#fucking big brain thinking right there

[spicyraeman]

goes into bg3 tag, sees a dogshit take, immediately leaves bg3 tag

[yo-yo-yoshiko]

Colored some junky morning warmup comics eehehe... This is Superhero Taisen to me.

The Sentai is here to deal with physically large threats and contribute nothing else.

[chirpsythismorning]

Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?

This will be a long post, so you might want to strap in or save it for later.

In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.

In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.

Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.

Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.

What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.

First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...

But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.

All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.

But then there's a shift.

Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--

Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?

But then suddenly this shift continues, going in a direction he probably didn't expect.

I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).

It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.

EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.

As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.

And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.

I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?

This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."

Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.

Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.

Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.

While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.

For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.

For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.

Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?

In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.

Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.

What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.

Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.

Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).

If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.

We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...

It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.

And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.

With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.

Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?

Yeah me and Jonathan are confused too.

Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!

And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.

Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.

Or who knows, maybe Mike could still be a little bit gay too...

But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.

But then Mike just has to surprise him one last time.

For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.

Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.

From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'

But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?

And then it hits him.

Mike is reminding him a little too much of another Wheeler right now...

Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.

And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.

And now it's like all those little moments are starting to add up to Jonathan.

Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.

I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.

As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.

This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.

Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.

Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.

Spoiler: They were not ready.

PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...

[wis-art]

Women, so pretty, so shaped, i am so lesbian,,,

[a-scary-lack-of-common-sense]

I am exhausted, good heavens.

[morninkim]

As a show of good faith toward the remaining Decepticons at the beginning of a new, united Cybertron, newly appointed Senators Bumblebee and Soundwave allowed Shatter and Dropkick to enlist into Autobot City's Defense Team.

These two turned out to be... not the best choices.

The city may have fallen to Insurgent Decepticon occupation had it not been for young recruits Hot Rod and Arcee's accidental interception of Shatter's communication with the fugitive Starscream.

To replace the errant Defense Team members, Springer and Blurr were reassigned from Iacon to Autobot City in their stead.

[puppyeared]

Pajamas

[pardonmydelays]

ok look, i don't normally do that because i just don't ship real people but since everyone is talking about this lately... i just read the forest fic for the first time ever.

[corntort]

doodles from last night before my migraine killed me instantly

paste belongs to @roposhipin and snowdrift yall already know belings to @icedcheetah

[grif-hawaiian-rolls]

“Why am I a fucking dragon?!” Wyvern. Technically he was a wyvern, what with the wings-as-arms and all. “Shut up, Simmons,” he mumbled.

THIS FIC has been rent free in my brain and I realized upon my reread today,, i have the power to draw So,,, dragon(wyvern) Grif fuck yes

[freckleslikestars]

What about you girls? Sex dreams? I sleep soundly.

Or that time Aeryn wore John's underwear

FARSCAPE | 1.12 Rhapsody in Blue

[b4kuch1n]

tdov was like a week ago already but I just wanna say when I came over to vacation slash help my sworn brother move flat he told me, "ever since you said you wanted to get top surgery I've been thinking about it. it's straight up number two on my bucket list"

[spottys-rathole]

(all q!)

There's that scene where Baghera, Antoine, and Bad go adventuring out with their kids, and Bad leads the way trying his best to show them good dungeons with useful loot that aren't too hard

They cross a field running, jump into a speedboat and dash through until they spot a structure on the horizon. They loot it, rinse and repeat.

They just raided an outpost, Baghera has just stepped in and is trying to collect the bookshelves inside when she hears one of the eggs outside blowing into a horn, calling for attention. All the while Baghera is feeling overwhelmed. She explains out loud that she feels the others don't realize how poor she really is, how she's got nothing and how she's still discovering so many new biomes and new features that were added recently. She wants to take her time to check it all out properly, she wants to collect building blocks she likes for her house - because Baghera doesn't have a house yet.

This isn't the first time she brings it up on this evening. Since the first time she encountered BBH earlier that day, he has been slowly introducing her to the idea of building a house near him and Pierre. He said so himself to the eggs that he's trying to convince her to do so. At first he asked her if she had anywhere to live, then upon learning she's only got a hole dug on the flank of a hill so far, he told her they needed to get her a house. Then he showed her his place, welcomed her in and showed him everything that could peak her interest :

Here's BBH's storage room, Baghera can have free unlimited access to it. Here's a flower field surrounding the place, it's really pretty isn't it ? Here's the beach house Pierre built on the bank of this cool lake, look how gorgeous it is, she could build the same if she wanted to. Also don't fail to mention there's a nearby lavender field around, Baghera really likes purple right ? Surely she could enjoy the biome enough to decide to settle down over there.

And Baghera's immediate response is to use Pierre's waystone to teleport the gang to her actual place. Actually, she doesn't exactly teleport them to her place, she teleports them to Phil's place first, which is right across the river from where she lives. Because she doesn't have a waystone to herself, because again : She is poor.

She then proceeds to show them around her "house", which is a (yet to be) repurposed dungeon. It's empty so far. BBH notices and remembers it's a dungeon that he had already raided with Dapper a week ago before Baghera found it.

Baghera doesn't have much if anything at all. She started the afternoon with -37 coins and a gapple which she offered to Acau as a welcoming gift. Still she was so happy when she accidentaly discovered that dungeon and loved its aesthetic, even if the loot that was left inside was barely useful, but to her it was all she had.

Back to the pillager outpost, Antoine overhears Baghera mention how exhausted she is and how meeting everyone at spawn earlier has been really draining for her. That's why she usually prefers exploring alone because then she can do it at her own pace without feeling pressured, because what is of interest to her may not be for her adventuring partners.

Antoine immidiately tries to reassure her the best he can, tells her that she can take all her time and shouldn't hurry for them, that they will wait for her. Baghera apologizes. While BBH is wondering what they're doing, Dapper goes up the tower to check on them, Antoine asks them to wait for them as they are taking their time. Baghera apologizes. When alone with her again she explains that it bothers her to not be able to take breaks and go at her own pace, but she blames herself for it because she accepted to go exploring in group and obviously even if Antoine and Bad keep telling her that they understand and try to make her feel the most at ease, and giving her food and gear. Well anyone would still feel pressured because making the others wait all the time might become boring for the rest of the group whether they say they're okay with it or not. At some point Baghera explains to Bad that she isn't feeling so hot, when she turns around he is 30 ft further ; something caught his attention and he wanted to check it out briefly. She comes up to him again and tell him she needs to get sugar because she is feeling dizzy, she insists that they shouldn't wait for her. Once she comes back, she tells the group that she wants to part ways and go back to building her house. Right on queue, Bad reminds her that she is the most welcome if she wants to come live near his place. Baghera still doesn't explicitely agree nor disagree with the idea, she only says she wants to build because that's what she enjoys doing. Right after, the group catch her up on what they were doing while she was afk : They're about to go raid this very dangerous sky dungeon, and Bad invites Baghera to join them. She iterates that sadly she will not, but Bad who's attention was caught by Dapper, has already ran off to listen to his child. Pomme and Antoine tell her it's okay, but then Bad rushes back towards them to excitedly show them what cool shenanigan Dapper is up to. Baghera bids them goodbye and Bad seems both surprised and disappointed to hear she's leaving now. As she is walking away, Antoine once again whispers to Bad that she was feeling real tired to which the latest answers he completely understands.

It's not so relevant of a moment lore-wise, but I've still been thinking about it a lot because I'm usually really into these kinds of small interactions that are still loud because of everyone's points of views ? Baghera's been there for 3 days and she still hasn't properly brought up to anyone what happened to her during Purgatory - she is not doing fine (I'm not going to go in depth because I'd have to slap a big ol trigger warning but her reaction to reading Pomme's and Richas' signs kicked me in the guts with the strenght of a 3T truck). And meanwhile BBH is this close to kick the bucket too and there's all his motivations that push him to surround himself with people when he would previously be paranoid about inviting anyone to his old base (and none of the french-speakers knew back then). Antoine is just vibing good for him (this was his last qsmp stream too lmao pretend i'm not crying rn /hj)

But it's one of those cases where everything was set up perfectly for it (Pomme was literally jumping with excitement at the idea of two more of her parents getting to live near) but it simply wasn't meant to happen -at least not that day-

[tiddiesoutwhenthetisout]

not me curling my laptop charger wire the way you curl band equipment cords HAHAHA god i miss it

[in-tua-deep]

i have a star wars fic idea floating around my brain that is just a time travel fic centering around bodhi rook where part of the explanation for a suddenly-force-sensitive-bodhi is "the monster tore parts of me out and maybe that made more space for the force to fill in the gaps"

[hauntingblue]

I have connected two dots... yamato kaido and momo (and kinda shirahoshi with her top) have clouds above their shoulders... and luffy in gear fourth has them also.... I can see the signs