#fuck you fuck your dreams

[beelzeballing]

omw to go out for dinner and maybe get a nice drink (either dunkin or boba). will pop open the tiny champagne bottle ive been saving for a special occasion once i get home. maybe ill treat myself to another vocal synth purchase. it is CELEBRATION TIME.

DING DONG THE SON OF A BITCH IS DEAD!!!

[housederiva]

Do not let anyone drive you away from fucking that old man in the coming months my brethren

[ohposhers]

troll who isnt allowed caffeine or she'll reenact the Hammy energy drink scene from over the hedge clay prefers tea anyway

[stefisdoingthings]

wings

[finisnihil]

“They finally made this theme more blatant-" Why does it need to be blatant. What's wrong with subtlety? Concepts can be underused but subtlety is not neglect.

Blaring all your concepts and themes is not good writing. It's so disruptive to a story's flow when the characters look off the screen to be like "See? This is the concept. The idea. The theme."

If you can feel the hand of the author becoming too heavy that's bad.

For example: I see people saying Azula's abuse in ATLA is more blatant in the live action and it's good because "it's being discussed more". It already was discussed at length. The show made it clear she was a victim at every turn, every behavior, every reaction, it came from a place of trauma. It was made clear that she was scared of ending up like Zuko because Zuko was an example of what would happen to her if she failed. When she says she's better than Zuko it wasn't just because she was raised to think hersef superior to him but because Zuko failed and failures get mutilated and exiled, failures are abandoned. In that final Agni Kai the music is morose and somber because this isnt some epic battle its a fucking tragedy, the burning out of "Ozai's brightest light" and Azula finally succumbing to her terror and trauma she was repressing now that her worst fears are realized. How can you see a fourteen year old girl chained to a sewer grate wailing and writhing and breathing fire desperately as unsympathetic? Even Katara and Zuko are horrified as to what has become of her.

The writers weren't looking us in the eye and saying "See? She's a victim too" when they wrote this, they weaved it in. They weaved it into her obsesison with symmetry, her extreme perfectionism, the way she talks about Ozai, the ways she calls herself a monster, her isolation from those with healthy home lives, all the ways she held herself together and ultimately all the cracks and seams that she shattered down when she fell apart. It did not need to be blatant to be clear.

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[aro-throughyourchest]

Bro being c!tubbo, seeing that fucking tower. You’ve been going through the hardest, most numbing time of your life and all you want to do is see him again. you don’t know why you’re going on, maybe there’s too much going on. he doesn’t want to see you.

the area is barren. it’s desolate. you’re too late.

you took too long, you should’ve never come at all—you see that fucking tower. it’s the block limit. it towers over the block limit.

you exiled him. and you were too late.

that’s my 9/11 right there

[signanothername]

Dream’s room within Nightmare’s castle

This comic takes place after Nightmare’s theoretical death that I discussed before >:)

A bit of context under readmore

[everwalldigan]

Jason: I fight crime the way god intended, with a t-shirt jeans and a dream

Dick: shut the fuck up jason you’re literally more pain killers than human right now, you’re literally so riddled with bullet holes you’d make a sieve jealous.

[fordford]

i think actually the grossest thing i've seen is ppl being like "au where bill gets sent back to the shack to get redeemed!!" it literally makes me fucking sick. it is never an abuse victim's job to heal their abuser. what the hell is wrong with you people

[divineandmajesticinone]

CENTURY OF LOVE (2024) I 1.04 "Vee is the fox that conceils himself in Ms. Wad's fate. Like the nine-tailed fox that possessed the consort Daji."

[bugflies00]

dsmpblr now all we got is each other and the reblog button

[feketeribizli]

she cut her hair 😔

[nymphomatique]

creampies with miguel are probably so delishus… you know that he still fucks into you while the both of you cum because yes you’re cumming together, miguel wouldn’t have it any other way. he fucks into you and is just a groaning mess like oh em gee i know this man is so vocal. “fuck baby, gonna put a fucking baby in you. you like my cum filling you up?” as he pumps you full. he grips you anywhere he can, just letting the ecstasy take you both over, feeling you squeeze around him from the aftershocks of your shared orgasm. he loves to look down and slowly pull his dick out and see his cum just drip out of you like a faucet. like just imagine him biting his lip and looking down at the complete and utter mess the two of you made, your fluids wetting the bed. just seeing you lay there and just look so full of him gets him going. and guess what? he goes AGAIN because he wants you “fucking leaking full of me in the morning. can’t waste a drop.”