, the Sinister Six have been able to flourish and take over the world. “We wanted to create a world where it felt like Aaron and Miles G. Morales [this reality counterpart to Miles Morales] are the only heroes.”

It's a much darker version of Miles' original home. So, we looked at comic book artists who epitomized that sort of noirish world - artists like Frank Miller, Sean Gordon Murphy, John Polygon, where there is heavy use of black and colors sort of recede behind the dark shadows. The powerless version of Miles is still capable and efficient and has great acrobatic and physical prowess. We also needed Miles to feel trapped in this dark world. We wanted to leave the audience with the burning question: ‘How is he going to get home?’ It was just exciting to see the development of this world to underscore all of these narrative choices we were making.”

[woodland-gremlin]

Ancestor's Fury AU

( Inspired by @glow-in-the-dark-death and @vixen-uchiha )

The Infinite Realms are, well, Infinite. They are the doorway between dimensions and contain every after life. This includes the Krypton one.

When Danny learned that the Infinite realms contained the afterlife for aliens he didn’t stop gushing about it to Jazz for days. He was awestruck. Not everyone would stop to talk to this excited child, especially when they don’t know that he is the King, but some would, like the Kryptons. They were quite happy to talk to the boy king, especially when they could get updates on the last of their kind in the Living Realm. When they learned about the Anti-Ecto Acts and the role the Justice league and the last of their living had in it they were angry and confused. To learn about why the Justice League didn't do anything about the Acts they traveled into the Living Realm to find out. This is how they found out about how Superman treats Superboy.

When Danny first told them about Superboy they threw a party, after all they gained a new family member. Look at the baby, isn’t he adorable?! Traveling to the Living Realm and finding out he was a clone didn’t change that fact. Learning how Superman treats him for being a clone however opens the floodgates of their fury. They were already weary because of the inaction with the Anti-Ecto Acts and now he is calling the baby an “it”! Not happening on their watch.

Then they remember the boy king. The one who brought this to their attention in the first place and who has a clone he treats as family. So they decided to bring this to his attention.

Danny, when he learns of this, is furious. He knows what it is like to be cloned by your worst enemy in an attempt to replace you, but that is on the fruitloop who cloned you not the child who was dragged into their scheme and is as much of a victim as you are. He could never treat Ellie the way Superdouche does. For Ancients sake he was barely a teenager when it happened and yet he handled it better than a full grown adult superhero (not that he should be called that after what he has done).

In conclusion no one is happy with the news, especially Ellie. She is furious with how her fellow clone is treated and is definitely planning Superasses demise, though silver lining, clone buddy!

All of this leads to Danny putting a blacklist on Superman. No one from the realms can help him and are welcome to beat him up as long as no one else gets hurt. So when the JL Dark gets called to help because Superman keeps getting targeted by supernatural beings they refuse and explain the black listing. The JL then bullies John Constintine into summoning the Ghost King, who is his nephew, not that they know that, to retract the blacklisting.

Danny: Yeah no, can’t help you there. The ghosts hunting you down are not very happy with your parenting, and neither am I for that matter.

Superman: ??? I don’t have a son.

Danny: *sarcastically* So the kid running around with the moniker Superboy is someone else’s Krypton kid? Sorry, didn’t know there was another Krypton that survived the destruction of their planet.

Superman: It’s a clone, not my son.

Danny: *pissed* He is not an it! You may not consider him your son but the ghosts of Krypton do. Your parents thought the Kents raised you better than that.

Meanwhile, elsewhere:

Ellie: *tackles Superboy* Clone Buddy!!

Superboy: *surprised Pikachu face*

[cypherscript]

Justice League Audit

The Flash honestly didn't know what to think about their current situation as the prime members of the Justice League, their biggest hitters, were just yanked from their homes and put into costume in a courtroom. A young man with white hair was halfway into a briefcase, legitimately halfway up to his waist in the briefcase, who pulls himself from it with multiple stacks of papers. "Good Evening, Justice League, or morning depending on when you came from. My name is Daniel but please call me Danny and I have been appointed to your case for simply the severity of the case."

"Severity? What are we being charged with," Batman grunts as he studies the room and the man.

"Charged? No no, you're not being charged with anything just yet if at all. I should specify why I'm here. My name is Danny and I head a recent addition of the Multiverse Auditing of Space and Time."

"MAST," Flash says in deadpan.

"An Audit," Batman's voice drops in tone, "Auditing us for what?"

"Excellent question, Mister... Batman," Danny says has he looks over his papers. "At MAST we monitor and maintain the spatial and temporal curve which is affected by choices made by the inhabitants of this dimension. This including but not limited to unsanctioned time travel, planetary destruction on a massive scale, large scale mental manipulation, cosmic entity manipulation, cosmic entity death, manipulation of the balance of life and death, supernatural tax evasion, unpaid child support and abandonment of duties in all forms."

Flash pulls on his collar uncomfortably as Danny mentions time travel, Batman ignores him as he continues, "And if this audit shows that we are in need of charging? What then?"

"It all depends on what is being charged but majority of them can simply be nullified by undoing what was done; paying your child support, making good on your deals and agreeing to exchange a number of your years as compensation for the death of the entity in question. In the event these terms cannot or will not be agreed to then the being in question will be black-marked as persona non grata and will be garnished for the rest of their natural life."

"That... seems rather lenient," Superman states as he's thinking over what was said.

"What is being garnished and what is persona non grata mean on a multiverse standpoint?"

"Until the black-marked individual reconciles their debt with MAST, no afterlife will accept them, no supernatural entity will make a deal with them, loss of any power used in the charge that gained them the black-mark."

He picks up a red folder and takes a seat on one side of the desk, "Now, Mister Flash, while you're not the most heavily audited on todays list you had unfortunately put more stress on one of our employees at MAST. I have here that you're being accused of 186 counts of unsanctioned time travel."

"186?!"

"BARRY!"

"What the crap?!"

[one-half-guy]

Welp... Y'know, I have this fanfiction in DA that uses this concept...

(although it gets overshadowed but the dozens of stuff happening because I was like "Let's be Crazy as we can be becuz we deserve sometimes a treat :D")

Does Blaze have the flames of iblis in her still, or did that consequence get retconned? Lets make her cry and find out.

[huginsmemory]

On ad astra per aspera ✨

Can we talk about the repeated use of ad astra per aspera? Cause uhhhh it shows up twice, once on the website and once in the Book of Bill, and OH BOY this has connotations, both for Bill and Ford's relation in the literal and figurative meaning on the word, and for Bill's own history:

(extra addition added 16/09/2024! 🌝 )

First, in the website (if I recall correctly) if the phrase ad astra per aspera is inputted into the computer, you get the two pages on Bill's 'funeral':

And within, in the pages, at the very end before signing there names is the phrase itself (highlighted in red) .

Secondly, a joke version of it is seen in the Book Of Bill, specifically on the night where Bill and Ford fucked 'one thing led to another':

In this one, it's clearly a joke off of aspirin used for his hangover, used again to close the entry.

Now the phrase ad astra per aspera itself means 'through suffering to the stars', which also has... wider connotations then just these two piece alone, which I'll unpack later. But first, the interesting choice of connection of these two pieces;

Both times the phrases occur, they occur closing the entry; a bit too much of a coincidence to me (and in this fandom there is no such thing as a coincidence). Considering that the 'one thing led to another' night is a night that was important to their relationship as it hints at the intimacy they had with each other, it showing up again in Ford's 'funeral' entry about Bill feels very much like an allusion to that night. Especially considering in the funeral entry Ford is very open about how much he cared about Bill, with how he at one point "considered him the centre of his life". The entry from Ford reads as someone who is moving on, and part of this is acknowledgement of the grief and sadness for the more positive part of the abusive relationship that he lost. As a result, having him acknowledge the intimacy of their relationship, it makes sense for him to tongue in cheek allude back to his first writing down of the phrase, where they were quite clearly implied to fuck be intimate.

While it alludes to their Bill and Ford's intimacy, the literal and metaphorical meaning of the phrase also rings true here; through suffering to the stars. If we talk literally, then through Ford's relationship with Bill, something that ultimately was full of suffering, he built the portal, and ended up wandering the myriad worlds out there in space; one may say out there among the stars. He literally was out there wandering the stars as a result of suffering.

Now metaphorically, the phrase means through suffering/adversity one gains beautiful/worthwhile things. Considering this entry is Ford moving on from Bill, this is very apt; again, their relationship caused Ford immense suffering, and as he is now letting that relationship and suffering go, he's instead prioritizing creating healthy relationships with Stanley, the other twins and Fiddleford (the something beautiful and worthwhile part!). In fact, the entry on Bill's funeral is half on him strengthening his relationship with Mabel, the shooting star, another layer of wordplay; case in point about the healthy relationships. He's weathered through his abusive relationship, to discover and create a loving family.

It doesn't quite end there however; although that's fairly it for specifically Ford and Bill's relationship, we also haven't talked about what the stars mean to Bill himself. Which, well; it's very clearly implied that Bill accidentally killed everyone in his dimension in an attempt to show his parents (and other people in his dimension) the stars. And on top of that, to quote; "I looked up and saw the stars. And I was ready to become one of them". Which he then in a way, becomes, considering the page in journal 3 on constellations, in which Ford remarks that one of his favourite constellations is the constellation 'William' (obviously Bill). It's a bittersweet immortalization of himself after everything that occurs around trying to see the stars for Bill.

So I find it very interesting that for Ford, a phrase about suffering and stars is something he ends up correlating to his relationship with Bill, considering that to Bill, to get to the stars is something he deeply suffered for as a result. It's also important to note that Bill's suffering was something that occurred out of love, and ultimately an attempt to be understood and create a deeper relationship with his parents where they could trust him. And then for Ford, all this while later, to look up to the stars (to see them) and to see the Bill constellation and go 'oh that's one of my favourites' is fulfillment. Because Ford during that time trusted and cared deeply for Bill, fulfilling that relationship of trust, love and understanding(at least surface level, considering the way they banter together), that Bill had yearned for when he was younger and killed his plane.

So all in all(tldr): ad aspera per astra, (through suffering the stars), is quite the fun phrase to unpack in regards to Bill and Ford's relationship, considering the deliberate reference to the phrase on the entry about the night 'where one thing led to another' and Bill's funeral entry. The phrase is a combination of references; tongue in cheek allusion to the intimacy, but also references to the literal (space fugitive) and figurative (abusive relationship, to loving family again pipeline) hardships Ford endured as a result of the relationship. There is also irony in the way that Ford seems to correlate this phrase about suffering and stars with Bill and his relationship, considering that out of an effort to be understood and share the stars with his parents, Bill accidentally killed his whole dimension; later he also made a constellation of himself. As well, as Ford says that one of his favourite constellations is a constellation that's clearly Bill in Journal 3, it alludes to that Bill's wish to show his parents the stars and be recognized is fulfilled by Ford (pre-portal incident that is).

EDIT: extra details added on the constellation piece as of Aug 14 2024 (less than 24 hours after og posting, because I'm deranged). Big thanks to @bowl-o-nudel for the nudge :)

Edit (16/09/2024): I've had a few people say that the saying has appeared in Journal 3 multiple times, and having reread journal 3, to my delight it is indeed correct! And oh the CONTEXT they give. The two instances are those seem below; the first appearance in the title page of Journal 3, and second time is a page from when the twins graduate.

As well as all the parallels of how the phrase is applied for both Bill and Ford, as @zoizyboigy suggested, it seems to be a phrase that Ford takes as his own motto. It seems to be a highly personal motto to him; after all, they all are written around important turning moments in Ford's life; graduating, the journals which where to be his ticket to fame, fucking a triangle finding acceptance and intimacy with Bill , and lastly, moving on in his life from Bill and his destructive obsession with recognition. 

And it makes sense WHY this motto is one that is highly personal to Ford; the first time it is seen chronologically is when he's graduating, chosen when he believes he's going to be accepted into the university. It's a motto he chose because he was excited, because he thought he was already through his suffering and arriving to the stars of his fancy university, where validation and acceptance would abound; only that doesn't happen, and the suffering part within the motto is the only thing that's accurate, especially as that's when he rejects Stan. It's a motto chosen in celebration, that becomes a reminder of the failure to become someone who is accepted and important (and his prioritization of validation over relationships); it's now something he holds that reminds him of the validation he believes he deserves and he obsessively chases. 

And that's why you see it in the journal pages, because these journals are going to change his life, he's going to become finally a person of importance and be accepted with the information he's compiled in the journals. And in the same way, you see it after Bill (and interdimensional being of ancient knowledge) and him are intimate; he's become someone of importance to Bill, he's been accepted by Bill, even attractive to Bill (romance Ford seems to have terrible luck in).

And that's why you see it at the end of Ford's farewell to Bill; it's another turning point, it's Ford letting his obsession with world validation go which characterized it's meaning from the beginning, Ford letting go of his relationship with Bill, which it also came to mean, and instead celebrates his acceptance within his family and the strengthening of those bonds, and of prioritizing healthy, loving relationships.

Ps, if you enjoyed this meta post, I've also made another one, on exceptionalism!

[love-toxin]

MR O’HARA HAS ME ACTING FERAL BOTH OF MY LIPS HAS BEEN DROOLING SINCE I WATCHED ATSV OPENING NIGHT… I NEED HIM TO DESTROY ME

RIGHT??? LIKE--LIKE--

(cws: across the spiderverse spoilers, gn pronouns, smut, rough sex, mating press, size kink, biting/venom, belly bulges, mindbreak(?), breeding mention, a bit of forbidden love trope)

Like....imagine, if you will, becoming an assistant for the Spider-society after your dimension is destroyed. It's mostly because Miguel took pity on you since you're not a spider-person, you had nothing to do with the unravelling of your world, and/or you were meant to gain your spider-powers but an anomaly in your dimension prevented it. Since there's no place for you in another multiverse, he keeps you on his team both to give you asylum and to keep an eye on you just in case you prove to be an anomaly yourself....but it becomes pretty clear pretty early on that you're not really a threat. Not for violence, at least.

You're just a sweet thing that gets doted on by nearly everyone in the society--you're either a refreshing break from the endless spiderman variants running around or you remind the spiders of their Mary Janes, their Gwen Stacies, their Gayatri Singhs, and being a civilian to boot makes you the perfect candidate to have your things carried for you and be given web-slinging rides around the facility even though you're supposed to be the assistant here.

But even so, even though you're treated so lightly, Miguel really likes you and even--gasp--enjoys your company. It can be hard to tell with him, but the most perceptive of the spiders notice that Miguel keeps you in his good graces always. When he's stressed or in a bad mood, he collects himself before he speaks to you. He never snaps at you, and on the very rare times you get caught in his crosshairs, he apologizes quietly and gently and reiterates that whatever it was about, it wasn't your fault. He gives you so much wiggle room for error to the point that his companions sometimes complain outright that he's such a hardass, but he never berates you when you make a mistake, and without fail Miguel will come up with some reason for it; "That's because they don't screw up as often as you do" or "At least I can trust them to do their job", or he'll just tell whoever's bitching to leave you out of it and he'll dismiss you to discuss the matter privately.

Surprisingly, those incidents don't bother him nearly as much as when the inner circle starts getting closer to you. He feels this deep need to pull you away when Gwen offers to take you on a trip through the dimensions (although that's just plain dangerous), but it also bubbles up when Hobie hangs around and encourages you to join his band, and when Jess asks you questions about your life and is eager to hear about any potential romances you might be getting yourself into--there's a lot of single spider-people out there, and you're not tied to any dimension, so you've got plenty of options!

God, Miguel hates when Jess brings that up. You don't need to go anywhere, your place is here. You can stay here safely, which is something he can't promise in any of those other dimensions the spiders come from. But that's not the real reason, he realizes that when he feels that tingle at the sight of you holding Mayday and playing with her, having been given the task of impromptu babysitter for Peter when he has to rush off and do damage control somewhere.

It's you. He likes having you around, and it's not about letting you venture off into other dimensions, he just doesn't want you to leave him. That's why he loves it when you reply to those people, when you tell them "Oh, but I couldn't leave Mr. O'Hara! He'd lose his head without me." or "I really like this job, actually. I wanna keep working under Mr. Miguel." and especially "Miguel saved my life, I owe him all I can give. I could never leave him all alone." because it just reaffirms that desire for him to keep you as close to his side as possible. When he replays those videos of himself and his daughter, the pain is dulled for a while as he sees your eyes in hers, and envisions a future where you create a new family with him--one that he can properly protect this time.

It's that fantasy that emboldens him to lay hands on you, your body so puny and small in comparison to his massive frame, so fragile as he holds your hips in both hands and waits for you to tell him this isn't really what you want. He's waiting for it, anticipating it, even reminding you that you have the option when you look up at him shell-shocked. He promises that your answer won't affect your position here. It falls on deaf ears, however, because you desperately want to kiss him but you just don't think you can reach.

It's so adorable to see you try. Up on your tiptoes, clutching at his suit, straining to try and reach him where he's at--all it takes is an arm around your waist and he's got you off your feet and in the air, perfectly situated to press your pretty mouth to his own and awaken his instincts that have laid dormant all these long years. The stress of keeping each and every dimension following its intended canon has nearly broken him, it might have done so already if not for your unexpected appearance in his life. It's riled him up so much he doesn't think twice about taking you back to his place, nor gives him second thoughts when you help him peel that tight suit off and he tears through your clothes just as easily--maybe it really doesn't matter. His world is gone and so is yours, but you're both still here and you're begging him for another kiss, for more attention. How sweet could you possibly be? Pleading for something you'll always have and not realizing it's the least you deserve, perfect as you are?

Miguel just can't help himself anymore, he's too far gone and you’re too angelic for him to let down when you want him so badly. You don't seem to mind the rough treatment as he pushes you down either, no, you thrive on his aggressiveness and even encourage it to come out as he clambers over you. That pretty smile and those giggles as he shoves your thighs apart and spits, his venom sending electrifying tingles up and down your spine as he fingers the makeshift lube inside you. He's so bulky you can't even get your legs all the way around him when he lowers himself, forced to let your heels scrabble down his lower back as you struggle to find some kind of purchase on him--to just grab something and let it keep you steady as he slides in and rocks you into oblivion. The toxins loosen you up too, thank god, or else you'd be seriously struggling to take him in when he's practically twice your size. And he doesn't want to force it in, he just wants to ease you into the process before he allows himself to batter your poor body with thrusts that shake the whole bed--it's a little bit of payback for flaunting your pretty self around his office without ever telling him how you actually feel about him. Now you know exactly what you've been missing.

Drooling, hair sticking to your skin, sweat dripping down your chest, body gripping him like a vice yet endlessly slick....you're a total mess and he couldn't be more satisfied. You don't even try to keep yourself together, but that's all that he wants--he wants you to lose yourself in the way he makes you feel so you won't ever want to leave. The taboo is there; you're not from his dimension, he shouldn't be planning any kind of future with someone who doesn't belong in his world. But it makes it all more thrilling in the moment even if he can reason his way around it, it makes his every thrust gain power until he's breaking your willpower down enough to have your eyes rolling back in your head, hips jumping weakly as you try to participate. You don't even know how good you make him feel without lifting a finger.

Gliding through you as if you couldn't be more willing to take him, his position is clear just from a glance down at your stomach--the bulge is obvious, and as sickening as it could be your whines as you brush your fingertips over it sing his praises without a coherent word. You're so wet and stupid and needy on his cock, clearly he should've done this a long time ago when you were so much worse at hiding your pining looks at him from across the room. If he knew it would culminate into this, he would've saved the assistant crap and turned you into his stress relief toy that very first day. If he had, you might've already had a family by now....knowing him, at least.

It's still just as sweet to lick your tears up now, though. You're already drunk on his cock, it doesn't make much more difference for him to sink his fangs into your throat and pump you full of more venom straight from the source, the shock sending you straight into orgasm and dragging it out for so long he fears you might just pass out from the pleasure. It's like he's juicing up a plump little fruit until it's so ripe it could burst. And as if your own ecstasy wasn't enough, you really lose it when Miguel has you pinned and flooding that sore, fluttering little hole with so much seed it burns. Jets of pearly-white cum squirting down your thighs, painting you like a canvas without him even pulling out, because you just can't take him at his peak and you know it. You just have to whine and squirm beneath him as he fills you up, his hot breath puffing over your cheeks as he keeps you barely still enough not to wiggle away. With a shift of your hips you nearly slip off right up to the tip, his cum sloshing about and making everything too slick--but a hand slides up your neck and grips the crown of your head, his biceps flexing as he slowly pushes you back down with vermillion eyes piercing through your heated flesh. Lower, deeper, until he's seated himself up in your guts again and holds you there to milk those last few shots out of him, keep him nice and warm with those precious walls uncontrollably spasming around him. Doesn't stop you from pulling his head down closer, though, and whispering your praises while begging in whimpers in equal measure, urging him not to stop now. You're not ready to let him go.

How convenient is that? Miguel won't ever let you go, and he's known that deep in his chest since the moment you arrived--it couldn't make him any more satisfied to know that you feel the exact same way.

[mywitchyblog]

Reality Shifting and Race Changing Explained: A Deep and Comprehensive Analysis of the Practice through the Perspective of a Person of Color.

Introduction :

Reality shifting, a practice where individuals consciously move their awareness to alternate realities or dimensions, has gained significant popularity and attention. Within this phenomenon, race changing—where shifters assume a different racial identity in their Desired Reality (DR)—has become a particularly contentious topic. Proponents of race changing see it as a way to explore different perspectives, foster empathy, and experience personal growth. However, critics raise concerns about cultural appropriation, identity integrity, and ethical implications. This essay will delve into the shifter's perspective and debunk arguments against race changing in reality shifting, examining the diverse viewpoints and underlying controversies.

Disclaimer : before interacting pls read the entire post carefully if you do not understand a part of it do not hesistate to tell me and i would gladly explain you in more details.

And as the title says im a person of color (POC) so i will give my opinion on the matter. I am lowkey (more high key lol) pissed that i see white people telling and talking about it as if they opinion is law its time you let people directly concerned by the matter speak on a subject that concerns them.

Taglist of people who might be interested in this post that i will update progressively i will also at the end provide a pdf version of the document if this post reaches 100 reactions if it reaches 150 to 200 i will also provide the one against age changing) :

@shiftinghoe @shiftersroom @leydenkilgore @jolynesmom @shiftinginferno @norumis @angelscatastrophe @thanossnap

My Age changing Post for those interested

Masterlist

Part I: The Shifter's Perspective

A-Immersive Nature of Reality Shifting

Reality shifting goes beyond elaborate daydreaming or role-playing. It's a full-fledged immersive experience where individuals become their "Desired Reality" (DR) selves entirely. This deep embodiment isn't just physical; it encompasses cultural, emotional, and even historical elements.

Shifters often perceive themselves with entirely different physical characteristics in their DR. This goes beyond appearance – they feel comfortable and familiar in their new bodies, experiencing unique sensations and abilities tied to their DR race. Imagine an East Asian shifter feeling their epicanthic folds affecting their vision or an Afro-Caribbean shifter experiencing the textures of their hair and the specific needs of their skin.

But it's not just physical. Shifters become integrated members of their DR culture. They might find themselves fluent in the language, complete with cultural nuances and dialects. They possess an intrinsic understanding of traditions and social norms, not just intellectually, but on a lived level. Family histories, community connections, and social networks become as real and meaningful as those in their original reality.

Perhaps the most profound aspect is the emotional and psychological alignment. Shifters report feeling emotions differently based on their DR cultural background. Their worldview, values, and beliefs shift to reflect their new identity, offering unique perspectives. Many even have a full set of memories associated with their DR life, from childhood experiences to major events.

Shifters don't just inhabit a new identity; they become part of a complex historical and societal narrative. They understand the weight of historical events that shaped their DR community and experience firsthand the societal advantages or disadvantages of their DR race. They feel a deep sense of cultural pride alongside the challenges and discrimination that may come with it.

For example, a Japanese shifter might not only speak the language fluently but also understand the intricacies of keigo and feel the emotional weight of concepts like "gaman" or "uchi-soto." They could have memories of local festivals, the excitement of catching goldfish, or the solemnity of a New Year's visit.

Similarly, a Latinx shifter might effortlessly switch between languages, understand the cultural significance of quinceañeras, and feel a deep connection to their abuela's traditions. They could have vivid memories of family gatherings filled with traditional foods, laughter-filled conversations, and the warmth of close family bonds.

This immersive experience allows shifters to see the world through a completely different lens, gaining insights otherwise impossible. In their DR, their new identity isn't a costume – it's as authentic and valid as their original self. This creates a profound sense of belonging and allows them to explore different aspects of identity in a meaningful way. This depth of experience is what proponents of race changing in reality shifting often highlight as a potential benefit.

B-Personal Growth and Empathy Development

Reality shifting, particularly when it involves changing race, offers a powerful pathway for personal growth and empathy development. Proponents believe this to be one of its most valuable benefits. Here's a breakdown of its potential:

Expanded Perspective: Shifters inhabit a different racial identity, gaining visceral, firsthand experiences. Imagine a Black shifter feeling the sting of racism, or an Asian shifter navigating the pressures of the "model minority" stereotype. This fosters a deeper understanding of racial dynamics beyond textbook knowledge.

Cultural Competence: Shifters become immersed in a new cultural context, enhancing their cultural competence. They gain insights into cultural nuances, values, communication styles, and nonverbal cues. For instance, a shifter embodying a Middle Eastern identity might understand the significance of hospitality, appreciating the cultural roots of seemingly excessive generosity.

Challenging Biases: The immersive nature of shifting exposes personal biases. Shifters confront and work through unconscious biases and stereotypes that may seem harmless from the outside, but feel hurtful or limiting from a different perspective. This uncomfortable process can be ultimately transformative.

Emotional Intelligence: Experiencing life through a different racial lens boosts emotional intelligence. Shifters develop empathy for the struggles and joys specific to different races, better understand emotional cues across cultures, and gain enhanced self-awareness through reflecting on their reactions in their new identity.

Social Justice Awareness: Shifters often report a heightened commitment to social justice and equity. Experiencing discrimination firsthand motivates them to become allies in their original reality. Understanding privilege (or lack thereof) associated with different races fosters nuanced discussions about systemic inequality.

Personal Identity Exploration: Race changing in shifting can prompt deep reflection on personal identity. Shifters might question aspects of their original identity, explore their cultural heritage and family history, and gain a greater appreciation for the fluidity and constructed nature of racial categories.

Linguistic and Cognitive Benefits: Shifters who become fluent in new languages experience cognitive benefits like enhanced cognitive flexibility from thinking in different linguistic frameworks and improved problem-solving skills as they navigate cultural and linguistic differences.

Artistic and Creative Inspiration: The rich experiences gained through race changing can serve as a wellspring of artistic and creative inspiration. Writers might create more authentic characters, while visual artists gain new perspectives on color, form, and cultural symbolism.

Professional Development: Insights gained through race changing can translate into professional growth. Shifters develop a stronger ability to work in diverse teams, enhance their cross-cultural communication and negotiation skills, and gain a deeper understanding that can be valuable in multicultural environments.

Healing and Trauma Processing: In some cases, embodying different racial identities has helped shifters process personal or intergenerational trauma. For instance, a shifter with a family history of racial oppression might find healing in embodying an identity free from that specific trauma. Conversely, embodying an identity that has experienced historical trauma might help shifters connect with and process their own unrelated traumatic experiences.

Part II: Debunking Arguments Against Race Changing

A-Cultural Appropriation

One of the primary arguments against race changing in reality shifting is that it constitutes cultural appropriation. This issue is complex and sensitive, requiring careful consideration.

Cultural appropriation involves adopting elements from one culture by members of another, often without a full understanding or respect for the original culture. This practice is typically characterized by a power imbalance, where the appropriating group holds more social, political, or economic power than the culture being appropriated. It also involves a lack of attribution, where the source of cultural elements is not acknowledged, leading to stereotyping and commodification of cultural symbols, often out of context and for profit.

Applying this argument to reality shifting, critics assert that when individuals assume a different racial identity in their desired reality (DR), they may trivialize the lived experiences of that racial group. They argue that such individuals might cherry-pick enjoyable aspects of the culture while avoiding its challenges and potentially reinforcing stereotypes or misconceptions about the culture.

However, several counterarguments challenge this perspective. Many shifters approach race changing with the intention of understanding and empathizing with different racial identities, rather than exploiting them. The immersive nature of shifting often involves a deep engagement with the culture, as opposed to the superficial adoption of isolated elements.

Moreover, cultural appropriation typically involves a dominant culture taking from a marginalized one, but in shifting, this power dynamic isn’t present. Shifters embody the new identity fully, integrating their experiences into the fabric of the DR, which can make their engagement more authentic.

Unlike typical cases of cultural appropriation, shifters often report experiencing both the positive and negative aspects of their new racial identity, including potential discrimination and societal challenges. This level of immersion extends far beyond wearing traditional clothing or using cultural symbols, as it involves a comprehensive engagement with the culture's values, traditions, and worldview.

Reality shifting is a personal and introspective practice, usually conducted privately or in small groups, rather than as a public display that might perpetuate stereotypes or commercialize the culture. This personal and nuanced approach differentiates it from more harmful forms of cultural appropriation seen in popular culture or commercial contexts.

Despite these counterarguments, there are still ethical concerns to consider. The ability to "opt out" of a racial identity at will is a privilege not available to those who live that identity full-time. There is also a risk of oversimplification or misrepresentation, even with the best intentions. The personal nature of shifting does not negate the potential for internalized stereotypes or biases to influence the experience.

Instead of viewing race changing in shifting as clear-cut cultural appropriation, it might be more accurate to see it as a complex form of cultural engagement. This practice has the potential for both positive outcomes, such as increased empathy and understanding, and negative outcomes, like reinforcing stereotypes or trivializing experiences. It requires careful reflection and ethical consideration from practitioners and might be evaluated on a case-by-case basis, considering the shifter's intent, approach, and outcomes.

The argument that race changing in reality shifting constitutes cultural appropriation could be seen as a false analogy fallacy, inaccurately equating the personal, immersive, and often respectful experience of shifting with the exploitative and superficial nature of cultural appropriation as traditionally understood. Some proponents suggest that, when conducted respectfully and thoughtfully, race changing in shifting could be seen as a form of cultural exchange rather than appropriation. This perspective posits that the immersive nature of shifting fosters genuine understanding and appreciation, with shifters often feeling a responsibility to respect and honor the cultures they embody. The insights gained can contribute to more meaningful cross-cultural dialogue and understanding in the shifter's original reality.

In conclusion, while the argument against race changing in reality shifting raises important ethical considerations, the issue is more nuanced than it might initially appear. The deeply personal and immersive nature of shifting, coupled with the often sincere intent of practitioners to gain understanding and empathy, sets it apart from more straightforward cases of cultural appropriation. Nevertheless, it remains crucial for shifters to approach the practice with respect, self-reflection, and a willingness to grapple with its complex ethical implications.

B-Fetishization

Another significant criticism of race changing in reality shifting is that it may lead to or represent a form of racial fetishization. This concern is both sensitive and complex, and warrants a thorough examination.

Racial fetishization involves reducing individuals to stereotypical racial characteristics, objectifying people based on their race or ethnicity, and exoticizing racial features or cultural elements. Often, though not always, it includes a sexual component. Critics argue that race changing in shifting might encourage shifters to focus on stereotypical or exoticized aspects of a race, leading to a superficial engagement with racial identity that is more fantasy than reality. This practice could potentially reinforce harmful stereotypes or racial preferences.

However, several counterarguments challenge this perspective. Many shifters who engage in race changing are not primarily motivated by sexual desire or attraction to stereotypical racial attributes. Their goal is often to understand and embody the full spectrum of experiences associated with a different racial identity, rather than to indulge in fantasy or stereotypes. The immersive nature of reality shifting encourages shifters to deeply engage with and appreciate the culture they are exploring. This process frequently fosters empathy and understanding, rather than objectification, as shifters report experiencing both positive and negative aspects of their new racial identity, extending beyond surface-level engagement.

Additionally, many shifters approach race changing as a means of personal growth, aiming to challenge their own biases and expand their worldview. This experience often leads to increased cultural sensitivity and awareness, rather than reinforcing stereotypes. In their desired reality (DR), shifters often experience a fully realized and complex identity that includes family histories, cultural practices, societal challenges, and individual personality traits, going far beyond mere racial characteristics.

Despite these counterarguments, it is important to acknowledge potential risks. Shifters might unknowingly bring racial stereotypes or biases into their DR experiences. There is also a risk of focusing on more "appealing" aspects of a racial identity while downplaying its challenges or complexities. The ability to "try on" different racial identities at will is a privilege that could lead to a form of racial tourism if not approached thoughtfully.

From a psychological standpoint, the experience of race changing in shifting could be seen as a form of identity exploration rather than fetishization. It serves as an exercise in perspective-taking and empathy development and provides an opportunity to confront and work through internalized racial biases.

Culturally, it is worth considering whether race changing practices in shifting might lead to more nuanced representations of diverse racial identities in media and art, foster more open dialogue about race and identity in society, or risk oversimplifying complex racial issues.

Ethically, shifters should be encouraged to reflect critically on their motivations and experiences, seek diverse perspectives and real-world knowledge about the races they embody in their DR, and be mindful of the line between appreciation and fetishization. The argument that race changing in reality shifting constitutes fetishization could be seen as a straw man fallacy, as it misrepresents the shifters' intentions and the nature of their experiences, reducing a complex and often empathetic practice to a simplistic and objectifying one.

Some proponents argue that race changing in shifting could help deconstruct harmful racial categories by highlighting the constructed nature of race, encouraging people to see beyond racial stereotypes, and fostering a more fluid understanding of identity. Comparing this practice to other activities, such as actors portraying characters of different races, virtual reality experiences designed to foster racial empathy, or imagining oneself in someone else’s shoes through literature or film, reveals that race changing in shifting may differ fundamentally from these practices in its approach and intent.

In conclusion, while the criticism of fetishization raises important concerns about the potential risks of race changing in reality shifting, a closer examination reveals a more nuanced picture. The deeply personal and often transformative nature of these experiences, combined with the typical intent of fostering understanding and empathy, sets it apart from more straightforward cases of racial fetishization. Nevertheless, it is essential for shifters to approach the practice with self-awareness, respect, and a commitment to genuine cultural engagement rather than superficial or stereotypical representations.

C-Race Changing is Racist

The argument that race changing in reality shifting is fundamentally racist is a serious allegation that requires careful examination. This perspective is based on several concerns: it may trivialize the real struggles and discrimination faced by racial minorities, allow individuals to "play" at being another race without encountering the associated societal challenges, perpetuate the idea that race is something that can be donned or discarded at will, and reinforce the notion that race is merely about physical characteristics or stereotypical behaviors. This criticism often stems from worries about cultural insensitivity, fears of minimizing systemic racism, and the historical context of racist practices such as blackface and yellowface.

However, this argument can be contested on multiple grounds. Firstly, many shifters engage in race changing not to mock or belittle other races but to gain a deeper understanding and empathy for those experiences. The immersive nature of shifting often results in increased awareness of racial issues and a stronger commitment to anti-racism in the shifter's original reality. Furthermore, shifters in their desired reality (DR) often experience life as an integrated part of the culture they embody, including facing discrimination and navigating societal challenges associated with that racial identity. This depth of experience goes beyond superficial engagement.

Additionally, race changing can lead to significant personal transformation. Many shifters report profound growth, challenging their own biases and increasing their cultural competence. These experiences foster a deep sense of connection and solidarity with different racial groups. Race changing could also be viewed as an immersive form of education about racial experiences, potentially offering more impactful learning than traditional methods.

Despite these counterarguments, it is crucial to acknowledge potential issues. Shifters have the privilege of opting out of their new racial identity and returning to their original reality, a luxury not available to those who face racism daily. There is also a risk of oversimplifying complex racial experiences into simplified narratives. Without proper reflection, shifters might misuse or misrepresent aspects of the racial identities they embody.

To address these concerns, shifters engaging in race changing should approach the practice with humility and a willingness to learn. Complementing their shifting experiences with real-world education about racial issues and using insights gained to actively combat racism in their original reality can help mitigate potential problems. Critical reflection on their experiences and motivations is also essential.

From a psychological perspective, race changing in shifting can be seen as a form of perspective-taking, which has been shown to reduce prejudice, an exercise in empathy development, and a way to confront and work through unconscious racial biases. Sociologically, it is worth considering whether widespread engagement in race changing might lead to increased racial empathy, contribute to a more nuanced understanding of race as a social construct, or challenge existing racial categories.

A comparative analysis with other practices such as diversity training programs, role-playing exercises in anti-racism workshops, and the concept of "passing" in racial identity reveals that race changing in shifting might differ fundamentally in its approach and intent. The argument that race changing is inherently racist may be seen as a hasty generalization fallacy, drawing broad conclusions based on limited understandings of shifters' experiences and motivations.

Some proponents argue that, when approached thoughtfully, race changing in shifting could be an antiracist practice by fostering a deeper understanding of diverse racial experiences, motivating action against racism in the shifter’s original reality, and challenging fixed racial categories. Considering how race changing intersects with other aspects of identity, such as gender, class, or sexuality, further complicates the discussion and could lead to a more nuanced understanding of intersectional identities.

In conclusion, while the argument that race changing in reality shifting is inherently racist raises important ethical concerns, a closer examination suggests a more complex picture. The potential for increased empathy, understanding, and antiracist action indicates that, when approached thoughtfully and ethically, race changing in shifting might contribute to combating racism rather than perpetuating it.

Part III: Community Dynamics : 

A. Shiftok Culture and Hypocrisy

The community of shifters on platforms like Shiftok has become a significant space for discussing and sharing experiences related to reality shifting. However, this community is often marked by striking inconsistencies in its attitudes and practices, particularly when it comes to race changing. These inconsistencies reveal underlying biases and a selective application of ethical standards within the community.

One of the most glaring examples of this hypocrisy is the community's disparate treatment of shifts involving fictional races versus real-world racial identities. Users enthusiastically support and celebrate shifts into races from popular fiction, such as elves from "Lord of the Rings" or Veela from "Harry Potter." These shifts often involve adopting stereotypical characteristics of these races, such as ethereal beauty or magical abilities, without any criticism. Similarly, shifts into anime characters, even when these characters are explicitly Japanese or of other Asian ethnicities, are widely accepted and applauded.

In stark contrast, when a user mentions shifting to experience life as a different real-world race - for example, a white person shifting to be Black, or an Asian person shifting to be Latino - they often face harsh criticism and accusations of racism or cultural appropriation. This double standard extends to cultural practices as well. Users might criticize someone for shifting to experience a traditional Japanese tea ceremony as a Japanese person, calling it appropriation. However, they remain silent when shifters adopt fantastical versions of cultural practices, such as magical rituals in The Vampire Diaries Universe, which are often based on real-world cultural elements such as Hoodoo and Voodoo.

The inconsistency becomes even more apparent when considering shifts into races that face oppression or discrimination in their fictional universes. Shifting to be a Na'vi from "Avatar," who face colonization and violence from humans, or becoming a vampire who must hide from hunters and deal with societal prejudice, are widely accepted and even romanticized. These shifts often involve experiencing fictional forms of racism or oppression, yet they don't receive the same scrutiny as shifts involving real-world racial experiences.

This romanticization of struggle is particularly problematic. Users might enthusiastically describe the thrill of being a hunted vampire or the nobility of fighting against oppression as a Na'vi, while simultaneously criticizing those who wish to explore real-world experiences of discrimination through shifting. This glamorization of fictional oppression trivializes real-world struggles and reveals a lack of critical thinking about the implications of different types of identity shifts.

The community's acceptance of shifts into historical periods further highlights this hypocrisy. Shifting to experience life in different historical eras, which inevitably involves a change in cultural context, is generally supported. For instance, shifting to be a noble in Victorian England is rarely questioned, while shifting to be a person of color in modern-day America might be condemned. This inconsistency reveals a troubling bias in how the community views and values different cultural and racial experiences.

Perhaps the most striking example of this double standard is the widespread acceptance of shifting to become a Na'vi from the movie "Avatar." This shift involves taking on a completely different racial identity, often with spiritual and cultural elements inspired by real-world Indigenous cultures. Yet, this is rarely criticized, while shifting to be an actual Indigenous person would likely face significant backlash.

These inconsistencies in the Shiftok community undermine the credibility of criticisms against race changing and point to a need for more consistent and reflective ethical standards within the shifting community. They reveal that many users are more comfortable with the idea of exploring different identities and experiences of oppression when they're framed as "fictional," even though the immersive nature of shifting means these experiences are just as real to the shifter as any "real-world" shift would be.

This hypocrisy not only stifles meaningful dialogue about race and identity within the context of shifting but also reflects broader societal discomfort with addressing real-world racial issues. It highlights the need for the shifting community to engage in more nuanced, thoughtful discussions about the ethics of identity exploration, the nature of reality in shifting, and the responsibilities that come with experiencing different racial and cultural perspectives.

B. Judgmental Attitudes and Ignorance

The shifting community, particularly on platforms like Shiftok, often displays a complex web of judgmental attitudes and ignorance about the nuances of shifting practices. This creates a challenging environment for shifters exploring different identities, especially when it comes to race changing. (in this part and all the other parts of this essay, “real world”=CR aka this reality ik they are no such thing as the “real world” but for the sake of the argument i employed that term).

Many users within the community are quick to condemn those who shift into different racial identities, particularly when these involve real-world races. This rush to judgment often stems from a superficial understanding of shifting practices and a lack of empathy for the motivations behind such explorations. Harsh comments, gatekeeping behaviors, and in extreme cases, online harassment, have become unfortunately common responses to shifters who engage in race changing.

However, this judgmental attitude is starkly contrasted by the community's acceptance and even celebration of shifts into fictional races or non-human identities. This inconsistency reveals a deep-seated ignorance about the nature of shifting and its implications. Users often justify their acceptance of shifts into fictional races like Elves or vampires from various mythologies by arguing that since these races are fictional, they're somehow "safer" or less problematic to explore. This reasoning, however, fundamentally misunderstands the core principle of shifting: that all realities, whether based on fiction or the "real world," are equally real and valid from the perspective of the shifter.

This ignorance leads to a troubling double standard. Shifters who explore the experiences of fictional races facing discrimination - like the Na'vi battling colonization or werewolves hiding from hunters - are often met with enthusiasm. The community readily engages with these narratives of struggle and oppression when framed in a fictional context. Yet, when shifters attempt to explore real-world experiences of racial discrimination, they face harsh criticism and accusations of appropriation or fetishization.

This attitude demonstrates a lack of critical thinking about the ethical implications of different types of shifts. The community fails to recognize that from the perspective of shifting theory, the distinction between "fictional" and "real-world" races becomes arbitrary. The experiences of discrimination, cultural immersion, and identity exploration are just as real and impactful for a shifter whether they're embodying a Na'vi or shifting into a different human race.

Moreover, this ignorance extends to a misunderstanding of the depth and complexity of shifting experiences. Many critics within the community underestimate how fully shifters can embody and experience a different identity, regardless of whether it's fictional or based on a real-world race. They often fail to grasp the profound impact these experiences can have on a shifter's perspective, empathy, and personal growth.

The judgmental attitudes and ignorance prevalent in the community have serious consequences. They stifle open and honest discussions about race and identity within the shifting context. Shifters who feel judged may withdraw from the community or hide their experiences, limiting opportunities for collective learning and growth. The hostile environment can discourage exploration of different identities, potentially limiting the personal growth and empathy development that shifting can facilitate.

Furthermore, this environment of judgment and ignorance often leads to the mischaracterization of shifting experiences. Complex and nuanced explorations of identity are frequently oversimplified or dismissed. The potential benefits of respectful identity exploration through shifting are overlooked, while stereotypes about shifting and shifters are reinforced.

To address these issues, there's a clear need for more education within the community about the nuances and complexities of shifting experiences. Promoting a deeper understanding of the psychological and experiential aspects of shifting could foster more empathy and less judgment. Creating spaces for open, non-judgmental discussions about controversial shifting practices could help combat ignorance and promote a more nuanced understanding of the ethical implications of different types of shifts.

By confronting these judgmental attitudes and areas of ignorance, the shifting community has the opportunity to create a more inclusive, understanding, and supportive environment. This could not only improve the experiences of individual shifters but also contribute to more nuanced and productive discussions about identity, race, and the ethics of shifting practices. Ultimately, addressing these issues is crucial for the growth and maturation of the shifting community as a whole.

C-Understanding Morality and Multiracial Identity in Shifting

The concept of infinite realities in shifting brings about profound implications for our understanding of morality and identity, particularly when it comes to race. Each Desired Reality (DR) has its own unique set of morals and cultural norms, presenting a challenge when applying Original Reality (OR) ethics to these varied experiences. This moral relativism in shifting creates a complex landscape where what is considered ethically acceptable in one reality may not hold the same value in another.

The shifting community's approach to fictional races inadvertently highlights this moral complexity. Many shifters enthusiastically embrace identities like Na'vi from "Avatar" or vampires from various mythologies, often without the same level of ethical scrutiny applied to shifts involving CR races. This discrepancy reveals a fundamental misunderstanding of the nature of shifting itself. If we accept the core principle that all realities are equally real and valid, then the distinction between "fictional" and "real-world" races becomes very blurry to a point where said distinction vanishes since what is fictional in this reality is 100% real in that DR.

This paradox becomes even more apparent when we consider that many of these fictional races face discrimination, oppression, or complex social challenges within their realities. Shifters who take on these identities are, in essence, experiencing forms of racism or societal prejudice, yet these experiences are often romanticized or seen as less problematic than explorations of real-world racial discrimination. The Na'vi fighting against human colonization or Mutants from the X-men hiding from societal persecution are, within the context of shifting, as real and significant as any historical or contemporary struggle against oppression.

The romanticization of these fictional races raises its own set of moral questions. For instance, the glorification/romanticisation of vampire culture in shifting could be seen as problematic on multiple levels. It potentially trivializes issues of consent and power imbalances, and could even be construed as a form of necrophilia, given the undead nature of vampires (vampires are dead not alive ergo necrophilia in a way. This argument that I use is to further emphasize the hypocrisy of the shifting community since yall wanna talk about fetishization and romanticisation). This level of ethical scrutiny is rarely applied to fictional race shifts, despite the community's readiness to criticize CR race changing on similar grounds.

For multiracial shifters, this moral landscape becomes even more complex. A multiracial individual might choose to shift to embody only one aspect of their racial heritage in their DR, reflecting their sense of connection and belonging to that part of their identity. This choice doesn't negate their other racial identities but rather reflects the fluid and personal nature of racial identity itself. However, the community's inconsistent approach to race in shifting can create additional challenges for these individuals. They may find themselves navigating not only their own complex identities but also the arbitrary distinctions and judgments imposed by the community.

The multiracial shifting experience underscores the limitations of rigid racial categorizations and highlights the need for a more nuanced understanding of race and identity within the shifting community. It challenges shifters to consider how their experiences across different realities might inform and expand their understanding of racial identity in their OR.

Moreover, the moral relativism inherent in shifting raises questions about the nature of ethical growth through these experiences. If a shifter encounters and adapts to vastly different moral frameworks across their DRs, how does this impact their core ethical beliefs? This moral fluidity could lead to a more nuanced and empathetic worldview, but it also risks ethical inconsistency or moral relativism taken to an extreme.

In conclusion, the intersection of morality and racial identity in shifting presents a rich area for exploration and discussion. It challenges our understanding of ethics, identity, and the nature of reality itself. By engaging with these complex ideas, the shifting community has the opportunity to foster more nuanced, empathetic, and inclusive approaches to race and identity. However, this requires a willingness to apply consistent ethical standards across all forms of shifting, whether they involve "real" or "fictional" races, and a commitment to deeper reflection on the moral implications of these profound experiences.

Conclusion : 

Ultimately, we can argue that race changing in reality shifting isn't inherently problematic and can, in fact, be a powerful tool for personal and societal growth. The ability to experience life from diverse racial perspectives has the potential to challenge deeply ingrained biases, foster genuine empathy, and contribute to more nuanced discussions about race and identity in our society.

However, we must tread carefully to ensure that these practices do not veer into appropriation or fetishization. This requires:

Approaching race changing with respect, humility, and a genuine desire to learn.

Engaging in thorough self-reflection before, during, and after shifting experiences.

Complementing shifting experiences with real-world education about racial issues and histories.

Being mindful of the privilege inherent in being able to "opt out" of a racial identity.

Using insights gained from shifting to actively combat racism and promote understanding in one's original reality.

Fostering open, honest dialogues within the shifting community about ethics and best practices.

Developing clear community guidelines that address the complexities of race changing.

By maintaining this careful balance, race changing in reality shifting can serve as a unique and valuable tool for promoting intercultural understanding, challenging racial prejudices, and fostering a more empathetic and inclusive society. As with any powerful tool, its value lies not in the practice itself, but in how we choose to use it. With thoughtful consideration and ethical guidance, race changing in shifting has the potential to contribute positively to our ongoing dialogues about race, identity, and human experience.

[dicipher]

F it we ball here have my character studies of the homicipher boys bc my ass has been knee deep in this game for making the mod and i need to place my notes somewhere anyway. Call me homicipher matpat...

SPOILERS. Obviously..

Crawling

Goal: stay with Adami

Abilities: intelligence, knowledge of the layout of the other world, knowledge of how to survive encounters with aggressive entities, physical strength [strong upper body, able to kill Stitch with no weapons],speed [can go as fast as a person running while crawling]

Crawling works as Adami's primary tutorial trough the otherworld. It's not clear what exactly caused his infatuation with her since it's near instant after seeing her for the first time. He has an understanding of many locations and people, as well as how the world works and what Adami wants to ask of him. He's playful, defaulting to a smile as his neutral state, and he's amidst the few characters to produce sound in-game. Usually giggles or cries. He's also acting as the male lead, and most of his endings and interactions can be read as romantic, being one of the only characters to say he likes Adami. (Other being Scarletella)

Extra: Crawling is able to stand but he refers to being bad at using his legs. When he does stand, he walks slowly and sluggishly as compared to his ability to nearly sprint while on all fours. Confirming this.

Extra: Yatsunagi said in a tweet that if you choose to exit the otherworld whitout Crawling, he will remain waiting there forever waiting for Adami to return., which is reminescent of the story of Hachiko the dog, who waited at the station for his owner to return forever.

Extra: in some concept art, Crawling is shown to be a similar height to Silvair when standing up

Scarletella

Goal: obtain Adami's name

Abilities: projection, reality warping of some sort, illusions, telepathy, teleportation, creating and controlling sub spaces or larger illusions [blood dimension, ghost apartments], free roam between worlds [his projected body only]

Scarletella works as the main antagonist of the game. He is the reason Adami happened across the otherworld, scaring her towards an entrance. He was an urban legend that haunted the ghost apartments, a location that only appears on rainy days, where Adami was presumedly dumping bodies or leading people there to kill them. This causes Scarlet to grow an infatuation with Adami, as he would feed on the corpses she left there, and for him to mistakenly assume she was courting him by feeding him corpses. Scarletella mostly affects Adami through afflicting her mind, trying to break her into giving him her name.

Extra: he's possibly inspired by a Kasa-obake, a type of yokai that's thought to be a tsukumogami, an object that if left abandonned long enough, will gain life. The Kasa-Obake is a living red umbrella, though those umbrellas are usually traditional umbrellas and take the shape of an umbrella with a single leg and an eye.

Extra: Yatsunagi said she wanted to draw a woman with a red umbrella but ended up making a guy after all.

Extra: Yatsunagi said that Scarletella knows the realworld language despite being born a monster, and that he possibly learns other languages trough reading minds and absorbing that knowledge. She also says that knowing a language and communicating are different, and that Scarletella only thinks for himself.

Extra: Scarletella is inspired by the idea of japanese urban legends (like Kuchisake-onna, Hanako-san, Hasshaku-sama, The red room, Gozu, Aka manto, etc).

Extra: Gap reffers to the ghost appartments as 'his world'. This is also taking place in what seems to be a dream sequence or an alternate location since Adami will either wake back with crawling or in another otherworld location, and not in the real world. So it's much more likely gap reffers strictly to the alternate plane of the Ghost appartments and the blood water domain as Scarlet's world and not the overall otherworld, since it continues to exist independently from Scarlet after he is defeated, and most characters don't seem to be aware of his existence at all.

Extra: In the videogame Ghostwire tokyo you can encounter a quest that will lead you to meet a variation of the Kuchisake-Onna that is completely red and in a red trenchcoat which is reminescent of Scarletella's design. There are also locations of infinite shallow water simmilar to the location you fight him in.

Silvair

Goal: research and study the unknown (primarily how realworld beings are affected by the otherworld)

Abilities: intelligence, medical knowledge on other species [unlike nurse], knowledge of explosives, physical strength [lifts a heavy weapon easily], regeneration

Silvair works as Adami's main source of information in the otherworld. His knowledge of everything including language as well as how to effectively teach things results in him being one of the better sources for finding words early game. While he's shown as curteous and polite, he also shows no remorse in brutalizing others for his own morbid curiosity or research. He treats others in reaction to what helps him moreso than out of kindness.

Extra: when prompted wether he likes Adami, Silvair responds with 'not understand like', this could point to the idea that Silvair doesn't feel or at least understand the feeling of liking/loving something/someone. His lack of empathy or compassion regarding brutalizing Chopped and Adami seems to reinforce this idea, as he's confused as to why Adami is angry at him breaking her body. Simmilar in how some humans cannot or struggle to feel empathy or love and will see relationships moreso as transactions, though that can be typically learned and worked on.

Extra: The cut hand seems to be another entity that Silvair brutalized, while it's first met with Chopped, it does not leave Silvair's home and is the one to lead you there, it also is not Chopped hand's since he notes it to be a different entity.

Extra: when questionned regarding his knowledge, Silvair responds that someone taught him. This could point to Silvair having been on at least good terms with a human wiht medical knowledge in the past. Or it could point to him being a human pre-game and having done medical studies in his past.

Chopped

Goal: to be in a safe environment (with safe people or in a safe place)

Abilities: none [he uh.. he can roll around if he tries real hard maybe?]

Chopped mainly works as one of Adami's friends, unlike other characters he stands out as needing to be protected instead of being a protector. His incredible vulnerability means he's often picked on in some way. He's usually shown with Silvair, though he also often seems to get lost on his own somehow.

Extra: Chopped enjoys being clean and put together, he seems to know the hairdresser on a basis simmilar to Silvair.

Extra: Chopped recovers not by eating human flesh but by sleeping (supported by his dialogue when leaving Silvair's apartment and how often he sleeps). Chopped dislikes being handled against his will, and his vulnerability at being essentially completely disabled makes him easy prey for other residents to pick on.

Extra: Chopped is implied to have been a human like Adami pre-main story. Silvair's treatment of us is reminescent of him and Chopped is amongst the most expressive and human-like of the cast.

Hood

Goal: to help Adami be safe

Abilities: strength [carries a heavy weapon], proficiency in executing ennemies, intelligence

Hood works as Adami's first proper introduction to the game and it's mechanics. He also works as some sort of passive protector to humans who enter the otherworld. Though he isn't interested in keeping them safe long term and would rather be on his own most of the time.

Extra: Hood allegedly has no head, but his body is.. squishy.. ish? He's seen handling weapons with a hand, so it's unclear what of his body exists and what does not.

Gap

Goal: to obtain various human body parts trough trade or request

Abilities: teleportation, manifesting trough any space so long as it is dark enough and is being observed [schrodinger's gap], free roam between worlds, intelligence, 4th wall breaking

Gap is the first real threat encountered by Adami. He also works as the main source of lore and progression of the main storyline. He also works to actively help Adami break free from Scarletella. Though this doesn't seem to be out of kindness but out of boredom, as if he has nothing better to do.

Extra: Gap says he has no reason for wanting body parts. Gap says he has no heart, or most things for that matter. He's only shown having hands/arms and a head/face.

Extra: though gap says he has no particular reason for wanting body parts, he only seems interested in human parts, and his specie presumedly eats flesh. Gap is never explicitly implied to eat the body parts he's given, though, and the idea that he lacks a heart could mean he lacks a digestive tract, like Chopped, and recovers energy in a different way, like him.

Extra: Gap is much more aggressive in chap 1/beta than he is in the rest of the game. This could be due to a light change in the writing of his character later down the line, as he's much more simplistic and actively hunts Adami trough gaps, while full release gap appears ever so often in holes Adami looks trough to poke fun, show off his collection or ask permission to take body parts.

Hugeface

Goal: to capture smaller living beings to use them as dolls/pets

Abilities: strength, size, ability to exist 'outside' the bounds of the otherworld [ in the void above/outside rooms]

Hugeface is a looming threat encountered troughout the otherworld. He treats any character smaller than him as some sort of pet, handling them clumsily and roughly like an infant would a new pet hamster. He also is implied to collect ones he finds cute as pets, placing them in little fake environments.

Extra: Hugeface is implied to exist in a space simmilar to what would be 'out of bounds' in a videogame, the space only seems to appear in rooms with missing walls, ceilings, or windows in some way. Such as the door in chap 1, the giant ravine in Machete's story, and in locations without ceilings.

Machete

Goal: to do whatever he wants with no one in his way

Abilities: strength, speed, fighting proficiency

Machete is an extremely aggressive entity, he will fight Adami unprovoked, though he seems much more interested in the actual fight than in killing or eating her. He thinks her and any who fail at defeating him as weaklings.

Extra: Machete's aggression might stem from him misinterpreting someone others do as someone trying to pick a fight. He's also overconfident in winning every fight, so he isn't afraid to fight, unlike Stitch who does not fight even when attacked directly.

Extra: Machete's skin and overall affliction could be similar to Adami's [red blotches on skin], this could also be dry and fresh blood stains though..

Telephone

Goal: to help Adami to avoid death

The telephone is an entity that will call any available phone to transfer information to Adami. This is usually advice on how to avoid upcoming monsters (scarletella, Hugeface) or navigate areas (maze), making it one of the few beings to actively be good, having no known of ulterior motive.

Extra: Telephone seems to be able to speak trough any sort of telephone, unclear where the line is drawn. (Would two cans and a string work??)

Stitch

Goal: to entertain himself

Abilities: intelligence (quick to learn how new things work, knowledgeable of a variety of things and locations including things from the real world, one of the few to recognize us as human)

Stitch acts as a mild antagonist due to his habit of forcefully showing Adami things he finds interesting or dragging her to places to amuse himself. When he has nothing to do, he mopes around depressingly until he comes across something new. He's upbeat and playful, not bad intentioned but he doesn't consider others much.

Extra: Even when threatened or attacked (Adami or Crawling), Stitch doesn't fight back.

Wheelchair

Goal: to heal from his injuries

Wheelchair is encountered twice, he's a rude, aggressive and demanding entity that will demand Adami fixes him. If Adami outright refuses to help him, he will kill her.

Extra: it's unclear what exactly he suffers from. He points to his eye being missing as well as his mouth being split. His skin appears to be corroding in some way, and he seems completely unable to use his legs to move. His affliction is not like Chopped or Adami's, and Silvair either has not met him or did not find him interesting or cooperative enough to care for him. It could be that his disease is unique in some way, or that it's incurable. It could also be that it's resulted from a fight, since his mouth was cut open, presumedly by someone else.

Masque

Goal: to entertain others

Abilities: teleportation [of himself and others/other objects]

Masque is a peaceful entity, he will appear and offer to show Adami a magic trick, either way leads to him leaving.

Extra: Masque is not aggressive even if you refuse to watch his magic tricks.

Human

Goal: to escape the otherworld

Human is a human met near the end of the game. He's scared of Adami, presumably because she's nearly fully a monster at that point, or because her own urban legend is circulating now. Or maybe it's the blood and crowbar. Either way he doesn't fully trust her, and he's nervous of her. He's killed off screen shortly after meeting Adami.

Extra: in the original Jpn version of the game, he's an english speaker, in the eng ver this is reversed to him speaking jpn while adami speaks english.

Extra: the only way of falling to the otherworld that we are shown is the elevator, or falling into it [backrooms style]. Ot could be that the Human fell out from another, english speaking country, or it could be that he was a foreigner in Japan when he fell.

Extra: Human speaks some otherworld, pointing to the idea that he was taught by some benevolent characters like Silvair or Hood pre-meeting Adami.

Adami Adashino

Goal: escape the other world/ break Scarletella's curse

Abilities: strenght, changing size (temporary), regeneration

Adami is a human japanese woman, while she appears as a more shy and ditsy amnesiac girl, it's revealed she's a murderer who had been dumping bodies at the ghost appartments, attracting Scarletella's attention

Extra: one of the symbols in Adami's name is the same used for 'monster', foreshadowing.

Extra: in Blissful love life end, Adami is shown to live alone, presumably without parents or family. She also does not mention missing her family or worrying about her friends and family looking for her. So it's unlikely she has any.

Extra: Adami Adashino is the 'default'/'canon' mc name, as it is the name already in the field you need to fill out when you remember your name.

Extra: Adami goes trough various appearance changes trough out the story:

She starts in a japanese sailor school uniform (hinting to the fact she was most likely a high school student) and had longer hair

This is changed to a white dress (given by bride),

Then her iconic white raincoat (given by bride).

Her hair is cut shorter and it turns white/grey by the end of the story. (Cut by gap, turns white from exposure to the other world)

Her face gets covered in bandages by nurse, her eyes presumably turn red at some point that is never specifically mentionned

General stuff

Extra: lots of characters are seen using their left hands (Silvair is often drawing holding his syringe+weapon in his left hand, but occasionally his right) (Crawling points to things with his left hand) (Scarlet holds his umbrella in his left hand) (Hood holds his weapon in his left hand as well as his right). This could be a continuity error in how they are drawn, or it could be that they're ambidextrous (it's more common for lefties to become ambidextrous). This is not the case for Gap though who is mostly shown using his right hand.

Extra: some characters are not able to recognize Adami as human (Chopped) , while others immediately do (Hood, Silvair).

Extra: Yatsunagi said the otherworld language comes from birth to monsters (not humans turned to monster)

If you have any corrections or thoughts feel free to comment them so i can fix anything accordingly, reblogs are harder to answer to

[flamingpudding]

Son from a doomed timeline

A/N: Based on this idea I have written about once... I might add on more later on...

Chronus watched how this timeline moved more and more towards its own doom. One of the key reasons for the destruction of this timeline was one of its heroes falling deeper and deeper into his mental decline. He watched on how the boy continuously failed in his attempts of cloning his loved one.

He watched how the boy's mentality continued to destabilize just like all the failures he created. This time line was not looking good, it would soon become another one of the doomed ones. It would be one of many that would cease to exist soon enough. The Ancient of Time turned his attention to a different timeline, it was too bad he had had his hopes up for this timeline. That this one could be the one, but now it was just another doomed one.

His attention was now on a different timeline of the same dimension. This one looked more promising. Maybe this line would finally produce the Ancient of Balance they were still missing in their ranks. The window of the timeline he had just turned his back on flashed and Chronus turned towards it stunned, floating closer and looking at the doomed timeline once more.

The boy had created another clone but this time successfully. It was stable, there was a little clone baby, and it contained the DNA of the boy as well as the one he intended to clone. That boy had succeeded in creating a stabilized clone after hundreds of failed attempts. Chronus eyed the baby before his eyes widened.

There was the potential he had seen in this timeline.

That wasn't just a simple clone baby. Many different scenarios flashed before his inner eye. Possibilities that could happen and in one of them he saw it. The creation of a budding little Ancient of Balance. The one missing in their ranks needed to keep the fine line between all their dimensions in tackt. But he also saw possibilities that all resulted in this baby's death.

Well that was if Chronus left this child in this timeline.

He looked over his shoulder towards another time window, one he had started to favor. One where for the first time in a long while a young mage had attempted to make a contract with him. If it were the ancient times he would have laughed into that young mortal's face and stirred the timeline in the direction of doom out of pettiness.

But things had changed since then. He eyed the little baby once more before making a decision. Reaching into the timeline he removed the baby and erased all traces of it ever coming into existence in that place. Sure this meant that this timeline lost its last hope of continued existence but this was for the greater good. Even if this sped up the mental decline of the father of this clone child, but it wouldn't matter, the creation of an Ancient of Balance took more importance than this timeline.

The little boy looked up at him with big blue eyes and Chronus smiled. A human with one fourth kryptonian heritage. This would be perfect, the child's body would be tougher than a normal humans yet he had not inherited enough to gain anything more than a little bit of super strength and a sturdy body that could withstand death and revival several time. As he turned towards his currently favorite timeline he closed his eyes for a brief moment and let all possibilities for this child pass through his inner eye.

"The future of one that will die is now yours to take." He whispered as he opened his eyes just in time to notice the summon of the young mage. Well that young man would still not get a contract with him but he would offer the man a deal. This would ensure the creation of an Ancient of Balance as well as ensure the reassurance of the timelines safety the young mage was seeking. And in time, this child would even be able to reconnect with the one that gave him life in another timeline and heal wounds his family weren't aware existed.

He smiled one more time down at the baby before letting himself get summoned by the young man, with the baby in hand.