#fun fact this is the episode i've seen the most by far so i was really excited about this :)

[wynsvre]

wilsnoopy and housestock in 2x17 "all in"!!

created for @willthelies as part of my snoopy fundraiser for the pcrf :)

[glitter-stained]

I keep seeing posts about how Jason should have chara development that makes sense regarding his morals and stop killing because of that rather than because Bruce told him to stop and like - it's not like I disagree. Of course, that would be great. Of course I want him to be written his age by writers that like him and have development that makes sense and work with Bruce and Dick and evolve on his own as a person.

But the thing is.

A few weeks ago I saw a critique of His Dark Materials that was so absurdly daft it made me want to peel my skin off. For context, His Dark Materials by Philip Pullman is a children/young adult book set in fantasy worlds that doubles as a retelling of Paradise Lost in which Lucifer wins, and criticism of christianism is preponderant in it. (This will spoil a good part of book 1 of HDM btw). I'm far from a HDM fan, I saw a few episodes of the adaptation and read it once when I was ten and thought the characters and world was fun but the rhythm in the 2nd and 3rd books was off and I didn't like the ending, so like it was fun but I definitely not a re-read for me. But the point is, this critique clearly had a degree in not getting the fucking point, because his arguments against the books clearly stemmed from an inability to shift his viewpoint out of the christian framework (I promise this is still a Jason post). One of his most ludicrous argument was the lack of character depth in HDM. This is particularly silly because one of the main characters, Mrs Coulters, is one of the most interesting complex characters I've ever seen in fiction. Now Mrs Coulters is interesting because she is a bad guy. Like, tortures and kills children level of bad guy. She doesn't magically grow to sacrifice herself in the name of martyrdom to repent for her sins or something silly like that; but still, she sometimes does very good, helpful things for the characters, because the tension between her character is between her ambition (and her faith though that's more questionable) and her motherhood, as she truly loves and cares for her daughter, one of the protagonists, and wants a better, safer world for her. Now the critique claimed that there was no character depth because there was no concept of sin and no redemption arcs in the books- but those are utterly Christian concepts, so of course they wouldn't be endorsed by a book that challenges their validity. Just because Mrs Coulters doesn't have a redemption arc doesn't mean she isn't deep; and the fact that she does good things not out of morality but out of love is what makes her a fascinating character.

So, thinking about that asinine critique, I was suddenly struck with the realization that Jason is somehow similar to Mrs Coulters in that he is a very loving person who tends to put his personal connexions above everything else (of course, he doesn't experiment on and torture children, that's not what I'm saying). My point is, I don't think why we shouldn't have a Jason who evolves not moved by his morals (though he has them and they matter) but by his love. The point of Death in the Family is Jason wanted to be loved and have a family and trying to shield Sheila's body with his and telling her he loved her. The point of UTRH is Jason doing horrible things in the most theatrical, strategically planned mental breakdown as begging for proof of love because he can't reconcile being loved in a different way that he loves and because he can't understand someone putting their moral code over love. And as much as RHATO #25 fills me up with dread, I have to say I love Jason's behaviour in that final stint. "I am my father's son" holy shit what a line. Jason is Willis' son and because of his filial love, his loyalty demands he avenges him. Jason is Bruce's son and because of his filial love, his loyalty demands that he does not kill. Jason almost murders Willis' murderer with a blank bullet and then when Bruce beats hims halfway to death he doesn't defend himself, doesn't fight back (like, one punch but come on, we've seen him fight, he just gives up). That right there? Hate to say it with how questionable RHATO's Jason is in general, but that's peak characterization. The conflict is entirely about Jason's conception of love, family and worldview, and it's deep and interesting and has nothing to do with morality. I want Jason storylines that explore that. I want Jason to work with the batfam in stories that make sense, I want the writers to acknowledge him as a victim and trauma survivor and allow him to grow from there instead of demonizing his mental illness, I want him to stop killing out of love and I want him to allow himself to love in healthier ways and for the width of his love to spread exponentially and for that to affect his behaviour and worldview.

And that's not just because I like Mrs Coulters and dislike the idea of holier than though moral characters! The christic symbolism Jason is crystal clear (especially in Lost Days), but it's not just about Jason: Talia is associated with Mary (which makes sleeping with him that much more obviously incestuous and horrible and ooc), Joker is the Devil and Bruce, of course, is God (which begs such interesting questions about the Holy Spirit - Robin maybe? To explore at a later date). Now, everybody's experience with Christianity differs wildly, but the way I learnt it growing up in catholic culture was basically God being an Authority of Judgement and Law, strict and all about morality; while Jesus is about love, unconditional love, even and especially the sinners and the damned (and as for the devil Lucifer is a fallen angel who fell after losing to God, and Satan is the demonic incarnation of temptation ain't that interesting). So I would argue that by having Jason kill or not kill out of love for his family, Jason is already his own character with autonomous thought process, independent morals and original interesting values that are a breath of fresh air in the world of superhero which is all about moral codes. Additionally, I think it's interesting and full of potential (and hope) that that very thing is why Jason and Bruce are held in opposition so often when in christianism they are two sides of the same coin.

TLDR: Jason going through character development that doesn't involve an evolution of his moral code is a great idea and if executed properly should give us fascinating stories with one of the most interesting characters in the DC universe, I used to think he should get a sort of "redemption arc" after UTRH where he questions his moral code but now I feel like I'm stuck in the same Christian/superhero framework as the pedantic guy who didn't understand His Dark Materials and I refuse to agree with them about anything so now I'm a hardcore "love over morals" Jason girlie. Obviously I still think moral code development would be a good and interesting storyline and better than anything DC is giving us rn, but I think we could do even better without it.

(also Star Sapphire Jason ftw)

[byemambo]

4Minutes EP. 4 - My Takeaways

For the sake of organization: my future takeaways will be under #mambo.4minyap (get it? hehehehehe) cause it seems to be hitting the radar for lots of folks. It's also an interesting series, and I like talking and taking the scenic route while doing so!

Compositional Framing: The Relationship of Oppression

We got the most information about Korn's character and status within the story from this episode thus far: but the visual devices popped out the most for me (I am an artist after all LOL). I mentioned camera angles, specifically bird's eye view in my episode 1 takeaways, but we're met with a different element: shot sizes! I'm not a filmmaker so please go easy on me (my credentials include my storyboarding and animated illustration classes so my knowledge is limited), but what remains consistent throughout this episode is Korn's relationship with authority and power through the usage of establishing shot size, which lots of his scenes with various characters have varying heights.

Tonkla (Authoritarian) vs. Great (Equals)

The way Korn approaches these two characters have their obvious differences in relation to himself, but the common thread is that these two characters are individuals Korn should love. It's expected to love your family unconditionally, and arguably, love your partner even more than that. But as we've seen the story play out, starting from Korn and Great's family dynamics (which I've also covered in episode 1!): love has always been conditional.

Their relationship is revealed from a flashback that Korn and Tonkla are established boyfriends since their university days, however, dating in secrecy. This further contributes to Tonkla's stress and anxiety within the relationship, slowly escalating once he realizes the mistreatment he's tolerating. I found the symbolism between the pet cat's collar and Korn's "senior chief" sash interesting: there is ownership involved, which is mistaken for partnership.

From the jump, Korn doesn't view Tonkla as an equal partner to him, but someone who he can assert dominance over (which is primarily physical but also emotional). By displaying acts of love such as helping Tonkla through his first time and being present during Tonkla's loss with his deceased pet cat, what seems innocent and kindhearted on the surface actually has more context (which due to the 30 image limit, y'all are going to have to watch the episode for yourself and take my word for it LOL).

In the university flashback, Korn mentions keeping the cat's collar as a memento, but he's not the one reaching in and taking the collar off the cat: Tonkla is. Tonkla also isn't the one who puts on the "senior chief" sash himself: Korn is. In both scenarios, Korn is the one making decisions for Tonkla during his moments of vulnerability (both in a state of grief and during a sexual act). I checked out this article to make sure my facts are straight (got too many fun facts up my sleeve), but this approach is how cults target and recruit their victims:

Possible situational vulnerabilities include illness, the death of a loved one, breakup of an important relationship, loss of a job, or moving to another city, state or country.

Is this deliberate, or is it Korn's act of kindness? We can only infer at this moment where Korn falls on the value spectrum, but he's definitely a morally gray character (you can argue with your mom idc). During the after care scene, Tonkla mentions his father (which is alive during this flashback, but not presently living during the funeral ceremony) and moving to a new place with his younger brother due to his father's alcoholism (and possible physical abuse but this is only an assumption). Korn handles this interaction by providing financial stability (cough cough financial abuse) for Tonkla in the meantime, establishing a relationship rooted in give-and-take, debt and IOUs, under the guise of a caring romantic relationship. Given that Tonkla and his brother have suffered from trauma relating to family dynamics and enduring dysfunction into adulthood, I can see why Tonkla had become completely blindsided to this level of power imbalance that is simply all too familiar.

Once Tonkla realizes that Korn is only present in his life for his own self-interest, and access, he stands up against his oppressor, recognizing that there is another individual that is displaying signs of love and care (which isn't 100% healthy, but it's progress nonetheless) that Korn has bread crumbed him for all these years.

This confrontational scene is highly intense and emotional, which is reinforced by Korn's physical stature towering over Tonkla in most of the scenes we've seen thus far in each episode and usually ending with Korn continuing to be enabled. These scenes are usually shot at angles such as panning from above to reveal Korn's power over Tonkla, who's usually shot from over-the-shoulder and panned down. However, once Tonkla finally takes his stand against him, the camera follows him and frames the shot as a close up, tightening the gap between Korn as the oppressor and Tonkla as the oppressed.

Once Korn leaves and returns to question Nan about the leaked information: we're shown a similar staging of Korn physically towering over his victim, but from a cowboy shot slightly panned upward. However, the framing suggests from size relationship alone: Korn is nothing more but a victim himself playing the role of the villain. He is in the same predicament as his own victims, but living in a state of falsehood and denial as he has been trained to believe it is his birth right to take over his father's business (not even taking the time to question the morality behind such a business). What remains behind choosing moral righteousness over injustice: the disappointment of living as a failure and abandonment of his family system, the only consistently good thing in his life that is his younger brother Great. It's heartbreaking because we can see somewhat of goodness from his beaconing of retrieving information without the reliance of violent methods (which is unsuccessful and out of context, rather pitiful?), and I really do hope that he will be able to redeem himself (but I wouldn't completely write off the series if he does not deserve redemption).

However, the greatest loss is Tonkla's revelation of his own entrapment: reminiscing the memories held by the collar but in an entirely new perspective. The composition of him looking at himself in the mirror is hauntingly beautiful but full of melancholy: the mirror serves as a moment of literal self reflection, the collar reminding him of living as a possession rather than a person, the frame of the mirror serves as a metaphorical cage. Now it's a matter of whether or not Tonkla will reclaim his power again and recognize that he's simply a bird confined in his cage, but the door is now wide open. Will he realize soon that he has his own wings to fly?

Moral Value: A Hidden Responsibility

We've seen in this episode Great having a better understanding of his gift, establishing his moral compass and duty to act with integrity and with a strong sense of justice. Seeing such strong character development within these past few episodes is breathtaking (especially if you've been a long time supporter of Bible and just his journey as an actor). We have a good sense of Great recognizing his autonomy and relationship with free will, contrasted to how passive and reluctant he was in doing the "right" thing and being given a second chance to make a different decision.

Tyme's motive reveal (I love being right hehe) after being confronted by Great's demand for why he attacked his brother became a turning point for Great to finally tap in and establish his innate desire for moral justice, especially after being told about Nan's captivity and being foreshown her demise once he found her location. What I found most interesting during the initial rescue of Nan from Samarn was just how "normal" his conduct was when addressing Great as the son of his upper head. How polite his language was while holding a gun and standing next to a pool of his victim's blood, to just before Tyme's appearance where Great becomes the voice of reason amongst the chaos.

"Why can't I?"

It's such a simple response, but it's so loaded with depth and hidden meaning: it makes you sit back and also wonder...why can't I?

Great becomes an individual questioning the circumstances surrounding him, enabling himself to experience change. When his "friend" attempted murder and brought him along for the ride, when he experienced his first few heart attacks and hitting the woman seeking unalivement, when he is confronted by his brother's attacker and doesn't blindly dedicate his loyalty to his brother for the mere fact that he's family, when he sees Nan's predestined death in the hands of the enemy (which you can say that it really be your own people).

What makes Great such a fascinating character to me is just how dynamic and determined he's become after being gifted with foreseeing the future. Having such excitement in his awareness to his free will makes me enjoy him more as a character, that our lives are not predetermined to live and die for, that we have morals and values that must be considered and analyzed for its legitimacy, that we have integrity to do what's right without entitlement to self-interest, that we have the shared responsibility to criticize the world in which was built for us, but our jobs to upkeep and maintain. I'm excited to see what's in store for Great moving forward, and I'm so happy for Bible and Jes to play such characters.

Even though the lighting is similar to how Korn and Tonkla's flashback was, the visible warmth is even more obvious with how these two established their relationship. That in contrast to KornTonkla's ownership, TymeGreat is partnership (we haven't reached boyfriend status yet but it's coming!) How Tyme is willing to accept and make room for Great's excitement and passion, to hold it gently, to cherish it as a fleeting moment. Their NC scene in comparison to KornTonkla and WinTonkla is simply ethereal: the level of shared vulnerability and intimacy warmed my heart. From the lighting to the shots and down to the chosen score, the director does a fantastic job of creating such dissonance between all the pairs (which lots of people like to write off NC scenes as unnecessary and vulgar but it's just blatant purity cultural standards imposing on all of us and I need to dedicate another time to talk about it). The visual storytelling thus far has me anticipating more from the story as the details continue to establish the worlds revealed to us.

Tonkla's Brother: The Arrival of Home

I'm sure we all saw this coming but the reveal is heartwrenching. To see such a sweet face and scene filled with hope and longing with its immediate contrast to harsh reality, my heart goes out to Tonkla. Some may infer that there's a separate timeline that exists alongside reality, but I think it's possibly a hyperrealistic hallucination or dream by Tonkla (since the last scene we see of him was just before heading to bed for the night but also his intense codependency on drugs). Of course on the surface, people can infer that this is simply Dome returning home from recovering from his injuries: however, I interpreted it philosophically. Dome arrived home for his soul to rest.

We're shown in the first half of the episode of Tonkla mourning after Dome's body is cremated (I'm also Buddhist but I'm nationally American and ethnically Vietnamese so my interpretation of the religion will have its differences), which now establishes Dome's physical remains returning to the earth which his soul can no longer return to. I imagined Dome's soul has reincarnated and given access to the Western Pureland (since Tonkla was physically outside in the warm sunlight versus his more cool toned coloring within his scenes), only hoping that he actually experienced resting on his deathbed ready to enter the afterlife with a smile. Now we know that Tonkla's fingerprints were already in the investigation database: we need to know why and what crimes he had already committed before the murder shown as the opening in episode 2. This is definitely going to affect Win's current dynamic with Tonkla, given that they're now living together and he has access to Tonkla's home and possessions. Maybe we'll experience another shift in character development like how Great was, but possibly targeting Korn if the company is involved in Dome's case somehow.

Honorable Mentions: Heart Attack Transition

This scene was literally so fucking cool. The match cuts and in and outs of the inversion (def going to have trigger warnings for future GIF sets) were literally out of this world, especially when I find out it's from the freaking painting within the hospital hallway that is just a prop on the surface. I wonder who suggested such a transition and I wonder how they'll depict Great's future heart attacks and visions. The VFX team is working overtime and I'm so impressed so please give them their flowers!

[absolutebl]

This Week in BL - It's 2024 & I'm talking about TayNew... really?

(They pretty much told us all to sit down and shut tf up, 'cause they got this. AND THEY DO.)

Organized, in each category, with ones I'm enjoying most at the top.

Feb 2024 Wk 3

Ongoing Series - Thai

Cherry Magic (Sat YouTube grey) ep 9 of 12 - I broke. In my defense, it was Monday, I needed comfort, and TayNew were right tf there. Ya know what? They are great in this show. It's a great adaptation. I might like it more than the JBL live action. You know why? Really, honestly WHY...?

That was a PHENOMENAL KISS. Those boys did Thailand fucking proud. They did fandom a solid. Thank you OGs for reminding us how it's done. I was getting used to SloppyHot. And SloppyHot has its place, but that TayNew rooftop kiss was a top tear class act. It was tender and sweet and respectful and joyful. It was eye work and breath work and years of practice. How very far BL has come while still staying so much the same. TayNew - I salute you!

(Read all about distribution issues here.)

The Sign (Sat YT) ep 12fin - we waiting, I guess? Bah.

Cooking Crush (Sun YT) ep 11 of 12 - The recipe book thing was so damn cute and I love a claiming. YOU KNOW I LOVE A CLAIMING!

In fact, I love OffGun.

I love food based BL.

I adored seeing a reboot of "the infamous dragging". 

But I don’t love anything else about this show. Sigh.

1000 Years Old ep 1 of 12 - Finally we get our gay vampire BL from Feel Good Bangkok. Stars Shane (My Engineer) and fresh face Opal, directed by Champ (2gether). It’s kind of odd but enjoyable. A group of teen UFO seekers find a vampire instead. Opal looks a bit like a mix between Newnu + Leo (VIXX) - so cute + edge. Also, nice to see Shane again on our screens after so long. 

Finally, I like the subtle (and sometimes not subtle) presence of ghosts permeating this show. Do the friends know she's there? Do they know she's dead? Is the existence of paranormal accepted but not that of aliens? Or are the two combined? Is this lazy writing or just fun world building? Who cares! It's enjoyable.

For Him (Thurs iQIYI) ep 12fin - the nail painting bit was very cutie queers and I've not seen it done in BL before, so that was nice. For some reason captions never dropped for me on this last episode, but it didn’t really matter. Not much happened and I understood everything anyway.

Quick pitch?

From the people who brought us Unforgotten Night based on a y-novel, about a young man nursing a heartbreak who has a one-night stand, but the other boy didn't want it to end. This turned out to be a pulp that wasn’t half as good as it should have been and even less memorable, but not terrible. 5/10 DON'T BOTHER unless you're v bored

City of Stars (Fri iQIYI) ep 3 of 12 - Oh it is such a pulp: the acting is not good and the script is terrible. Of course, I’m mildly enjoying it. Very good dream kissing. There's something appealing about these main characters - I think it's the moot crushes. We rarely get to see that. These days everything feels very one sided, this... isn't.

A Secretly Love (Thai WeTV) - Khonprot, a third-year hazer of the engineering faculty, has a secret crush on Pluem, a tsundere fourth-year head hazer. Over the years, he's seen Pluem cycle through girlfriends. Recently, after a public breakup, however, Khonprot thinks maybe a boy has a chance.

I tried but I can't get into my WeTV account anymore and I'm way too lazy to figure it out. I'll catch it grey if I can, since I've rebooted the bootlegging side of my BL life for Cherry Magic anyway.

So this show may stay in this section, or I may bump it down to "it's airing but..."

If anyone is watching it, let me know if it's good?

Ongoing Series - Not Thai

Love For Love's Sake (Korea Weds iQIYI) 7-8fin - Ugh it was GREAT, despite some pretty telling flaws. I ended up feeling like some of the filming was amateurish (very overworked low angles - director's first feature, I assume), and the narrative is a little disjoined and on the nose, AND the subs are clumsy (which I don't expect from KBL) BUT I still loved it. (FYI - I wouldn't be so harsh on a BL for this kinda thing except one from Korea.)

Quick pitch:

This isekai-based KBL is about a man who must win a game by convincing a reserved teen outcast to fall in love with him. Of course, that teen represents himself and his own unhappiness. Like many queer narratives, this show is actually about self worth, trust, and found family, and it is VERY on the nose. But I don’t expect subtlety from my BL and I enjoyed it's truly lovely redemption arc and earnest performances. While I found the narrative a touch disjointed with overworked filming angles and poorer than average captions, this is certainly much better than early KBL in terms of consistency of tone, script, and immersion. Highly rewatchable and charming, which counts for a lot. 9/10

Trigger warning for suicide depicted.

Perfect Propose (Japan Fri Gaga) ep 4 of 6 - Gosh, it’s so lovely. But I do just constantly want to give them both hugs. 

AntiReset (Taiwan Fri Viki/Gaga) ep 4 of 10 - Oh look, Taiwan has created yet another BL where I spend most of the time watching it grinning like an idiot. Surprise surprise. The pet name thing was fucking adorable. Also Taiwan once more proving they come by their "kings of kissing" title honestly. I mean to say. In a week of good kisses this one was just... WOW.

On the other hand, some of the underpinning themes are starting to v worry me (ownership, consent, age), and we only just got started, and I don't trust this production company so... I have concerns.

But also... YAY KISSES!

(I'm made of weak moral fiber.)

Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Thurs Gaga) ep 6 of 10 - Like many other shows on this list. I just enjoy it the most when the two leads are on screen together. So this episode was kind of lacking because they were apart for most of it. I also am starting to agree with the tone of the plot, that maybe they ARE better off as friends not lovers. (And I'm sure I'm not supposed to want that.) Oh Japan, must you?

My Strawberry Film (Japan Gaga) ep 1 of 8 - Oh it’s good. In the arthouse lane so don’t expect sweetness & light or an HEA. If there’s no cartoon aspect to a JBL, there’s usually no joy. But it is certainly good. Teens uncover some old film and a mystery around a pretty girl. The background music is wildly annoying (and rarely in the background). 

It's Done

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have any spare time. 2024 is crazy busy for me so far.

The Servant and the Young Master - from Vietnam, it's on YouTube. I will give it a try when I have a window of time.

Began Beginning (Myanmar YouTube) - A Burmese BL? @heretherebedork vouched for it, so I will give it a watch.

7 Days Before Valentine (Weds WeTV) - Gave me Luminous Solution vibes have decided not to watch.

It's Airing But...

Dead Friend Forever (Thai iQIYI) - rumors are it's interesting. I'm waiting to know how it ends.

Ossans Love Season 2 (Japan Gaga) - 5 years later, will anything have changed? This is Japan so… probubly not. I won't be watching this. I disliked Season one and actively hated the follow ups. No thank you.

Playboyy (Thurs Gaga) 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. I DNFed this at ep 5. Frankly I'm impressed with myself for getting that far.

Time the series (Tue Gaga/YT) 10 eps - dropped it at ep 4.

Next Week Looks Like This:

2/24 Unknown (Taiwan Youku) 12 eps - Older brother tough guy breadwinner looks after his sister and defacto adopted little brother. Little bother falls in love with him and is sent away after a stolen kiss. But when he comes back…

Sam Lin has a cameo so even if I wasn't already excited, I'm in. We should be on our guard though, Taiwan will occasionally go edgy, dark, and sad... this could go there.

One assumes GMMTV is filling in the BL time slot with something queer on their YT Channel after Cooking Crush ends, they gonna lose subs if they don't. But I've not been paying attention to the chatter so I don't know which of their line-up it will be. I think G4 are filming/off radar now, and Earth is in that het noona thing? Plus they gotta sort out the IP for MIx-Up and Ossen. So it won't be one of the announced adaptations. They'll hold My Golden Blood for the high season, so I think it'll be one of the lesser known lead-outs. Wandee or Only Boo maybe? But they only just started filming those. Are we getting our long awaited GL? Anything else left from 2023 that I forgot about?

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

Two crawling kisses from Thailand this week. Now this is a fetish I didn't know I had. Turns out, we love this one! (*waves hand in air* I speak for all of us now.)

Cooking Crush

City of Stars

Possibly the best tsundere to cinnamon roll pivot we've had in a long time.

Also the best asshole to KING pivot. Could we have a whole drama staring this character now? Please?

And finally our sunshine learning to love himself.

SIGH. what a lovely show.

And a good SMILEY kiss from a KBL.

And then some cute cuddles? Korea is spoiling me these days. I'm catching expectations now. What's next? Japan learns to kiss in their light BLs? Ha! I kill me.

(All Love for Love's Sake).

(Last week)

[theacecouple]

omg, your podcast episode on Somerton is exploding on youtube. How are you guys handling it? I've followed you for a while and it's wild to see a video suddenly get 80k views when it was impressive for the prior posts to break 1000. Hopefully nothing but good things come of it, but I imagine it's overwhelming!

Overwhelming, YES!

Thank you so much for asking and checking in. We're over 120k now and that's just on YouTube! We've also spiked in several charts on the podcast platforms these last couple of weeks. We actually charted in our 50th country! An exciting achievement, but honestly not the way we wanted it.

We've received an abundance of emails, DMs, comments, etc, and some of them are COMPLETELY ABSURD! Some people have made fun of us or reveled in the fact that we lost money, basically blaming us for not being smarter. Got a really goofy message basically saying we have the ideology of....terrorists?? But the most common criticism we've seen is basically making the "reverse-racism" argument that we're weird, horrible people for pointing out that James Somerton is a cis white guy. So, y'know, that's fun -_-

But despite all this, we've received an overwhelming amount of love and support! The positive far outweighs the negative. And to our surprise and delight, we've only seen 3 acephobic comments directed at us and/or the community so far. One of those comments was the good-ol' trifecta of acephobia, transphobia, and ableist, go figure, but given how big our episode got, this is PROGRESS! We don't recall ever seeing anything Ace-related to get this much attention but receive this little hate.

We watched the apology video and despite it being an objectively bad apology video...we're a little messed up and very concerned about the implication that James attempted to take his own life. Then he deleted the video, and never sent the promised email to Telos supporters. We, of course, have our own thoughts, feelings, frustrations, and even unique observations that were never mentioned in the original episode, but for now we've decided to keep these to ourselves.

We genuinely hope for his healing, and after this week's episode, we are unlikely to ever speak about him publicly again.

[miraculouslbcnreactions]

So, the Miraculous Ladybug TV Tropes page recently added this under the Broken Aesop section on the YMMV page:

Adrien/Cat Noir had many instances where he could have discovered the identity of Ladybug/Marinette, but always respected the private life of his beloved, despite knowing that learning it would bring them closer (The only time when he learned it accidentally, Adrien was punished with the apocalypse, no less, and a Retcon.) His attitude was presented as the right thing to do. In the meantime, Alya has been akumatized on the fact she wanted to know Ladybug/Marinette's secrets. Both times, she tried to violently force the issue with her powers and the second time was after she tried pressuring her into revealing them. But, as a reward for her pushy behavior, Alya has been entrusted with Ladybug's identity and the secrets of the Miracle Box. And Adrien's reward for respecting her privacy? He's still (and more and more) left in the dark, and will very likely be the last one to know.

Any thoughts?

I don't fully agree, but it's also not exactly wrong.

I love Alya, but I've never been a fan of the fact that she learned Marinette's secret identity, especially because the episode where it happens - Gang of Secrets - really failed to make the confession feel like a wise move. It's one of the many episodes with a wacky moral.

For those who don't remember, the episode has most of Marinette's female friends worrying about her. They know that she's keeping secrets because, for some reason, Marinette didn't tell anyone about her breakup with Luka:

Rose: They were so cute together! Alya: Yeah, except they broke up. Juleka: He was like super sad when they did. Alya: But the real problem here is that Marinette never told us anything. If Luka hadn't told Juleka, who told Rose, who told Mylène, who then told Alix, who finally told me. Then I, her BF in the whole world would still be in the dark! Yesterday I was in the restroom and I heard her crying.

This is... really weird. Why didn't Marinette tell them? The episode never explains and I can't figure out her logic because they'd obviously learn the truth. There's no way that Juleka wouldn't know!

My best guess is that the writers wanted a conflict over secrets, but they didn't want to have Marinette's girl friends pick up on her Ladybug-based lies as that would invite a level of complexity that they really can't resolve. But that's a meta reason. As far as the actual text goes, there's nothing to explain this baffling choice.

What's even more weird is that making it about the Ladybug secrets would have worked if Alya was the only one worried because the episode ends with Alya learning the truth. Having the episode only be about Marinette and Alya would make a lot of sense. Instead, it's about the whole, rarely-seen girl group so we're stuck with the Luka conflict. Yay.

Either way, I'm not wild about the actions Alya and Co take. Their first choice is to call Marinette. When she doesn't pick up, they leave a very sweet message. If things ended there, then we'd be fine, but right after that, we get this:

Alya: Maybe we should go to her house. What do you think? Mylène: We'll give her an eternal friendship bracelet so she never forgets that friends can tell each other anything and that we'll always be there for her.

This isn't a terrible idea. Checking on a friend when you're worried about them is a reasonable thing. The problem is the way that check up goes down. The girls basically invade Marinette's room and start messing with her stuff like this is some fun little hangout session, almost discovering the miracle box in the process:

Marinette: What are you doing here? Alya: We're just checkin' in on you, girl. Rose: Aw, it looks just like a real house, look how the roof comes off to show the inside! Marinette:(frantically) No! No, don't touch that! Move away! (As Rose opens the roof, Marinette gets down, pushing past through her friends and Rose as she hides what is inside of the dollhouse, while Rose accidentally drops the roof, which cracks. The girls gasp in shock.) Rose:(kneels to pick up the cracks) Sorry, Marinette! Marinette:(angrily) Will you please leave my room?! Alya: Chill out Marinette, it's just a doll house. We'll totally help. Marinette: No you won't, please go! Alya: Okay Marinette, there's clearly something wrong and we're not leaving you like this till you tell us what it is.

The scene goes on like this until Marinette lashes out and tells them to get out even if it means ending her friendship with them, which is a response that I find totally justified. Marinette is quite obviously very distressed by her friends' presence and they are refusing to listen to her pleas to leave. They're also giving that refusal in a highly confrontational manner, which is the completely wrong tone for conveying concern. They do not come across as caring. They come across as demanding.

Marinette has every right to be upset by that. It's okay to not want people to invade your room, touch your stuff, and demand to know you're secrets. It's also okay to get upset when people keep ignoring your clearly stated and perfectly reasonable boundaries.

While I fully support wellness checks, this is not how you do them. It's like a variation on the scenes where people confront Gabriel in Adrien's name. They're all impressively terrible examples of how you handle a very complex situation. Worst possible way you could go about it. Children, do not try this at home!

Of course, Marinette's justified reaction leads to the girls getting akumatized, leading to a fight, leading to Ladybug saving the day, leading to everyone being friends again even though the girls never apologize for how they went about their wellness check. Rose's quick sorry for breaking Marinette's doll house is the only one we get in the entire episode. Then we get this:

Alya: You go ahead girls, I just have one last thing to say to Marinette. (closes the door to Marinette's room) You didn't tell us everything, did you? A journalist and a BFF can tell these things. I won't try to figure it out or force it out of you. (sits beside Marinette) If you can't tell me what's in your heart, it's your right. Marinette: Will we still be friends? Alya: Marinette. I'm your best friend, and I'll always be. That's why it kills me that I can't help you with whatever's making you feel so alone. (Alya sighs, and is about to leave Marinette's room when Marinette grabs her hand.) Marinette: Alya, wait! Stay. You're right, I am alone. (grows increasingly emotional) More than ever before. I can barely take it anymore! You know why I broke up with Luka? Not because I don't like him, he's amazing! It's 'cause there's something that I can't tell him. You know why I have to forget Adrien? For the exact same reason! You're right, I keep secrets, I lie all the time! I lie to my friends, to my parents, to everyone and the worst thing is, I can't do it any other way! Alya: There's always another way. Marinette: No, not this time. I have no choice. All this is bigger than us, Alya. Way too big. Alya: If it's too big, two of us can handle it better than one. Marinette: If I tell you, things will never be the same between us again. (shakes her head) It'll mess up everything, maybe even destroy it. Alya:(voice breaking) Marinette, I'm your very best friend. Marinette: And I… I'm Ladybug.

Maybe this is just me, but this doesn't feel like Alya respecting Marinette's boundaries. It's certainly not as bad as the earlier scene. In fact, I like a lot of this in a vacuum, but because of that earlier scene, this one feels uncomfortable. Once again, Alya is so sure that she knows what she's talking about even though she really doesn't.

In the first scene, Marinette was right that they all needed to get out so that she could protect the Kwamis and in this scene she was right that the Ladybug reveal wasn't the kind of thing where sharing was the clear right choice. This would all play so much better if Alya said her first few lines and then actually left, only to be called back by Marinette several hours later. Then we'd really feel like Marinette was making an informed choice instead of revealing her identity in a panic.

Another option would be to have Alya offer comfort without needing to know what is upsetting Marinette, maintaining the secret identities while also giving Marinette some much needed support. Saying she'll support Marinette no matter what and then getting up to leave just doesn't feel super supportive to me. It feels like Alya is (unintentionally) making Marinette panic by saying one thing while technically doing another.

Remember, Marinette just had a really stressful day where she almost lost all of her friends, making this an incredibly charged moment that ends with Alya leaving while clearly disappointed. Of course Marinette would try to salvage that! Her brain isn't focusing on Alya's genuine words. It just sees Alya leaving and panics. It doesn't help that this opening line would put a lot of people on edge:

You didn't tell us everything, did you? A journalist and a BFF can tell these things.

"I know you're still keeping secrets, but I respect that" is not the best way to start a conversation with someone who is clearly struggling.

Because of these issues, I don't feel like Marinette truly decided to make this serious choice. I feel like she blurted it out in the middle of a panic attack, so this scene never gave me a warm fuzzy feeling. This is especially true because we never get to truly see the fallout of Alya processing the reveal and comforting Marinette. The scene just ends and the next episode has them back to their usual dynamic, just with the bonus element of Alya knowing the whole Ladybug thing.

To be fair to Alya, a lot of this comes back to our oft-discussed issue of Miraculous trying to speed run major story lines in 20 minutes because it's a formula show so it can't let things play out properly. That doesn't change the fact that this feels rushed and unsatisfying. It's not the natural conclusion to an episode where Alya learns to respect Marinette's boundaries, but I don't think that's actually the lesson here. The lesson seems to be that Marinette should share her secrets with her friends to lessen her mental burden.

Once again, that's a lovely lesson in a vacuum, but a really weird one for the show that gave us Chat Blanc and Miracle Queen in the previous season and that will include Sentibubbler, Ephemeral, and Nino accidentally outing Alya to Gabriel in the exact same season. Season five will even see Luka leave the country because he knows the secret identities!

Writers, when it comes to secret identities, you really need to pick a lane. Are they good or bad? Is sharing them a No Good Very Bad Thing, an act of trust, or no big deal? The inconsistency around this topic is a major issue for the show as the Alya reveal really undermines everything going on with Ladynoir. While there's solid logic for Ladynoir not sharing, similar logic applies to Alya at this point because Gabriel literally knows her secret identity! Through no fault of her own, Alya is not a safe person and that makes it really hard to watch Alya get the reveal while Adrien stays in the dark. I can justify him not knowing. I can't justify Alya knowing.

I'll wrap this up by saying that I don't agree that Adrien has respected Ladybug's boundaries to the point where it feels like he should have been rewarded (narratively speaking, of course. This is a story after all). He may not be all that pushy about an identity reveal, but he's pretty freaking pushy about Ladynoir becoming a thing, so Ladybug not being ready to trust him does feel earned. Plus, as I said above, it's not like there's no logic behind them keeping their identities a secret. We know that they're dating on the civilian side, but as far as they know, they're total strangers.

If you look at it from that perspective and ask, "what are the benefits of a reveal," you'll find that they're not overwhelming, especially when compared to the risks that come with a mind-controlling super villain on the loose. I totally get why Marinette isn't telling him a thing, I'm just not really sure why she needed to tell Alya. The more logical route here is for Marinette to keep her secrets and look for support on the Ladybug side of things. Ideally that support should be Chat Noir or Su-Han, but it could be Alya, too. I still think that's a bad call since Alya's identity is in the villain's hands, but it would still make more sense than Marinette telling Alya all of her secrets. Another route would be for Alya to learn by accident. She walks in at the wrong time and, ooops, no taking that back. That's the only way I'd personally write Alya learning at this point in the story.

Sorry if this one was a bit of a ramble, the writing around the topic of secret identities is one of the elements I truly don't understand. I have no idea what the writers are doing here. It's not even a "you didn't think this through" thing like the sentimonster stuff. It's a "you spent all of last season telling us that identity reveals are bad and you're about to spend all of this season also telling us that, so why do we randomly get an identity reveal that's magically okay? Rena Furtive doesn't even do anything useful for the plot, why make her a thing?? Are you even trying to tell a coherent story???"

[pikahlua]

I've been in the dkbk fandom for 3 years and my husband is an anime only. We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward. He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced. I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc. I told him what you said about Bk's death and Deku losing his arms as being symbolic but he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed. I wanna believe in Hori but I'm waiting for payoff instead of enjoying the story. Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?

I’m hesitant to answer this. I said I wouldn't answer any asks that were looking to me for reasons to keep liking MHA, and I really don't want to encourage more asks like this--and yes OP, I don't know if you realize it but that's basically what you're asking. You've framed this question around your husband's opinions, but you're couching your own thoughts inside.

If your issue is that you and your husband like different media, then that's a marital issue to resolve; accept that you shouldn't always watch all media together, particularly if doing so isn't fun for both of you. But your husband doesn't like what's going on in MHA, and this is enough to make you doubt whether or not MHA is written well? Despite the fact that many, many people like MHA in its current form? That sounds more to me like you agree with your husband. It certainly doesn't sound like you tried to sell this story arc to him.

I decided I'll answer a question like this this one time because it'll help me summarize my feelings on these topics, though I'm sorry to say the topics I address may not be what you expect.

"We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward."

Is this really a surprise? I don't remember anyone being all that into this arc when it first came out. Everyone was saying Star would die, and yet most people did not correctly predict the actual outcome of this fight--that Star's quirk would be eliminated and Tomura would be weakened. Most guessed Tomura would steal Star's quirk and become overpowered.

"He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced."

You mention sci-fi but uh, has your husband watched like...any other anime? Ever? At all? MHA is far from the first shounen anime to do this. You can't really make your husband like MHA if his problem is that he came to an anime restaurant and got upset when there was nothing but anime on the menu.

Seriously, MHA is not doing all that much different with its ending than what Fullmetal Alchemist Brotherhood did, and that's one of the most critically acclaimed shounen anime of all time. If he's predisposed to dislike the stuff anime does, that's not a writing problem. That's a mismatch of anime with his tastes.

It strikes a nerve with me because I grew up loving anime and was bullied for it by people with opinions such as your husband's. Now, the mainstream-ification of anime has drawn those same sorts of people to anime for whatever reason, and all they seem to wanna do is complain about anime being anime. Take sci-fi for example: I typically hate outerspace-themed media and the concepts such media often explore, and you know what I do? Not watch it. I've decided such media is not for me. Honestly, the same is true for a lot of anime too. I am very picky about anime because there are some tropes or themes I'm just sick of.

"I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc."

This is where it sounds like you primed him with your own feelings, because it certainly doesn't sound like you were selling him. I don't even know what this means. "A holding pattern"? Do you mean the arc has just been going on a long time (see: welcome to anime being anime)? Or do you mean not much has happened with Izuku? Because I am getting a bit of a sense that your issue is you're an Izuku fan and his growth has been slow because the arc has had to wrap up all the other characters' arcs first. Because a lot HAS been happening with all the other characters (and we recently got some Izuku progression too).

The only other thing I can think of is an opinion I've had for a long time. I think a lot of anime fans don't realize they're not actually manga people. You watch an anime you like a lot and you wanna get up to speed, so you go to the manga not understanding that the manga is different from the anime. The pacing is different, as is the presentation and focus on details. The manga presents one or two story points per chapter, whereas anime episodes are 2-3 chapters compressed into one sitting. The anime's major selling point is its fast pacing, but this is not a selling point of the manga--of ANY weekly manga. "2-3 years" means very little in the context of a 15-page-a-week-AT-BEST manga.

"I told him what you said about Bk's death and Deku losing his arms as being symbolic"

The symbolism angle is one thing. I've never really understood why people like any media without symbolism--that's what gives a story its flavor, isn't it? If we're talking about tropes and familiar story structures, the artist's approach to familiar items is precisely what makes it unique and interesting to me. I wouldn't become invested enough to care about Katsuki's death if all that mattered to me was the surface-level event.

But are you saying you spoiled the fact that Izuku lost his arms? That's...not that big of a plot point to spoil if you ask me. Certainly not one I'd bring up as one of the greatest hits of this arc. This is another detail that makes me feel like you're particularly focused on Izuku, which is not a bad thing nor is there anything wrong with that, but Izuku doesn't actually feature very much in this anime season all things considered. It's hard to sell anyone on what's currently happening with Izuku in the manga since we just got to his stuff and it's not complete.

Again, this was what happened with Fullmetal Alchemist. The last arc covered the events of one day that ended the final war. The main characters were only occasionally featured and didn't do all that much in the season until the very end, as one would expect. When it was coming out in manga form, the pacing was admittedly very weird because of this storytelling choice, albeit it felt a bit different from MHA since it was a monthly manga and covered more ground per chapter. But when the same arc was adapted to anime, the feeling and pacing were very different, and a lot of iffy elements improved on me as a result.

"he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed."

Is your husband someone who watches things only once and then can't rewatch and enjoy them ever again? Does he only watch stories for plot twists and once he knows the twist he stops liking it?

I don't understand this general obsession with consequences and stakes a lot of people have. Sure, they are elements that can contribute to a mood or feeling in a story, but they're far from the make-or-break linchpins so many people make them out to be. The "reversals" are major plot points too. I find much more enjoyment in trying to follow why a writer would do such things and what they're trying to say than wondering how likely some character is to die or how many people will be brutalized.

I'm in the camp that believes spoilers should not make a difference in whether or not I find a series "good" or whether or not I can invest in it. I personally have played video games specifically BECAUSE they were spoiled for me and it sounded like I would like them, and having those major things spoiled for me did not detract from my enjoyment at all. I'm not saying everyone has to be like me, but I do certainly think a story's ability to persist as an impactful and memorable work has very little to do with its stakes and everything to do with how it handles its story and characters. Was Star Wars memorable and beloved because of how many people were at risk of dying in it? Was something taken away from the story when Luke got a robotic replacement for the hand he lost?

Goodness, didn't the MHA fandom predict for years that Dabi was Touya Todoroki? And wasn't everyone just waiting for the reveal to fucking happen already so we could get it over with? And wasn't the entire fandom surprised and enthralled when the Touya reveal did happen precisely because it was handled in such a unique and cool way with Horikoshi's flair? Did predicting that twist really ruin anything for the story?

A good story is a good story.

"I'm waiting for payoff instead of enjoying the story."

I can't know what payoff you're waiting for. I've enjoyed all the events and details along the way, even if there were some expected dips here and there. When I went back and reread the entire arc in one go, the pacing really hit me differently and I got a lot out of it. If you're not enjoying the story, that's not about whether or not the story is employing "good storytelling." I've enjoyed plenty of stories that were told poorly and sloppily because there were other redeeming features that appealed to me. This is about preference. You and your husband have your own personal preferences, and that's okay! But you both have to manage your preferences with respect to each other and to yourselves.

"Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?"

If you're actually interested in whether or not MHA has "good storytelling," I'd suggest you take a creative writing class or otherwise learn about the way stories are told in different media i.e. novels vs comics vs TV shows vs movies vs video games. But I honestly don't think that's what you mean. I think you're looking for permission to keep liking MHA even if you personally don't like its storytelling or how Izuku's character is currently being handled. I can tell you from experience that yeah, you can. Plenty of people do it all the time. Some people get so frustrated with the stories they like they write fix-it fanfiction. Some people appreciate the way a story is so perfectly written that they cannot build a fandom around it because they can't come up with anything to add. It's going to depend on you and how you want to approach the situation, and while I'm happy to talk about what I like about MHA and which writing choices I think are well made, that's not going to get us very far if you don't like the same things.

I do often find media that I personally think is not written that well, and like I said, sometimes I like it and sometimes I hate it, but if it's a piece of media with a large fanbase like MHA, I have a hard time calling its writing universally "bad." If it speaks to that many people in some way, clearly there's something about it that reaches people effectively, and who am I to judge? I'm certainly no expert in quality of writing. All I have are what I've taken away from my education in literature/writing, my years of experience with many anime that came before MHA, and my thoughts on all the other media I've enjoyed. My experiences will lead to different conclusions than others'. I know I don't like a lot of what's popular with most people, so I certainly can't hold myself out as some paragon of good taste.

It's okay to like or dislike whatever for whatever reason. I don't always stay with the same fandom. I move around when I find new and good things. I sometimes come back to old things I loved and like it anew or find it underwhelming as I currently am. As of right now, I'm actually willing to say something I never was before, which is that MHA might be one of the best-written manga if not the best manga I've ever read. While FMA is top-tier, its themes are a lot safer than MHA's ambitious goals. MHA was always going to be controversial in some ways just because of what it attempts to do, such as telling its story through comic book-themed superheroes. It also says a lot of political things that risk alienating readers. The levels of risk MHA takes are part of what makes it amazing to me and what makes it a worthwhile piece of art to enjoy. I'm so happy it exists, flaws and all. No story will be universally loved, and that's something I accepted a long time ago when I decided I wouldn't let the bullying stop me from liking anime. All I can hope to do is have the courage to love the things I love and the grace to leave alone the things I dislike for others to enjoy.

[inor-8]

Regarding Lily's top 20 Pokemon video (Part 2):

Ok so most of my individual posts from the video are from this section. So, I'm gonna try my best to articulate my thoughts as well as I can.

Again, as much as we disagree with her, all her favourites are valid as everyone deserves an opinion. Even Lily Orchard.

So without further ado....

Number 10: Froslass

Ok so we start her top 10 and how does she begin this section? By complaining about gender specific evolutions, especially, Gallade.

I don't know how but Lily seems to have conjured up this crowd of "90's Pokemon fans" that hate Gardevoir because it's strong and feminine. And also that GameFreak has made Gallade specifically to appease this crowd.

And to that I say: Huh???? Lillian Orchard are you delusional??? As far as I've seen there's no one complaining about Gardevoir's feminity ever! In fact the whole community seems to love it. And you think Gardevoir being male is gonna deter fans? Lily??? Do you know how popular femboys are??? Male Gardevoirs are a treat for them if anything.

And I find it bizarre that she she seems male Gardevoirs can somehow not exist anymore? You do know that getting a Gallade needs a rare evolution stone right?

But moving on from that, let's get to Froslass. Now, as Lily hates gender specific evos, she also initially disliked her. But what made her warm up to the Pokemon is very disturbing to me. She seems to like it because it eats the souls of men. Now, don't get me wrong. She does mention her love for snow and ghosts but still... Hearing her say "It eats men!!!" with such glee is disgusting to me. I always suspected she was like those puritan twitter rad fems but this has just made my suspicions stronger. You really hate men, don't you? You little misandrist!

And what makes me sas is I love Froslass' design and the lore behind it. It's based on a yokai (a supernatural spirit in Japanese folklore) called Yuuki-Onna (snow woman). If you've grown up with Japanese cartoons like Doraemon, Shin-Chan or Ninja Hatori like I did, you'd have seen glimpses of this yokai in the episodes featuring snowstorms.

Yuuki-Onna is the spirit of a woman who died in a snowstorm and now hunts for travels who get lost in the snow. I absolutely love it. I even used it in Platinum and it one-shot Cynthia's Garchomp. It's so sad to see it reduced to "violent man eater".

Anyways moving on...

Number 9: Pidgeot

Now, there's really nothing to say here. She just explains why she likes it and honestly it's a solid mon.

Number 8: Magmortar

Same as Pidgeot, nothing really to day here.

So instead I'll leave you with a fun fact: Magmortar's Japanese name is Booburn.

Number 7: Sceptile

Now, this is where Lily's "I'm not like other girls" attitude shows up again and this time her victim are the other evolved starters of Ash.

I don't know what you've heard Lily but Sceptile is veeery popular and an awesome one of Ash's Pokemon. But you somehow take it not being the second coming of Pikachu as a crime.

She calls Charizard "Mr. Overrated". Cope and seethe, Lily. This is Charizard nation.

And Infernape as an "angry monkey man". Well, Lily as for why Infernape is so popular is because he had a whole arc about him. His initial trainer, Paul abandoning him for being weak, to Ash rescuing and training him, to him defeating Paul and proving his strength. That's why people love Infernape.

As for Greninja, I don't know man I didn't watch that far into the anime. Ask @voidshogun the number one Greninja fanatic.

Number 6: Agron

Now again, nothing out of the ordinary. Except the fact that Lily has only changed her rooster 5 times in 7 generations. Yeah we could tell, Lilian.

Number 5: Lilligant

Now, as is expected of her, Lily shits on gen 5's story. Wow You're so different and cool Lily!

Then, she says that Petlil needed to have an introductory scene like ralts because the whole area was filled with Sewaddle (how dare you belittle sewaddle in your video Lily?!?) And then she complained about a dex entry.

Now here comes another "I'm not like other girls" moment. She mentions how she doesn't use competitively viable Pokemon because she values design and trains her Pokemon like a real trainer should. Wow, Lily? People playing with their favourites? Who would have thought?!? God you're soooo cool!

Number 4: Milotic

Another garbage take of "GameFreak took gen one's shitty edgy adolescent designs and made them better in gen three!" No they didn't Lily, you're hallucinating.

This is where the whole "gyarados is a result of 90's gritty toxic masculinity" take is from. No it isn't, Lily. You purposefully ignore the lore behind these designs and undermine them. God i hate this woman. I've already said what I wanted to about the Gyarados comparison in a previous post, so I'll leave it there.

And then she says she's one of those weirdos that enjoys Pokemon contests. Oh wow! You're so #quirky🤪 for enjoying a feature that is in the game for you to enjoy. Real special thing you've got going on there, Lily.

Number 3: Mismagius

She complains about gen 2. Lily, ma'am you would have gotten to play with Misdreavous in Crystal, if you played fucking Kanto!!!

And then she says what a stubborn little bitch she was for playing competitive with her favourites instead of researching builds....

I'm not even gonna say it this time. How many "I'm not like other girls" moment have we had so far?

Number 2: Butterfree

More of "Oh! She's weak but I love her! Aren't I do different and cool!?"

She actually mentions Madhouse in this segment, so archive this video in case she decides to lie about it and deny she made that too. Not like having proof would make her admit she made it.

Now, to no one's surprise....

Number 1: Gardevoir

Oh I don't have much to say about this one.

Just look at some of my observations from this segment:

(i) Lily can't shut the fuck up about how powerful and mighty and strong Gardevoir is.

(ii) Lily depicts Gardevoir as a monstrous banshee because she's an edgelord and thinks it's cool instead of using it's canon depiction of a loyal protector as pointed out by @manilovescp166 in my asks.

(iii) Lily is so obsessed with Gardevoir that she bases her purchase of a Pokemon game on how easily and early she can get a ralts in said game.

(iv) Lily thinks Gardevoirs as a species have the deepest bonds with their trainers and are the best companions. (Okay, I guess?)

(v) Lily genuinely believes that "She (Gardevoir) is lowkey implied to be the single most powerful Pokemon in existence. Given that they have the ability to create black holes if they're desparate enough." (Sure buddy)

(vi) Lily believes that there's this insecure crowd of Gardevoir haters that hate it because it's feminine. (She made them up in her head)

(vii) Lily thinks it's shiny is bad, also she hates all shinies so there's one consistent thing I guess?

*Sigh* this is genuinely disturbing.... Just how fucking obsessed are you with Gardevoir, Lily?! I don't even have words. Honestly I think the observations are enough to tell you how deranged this woman is when it comes to Gardevoir.

[lemonxlimee]

So I got bored and did some digging around earlier today (read as: I read the wiki page for evil leafy and took pictures of what I found interesting)

Likes: spreading terror and killing people - yes, indeed. Quite fun.

Dislikes: "being called 'evil leafy isn't real'" - hmm, when was that shown? Either way, yes, probably, anyone would get upset at that

Neative relationships: everyone

Positive relationships:

Pan flute (one sided)

Leafy (possibly)

Honestly, this image is what pulled me through the day.

And yes,

ELeafy is on the positive relationships list on Leafy's page as well. (Possibly.)

Hobbies: mass-terrorizing (presumably) - I disagree. I think she just likes her space, and attacks anyone who comes into her area. That being the evil forest, of course.

Status: neutralized (for now) - I like the ominous implications

"Book has encountered Evil Leafy the most times at four." - damn she just attracts awful women doesn't she

"She is seen instantly closing doors and trapdoors in one frame when teleporting." - Though I can assume when this was shown, I'd like to see it again, just in case. Just like I went through BFDIA 12 to find the instances in which she presumably smiled (19:22, 19:57 and 20:24 in case you were curious), I want to see it for myself to believe it. Though I wouldn't be surprised in the slightest.

And, of course —

"At the end of [BFDIA 13], when Firey recovers Leafy, Leafy asks: 'Who?'. Evil Leafy, still taped in the Concert Auditorium, hears this and burns the tapes, frees herself and teleports as the episode ends."

Seeing as how this is the first and only interaction between the two characters in which they're separate entities (not counting the deleted scene from BFDIA 1), it can be assumed this is where the "positive relationships" part comes from. Though it can also be assumed that that part comes from the scenes in which they aren't separate entities, i.e. in BFDI 25, where Leafy becomes EL. I like to think "Evil Leafy" and "Leafy's red version" are two different creatures, LRV being of course part of Leafy and EL being non-connected to them. However of course this brings implications and questions that I'm not quite prepared to answer; that being the tape-melting voice and the fact that they've never interacted aside from this.

Maybe, because EL was trapped in a different area when Leafy was recovered, what once was whole (i.e. both of them being part of Leafy) was split into two? I.e. EL used to be part of Leafy, but because they were so far apart when "Leafy" was recovered, now they're different? It doesn't make much sense to me either, now that I'm typing this out. Honestly, who can really say until BFDIA 15 or whatever is released? :)

Anyway, that's all from me for today. I've got more research to do.

[csolarstorm]

Thoughts on Agatha All Along - Finale!

Well, I've managed to piece together a post from the notes I took after that awesome two part finale. I enjoyed it a lot, so this is gonna be a long one! So follow me, my friend, as I give my thoughts on Episode 8 and 9 of Agatha All Along.

Now this is one of the most interesting character redemptions I've seen in young adult/family media, because it isn't really a redemption! 

Agatha's redemption goes just as far as her motherly bond with Billy, but other than that, the show is less about redemption and more about retribution.  We thought when Episode 5 said "Punish Agatha", that would be an outlier, a temporary obstacle to the coven coming together.  Nope.  There's too much red - I mean, purple - in Agatha's ledger.  Agatha is who she is, and the show never rewards her for her treachery.  In fact, her cynical, callous worldview costs her everything…even her death.  Agatha is literally reduced to a ghost because she rejects the literal embodiment of the life cycle.  (And she can't face Nicky.)

She's literally "mommy Voldemort"!  That is one of the weirdest things I've ever written!

The only thing Agatha doesn't lose at the end of the series is her bond with Billy - and that's even a close one.  He almost banishes her! That's a fun inversion of the beginning where he deliberately seeks her out. But in mentoring Billy, Agatha has a sort of second chance at parenthood after losing her son. So she is given that grace.

Okay, technically the show does kind of give Agatha the anti-hero treatment, or else she wouldn't end up Billy's mentor.  Clearly Agatha has something to teach Tommy about the nature of power and ruthlessness of the world.  Billy's chaos magic is unfathomably powerful - like his mom, he was bound to accidentally hurt people at some point.  And Agatha was absolutely right about this: "get used to this feeling if you're going to be a witch".  That's unfortunately what being powerful is like.  Think of all the collateral damage the Avengers have caused.  Heck, Wanda at Lagos.  Billy really does take after his mother.

It's the same way in the real world. Any decision a politician makes, money a billionaire invests, has ripple effects the victimize somebody, a shadowy cost to match the reward.

It's one thing to trample others on accident when you swing around your power, but hurting others on purpose actually does actually hurt you, and I think this show expertly portrays that.  It doesn't fall into this trap of making Agatha some amoral badass that people idolize for giving them permission to be assholes.  The power of virtue is not a metaphor, not just a moral gimmick meant to promote societal adhesion.  The callousness of treachery actually affects your ability to form meaningful relationships, which is part of living a satisfying life. Under that facade of bravado and villainy, Agatha is suffering deep inside.  Of course, your mileage may vary, only the good die young, yadda yadda.  There's plenty of happy monsters and sociopaths in the world.

This show has some really interesting parallels with Loki.  You can even argue that Agatha ended up with a parallel but also opposite fate to Loki: a ghost to the world, cut off from life and death.  Only unlike Loki, she can still interact with others.

Agatha All Along DEFINITELY follows Wandavision's footsteps when it comes to flipping audience expectations.  Only this time it's not as simple as Ralph Bohner or those "devils in the details".  Agatha All Along is deliciously character driven, so all the devils in these details are character-related.

The Coven and Sisterhood

Let's start with the biggest "twist": around the middle of the show, the story was about sisterhood: four wayward witches and one familiar setting aside their differences and learning to work together as coven. 

That all goes to hell with Agatha kills Alice and Billy yeets everyone into the mud.  (In retrospect, that's definitely part of why I was disappointed with Episode 5. I could feel the change in direction in the awkward writing.) Sure, Lillia embraces the coven before her death, but Jen definitely does not find kinship with Agatha in the end.  In fact, Agatha screwed her over a hundred years before the show began, and Jen's final challenge is getting away from Agatha's toxic influence. 

And then the whole coven plot definitely goes to hell when it turns out that not only was the road not even real, but the legend of the road itself was just Agatha's lie to lure witches into her coven to murder them over and over again!  Granted we knew that Agatha wanted to kill the coven from the beginning, but this is a whole other layer of deception.

I know this pisses some people off, because obviously it feels like Alice and Lillia died for nothing now - or at least died for a cause they never signed up for.  This was all about resurrecting Tommy, not working together for sisterhood!

Even though the coven didn't last, I think it still matters that it was part of the show, and it was explored. The theme of sisterhood is there. And like Vision said, something is not beautiful because it lasts. 

But I know a lot of people wanted to see this conventional story where everyone survives, and Sharon learns analog witchcraft and her skills come in handy in the last trial when she saves everyone from a sticky situation, and the newfound coven of sisterhood teams up to defy Death and save Agatha and Billy.

That's why we have fanfiction.  *sigh*

Defied Expectations

Speaking of fan disappointment, there's no moment where all is revealed about Agatha's relationship with Rio, at least not all that the fans wanted to see.  Instead, we get an admittedly cute and emotionally compelling flashback to Agatha raising Nicky that shows us exactly how she started the legend of the Witch's Road, and how the ballad started as their song as mother and son.  I'm not disappointed that they went this route instead of a more Rio-centered flashback - I think it brings the story full circle.   

I could tell people were going to be disappointed when Agatha didn't end up in a fulfilling relationship with Rio/Death.  Their relationship had such rich chemistry and it was so intriguing - but to me, the writing was on the wall that it would not be a particularly positive relationship.  I don't imagine Marvel would show a relationship between a serial killer and the embodiment of death and make that a happy, healthy relationship.  My condolences to shippers who wanted this to be a positive representation of lesbian relationships.

And on that note: I'm not sure why Agatha tells Rio that the truth about Nicky's death is too terrible.  Was she absorbing life to keep Nicky alive, and once he refused he finally died? Is that why she says to baby Nicky "You like that? I think we're going to work together just fine."  If this is what they were going for, then yeah that truth is terrible enough for me. Obviously Agatha isn't going to tell the coven she needed to kill other witches to keep Nicky alive.  There's no use trying to rationalize serial murder, even if it's to support your son.

I like how Agatha's name for Nicky follows the "Namor" rule. Since they changed Namor's origin, instead of his name being "Roman" backwards, they made him "N'Amor - the one without love!" So sure, sure, Nicholas Scratch isn't named after Nick Scratch, an old name for the devil, perish the thought! Agatha names him Nicholas Scratch because she made him from scratch. Aww, that honestly was adorable, name retcons aside.

We don't flash back to Agatha's first coven.  The Salem Seven and Evanora originally seem like they're going to be a bigger part in the story, but they're a footnote by the finale.  And although I'm glad they chose the story of Nicky and the origin of the Witch's Road, it would have been nice to commit to actually explaining some of Agatha's actual origin. 

Did Jen's trauma bind her magic?  Nope, Agatha did it.  I mean it doesn't exactly rob us of Jen's trauma narrative - it was still there, implicitly, it's just funny that everything in the series really is Agatha All Along, except for that one big time it was Billy All Along.

Oh, and I guess that one time it was Lillia All Along.  But that's different, that's Patti LuPone.  You have to get Patti Lupone in on the fun.

There are always some editing mistakes in TV shows, but it seems like Marvel needed to go back and tweak some (alleged) discrepancies in the story that don't match the final version of the series, or at stop and clarify things more often.  (For instance, how was Rio "torturing Agatha" throughout the years?  Was she responsible for all the disasters around Agatha, hoping to break her into finally accepting her death?) 

This lack of clarity is a problem with the series overall, to the point that Jac Schaeffer had to keep explaining things that the narrative didn't make clear.  But I have to say, the fact that we were so on the edge of our seats wanting to know means that the story was doing its job.

All Roads Lead To...

So in the end, I think that just like Wandavision, the show went in a direction that a lot of fans weren't expecting - but unlike Wandavision, in some ways I think that's to its benefit.  The coven may not have lasted, but damn that is a richly emotional character study of Agatha Harkness, and I am excited to see "The Ghost and Billy Kaplan" return in Vision Quest, or maybe Young Avengers. 

There were some (alleged) plot holes from Marvel's trademark editing process, and they should have been clearer about some things - but holy triple goddess was this an amazing series nonetheless.  Pound for pound, I think it's the best series Marvel has to offer right now.

Follow me my friend, to glory at the end.

[theotterpenguin]

what’s your take on zutara being “you’re the wind, i’m in the water”. i’ve heard k@t@@ngs saying it’s clearly about their ship bc their elements are air and water but isn’t that a very surface level of understanding of the lyrics?

anon, i adore you for this ask because i love chemtrails over the country club (and lana's music in general).

i'm not surprised that people would try to apply this song to katara and aang because yes, at a surface level it's relevant to them for obvious reasons (water vs. wind), but i agree that the lyrics have far more depth than this.

first, we have to look at the context of the lyrics within the song. "you're in the wind, i'm in the water" presents a romanticized view of the separation of two lovers, just as the two elements brush past each other but never become one. this theme of separation is seen throughout the rest of the song as lana contrasts the privileged bubble of suburbia with the harsh reality of society, the darkness lurking behind a beautiful front.

likewise, zuko and katara have similar character arcs that revolve around an awakening to the harsh truths of society. zuko learns that the beauty and the power of the fire nation is just a facade, hiding the extreme cruelty of its colonialism and imperalism that has hurt all people (which goes hand-in-hand with zuko unlearning the abuse from his father, the personification of the fire nation itself). katara's arc involves a similar type of awakening, as she unlearns some of the dichotomous thinking she's held around the fire nation. her experiences with jet, hama, the sexism of the northern water tribe, the fire nation village in the painted lady, and even zuko show her the complexities of the war and teach her that people aren't always as simple as "good" or "evil." essentially, both zuko and katara undergo parallel character arcs that fundamentally change their worldview, reflective of the theme of chemtrails over the country club.

additionally, the "wind" and "water" that symbolize the separation of the two lovers in the song is also reminiscent of zuko and katara's journey - the two characters that have been pitted against each other from the beginning of the show, their opposing goals of protecting the avatar vs. capturing the avatar, daughter of the chieftain of the southern water tribe vs. prince of the fire nation, and the two characters that end every season finale in an climactic fight scene (first on opposing sides, then on the same side). and if you want an even more bittersweet perspective, there's also the fact that they are doomed by the narrative, two lovers who never end up together in this lifetime, fated to be separated.

if we want to look further into the song, i've also seen the lyric "nobody's son, nobody's daughter" being superficially applied to aang and katara as they have both experienced loss, but again, in the context of the actual show, it's katara and zuko who are repeatedly paralleled with this connection of losing their mothers and being separated from their fathers. katara discusses her grief over losing kya with haru, jet, and aang, but it's only her and zuko's connection over this that carries actual narrative weight in the story. and katara is the only person that zuko discusses the loss of his mother with. so it only makes sense that all of these narrative parallels culminate in the southern raiders, an episode vital to katara's character arc in which zuko is a crucial supporting character. you could also argue this ties in with the overall theme of separation in the song - being separated from your parentage and having to forge your own path.

finally, as a fun little addition, one of the other lyrics in the song is "my moon's in leo, my cancer is sun." and hmm, who are the two characters we typically associate with the moon and sun? (hint: "you rise with the moon, i rise with the sun"). but wait - it goes even deeper than that. i am most definitely not an expert on zodiac signs, but according to some basic googling, leo (a fire element) is typically ruled by the sun, while cancer (a water element) is typically ruled by the moon. by switching up what elements we typically associate with the signs, lana is reflecting on the duality and the unpredictability of herself like how she reflects on the duality of society earlier in the song. and similarly, zuko and katara undergo dual character arcs bound by elemental symbolism. despite being a waterbender, katara also personifies the element of fire - the element of passion, power, and will - as she stands up against injustice and refuses to back down from a fight. and despite being a firebender, zuko's arc also personifies the element of water - the element of change and adaptability - as zuko's perception of himself, his father, and the fire nation changes over time. they are both water and fire, both moon and sun, both yin and yang.

[captainfluffytheragdoll]

Understanding the Stolitz VS Blitzfizz dynamic

Hey guys! It's Fluffz here. Ever since, well, the dawn of time, shipping characters has been a thing. Even real life people sometimes. Two people kiss? Ship them. Two people share a sweet moment? Ship them. Two people care about each other? You guessed it, ship them. But the world couldn't keep it limited to two people, no. Why two when you can have three? Sadly, this, namely Polymerous relationships, couldn't solve the rifts between hellbent shippers. Some will insist these two, some will insist those two. It's understandable. Polymerous relations aren't for everyone, and nor do they always work out. Granted, it wasn't long before Stolitz (Stolas X Blitzø), Helluva Boss's number one ship, faced a counterattack. Blitzfizz, a slash ship between Blitzø and Fizzarolli. Of course, it was nowhere near popular as Stolitz, and still isn't. Still, it's fairly common, and you can easily find loads of Blitzfizz shippers and fancontent about it. Furthermore, it's not limited to just these two ships. Blitzfizz branches out to another ship, in fact, none other than another one of the Helluva Boss fandom's most popular ships, Fizzmodeus (Fizzarolli X Asmodeus). Obviously, Fizzmodeus is still more popular than Blitzfizz, but seemingly, Blitzfizz shippers don't care. Now that there are three ships in the area, guess what, it still doesn't stop there. With the existence of Stozzie (Stolas and Asmodeus) and Stolitzarozzie (Stolas, Asmodeus, Blitzø and Fizzarolli) shippers, it very quickly became very complicated. To further understand this, allow me to use... *dun dun dun* Stratified Sampling. To quickly explain, in Stratified Sampling, researchers divide subjects into subgroups called strata based on characteristics that they share, for example, which one of these ships they support.

DISCLAIMER: THIS OVERVIEW IS NOT TO CALL OUT OR MAKE FUN OF A SINGLE INDIVUAL OR GROUP, BUT SIMPLY TO SHOWCASE WHAT I'VE SEEN SO FAR.

Some Stolitz shippers are pretty much blindfolded, refusing to understand what happened in episode 9. Other Stolitz shippers seem to understand, but still ship it, saying they are "at the point of shutting them in a room until they talk" (yes, I've seen a lot of people say this). Blitzfizz shippers don't really care what others think of their liking for the particular ship, some even calling it a "rare pair". Fizzmodeus shippers don't have anything much to worry about, it doesn't look like this ship is going to sink any time soon. Also, they're confident about their shipping choices and often choose Stolitz in the "Stolitz VS Blitzfizz" debate, saying Fizzmodeus is "too wholesome to break up" (Also something I've seen a lot). Stozzie shippers, in particular, I do not have much experience with, but prefer to ignore any existences of real ships. Stolitzarozzie shippers seem ready to throw away real dynamics of both Stolitz and Fizzmodeus to make their chosen ship work (usually in fancontent). Now that we've got more of an insider's look as well, allow me to show you, a little something I like to call: "The Z Z Z Syndrome™". (THIS IS AN EXAMPLE OF THE Z Z Z SYNDROM™, NOT ENTIRELY WHAT IT IS): Person 1 is in a relationship with person 3. Person 2 has (possible) feelings for person 1, but is in a relationship with Person 4. Person 4, In fact, is not part of The Z Z Z Syndrome, but rather there to pull away Person 2 or Person 3. Understand? Layman's terms, it's a love triangle with a fourth point. It's hard for anybody to deny there wasn't ever something going on between Blitzø and Fizz. (People who think they're brothers, screw you./hj(...?))

Let's see what other people think about the "Stolitz VS Blitzfizz" debate:

DISCLAIMER: THESE PERCENTAGES ARE NOT 100% ACCURATE SINCE THEY WERE CALCULATED BY A PERSON WITH 0% UNDERSTANDING FOR MATHS, BUT IN THAT CASE, I CANNOT BE SURE IF THOSE FIGURES ARE CORRECT EITHER.

21% people:

Literally. A bunch of people were like "BoTh". Alright.

39% People:

The Stolitz shippers said to the Blitzfizz shippers. Obviously.

20% people shipped Stolitz, but only because they think Fizzmodeus is too wholesome to break up.

9% people shipped Blitzfizz, most of them knowing that, in comparison, their choice is unpopular.

11% people said they shipped neither, for various reasons, such as Blitzø needing to heal.

In conclusion, Stolitz was, unsurprisingly the most popular ship, and Blizfizz was the least popular choice.

Now, after all that, what do you think? Which one do you ship? Did my analysis affect your opinion at all? Without thinking about which one I ship, or any external factors, give it some thought.

The Z Z Z Syndrome™ is a concept made by me, to explain and offer a deeper look into love triangles, or sometimes even love squares.

[i-love-invincible]

Let's Talk About Atom Eve

Invincible Spoilers and Gore CW Abound! Please watch this incredible series... So who is ATOM EVE?

I would love to talk about this, but first we have to talk about character design in Invincible. The costumes, personalities, and heroes of Invincible are all self-referential. Take the Guardians of the Globe for instance, the first heroes we see on-screen.

We see these people, and IMMEDIATELY we get what they're about... even if these characters are new to us, we KNOW who they are. Flash, Wonder Woman, Aquaman, Martian Manhunter, Batman, Green Lantern, all obvious parodies and fun little characters.

I'm sure your eyes will start glazing over once I go "blah blah subverting tropes blah blah absolute genius." but one thing that Invincible does very well is destroying the audience's connections with established superhero tropes (See the one million white boy video essayists talking about why Evil Superman is awesome.) The reason why the slaughter of the Guardians of the Globe in that fucking THREE MINUTE LONG SCENE is so surprising is because THEY ARE THE FUCKING JUSTICE LEAGUE (while the fight scene also conveniently tosses some casual shade to DC Comics.) Not only is it stunning since we have some frame of reference for how powerful they are, but also stunning because we have ALREADY become attached to these characters.

What follows are a couple real quotes from people I've shown the first episode to: "Oh Batman + Silver Surfer that's awesome!" "OH DUDE! FISH AQUAMAN" "Wonder Woman but she's a lesbian.. as she should be..." .. and all these people, the ones with the most superhero experience, were the ones all most taken aback by the ending.

So let's look at Eve.

At first glance, we get the same impression as a lot of the heroes we meet in Invincible: knockoff. In the same way Omniman and the entirety of the Guardians of the Globe are made to resemble the Superman and the Justice League so to does Atom Eve's costume and powers SCREAM token. She is the first female hero we meet that is Mark's age and perhaps more importantly (and more evident to a first-time viewer) she has some very clear themes of femininity. Such as her costume, which Doc Seismic callously points out in Episode 3 (neglecting the fact she designed her own costume)...

... as well as her name. "Atom Eve" is a combination of her ability to influence atoms and her middle name, but it is also a reference to Adam and Eve (see the bible.) She even has a female symbol with two revolving electrons around it emblazoned right on her damn shirt. So just like the Guardians of the Globe, her design is meant to carry a lot of weight and immediacy to the viewer, you see them and you understand who they are and what they stand for (or at least you think you do.)

So we've seen the way that the Guardians subvert our expectations so how does Eve diverge from the audience's first-impressions? Well for the first couple episodes she doesn't. You might even suspect her of being some one-dimensional, neglected and under-characterized female character (and to be honest if you were reading the comics you wouldn't be too far off...) until you start to see her dissatisfied with being a superhero. Her boyfriend cheats on her, the Teen Team breaks up, her parents consistently disrespect and talk down to her, she's misunderstood by the naive and silly Mark Grayson, and she struggles to find connection with anyone outside of when she's "beating up bad guys." She even goes as far as to reject a position in the Guardians of the Globe just to avoid her ex-boyfriend, despite her killer tryout.

She's frustrated by the frame that's been left for her, and realizes her powers enable her to do much more than beat up random villains. Her powers BY THE WAY, which up until now anyone could have mistaken for "shooting pink stuff," is actually atomic manipulation. She can just fucking rearrange matter to make anything she wants. So instead of being a superhero she fucks off to do things that ACTUALLY help people. Like idk she could be irrigating rivers and feeding the starving or like manufacturing free medicine or something. Atom Eve is a hero who is chronically misunderstood by literally everyone around her, even in the final episode Mark is under the impression Eve just stopped being a superhero to get away from her ex, parents, and school. However with the earth-shattering familial trauma that Mark goes through in the Season 1 finale, maybe they will have more in-common than either of them think.

and NOW there's a surprise ATOM EVE SPECIAL EPISODE! it shows off her origin story which goes even more in-depth into her trauma, and her loss of the only people who even WOULD be capable of understanding her. It also has my FAVORITE FIGHT SCENE OF ALL TIME!!! It was absolutely incredible

ps: omg why tf did they make her far-shot model have an x over the female symbol instead of the detailed electrons (crying emoji) cool i didnt proofread this okay i might do more of these okay bye, i love this show okay

[bonzos-number-1-fan]

TMAGP 27 Thoughts: Uber Eats

We've broken the guest writer run with another Jonny episode and it's quickly apparent why. Super pleased to hear another Augustus incident. As I mentioned the last time we had one of these I was half expecting it to be the last of the season. Glad to be wrong and glad for another fantastic episode.

Spoilers for episode 27 of TMP and general spoilers of TMA below the cut.

There isn't a whole lot to get into for the opening scene. Lena is obviously very anxious for this visit with the minister. I'm fairly sure that's just Lena being Lena but you never know.

As I've mentioned I'm thrilled for another Augustus episode. Tim Fearon has killed it in every performance and I think the style of incident he gets are some of the most enjoyable. In no small part to the gravitas he lends these older incidents. This is going to be another quote heavy breakdown too as there are a fair few bits to really pull apart in the incident.

I really enjoyed this incident. Just a lot of fun and Augustus incidents are always great. I'm not going to get into the plot of this one too much as I feel that's fairly easy to follow. There are some details to get into all the same though. Firstly, our PoV character is an unnamed Magnus and while it'd be tempting to say it's Jonah you can't rule out the fact that their first name, and gender, wasn't mentioned here. There are also few mentions of the Great Work here too. This is something I talked about it my ep 21 post Y2K [Errors] so I won't repeat myself here. This being set in 1845 is pretty important for a few of the details but it also means it takes place just 14 years after episode 4 and so the stranger with the violin could well be our PoV character, as has been speculated by myself and others. Our Magnus' mention of being at work for 3 decades would also line up well with that timeline.

With all the more general thoughts out of the way it's time for a lot of quote.

While I have no hesitation in accepting N’s recommendation, the particulars of the collapse must be confronted directly.

The only N I think this might be alluding to is Isaac Newton. There is a later reference that, while not directly supporting this idea, reinforces it. Newton would potentially be aligned with the Institutes goals. The Great Work is the goal of alchemy and as we've seen from ep 19 it's something he was invested in. However, this episode takes place in 1845. Newton died in 1727. The "recommendation" could be something foundational to the pursuit and as such laid down before Newton passed the phrasing does make it seem more immediate than that. Which probably means this N isn't Newton, or Newton never quite kicked the bucket. Whether because he's achieved the immortality alchemy promises, or is using more sinister means. It could also be a title that's passed down too. That would be fun.

and thus far are still unable to effect transmutations beyond those endeavours we each undertook alone.

This is a very interesting quote. There are two ways of looking at this to my mind. The first is that the Great Work is simply too vast a topic for any one mind to pursue to fruition. The second is that it's impossible for one man to do it alone because the aspects of the Great Work are governed by separate powers and you can only serve/be claimed by one. If it's the second one then this is a set up anyone familiar with TMA will be very familiar with.

No, I must excise such doubts from my mind. Purification is not only to be found in chemical processes, after all.

This one isn't super important but I did want to mention that purification is the second stage in the traditional four stage process to create the Magnum Opus.

It is strange how the work of natural philosophy attunes ones eye to the things that might be termed unusual.

The quote here isn't important. The way this quote is said very much is and I've not seen anyone mention it at the time of writing. There is an unnatural strain on the word "eye" and it's obviously not a coincidence. Given the text itself doesn't have any strong meaning so I can only conclude that the problem speaking the word is with the speaker rather than the text. While it's not exactly revelatory it's likely the strongest hint we have at who Augustus is: TMA's Jonah Magnus.

our London offices

Not a whole lot to say on this bit other than it's interesting they had these at all. We knew they were snatching up a lot of land but had these been particularly prominent you'd expect them to have been mentioned by now.

Perhaps my recent frustrations with our progress and the increased scrutiny by Boyle’s incessantly meddling inheritors have pressed me to put more significance on this than is warranted

This is our second reference to episode 19. You'll all no doubt remember that Robert Hooke wrote to Robert Boyle in that episode about Newton and referenced the "Protocol" multiple times. It would now appear that my earlier speculation is correct. The histories of the Institute and the Protocol are deeply tied together and that whatever the Protocol, or rather its enactors, grows into the OIAR is connected too.

Archibald Cameron’s notebook, and found it surprisingly legible, if somewhat soiled. It is no great loss to the Institute

Okay, so this one is just bizarre. Archibald Cameron is a fairly important historical figure. He was a very prominent figure in the Jacobite rising of 1745. 100 years before this incident is set. He was the last Jacobite to be executed, in 1753. While that's now viewed as a pretty shitty move it does mean he should be well dead. There isn't really another famous Archibald Cameron that would be alive here either. So this is either the "young" 138 year old Archibald Cameron, or it's just a very odd choice of naming/a mistake. If it's the first that also means our as yet unnamed Magnus is much older than 138 if Doctor Archie is "young". Which could very well be the case if our Magnus is famed alchemist Albertus Magnus. He was born somewhere around 1200.

the rate of digestion, for lack of a better word, seems to be linked to his own levels of fear

Fear makes it hungry. Hunger theorists are either in shambles or elated.

I think that's all the interesting stuff to pick out of this incident. A really fun listen and I can't wait to hear more about

I do always enjoy Gwen and Alice hating each other. It seems like strange emails are back on the menu. Although this time I think it's more likely to be from Klaus, or one of his potential associates like Einsamernarr, than it is another John email. Especially as the address was nonsense and it contained files. It's not the first time he's leaked stuff after all, and not the first time it's been direct to Gwen.

Just… junk. Old paperwork. Nothing important. bzzt Sorry. Already deleted. bzzt

Also Alice mentioned she's trans in text now. It was always canon but now people can't deny it.

Sam and Celia's continued Magnussing doesn't have as much to dig into as you might expect here. It's all pretty explanatory and if it isn't there isn't a load to say. The obvious stuff is Hilltop and Oxford. Celia's fascination with this is obvious as she ends up in or going towards Oxford when she "sleepwalks". The Institute, and other powers, interest seems to be tied to other worlds. The Hilltop Centre is where the charity shop the hard to remember strangers packed full of strange antiques. It's also now confirmed to be where the Magnus Institute's "Outreach Centre" was that scooped up Darrien 3 in episode 17. It's also burned down in either case. It's really nice to see Alice getting more on board with all this too. I thought it was rapidly approaching the point where she wouldn't be able to just do nothing. Totally weird Celia is so concerned about the word "Archivist". Its just a job title for boring nerds.

You also have no idea how much I regret not including a joke about Trevor Herbert being the minister. I wrote a joke about the irony of going from killing blood sucking leeches to being one. I cut it because I already made the better joke about Tories that post and thought it was enough politics.

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Incident/CAT#R#DPHW Master Sheet and Terminology Sheet

DPHW Theory: 5535 seemed fine but I expected H to be a good bit higher on this. You can, obviously, just not fall for it. It does seem like a hard thing to escape from after it's gotten you though so I'd expect more H here. First one in a long time I've sort of disagreed with.

CAT# Theory: CAT3 is sort of interesting for the "It's not Person/Place/Object" thing. This is another one in the same sorts of realms as Mr. Bonzo or a doll, presumably, where something is ostensibly an object but has some higher level of reasoning. All three are different CAT#s too.

R# Theory: B felt quite high for this one but it's got multiple witnesses who both documented their sightings of it. For one of them they documented it while being victim to it. So that's probably fair.

Header talk: Kidnapping (Carriage) -/- Consumption [Letter]. WHAT THE FUCK DO YOU MEAN "[letter]"‽‽‽ Why did formats stop? Why did they start? Why does it not have a crosslink subsection? Can you only have 4 terms in a heading at once?

This was done to spite me, and me alone.

[canmom]

Animation Night 191 - Yuzuru Tachikawa

this is what it's like to play jazz.

OK, so, you know Mob Psycho 100? Maybe I don't even need to say more than that...

Yuzuru Tachikawa! If you're a sakuga type, perhaps a familiar name... if not, let's take a moment to rewind the clock to the strange ancient times of 2013, where there was a certain something called the Young Animators Training Project. Which was a project to train young animators. More substantially, as kvin writes here, it was a project designed to address the collapsing training processes of the anime industry... a project which fell rather short of its aims in many ways.

But in its earlier days, it did fund a couple of very interesting, unique short films. One of them was the original Little Witch Academia, which went on to expand into one of Trigger's flagship series. And the other... was Death Billiards, directed and written by a certain Yuzuru Tachikawa, rising episode director star, at Madhouse.

The premise of Death Billiards, and the later expanded esries Death Parade, is that the dead find their way into bars whose bartenders judge whether they should be reincarnated based on 'death games'. What's a death game? Well, standard bar stuff: billiards, darts... the title is in fact very literal. And it slapped. kVin writes:

Death Billiards was nothing short of a passion project for Tachikawa, who wrote, directed, and storyboarded it all. It was his opportunity to make a stance. To prove he wasn’t just a great ally for other creators, or even a suitable second in command, but rather someone deserving of helming his own titles as he pleased. In his second showing as director—the one fan of the 2012 multimedia project Arata-naru Sekai happens to be a friend of mine and he’ll kill me if I don’t mention it—Tachikawa held nothing back. Death Billiards’ exploration of ambiguity and moral failings that had always intrigued Tachikawa stuck with people all around the world too, and its presentation was so stylish that not even Yoh Yoshinari’s dazzling LWA managed to overshadow it. The OVA immediately put Tachikawa on the map, but truth to the told, that’s far from the extent of its success.

And indeed, Tachikawa - and producer Takuya Tsunoki - went on to do many great things, building up a strong gang of animators around them, many of them associated with the young Studio NUT. Of course, their best known project is Mob Psycho 100, a popular comedy-shōnen manga by One (same mangaka as One Punch Man) which plays around with chuunibyou (in the original sense) ideas of psychic powers in, ultimately, a very grounded, affirming way - and to this Tachikawa et al. brought a slightly sketchy, experimental style which led to some pretty crazy action animation. Mob was a crazy hit; later came their long-term passion project DECA-DENCE, a very fun scifi piece about humans trapped in an elaborate physicalised game, rebelling against the system and staging prison breaks, full of slick zero-g action sequences...

Course while we're talking about NUT, we gotta mention their first work Youjo Senki, perhaps the most outright loathsome anime I've ever seen. Not to beat this dead horse. I can only imagine that the staff working on it were like... somehow oblivious to the blatant nazi barely-even-subtext of what they were adapting? (In keeping with the unfortunate ways that otaku culture plays with nazi imagery.) I just can't square it with any of the other stuff they've made, Deca-Dence in particular. Tachikawa at least was only peripherally involved in that hot mess.

We're not actually here to talk about Mob or Deca-Dence though - they're both way too long for Animation Night. Instead we'll be rolling the clock forward to Tachikawa's most recent project at NUT: an adaptation of Blue Giant, about boys playing jaazzzzzz.

also eating burger.

Blue Giant follows Dai, an aspiring saxophonist, as he grows up and toots despite the hostility of the patrons of his local music shop. The film adapts some of the later volumes of the manga, in which Dai has already made some progress in his playing. Dai falls in with two other jazz players: the experienced and arrogant Yukinori and novice drummer Shunji as they form a band. Before long, conflict brews over just how hardcore you should go.

The film is, naturally, a celebration of jazz, full of elaborate scenes of performance, described as being like "a full-blown music video" to really sell you on how moving and awesome jazz movie can be. Jazz and anime can be a great combo (just ask anyone who's seen Cowboy Bebop or Gundam Thunderbolt) and I am pretty curious to see what they come up with here.

Honestly, while I've enjoyed Mob and Deca-Dence, I definitely feel like I'm sleeping a bit on Tachikawa - so tonight I hope to remedy it by checking out where he came from and where he's currently going, with a night of Death Billiards and Blue Giant! NUT's animation is always lively and stylish - they're also the studio where the master of anime-industry animation tutorials, Dong Chang, works - so I think we'll surely see something cool.

Animation Night 191 will be going live shortly at twitch.tv/canmom, I hope to see you there! And apologies for the late start - without going into too much of what's happening behind the scenes here, we should (touch wood) soon be able to get back to an earlier schedule, but for now we're still on witching hours.

[dayshipper]

I just had a thought...

What if JJ and Kiara are no longer together after the 18 month time jump? Hear me out...

I love Jiara, but I think we all know how mundane some storylines can become when slow burn couples inevitably get together. What if all the Jiara moments we have seen so far, i.e this...

...is actually just a flashback and JJ and Kiara aren't actually together anymore?

While I feel like deep down this is unlikely to happen, I've kinda thought about it and, don't kill me, but I feel like the angst would be soo good if this were to happen! Don't get me wrong, I love Jiara (I've been on this train since the beginning!) and I am dying to see how they act around each other as an actual couple; however, it might also be interesting to see them try to find their feet before they become the ultimate obx couple.

I don't think they have to prove anything to anyone because they have already made it clear that they would die for one another however, we haven't seen them be a proper couple in the real world yet.

Let's theorise. So far, we know the Pogues got the gold at the end of season 3 and they've blown most of it by starting their businesses and recreating Poguelandia 2.0. What if this, along with maybe Luke coming back into the picture, has created a rift between JJ and Kiara. Maybe JJ is trying too hard to become the ideal guy for Kiara by using his share of the money for all the wrong reasons and Kiara becomes resentful of this because after all, she didn't fall in love with what JJ could become, she fell in love with him for who he was, warts and all.

Or, maybe JJ is struggling with his new found wealth and feels that there are expectations he has to live up to so he is distracting himself by entering into dangerous motorbike races and gambling his money away. Seeing JJ put his life in danger isn't something Kiara is willing to support so maybe this causes them to sever ties.

Now that s3 established them as a romantic couple, we are no longer doubting ourselves by thinking 'wait, was he jealous or am I reaching?' because now that they are/ were together, all the moments we get of them from now on will always have an underlying romantic tension. Even more so now. Even if they aren't together, they will always care and find a way back to each other so I'm not saying they won't be endgame (because they are), I just feel like it could be interesting to see them struggle to get there. Even though I know it feels like it has been a struggle already...

Imagine Rafe trying to crack on to Kiara with JJ around or Rafe making fun of the fact that JJ couldn't hold on to his girl 🤡 OMG I would die. Probs won't happen though after Kie abandoned Rafe in Barbados... but imagine!

To me, this photo ^^ seems a bit angsty. It looks like they're having a dmc and JJ is saying something that Kiara is grappling with... Maybe they were lumped together because everyone else is coupled up and they have had to share a bed and Kiara is not feeling comfortable with it because while she definitely wants to be with JJ, maybe the decisions he is making aren't ones she can get on board with and she's frustrated by it all.

Ugh I don't know, I haven't fully thought this through it just popped into my head. I just had this sudden realisation that while it might look like they're together in the teaser, what if they're playing with us and they're not. I think it would be too perfect if all of the Pogues were coupled up and lived happily ever after, romantically speaking.

Realistically speaking though, the likelihood of everything I just said happening is pretty low. 💀 I don't really see this eventuating although, I'm not ruling it out completely. They have been through a lot already so I don't think they will want to break them up. But if they did, it won't be for long, maybe only a couple of episodes before they get back together for good, hopefully in an epic way. Can't have too many of those!

Either way, I CAN'T WAIT to watch them be together, whatever that may look like!! J4L