oh for your cotl au
do you have info on any other characters?
im really interested! especially about what kind of peole he gets to join
I'm so sorry it took so long for me to answer this. Originally I was gonna respond with some nice and well polished digital art. But seeing as I can't seem to find a sense of motivation to draw but I CAN to write, I shall explain more below the cut!
I know I know, I answer a lot of stuff below a cut. This is for my sake frankly. Especially since no answer I give will be short.
So: Silver's Cult!
Frankly speaking, the building of his cult is hard. Especially when his very first crusade (and escape from Infinite's Domain) is sort of a bust when it comes to finding sacrifices.
Infinite's Domain, Rubyharth, is a vast desert torn to sunder by war. The Bishop who rules over is our funky little jackal man. And while he sends his Phantoms to hunt and kill off Silver who just... Resurrected himself (or at least appeared to). Silver stumbles onto his VERY first friend in all of this mess.
Mighty!
(look I know the art doesn't look great, just bare with me. This is the best you're getting for some of them.)
Mighty the Armadillo is a kind soul and former bearer of the Red Crown. He helps direct Silver out of Rubyharth and into the safety of a mysterious portal inside of a patchwork of temple ruins. On their way to this way out, Silver stumbles (a bit literally unfortunately) onto a young bee child.
Charmy!
Now... I'm not going to lie. Silver's original reaction to finding Charmy was to... Avoid. Not because the child was secretly a phantom or something stupid. Merely... Silver (reasonably so) felt a bit off about indoctrinating a literal child. But, Mighty urged him to bring the young child with them so that Silver could have an easy ticket for more suitable followers.
And this... Is how it is for a few weeks once they escape Rubyharth. Ending up in a nice grove seemingly leagues away from the harsh desert sun, yet not too far away from a nearby river. It's just Silver, Mighty, and Charmy.
Despite Charmy's age, Silver does task him with "chores" around the commune. Mostly on making simple and safe meals or keeping his sleeping quarters safe. Mighty helps with the more labor intensive stuff. Despite being blinded in one eye and lacking depth Perception, Mighty is *very* handy with an axe.
Later on though, when Silver starts to actually crusade and gather more followers. He learns to be picky. Only taking in those he seems fit to follow him and learn of his god.
Outside of Charmy, Silver only takes in full-fledged adults. Gathering about 6 people before Mighty decides to take his leave.
All 6 are just going to be a grab bag of whoever I want. So they aren't set in stone. But all the people Silver is inclined to bring into his fold are people who have these traits:
Naturally Obedient
Faithful
Zealous
Gullible
Industrious
Hedonist
Although, if a follower requests it, he will bring in those who lack any of these traits. (Silver dislikes this, but he'll do anything to keep Mephiles happy.)
Of course, a trait he hammers into his followers is belief in sacrifice and the belief that the good die young. Mostly since, Silver is just a bit weird and doesn't wish to send Mephiles any followers who are too old to serve him.
Over all! Silver's Cult is well behaved. Very obedient too! Oh and Charmy is definitely Silver's first disciple. When he's an adult of course, since it would be weird to make a kid a disciple.
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I find the way Fantasy High Junior Year treats religion to be fascinating, and evolving in an interesting way in the last couple of episodes. Like episode 14 makes it pretty clear, through Kristen's parents and Bobby Dawn that the helioic faith, ironically isn't much of a faith. There's no need for faith or belief there, they know who their god, Helio, they know he's a force interacting with their lives and their world, and they "know" that he is the only correct god to follow. This is in part a character flaw on their part, but is in a way also a logcial extrapolation of the cosmology of the D&D universe, or at least the particular branch of it in which Fantasy High resides.
Kristen stands as a stark contrast to this, where faith is all she has. Nobody knows whether Cassandra is alive, dead, or something in-between, and Kristen has chosen to believe that Cassandra is out there, somewhere. In a way, Cassandra is a better diety for doubt and mystery now than she was when she had a physical form one could see and interact with.
This is why the confrontation between Bobby Dawn and Kristen is so interesting to me, because while Bobby is technically correct in that Kristen's god is dead, it should tell him something that Kristen is still able to do the works of a cleric in Cassandra's name. That's not a fail state, that's a level faith that really justifies Kristen's sainthood, hell, we may be past the level of a saint at this point. This is the kind of stuff religious movements gets started off of. This is the kind of stuff that you only read about in ancient histories. It's happening in Bobby Dawn's classroom, and this corn pone televangelist motherfucker is too blinded by bitterness of Kristen ditching his religion, too drunk on the certainty of following The Right Way, to see this real life miracle unfold in front of him. This man shouldn't be a cleric teacher. Even if he managed to teach without biasing towards his Mean Girls crew of divinities and their followers, which I have no faith (heh) that he is able, or willing, to do, he still fails on a fundamental level. Bobby Dawn is beholding a wonder of modern faith, a messianic figure in the making, and opposes it. Not as a matter of conviction, but because is unable to comprehend it because it's not happening on "his team."
It's really interesting stuff, and it's shaping up to be one hell of a character arc for Saint Kristen Chillis Applebees as long as she doesn't get expelled.
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This is a little out of the blue, but I genuinely really enjoy hearing your tsaritsa lore and character breakdowns. She's hasn't been someone I'm terribly invested in getting to know as a character, but reading your thoughts on her has really piqued my interest. I've never considered what being the goddess of love could mean I guess
Anyway, all this to say I've been really enjoying your tsaritsa/fatui hype :) it's contagious
THIS IS SO GOOD TO HEAR i love going into deep dive breakdowns of characters especially ones who don't really have a lot of content, because it provides wiggle room for a lot of interpretations. not that i can blame you for not being too invested in her, considering we've never actually seen her, and only hear about from a few sources (venti, who doens't really say much, and childe + arle who also technically dont say much in the grand scheme of things but understanding their characters to see how it changes their view of the tsaritsa and where it overlaps is a good chunk of it)
so its my job to do what hoyo doesn't and hype the hell out of her /j. ive been writing her since i joined sagau around when it first started snowballing into popularity i dont think i could leave if i tried
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I love it when you play so much DnD that your character choices sorta come full circle:
In your first ever game you might start out as a human fighter, or an elven rogue, or maybe just a half-elf wizard, and then you slowly progress to warlocks and artificers, homebrew perhaps??
But then at some point…you just sorta return to the basic???
For example: I had a moment after a one shot (one that several different groups had all played through separately) where a member of a different group, who had played DnD a year or two, had asked me, who at that point had played for about 5 years, what character I was playing.
I, of course, started ranting about what role in the party I wanted to explore and how I felt the role of ‘maternal’ and ‘the moral one’ was so often associated with being dull when in fact there’s so much unexplored potential in it, and how I wanted to challenge myself by being a character who truly wears their heart on their sleeve and-
Then he asked “ok, but what class and race are you tho?” “………….human fighter” “Ah. There’s no shame in being a bit basic I guess”
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if i really scratch my head i think maybe the one thing all of this could stem from is mere discussion of the fact that talia and selina's histories with bruce sort of operate in the reverse and inevitably that factors into any contention with either relationship. like it can't really be helped that bruce and talia were married very early on into the latter's history and that this is integral to analyzing talia's entire dynamic with bruce, her evolving perception of her own place in the world, and her eventual decision to break free of bruce entirely. the constraints of a marriage with bruce as desired by her father are foundational lore to the early aughts of her character in a way that selina's settled domestic life with bruce is not. if we're talking about the golden age what was foundational to selina's dynamic with bruce was his ability to recognize above everyone else her consistent capacity for mercy despite her villainous goals on the surface. in post-crisis that was translated along the lines of a class struggle specifically. the villainous goals were interpreted to represent a defiance of men and the state and their collective violence, and they also formed a means of survival. what was initially merely a recognition of selina's capacity for mercy now became a potential recognition of bruce's own hypocrisies. selina acted as a symbol for petty criminals in gotham whom bruce would otherwise have written off as immoral wholesale bc to him the law was the law. and the remarkable thing about it was that none of it required selina giving even an inch to bruce. she was who she was and that was what made her utterly compelling to him. it's not a slight against selina that neither marriage nor a close civilian relationship formed the basis of her relationship with bruce and i don't understand why anyone would take it as one. marriage and domestic life for talia was a mark of the utter tragedy of her relationship with bruce. it was a fantasy and a delusion and it could never have given her what she wanted nor lent her any kind of agency in the long term. and i think when we meander into the realm of comparing the relationships we really start to diminish why certain aspects are important to either. why are the various patriarchal restrictions on talia's agency so integral to her character arc and its exploration of freedom? why is selina's existence in a sphere of life entirely distinct of bruce so integral to her character arc and its exploration of class? the constant back and forth between shippers on either end trying to equalize in terms of what either relationship has gone through in canon like it's a checklist to romantic validity is a bit absurd and i wish we would move away from it when analyzing the relationships or the characters
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I’ve had this thought at the back of my mind for a little while but a conversation with a friend brought it to the forefront of my mind, I really don’t enjoy writing for the hetalia fandom that much anymore for a number of reasons that I will not get into but regardless, it’s put me at a crossroad where I could either continue as I am, which I don’t think is best for my mental health, or gradually step back from writing for this fandom (or abandon everything and start afresh, but I won’t do that because there’s a few loose ends I wanna tie up first)
I’m probably not gonna completely stop writing for hetalia because it’s still a creative outlet for me but my plan currently is to slowly but surely finish some of my current projects and WIPs that interest me and maybe a few particular ideas I’ve wanted to write for a while and to gradually move towards more original stuff
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