#fuck art theft
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the-fabled-void · 1 day ago
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Attention Sonic fans!
An account by the new of @/blushmovies has surfaced. AI generated profile pic, AI generated banner, AI generated bio, and all they post is stolen art without credit.
Sending them hate is useless, don't comment or reblog their posts either, it won't do anything!
PLEASE just mass report them, thank you!
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skrungblyshifter · 11 months ago
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Buenos dias, amigos. Is a wonderful day to cause the downfall of AI! We all hate it, so let's work together
I got this idea to draw the most fucked up warped shit ever and post it, purposely letting AI scape it. I can't use Nightshade so I'll do what I can. If anyone else would like to contribute please do!
Fellow artists, let's poison our wells.
Edit: fair warning this might not work at all, but I'm having fun with it and if enough people join in it means AI will have less actual art to scrape from (on Tumblr at least)
Edit 2: I'll add a list of names on this pinned post. Any name mentioned has argued in support of AI or made the false claim it doesn't invade copyright or steal from us. We can defend the good parts of AI when its not being used to steal from us and replace us. Until then, we only protest in this house. DO NOT HARRASS OR ENGAGE WITH LISTED USERS this list is here for all us normal people to block, not attack!
@/Vergess ("debunking another stupid anti ai post from people who can't be bothered to actually learn about it")
@/demise-of-soul (literally said stealing art was good?)
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moony-2001 · 1 year ago
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Hey rq, art theft is super not okay and if you do it, fuck you.
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drakonovisny · 10 months ago
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i fucking hate ai & art theft in general. now every time i come across cool art on my dash i have to check when it was posted and look into op's blog just to make sure...
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fanby-fckry · 11 months ago
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I hope all those fucking art “repost” accounts at least opted out of third-party sharing.
If you’re gonna steal art, the least you can fucking do is make sure you don’t fuck the artist over even further by offering up their work for ai scrapping.
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triko-the-fluffy-artist · 1 year ago
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⚠️ART THIEF⚠️
Beware of this user on X.com (Twitter) who's using stolen art from me, erasing watermarks and scamming people for fake commissions.
Please always make sure to check artists backgrounds, watermarks and consinstent art style before commissioning anyone.
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iguanodonwildman · 11 months ago
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Not to mention all the reposts. So much content on this site is posted by someone other than the owner. How are y’all gonna navigate that little minefield?
Hi, Tumblr. It’s Tumblr. We’re working on some things that we want to share with you. 
AI companies are acquiring content across the internet for a variety of purposes in all sorts of ways. There are currently very few regulations giving individuals control over how their content is used by AI platforms. Proposed regulations around the world, like the European Union’s AI Act, would give individuals more control over whether and how their content is utilized by this emerging technology. We support this right regardless of geographic location, so we’re releasing a toggle to opt out of sharing content from your public blogs with third parties, including AI platforms that use this content for model training. We’re also working with partners to ensure you have as much control as possible regarding what content is used.
Here are the important details:
We already discourage AI crawlers from gathering content from Tumblr and will continue to do so, save for those with which we partner. 
We want to represent all of you on Tumblr and ensure that protections are in place for how your content is used. We are committed to making sure our partners respect those decisions.
To opt out of sharing your public blogs’ content with third parties, visit each of your public blogs’ blog settings via the web interface and toggle on the “Prevent third-party sharing” option. 
For instructions on how to opt out using the latest version of the app, please visit this Help Center doc. 
Please note: If you’ve already chosen to discourage search crawling of your blog in your settings, we’ve automatically enabled the “Prevent third-party sharing” option.
If you have concerns, please read through the Help Center doc linked above and contact us via Support if you still have questions.
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hamletthedane · 1 year ago
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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nando161mando · 1 year ago
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kirakablooie · 11 months ago
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lil form inspired by the saxton hale invoice! use it for commissions and/or yelling at art thieves
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https://docs.google.com/document/d/18WiecAumC0klavqIkexKnWmHIfrr5R0to5WonPAP_aw/edit google docs link in case you need to edit it for context
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xitsensunmoon · 11 months ago
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HOW TO GLAZE YOUR WORK WITHOUT A GOOD PC(or on mobile)/TIPS TO MAKE IT LESS VISIBLE
Glaze your work online on:
Cara app. It requires you to sign up but it is actually a good place for your portfolio. Glazing takes 3 minutes per image and doesn't require anything but an internet connection compared to 20-30 minutes if your pc doesn't have a good graphic card. There IS a daily limit of 9 pictures tho. Glazed art will be sent to you after it's done, by email. It took me 30 minutes to glaze 9 images on a default setting. Cara app is also a space SPECIFICALLY for human artists and the team does everything in their power to ensure it stays that way.
WebGlaze. This one is a little bit more complicated, as you will need to get approval from the Glaze team themselves, to ensure you're not another AI tech bro(which, go fuck yourself if you are). You can do it through their twitter, through the same Cara app(the easiest way) or send them an email(takes the longest). For more details read on their website.
Unfortunately there are no ways that I know of to use Nightshade YET, as it's quite new. Cara.app definitely works on implementing it into their posting system tho!
Now for the tips to make it less visible(the examples contain only nightshade's rendering, sorry for that!):
Heavy textures. My biggest tip by far. Noise, textured brushes or just an overlay layer, everything works well. Preferably, choose the ones that are "crispy" and aren't blurred. It won't really help to hide rough edges of glaze/nightshade if you blur it. You can use more traditional textures too, like watercolor, canvas, paper etc. Play with it.
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Colour variety. Some brushes and settings allow you to change the colour you use just slightly with every stroke you make(colour jitter I believe?). If you dislike the process of it while drawing, you can clip a new layer to your colour art and just add it on top. Saves from the "rainbow-y" texture that glaze/nightshade overlays.
Gradients(in combination with textures work very well). Glaze/nightshade is more visible on low contrast/very light/very dark artworks. Try implementing a simple routine of adding more contrast to your art, even to the doodles. Just adding a neutral-coloured bg with a darker textured gradient already is going to look better than just plain, sterile digital colour.
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And finally, if you dislike how glaze did the job, just try to glaze/shade it again. Sometimes it's more visible, sometimes it's more subtle, it's just luck. Try again, compare, and choose the one you like the most. REMEMBER TO GLAZE/SHADE AFTER YOU MADE ALL THE CHANGES, NOT BEFORE!!
If you have any more info feel free to add to this post!!
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kaneidae · 1 year ago
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In lieu of recent events
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fireflysummers · 1 year ago
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FireflySummers’ Guide to Arguing Against the Use of AI Image Generators
(AKA I hate AI image generators so fucking much that I published a whole ass academic article on it)
Read the Paper: Art in the Machine: Value Misalignment and AI "Art"
Citation: Allred, A.M., Aragon, C. (2023). Art in the Machine: Value Misalignment and AI “Art”. In: Luo, Y. (eds) Cooperative Design, Visualization, and Engineering. CDVE 2023. Lecture Notes in Computer Science, vol 14166. Springer, Cham. https://doi.org/10.1007/978-3-031-43815-8_4
The purpose of the original paper and now this post is the following:
Provide at least one academic article that you can cite. (Full paper + citation available below)
Make explicit community values that have previously been implicit, in order to better examine your own perceptions of the online artist community, and where you sit within it.
Provide rebuttals to common pro-AI talking points, with the intention of shutting down the conversation and reclaiming the narrative. 
What this paper and post cannot do:
Act as a sole authority about the online artist community and its values. We are not a monolith, and it is up to you to think critically about what, exactly, you want to take away from this discussion.
Provide a way to convince AI Evangelists that what they’re doing is wrong and bad and needs to stop. You will never convince them. Again, focus on shutting them down and reclaiming the narrative.
Final Disclaimer: I'm a very fallible researcher who is still very much learning how to do academia. I cannot speak for the entirety of the online artist community or fanartist community. We all have different lived experiences. I have done my best to include diverse voices; however if you have concerns or critiques, I am open to hearing them.
If you show up to debate in favor of AI image generators, you will be automatically blocked.
Credits:
Editors, Meme Experts, and Annotators: @starbeans-bags, @b4kuch1n, @cecilioque.
Tutorial Examples: @sabertoothwalrus, @ash-and-starlight, @miyuliart, @hometownrockstar, @deoidesign, @cinnamonrollbakery
If you have read this far, thank you very much. I hope that you have found a constructive lens for approaching the war with AI image generators, as well as a new tool for shutting down debate and reclaiming the narrative.
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cozylittleartblog · 1 year ago
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worst way to start my new year, thanks. i have a lot of things to say about these companies but i'm tired and just keeping it focused to the pin side of things for this one. do not ever buy pins from these companies, literally ALL of them are stolen from small artists like me. if you want to buy enamel pins, check out etsy, and artist's personal websites and shops! (though even Etsy has some bootleg pins that ship straight from china, so tread carefully…)
Every pin I've designed is, thus far, EXCLUSIVE to my etsy. if you find it anywhere else, it's been ripped off! and once these stupid bootlegs pop up, it's basically a never ending game of whack-a-mole trying to get them all taken down...
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tapeworrmart · 5 months ago
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Burning up 🔥
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glitchedember · 11 months ago
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Hiya!
So we all know that AI generators like Midjourney, Stable Diffusion, DALL.E, Sora.AI, etc. have stolen the work from artists online to train their AI and since AI is starting to get quite scary, I've decided I'm going to start protecting my work via Nightshade, but I want to also talk about it with you and link to the official sites to Glaze and Nightshade, so you can get either of these programs to try.
First off, we'll start with Glaze AI.
What Glaze aims to do is to act on the defensive against AI. Glaze will scramble their generators by placing a “protective glaze” over your work, and what this will do, is when your work is fed into the AI, it'll trick the AI into thinking your work is something entirely different from what it is, simply by making small changes that only the AI will pick up on
To quote the official site “Glaze is a system designed to protect human artists by disrupting style mimicry. At a high level, Glaze works by understanding the AI models that are training on human art, and using machine learning algorithms, computing a set of minimal changes to artworks, such that it appears unchanged to human eyes, but appears to AI models like a dramatically different art style.”
I've tried using Glaze, but it's a very big program and my computer can't handle that, but I do highly recommend trying it out if you have the space for it.
If you wanna try it out, the link to the site can be found here.
Second is Nightshade.
Nightshade is aimed to “attack” the AI your work is being fed into. Like Glaze, Nightshade puts a protective “glaze” over your work, but it poisons your work and tricks the AI into messing up the user's prompt.
To quote the official site “Nightshade works similarly as Glaze, but instead of a defense against style mimicry, it is designed as an offense tool to distort feature representations inside generative AI image models. Like Glaze, Nightshade is computed as a multi-objective optimization that minimizes visible changes to the original image. While human eyes see a shaded image that is largely unchanged from the original, the AI model sees a dramatically different composition in the image.”
This program is also pretty big, but it's what my laptop is able to handle, so from here on out I'll be protecting my work with this. I'll also go back and protect my older works even if it's not as appealing as my newer works.
If you wanna try it out, the link to the site can be found here.
Keep in mind, these are only temporary solutions while we wait for more permanent ones.
But even if it's temporary, it's better than having no protection against the AI bros.
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