#folk country music

[everoutoftouch]

If you have Spotify reblog this and tag what your number one song on your “on repeat” playlist is.

[jasonaaronpro]

#23 - Russ Baum's Musical Journey

🎤🎸 Catch the inspiring interview with Russ Baum, the talented singer-songwriter of Meager Kings! Discover his musical journey and enjoy exclusive live performances. 🌟🎶 #MusicLovers #IndieArtist #LiveMusic

Join us for an exclusive in-studio interview with the incredibly talented singer-songwriter Russ Baum, known for his work with the Meager Kings and his unique podcast, “On The Rise.” Discover Russ’s journey through the music industry, his inspiring collaborations, and how his passion for music has shaped his life. We’ll dive into his experiences, from international tours to local accolades, and…

[eroticlamb]

Bob Dylan eating breakfast (and the table) in Birmingham, England, 1966 ♡ Photographed by Barry Feinstein

[irlpretear]

100 more trans/genderqueer musicians

a pt.2 to my last post

Bands

Problem Patterns (riot grrl) (x)

Et On Tuera Tous Les Affreux (hardcore punk) (x)

Speedy Ortiz (indie rock) (x)

Foxtails (punk rock) (x)

Come To Ruin (deathrock) (x)

Arabella (hardcore punk) (x)

Flummox (metal) (x)

Dream Sequence (emo, post-hardcore) (x)

Escuela Grind (grindcore, metal) (x)

Buggin (hardcore punk) (x)

The Aquadolls (indie rock) (x)

Vile Creature (black metal) (x)

Caustic Soda (punk) (x)

Go! Child (indie pop) (x)

Tribe 8 (punk rock) (x)

SeeYouSpaceCowboy (hardcore punk) (x)

NARC (hardcore punk, sludge violence) (x)

BRAT (hardcore punk) (x)

[ctrl] (power violence) (x)

Strawberry Milk Cult (punk rock) (x)

.gif from god (metal) (x)

CyberGirlfriend (indie rock) (x)

Vermin Vendetta (metal) (x)

Pretty Frankenstein (glam goth) (x)

Doll Chaser (punk) (x)

RENT STRIKE (folk punk) (x)

Tears for the Dying (goth rock) (x)

Himbo (math rock) (x)

Out of Sight (hardcore punk) (x)

Morta (metal) (x)

Girlpool (indie rock) (x)

Life of Agony (metal) (x)

Mashrou' Leila (indie rock) (x)

Basketball Divorce Court (post punk) (x)

Bad Waitress (art punk) (x)

Rural Internet (hip hop, electronic) (x)

The Crystal Furs (indie pop) (x)

Blind Tiger (hardcore metal) (x)

Atomic Broad (punk) (x)

tote bag (tender punk) (x)

Pansy Prep (indie rock, emo) (x)

UT/EX (metalcore, screamo) (x)

Your Heart Breaks (indie pop) (x)

Yam (punk rock) (x)

K's Choice (rock, alt pop) (x)

Elderberry Industries (noise, synth) (x)

Qi.x (kpop) (x)

The Mermerings (folk punk) (x)

Refractory Period (synthpop) (x)

fenix (rock) (x)

Solo Artists

Tape Girl (hyperpop, ska) (x)

Titica (kuduro, pop) (x)

Lauren Bousfield (synth punk) (x)

Liniker (r&b) (x)

TRVDWIFE (grindcore, cybergrind) (x)

Stomach Book (electronic, indie rock) (x)

Coyote Grace (bluegrass) (x)

Jake Zyrus (r&b, soul) (x)

D'Nayzja (hyperpop, electronic) (x)

Adeem the Artist (country) (x)

Renee Goust (pop, cumbia) (x)

Linn Da Quebrada (club, Brazilian funk) (x)

The Reverent Marigold (folk) (x)

Çağla Akalın (arabesque) (x)

Jessie Chung (Malaysian pop) (x)

Spike Fuck (post-punk, smackwave) (x)

Shea Diamond (soul, r&b) (x)

Vivek Shraya (pop, dance) (x)

Mocchi (folk, alt rock) (x)

SuperKnova (indie pop) (x)

Creep-P (hyperpop) (x)

Aljas (rap) (x)

Sylvia Baudelaire (rap) (x)

London Jade (hip-hop, rap) (x)

Susy Shock (tango) (x)

Slugwife (hyperpop) (x)

Jupiter Fiction (singer-songwriter) (x)

Mrs. Yéyé (punk) (x)

Lady Charles (glam rock) (x)

Mily Taormina (indie) (x)

Dope Saint Jude (rap, hip-hop) (x)

Imbi the Girl (hip-hop, rap) (x)

187 (drum'n'bass) (x)

zombAe (experimental hip hop, electronic) (x)

The Official Bard of Baldwin County (folk) (x)

Skylar Rose Stravinsky (singer-songwriter) (x)

hard Tiddies (country, singer-songwriter) (x)

Bunny Danger (punk) (x)

Ataru Nakamura (pop) (x)

Anjimile (folk) (x)

Villano Antillano (rap, urbano) (x)

Lauren Auder (indie pop) (x)

Justin Vivian Bond (cabaret) (x)

Namoli Brennet (folk, indie rock) (x)

Mya Byrne (Americana, folk) (x)

Quinn Christospherson (indie rock) (x)

Jayne County (proto-punk, glam rock) (x)

Katie Dey (experimental pop) (x)

Electra Elite (electropop, dance) (x)

Quay Dash (hip-hop, rap) (x)

[cleopatragirlie]

𝐄𝐦𝐦𝐲𝐥𝐨𝐮 𝐇𝐚𝐫𝐫𝐢𝐬 𝐛𝐲 𝐆𝐢𝐣𝐬𝐛𝐞𝐫𝐭 𝐇𝐚𝐧𝐞𝐤𝐫𝐨𝐨𝐭 (𝟏𝟗𝟕𝟓)

[folk-enjoyer]

Song of the Day

"Call of the moose" Willy Mitchell, 1980 As you might know, September 30th is Truth and Reconciliation day (more commonly known as Orange Shirt Day), a national day in Canada dedicated to spreading awareness about the legacy of Residential schools on Indigenous people. Instead of just focusing on a song, I also wanted to briefly talk about the history of the sixties scoop and its influence on Indigenous American music and activism.

The process of Residential schooling in Canada existed well before the '60s, but the new processes of the sixties scoop began in 1951. It was a process where the provincial government had the power to take Indigenous children from their homes and communities and put them into the child welfare system. Despite the closing of residential schools, more and more children were being taken away from their families and adopted into middle-class white ones.

Even though Indigenous communities only made up a tiny portion of the total population, 40-70% of the children in these programs would be Aboriginal. In total, 20,000 children would be victims of these policies through the 60s and 70s.

These adoptions would have disastrous effects on their victims. Not only were sexual and physical abuse common problems but the victims were forcibly stripped of their culture and taught to hate themselves. The community panel report on the sixties scoop writes:

"The homes in which our children are placed ranged from those of caring, well-intentioned individuals, to places of slave labour and physical, emotional and sexual abuse. The violent effects of the most negative of these homes are tragic for its victims. Even the best of these homes are not healthy places for our children. Anglo-Canadian foster parents are not culturally equipped to create an environment in which a positive Aboriginal self-image can develop. In many cases, our children are taught to demean those things about themselves that are Aboriginal. Meanwhile, they are expected to emulate normal child development by imitating the role model behavior of their Anglo-Canadian foster or adoptive parents."

and to this day indigenous children in Canada are still disproportionately represented in foster care. Despite being 5% of the Total Canadian population, Indigenous children make up 53.8% of all children in foster care.

I would like to say that the one good thing that came out of this gruesome and horrible practice of state-sponsored child relocation was that there was a birth of culture from protest music, but there wasn't. In fact, Indigenous music has a long history of being erased and whitewashed from folk history.

From Buffy Saint-Marie pretending to be Indigenous to the systematic denial of first nations people from the Canadian mainstream music scene, the talented artists of the time were forcibly erased.

Which is why this album featuring Willy Mitchell is so important.

Willy Mitchell and The Desert River Band

This Album was compiled of incredibly rare, unheard folk and rock music of North American indigenous music in the 60s-80s. It is truly, a of a kind historical artifact and a testimony to the importance of archival work to combat cultural genocide. Please give the entire thing a listen if you have time. Call of the Moose is my favorite song on the album, written and performed by Willy Mitchell in the 80s. His Most interesting song might be 'Big Policeman' though, written about his experience of getting shot in the head by the police. He talks about it here:

"He comes there and as soon as I took off running, he had my two friends right there — he could have taken them. They stopped right there on the sidewalk. They watched him shootin’ at me. He missed me twice, and when I got to the tree line, he was on the edge of the road, at the snow bank. That’s where he fell, and the gun went off. But that was it — he took the gun out. He should never have taken that gun out. I spoke to many policemen. And judges, too. I spoke with lawyers about that. They all agreed. He wasn’t supposed to touch that gun. So why did I only get five hundred dollars for that? "

These problems talked about here, forced displacement, cultural assimilation, police violence, child exploitation, and erasure of these crimes, still exist in Canada. And so long as they still exist, it is imperative to keep talking about them. Never let the settler colonial government have peace; never let anyone be comfortable not remembering the depth of exploitation.

Every Child Matters

[daxnorman]

Ghost Guitar

[radishprincesss]

dolly parton 1979

[joy-haver]

There needs to be more trans folk musicians. I know there are trans folk punk musicians. But I want some folksy stuff. I want some country stuff too. And some bluegrass. Give me that trans townes van zandt. Girl oh woody guthery. A Ralph Stanley whose a faggot

[pollherepollthere]

I loveeee rap tbh

[ludmilachaibemachado]

Linda Ronstadt🌵🥀🌵

Via @isabelfutre on Instagram🥀

[music-is-my-life-man]

Jimmy Page

[all-yourn]

“In Your Love” by Tyler Childers

[falderaletcetera]

okay who wants a fucking great country-ish song about the 401 highway, apparently the busiest highway in both canada and the US and an absolute nightmare to drive on?

(because I didn't think I needed this but apparently really do, and it has single-digit likes on youtube, so I figure it can stand to be seen by more people.)

this guy has minimal online presence and only two songs actually for sale anywhere but @darkfinch managed to find this, which has some info and songs on it.

and now if you'll excuse me I'm gonna go relisten, because this song goes hard and is quite happily stuck in my head <3

~

lyrics:

this is a long highway and it might take a day to drive from detroit back to montreal where the big rigs roll down through ontario and cars go speeds they should never go (never go, never go) take a look ahead flashing lights of red another crash out on the blacktop run on the news it says another driver's dead that brings the toll this month to twenty one (twenty one, twenty one) I took a ride today out on the king's highway from montreal to toronto bay justice will have its day with your life you'll pay better pay heed, so the people say keep your hands at ten and two do what you have to do keep them there until the drive is done or you may walk this road a lost and lonely soul another death out on the 401

just between you and I how can you justify the life you took with the pedal down (pedal down, pedal down) the ghosts they roam the road looking for their home and if they spoke you never hear the sound (sound, sound) I took a ride today out on the king's highway from montreal to toronto bay justice will have its day with your life you'll pay better pay heed, so the people say keep your hands at ten and two do what you have to do keep them there until the drive is done or you may walk this road a lost and lonely soul another death out on the 401 another death out on the 401

~

[haveyouheardthisband]

[deathtokillian]

If anything I am a slut for country music, and I mean the good country music.

Not the conservative tractor fucking god is great beer is good I’m sneaking out to sleep with your daughter country music.

I’m talking about, anti government, let’s rob this bank, I just killed my abuser, we on the run from the law, and I am godless kind of country music.