#fucking GET them scourge

[superscourge]

btw i finally sat my ass down and read the comics. er, most of em, i skipped some of the early pre-scourge ones lol. but like.

god i love scourge.

[d00msd4y]

My AU designs for Super scourge and Zonic!!! :3

[bigcats-birds-and-books]

Book Mail: NaNo Victory Edition, feat. Thematically Relevant Flora!

[here-comes-the-bard]

thank you molly i have been thinking about yaevinn and prey animal rage since 6 am in between the owie of the day. he is not a hunter but by god he fights like he is being hunted and that might actually be scarier.

come to think of it, yaevinn started expressing his anger more at around the same time as he started actually making an effort to keep himself alive in combat... the moment he started to realize that his life is worth something and that it's at risk of being snuffed out, the moment he realized how many times he's been cornered, how he's STILL cornered, he got angrier and became less and less likely to take shit. even when it was perceived; even from his partner (these two things happened together at the same time, yaevinn was already upset and nithral was just making sure he didn't. fuckin waltz off to his death).

[phantom-fleetways]

Honestly, I wish I was insane enough to work on a Rewrite of Imposter Syndrome. But like nothing actually changes in my rewrite, just more exploration of Surge, Kit, and their relationships with Starline and one another.

Would be a massive net positive on Surge and Starline frankly. I need to know WHO Surge is. Because as much as I love her two main writers rn, there is a lot of "She wouldn't say that" coming from both sides of the house.

[the-punforgiven]

Y'know, I'm kinda sad I don't super vibe with hit metal band Visceral Disgorge's music, because I really like their band name

[fleetsonourgecentral]

Good that I give Royal Au so light XD

Talking about the Au Scourge's gang (Fiona and the destrutix plus Rosy) exist?

If yes imagine they made everyone VS everyone/gang vs gang XD

Rubs hands together OKAY SO. I have actually done a little bit of thinking about this, and I think both the destructix and the suppression squad are in this au. I haven't fully settled on what exactly the suppression squad's role will be - parental approved company for Scourge, perhaps? - but the destructix are the gang Scourge initially sneaks out of the castle to hang out with before he bumps into Sonic. Scourge's parents don't approve of them - they consider them ruffians, and they aren't as poor as Sonic/they're not quite commoners but they're still considerably lower on the class ladder than Scourge - hence why he has to meet up with them in secret. They're rebellious and troublemakers and Scourge is always getting into fights with other people with them, which he finds really fun

Unlike Sonic and co, however, they don't have any interest in taking down the monarchy. They're well aware Scourge is the prince, and probably hoping (most likely subconsciously) Scourge will give them powerful, high-up roles in the kingdom once he takes the throne. If they heard about Scourge's plan to overthrow his parents, they'd be down for it until they realised the next step of the plan would not be Scourge taking the crown for himself, but getting rid of the monarchy entirely and giving the power to the people. They don't want it gone, they're just waiting for the day Scourge takes the throne

Tldr they're Scourge's friends that his parents really, really wish he wasn't friends with, and they've forbidden him from speaking with them, but that just means he sneaks out to meet up with them. Trying to meet up with them without getting caught is probably why he takes to dyeing his fur whenever he sneaks out, and thus, they are indirectly the reason he eventually bumps into Sonic while disguised as a commoner - or, at least, definitely someone lower than a prince

[rayarainbows]

BROOOOOO 💀💀

[litchi-jelly]

just finished episode ignis and i am feeling not so good

[nellasbookplanet]

Book recs: black science fiction

As february and black history month nears its end, if you're a reader let's not forget to read and appreciate books by black authors the rest of the year as well! If you're a sci-fi fan like me, perhaps this list can help find some good books to sink your teeth into.

Bleak dystopias, high tech space adventures, alien monsters, alternate dimensions, mash-ups of sci-fi and fantasy - this list features a little bit of everything for genre fiction fans!

For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!

If you want more book recs, check out my masterpost of rec lists!

Lagoon by Nnedi Okorafor

Something massive and alien crashes into the ocean off the coast of Nigeria. Three people, a marine biologist, a rapper, and a soldier, find themselves at the center of this presence, attempting to shepherd an alien ambassador as chaos spreads in the city. A strange novel that mixes the supernatural with the alien, shifts between many different POVs, and gives a one of a kind look at a possible first contact.

Nubia: The Awakening (Nubia series) by Omar Epps & Clarence A. Hayes

Young adult. Three teens living in the slums of an enviromentally ravaged New York find that something powerful is awakening within them. They’re all children of refugees of Nubia, a utopian African island nation that sank as the climate worsened, and realize now that their parents have been hiding aspects of their heritage from them. But as they come into their own, someone seeks to use their abilities to his own ends, against their own people.

The Scourge Between Stars by Ness Brown

Novella. After having failed at establishing a new colony, starship Calypso fights to make it back to Earth. Acting captain Jacklyn Albright is already struggling against the threats of interstellar space and impending starvation when the ship throws her a new danger: something is hiding on the ship, picking off her crew one by one in bloody, gruesome ways. A quick, excellent read if you want some good Alien vibes.

Dawn (Xenogenesis trilogy) by Octavia E. Butler*

After a devestating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Includes darker examinations of agency and consent, so enter with caution.

Midnight Robber by Nalo Hopkinson*

Utterly unique in world-building, story, and prose, Midnight Robber follows young Tan-Tan and her father, inhabitants of the Carribean-colonized planet of Toussaint. When her father commits a terrible crime, he’s exiled to a parallel version of the same planet, home to strange aliens and other human exiles. Tan-Tan, not wanting to lose her father, follows with him. Trapped on this new planet, he becomes her worst nightmare. Enter this book with caution, as it contains graphic child sexual abuse.

Rosewater (The Wormwood trilogy) by Tade Thompson

In Nigeria lies Rosewater, a city bordering on a strange, alien biodome. Its motives are unknown, but it’s having an undeniable effect on the surrounding life. Kaaro, former criminal and current psychic agent for the government, is one of the people changed by it. When other psychics like him begin getting killed, Kaaro must take it upon himself to find out the truth about the biodome and its intentions.

Do You Dream of Terra-Two? by Temi Oh

Young adult. A century ago, an astronomer discovered a possibly Earth-like planet. Now, a team of veteran astronauts and carefully chosen teenagers are preparing to embark on a twenty-three year trip to get there. But space is dangerous, and the team has no one to rely on but each other if - or when - something goes wrong. An introspective slowburn of a story, this focuses more on character work than action.

The Best of All Possible Worlds by Karen Lord

After the planet Sadira is left uninhabitable, its few survivors are forced to move to a new world. On Cygnus Beta, they work to rebuild their society alongside their distant relatives of the planet, while trying to preserve what remains of their culture. Focused less on hard science or action, The Best of All Possible Worlds is more about culture, romance and the ethics and practicalities of telepathy.

Mirage (Mirage duology) by Somaiya Daud

Young adult. Eighteen-year-old Amani lives on an isolated moon under the oppressive occupation of the Valthek empire. When Amani is abducted, she finds herself someplace wholly unexpected: the royal palace. As it turns out, she's nearly identical to the half-Valthek, and widely hated, princess Maram, who is in need of a body double. If Amani ever wants to make it back home or see her people freed from oppression, she will have to play her role as princess perfectly. While sci-fi, this one more has the vibe of a fantasy.

An Unkindness of Ghosts by Rivers Solomon

Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship’s leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed work force as they travel toward their supposed Promised Land. But as Aster finds a link between the death of the ship’s sovereign and the suicide of her own mother, she realizes there may be a way off the ship.

Where It Rains in Color by Denise Crittendon

The planet Swazembi is a utopia of color and beauty, the most beautiful of all its citizens being the Rare Indigo. Lileala was just named Rare Indigo, but her strict yet pampered life gets upended when her beautiful skin is struck by a mysterious sickness, leaving it covered in scars and scabs. Meanwhile, voices start to whisper in Lileala's mind, bringing to the surface a past long forgotten involving her entire society.

Eacaping Exodus (Escaping Exodus duology) by Nicky Drayden

Seske is the heir to the leader of a clan living inside a gigantic, spacefaring beast, of which they frequently need to catch a new one to reside in as their presence slowly kills the beast from the inside. While I found the ending rushed with regards to plot and character, the worldbuilding is very fresh and the overall plot of survival and class struggle an interesting one. It’s also sapphic!

Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah*

In a near future America, inmates on death row or with life sentences in private prisons can choose to participate in death matches for entertainment. If they survive long enough - a rare case indeed - they regain their freedom. Among these prisoners are Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker, partners behind the scenes and close to the deadline of a possible release - if only they can survive for long enough. As the game continues to be stacked against them and protests mount outside, two women fight for love, freedom, and their own humanity. Chain-Gang All-Stars is bleak and unflinching as well as genuinely hopeful in its portrayal of a dark but all to real possible future.

Parable of the Sower (Earthseed duology) by Octavia E. Butler*

In a bleak future, Lauren Olamina lives with her family in a gated community, one of few still safe places in a time of chaos. When her community falls, Lauren is forced on the run. As she makes her way toward possible safety, she picks up a following of other refugees, and sows the seeds of a new ideology which may one day be the saviour of mankind. Very bleak and scarily realistic, Parable of the Sower will make you both fear for mankind and regain your hope for humanity.

Binti (Binti trilogy) by Nnedi Okorafor

Young adult novella. Binti is the first of the Himba people to be accepted into the prestigious Oomza University, the finest place of higher learning in all the galaxy. But as she embarks on her interstellar journey, the unthinkable happens: her ship is attacked by the terrifying Meduse, an alien race at war with Oomza University.

War Girls (War Girls duology) by Tochi Onyebuchi

In an enviromentally fraught future, the Nigerian civil war has flared back up, utilizing cybernetics and mechs to enhance its soldiers. Two sisters, by bond if not by blood, are separated and end up on differing sides of the struggle. Brutal and dark, with themes of dehumanization of soldiers through cybernetics that turn them into weapons, and the effect and trauma this has on them.

The Space Between Worlds (The Space Between Worlds duology) by Micaiah Johnson

Multiverse travel is finally possible, but there’s a catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying. As such she has a very special job in traveling to these worlds, hoping to keep her position long enough to gain citizenship in the walled-off Wiley City, away from the wastes where she grew up. But her job is dangerous, especially when she gets on the tracks of a secret that threatens the entire multiverse. Really cool worldbuilding and characters, also featuring a sapphic lead!

The Fifth Season (The Broken Eart trilogy) by N.K. Jemisin*

In a world regularly torn apart by natural disasters, a big one finally strikes and society as we know it falls, leaving people floundering to survive in a post apocalyptic world, its secrets and past to be slowly revealed. We get to follow a mother as she races through this world to find and save her missing daughter. While mostly fantasy in genre, this series does have some sci-fi flavor, and is genuinely some of the best books I've ever read, please read them.

The Women Could Fly by Megan Giddings*

In an alternate version of our present, the witch hunt never ended. Women are constantly watched and expected to marry young so their husbands can keep an eye on them. When she was fourteen, Josephine's mother disappeared, leveling suspicions at both mother and daughter of possible witchcraft. Now, nearly a decade and a half later, Jo, in trying to finally accept her missing mother as dead, decides to follow up on a set of seemingly nonsensical instructions left in her will. Features a bisexual lead!

The Prey of Gods by Nicky Drayden

South African-set scifi featuring gods ancient and new, robots finding sentience, dik-diks, and a gay teen with mind control abilities. An ancient goddess seeks to return to her true power no matter how many humans she has to sacrifice to get there. A little bit all over the place but very creative and fresh.

The Summer Prince by Alaya Dawn Johnson*

Young adult. Young artist June Costa lives in Palmares Tres, a beautiful, matriarchal city relying heavily on tradition, one of which is the Summer King. The most recent Summer King is Enki, a bold boy and fellow artist. With him at her side, June seeks to finally find fame and recognition through her art, breaking through the generational divide of her home. But growing close to Enki is dangerous, because he, like all Summer Kings, is destined to die.

The Blood Trials (The Blood Gifted duology) by N.E. Davenport

After Ikenna's grandfather is assasinated, she is convinced that only a member of the Praetorian guard, elite soldiers, could’ve killed him. Seeking to uncover his killer, Ikenna enrolls in a dangerous trial to join the Praetorians which only a quarter of applicants survive. For Ikenna, the stakes are even higher, as she's hiding forbidden blood magic which could cost her her life. Mix of fantasy and sci-fi. While I didn’t super vibe with this one, I suspect fans of action packed romantasy will enjoy it.

Babel-17 by Samuel R. Delany

1960s classic. Rydra Wong is a space captain, linguist and poet who is set on learning to understand Babel-17, a language which is humanity's only clue at the enemy in an interstaller war. But Babel-17 is more than just a language, and studying it may change Rydra forever.

Pet (Pet duology) by Akwaeke Emezi

Young adult novella. Jam lives in a utopian future that has been freed of monsters and the systems which created and upheld them. But then she meets Pet, a dangerous creature claiming to be hunting a monster still among them, prepared to stop at nothing to find them. While I personally found the word-building in Pet lacking, it deftly handles dark subjects of what makes a human a monster.

Bonus AKA I haven’t read these yet but they seem really cool

Lion's Blood by Steven Barnes

Alternate history in which Africans colonized South America while vikings colonized the North. The vikings sell abducted Celts and Franks as slaves to the South, one of which is eleven-years-old Irish boy Aidan O'Dere, who was just bought by a Southern plantation owner.

The Sound of Stars by Alechia Dow

Young adult dystopia. Ellie lives in a future where humanity is under the control of the alien Ilori. All art is forbidden, but Ellie keeps a secret library; when one of her books disappears, she fears discovery and execution. M0Rr1S, born in a lab and raised to be emotionless, finds her library, and though he should deliver her for execution, he finds himself obsessed with human music. Together the two embark on a roadtrip which may save humanity.

Womb City by Tlotlo Tsamaase

Lelah lives in future Botswana, but despite money and fame she finds herself in an unhappy marriage, her body controlled via microchip by her husband. After burying the body of an accidental hit and run, Lelah's life gets worse when the ghost of her victim returns to enact bloody vengeance.

Orleans by Sherri L. Smith

Young adult. Fen de la Guerre, living in a quarantined Gulf Coast left devestated by storms and sickness, is forced on the run with a newborn after her tribe is attacked. Hoping to get the child to safety, Fen seeks to get to the other side of the wall, she teams up with a scientist from the outside the quarantine zone.

Everfair by Nisi Shawl

A neo-victorian alternate history, in which a part of Congo was kept safe from colonisation, becoming Everfair, a safe haven for both the people of Congo and former slaves returning from America. Here they must struggle to keep this home safe for them all.

The Splinter in the Sky by Kemi Ashing-Giwa

Space opera. Enitan just wants to live a quiet life in the aftermath of a failed war of conquest, but when her lover is killed and her sister kidnapped, she's forced to leave her plans behind to save her sister.

Honorary mentions AKA these didn't really work for me but maybe you guys will like them: The City We Became (Great Cities duology) by N.K. Jemisin, The Lesson by Cadwell Turnbull, The A.I. Who Loved Me by Alyssa Cole

[sonicenvy]

there is a new scourge on AO3 that I discovered recently...

that scourge is "Placeholder fics". This is thing, where someone posts a "fic" on AO3 with a summary and tags (and sometimes even a complete tag), but when you click on the "fic" the content of the "fic" is something like:

"coming soon" or "in progress" or "an idea I'll write someday"

This is a scourge on AO3 tags that directly violates TOS Section IV, as it is spam (sect B) and inappropriate content (sect H) (not, strictly speaking a fanwork).

If you see these "placeholder fics" on AO3 REPORT THEM. It is easy to do.

Link the fic in report and in the description, you can write something like this:

The linked "fic" is a so-called "placeholder fic" where the author posts a work to a tag and the only content is the words "In progress". The "fic" appears in tags, yet contains no content, so I would consider it to be spam. Thank you!

(This, btw is the actual thing that I wrote to report one of these a few weeks ago)

If you want to get jazzy you can even mention that you believe the "fic" violates TOS IV.H (which is what the AO3 mod told me in the email response to my report) or TOS IV.B.

You can report anonymously if you want afaik. Once you submit a report the AO3 moderators will get back to you at some point to update you on that report and action taken.

This is a simple way that YOU can make AO3 better today. If you see a "fic" that violates TOS in any way, REPORT IT. There are literally millions of fics on AO3 and the moderators can't possibly go through all of them without YOUR help.

I suspect that the people who are posting these "placeholder fics" are probably very young people who are very new to fandom and fanfiction and do not know better. If you are reading this post, and you are one of these people, know that I don't hate you, I just want you to know that what you are doing is a violation of the AO3 TOS and that it fills AO3 tags with spam, preventing readers from finding actual fic to read. There can be (and certainly are) MANY fics on AO3 with the SAME names, if that's what is motivating this.

AO3 isn't a social media site, it's an ARCHIVE for fanfiction. If you want to communicate with your following that you are planning on writing a new fic, use your tumblr, your reddit, your dreamwidth, your substack, your pillowfort, your livejournal, your bird site or whatever the fuck you have to do this. Link your socials in your bio on AO3 if you must. Mention it in the author's notes on your latest work. IDK, just don't post empty "fics" on the ARCHIVE.

[cryptidstealingyourcreditcard]

i propose a redo of race to the edge, but this time with a mature rating. imagine:

(spoilers for rtte)

actually being able to see characters deaths and wounds

more depth into snotlout and spitelouts relationship- it’s clearly not a healthy one

more depth into hiccstrid and other couples

specifically, queer couples and characters- we know gobber and snotlout are gay/bi respectively, but we never get more info on that subject

actual blood and wounds

let!!! them!!! say!!!!! fuck!!!!!

more clarification on which dragon fire hurts which dragons, and which ones don’t

blood!!

ruff and tuff clearly have things to say that are not age appropriate, let them say it

could go more in depth with the scarier side of the dragons

show the effects of characters getting wounded!!!!

just. everything about dagur.

could go more in depth with fishlegs’s anxiety?

on that note, all of the gang’s mental health- hiccup clearly overworks and blames himself for everything, astrid has obvious anger issues and pent up rage, snotlout pretends to think he’s better than everyone else to mask his cripplingly low self esteem, fishlegs 100% has anxiety or some kind of panic disorder, ruff is already canonically frustrated with being “a woman in a man’s world” and doesn’t feel appreciated enough, and tuff doesn’t seem to value his own well being very much- not to mention that he literally has hallucinations sometimes

and dagur definitely has something that causes him to be in a constant state of mania

gustav and his parents- he said his mother only notices he’s gone after the third day????

at least one person on berk has (consensually) fucked a dragon. give me some background on that.

at least half of the riders cursing like sailors

being able to show sicknesses better- the time astrid caught the scourge of odin, the time astrid got deathly poisoned, plus the time astrid went blind (astrid sure does get beat up a lot damn)

just give me all the things we couldn’t have as kids!!!! blood!!! gore!!!!!!! death!!!!!!! cursing!!!!!! gays!!!!!!!!! abusive relationships!!!!!!!!! kissing that doesn’t look awkward and forced!!!!!!!!!!!!!!! monster fuckers!!!!!!!!!!!!!!!!!!!!!! come on!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

that is all, thank you for your time

[theveryworstthing]

the last but not least of the june patreon prompts, SpaceDancer asked for a transmasc lawyer humanoid earwig and this is pretty much what it says on the tin.

"Have you been in a car wreck? Do you need out of an unfair, and frankly, impossible to survive contract with your "good neighbors"? Are you pretty sure you had a child but the memories of them and only them have been fading by the day ever since your birthmark reshaped itself into the outline of a cowbird? Do you want to sing the blues AND keep your soul? Well now you can rest easy, because your new fairy lawfather is on the case! The Golden Courts may call me a traitorous scourge who only escapes my deserved destruction through infuriating technicalities, but you can call me Eloh Pool, attorney at cross-veil law.

Lawful Good not doin' it for ya? Time to try the Lawful Best.™"

this is Eloh and he is an absolute menace. he was born in a less than savory part of the veil that's really big on deals and contracts, but instead of using his powers to settle down at a nice crossroads or wander around glamored to the gills looking for marks, he decided that loophole hunting was way more fun. there's just something about taking apart a deal with the devil that gives him a rush hustling mortals can't provide. also he gets paid. Like, Paid paid. clients usually pay with one small act or item that goes towards solving one of his other cases (much easier to source dealbreakers that way) but his opponents pay up big when they lose (mostly because none of them think they'll lose as the majority of them are gambling addicts used to rigging the game).

he's always on the lookout for a challenge and these deal makers love to brag, so if you entered some kind of supernatural deal and his card spontaneously shows up in your mailbox before it even goes into effect then you fucked up.

[netherfeildren]

FABLE OF THE DOG : 2. Sugar, Not so Sweet

Series Masterlist; Chapter: 1,

Pairing: Joel Miller x FMC

Rating: Explicit 18+

Content Warnings: Cowboy/Heiress AU; Slowburn(ish); Original Characters; Alcohol Use; Allusions to Attempted Suicide; Discussions of Grief; Daddy Issues; Parental Neglect; Angst and Fluff; Older Man/Younger Woman; Jealousy; Possessive Behavior; Brat Taming; Extremely Bossy Old Man; Past Teenage Crush; Yearning and Longing Galore; A Home is a Place but ALSO a Person!; Found Family

A/N: This is a deeply, deeply unserious chapter, and I make no apologies—I was taken away by whimsy!!!!

Apologies however, for the French people slander, I went on a truly heinous date with a oui oui baguette loser last month. I’m still working through my anger.

Word Count: 13.4K

Read on AO3

2. Sugar, Not so Sweet

They appear at the break of dawn, the young man and the boy. 

“How many heads’ve you got total?” 

Joel appraises him, the fresh-faced look, a boy just crossed over into the cusp of manhood—though he’s large and strong and earnest in the eyes. He’d be a good hire, if not for—

He glances over at the young boy sitting on the bunk’s couch, snickering quietly with Ellie as his brother tries to barter a place for the two of them. 

“Near to thirty large about now. We’re fixin’ to breed, but we’re pushin’ our limitations.”

“So you need hands,” he says eagerly. 

“We do,” Joel returns slowly, chewing on the mint he’d plucked from out front. His stomach is in knots, has been since—days and days and days ago, last night, and so much worse now. There’s a sick heat settled deep that he doesn’t know how he’ll scourge out and quick. 

“Listen, I know it’s unconventional, but—”

“Where’s his parents?” He tips his chin at the boy, and Ellie peers slyly over her shoulder at him. He’ll get hell for this later, he knows, she knows. 

“Our momma’s down south—by way of Odessa. She cowboys during the summer too, and—”

Joel sits up in his seat. “Texas?”

“Come on, Texas,” Tommy slinks behind him, sneaking an arm over his shoulder to thump Joel roughly on the chest. “Just say yes.” He lets out a gruff sound masking a cough, fucking Tommy, and leans forward, bracing his elbows on his knees.

Out of the corner of his eye, he sees Ellie rise from the sofa and leave the bunk quietly with a parting pat on the boy's head. 

“You’re from Texas, too?” The young man asks brightly, that look of hope in his eyes that Joel’s about to quash. 

“We’re from Austin,” Tommy says from the coffee pot, his mustache spreading wide over a shit-eating grin. “Southerners way up here, we gotta stay united amongst all these Yanks’,” his brother puts on the drawl heavy, and Joel rolls his eyes. Clown. 

“Listen, Henry,” he says, trying to turn the conversation back to business. He looks at the boy again, the back of the small head bent and silent and something that could, perhaps, be thought of as guilt pulses through him, but to be honest, there’s so much of that moving about Joel’s system right about now, that it’s just one more drop of poison filling his cup. It doesn’t matter. He needs to do what’s right.

For who? He can’t very well tell yet.  

“I’m sure you’re a hard worker, son, and I’d not hesitate to give you a place were we in different circumstances, but I just don’t see how this would work—”

Henry leans forward in his chair too, ready to plead his case, fight for his brother and the generously paying jobs the Kelly’s are famous for. There’s something about the boy newly turned man that reminds Joel of himself. Perhaps during that young and fragile youth of his twenties, when he’d been alone with a newborn baby, trying to figure out the whole world and himself. 

“I know it’s unconventional, but he’s a good kid. He’s quiet and keeps to himself, and it’d only be for the summer, sir. We head back down for the start of the school year. It’s difficult, but it’s harder for my momma to get work with a kid than it is for me.” He trips over his words with the speed at which he’s spitting them at Joel, trying to convince him, and he knows that the fair thing would be to take them in. To give this man a chance the way Joel had been given one so many years ago, the mercy of safe harbor. But he’s got a finite amount of goodness in him now, he’s got to save it all for only one person. There’s none left for anyone else. And Joel doesn't want trouble, he’s got enough of that around here right about now. “He’s got his books and his summer worksheets, and he knows how to manage on his own while I work. I swear, he won’t be in any sort of way. You can—”

And then, amidst the young strangers' rambling plea, Joel's heart falls through his stomach. Here comes that trouble anyways. 

“What’s going on here?” In that soft, lovely voice that haunted his dreams last night. 

All the cowboys rise from their seats at the sound of your presence. 

From over your shoulder, Joel sees Ellie’s face twisted in a grimace at him, the flash of her middle finger and then her tongue. 

“Goddamnit, Ellie,” he growls low. 

You look exhausted, eyes red rimmed and swollen—as if you’d been crying all night, and Joel’s tongue is a swollen, poisoned thing in his mouth—a husk of guilt is all he is. He swallows convulsively, trying to find his words, trying to not scream at the thought of being what’s made you cry, trying not to look down the length of you and failing. Silky sleep shorts end way too high up on the long length of those too pretty thighs, an oversized pullover with Yale emblazoned across the front, a little hole at the neck and a large dark stain marr the front of it. You’ve got on a too big robe, dark and plaid, draped over your shoulders with your hair all a mess. He can see Ellie’s trying to pull it into some semblance of a braid behind your back discreetly while you stare at him with those eyes that, and he’s being damn honest now, fucking terrify him. Those puffy, ridiculous tan boots women wear, the impractical ones that become a sogging mess in the snow or wet despite the fact he understands they’re supposed to be worn in winter, are on your feet, two mismatched socks peek out above the tops. 

He’s pretty sure one of them has bombs with a capital ‘F’ in the tiny centers printed over it. The other, some sort of Easter bunny carrot print. Absolutely ridiculous, and he can’t help it, he notices it all. 

And worst of all, in your grip is that World’s Best Dad mug you’d sent the old fucker for Christmas several years ago, a little holiday fuck you from his best daughter. It’d been one of the years he hadn’t let you come home for the winter break, forced you to spend the holiday alone at that boarding school of yours. The whole ranch had known and whispered about it, and he’d felt embarrassed and offended on your behalf, that they’d all gossiped about the girl you were behind your back when they should’ve respected you for the woman you’d become one day, the one that’d eventually pay all of their earnings. 

And the jackass had the audacity to use the mug all the time afterwards. Joel was pretty sure it’d been his favorite. 

“We were just wrapping up,” Joel says, clearing his throat, finally finding his voice. It’s almost physically painful to look at you directly in the eyes, and the heat of shame and regret claws its way up his throat at the hollow look he sees there. You’re so angry at him, and he deserves it. 

“This is the new Kelly,” Ellie tells Henry, cutting him off, pressing you forward with her hands wrapped around your shoulders. Your shorts are way too short to be in here right now, and Joel feels something else, even hotter than shame, stirring inside him. “If you want work here, this is who you need to talk to. The big boss.”

“Miss Kelly,” Henry says reverently, pulling his cap off to press against his chest. “It’s a mighty fine honor gettin’ to meet you. I was just telling your foreman here,” he motions the cap towards Joel, and he feels like a bear who’s about to rip it out of his grip and stuff it down his throat. Fucking Ellie going and snitching on him. “How me and my brother Henry travel for the summer. I’ve got letters here, I’ve worked at the King before, and have a number your man can call if he needs more references. I’ve got lots of experience and—”

“What will you do with him?” Your gaze is on the little boy, has been the entire time. Joel steps forward and over the back of the couch he sees the kid, Sam, has a comic book in his lap he’s been reading this whole time, while adults who should have no bearing on his life decide what will and will not be for him. “While you work—”

Joel looks back at you, and he knows already what it’ll be. 

Henry’s smile is wide and gleaming, putting on the charm. What he doesn’t see, what Joel does, is that bleak sadness in your gaze that he’d put there himself last night. He needs to speak with you, to explain, to make it right between the two of you. 

“He’s good at entertaining himself. I promise he won’t be in the way or nothin’. He’s got books and summer work, and he’s learning to play the guitar. He won’t be in the way,” Henry says again. 

“What about school?”

“We only travel during the summer. We’re back in Texas for the school year.” And at that, you finally look back at Joel, and his heart shoots from his belly to his throat, ready to be spit up at your feet. 

You watch him for a long searing moment, and there's such sadness there. He doesn’t know what would have been better, what would have been the correct recourse, how to make that look go away. To give you what you want? To do what he thinks is right or what should be right? He’d never thought, never considered anything like this. It’s all too much too fast, and he feels suddenly lost and childlike in the face of you and all you stand for. 

“They stay,” you say only for Joel. 

Henry lets out a whoop of victory, rushing forward to thank you profusely, but Jesse, who’s standing by the door, blocks his rush forward with a hand to his chest before he can get too close to the new boss. You’re for protecting now, above all else, it’s the unspoken word they all suddenly understand keenly. 

You stare solemnly at Joel for only a second longer, those sleep sloped doe eyes, before you’re turning without another word. 

-

“He never did a very good job of hiding the way he treated you, sweetheart. I couldn’t ever respect a man like that.” 

The cricket song is a symphony of sound around the two of you, and you’re suspended for a second, he sees it come on—a rose hued haze, and then blink-of-an-eye donning a look that spells nothing but disaster. He’s thrown off course by it for a single second, that girl fantasy glow, before you’re launching yourself at him, and then it’s nothing but a soft wet mouth, smoked fruit and fired oak, the slick of your tongue against his bottom lip as you kiss him.

You’re kissing him. 

He’s a frozen solid husk, eyes wide open as he stares down at the look on your face—something like agony. The tiny frown between your eyebrows, concentration, and a single diamond tear caught in the web of your lashes, and he can’t help but notice the soft press of your breasts against his chest, you’re not wearing a bra, before he’s shoving you back by the shoulders, scrambling to get as far away from you as quickly as he can.

His back hits the railing before he can get far enough. “What the fuck are you doing?” He spits, but can’t help but lick his tongue along his bottom lip, tasting where you’ve just been. 

His stomach is suddenly hot.

You swallow convulsively, bleary eyed look turning to hurt, pressing your palm to your belly, twisting your fingers in the fabric of your sweater there. “I don’t— I didn’t—” Your eyelashes flutter shut, closing the hurt, confused look away from him for one blessed second. You press your other palm to your forehead, gripping yourself as if you’re trying to hold your very skin together. 

What do you think you’re doing? He enunciates each word like the lash of a whip, and then licks his lips again to soften those same blows for himself. 

Something is about to go inexplicably wrong here. Something already has. A tragedy worse than the death of a father

“I just thought that—” You blink your eyes open and they’re wet, and he’s about to bark at you to not fucking cry or he’ll lose it completely, but he swallows it or loses the thought to madness. He feels incomprehensibly insane, inconceivably triggered. 

This is like nothing he’d ever imagined, and it tilts him on his axis, skews his vision, headlights blinding you in a dead-on collision. 

What are you doing—thinking?

“I— I watched you grow up. I watched you—” You take an anxious step towards him, some word on your lips he can’t even make out because his hearing has gone out, and now he’s all of a sudden deaf in both ears instead of just one. He hardens his voice further. He makes sure you understand. “This is fucking wrong, and you need to get away from me right now,” reversing his movements, taking a threatening step forward, stomping his heavy boot against the floorboards beneath so that you’re jumping, skittering backwards like a frightened little rabbit. 

And Joel, the beast, crushing her beneath his foot. 

You wrap both of your hands around the delicate column of your throat; he imagines you’re holding in your hurt sounds, and it makes him even angrier. 

“Listen to me—” he starts again. 

But you cut him off, shaking your head, the confused sleep-look being blinked away so that now it’s spitting fire that is awake and angry in your gaze. “But you didn’t,” you say. “You barely know me. We’re almost strangers.” A scoff, and then switching again to soft, to girl-like, to hurt: “And I’m all grown up now, Joel.”

“I don’t know what you reckon is happenin’ here between us. Or what you think— what you—” He looks away, can’t bear the sight of it, you, fuck, he spits, again, fuck. “If I gave you the wrong impression, I’m sorry, but—”

Then in a broken little voice grasping for straws, “But we were born on the same day,” and you say it like a question. Like it should mean more. Like, and he realizes it now, like it means the world. 

He turns back to look at you, and he feels full of everything but mercy—too much regret. “And what? What do you think that means? That we’re connected—meant to be?” His voice sounds full of cruelty. “Don’t be delusional. It’s also the day my daughter died. D’you know that?”

A blink. “What?”

“She died on my thirty-fourth birthday.” 

Again. “But… Wh—at?” Broken up word, and your chin does a little wobbling dance, jutting this way and that, and you have a dimple in your cheek that comes out when you’re happy, but also when you’re sad. When you’re about to cry. He sees it now, and starkly. 

He’s ruining something sacred. 

Joel steels himself. “Whatever it is you’ve made up in your mind about us, it’s a fantasy. Something not real that you need to let go of. Are you hearin’ me?”

“I— I think…” You won’t stop blinking, your hands look like they’re about to strangle you, and he steps forward as if to stop you or save you from yourself. “Why didn’t you ever say?”

But instead of saving, “Why would I? Why would I ever tell you that?” He does not want to hurt you, and yet he cannot help it, and Joel wonders if this is how your father felt every time he failed you—like a lesser man. “Wasn’t for you to know—it doesn’t mean the same thing to us.” That day. He makes himself clear: “Whatever child’s fantasy you’re still holding onto, you need to let it go.” 

-

He rushes out of the bunk after you, a growled, you little shit, at Ellie as he passes her. 

“Man, what’d you fuckin’ do?” She calls after him in that tone that tells him that of course she knows what’s happened. You two’ve never been able to keep a single thing from each other. Asshole! She shouts at his back as he catches up to your slowly retreating form. Your movements are sluggish, exhausted. 

He calls your name and tries to moderate his tone from being as aggressive as he feels right now. “We gotta talk.” He follows after you, hot on your heels and then jumping back like a scared mut when you spin around on your ridiculous boot to face him. 

“Speak.” It’s a high-handed tone, that one. One that says he’s the grunt here, and you the queen, that you’d both forgotten it last night, but the battlelines are clearly drawn now. There’ll be no more forgetting. 

And it’s all his fault. 

“You can’t—” His heart thumps and thumps and thumps like a pitiful thing. “You can’t undermine me in front of the boys like that. There’s a reason I was saying no.”

“Which is?”

“That the kid’ll be in the way.”

And you flinch and Joel prays for a gun to the back of the skull. Fucking Christ, but this is difficult.

“Don’t look at me like that,” he gruffs. “You know what I mean. This is hard work we do here. I don’t want the kid gettin’ hurt, I don’t want to be responsible for that. What goes on here is on me. The people who get hurt, it’s all on me, and I take that responsibility damn serious.”

You tilt your head at him in that queer, inspecting way of yours. The one he’d watched you pull like a weapon against your father so many times. He finds he hates it now, detests it, being wielded against himself. You ignore his words, “What was your arrangement here—with him? How did this work with the ranch?”

There has been that thought always, and obviously, of you as something higher, that symbol of the family or the safe haven this place has been for Joel. The not-respect he had for your father, but surely the understanding—you've always been all wrapped up in that. He's at times felt grateful for your existence, perhaps, in ways. That something as good, as better, as you could exist in the same world Joel exists in. Perhaps he’d admired you in ways, even as a young girl, for your goodness, your sincerity. But he finds now, at this look of disdain you’re wearing against him, that he hates the feeling of being less than you, of not being good enough to even stand in your presence. 

He’s done wrong, marred it all in ugliness. He’s put himself in this position somehow, by hurting you, by confusing you, by wanting—

“I do what I need to, what the ranch needs. Whatever decision I need to make, I call it and it’s on me. Monthly reports to him and that was it. He understood that what happens out here is different to what can be told and sometimes you can’t plan for certain shit. He focused on the business, I focus on the ranch.”

By wanting what?

Bringing the mug to your lips, you take a long sip, humming. It’s all a taunt. Joel realizes, suddenly, and with painful clarity, that this has all been a grave miscalculation on his part.

As uncomfortable as it is for even him to admit, you are, and undeservedly, a person used to not being wanted, used to rejection. Joel understands this with the quick fire blink of an eye. And he has, in his shock, or— or… he doesn't know—instantaneous awakening—unintentionally alienated you, made an enemy. 

I see, you murmur quietly coupled with a bitter cough of laughter that doesn’t sound anything like the sweet sound he’s used to hearing from you. Yes, a very bad mistake has been made indeed. “Well, you’re practically king here, aren’t you then? Quite the partnership the two of you had.” You smile wide, all bright teeth. 

The coffee sloshes in the mug held in your unsteady hand, and he worries there’s something stronger in there too. 

“Not at all. I’m just good at what I do.” He shoves fisted hands into his pockets, trying to keep patient. Trying not to throttle you, check your drink for himself. 

“And is this how you’d like to continue going forward? I mind my own business, and you do as you please?”

He shakes his head slow, grinds the pulverized mint between his molars, “I want whatever you think’s best. You’re the Kelly now, after all.” You get a look on your face like you don’t like the sound of that at all, and he turns to spit the greens between his teeth, coughing roughly. 

“Yeah, I’m sure of that,” you say with teeth bared, and then whipping your head away from him as if you can’t bear the sight of him a second longer. The coffee sloshes the other way, splashing against your wrist. He hopes it’s not burning you. “You know, you’ve got some fucking nerve, Joel. You—” 

The robe—all of a sudden, saturated by the dark liquid, it grabs his attention. It’s in a plaid print, expensive looking, like something you’d see an older man wearing. A man’s robe? He cocks his head, “Whose robe is that?” Cutting your tirade short. 

What? You spit, all sass, his stomach burns, turning to look back at him as if he’s gone idiotic, grown a second head.  He feels a little bit like he’s in the process of doing so—wracked with growing pains. “It’s my ex-boyfriend’s. Can you focus, please? I’m trying to have a fight with you right now.” And you scrunch your nose too adorably for him to find anything besides endearing. Certainly not intimidating. 

He grunts, displeased. 

“I know you don’t want to hear it—”

“Then keep it to yourself.” You turn, continuing on your way up to the house, coffee flies with your spin, boyfriend’s robe whipping out in your wake as he follows like a dog with its tail tucked between its legs. 

A little desperately, like a dog, too. A begging for scraps imitation game he hadn’t intended to play but feels obligated to now, and by his own doing. 

“But I want to say—about last night…”

You turn on your heel out of nowhere again, and he stumbles to not rush head first into you, to not touch you. 

The look on your face is all heartbreak. “Do you remember—when I was away at school—and I fell off the horse? When I came home with that broken arm and couldn’t get back on and you helped me? Do you remember that, Joel? How you reminded me how I was supposed to do it—”

He coughs, uncomfortable, shifting like that same scared dog. “You remember these things different than I do.” The words feel cowardly spilling from his tongue, but he should be honest. Shouldn’t he?

This is what he should be doing, isn’t it?

“I remember that you were kind. That you cared. That’s what I remember.” Your eyes are glossed again, and now it’s Joel that has to look away. 

-

“I didn’t care. It was my job to serve your father. To do as he’d want me to. It was a responsibility.”

It’s happening again. A tale like any other you’ve too often heard. You know he’s not lying, and yet everything he says feels precariously close to it. 

“Why are you being like this?” And you ask it very practically, like you really want to know, like you’ve asked the same sort of question to the same sort of figure before, and so now you’re extremely well practiced, an expert even. 

“You remember these things differently. Wrong—That’s not how I meant any of it—whatever you’re thinkin’. It was just a kindness.”

“No, but I— but you…” That’s the point, you want to say, a kindness, but the words stick. You look away again, colored in shame, can’t bear the sight of him. “Maybe you’re right,” you whisper with that very remembered kindness of your lonely childhood thrown back in your face now. “Maybe I do.”

“Listen to me—I’d like for things between us to be— I’m not… I don’t now what to fuckin’ say to you.”

“Honey—” Dina calls from the porch, your father’s assistant, now yours by inheritance, you suppose. “We gotta go soon—gotta get you ready.”

“I have things to do with Dina. I don’t have time for you—for this. Do what you want, run it how you like,” the ranch, “But the kid stays. That’s final.”

You won’t look at him again, you decide. You’ll learn to want a new thing. You’ll learn to love a new thing. 

If you had it in you, you’d laugh in his face. 

Have you been in love with him? Probably not in any way that could’ve been called mature, it was the girl-fantasy of a neglected child latching on to a man who’d always seemed nothing but steady and kind.

So you’ll learn to grow up now, no choice left in the matter, let the fantasy go.  

-

Despite your desire for debauchery and the three days of bad behavior you’d promised yourself, you’ve got shit to do. 

An hour after your ridiculous non-conversation with the ridiculous man, you and Dina are stepping back  out into the summer sunshine when your phone rings with a call from another ridiculous man for what promises to surely be another even more ridiculous conversation. 

Jacopo.

You’d met through the friend of a friend at the party of someone or another in Monaco. Come from an Italian mother and a French father, you should’ve known he was going to be an arrogant asshole from the get go, but he’d been beautiful and momentarily distracting—things you knew you didn’t really want but told yourself would suffice. Really, all he was, was boring, the same as everyone else, wanting something from you without having to truly return anything in full. 

Jacopo the jockey—sounds like a goddamn cartoon. 

You liked to call him Jack, like he were the same sort of plebeian he saw all Americans as, and which he absolutely loathed with the sort of passion only an uppity French man could possess. 

In the distance, you can see Joel, Frank and Bill propped up against the corral watching as Jesse runs Ellie atop a gorgeous chestnut Quarter. Sometimes she likes to compete, when she can get Joel to stop complaining about it for a second. 

Dina makes her way towards them, “Tell them we’ll take the Ghibli,” you call after her to which she throws a thumbs up. At the sound of your voice he peers over his shoulder, finding your eyes immediately, catching there—fish on a burning hook. And then turns full around, leaning back to rest his elbows on the iron grate as you take French boys call, settling in to watch you. 

“Hi, Jack, sweetie. How’s it hangin’?”

“I do not know what this means.”

Bore. “What do you want, Jacopo? I’m busy.”

“My love, we must speak. I have heard of your father. You should have call me, I will come to be with you now. Tell me where you are.”

“Why the hell would I want you to come be with me? We broke up. Remember?”

Joel watches you as the French idiot prattles on about how he loves you and how you need him and how the two of you belong together, blah blah. Odious man, you don’t know how you ever let him inside of you. 

Across the lawn, he isn’t looking away, and his gaze burns where it touches. You feel—humiliated, hurt, rejected, so angry it’s a physical ache. 

Not surprised. 

Perhaps in some way, his rejection was what you’d wanted, had been looking for. Perhaps, it was your subconscious search for the easy way out. Because, and really, what else had you thought would happen when you’d thrown yourself at him half drunk? That he’d suddenly stop seeing you as the child he’d known you for always, take you as a woman, want you, fuck you right there on your newly dead father’s front deck?

Ridiculous.

You can’t even think about the birthday—about her. It’s a snipped lifeline, a crushed tether. 

“Cherie, I must tell you I am feeling very neglected now by you. You don’t call. You do not love me no longer, or what is the problem?” More nonsense and really, this fuckin’ guy needs a boot in his ass pronto. 

And the one still watching you—something even worse. He’s got his mangy brown cowboy hat pulled low over his brow, the one for the ranch, not the lovely dark one for escorting orphans to the funerals of dead fathers, and his jaw works the mint leaves you know he’s got between his teeth, slow and steady. You should hiss at him. Instead, your tummy smolders with heat and butterflies.

 Stop looking at me, you horrible man, you want to shout. 

Humming and hawing at the annoying voice coming through the phone, you smooth your palm over the silk of your dress. You’d wanted to look nice today, your first Kelly meeting. You wanted to look better than you feel, which is like shit, quite frankly. 

There are tiny green paisleys patterned over the deep blue of the dress, a shock of dark red maroon for the cashmere knit of the cardigan tied over your shoulders, and a little silken kerchief wrapped around your throat, something from your mother’s things you’d gone through last night after Joel had ordered you to bed with your tail tucked between your legs and tears in your throat. 

Twenty four years later, and your father still had all her things preserved in their bedroom as if she’d only stepped out for the afternoon. A veritable mausoleum right there in your house-not-home. 

You’d never even stood a chance. 

-

He watches you begin to pace across the deck, but the look on your face tells him you aren’t quite listening to whatever it is the person on the phone’s saying to you. 

The gold and silver bangles that slide around your fine boned wrists jingle a song of temptation. Siren song, bird song, death march, something he’d follow with blind eyes, recognize deaf. And heavy gold and jeweled rings along your fingers that shine almost as bright as the spilled silk of your hair. Swathed in shades of jewel, you’re all woman, done up and ready to go out and devastate. 

He doesn’t know how any man could ever look at you and not want you. 

He doesn’t know how he’ll ever be the same from here on out. 

“Who’s she talkin’ to?” He asks Dina, tipping his chin over at you. He can hear you raising your voice, something about you fucking French moron, and he doesn’t like the hunch he’s got about who it is.

“Boyfriend,” Dina says while she watches Ellie work the horse with hearts in her eyes. 

“Thought he was an ex.”

She peers up at him suspiciously at that, a queer little smile tipping the corners of her mouth upwards. “Well maybe now that he knows how much she’s worth he’ll be coming back, huh?”

Joel swears all these fuckin’ women are conspiring against him, trying to send him to an early grave. “He steps foot on this ranch, and I’ll shoot him in the goddamn ass.”

She laughs, throwing her head back which inevitably draws Ellie’s attention. “You are literally so dramatic.”

“What’s he bein’ dramatic about now?” Ellie calls from behind, trotting up to the corral edge. 

“Ohhh, nothin’. Just Joel being Joel. Right, old man?” Dina bumps her hip against his and he grunts, refusing to be goaded. He’s not being dramatic, it’s his responsibility to take care of you now, to watch over you. 

That’s all.

“I’m never dramatic,” he tells them very seriously. 

On the porch, the spat reaches a crescendo and they all turn to watch the show. 

Why don’t you shove the whole Eiffel Tower up your ass, you fucking dipshit. And don’t you ever call me again!

“Little girl’s got a mouth on her,” Bill murmurs. 

Ellie lets out a long whistle. Deserved, Dina adds. On the porch, you let out a strangled little screech, stomping the high heel of your boot as if you’ve got half a mind to throw a fit. 

Joel feels hypnotized, speared through the gut.

He wants to know what the ex-boyfriend said. What his name is. Where he’s from and who he is and what he does and how he is and every single thing about him and how it was between the two of you. 

He is suddenly desperate to know everything there is to know about you in a way that makes his throat feel swollen with guilt. In a way he didn’t ever think he’d want from you. 

All the things you keep close, all the small intimacies that make you this person you are now, that’s what he wants. 

You stomp down the steps, making your way towards them, eyes directly on his, and you’re too fucking beautiful for his own good, watching you feels like a sin. 

Makes him feel in danger, like prey. 

“All men should die,” you yell over. 

See. 

“I agree,” Dina says cheerfully.

“You know you can have a baby with the junk in your bones from another woman now,” Ellie adds helpfully.

“The junk in your bones?” Joel says. 

“I don’t think that’s true.”

“Yeah, like really we don’t even need you for shit anymore.”

“They should all be put in a hole in the ground in the middle of Nebraska and only be let out when a girl wants to bone.”

“To bone—Jesus fuckin’ Christ, Ellie.”

“I love that idea,” you say, finally coming to stand right before Joel. He swallows hard, stays silent—feels like the cat’s finally caught his tongue. 

“Why Nebraska?” Franks asks, puzzled.

He’s got to stop looking at you, he’s got to get away from the sight of your eyes, feels like the colors of you seem to pulse brighter, and he feels it all like a touch against his skin. He turns to look at Ellie over his shoulder and with a huge, shit-eating grin she says, “Cause who the fuck knows where fuckin’ Nebraska is, huh?” Her eyes flash to you and then quickly back to Joel, winking, cheeky, knowing. He feels the noose tighten.

They’re definitely conspiring against him. 

The three of you cackle—at his expense. 

“Where’re you two headed?” Bill asks with a frown when the three little hyenas settle. 

“She’s got a meeting in Jackson,” Dina tells him. “First part’ll be quick—she’s just gotta kick some pushy jackass to the curb and tell him we’re not leasing mineral rights to him no matter how hard he begs or how much money he throws at us. Then…” she trails off, throwing you a worried glance, but your eyes are on the far off mountains now, and Joel watches a shaky swallow pass through your throat.

“Then we’ve got the will reading,” you say. 

A sharp ache starts up behind Joel’s left eye, all the easygoing laughter of a few moments ago sucked away with a few words and a single reminder. That you’re not the girl you used to be, laughing and playing with Ellie, that your father is dead, that you have a world of responsibility to face now. 

“You shouldn’t have to go all the way into town. They should be comin’ to you here.”

“I want to get out—see his office.”

“S’only been a few days, honey,” Frank says gently. “You should take it easy.”

“Thanks, Frank,” you reach out to squeeze his arm, flush of emotion across the bridge of your nose. “I’m okay, promise.”

Joel takes you in, in full. You’ve got something shimmery swept across the highs of your cheekbones and glossy lips, the fine grain of your skin—pristine like you're made of sugar and everything good in the world. The silky wisps of baby hair at your temples that look softer than anything he’s probably ever touched in his whole life. And you’re so beautiful it almost hurts the eye to look at you, beautiful in a way that makes men cower at the sight, like you’d be the strongest thing in the whole world. But he sees all the rest too. The delicate curves of your shoulders, the fine swoop of your collarbone and the quick-fire beat of your pulse beneath the fragile skin of your throat. There’s fear all around you in a way, a desperate sort of sadness. 

He wishes there was more he could do for you, that he could bear the burden of all this entirely in your stead, that he could be all you need and want him to be without having to sacrifice his soul to give it to you. 

Your eyes flash back to his, and he worries for a second that you can read his mind. 

Behind you, Jesse pulls up with the sleek black of your father’s favorite car. Of course you’d choose this for today, bets you’ll find a way to turn it into a pretzel before the days end. 

“Take Jesse with you,” he says low at your back as you turn for the car. 

You look over your shoulder at him and his spine throbs. “No.”

Following you around the front of the car, he pulls the door open for you. “You’re not moving around alone anymore. He’s going. Jesse—” he whistles, “You’re going into town with Miss Kelly.”

“Yezzir,” he smiles with the sunny easiness only he possesses.  

“Excuse me,” you turn to frown up at him, stomping your foot again, and you’re a little bit of a brat, he’s realizing. “There’s no room in the car for him. He can’t come.”

“He’ll take a truck,” he says, leaving no room for discussion, but then gentles his voice again, “Things are gonna be different now. You’re the Kelly, you can’t go on all gung ho about your new reality. You need taking care of. Can you not fight me on this, please?”

“What I need—”

“Is to be protected.”

You give a delicate little huff through your nose that he finds to be just about the cutest damn thing he’s ever seen in his whole life. “Then it’ll be my choice how and who.”

“It’s easier if you just do as I say.” Grasping, grasping, praying for patience. 

“You overbearing d—”

“You’ll be okay meeting this jackoff? Don’t need me to come with you?”

You glower at him.

“I’m bein’ serious with you. I know you’re capable,” he puts his hands out, palms up in a conceding gesture, “But this is new, and there’s no shame in asking for support.”

At that, you get a confused little pinch between your brows, softest rose shaped mouth he’s ever seen—felt—all pursed up, and he thinks it’s wrong now, trying to be sweet to you after last night, looking at you this way and seeing the things he’s seeing. He should stay away, go away forever, find a hole in the ground in the middle of nowhere to bury himself in like you’d said, but he worries now, and quite desperately really, that he won’t ever be able to leave your side again after all this. 

“I have Dina.”

“I know, but—”

“Can you please just… not. I think— I think it’s better if we just steer clear of each other. If I need something,” you look away now, hazy look from last night back in your gaze again, like you’re remembering, like you’re wanting something else he’s not willing, not capable of giving, “I’ll ask for it. Otherwise you can focus on what’s important to you.” 

Gut punch. 

He soldiers on, can’t help it.

“You feelin’ alright?” 

Your eyes flit back to him for a fleeting second and there’s honesty in your gaze now, maybe something extremely vulnerable too, and then shuttering again, looking away again. He’d demand your gaze if he had the right, insist you tell him everything there is to know with just your eyes if you were his. 

But really, he’s got no right to ask anything. 

So instead, “Tell me what’s wrong,” he begs, praying you don’t say him. 

What’s wrong? A laugh and—nothing. Like your father isn’t dead, like he hadn’t hurt you as he had last night, like you’re looking for answers etched into the mountains or the sky. You bring your thumb to your right temple and his own aches in response, digging there for some unseen pain to be gouged out. “Tired—was having bad dreams.” Your voice sounds full of air, and you’ve got a huge emerald on your ring finger, an even larger turquoise stone beside it, other hand is covered in a row of opals—you’re a treasure of a girl, all the way inside and out, and it’s like he’s staring at a work of art, knowing that if he were to touch, it’d all be ruined. Your voice full of air floats in his bad ear and booms out the good one full of forlorn want. 

It feels like you’re the only two people left in the whole of Wyoming, standing here together under the sweet sun, maybe the whole world, and he’s ridden in guilt, wants to tell you he’s sorry again, beg or something, and thinks that God should give you the chance to rewind time when you’ve made someone feel this bad without meaning to. 

You whisper at the Tetons, and he’s all but forgotten, “I feel a little bit like I’m the real nightmare.”

“You couldn’t ever be, sweetheart,” he tells you and means it with his whole heart. 

It’s all agony swimming in your eyes, and if you don’t stop him, he’s going to take you into his arms right here in front of everyone. You need more than protecting, it’s clear, you need caring for, you need loving—the sort of something he can tell you’ve never had in your whole life. 

“Ready to go, honey?” Dina calls from the other side of the car, her canoodling with Ellie finally come to a pause. 

You’re snapped out of your reverie, looking down at your feet, impractical boots again, these ones sexy and tall and not for his admiring, blinking away the wash of heat that’s bloomed across the bridge of your freckled little nose. 

“Did she eat?” He asks Dina over your head.

“Ehhhhh, but I brought a smoothie,” she pulls out a thermos from her large bag and smiles all beaming and large. 

“A smoothie ain’t food. Get something else in town.”

“You're so prepared,” Ellie sighs dreamily beside her. 

“You’re annoying me,” you grouch at him, tossing your bag into the backseat, sliding into the luxuriously leathered interior as he shuts the door gently behind you, bending down to brace his palms against the open window. 

“Drive careful. Call me if you need anything.”

“You’re kinda a helicopter mom. You know that, Joel?” Dina tells him with that sweet smile of hers. 

“Do not entertain his nonsense,” you snap. 

“She’s just grumpy because Vogue France posted a piece on her and the funeral—the heiress to watch, they’ve called her.”

“I don’t know who they think I am—Kendall fucking Roy? This isn’t HBO, it’s my goddamn life.”

“It’s fine, drink your smoothie, here,” Dina soothes. 

“I don’t got a clue what any of that means,” Joel says. “And do up your belt,” frowning at you and pulling away just in time when you speed off with half the admonishment still on his tongue 

-

The bar is loud and sweaty and crowded enough there’s room for your spite, which he knows, is all this night out is. 

The day had gone from terrible to horrible to heinous, and he’s officially reached his limit now. You’d returned from your late morning in Jackson toting a gray cloud that’d settled over the entire ranch and everyone in it. All work had come to a slow and grinding halt, the mood morose, knowing that the lady of the manor was grieving and angry. 

And then a few hours into the evening, you, Ellie, and Dina had spun into the bunk, already giggling on drinks he was certain were too sugary and way too strong to end in anything good. Looking to rile up the boys into heading back to Jackson and finding a bar to terrorize. 

And so here he now finds himself, stepping through the door of The Mushroom, ridiculous name for a bar if anyone asked him, eyes searching for the gleam of your hair, that tiny fucking outfit you’d draped yourself in. You were hunting for trouble, to aggravate him, trying to hurt him with your, you’re not invited, Joel—no one wants you to come.

Angry, angry as a spitting fire. 

He’d felt like shit about himself and your upset for a second, and then had thought: Well, are you going to cowboy up, Joel? Or just lay here and bleed?

Now, there’s something sick in him that wants more of it, to take everything you’ve got to give, to see how far you can go, to push you just a little bit further too.

A masochist, is what he reckons he might actually be.

He finds Ellie’s bent head whispering into Dina’s ear, giggling and dragging her fingertips up the other girls bare arm, and he feels a thump of fondness for the two—happier than he can say that they’ve finally worked it all out after months of their will-they-won’t-they struggle.

Making his way over to them, he catches Frank in the distance, dancing to the countryfied Abba cover of Chiquitita the local band’s currently playing while Bill stands nearby, serious and menacing, keeping anyone from getting too close to his partner. 

No sign of you, and the backs of his knees itch and burn. 

“Where is she?” He demands when he reaches Ellie at their place against the bar. 

“Oh, dude. She’s gonna be soooo pissed.”

“Where, Ellie?”

Get you anything to drink, sugar? The bartender calls and Joel shakes her away, panic thumping in his gut the longer he doesn’t have eyes on you.

Dina knocks her head towards the end of the L-shaped bar, closest to the throng of dancing patrons, and there in the last seat and partially obscured by someone’s shoulder and ridiculously feathered hat, you sit. 

“Who the fuck is that?” 

“Can you please just leave her alone. She needs to blow some steam off.”

“Yeah, Joel, we’re watching her,” Dina adds, always the peacekeeper.

Or blow someone, Ellie adds in a snicker, and he gives her a death glare. “You need to quit the asshole act,” she tells him, purposefully thunking her beer hard enough on the bartop that some of it sloshes over the lip of the bottle onto his hand braced against the edge. 

Real mature. 

“Changed my mind,” he tells the bartender when she heads back their way, “Shot of Jameson.” 

Beside him, Jesse appears, beer in hand as he leans against the bar to watch you also. “That might just be the most beautiful girl I’ve seen in my whole life, honest to God,” he sighs wistfully. 

Joel sees red—this is just too much. “Quit fuckin’ lookin’ at her,” he snaps. 

Ellie snickers knowingly, and Frank and Bill join the group, picking up on the topic of conversation. 

“That little girl can drink a grown man under the goddamn table,” Bill says. 

“And looks good as hell doing it too—”

“Eyes off, you little shit,” Joel sends a threatening glance at Jesse again. 

Ellie ignores them both. “He’s a finance bro or some shit—from New York—here to play cowboy dress up with the group he’s with. Nothing I can’t handle, and you need to cool it and leave or have a drink and let her have fun.”

“She’s vulnerable right now, Ellie—”

“Yeah, you would know.”

Joel’s turn to do the ignoring, “And she needs someone to watch her back.”

“I’m fuckin’ watching it, man. You’re so annoying, and I’ll have you know that—” The fucker’s got a thick lock of your long hair trapped between his probably manicured fucking fingers, smoothing it between his thumb and index and then looping it around and around, drawing you in closer.

Joel’s about to start howling.

You’ve done something to him, knocked something askew inside him, and he needs you to set it back to rights. Let him out of this saw trap he’s been caught in. 

The man says something that has you throwing your head back in an overly eager laugh, loud and melodic in the most hypnotizing sort of way, meant to draw the eye or seduce or send his gut to twisting and aching. 

Ellie’s saying something about how you need to have fun, how you need to find yourself, and all Joel can think is that he can be the one to give you that, to help you do all that while still making sure you’re alright, taken care of. 

Over the wannabe cowboy’s shoulder, he sees your eyes land on him, and you give him one of those serenely beautiful smiles he knows means he’s about to lose his fucking mind and cause a scene. 

A provocation of a smile is what it is. 

You cross one long leg over the other, a flash of hot pink his eyes can’t help but flash to beneath the obscene hem of your skirt and lean in to whisper something, glossy lips right at his ear, and a tick starts up below Joel’s left eye. The fuckwit pulls you in closer, and you tip into him, hand on his shoulder—your eyes never leave Joel’s, and then you’re pulling him off the barstool and leading him into the throng of dancing people. He’s desperate to know what the back of your hot pink underwear looks like—string of lace wedged between the cleft of your ass, or silk wrapping around the full cheek like a perfect present? The man pulls you into himself, spinning you around, and you’re made up of blues and purples and pinks, shimmering like something that shouldn’t exist here amongst all the rest of them. Slinky little top made of silk like water and sparkles, your cheeks, flushed with drink or heat, but he’ll tell himself it’s because of him, because you’re still angry at him, thinking of him, and it soothes the tempest that’s brewing in his gut. 

He spins you towards himself, the man Joel’s about to beat senseless, shooting the Jameson without really tasting anything but the insane jealousy souring to irrational fury on his tongue, it pulses in his throat once, twice, and the fucker tugs you into himself again by a handful of your ass in that too short skirt and sticks his tongue in your mouth. Joel slams the glass on the bartop, not seeing red anymore, something like dark spots now, he’s so fucking pissed off. 

Ellie yelps his name, her and Jesse scrambling after him, but they’re too late and he’s there already, pulling you away, and gently because he might be feeling a little bit like a demon right now, but he knows what you are and how to handle you no matter what—and slams his fist into the fuckers nose, the satisfying crunch of broken bone and a pathetic cry sounds as he hits the sticky bar floor. The people around peer over in nothing more than mild curiosity, this is a cowboy bar after all. 

He watches the man for a second, making sure he stays down, and then turns to look at you and isn’t at all surprised when he finds that look of victory on your face. 

“Ready to go?” Voice all sweet innocence. 

You’re going to kill him. 

Spinning around on the toe of your boot, the hem of your little skirt flutters with your movements and he catches a flash of cheek, mystery of your panties still unsolved. 

“You’re a real dumbass, you know that?” Ellie snarks as they pass the group of them. 

He chooses to ignore that observation. “Don’t stay out too late. And let Bill drive back.”

Following you out into the night, he tries to take control of himself, to lie away the heat he feels sitting heavy in his stomach. 

He wishes he had a mint leaf to pulverize between his molars, he wishes he could pull you over his knee and spank your ass for being such a bad girl. And looming behind you, he knows you’re not even a little bit intimidated by his size as you dance and prance across the parking lot towards his truck.

“I know you’re ticked off because of last night and today, but you can’t lash out just because you’re angry with me.” 

All he gets in response is that head-thrown-back wind chime laughter—the real one, which is something. 

“You need to stop misbehaving,” he breathes down your neck.

“Hmm, I don’t think I will,” you singsong. 

“Are you drunk?” Refusing to be distracted, he’s going to stand strictly on business, he promises himself. 

You spin around again—always catching him off guard and pissing him off—hooking yourself on his shirtfront, pulling yourself into him like you’re trying to dance some fucked up dance he doesn’t know the steps to. 

“Not at all.”

“You need to not be touching me right now,” he warns, the threads of his control dangerously close to snapping, walking you backwards without putting his hands on you. Chest to chest, he feels like he could breathe fire if he really set his mind to it. 

“Yes, sir,” you say sweetly, dragging your palms down his chest and belly before letting him go, skipping ahead of him, humming an off-key rendition of whatever kitschy, poor excuse for a country song they’d been playing at the end in there. 

The even poorer excuse for a skirt bounces along the curve of your ass, driving him fucking mad—he’s goig to have a heart attack, he’s middle aged, he can’t handle this shit anymore—you. 

Stop that, he growls.

“God, you don’t like anything—you’re no fun,” you pout. 

Coming to the truck, he yanks the door open for you. “Get in the damn truck.” And he makes sure to turn away and not ogle your ass as you hop in, his palm hovering in the vicinity of your elbow if you need him. 

The prospect of an hour and a half of the dark drive and the scent of your musky sweet perfume and sweat soaked skin has his heart pounding. When he pulls his door open, you’re turned in your seat expectantly waiting for him, folded knees up on the seat and pink triangle right there to taunt him. 

“Sit right—put on your seatbelt.”

“You’re so bossy.” An exaggerated sigh and your voice is so fucking sassy, a tiny bit of a needy whine threaded through it, he feels his patience snap. 

Grabbing hold of your damp cheeks he squeezes hard enough to force your full mouth into a pout and giving your head a little shake he says, “And you need managing, little girl. Put your fucking belt on, or I’ll put it on for you.”

Eyes all pupil and gone blurry, you lick your lips and he can smell the sweet fruit scent of your breath. He groans, pushing you back—mistake, mistake, putting his hands on you at all—and peels out of the parking lot, and he is not hard in his jeans for you. 

“Are you mad at me?” You ask after several moments of forced silence. 

“No.”

“Not even for last night?”

“I don’t want to talk about that.”

“Why not?”

“I thought you didn’t want to talk about it either.”

“Well, now I’ve changed my mind.”

Jesus, he mutters. “There’s nothing to discuss—already told you what I think and how it’s going to be and that’s final. You need to let it go, you hear me?”

You give a little groaning screech through your clenched teeth, turning away from him, still not wearing your goddamn seatbelt, never doing as he says. 

Toeing your boots off roughly, the little skirt hitches high enough on your thighs he catches a glimpse of the smooth glowing skin of your hip, eyes trying to watch the road and your thighs at the same time. 

“You’re horrible,” you say through a grimace, but your voice cracks a little bit at the end, and you’ve still got your face turned away so that he can’t tell if he’s made you cry or not now. 

“Are you cryin’?” He demands.

“No,” you sniffle, wiping your cheek on a lifted shoulder 

“Yes you are, liar.” Fuck—fuck, fuck.

“Well you’re bein’ mean,” you whine, finally turning to look at him again, and you’re all rose glow, cheeks flushed and eyes glossy, lips red as a cherry. 

No man should be tested like this. It’s wrong—unnatural.

He tries to gentle his voice and steady the pounding of his heart, pressing down on the gas, wishing the road would disappear from beneath the tires of the truck and that he could have you home and away from him already. “Not bein’ mean, sweetheart. Just—just…” He sighs, “Goddamnit, just don’t how how to handle you,” he curses, losing the grasp on his gentleness. 

“See—you are angry with me!” A tear slips down your cheek, and Joel’s mouth waters. 

His heart kicks up another notch, hypnotized, “You make me fuckin’ crazy—is that what you wanna hear?”

“Yes.” You turn full in the seat to face him, bent knees against the center console block his view of the apex of your thighs. Fucking Christ. 

“Sit right. You’re flashing your bits,” he tries and fails to focus on the road. 

“Yeah, that’s ‘cause I want you to see them, stupid.”

Jesus. “How much did you have to drink?” 

“Only one High Noon.”

“The hell is that? And quit lookin’ at me like that.”

“Like what?” Your knees shift against each other, and he’s gripping the steering wheel so tight he feels like he could rip it out of the dash. 

“You fuckin’ know like what.”

“Well if you hadn’t been such a cock block earlier, I’d be looking at someone else like this right now.”

And the teasing is too much. The bare legs and the tiny skirt and the hair and the lips and the sound of your voice, the kiss last night replaying in his mind over and over and over again like some lovesick taunt, the look of hurt he’d put on your face and the idea of you bare and slick, taking some other man that isn’t him. It’s too much. 

He jerks the truck roughly onto the road shoulder and into the grass, wheels spinning and gravel flying. Joel—you squeal, being jostled in your seat so that all he can see are soft thighs and pretty tits bouncing in his peripheral. He puts the truck in park, ripping his seat belt off, reaching over to tug you roughly forward by the nape, his fingers twisting in your hair in a hold he knows is too hard for something so delicate, his other hand grips below the bend of one knee squeezing hard. 

“If you think I’m gonna let you spread your legs for anyone fucking else—” he growls.

“Anyone else?” You laugh in his face, eyes spinning with something a little maniacal.

He thought he’d been worried for his soul, that taking you would be the undoing of everything he’d tried so hard to mend back together after Sarah. And really, he had tried so hard—to be good, to be better, to atone for all he’d not done before her, all he’d done after her. He’d tried to make himself into something that was respectful of her memory and the second chance Kelly had given him. 

But right here, and again because anytime he looks at you, is within a mile of your vicinity, it feels like you’re the only two people on the whole goddamn planet, he doesn’t think he really gives a fuck for being good or atoning or souls at all. Not even a little bit. 

He follows your lead from last night and kisses you, is sure to take your tongue this time. Forcing his thumb and forefinger between the line of your molars, he presses down hard enough to hurt the baby soft skin, spreading your jaw open wide so that he can lick into your mouth deep and wet. He wants to scare you, cow you, intimidate you into behaving with this hunger that seems to swallow him whole—remind you that he’s let you have your fun thus far, but the both of you know who’s playing games and who’s not. 

You let out a shocked little gasp onto his tongue, fingers twisting in the fabric over his shoulder, and he tightens his grip under your knee, tugging you just that little bit further forward, and when he pulls back to look at you, spit slick, swollen mouth and wide eyes, tits about to spill out of your top, you push his face away roughly, dragging your nails down the skin of his cheek with a tiny snarling growl. 

Spoiled little brat.

“Don’t be fuckin’ childish,” he snarls back, and pulls you roughly over the console and into his lap. 

“I can’t stand you,” you pant, settling above him, coming in to kiss him again, and he can’t deny it anymore. He’s hard as fuck for you. 

You moan into his mouth, high and throaty at the same time, girlish little sigh at the end that has him gripping your hip tightly, trying to stop himself from thrusting up against you.

“Can you taste him?” You lick his tongue. “He kinda looked like you, didn’t he? That’s why I chose him.”

“Shut the fuck up.”

He’s going to stop this now, at any moment. He’s going to push you away and tell you this is wrong and that the two of you can’t do this. 

Instead, you wrap your arms around his neck, pressing your tits high against his chest and grinding your lace covered little cunt against his cock. 

He groans into your mouth, pushed straight over the edge and free falling, cupping your ass to lift you off of himself a little bit, he just needs a second, before he takes a breath and presses you back down harder, rolling your hips against his lap. Little animal sounds, an ah, ah, ah and an oh, coupled with his mewled name. Cupping the soft of your ass in the palms of his hands, his calluses scrape against silken skin, and you fit him as if he’d dreamt you up just for himself; perfectly lush curves he can squeeze as hard as he wants because you’re not getting away from him now that he’s caught you in his snare. He drags his fingertips up the roundness of your asscheeks, and the mystery’s solved, it’s a thong. Catching the lace between his fingers he pulls the flimsy string upwards and tight against your pussy, a pained moan when he pulls even harder, making sure the fabric digs against your skin.

He knows if he cups you there you’ll be wet for him, for him, no one else but him. Knows he could bend you face first over the console, pull the soaked lace aside and suck on your wet little clit, make you come in his mouth. 

“Fuck, baby,” he groans. 

Joel, Joel, Joel, you hum in a dream voice. 

He can feel two little dimples at the low of your back, imagines what they’d look like with his thumbs gripped there as your ass takes his cock. 

He can’t say it enough—he feels fucking insane. 

“Touch me,” you beg, sliding and pressing against him, long hair like water slipping all over and against him too. 

Oh my God, he whisper moans when you spread your knees as wide as the seat allows, rocking your hips in short little hitches against the ridge of his cockhead. He knows your little clit is right there, cunt a knot of indescribable heat against him, and you pull your mouth away from his, letting your head fall back, hair a tangled curtain. He drags his nails back down your ass hard enough he hopes he’s leaving marks, leaning forward to lick along the salt tracks of your tears, watching you use him. 

“Do not fucking come,” he orders. He can’t—he can’t watch you do it and not be inside you when it happens, and the two of you absolutely cannot take this that far. 

He pulls your hips up again, forcing your movements still and you huff at him, whining. 

“We gotta stop.”

Noooo. “No, Joel. Please,” you cry, trying to pull yourself towards him—your mouth is so swollen—trying to escape his hold and get what you want for yourself. 

Grasping at the last vestiges of his sanity, “Fuck— No. No more.” He lifts you off his lap and back into your seat, sitting back to press himself against the door and adjusting the throbbing erection in his jeans, so hard it’s making him a little nauseous. If he doesn’t stop, he’s going to stuff his cock inside of you right here and now. He tucks the thick head up under his waistband, trying to find any sort of momentary relief. 

There isn’t enough oxygen in this truck. He needs air, space, to taste you. 

“Fine,” prim little nose in the air. You stretch one leg out across the console to dangle over his groin and let the other drop to the cab floor. “That’s fine—I’ll just take care of it myself then,” you tease provocatively, fingertips dragging up the inside of your thigh.

He shoots forward to stop your movement, gripping your wrist in a vice—baby bird bones beneath his fist, and you moan at his touch like the little wanton he’s coming to realize you are, writhing in your seat. “Don’t you fucking dare. I swear to God I’ll put you over my knee.”

“Jokes on you, I’d like that shit,” you sass back, ripping your wrist out of his hold, little socked foot kicking towards his face. He catches it, holding it in his grip and squeezing. “And I don’t really care if you’re not mad at me because I’m mad at you.”

“I know you are, sweetheart,” and the mood changes, smolders into something more serious, more honest.

-

“Why didn’t you go today? The lawyer asked you to—” You’d wanted to find him as soon as you’d gotten home earlier, demand he give you an explanation. Cowardice had won over that desire, and going out to find a drink and a replacement man had seemed the easier alternative. 

“Wasn’t my place.” Spreading his thighs wider in his seat to accommodate himself, he presses his hips forward, and you can make out the heft of his cock beneath his jeans—your belly twists all full of heat and bubbles. 

“Did you know he was leaving you something?”

He laughs a bitter bark of a laugh. “No—never thought—” the words die in his throat and he stares out the window, lost to the memory of your father. “No, I didn’t think he was leaving me anything before I got the call.”

“It’ll make a good nest egg.” 

“Don’t want it.”

He won’t turn to look at you now, and you know that this conversation in the aftermath of touching you shames him. 

“You’re taking it. You don’t have a choice.” His eyes flash fire at you and then flit away. “He had all your banking information, it’s probably already there.”

Fucking Christ, he spits the murmured curse, bracing his elbow against the curve of the steering wheel, cupping his palm over his mouth as if to keep his anger and frustration in. The bulge of his bicep beneath his dark hoodie distracts you for a moment. 

You’d spent enough time watching him over the years that you’d learned all the things you knew he tried to hide in plain sight. That gentleness, that patience, that heart—that he is an inconceivably good and honest man. Things that are ultimately impossible to hide. 

Your eyes flash to the temple where a gristle of scar tissues is slashed across his skin. The meaning behind a scar like that, coupled with his bad ear and his green eyed photograph—it’s hard to hide. People can always tell when you’ve tried to kill yourself, you know. 

Which all goes to say—and you’re quite certain of this—that yes, the two of you are strangers, in ways, but in others, or in your own way, you know this man. You understand his nature. You know he wouldn’t have ever wanted it—that he does not want it and never will. He isn’t the sort of man who’d ever look a million dollars in the eye and feel moved by them. 

His humanity means more to him than his life, you’d heard Tommy say about him once to your father when you’d been an eavesdropping little girl. You hadn’t understood at the time, but now you do. 

The dark pullover and jeans, incongruously boyish, the scuffed boots—he’s so himself and so fucking hot and you want him so, so badly, and looking at him sitting here now, gorgeous, hair mused by your fingers, and your slick smeared across his jeans—you look down at your own twisted fingers in your lap, a little ashamed now too—and you can’t fathom why or how he’d ever look at you and feel moved by the likes of you either. 

You’re ashamed that you’re even angry at him for it at all, resentful of this gift your father has given him when really it is not only resentment, maybe not even truly that at all. More so, it’s a complicated mixing pot of feelings that these two men seem to have always been twisted up into knots together inside of you. Resentful, not because you don’t want him to have it. You want him to have everything he deserves or could ever think to want and more, but perhaps, because this was the final nail in the coffin scrap of proof that your father had cared about him in a very real way that you’d never experienced—in a way that was entirely Oswald Kelly’s own choice and not because of dead mothers or obligation or legacy. 

“It’s good he left it for you,” you say gently and mean it. 

He looks at you out of the corner of his eyes, looks away, from under the cover of his palm says, “S’not fair to you.”

“It doesn’t have anything to do with me. This is about you and you deserving this, and I’m glad he gave you your due. He should’ve left more.”

His eyes flutter shut, sighing deeply and shakes his head. “You’ve made me into something I’m not. You need to see that.”

“You’re not some sort of cautionary tale, Joel.”

“You don’t know a thing about it,” voice like he could he angry but is being very careful to remain not. “You don’t know the things I’ve done, the reasons why I came here. You should look at me and see nothin’ worthwhile.”

“My father saw something,” you argue. “You let my father see that something. And I do too, no matter what you say, no matter what you do or how hard you push me away; I’m used to it, and you won’t change my mind.”

He gives you a look like you’re hurting him, like your truths hurt him. “We’re goin’ home. This is enough,” he gruffs, pulling the truck into drive again and peeling out of the grassy knoll. 

Fight dying in your throat, you feel suddenly exhausted, shivering coldly, belly an ember of unsated lust, your orgasm is tight and wet between your legs and you don’t want to argue or impose yourself on him anymore. You don’t want to feel like you’re imposing yourself now when he’d never made you feel like that before. 

The night is a pitch dark blur falling away behind your glazed over eyes, and huddling into yourself against the door, you hide your face away in your shoulder, belly swooping with nausea. 

“You drive too fast, I’m dizzy,” you mumble, and he  immediately slows, foot easing off the gas.

“You gonna puke?”

“Yes, all over your face.”

“I’m serious, darlin’. Need me to stop?”

“No. I just want to be home,” said in as small a voice as you can manage, hoping he won’t catch your words, and soon he’s turning off into the long drive to the house. 

When he pulls to a stop, you scramble to grab your boots before he can say anything else, but he’s unnaturally quick for such a large man, out the door and around the nose of the truck, pulling your own door open before you can even get a single boot on. He pulls them from your grasp, and then tugs you bodily out of your seat, slinging you over his shoulder as if you were some sack of nuisance prone potatoes. You screech, flailing, trying to knee him in the gut, but he bands a strong arm across the backs of your thighs, pinning you in obedient place. “Quit.”

“What the fuck are you doing?” You howl, hitting him repeatedly on the ass, trying to wriggle and make his life as difficult as you possibly can. 

This man has absolutely no consideration or respect or sense of personal space!

Technically, neither do you—but that’s neither here nor there. 

You scream like a hyena, shrill and long and he pinches your ass hard, right at the inner crease of your thigh and ass cheek, too close to your still wet pussy for comfort. “I said quit.”

“Everything alright out here?” You hear Jesse’s voice call from the direction of the bunk, they must’ve beat you two here while you’d been trying to seduce Joel into making you come. 

The snap of Joel’s fingers and then, “Mind your own fucking business.”

“You are so rude.”

He bumps you on his shoulder, jostling you on the soft of your belly and making your cunt go even tighter. You hate him. “Quiet, you.” 

Letting himself in the dark of your house, he makes his way up the stairs while you hang quietly upside down now, a little astounded, a lot turned on by how strong he is, lugging you all the way upstairs without even a change in his breathing. 

But as soon as he steps foot into your bedroom, now set to rights from yesterday’s disaster, you feel the change come on him. The shift and deepening of his breaths, the expanse of his ribs going wide and winglike as he sucks in a big gulp of air. You press your palm flat to the center of his back, feeling the whistle of his breath go in and out of him until he’s slipping you off his shoulder to bounce gently backwards onto your soft bed. 

He stands above you for a quiet moment, and you take in the broad shape of him backlit by the moonlight of your open drapes. He’s huge and imposing cast in this darkness, something out of a dream.

Literally—out of your own teenage fantasy dreams. 

Has anyone in all the world ever wanted someone as badly as you want him?

You can feel the press of his left knee against the inside of your right one, and you wish he’d put it between your thighs, join you on the bed.

“Can I ask you something?” You reach your fingers out and he tangles his hand with yours and it’s a small victory. 

“Yeah.”

“Would you come to my funeral?”

His fingers jolt— “What?”

“If I died.”

“Don’t say shit like that.”

“Tell me that you would—” You tug him forward and he lets himself come, bending over your prone form, braced on one arm and still holding onto your fingers with the other. “—That I wouldn't be alone even there.”

“You’re not alone.”

“Would you?”

“Makes me angry when you say shit like this—as if you don’t believe I’m going to take care of you.” 

“Please tell me, Joel. Promise me—” and you reach up to gently touch the scar across his temple. 

He goes frozen and understanding. “I’d come,” and you know it costs him something to give in to such an imagining and it makes you all the more grateful for it. 

Fingers sliding back into the curls at his temple, silver speckled, you know, you pull him further towards you until he’s close enough to press a softly hot kiss to his mouth. The two of you hold there for a moment, another, another, you can feel the wash of his heavy breathing through his nose, the flutter of his long lashes tangling with yours—you hope he’s searching for you in the dark—and you lift your knee up onto the bed, bending to open yourself to him. 

He pulls back, hand shooting to your jaw to grip you tightly in place, breath ragged, animal being hunted. 

You smile.

“Not gonna fuck you,” he says low.

“Why not?” It’s what you want, you deserve to have what you want. He squeezes your face once, presses another hard, too quick kiss to your mouth and then flips you over onto your belly, turning your skirt up over your ass to expose you. He tugs once on the string of your thong, drawing his finger along the lace wedged between your ass cheeks and then pulls his hand away for a moment before he’s spanking you hard and quick. 

Owwww, you whine, hitching your rump towards him, wanting more despite the sting. He bends his head and bites you even harder at the inner corner of your asscheek, teeth digging hard and long enough to leave a mark. You whine again, high and mewling, trying to escape his meanness and he smacks you again on the other cheek. 

“Go to bed, little girl. I’ll see you in the mornin’.”

And he’s leaving you, broad shouldered form slipping out your bedroom door and leaving you aching and angry to scream into your pillow.

You’re pretty sure you hear his deep laugh before the slam of the door sounds below, and you’re slipping your greedy fingers into the ruined wet of your panties, petting away the ache he’s left. 

-

The late May night is cool, despite the daytime heat, and Ellie shivers in her Carhartt, watching as Joel slips out the back kitchen door of the big house. 

“The hell is going on with those two?” Jesse says beside her, pulling long on his beer. The litter of yellow cans around them speaks to his mullish whining that he’d not been able to pull tonight. Sometimes he annoys her, but in that sort of endearing little brother way that makes her want to kick his ass and protect him at the same time. 

“Nothin’, they’re fine—just gotta fuck it out.”

“You’re disgusting.”

“Naw—just smarter than you, man.”

“They like each other?”

“God, Jesse, you wouldn’t see an obvious thing if it were a tipsy bison barrelin’ towards you full speed in the middle of the day.”

“I don’t know what that means,” he says a little pathetically. Moping men—Ellie really can’t be assed to deal with them all. 

“It’s fine. You don’t need to understand. I do—I see all, I know all. You mere mortals wouldn’t understand.”

“S’kinda weird, no? Them two—him bein’ so much older, her bein’…well, you know— her.”

“Nope. Makes perfect sense—they need each other, you see.”

He shrugs, I guess—“You’re fuckin’ weird, too. You know that?”

She takes a swig of her beer now also, hoping the two idiots she loves most in the world, after Dina of course, figure each other out before the whole ranch has to suffer for it too. 

“Wrong again, Jesse. Wrong again.”

Chapter 3; Little Freak

Netherfeildren’s Masterlist

Updates Blog

[ablobwhowrites]

Random yandere sonic stuff cause I don't know

Y/n: "man what a peaceful day, it feels like nothing can go wrong"

sonic in the distance: "Y/N! THERE YOU ARE! I've been looking all over for you!"

Y/n: "ah and there it is"

I imagine with human y/n or m/n in his world he would sometimes want to pet sonic or knuckles or anyone really cause your average human height so you'd be taller than everyone except for big the cat, so I imagine they let you cause they like it and shadow kinda relaxes a bit around you and kinda puts you hand back on his head when you try to pull away (he requests more head pats).

Rouge: “the plan is kinda changing so we’re just going to take you with us”

Y/n: “am I being kidnapped?”

Rouge: “no! No, no, no…”

Y/n: “can I leave?”

Rouge: “no.”

Y/n on the phone: "hey sonic is this you in this alley?"

sonic: "y/n if you see a hedgehog in a alley that's green, that is not me go the other way."

y/n seeing Scourge walking closer to them: "who is this?"

Y/n or m/n after escaping the sonic characters. (They gotta go into hiding forever now dude, they hunting them down)

(Some yandere finding Frankie cause I wanna write some)

Real Frankie: “well lucky contestant…wait why do you look weird?”

*silver comes out of portal* “hey sorry I think we got our y/n mixed up with yours, here’s your y/n, really sorry for the mix up and all”

Real Frankie: “thanks, hey I totally understand and- wait a minute, THIS IS A RAGDOLL WITH MY CONTESTANTS MASK ON IT! GET BACK HERE!…can’t believe I got swindled by a fucking silver hedgehog”

Henry hotline: "so where's the contestant?"

Real Frankie: "Henry, I don't wanna talk about it"

(we got silver taking finding frankie y/n or m/n after hearing what they have to deal with back at Frankie's)

[fleetsonourgecentral]

What If the Royal Au IS like Sonic underground but without the Silblings find their mom part?

Ok it's just I LOVE that Au and I want to help you with It by giving ideas, draws, whatever you NEED <:c

It would probably be difficult for the royalty au to be much like sonic underground considering in sonic underground the royal family has essentially already fallen and gone into hiding, while in the royalty au Scourge's family is still firmly in power and honestly probably doesn't even realise there's a rebellion brewing. Not a lot of places for parallels from what I can see. Although I guess it's similar in that Sonic is trying to take down the people in power lmao, but alas there isn't really a destiny aspect involved in the royalty au. Sonic is just an angry scruffy lil hedgehog commoner that thinks the royal family suck and is actually willing to do something about it, and Scourge just happens to run into him and fully support his cause because "my family fucking sucks and I don't care about any of this royalty shit so sure I'll help you take it down"

Omg aaaaaaa if you ever draw anything for this au (or this ship in general) I am begging you to tag me fhkdsakfkjl no pressure of course but... if you ever decide you wanna... I will certainly not complain about having more art of the bois