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taste-in-music · 24 days ago

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my top 10 songs of 2024

picks 11-30 beneath the cut

30. Divine by Saleka, Kid Cudi: Before watching Trap by M. Night Shyamalan, I knew it was part thriller about catching a serial killer, part vehicle to launch his daughter Saleka’s singing career. After watching it, I was a certified stan of father and daughter alike, because I don’t care about the nepo baby allegations when the music is this fucking good. (I also had a blast with the movie. Must a film “make sense?” Is it not enough to watch Josh Hartnett go berserk at the in-universe equivalent of the Eras Tour?) While Saleka created an entire album of bangers for her fictional pop star Lady Raven, “Divine” has to be my pick off the track list, a silky-smooth R&B crooner with an energetic thrum to make it appropriate for both chilling out and throwing back. Saleka isn’t the first to compare a love affair to a divine calling, but she does a great job of actually capturing the intrigue and transcendence evoked by the metaphor, and she also has great chemistry with Kid Cudi. I'm keeping my fingers crossed for a sequel to Trap, partly because I'm always down to watch Josh Hartnett go berserk, but mostly because that means we'd probably get another album from our corvid queen.

29. Scorsese Baby Daddy by SZA: SZA comes in right under the wire once again with a release in December, making my job a lot harder, because if SZA drops new music, how could I not include it on my year-end list? It’s hard to say which track of her SOS deluxe album LANA is going to stick in the zeitgeist, but my immediate pick is “Scorsese Baby Daddy,” which was so immediately addictive that I listened to it 20 times in a row when it first dropped. SZA treads familiar lyrical ground on the song, grappling with insecurity, unapologetically pursuing amazing sex, and spiraling into emotional attachments. “Addicted to the drama,” she sings in tandem with the song’s title, batting away the self-chastisement with the heady rush of a new love, “doing the most” and hoping it isn’t too much for her lover to take. Much like my list pick off SOS, “F2F,” I love how “Scorsese Baby Daddy pivots SZA’s sound towards a loping rock palette, a swaggering drum kick fleshed out with guitars and more affirmed vocal delivery. Sonics aside, it’s SZA’s conviction and blunt honesty that makes the track one of the best of the year, even if it arrived the latest.

28. Tough Love by Gracie Abrams: This song could’ve been a ten second voice note of Gracie Abrams saying “No chance I’ll waste by twenties on random men / Not one of them is smarter than all my friends” and it still would’ve made this list. Abrams’s Swiftian mode of detail-laden songwriting doesn’t always cohere for me, but on “Tough Love,” they map out a chilly post-breakup night in Boston. Killing time on a bench by the river. A ripped jacket. Her ex kicking her in bed while sleeping. Aaron Dessner’s production captures the melancholic expanse of these experiences: atmospheric drones with a hint of warmth, the gentlest swell of strings. It allows Abrams’s storytelling to shine, celebrating female friendship and the newfound independence of young adulthood, reveling in its thorny edges and small joys. “Tough Love” is the gentle smack upside the head, the reminder that no matter what useless boys might throw your way, you never have to take it on alone.

27. It's No Fun by Grace Enger: Enough about romanticizing my life and daydreaming about unrequited crushes! Only Grace Enger is brave enough to tell it like it is about wanting someone who will never want you back: it's no fun. Like her previous best track “The Neighborhood,” Enger ups the ante behind her singer-songwriter schtick on "It's No Fun." Her acoustics get a little crunchy and electric, her voice rises to a frustrated belt, the drums clammer in like a pounding heartbeat. “In my eyes, you’re the sun,” she sings, “Think you liked the way I spun and spun and spun around you.” The only way to keep yourself from getting sucked back into the toxic cycle is severing the ties, and Enger dramatizes this in one of the most cathartic bridges this year, describing the fury at having to take the high ground, break off the friendships, and pursue reconciliation all on her own. Just because the love isn’t mutual doesn’t mean that your heart won’t break, and I’m grateful for songwriters like Enger that transform these feelings into songs I can scream along to to get to the other side of it.

26. DENIAL IS A RIVER by Doechii: I was embarrassingly late to the Doechii train. While I had heard praise for her latest record Alligator Bites Never Heal throughout the year, it took watching her electric turn at NPR’s Tiny Desk to finally get off my ass and check out her music. The song that lit the fire was “DENIAL IS A RIVER,” a dialogue between Doechii and an alternate persona dramatized as a rapped conversation about her life until now and her current mental state. It doesn't just offer bouncy flows, memorable punchlines, and sparkling chemistry, but a great place to start if you’re also just now catching up with the Doechii phenomenon. Her free-flowing narration is basically a "previously on..." segment, covering catching up with an ex’s side piece over Zoom, being thrust into the spotlight in the wake of viral success, and coping with the stress through less-than-sustainable means, culminating in a breathing exercise where Doechii dramatically dry-heaves into the mic. Doechii’s raw wit and charisma as a performer is impossible to deny, and I won't make the mistake of being behind on her releases ever again.

25. Truth Or Dare by Tyla: One of the most exciting rising figures of pop music in 2024 was South African amapiano star Tyla, who broke through onto the Billboard charts last year with the splashy jam “Water.” The self-titled debut album came in 2024, and with it a cavalcade of sexy, sumptuous music perfectly crafted for glitzy nights on the town. “Truth or Dare” first popped out to be when I saw Tyla’s set at Lollapalooza, where she delivered its silky beat and hooky melody while dancing atop a giant tiger in a marble printed bodysuit with a team of backup dancers. On the song, she cuts into an addressee that dismissed her in the past but is suddenly all up over her now that she’s successful. “Dare you to forget / That you used to treat me just like anyone,” she reminds them with a voice like sugar viper venom, “Is it true you care? / Now that you see the love from everyone.” It’s that touch of spikiness within the sensuality that lends the song its magnetism, a raised brow daring you to keep coming back for more.

24. Right Back To It by Waxahatchee, MJ Lenderman: “Right Back To It” was easy pick for one of the best songs of 2024 the day it came out. Mind you, that day was January 9th. Nearly an entire year later, that first impression hasn’t faded in the slightest. With her quiet confidence and knack for serene folk compositions, I’m convinced Katie Crutchfield could write poignant yet down-to-earth crooners about complicated relationships and the passage of time in her sleep. But “Right Back To It” is no snoozefest, it's vivid and homey, all tangy banjo and canoodling guitar with a steady foundation of bass to anchor it into the earth. Crutchfield’s vocals are a warm hug, her signature rasp melding perfectly against MJ Lenderman’s subtle harmonizing. But what makes the song particularly special is how it articulates what it's like to have someone with whom, no matter how much time as passed or how many conflicts arise, you can return to with certainty and stability. “You just settle in like a song with no end,” Crutchfield says, knowing it's something to hold close to her chest: “if I can keep up, we’ll get right back to it.”

23. Check by FLO: British trio FLO are on a quest to bring the sultry sass of 2000s girl groups into the 2020s, bursting onto the scene with the cheeky confidence of divas that have already been slaying the scene for years. Jorja Douglas, Stella Quaresma, and Renée Downer wield their supple triad harmonies into sticky hooks that rival the best songs of the era they pull from. Is this song catchy? Check. Are the harmonies on point? Check. Is it one of the best pop songs of the year? Check. The lyrics focus on the post-launch vetting process of modern dating, the narrator ringing off each desirable quality of her new beau like she's scribbling it in a heart-locked diary with a glitter gel pen. He’s trustworthy, loyal, spoils her, and pays for their dates. Finished off with perky squiggles of guitar, gossamer synths, and a locked-in drum groove that begs for hip swinging, it’s a song that matches the boy toy described, “a perfect ten.”

22. Yeah x10 [MIXED] by Trent Reznor, Atticus Ross, Boys Noize: It’s hard to write about a song off the Boys Noize-remixed version of the Challengers soundtrack in isolation, because my enjoyment of that album is deeply wrapped up in how every song on it flows together. But amidst the pulse-pounding thrum of sultry electronics that comprise the record materializes the particularly insidious hook of “Yeah x10,” built around the simple refrain of the songs title. I can’t tell you how many times this year I mumbled “Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah” under my breath as I typed up essays, folded my laundry, or took out the trash, infusing these mundane tasks with the badass bitchery of Tashi Duncan and co. That’s the power of this song, it’s two-clap pop-and-locking, the sly swerves of car tires skidding across pavement, all ratcheting up to a fever pitch of static before it locks back into a catwalk groove. With this song yeah-yeah-ing it’s way into your ears, for a moment, we all get to be part of the hottest movie of the year.

21. THINGS BEHIND THINGS BEHIND THINGS by Bon Iver: “THINGS BEHIND THINGS BEHIND THINGS” hit me late in autumn, as most of Bon Iver’s music does, ushered in by chilly November winds and existential agony over what the hell I’m going to do with my life. It nestles comfortably within the established Bon Iver sound—folky guitars, crystalline textures, alto pontification from Justin Vernon. “I’m afraid of changing,” he admits, and this anxiety over stagnation saturates deep into the song. Lyrically, he bends platitudes backwards into modes of self-examination, “I get caught looking in the mirror,” “I got caught compiling my own news,” pursuing an explanation for it all. The song’s title offers up a hazy gesture towards the interconnectivity that links our lives together, echoes of history swirling into the edges of our reflection. “THINGS BEHIND THINGS BEHIND THINGS” is as comforting as it is confounding, a reminder that we cannot move forward without looking back, looking in.

20. Sucia by Empress Of: Just one of the many sensual pop gems on Empress Of’s forth record For Your Consideration, “Sucia” pulls apart from the rest of the pack by being one of the most unapologetically dirty songs of the year. “I’m’a roll around in it,” Lorely Rodriguez taunts over a filthy combination of churning bass and grumbling vocal samples that’ll get your ass shaking. Throughout the song, she alternates fluidly between English and Spanish, and boy howdy am I glad I sharpened my language skills while studying in Spain this year, because it means I can furiously blush along to her lyrics, which are bonkers explicit and so so fun. “I can’t keep clean when your face is between / Cuando estás entre mis piernas” makes me feel like I need to take a goddamn shower. “I smell your sweat / You’re so hard / to forget” is the lyric break of the year, slipping by so slyly you might miss the double entendre. “Sucia” ecstatically revels in the dirtiness, celebrating the pleasure it brings, polishing away the grime to reveal the sparkling pop gem at the core.

19. Motorcycle by Remi Wolf: I usually turn to Remi Wolf’s music for rambunctious production and boisterous energy, but on “Motorcycle,” the butter-smooth ballad that lands smack dab in the middle of her latest album Big Ideas, she chooses to take things slow. It’s truly special when the moment of reprieve on a pop album hits just as hard as the bops, and on “Motorcycle,” Remi Wolf’s minimal approach works wonders. Every detail is perfectly curated to supplement the sensual, balmy atmosphere, a sly shuffle of bass, a sprinkle of snare, a wa-wa-ing synth. The details are languid and sun soaked, smoking on the roof sans bikini top, watercolor puddles, the ordinary romance of positing “we could get a dog.” It’s hard to make comfortable rest as compelling as bombastic breakups or chaotic crushing, but Remi Wolf pulls it off. What’s the good of all that drama if there isn’t a great song to play over the end credits? “Motorcycle” is the sound of the breeze rippling through your hair as you ride off into the sunset.

18. bye by Ariana Grande: It’s a bold move to have the first proper song on an album be all about endings, but Ariana Grande pulls it off on her spectacular seventh record eternal sunshine. Despite the tragedy of the song describing a breakup, “bye” is a downright joyous listen. Like other titanic entries in her catalogue, such as "Honeymoon Avenue," "Greedy" and "Into You," "bye" transforms Ariana’s familiar realm of modern R&B-pop and infuses it with a timeless, exuberant extravagance off the bouncy horn accents, disco-dappled synth swing, and punchy strings. It’s the perfect backdrop for her to reframe the details of a breakup with a soft smile, her friend Courtney pulling up in the driveway, moving boxes, anticipating the moment in the future where she can "look back with love." Despite the controversies and Broadway blockbuster adaptations that shaped her public image in 2024, Ariana Grande sounds wholly comfortable and secure in the choices she narrates here. At this point in her career, she has nothing left to prove, but that doesn’t mean she can’t keep raising the bar regardless.

17. Juna by Clairo: Living up to the title of the album it hails from, Clairo’s sweet little indie hit “Juna” is reserved yet effortlessly charming, infusing her cozy bedroom-pop aesthetic with swanky jazz ornamentation. “Juna” shimmies and sparkles with lush details, glistening keys, velveteen-soft guitars, and a silly yet sumptuous mouth-trumpet solo. Clairo’s delivery throughout the track is reserved, almost hushed, like she’s whispering lovestruck confessions right into your ear. “You make me want to buy a new dress,” she whisps, before infusing the sweetness with a subtle sensuality, “you make want to slip off a new dress.” The subdued, rich orchestration of the song lends to its palpable intimacy and shimmying anxiety of recognizing just how well somebody knows you, how exciting it could be to eventually see more of them. “With you there’s no pretending,” Clairo affirms. “Juna” feels warm and familiar, but also opens up a new dimension to her sound. Despite the lingering shyness, she comes off more assured in herself than ever.

16. Better Hate by Jessica Pratt: My adoration for Jessica Pratt’s album Here In The Pitch was a slow burn this year. While opener “Life Is” captured my attention back in July, but it was the follow up of “Better Hate” that fully enraptured me and kept me coming back. The song's composition is dark yet sumptuous, like pitch black velvet, and inscrutable yet delectable mode of chamber pop infused with a lively bossa nova swing. Pratt’s voice careens out of the tapestry like it’s pouring out of a gramophone in the corner of an attic, welcoming the listener to ponder the nebulous lyrics on self-recognition and a relationship in question alongside her: “I’ve been clear before / what’s the longing there? / Just a sad case, I’m nobody’s fool.” Do I know what that means? Not completely, but I believe from the conviction of her delivery that Jessica Pratt does. In the meantime, I’ll have to keep letting this song welcome me into its enigmatic depths, parsing for meaning in the darkness. If we're all here in the pitch, we might as well get comfortable.

15. cherry cola by Devon Again: This might just be the poppiest pop song of the year, in title, subject matter, and sound. I started bumping Devon Again’s “Cherry Cola” back during the Summer, and in the months since, its pulse-pounding, explosive sugar rush hasn’t waned in the slightest, each repeated spin as fun and fizzy as the last. Every time I hear it my heart feels too big for my chest. Or maybe I'm just overcaffeinated, much like Devon Again herself. The song abounds with sweets-studded details of a whirlwind romance that’s almost too intense to bear. “Loving you is like sipping on straight syrup,” Devon Again belts on the chorus, “Cover me in in candy / I’m so lucky that I get to know you.” The production lives up to that description, reducing the thrill down to sticky pop concentrate. Every synth, cymbal hit, and flourishing swarm of guitar builds up and up to an impossible height, the carbonation foaming up over the lip of the glass and cascading over you for a taste of bubbly joy that you’ll never forget. Shoutout to @bellamysgriffin for putting this on my radar.

14. Theater by Etta Marcus: Etta Marcus busts down the door on her debut album The Death of Summer & Other Promises with “Theater,” an avalanche of drama and panache you’d expect from the song’s title. Lyrically, she recounts putting on a performance of perfection and nonchalance for her partner, and as the song progresses and the instrumental escalates, the reality of the situation peels back and back until there’s nothing but an empty stage and glaring lights laying her desperation bare for everyone to see. “I wanna be loved,” Marcus confesses with the power of an entire breath as the drums crash in, “I wanna be loved / Like right out of a movie where I’ll be the star.” Imagination is a powerful and necessary tool for us to picture the best for ourselves, but it can’t stop the pain which comes with returning to reality and all that idealism fades away. “Theater” is the song for that first breath of realization, the daydream and nightmare slamming up against each other in one of the best power ballads of the year. A round of applause, now, everyone, for the damn good show.

13. Ever Seen by beabadoobee: Even as beabadoobee continues to come into her own as a singular singer-songwriter and bona-fide rock star, working with the likes of Rick Rubin, I must confess that my favorite music from her will always be her adorably earnest synth pop tracks, like those from her 2021 EP Our Extended Play. Thank goodness she still offered up some of that on her latest record This Is How Tomorrow Moves with “Ever Seen,” a song so ridiculously lovestruck and adorable that it makes me both euphorically gleeful and jealously infuriated. The song captures the feeling of gazing into your lover’s eyes so hard you can feel hearts blooming in your pupils like a cartoon character, a gauzy whirlwind of fluttering guitar strums and beabadoobee’s cotton-candy wisp of a voice. She alludes to deeper reasons why this relationship means so much to her, but at the end of the day, it distills down into a single detail: “He has the prettiest eyes I’ve ever seen.” And sometimes it really is that simple, the act of seeing, of being seen, that mutual recognition that’s simply electrifying in such circumstances. Isn’t that what love is all about, at the end of the day? Until I’m able to find such magic in the real world, I’ll just have to keep returning to this song to remind that it’s obtainable in the first place.

12. The Architect by Kacey Musgraves: Kacey Musgraves writes an open letter to a higher power on “The Architect,” wrestling with the desire for there to be “blueprints or plans” that would imbue her life with a deeper meaning. Whether you’re religious or not, I think there’s something universal in this feeling, the clutching for an explanation of life’s haphazard mechanics and boundless beauty. Musgraves scales these emotions from a single sweet apple to the Grand Canyon to her own face in the mirror, her clarion voice set against a gentle rollick of simple strummed guitar. My favorite touch are Daniel Tashian’s backing vocals, a voice in the distance that seems reachable one moment and invisible the next. The song finds fruitful ground in the ambiguous confluence of fate and free will. “I thought that I was too broken / And maybe too hard to love,” she sings in the song’s final verse, “I was in a weird place, then I saw the right face / And the stars and the planets lined up.” Whose face is it? The architect’s? A lover’s? Her own? Even though life’s grand plan remains out of reach, Musgraves relays how, every so often, we can still find moments where everything seems to make perfect sense.

11. Docket by Blondshell ft. Bully: “Docket,” Blondshell’s one-off single in collaboration with indie rocker Bully, takes the award for my favorite opening line of the year: “I said ‘Don’t shake my hand it’s wet’ he said, ‘I’ll kiss it instead’ / He said ‘I saw the whole show,’ I’m not scared of the sweat.” There’s an allure in someone cutting through your excuses and wanting you for everything you are, no matter how repugnant it can be. On the rest of the song, Blondshell and Bully unpack a doom spiral of sex and guilt amidst life on the road, parsing through the desire for closeness and distance, marking down hookups on a checklist of obligations to smother the self-loathing. “It’s cruel to let you love me” they harmonize at the brink of the chorus, remembering the partner waiting for them back home, “I don’t want what I need.” The song animates the whirlwind of shame and half-satiated lust with scorching guitar riffs and screamed backing vocals pushed deep into the mix, the admission of guilty conscious clawing to the surface at the shoulder-shrug declaration at the end of the chorus: “My worst nightmare is me.”

Honorable mentions: "Down Bad" by Taylor Swift, "Do you wanna" by Astrid Sonne, "Comin' Around Again" by Amber Mark, "Love Me Not" by Ravyn Lenae, "Pushing It Down and Praying" by Lizzy McAlpine, "Whatever Forever" by Ber, "Houdini" by Dua Lipa, "Big Love" by Suki Waterhouse, "Touch" by Katseye, "Cha Cha" by Sophie Hunter, and "Sticky" by Tyler, The Creator, GloRilla, Sexyy Red, and Lil Wayne.

And that's the list! In a year where the blockbuster releases didn't let up for a second, I'm sure I missed a lot of great stuff. Please let me know what your favorite songs of 2024 were!

Thank you all for the support for this blog throughout the year. Here's to 2025 being just as amazing for music.

Much love, TIM

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