#fix-it fanfics here I come

[whatonearthisgoingon]

Here's my thing.

If he had enough time and reason to protect Eddie, surely while putting that door on Eddie, he could have grabbed Eddie and leave a little bit of himself inside of Eddie. I am sorry, but that seems completely doable.

Like they were this close.

When he's putting the door down on Eddie, Venom totally could have wrapped a tendril around Eddie. Eddie could have absorbed that piece of Venom, and then Venom would eventually regrow like in the end of Venom 1 .

Like Sony, I know you did it because Tom's contract for Eddie is done, but you did not have to take Eddie's husband from him!! 😭😭 Happy endings to a series can exist you know!

VENOM 3 SPOILERS!!!!!

i think this scene got me the most. what the fuck did i just watch

okay venom has like 6 of those in him all while spraying himself with ACID and his FIRST FUXKING REFLEX IS TO REACH FOR EDDIE. venom probably has all of these things thoughts, their anger, their connection to whatshisface, their desperation to get out and get away, hes using every ounce of energy to keep him in WHILE forcing the military fucker to continue the acid spray. yet he still looks to eddie through his pain, he reaches for eddie in this moment of self sacrifice.

THIS MAKES ME ILL. I DONT EVEN??? IM SPEECHLESS??? i cant even put into words how this makes me feel. only for venom to reach past eddie to cover him with the debris, protecting him from the acid and explosion☹️

eddie's look back too, like hes genuinely in shock at what venom is doing, he cant fully grasp what is happening im gahhh uggghh what the fuck

EVERYTHING FOR EDDIE GOES SILENT TOO??? venom and the creature's screeching isnt heard hes hyper focused on the tendril im sick to my stomach dont even look at me

[apparitionism]

Bonus 4

First, a PSA: If you are eligible to vote in next week’s US election, please VOTE FOR HARRIS as well as every other Democratic candidate on the ballot, and do what you can to persuade as many other people as you can to do the same. I assume anyone who bothers to read my writing is smart enough to understand why that’s necessary—and why engaging in any sort of protest-vote or sit-this-one-out charade is counter to the interests of most living breathing people at this point in history.

Anyway. Here I offer the final part of last year’s Christmas story... again and as usual, where were we? I recommend the intro to part 1 for where we are, canon-wise (S4, essentially, but diverging); beyond that, Myka has just returned to the Warehouse after a holiday retrieval in Cleveland (Pete, in town visiting his family, was tangentially involved), where Helena, whom Myka hadn’t seen since the Warehouse didn’t explode, served as her backup—a situation facilitated by Claudia as something of a Christmas bonus. Post-retrieval, Helena and Myka shared a meal at a restaurant; this was a new experience that went quite well until, alas, Helena was instructed (by powers higher than Claudia) to leave. Thus Myka returned home, both buoyed and bereft... and here the tale resumes. I mentioned part 1, but for the full scraping of Myka’s soul, see part 2 and part 3 as well.

Bonus 4

Late on Christmas Day, Myka is heading to the kitchen for a warm and, preferably, spiked beverage, intending to curl up with that and a book—well, maybe a book; a restless scanning of her shelves had left her drained and decisionless, hence the need for a resetting, and settling, beverage—and to convince herself to appreciate the peace of these waning Christmas hours. She peeks into the living room, just to assess the wider situation, and regards a sofa-draped Pete. He returned from Ohio barely an hour ago, which Myka knows because she had heard Claudia exclaim over his arrival. Then things had gone quiet.

Now, he appears to be napping.

Myka tries to slink away.

“Claud mentioned about your backup,” he says as soon as her back is turned, startling her and proving she’s a terrible slinker. Small favors, though: at least she hadn’t already had her beverage in hand and so isn’t wearing it now. “That had to be weird,” he goes on, sitting up.

She’s been wondering whether the topic would come up, whenever they happened to get beyond how-was-your-trip pleasantries... she entertains herself for a moment with the idea of referring to Helena, specifically with Pete, as “the topic.” So she tries it: “‘Weird’ does not begin to describe the topic.” It is entertaining, as a little secret-layers-of-meaning sneak. But there’s yet more entertainment in the offing, with its own secret layers: “Incidentally, speaking of weird—which I’m sure was also mentioned—I met your cousin. Thanks for giving her an artifact. Very Christmas of you.”

He rounds his spine into the sofa like he’s trying to back his way through the upholstery and escape. “Don’t be mad. I didn’t mean to. I didn’t know it was an artifact.”

Myka is tempted to keep him guessing about her feelings, but she doesn’t really have the energy; she gives up on entertainment and tells the truth: “I’m not mad. I’m serious: thank you.”

“I think you’re trying to trick me,” he skeptics. “Soften me up for something. But if that’s for real, then you should thank my mom more than me.”

Pete’s mother. The extent of Jane Lattimer’s role in Myka’s life is... surprising. Then again the extent of her role in Pete’s life has turned out to be surprising too, and that’s probably a bigger deal, all things considered.

Pete goes on, “Because I was gonna blame her, but should I give her props instead? It was her idea to give the little feather guy to Nancy, because of how after I got it I saw that it’d probably PTSD you.”

“I appreciate the seeing, but... wait. After you got it. How’d you get it in the first place?”

“I was in this antique store,” Pete says.

As if that explains everything—when in fact it explains nothing. In further fact, it unexplains. “Why were you in an antique store? According to you, you hated those even before the Warehouse turned them into artifact arcades.”

“Mom was picking something up there, and this guy showed it to me.”

“Your mom, this guy...” Myka is now beyond suspicious. “What did this guy look like?” A pointless question. As if knowing that could help her... as if anything could really help her. This is madness. “Fine. It doesn’t matter what he looked like, because I’m stopping here. I can’t keep doing this. For my sanity, I can’t.”

“Keep doing what?”

“Tracing it back. You win. You all win.”

“Do we? Doesn’t feel like it. And that doesn’t seem like a reason you’d be thanking me.”

“No. That isn’t. But as of now I’m trying to keep myself from focusing on... let’s call it the causal chain.”

“I’d rather focus on the popcorn chain.” He points to the strands that loop the Christmas tree.

They are the tree’s only adornment. Every prior holiday season of Myka’s Warehouse association, Leena has decorated the B&B unto a traditional-Christmas Platonic ideal; this year, in her absence, Myka, Steve, and Claudia, trying to replicate that, had purchased a tree. And transported it home. And situated it near to plumb in the tree stand, which was an exhausting exercise in what they earnestly assured each other was complicated physics but was really just physical incompetence.

They had then settled in to do the actual decorating, starting with popcorn strings... but once they’d finished those, they were indeed finished, pathetically drained of holiday effort. And they’d succeeded in that initial (and sadly final) project only because, as they’d all agreed once they’d strung the popcorn, Pete hadn’t been there to shovel the bulk of their also-pathetic popping efforts into his mouth.

“Take them down, slurp them up like spaghetti if you want,” Myka says now. “Christmas is pretty much over.” The statement—its truth—makes her stew. At Pete? But the situation isn’t ultimately his fault, no matter what part he played. And why is she so set on assigning, or marinating in, this vague blame anyway? She got something she wanted: time with Helena. It didn’t work out as perfectly as she’d wished it would, but she got it.

She tries to resettle: her heart to remembrance, her brain to appreciation.

The doorbell rings, its old-fashioned rounded bing-bong resounding from foyer to living room and beyond, bouncing heavily against every surface. Myka lets the vibrations push her toward the kitchen; she’s had enough of interaction for now. Her beverage and book, whichever one will provide some right refuge, await. As do remembrance and appreciation.

She hears Pete sigh and the sofa creak; he must have shoved himself from it in order to lurch to the foyer. A minute later, he yells, “Guess what! Christmas might not be over!”

Still kitchen-focused, Myka yells back, “If that’s not Santa himself, you’re wrong!”

“Never heard of that being one of her things!” Pete shouts, even louder.

“Quit shouting!” Myka bellows, so loud that she drowns out her own initial registering of what he’s said, which then starts to resonate in her head, a stimulating hum that resolves into meaning... her things? Her things... Myka’s torso initiates a turn; her body knows what’s happening, even if her brain—

“Hey, H.G.,” Pete says, and now every part of Myka knows.

Except her eyes, but once she moves to the foyer to stand behind Pete, they know too: There Helena is. Her body. Embodied. The illumination of her, in the foyer semi-dark... her bright eyes catching Myka’s, warming to the catch... oh, this.

Seeing the sight—greeting, once again, her perfect match—she is struck dumb.

There’s movement behind her, though, and she turns to see Steve and Claudia poking their heads into the space like meerkats—well, no, in South Dakota she should think prairie dogs... but they’re both built more like meerkats than prairie dogs, so she should probably keep thinking meerkats out of... respect? Whatever: they’re animal-alert, heads aswivel, faces alight. It surely signifies something.

Turning back to Helena, trying to get a voice in her mouth, she coughs out, “You’re back? Now? I mean, already? How did you—”

“To quote myself: ‘when I can, I will,’” Helena says, as matter-of-factly as anyone could possibly speak while maintaining intense eye contact with one person, and Myka thanks all gods and firefighters above that she is herself that person. “Now, not forty-eight hours later, I could. Thus I did. I should note that I’m unsure as to why I could, but perhaps it’s a gift horse?” Her focus on Myka does not waver. Pete and the meerkats might as well not exist, and Myka in turn is mesmerized.

“Maybe that’s the horse you rode in on,” Claudia says. Is she trying to break the spell? Myka wishes she wouldn’t... she ideates shushing her, even as Claudia goes on, “But better late than never, Christmas-wise, right?”

“Did you enjoy your additional portion of squash?” Helena asks Myka, ignoring Claudia’s interjection. Her tone is formal, presenting public, but her question is for Myka alone.

“It was very good for my heart,” Myka says. She doesn’t add, though she could, And so was that question.

Helena smiles like she heard both good-fors—like she’s grateful for both—and Myka thinks, for the first time out loud in her head, She feels the same way I do.

It’s... new. Different. Perfect? Not yet, the out-loud-in-her-head voice instructs.

But she can make a move in that direction. “Please put your suitcase in my room,” she says. Out loud, outside her head. Realing it.

“I will,” Helena says. She takes up her case and moves toward the stairs, presumably to real that too.

It renders Myka once again enraptured. She is taking her suitcase to my room. My room. She is.

The first stair-creaks that Helena’s ascent occasions sound, to Myka’s eagerly interpretive ears, approving.

Claudia and Steve don’t even blink. Pete does—well, more the opposite; he widens his eyes in the cartoony way.

But then he turns on his heel, Marine-brusque and not at all cartoony, and exits the space. Myka doesn’t know what to make of that. She’ll most likely have to address the topic—in fact, “the topic”—with him later. Fortunately, later isn’t now.

She does know, however, what to make of Steve and Claudia’s aspect: “I’m sensing some ‘aren’t we clever’ preening,” she accuses.

“We are clever,” Claudia says, dusting off her shoulder. “More Fred. Don’t sweat it.”

Exasperating. “Don’t sweat it? As I understood the situation, Fred was a retrieval and an insanely expensive dinner. Are we doing that again, or is she back for good?”

“She’s back for nice,” Claudia says.

Steve jumps in with, “To answer your question: we’re not a hundred percent sure.”

“See, we made a deal,” Claudia says.

“With whom?” Myka asks.

“Santa?” Claudia says, but without commitment. Myka’s response of an oh-come-on face causes her to huff, “Fine. Pete’s mom and company. And Mrs. F. And even Artie, in absentia.”

“What kind of deal?” Myka asks, because while she can’t dispute the indisputably positive fact that Helena is here, she mistrusts any deal involving Regents. Pete’s mom aside. Or Pete’s mom included: She can’t stop her brain from stirring, stirring once again to life those causal-chain questions: What’s being put in motion this time?

“A kind of deal about which things they’re willing to let us—well, technically Steve—say are nice,” Claudia pronounces, as if that explains everything.

Myka is very tired of proffered explanations that actually unexplain.

Steve says, “Claudia finally found the file on the pen. Seems that Santa’s list, once made, is kind of ridiculously powerful. And it turns out you can put a situation on the list.”

“For example,” Claudia supplies, “H.G. and you. Getting to be in each other’s... proximity.”

Steve adds, “And yours isn’t the only one I put there. That was part of the deal.”

“So you’re letting the pen reward nice situations with... existing,” Myka says. “And are you storing it on some new ‘Don’t Neutralize’ shelf? So nobody accidentally bags the existence out of them?”

Claudia says, “Kinda. At least for a while.”

This all seems deceptively, not to mention dangerously, easy. “But: personal gain, not for,” Myka points out.

“Right,” Steve says. “So here’s a question: what does ‘personal gain’ actually mean? The manual doesn’t have a glossary. So we’re trying to work it out. Let’s say Claud uses an artifact and then makes this utterance: ‘My use of this artifact was not for personal gain.’ And let’s say I assess that utterance as not a lie. The question remains, are the Warehouse and Claud and I agreeing on the definition of ‘personal gain’?”

“The question remains,” Myka echoes, fretting. “And the answer?”

“We’ll see,” Steve says.

It’s destabilizing, but that’s the Warehouse’s fault, not Steve’s. “I just hope the artifact won’t downside you for any disagreement. Because you’re remarkably nonjudgmental, and—”

“With a Liam exception,” Steve notes. “Or several. Ideally, though, the Warehouse and I can work through these things like adults. Unlike me and Liam.”

Myka respects his honesty. And yet: “I’m having a seriously hard time ideating the Warehouse as an adult.”

“We’re working through that too,” Steve concedes.

“You clearly have the patience of a saint.”

Steve chuckles. “Pete’s your partner, right? And in another sense, H.G. might be too?” Myka waves her hands, no-no-too-soon, because suitcases notwithstanding, she has certainly in the past thought she was making a safe all-in bet, only to lose every last copper-coated-zinc penny of her metaphorical money. “No matter what we call anybody,” he continues, “I think you get a lot more patience practice than I do. I’m just dealing with one little Warehouse and its feelings.”

“Aren’t its feelings... unassimilable?” she asks. “Or at least, shouldn’t they be?” It’s a building. Whatever its feelings, they should be talking about it like it’s an alien, not somebody who’s in therapy. Or somebody who should be in therapy.

“Maybe,” Steve says. “Or maybe not. That was part of the deal too, that I would test out how it feels. About personal gain specifically here, eventually maybe more. But if it has a meltdown...”

“Ah. We cancel the test, neutralize the pen, and face the consequences.”

Steve nods. “But ideally, if that happens, we will have leapfrogged whatever the looming Artie-and-Leena crises are. The two of them coming back here safely are the other situations we niced, as part of the deal.”

Claudia adds, “My big fingers-crossed leapfrog is over their stupid administrative ‘keep H.G. away from Myka and everybody else who loves her’ dealy-thingy. We’re hoping they’ll just forget about whatever their dumbass reasons for that were when they see how great it is for her to be back.”

“Dealy-thingy? Have you been talking to Pete?” Myka asks, trying for silly, for light—so as to deflect that “love her” arrow.

“Not about that. But wait, are you saying he loves her too? I mean I figured he was okay with her after the whole Mom-still-alive thing, but his Houdini out of here just now makes me think he’s not quite all the way to—”

“Never mind,” Myka says, as a command.

Claudia squints like she wants to pursue it. Myka crosses her arms against any such idea, in response to which Claudia says, “Fine. Here’s some funsies you’ll like better. Making that list, you’ve gotta have balance. Naughty against the nice.”

“And you think I’ll like that because?”

“I talked to Pete’s cousin, a little pretty-sure-we-don’t-have-to-tesla-you-but-let’s-make-super-sure exit interview. Heard some things about a guy. Bob? Seemed like a good candidate.”

Well. Pete had been right on several levels about Christmas not being over yet. “That’s the best news I’ve had in the past... I don’t know. Five minutes?” Other than the Pete-vs.-“the topic” question, it’s been an absurdly good-news-y several minutes.

Claudia goes on, “Personal gain, what is it? There’s also a warden from that place I don’t like to remember being committed to who’s about to have a Boxing Day that’ll haunt him longer than he’s been haunting me.”

That definitely raises questions—flags, even—about “personal gain” in a definitional sense, but letting all that lie seems the better part of valor, so Myka asks Steve, “Any Liam on there?”

“Too personal to let the Warehouse anywhere near,” he says, but with a smile.

Myka smiles too. “Would that I could say the same about my situation.”

Claudia snickers. “Your situation is Warehouse-dependent. Warehouse-designed. Warehouse-destined.”

“All the more reason said Warehouse shouldn’t object to easing the pressure,” Steve says.

“Are you kidding?” Claudia says. “Its birth certificate reads ‘Ware Stress-Test House.’”

Myka appreciates their positions—Steve’s in particular, even as she internally allows that Claudia’s is probably more accurate—but she would appreciate even more their ceasing to talk about her situation like they’re the ones whose philosophy will determine how, and whether, it succeeds. Or even proceeds.

And she would most appreciate their ceasing to talk about her situation entirely. So that she can go upstairs and be in her situation, because Helena hasn’t come back downstairs, a fact for which Myka’s rapidly overheating libido has provided a similarly overheated reason: she is waiting, up there in the bedroom, for Myka.

Which thought is of course followed by Helena’s preemption of same: she descends the stairs and presents herself in the foyer.

Damn it, Myka’s disappointed libido fumes.

Sacrilege! an overriding executive self chastises, and it isn’t wrong, for again, here Helena is. To fail to appreciate that—ever—is an error of, indeed, biblical, or anti-biblical, proportions.

In any case, now four people are just standing here, awkwardness personified.

Helena flicks her eyes briefly toward Myka—it seems a little offer of “hold on”—then turns to Steve and Claudia. “I didn’t greet either of you directly when I arrived. I apologize. Claudia darling, it warms my heart to see you... and this is of course the famous Steve, whose acquaintance I’m delighted to make at last.”

Striking to witness: Helena has essentially absorbed the awkward into her very body and transmogrified it into formality.

Myka loves her.

“Famous?” Steve echoes, like she’s said “Martian.”

“I’ve heard much of you,” Helena says, with an emphasizing finger-point on “much.”

Steve smiles his I’m-astonished-you’re-not-lying smile, through which he articulates, “Likewise? I mean, likewise, but with more. Obviously.”

Yes, Myka loves her: for her charming self alone, but also for how that charm extends; her sweet attention to Steve has him immediately smitten. Myka’s the one to catch Helena’s gaze now, intending merely to convey gratitude, but to her gratification it stops Helena, causing her to abandon her engagement with Steve.

Maybe she and Myka can stand here and gaze at each other forever. It wouldn’t be everything, but it would be something. Second on second, it is something. It is something.

Claudia interrupts it all, saying to Helena, “Can I hug you?”

Myka doesn’t begrudge the breaking of this spell, particularly not with that; she had been selfish, before, greedy to keep Helena and her eyes all to herself. She also doesn’t begrudge the ease of the hug in which Claudia and Helena engage; getting a hug right is simpler when its purpose is clear. And clearly joyful.

Over Claudia’s shoulder, Myka’s and Helena’s gazes lock yet again, and it’s spectacular.

However: it also seems to introduce a foreign element into the hug, some friction that Claudia must sense, for she disengages and says, “So. I have to go. I just remembered I have an appointment to not be here.”

Steve says, “I feel like I was supposed to remember to meet you there, wasn’t I,” Steve says, and Myka has never been able to predict when he’ll be able to play along instead of blurting “lie” (even if he does often follow such blurts with some version of an apologetic “but I see the social purpose”).

“I don’t think you were,” Claudia says, “because I’m revising the gag; it makes more sense if I just now made an appointment to not be here. So you couldn’t be remembering some nonexistent-before-now appointment.”

“But I still think the appointment ought to be with me, gag-wise and otherwise,” Steve says, doggedly, still playing. “In the first and second place.”

“Is this the first place?” Claudia muses, faux-serious, now rewarding his doggedness. “Is the appointment in the second place?”

They could who’s-in-the-first-place this for days, so Myka intervenes, “In the first place, if this is a gag, it desperately needs workshopping. But in the second place: Scram!”

“You mean to the second place,” Claudia sasses.

Myka scowls, wishing she could growl proficiently.

 Claudia’s eyes widen. “Scramming. Best scrammer,” she says, sans sass, proving the actual growl unnecessary. Interesting.

“Except that’s about to be me with the gold-medal scram,” Steve objects and concurs.

Myka pronounces, “I’ll be the judge of who’s what. Once you actually do it.”

“You’ll award the medals later though, right?” asks Claudia. Her words are jokey, yet her tone is weirdly sincere, as if Myka might forget they had scrammed on her behalf, and that such amnesia would be hurtful.

“Participation trophies,” Myka semi-affirms, “in the form of a healthy breakfast.” She adds, internally, Take the damn hint.

After much winking and nudging, the comedians at last absent themselves, and Myka and Helena are alone.

Unfortunately that doesn’t immediately yield the perfected situation Myka seeks, first and foremost because she doesn’t know what comes next. Take your own damn hint, she tells herself, but... how? They need privacy, and the only reasonable place for that is where Helena’s suitcase rests: upstairs. Myka can’t magic them there, so what incremental movement will be recognizable as an appropriate beginning?

She casts a wish for Helena to ease it all, as she had with Claudia and Steve, but Helena is stock-still, offering no increment. For both of them, upstairs seems to have become a different place... the promised land?

Nothing is promised, she reminds herself. Some things are newly possible, but nothing is promised. Certainly not when the Warehouse is involved.

So maybe the point, probably the point, is that it’s incumbent on Myka and Helena to realize the possibility.

Nevertheless, here they stick.

After a time—most likely shorter than Myka feels it to be—Helena announces, “Pete and I have had a chat.” Her articulation of “chat” shapes it into a synonym for “fight.” “Who won?” Myka asks.

“I believe it was a draw. He opened by saying he ‘didn’t get how far along this thing had got.’” Hearing Pete’s diction in Helena’s mouth is disorienting. “He then said he wants to protect you.”

That’s so Pete. “I don’t need protecting.”

Eyebrow. “I noted that I want to protect you too.”

That thrills Myka. At the same time, she wants to object to it nearly as much as to Pete’s assertion... internal contradictions, what are they? She lands weakly on, “I hope that persuaded him.”

“Pete finds deeds more persuasive than words,” Helena says. “Thus I’m ‘on probation where Myka’s concerned,’ until he determines I won’t damage you.”

That’s so Pete too. But. “That is my determination.”

“I expressed a similar sentiment. He responded, ‘And how’d that go last time?’” Helena’s wince after she says this is awful, and Myka dares to assuage it, stepping toward Helena with open arms, drawing her into an embrace.

This time, their hug—simpler because its purpose is clear—works, bodies soft-querying at the start, then firm, intentional. Not quite catching fire, but this is a palpable first cut into whatever membrane of uncertainty is obstructing their movement.

Slow, slow, they move apart. Yet they stay close, the embrace’s softness lingering as Helena says, “Selfishly, I didn’t concede his point, which is in any case indeed down to your determination. But I did note that circumstances have changed since then. And to be fair I must report that he allowed they have.”

“You’re both right,” Myka says. But: “Was this Cleveland mission contrived to... further change the circumstances?”

“I didn’t contrive it,” Helena says, fast. “I would have, if I could, but I didn’t.”

“I’m not saying you did. I’m saying I always wonder, because I can’t help it, how much, or how little, of what happens just happens.”

“And the rest—or if I’m understanding your implication, the bulk—would be...?”

“Some sort of social engineering.”

“On whose part?” Helena asks.

That’s disingenuous. “Your engineers of choice. Regents. Mrs. Frederic. Mr. Kosan. Ententes thereof.”

Helena runs a hand through her hair—frustration at the thought of those entities? Or just showing off? Then she shrugs, as if to dismiss both possibilities. “I favor any engineering that places me in private proximity to you.”

The words are beyond welcome. And yet. “I’m not objecting to it. I’m just...”

“Objecting to it.”

“No. Questioning its provenance.”

“Why?”

That brings Myka up short. “What?”

“If it produces an outcome you desire, what does the provenance matter? In this case, at the very least.”

It’s a reasonable question, and Myka’s most-honest answer would have something to do with the ethical acceptability of poisonous-tree fruits. For now, though, she goes with, “Because I don’t like being manipulated.”

“Don’t you?” That’s flirty, a near-whisper, compelling Myka to lean even closer. Helena knows—she’s always known—the power she has over Myka. And she’s always known how—and when—to wield that power.

“The manipulator matters,” Myka says, responding to the flirt, accepting the push away from ethics.

“Then would that I could in truth say I contrived that relatively banal retrieval. And sabotaged the elevator, so as to draw our attention to... that to which it was drawn.”

“I can’t say I was displeased with the drawing,” Myka allows. “So if you had...”

Helena moves her lips, a sly hint of curve, and says, “Oh, but perhaps I’ve manipulated you into that sentiment.” Again, an ostentatious flirt.

Myka’s knowing that flirt-show for what it is? That’s Helena-specific. In the past Myka has always had to be told when she was being flirted with: “He was interested in you,” an exasperated friend would explain of an interaction Myka found incomprehensible, and she would cringe internally at her inability to recognize such an apparently basic, obvious display. But with Helena she’s never needed a flirt translator. From the first lock of gaze, unto this night’s myriad connections; from that first brush of finger, unto the way Helena has just allowed their hug to linger; from the first just-for-you conspiratorial grin, unto this very moment’s slip of smile—all the advances, heavy and light, have been legible to Myka.

And based on what she is now reading, she has no ground left. “Fine. I like being manipulated if it means.” She clears her throat. “If it means I get closer to you. You win.”

“Do I?” Here’s the disingenuity again, but now Myka understands its intentional irony. Helena follows up with, “This establishment has no elevator,” Helena says, like it’s nothing more than a structural observation that checks a box on a form, a minor note in an overall architectural assessment.

“No,” Myka agrees.

“How fortunate,” Helena says.

Myka waits for the conclusion, the help... but it’s not forthcoming, probably in a that’s-down-to-your-determination-as-well sense. The next cut is clearly Myka’s responsibility too. So: “It has stairs though,” she offers. “That go. Up. Well, both down and up. Of course. As stairs do.” Stop talking, she tells herself, but her nerves don’t heed the advice. “As they have to? I don’t know; do they? Escher?”

“Ess-sherr,” Helena echoes, clearly uncomprehending. That she lets Myka hear her knowledge gap is a gift. For Christmas?

“He’s an artist. I promise I’ll explain later. Eventually. Anyway the stairs. I think you just used them? Without incident?”

Myka expects a comeback. She gets none, which leaves her in some non-place, absent as it is of Helena-attitude... but what form had she expected such attitude to take? Aggression? Naughtiness? Or “naughtiness”... does the lack of all that mean Helena is offering a self more authentic than the one who charms and flirts? But that doesn’t seem quite right, for the charms and the flirts have always seemed clearly intrinsic Helena-talents. Deployed, yes, but not inauthentic. So if this Helena is deploying fewer such talents, maybe it’s that she’s... less?

Ironically—of course ironically, because all of this is so, so layered like that—a reduced Helena is an even greater bonus.

All of this, which Myka had better figure out, fast, how to appreciate and accommodate. “Of course that’s no guarantee that travel will go well,” she begins. “So we should try not to trip on the stairs... wait, no, that would make it our problem, which I don’t think this ever was. Maybe better: we shouldn’t let the stairs trip us.” She considers. “But no again: what I really mean is, we shouldn’t give the stairs a reason to trip us. Right?”

Helena looks at her and blinks, charmingly blank. “I have no idea. Are you through?”

“I have no idea either,” Myka admits, still directionless without Helena’s attitudinal lead. Is this, like the semi-botched hug of two days ago, a seemingly terrible sign?

“Merely delay.” A little head-shake follows. Signifying disappointment? Making light of Myka’s inability to get through? Then Helena says, “And yet I don’t know how much more delay I can withstand.”

Those raw words are mediated by nothing more than molecules—the nitrogen-oxygen-argon-et-cetera invisibilities conveying waves to Myka’s ossicles—and for the second time, Myka ideates, in full awe, She feels the same way I do.

“Me either,” she says, literally heartfelt, sending the words back, a final push through everything, molecules and otherwise, that has stood between them.

Testing, she offers Helena her hand. Helena takes it.

These hands together: not a first. Not even a second. In the present circumstance, that translates to something very like “comfortingly familiar.”

Under the aegis of that comfort, they ascend the stairs, Myka leading the way, marveling that she can. Against her pulling hand, Helena offers what seems a single erg of resistance, a display, an I-am-letting-you affirmation.

They cross the threshold of Myka’s room, and then. Then, after Myka makes one turn and twist, a closed non-elevator door stands, for once and at last, between them and the rest of the world.

Closed, the door is, but not locked. In the door-closing instant, turning the lock—adding its presumptive click—had struck Myka’s hand as overly brazen: that’s a frustrating flinch her hand will have to work out with whatever part of her brain-body complex was certain enough to start this, start it by saying what she did about the suitcase... the same part that keeps telling her that Helena’s feelings match hers.

As Myka turns her back on the now-closed door, she sees her bed. She sees her bed. Disconcerting, in this new now, how large a percentage of the room’s space this one piece of furniture seems to be occupying...

But she’s self-aware enough to know that she’s overlaying the bed’s current brain space, the desires it signifies, on the physical. Whatever’s going to happen—or not—will happen, she tries to force into that space in her brain, pushing it down... for desire, sometimes indistinguishable from expectation, has devastated her before. But she tries too hard: missing the mark, she slips and falls into some past-obsessed cerebral fold, once again lost, quietly but deeply, in that devastation.

“Here we are,” Helena remarks into the silence. “Or, harking back to engineering: Here we are? I continue to be unsure as to why. I can accept unclear provenance, but I’d prefer more explication regarding my allowable movements.”

That’s help. That’s rescue. But oh: movements. The word nearly derails Myka in a different direction, but she gathers herself, resetting to reply, “It’s explicable, but I honestly don’t have the energy to explicate even my minimal knowledge of the mechanism. The most basic base is, Claudia and Steve worked out a deal to use that pen, and there’s a list that you and I are on. As a ‘nice’ situation. Anyway if you want real details, you probably should sit down with Steve.”

A mind’s-eye image comes to her, of Helena and Steve leaning toward each other, bringing complementary concentration to bear on some topic large or small... and then an incipient sound strikes her: the chime of their voices together, both seriously and lightheartedly, ringing notes she hadn’t before this new instant thought to anticipate. “Actually I think you and Steve sitting down would be really pleasant. Even productive. Given that you’ll be sticking around. I mean, if you’re willing, and if, or at least until, some definitional issues get worked out. As I understand it.” As I devoutly hope, she doesn’t quite utter.

“That addresses... some issues, I suppose. Yet a question remains.”

This is a bonus of a day: Helena turning into the queen of understatement? It’s freeing; Myka laughs and says, “Tons of questions remain. Which one’s on your mind?”

Head-tilt. “You said you didn’t have the energy... to explain the mechanism,” Helena says.

More delay, Myka knee-jerks... but she knows the reflex immediately as wrongheaded, for this is conversation, the value of which she should have learned by now not to discount. “Right. Sorry, I’ll try: so the pen, and honestly speaking of questions and provenance, I still have some questions about provenance, which I’m trying to ignore, but anyway, Claudia found the file, and—”

“That is not the issue I had in mind.”

“Sorry. I’m not getting anything right, am I?” Because of course she isn’t getting anything right.

“We’ll see,” Helena says.

“So what did I jump the gun on?”

“You don’t have the energy to explain.”

This muddles Myka; it will probably require another reset. “I did say that, but I can try to—”

“Myka,” Helena says, and her name in that mouth will never cease to be a singular wonder. “What do you have the energy for?”

Here again is the difference between the attitude that Myka, in her more cynical moments, might have thought Helena would maintain, and the reality she is instead offering: the question is suggestive, but guilelessly, graciously so; its import is genuine, not manipulative. “How do you do that?” Myka asks.

“Do what?” This question, too, is guileless, gracious.

“Stop me.” It’s the best definition Myka can produce of what Helena has in fact done, what she seems consistently able to do.

Helena breathes several breaths, like she’s waiting for the right words to arrive... no, more like they’ve already arrived, but she’s preparing herself, gearing up to deliver them. “I don’t want to stop you,” she eventually says, and Myka should have used that windup to prepare herself: for the admission this is, for how this don’t-want utterance nevertheless is want.

They are the most vulnerable words Myka has ever heard.

New, new, new... the fact is that historically, people have tended to twist and shy from revealing weakness to Myka. Fallout from her tendency to judge, no doubt, but it means that this, too, is new: here is Helena, and maybe in some other world someone else might have made such a mattering move but here in this best one it’s Helena, Helena ignoring that character defect, Helena blowing past it for a chance to change everything.

Everything. “It’s Christmas,” Myka says, because it is. And because now it is.

“So give me this gift,” Helena rejoins.

“You too,” Myka says.

For the space of one breath, they both wait—bracing for whatever fate intends to use to stop them this time.

But this time nothing stops them, for in the ensuing instant, they both give that gift, blowing fast past everything that, slow, might stop them, grasping at this chance to change.

The jolt of their contact reminds Myka of—no: the shock of it strikes her as—artifact activation, that calling of vested power into being, that enabling of such longed-for release. Before the Warehouse taught her to recognize this transubstantiating, she would not have understood this moment’s raw unleashing, its summoning and compelling of stored potential to manifest as what it has lain in wait, in desperate wish, to become.

But also: all the blood in her body knows she has never felt such power released nonartifactually before now, before this.

Before this world-encompassing, world-creating first kiss.

“You’re thinking,” Helena murmurs into the space of a pause for breath. “I can taste it.”

“Sorry, sorry, sorry,” Myka scrambles, kicking herself for not staying in the unprecedented moment, for letting thought intrude, as she always does, and it’s always bad, and Helena is now rightfully offended and disenchanted and—

“It’s delicious,” Helena says, punctuating—proving—by meeting Myka’s lips again, again again again, as if determined to never stop.

Myka would be perfectly happy, oh so perfectly happy, with that forever-continuation, but something in her brain has begun gesturing wildly, demanding her attention... something about her hand... brazen... she rips her lips away and yelps, “Wait! I have to lock the door!”

“The thinking continues,” Helena says, stepping back, freeing Myka, and spreading her arms in a ta-da endorsement. “You’re brilliant.”

A memory: “Bunny, you think too much.” No I don’t, she can now answer. Not for her. In time, given time, she’ll tell Helena how much this matters, but now is not that time. Not when Helena is saying, “However, as we’re behind a locked door, I’ll wager I can make you stop thinking... for at least one consequential moment...”

To Myka’s extremely consequential—and utterly, blissfully unthinking—delight, Helena wins that bet.

****

Later. Lazily, later: “I genuinely cannot believe we were stuck in an elevator,” Myka says. A thing to say, said. “As the prelude to all this.” Which is what she really means.

Against Myka’s neck, newly and blessedly intimate, Helena says, “Your limited capacity for belief is noted. Are you equally incapable of believing that we had the apparently obligatory, if not preordained, chat?”

“Obligatory... preordained...” Myka is still so lazy, she’s practically drawling, and the out-of-character surprise of it pricks at the edge of her ability to stay in such a state. Stay, stay, stay... “Honestly... just clichéd.”

“And yet I was able to add a reference to my Myka-index. Entry: Mirrors, your artifact-related discomfort with.”

Myka’s heart seizes: Helena has a Myka-index. That, plus their proximity now, surely requires her to do better than the little falsehood she’d rested on with regard to the mirror-discomfort. Pushing laziness aside, with something too much like relief, she acknowledges, “I misled you. There was an artifact, but that isn’t what bothers me. The real thing is that mirrors make me observe myself too closely. Too much. Which I do all the time anyway.”

“I wish you’d delegate that observational task to me.” Sweet. Helena sounds so sweet. And not just sounds: Myka can tell (hopes she can tell) Helena means it. Which is even sweeter.

And which in turn entails a need for Myka to think seriously about being observed. Being protected. Being willing—but more important, able—to delegate in the correct spirit, even minimally. “I can try.”

“I can accept that,” Helena says, and the approval is better than sweet: it’s buy-all-the-books-you-want indulgent. “But I must ask: do you honestly think any part of the Cleveland interregnum was the elevator’s doing?”

The true answer references Myka’s entire Warehouse experience, from day one: “Yes and no.”

Helena nods, her hair sliding mink-soft on Myka. “I can accept that as well.”

“And whoever’s at fault, our chat was interrupted,” Myka says.

“As it was poised to progress beyond ‘chat’... but in truth I would rather this happened here than in an elevator. Better environs for still further progress. Don’t you agree?” Helena moves her unclad limbs against Myka’s, in transcendent emphasis.

Of course Myka agrees. Which leads her to a painful realization: “So maybe the elevator wasn’t as judgmental as I... judged it to be.”

Helena bestows a kiss to Myka’s shoulder—small, intimate—bringing Myka’s mind back, sharp, to what those bestowing lips have so recently accomplished, which threatens to render her again overcome. She shudders, which reduces her to embarrassment instead, but Helena is kind enough to feign obliviousness as she says, “You did note your own judgmental nature.”

Myka’s soul twinges in genuine regret, collapsing her lip-recall. She regrets that too. “Do you think I need to go back and apologize? I feel all guilty now.”

“The elevator has most likely moved on,” Helena says, quite dry.

“You’re saying it doesn’t have my memory.”

“I’m saying that even if it does—an open question, though the lack of elevator memoirs argues in the negative—it’s unlikely to care as much as you do about what it does remember.”

“Story of my life,” Myka sighs out. Now she’s really saying it, because memory, and caring too much about it, is that story.

“For the best, I suspect. Your life story and an elevator’s shouldn’t be entirely congruent, should they?” Helena questions, and that makes Myka laugh and want to read an entire library shelf’s worth of elevators’ memoirs. Feigning seriousness, Helena continues, “Although we might revisit so as to investigate whether its conveyance of Bob proceeded properly after our visit. That could be revealing.”

“Speaking of Bob, I feel bad for Nancy. Because of course he’ll blame her.”

“For elevator mischief?”

Ah. Helena doesn’t know. “For naughty.”

“Naughty what?”

“The list. He’s back on it, thanks to Steve and Claudia.”

“Is he.” Her satisfaction is evident, and for a moment she and Myka are one in their schadenfreude. That, too, is delicious. “Better they punish him than we do,” Helena then says.

This sends Myka back to guilt. “It feels like cheating. We didn’t use the artifact, but we get the personal gain.”

Myka’s shoulder now receives an indignant exhale. In its wake, Myka is dwelling on how she would have preferred another kiss, but Helena says, “I was speaking of soul-consequences, not this personal-gain fetish you all seem to embrace. Or perhaps it’s an anti-fetish, but in any case was no hard-and-fast dictum in my day.”

“I’ll reiterate that you should sit down with Steve,” Myka tells her, and Helena accedes with a nestle that erases the exhale.

Are words about such things—ambiguously motivated elevators, deserved punishments, fetishes of undetermined valence—a waste of time? No... for again, they are conversation... the value of which, Myka has lately learned, is even greater when the words it comprises land as soft breath on skin.

In fact Myka has learned a great many things in this locked-door recent while. There is, for one, the gratifying fact that she and Helena are physically compatible, at least as evidenced by this first performance, in terms both of wants and of abilities to satisfy them. But nearly as important, particularly in its physical component but not only that, is her new understanding that while her life has offered her several circumstances with which she’s been reasonably satisfied—that she hasn’t minded—this right-now is orders of magnitude above such contentment. She must have in some soul-stratum known this would prove true, or she would not have been panting in its pursuit so seemingly hopelessly, with such dogged desperation.

She says, with gratitude, “This is what I wanted.”

Getting what she wants: that, too, is new. And very. very nice.

“I would hope so,” Helena says. As if she had some genuine doubt about Myka’s motivation? “No, that’s rhetorical; rather, I did hope so. You’ve realized that hope, and... well. I should be clear: this is more than I dared to want.”

Myka, endeavoring to bring everything together, says, “So what you’re saying, want-wise, is that it’s a bonus. A nice one.”

“I’m saying, want-wise, that my wildest hopes have been exceeded. Surpassed. Transcended.”

It’s something, that reply. Also more than a little over the top, rhetorically, which Helena obviously knows. “Pleonast,” Myka accuses.

Helena laughs. “Not inaccurate. I suppose your ‘nice bonus’ translation is technically correct, if a bit... with apologies, pedestrian?”

“It’s less pedestrian than ‘Fred,’” Myka says. A “hm?” from Helena reminds Myka that she hasn’t yet made that translation evident. “I guess ‘Fred’ counts as esoteric instead, so never mind. You’re right, ‘bonus’ is pedestrian. So is ‘nice.’ But maybe it’s a good idea to call our whatever-it-is something pedestrian. I don’t want to scare it away.”

“And what precisely do you think would ‘scare it away’?”

“Bigness,” Myka offers, weakly. It’s what she means, but—

“‘Bigness?’” Helena says, quotes evident. “From the woman who so recently deployed ‘pleonast’? Should I fear that you’ll regularly revert without warning to Pete-reminiscent locutions?”

Myka chuckles. “Spend enough time with him, it’ll probably happen to you too.” The laziness is back. Earned back?

After a time—or perhaps Myka only after a time processes the sound—Helena says, “God forbid.”

A further lag ensues before Myka manages to respond, with a drowsy “I agree.”

Sleep follows. That is certainly earned.

****

Consciousness resumes for Myka with a banging on her door and a shout from Pete: “It’ s really not Christmas anymore, because Artie’s back!”

“Being Artie about it!” Claudia shouts in addition. “He says get to work!”

“I’m awake,” Myka says as she becomes more fully so. This is a Warehouse morning, and Warehouse alarms ring as they do.

Then: I’m not awake; I’m dreaming, because the back of Helena’s head and her naked shoulders greet Myka’s opening eyes. That’s a bracingly new alarm.

Helena’s voice comes next. “He says get to work,” she quotes, playfully, and Myka would be willing to wake to such an alarm with joy for the rest of her life.

But assuredly, if the content of that alarm is the dictate, then no one is dreaming. There’s really nothing for Myka to say except, “Sorry, but one more time: Story of my life.”

“Now? Our life,” Helena corrects.

That is a literally life-story-altering assertion, and a self-deprecating impulse tempts Myka to scoff it away. Behind that impulse, however, lies a clear-eyed recognition that she must meet what Helena has said. How, how, how...

...and then her mind starts fully working. She begins to formulate a plan. One that will, if possible, manifest her gratitude, but also, display her difference from the Myka she used to be, that one from so few hours ago, who had not yet known the dream-surprise of this awakening’s sight.

“I’m going to tell them I can’t get the door unlocked,” she says. Steve isn’t there. She can get away with it. She sits up, ready to head for the door and tell that story.

Helena touches Myka’s shoulder. “Would it lend credibility for me to suggest out loud that I genuinely can’t believe we’re stuck in your bedroom?” More play, but the touch is becoming a don’t-leave-this-bed grasp.

Myka leans to kiss the restraining hand. “I think that would make them think you planned it. And were being nefarious about it. Shocked incredulity isn’t really your strong suit.”

“It’s true that my capacity for belief outstrips yours.” She pulls down on the sheet, exposing both her body and Myka’s.

Talk about overdetermined. Or is it, in this as-yet-unmapped terrain, underdetermined? To be determined later, if at all... Myka somehow marshals sufficient will to rise from the bed, while telling herself that she is not, conceptually at least, actually leaving it. At the door, she fiddles with the lock, expressing frustration to support her claim, after which Pete and Claudia make noises about toolboxes and battering rams, respectively, and then mercifully depart.

“They’re going to try to get us out,” Myka reports as she returns to bed. “Maybe violently?”

“Let them,” Helena murmurs. “That elevator and its manifestation of mischief... comparatively amateur. You’ve bested it handily.”

That jolts Myka out of a back-of-mind consideration of whether she might be able to jam the bedroom door’s lock with something easily to hand, or perhaps whether her dresser might be pushed across the room to block the door entirely. She then considers, front of mind, the possibility that Helena—her physical presence, her physical provocation—is a bad influence... or at the very least a naughty one... for these thoughts are so, so out of character.

“That, on the other hand, is not the story of my life,” Myka says, and the fact of it does make her more than a little nervous.

“A new chapter,” Helena counters, reading Myka’s mind and setting it right—in three words. Such economy.

****

Myka and Helena are engaged in adding to that new chapter (or at the very least, drafting a steamy interlude of same, even if it isn’t essential to the plot) when a banging on the door interrupts them yet again. As does shouting: “We’re back!” yells Pete, unnecessarily.

“Hey, Myka, what’s going on?” That’s Steve. Far more quiet.

“I brought Steve,” Pete says, also unnecessarily.

“I gathered that from his voice,” Myka notes.

“But!” Pete says, in aha-I-got-you mode, “what if it turns out all I brought was his voice?”

“Then I guess he’d still be here in some sense?” she says; she’s thinking on the Helena-hologram, on what a lack of visual might have meant, on how a more ontologically disembodied voice would have made her believe Helena was there, there but standing on the other side of a door. How she would have wanted to take her own battering ram to that door. The hologram’s present non-presence had stranded her, stranded them, in a strange shared space, offering no barrier Myka could use her body to break violently through.

“But!” Claudia exclaims, jokey, fighting with Myka’s ache of reminiscence, “what if it’s just me, doing my Steve impression?”

“That’d be a different thing,” Myka concedes.

“You do a me impression?” Steve asks Claudia.

Who exhales so dramatically, Myka’s surprised the door doesn’t just blow open. “You have stood next to me while I did it.”

“I have?” Puzzled-Steve is honestly Myka’s favorite Steve.

“Are we not a team?” Claudia demands. “Myka does a Pete. Pete does a Myka. Naturally they both suck, but the point is, why don’t you do a me?”

“Because you’d kill me?”

“Guys,” Pete says, “this isn’t getting Myka and H.G. out of the bedroom.”

Claudia says, “But let me just. Myka, H.G., you guys do impressions of each other, right?”

Helena raises her arms, a gesture of observe-this!—or maybe it’s at-last!—and exclaims, “I feel compelled to express disbelief about this circumstance!”

It takes Myka a second to get it, but once she does, she shouts, “I love blooming onions!”

For quite some time, there’s silence from the other side of the door.

Then Steve says, “Am I the only one who’s extremely confused?”

“Usually, yes,” Claudia says. “Except now, no. I’m with you. Pete?”

“Myka loves blooming onions,” Pete says, slow; he’s the one having trouble now with belief. Myka can picture his gobsmacked face. “There’s my endless wonder for the day. Also, I gotta rethink a whole lot of stuff she said about what she was willing to eat.”

Myka presses an apologetic kiss to Helena’s lips (and how nearly unbelievable it is to feel comfortable with such a touch being swift, to not need to hoard, to believe there will be more), then extricates herself yet again from the sheets, the bed. She heads for the door: to make a show of unlocking it, to send them away temporarily so she and Helena can reassemble themselves to rejoin the world—but. Problem. Big problem. “Guys. I really can’t get the door unlocked now.”

“‘Now’?” Pete echoes.

“You mean you actually could before?” Claudia asks.

Moment of truth. So, fine, truth: “I didn’t actually try before.”

“Ha!” Claudia barks. “Are we still on impressions? That might’ve been a decent one, for real, because the attitude? Way H.G.”

“Thank you so much!” Helena chirps.

“H.G.,” says Claudia, with a whiff of pedantry—and that she feels free to express such an attitude toward Helena is most likely because she’s on the safe side of a closed door—“I was complimenting Myka’s impression.”

“But in it, you recognized my attitude.” Helena’s words are a full preen, and as she speaks, she’s rising from the bed, approaching Myka, slipping arms around her, such that Myka loses her ability to track what’s happening on the other side of the door, even as splinters of sound catch in her ears—“hinges inside,” “lock plate solid,” and finally, “break it down”—whereupon she realizes anew that neither she nor Helena is clothed, and that being caught and seen in that state will constitute a disaster that outstrips a great many of the others in her experience.

“We have to get dressed,” she breathes at Helena.

“Wait,” Helena says. “I suspect a realization is about to occur.”

At times, Helena can be eerily prescient. But what is it this time?

As if in answer, Claudia says, “I have a really depressing theory. Myka, can you get the window open?”, whereupon Myka understands Helena’s deduction: this isn’t mechanical; it’s artifactual. More specifically, list-artifactual.

She cannot open the window.

“Yeah,” Claudia says, a defeated I-knew-it. “I’d be all ‘try to smash it!’, but since I can’t see you try it and, like, bounce off the glass, what’s the point? I mean, go for it if H.G. wants the lulz.”

“I don’t know what that means!” Helena informs her. That too is a chirp, and Myka’s pleased to note it’ll probably head off the slapstick.

“Kind of a shame,” Claudia says, but with a drag, like she’s picturing it, and Myka is less pleased to have to devoutly hope that picturing involves everybody fully clothed. “Anyway I hate to say it, but it’s pretty clear this is on us, the list-makers.”

Pete groans. “You were supposed to check it twice! It’s right there in the song!”

“Listen, we seriously argued about the wording,” Steve says.

“And oh guess what!” Claudia says, defeat apparently tabled for the moment. “Everybody in the world is going on about their day as usual due to the unshocking news that I was right.”

“No, I was right. I was the one who said ‘proximity’ was likely to be too vague,” Steve says.

Myka’s inclined to agree with him.

“Bro, I was,” Claudia says, “because I said it was likely to be not vague enough.”

Well. Now Myka’s inclined to agree with Claudia.

She sees the conundrum. “I appreciate it either way,” she says, and that quiets the combatants.

“Regardless, we obviously need different wording,” Steve diplomats.

“I think our first mistake was thinking an artifact would word like we thought it should. You need to get more into its head than you did before.”

“I was in a hurry before,” Steve says, a little less diplomatically. “Because you were yelling at me.”

“I am so so so so glad,” Pete hosannas, “that none of this is on me.”

Myka cannot let that stand. “Who gave his cousin a thing?”

A pause. Then, “Whoops,” Pete says, very sad-clown.

Later, she’ll thank him again, but for now, she doesn’t mind having wielded this little shiv, inflicting this little nick, so he’ll remember that there is, or should be, always a downside.

“How fortunate they’re not asking for our help,” Helena says, bringing her back to the upside.

“Who’s better with words though? You certainly are,” Myka says.

“You hold your own, Ms. ‘Pleonast.’ But ssssh. Don’t remind them.”

“We’ll fix it, we promise!” Claudia says.

“Don’t feel compelled to hurry!” Helena directs, cheerily.

Steve says, “I think she means ‘Don’t yell at Steve this time.’” His hopefulness is clear.

“He isn’t wrong,” Helena notes into Myka’s ear.

Pete announces, “I think she means bow chicka wow wow.”

“He isn’t either,” Myka notes back. “Even less so?”

Helena answers by kissing her with intent.

Claudia snorts. “I think no matter what she means, Artie’s gonna kill us.”

“Alas, the least wrong of all,” Helena grants with a sigh.

The wrecking crew’s voices fade, and they may still be making non-wrong statements, but for Myka and Helena there is at last, again, peace. And once Myka pulls Helena back to bed—a delectable spin she is now bold enough to put on their dynamic—there is at last again not-peace.

Lazily later—and these lazy laters are vying to be Myka’s favorite at-last—she says, “Not to overinterpret the artifact’s thinking, but this feels very nice. As an in-proximity situation.”

“This particular proximity seems more than a bit naughty, however,” Helena says, incongruously matter-of-fact. She isn’t wrong. “Pete obviously made an inference to that effect. Perhaps if Steve and Claudia can use that as a way of writing us out of the current situation.”

“I’m sure that’s for the best,” Myka says, with no small amount of regret, first attached to her embarrassment at Pete, Steve, and Claudia’s involvement in that inference, but even more due to the sad fact that this beginning must come to an end.

“Are you...” Helena’s words are a smile.

“No. I’d much rather stay here forever with you.” Her practical side then takes over, as even Helena’s body twined around hers can’t prevent. “But if they don’t fix it we’ll die—pretty soon, unless they can figure out how to get food in.”

“Would the artifact allow us to starve? That seem the antithesis of a situation that might be termed ‘nice.’”

“‘Termed’? Isn’t problematic terminology why we’re still here?”

“Granted. But of course we’ll die regardless.”

The casual, literal fatalism trips Myka up. She temporizes, “The artifact might have something to say about that,” placeholding, as she finds her way to a real response: “But artifact aside... will you though?” It’s a question about... well, about whether Helena is, for want of a better word, real. Speaking of terminology. “Die,” she adds, not as a word she must expel, for its terrible taste, but one she feels a need to place. As a marker.

Helena takes a moment. Before, Myka would have read that pause as censure; it would have pushed her overboard into I-have-overstepped agony. But the plates have shifted, and her footing feels—strange but nice (oh, nice!)—sure.

The answer, when it comes: “Here with you, I don’t want to be bronzed again. So yes.”

That leaves Myka warm, yet shaking her head. “I honestly don’t know a lot about romance.”

“Don’t you?” Helena asks, all of her limbs beginning to move again against all of Myka’s.

Which, for the moment, Myka resists: “So I’m not sure if it’s weird that I find it incredibly romantic for you to have said yes to dying.”

Now Helena’s smile is a smile; she rears away, back and up, showing Myka her face’s full measure of delight. “Weird or no, whatever you find romantic, I’m inclined to approve. If that’s acceptable to you.” Helena bows her head, as if to formally request Myka’s benediction.

The very idea of such an ask floods her with happy tenderness. “Is it okay for me to find that romantic too?”

“‘Okay’ seems a sadly weak word to convey the extent of my approval,” Helena says. “Further, I find it romantic for you to ask my permission to find any thing romantic. Unnecessary, yet romantic. Is that ‘okay’ as well?”

“It’s a relief,” Myka understates. “Can I call it a romantic relief?”

“I don’t see why not. However, to what extent is it romantic, or non-, that we seem to be finding—or placing—ourselves in recursive loops of romantic-allowable querying?” Helena accompanies this academically focused, seemingly serious question with yet more limb movement.

Myka is actively in bed with someone who’s questioning the romantic quotient of recursive loops of romantic-allowable querying. It is a level of “nice” that she could never ever have ideated on her own. “I genuinely cannot believe any of this,” she says.

“I can assure you that I will be taking some time—if allowed, and thus perhaps only in an ideal world, some great length of time—to determine whether your incredulity will ever cease to be tedious and elevate itself to ‘romantic.’ Some great length of time,” she repeats, playfully.

Myka knows Helena’s appreciation for time’s length is far greater than any ordinary individual’s... so this smacks of a promise. Myka’s gratitude rises, as does her willingness to pursue any and all romantic activity, despite her apparently romance-dampening incredulity... but then the limbs pause. “However,” Helena says.

“What’s this ‘however’?” Myka asks, now selfishly impatient.

Helena has, obviously and of course, heard and felt the impatience. Myka’s neck receives a press of lips, a curve of smile. “However: fortunately, at this juncture, belief isn’t required. Participation, on the other hand, is. So?” This is something Myka has always suspected was a Helena tactic, but here in intimacy she recognizes as true: challenge not for its own sake, but as an attitude in which to wrap something different, deeper, some authenticity Helena isn’t fully willing, or doesn’t quite yet know how, to express.

Myka moves her own limbs, her limbs that are even longer than, and just as flexible as, Helena’s. She moves them against Helena’s. She cannot believe she is doing so; nevertheless, she is. She is participating.

She places a chock under this particular incredulity, for unlike facts, the quality of emotions can escape her if she doesn’t consciously tie them down. She paints the word “bonus” on the emotion-wheel as she secures it, to ensure she elevates that felt quality too. Then she eases herself back to the full experience of the physical, this smooth beauty—and that is the word for every touch-heat-rise their bodies execute—that she and Helena together are creating... are enjoying.

She sighs soft against Helena’s neck; in return, Helena offers again her lips-on-skin smile.

They are participating. In this. Together. Lips on skin.

“So,” Myka agrees.

END

[firendgold]

I always block the Manipulative Albus tag obviously but I also always want to block the Good Albus tag because I mean… isn’t that a given? That’s like having a Good Harry Potter tag… like, no shit. Fork found in kitchen.

Like yeah he made some tough decisions but his intentions were good. And, imo, if the information, skills and power were placed in anyone else’s hands - whether it be McGonagall or Kingsley or even Harry himself (as Inverse elucidates)- they would have struggled and failed to do better.

Also like… the Grindelwald stuff was literally a century ago when Dumbledore was practically a child. Why are we so generous towards Regulus Black who probably literally butchered muggles and muggleborns but we can’t forgive Albus who was lower-class, had an insanely difficult homelife and likely faced otherization and racism for having a Native American, muggleborn mother. I think if you can forgive anyone for being radicalised against muggles, you can forgive the teenage boy who eventually lost his mother, his father and his sister because of an anti-Wizard/Witch hate crime.

Ugh.

Most people don't bother to look into Albus' deeper history—and by that I mean the stuff we knew even before Pottermore and Fantastic Beasts and the outside interviews. All of the information about Albus' past is in Deathly Hallows, his race and social status and circumstances—all right there for people to read. But that cements Albus's status as a good but complex character so bashers ignore it or downplay it. And I in turn ignore them.

To your point about the 'good Albus' tag, I think you have to consider what you said first about the manipulative Albus tag. It is so ubiquitous. In just the six years or so since I got back into HP fanfic and fandom, the amount of dumb people who think Albus is manipulative/evil/shady has not decreased. It has quadrupled if anything. Even when using the tag that's supposed to be about Albus and Harry's positive relationship, there are at least 80 fics right now on AO3 that have that tag or similar. You have to block it all to stay sane.

But EVEN if you block the manipulative/evil/greater good tags, lots of other people will write fics about Albus with neither a good nor manipulative tag, but then their Albus Dumbledore will still be wrong. He will be manipulative and want to control everyone, will be untrustworthy for "some" reason not ever quite explained to the reader, will still be pining after Grindelwald and worshipping at the altar of the 'Greater Good' even after age 17. So unfortunately no, 'Albus is a good person' is still not a given in this fandom. The incorrect takes have so deeply permeated the meta discussions that it is very easy to find fics without any labels that honestly need the manipulative tag, even though the authors would probably argue you down about how "problematic" Albus is if you engaged them in dialogue.

(Example necessary probably, but just try to find a Harry/Hermione fic where Hermione doesn't randomly bash Dumbledore and act like she, a teenager or twenty-something, knows better than him, even though canon Hermione had the correct takes about Dumbledore the entire series. Check and I guarantee you that a good portion of them won't even tag manipulative Dumbledore, especially if it's a post-war fic and he's not alive. Incorrect takes abound. :'/)

I think the people who use the Good Albus tag know that water is wet just like you and I do. They know Albus is—well, really morally gray in many aspects, but a good person overall. But these authors are saying, "there has to be some counterbalance. People reading my fics should know that I am presenting the character as he is, and not as I presume him to be".

I personally haven't used the Good!Albus tag because my fics are meant to counter those many false-advertising fics out there that don't tag "I think Albus is as evil and/or controlling as Voldemort" but say that anyway when I try to read them.

As for Regulus Black... don't look at me lol. I think he's an intriguing character—or was before the 'marauders fandom' got their hands on him—but he's not moving any mountains in my fanverse just because his elf was threatened and his feelings got hurt. I'll stick to focusing on Albus.

[genderfluidneurodivergent]

Phases of the Moon Pt. 1

Remus steadily eased the door to their dorm shut, returning from another one of his late-night searches through the library’s restricted area.

“Find anything interesting?” Lily asked from her seat on the couch.

“No, on either side, no way to make me feel like a girl, no way to make me look like a boy,” 

“Remus, I agreed to cover for you so you could look for ways to be you, not change who you are,” Lily said sternly.

“But if there’s a way to fix me, I should be looking for that option too, no?” There was a genuine question in his voice, but the sorrow, the years it took for him to even acknowledge himself for who he was, hid deep in the same statement. 

“Moon, you don’t need to be fixed, at all. You’re perfect just as you are, and the only goal of this search should be to make you more comfortable.”

Moony sat with that statement, letting his thoughts envelop him. 

As Lily heard someone stumbling into the corridor, she called, “Not it!” snapping Remus out of his thoughts.

She briskly retreated to her room, passing the duty of answering the door to Remus.

“C’mon Lils, I answered last time!” he called to her, eliciting only a chuckle in response. 

In the meantime, Sirius tripped his way up the stairs, disoriented and drunk.

“Prongs! Let me in, you idiot!” he hollered, banging on their door.

“Wrong room, love!” a call came through the door.

“Awww, Moony, you can let me in, can’t you? I’ll explain to McGonagall if we get caught!”

“Sirius, just go back to your own room!” Remus said sharply.

“Moons,” he drawled, “just let me in, I promise, it’ll be fine.”

Slowly, the door between them eased open, but neither of them had touched it. Remus turned around to find Lily, with her wand pointed at the door. 

“I was sick of you two yelling for everyone to hear,” Remus glared at her as she moved towards him.

“It’s time to tell him,” she whispered in his ear, heading to the kitchen.

“You trying to steal my lover, Evans?” Sirius growled, stepping into the dorm.

“Of course not, Pads, they’re all yours!” She pours herself a mug of tea and retreats to her room.

“Moons!” Sirius grinned at his lover, going in for a kiss.

Remus dodged him, resisting Sirius’ smile, no matter how impossible it was. He had different things to worry about right now, like how to tell his lover, his star, something that could change everything. 

“You should really be in your own room,” Remus groaned at Sirius, attempting to distract from the matter at hand.

“Oh, it's quite nice to see you too, Moony,” Sirius said sarcastically.

“You know that’s not what I meant, but this is the girls' dorm, and, well, how did you even get up here?”

“You know me, I have my ways, now are we gonna keep bickering, or are you going to kiss me?” 

“Did you really come here just to kiss me? At 2 am?” Sirius ignored the question, instead taking in Moony’s outfit, trailing his eyes up and down Remus, in an oversized shirt and what Sirius could only assume were boxers.

His heart skipped a beat and then sank. Who’s boxers would Moony be wearing? Why would they be wearing anyone’s boxers? Why wasn’t Moony in Sirius’ boxers? 

Sirius tried to say anything else, to answer the question, tell Moony why he was actually here, anything but ask about the boxers, but he just couldn’t. Moony was in someone else's boxers, he had to know who’s. 

“Where’d you get the boxers?” Sirius asked, the anger seeping into his gravelly pitch.

“Don’t remember, I’ve had them for a while,”  this is not how Remus had pictured this conversation.

“Has this really been going on for a while?” Sirius practically screamed, air quoting the last part.

“What?” Remus asked, his brows furrowed. 

“You know exactly what!” Sirius shouted, pacing the room.

“I really don’t!” Moony warned, anxiety building in his chest.

“Just tell me who you’re shagging!” Sirius cracked, lunging towards Remus, towering over him.

“I’m not shagging anyone- I’m really not-” Remus staggered backwards, tears streaming down his face, breath coming in shallow sobs.

“Okay, if you’re not fucking anyone, then who’s boxers are those?” 

“It’s not what you think!” Remus shouted back, his voice shaking.

“So who is it? One of the Slytherins?” he uttered the last word in disgust. 

Remus’ thoughts spun, wondering what could make his lover think such a thing.

“No, Sirius, they’re mine!” Moony yelled, seeing Sirius cock his head in confusion, he continued “They’re my boxers! Okay?”

Remus broke down in tears, blubbering. He sank to the floor, his back pressed against the counter.

Lily emerged from her room, sternly eyeing Sirius as she poured a glass of water for Moony.

“You really couldn’t have handled that any better?” she says to Sirius, handing the glass to Remus.

“Well, they’re wearing boxers! What was I supposed to think?”

“You’re supposed to trust the person you’re with and be able to discuss things in a calm manner. And, while sober, preferably.”

“I was calm and slightly sober,” he seemed to take in what he said, “that’s a lie.” 

“You should go,” Lily said quickly, before glancing at Moony, “that alright with you, love?”

Remus stayed still for a few moments before nodding.

Sirius stalks over to the door before looking back at Remus, sorrow flashes across his eyes, rapidly replaced by unease. He quickly turned around, slamming the door behind him. 

As soon as Sirius was out the door, Remus sank further into the floor, banging the back of his head on the counter.

“I just thought he’d get it, Lils! I didn’t think he’d accuse me of cheating!” he bawled, pushing his fists into his eyes. “Do I really seem like a cheater? Someone who would shag a Slytherin?” 

“Of course not, Moon. Now stop hurting yourself and come sit with me.”

Remus makes his way to the couch, tears still clouding his vision, fury shaking his palms. 

“He doesn’t deserve you,” Lily said quietly, laying a blanket on the two of them.

[magentagalaxies]

hey so i'm not making a DNI because i don't want to (i initially had a longer attempt at articulating a reason and then i realized i don't have to explain more than "i don't want to") but the past few blogs that have followed me are very harry pottter focused and given the actions and rhetoric of jk rowling i'd appreciate it if any blogs who prominently post harry potter themed content would kindly refrain from following me.

you can probably still reblog my posts, not bc of my moral stance but bc honestly i don't really notice who reblogs from me unless they have a huge red flag in their url, but in terms of following my blog i'd prefer it if harry potter bloggers could just not

and i know there's always the excuse of separating the art from the artist (like people who continue to post about harry potter but end every post with "fuck jkr tho"), and not everyone even knows why jkr is a horrible person bc a lot of the discussion is very online (that's the reason this is worded so empathetically, i'm assuming harry potter fans who follow me are in either of these two camps but if you're just an outright terf then go fuck yourself of course). but even if you're entirely dedicated to balancing every harry potter post with a post about hating terfs, the fact that harry potter is still being promoted in a way that's uncritical of the content itself makes me uncomfortable and by making the harry potter brand maintain relevance that's still supporting jkr no matter how many times you put "fuck terfs" on your blog

disagree with me if you want bc i can't control whether people post about one of the largest fandoms in history, but i can make a statement being like "hey if you follow me and your most recent posts are all harry potter gifsets i will be blocking you so honestly for your own convenience please don't put in the effort of following me"

[lunar-years]

Hmmm I agree that Roy and Keeley’s getting back together arc has been pushed back way too far for my taste (and I don’t love how drawn out both of their individual arcs were), but I think there’s still time for them to get back together in a fulfilling way. We have three episodes left- that’s plenty of time for them to have that long awaited heart-to-heart where Roy finally explains why he broke up with her, then time for them to rekindle their friendship, and eventually tentatively start things up again. There probably isn’t time left for them to work their way back to exactly where they were before, but I could totally see them agreeing to try again in the finale. And since it’s probably the last season, I wouldn’t be surprised if there’s a flash forward a few years later and they’re engaged or smth.

I’ll be honest, I haven’t cared much for Keeley’s arc this season either. I don’t care about the KJPR storyline – it’s boring since its all new characters, and Keeley doesn’t seem like she knows or cares about what she’s doing. It feels like they’re aiming for an arc where Keeley realizes that progress isn’t always about moving forward. It’s obvious that she does not fit into the corporate world, nor does she want to, and that she’d be much happier coming back to Richmond. And I bet that’s how Roy will tie into it: just bc you can move on, doesn’t mean it’ll make you happier. And I do really feel that the best ending for Roy’s arc about learning to let himself be happy is by actually letting himself be happy with Keeley again. Anyway I have faith that the writers love Roy and Keeley as much as the fans do, and that whatever way they decide to end will be the perfect ending.

Ohh I really love your take on Keeley's arc and what they're trying to show with it and I really hope you're right. Even if it's not solely coming back to Richmond, but coming back while continuing to take on a couple additional clients freelance, or branching off with Barb to start something smaller, just generally taking it slow instead of leaping in to being CEO of a whole PR firm like she's done this season. Building her confidence surrounded by people who love and support her and whom she actually has time to see because she's no longer making work her entire life.

Roy's arc I think has been building up to him allowing happiness into his life in more ways than just Keeley. I think it will be a number of things for him: finally having a reckoning with her over the breakup, but also gathering up with the Diamond Dogs as an actual member, admitting he cares about Jamie Tartt, taking on a larger role as coach (perhaps by doing more of the pressers, we saw how good he was at it tonight, especially if Ted goes back to Kansas)... going to therapy (**hoping, kicking, screeching, praying**)....

You may yet be right about Roy/Keeley! Before the season began, I had zero doubts in my mind they were endgame. Also, I forget sometimes that between a lot of these episodes, we're meant to believe like...actual months have gone by, so it's more spread out than I'm thinking it is. However, it's also that the show has a lot they need to wrap up in three episodes if this is the end of the end, & Roy and Keeley are only one part of it.

I think, ultimately, I care way more about their individual arcs ending well in a way that is both satisfying and sensical than I do about them getting back together in the canon timeline. I absolutely do need them to end on good terms though, preferably at least as close friends.

What I want more than anything and still believe is in the realm of possibility is for them + Jamie to sit down and admit they are all caught up in each other irreversibly at this point and won't be shaken away easily. That they care deeply about one another and will most likely care forever (terms & conditions undefined).

[girlscience]

making funny haha jokes to myself like "oh i'm doing so fine" *extreme side eye from the dishes in my sink*..... only to finally do my dishes tonight and discover all my tupperware have become their own microbiomes. fuck

[fazbear-security]

Soul Shift - Ch. 1

Ao3

A thick packet of paper was tossed onto the desk, narrowly missing the crystal ashtray and the cigar balanced on it. The man seated there looked up over his glasses pointedly, and after a few seconds’ pause, his irritated visitor turned and closed the office door behind himself with far more care. With a hum of acknowledgement, the man at the desk picked up the cigar first, and then the paper packet, and held it out to get a better look.

“We need to do something about that yuck.” The second man dropped down into a spare chair near the desk and sagged down to where he could balance his head on his fingertips. “He’s a lawsuit waiting to happen.”

“I agree.” The man with the cigar puffed as he flipped a few pages of the incident report. “We’re lucky Dr. Wilkenson only wanted to move on from the whole disaster, and chose not to press charges…but we can’t fire him.” Another puff, another cloud of smoke. “His work is impeccable. The building is always immaculate in the morning, and the stage assets haven’t been this clean since 1986. Apart from this one incident, he’s been a model employee.”

“A model employee who’s one bad day away from ruining the very good thing we have going, here.” Chair man argued, sitting up and running one hand through his graying hair to push it out of his eyes. “The longer he hangs around, the greater the risk that he’ll figure out where the budget’s been disappearing to and-”

“And if we fire him for anything other than a justly fireable offense, he’ll sue us with all the power of the most up and coming law firm in the city.” Cigar man shot back sternly. “Or have you forgotten, Terry, that the sister who picks him up every time he covers a day shift on Tuesdays and Thursdays is Coraline Jones of Jones & Berrenheimer, LLC?” Terry leaned his elbows heavily on his knees, and tugged his tie loose with, perhaps, a bit more force than was necessary.

“I didn’t forget, Sal…” He muttered under his breath. “Brat won’t shut up about her once you get him started.”

“Corporate barely had our backs after Houston,” The man at the desk - Sal - put down the incident report and raised his hands with crooked fingers to act as air quotes. “Moved back to Louisiana suddenly.” He lowered his hands and took the cigar out of his mouth to tap some of its loose ashes into the crystal tray. “If we knowingly invite a wrongful termination lawsuit, they won’t just throw us under the bus, they’ll tie us to the train tracks themselves.” Terry narrowed his eyes, but looked away from Sal’s bespectacled glare after only a few seconds.

Sal leaned back in his chair with a creak, and Terry looked down at his shoes, pressing his knuckles against his lips in thought. He hated it, but his partner-in-crime was right. There was no easy way to fire Mike Schmidt, and with the way he’d been making friends on the day shift, it would be no cake walk to convince another employee to lie for them. Damn…he’d thought they could count on the split between the day and the night shifts pretty reliably, too.

“....what if we didn’t fire him?” Terry spoke up after the quiet in the office had stretched for several long, tense minutes. Sal breathed out a ring of cigar smoke and turned his head just enough to look at the other man through his bifocals. “What if…” Terry sat up a little straighter. “He just took a page out of Houston’s book.”

“It won’t work.” Sal blew another rink of smoke toward the ceiling fan lazily spinning above his desk. “Whatever he does on the night shift has kept those mechanical beasts at bay for more than a year. If he hasn’t slipped up by now, then he’s not going to slip up soon.”

“Then we make sure he slips up.” Terry’s fingers started to twitch, and he unlaced them to drum them against his knees. “We’ll rig the fuse box in the basement. Put a bunk fuse in place of a good one.” He thought out loud. “When the power switches over to the generator at midnight, the fuse’ll blow, and the generator will be shut down.” He reasoned. “No power, no doors, no chance. Bye-bye Schmidt.”

“....” Sal slowly sat up at this and looked at his partner with an unreadable expression. “Terry,” He said quietly, as if concerned his voice might carry too far. “You’re talking about murder. That’s a life sentence.”

“We’re already looking at a felony if word of our little racket gets out.” Terry argued back, though he lowered his own voice to match his manager’s. “Besides, corporate’s already in deep, covering up this kind of thing. We’re not at fault if the company’s machines suddenly go rogue and mince the night guard over a programming error, right?”

“He’s a kid.” Sal reached up and took his cigar out of his mouth. “His family comes here almost every day - hell, a quarter of our birthday parties in the summer come from the foster home alone-”

“He’s a twenty-something college drop out with anger issues.” Terry argued, standing up from his chair. “And he used to be one of those fosters, right? He’s damaged goods - he’s already had one outburst at work - what’s to say he hasn’t another around a kid? That he won’t have another one during a busy party day, except this time, somebody gets hurt, and we get swamped in lawsuits?” A small, sharp smile was starting to creep across the man’s face. “We’d be doing a service, if you think of it that way.”

“This is worse than embezzlement.” Sal muttered around his hand as he pushed up his glasses to rub his face. God, he could already feel the migraine coming on.  “You understand that this is worse, don’t you? Murder is always worse!”

“This is protection.” Terry planted his palms on the desk and leaned over Sal. “We have spent more than a decade pocketing spare change from the corporate budget just to build up the nest eggs that they refuse to give us, and if we don’t do something about this very real liability in the building, we’re risking it all.” Terry plucked the cigar from Sal’s limp fingers and stubbed it out in the ashtray. “I’m not going to risk my granddaughter’s college funds in the hope that Schmidt will keep his nose out of our business, and I know you wouldn’t risk your grandbaby’s medical coverage...would you?”

The chair scraped loudly over the old wooden floor as Sal suddenly stood up, and Terry jerked back in surprise. He’d been hoping to get a rise out of his long time partner, but he hadn’t been expecting such a cold, hardened glare. The man raised his hands off the desk, half-placatingly, as Sal picked up the cigar and held it between them.

“Never ruin my Belicoso again.” He threatened lowly before dropping it back into the crystal tray. “...you said you had a broken fuse for the box?”

“Yeah. Kitchen staff reported it last week. Jeremy (the old one) swapped it out on Friday but left the burnt one sitting on top of the box.” Terry replied, still tense and poised to dodge an outburst. “There’s a back-up in the box, still, but if we swap them around, then the generator will stay off when the power cut happens, and we won’t risk a fire.”

“Then the next time someone needs more supplies, volunteer to bring them up from the basement, and switch out the fuses.” Sal turned away from the desk, massaging his temples with one hand. God forgive them for what they were about to do, if he had any mercy left. “Lock the door behind you once you’re done. You and I will arrive bright and early, before Anders gets in, and clear out whatever suit they use.

“We’ll double down on the advertisement of the new character corporate sent over, and say that Schmidt just didn’t show for his shift. No video means no evidence, and if the police come sniffing around, then we dress up the incident report a bit more.” Sal shrugged. “Throw in a few added swear words and threats of violence, I don’t know.”

“A dead man can’t file a defamation lawsuit.” Terry agreed with a smile that bore a striking resemblance to a hungry shark. Sal very pointedly did not look at it. “I’ll make sure Schmidt’s day shifts are covered ‘as a favor’. I’m sure he’ll appreciate the break.”

“I’m sure…” Sal took a deep breath, and then, with his back still to his partner, waved a hand to dismiss him. “Get back out on the floor before the staff start to whisper.” He ordered. Terry didn’t respond, but Sal heard the door open and close, and slowly turned around to stand over his desk. He picked up a small, ornate frame that held a picture of a little toddler with hollow cheeks and a glowing smile. He rubbed his thumb over the edge of the frame, and the placard that read ‘Grandpa’s Strongest Angel’, and slowly put it back on the desk.

He sat down, and picked up the incident report before burying it at the bottom of his lowest desk drawer. Then, he turned on the monitor of the computer sitting to one side of the desk, and navigated through the files to the payroll folder.

Schmidt wouldn’t be needing a final paycheck after tonight.

[orcelito]

yes im going to shameless self promo i have more followers here than i have kudos on ITNL and i think that's a damn shame

ITNL is much more put together than i ever am on here lmao

[princessbellecerise]

Court Shenanigans

Summary ✩ Missing their father, your children decide it’s a good idea to interrupt him in the middle of court

Warnings ✩ Mentions of pregnancy

Authors Notes ✩ Everyday I cry cause this man isn’t real but at least I have fanfic

You tried to stop them, you really did.

But being almost nine moons pregnant and having the most swollen feet known to man, it was almost impossible to chase after and keep up with two rowdy tots.

Usually, their nursemaids would have them by now and would be helping to assist you, but Aliza was sick and Joanna was with her family. Both of them would have scolded you for trying to run when you couldn’t even see your feet, but your kids were a mischievous bunch and you had a sinking feeling on where they were headed.

Aemma, the eldest of the two twins, had been complaining all day about not being able to see her father, as Jace had missed out on breakfast and lunch with her in order to hear a few extra petitions.

It seemed as if the Kingdom was more unruly than usual, and Lords had come from all over the realm to plead their cases.

Wanting to be a good King and make sure that he could adhere to all of his subjects, Jace had opted to spend a little extra time on the throne and a less with his family.

This of course didn’t sit well with Aemma, and as her shadow Jaelin followed right on along with her.

Try as you might have, you weren’t fast enough to catch up to them and your protests for them to stop didn’t do much good, either.

Before you could even blink, your twins were flying past the Kingsguard and bursting into the throne room, with little Aemma’s excited shouting making you want to crawl into a hole right there and then.

“Kepa!”

In no time your baby girl ran across the room, interrupting some poor Lord under a pink banner. You thought that he might’ve been from White Harbor, or maybe he was from Maidenpool.

Whatever it was, you didn’t pay much attention as suddenly, all chatter stopped, and you were the center of attention as you wobbled towards Jacaerys and fixed Aemma with a stern glare.

“Aemma! Come back here!” You shouted after her sternly, and thankfully Jaelin was too afraid of your ‘motherly voice’ to get any closer.

He stopped just short of the Iron Throne, choosing to remain by Ser Darklyn’s side rather than follow his sister up the steps. With horror, you realized that Aemma was headed straight to Jacaerys, exclaiming happily as she threw herself in her father’s open arms.

“Kepa!”

She bounced excitedly as Jace pulled her on his lap, looking amused while you struggled to catch your breath.

Running at your size was no joke, and you ached to sit down somewhere and rest. You couldn’t do that though while your two year old twins were causing mayhem.

It was unbefitting of a Queen, you knew that, but desperation had you hiking up your dress, climbing the the steps, and holding your arms out expectantly while Jace chuckled.

“Aemma. It’s time to say goodbye to Kepa and go back to our chambers. Now,” You told her, but that only resulted in the toddler shaking her head and burying herself even deeper into Jacaerys’ arms.

“No! I want to stay with Kepa!” Her defiant little voice shouted, and you winced as a few murmurs echoed through the court.

You were painfully aware that everybody was staring at the scene, which made it even more embarrassing when you reached out again and failed to grab Aemma.

After about the third attempt to pull her away with no avail, your husband seemed to finally take pity on you and sighed.

“It’s alright my love. She can stay,” Jacaerys said, and upon hearing this Aemma beamed. “It’ll be her seat one day after all. Let her gain some experience; even if it is during the middle of a petition.”

You gave him an apologetic look, and you made a mental note to apologize to Lord…well, whoever you were currently interrupting. You had to admit, the sight of Aemma babbling broken phrases to Jace while she tried to grab his crown was adorable.

You sighed reluctantly.

“Alright,” You said, willing to leave Aemma where she was. At the very least you could persuade Jaelin to follow you and take him away, but as you turned to go back down the stairs you suddenly paused.

Had there always been that many, you wondered?

You hadn’t really paid attention that much, but now that your feet were practically screaming at you to sit down, the idea of going down so many steps didn’t seem so appealing.

Of course, you could’ve just asked one of the Kingsguard to help you down, but you didn’t want to be a bother—as silly as it sounded. You also didn’t want to risk your knees giving out and falling, either.

You were in a dilemma, but before you could even decide, Jace did it for you. Your husband, ever attentive, noticed your hesitation and immediately got up.

“Here, my love. Why don’t you rest and I’ll stand for now,” He suggested.

Even more whispers broke out at this. What Jacaerys was proposing was sweet, but it had never happened before and the idea of the Queen sitting on the throne in the presence of the King was…well it was simply unheard of.

You were sure a few people would call the action scandalous, but at the moment though, you didn’t really care what they thought. Your feet were aching and you needed a place to sit down before your knees decided where for you, so you nodded and accepted his offer.

“Thank you, my love.”

You sighed in relief as you sat on the throne. Albeit, it wasn’t the most comfortable of seats with all the swords and points, and you would’ve much rather been in your cushioned chair in your chambers, but it was better than nothing and the pressure on your feet was gone.

Nodding his head, Jacaerys gave you a small kiss on the side of your head and then he stood with Aemma in his arms, and gestured for Lord whoever to keep speaking.

Had you not been out of breath, you would have laughed at his face and the face of many others as they not only witnessed their King give the most powerful seat in the realm to his pregnant wife, but also witnessed him stand up while bouncing his baby daughter in his arms.

It was an unusual sight, but an adorable one that you cherished.

Motioning to Ser Darklyn to bring Jaelin up so that your family would complete, you smiled in content and Jacaerys once again motioned for the man who had been interrupted to continue his petition.

“Lord Mooton. Please, do continue,” He said with a large smile.

You giggled.

Ah, so that was his name.

[t4tdanvis]

if i said i was normal about this idea would. would u believe me

[lowkeyren]

reverse dating tropes w hsr men!

in which — what the title suggests / those classic fanfic tropes but with a twist

featuring — boothill, jing yuan, blade (separately) x gn!reader

✧.* — wc: total 1.5k, used up half my brain for this (the other half is for pt2 w aven sunday geppie!!), lovesick boothill + clingy jy + jealous blade fr, anyway pls enjoy! reblogs r appreciated <3

gepard aven sunday vers here!

boothill ꩜ .ᐟ

love at many sights with boothill whose memory card was tinkered with, and every time you meet, he thinks he's seeing you for the first time, so he falls for you over and over again. 

when boothill returned from a dangerous mission, it was evident that he had endured significant damage. his once sleek and polished exterior was now marred by dents and scratches, and his mechanical limbs were either partially missing or severely damaged. the exposed wiring, usually neatly tucked away beneath scraps of metals, now hung in tangled strands, sparking occasionally with residual energy.

he looked barely salvageable. it's safe to say that the mechanics had a hell of a time fixing him.

though they were skilled enough to piece him back together, his memory card wasn’t as lucky. a tinkering in his system left him incapable of recalling or retaining information in his synthetic brain, temporarily —leaving the mechanics scrambling to find a solution.

weeks later, you find yourself walking down the familiar corridors of the laboratory where your favourite cyborg is being held for reparation.

boothill’s eyes immediately land on yours when you enter the lab. “well ain’t this a surprise! haven’t seen ya in a good long while.” boothill drawls, tipping his hat your way, his voice carrying a metallic twang. 

"i heard you took a bit of a tumble, figured someone should come make sure you didn’t lose all your screws." you shrug nonchalantly, a smirk playing on your lips.

boothill's eyes flicker for a moment, taking in the curve forming on your lips. he thinks you’re adorable with that infectious smile of yours. 

“heh, nothin’ bad, just had a r-r-run in with some cuties" he says, failing to hide the glitch that caused his voice to stutter. (and that damn synesthesia beacon! he swears he’ll get it fixed this time around…)

“guess you took more than a tumble huh...” you lean casually against the workbench, the sterile scent of machinery and the hum of various devices filled the air; your gaze sweeps over the freshly repaired parts of boothill's metallic frame, “anyway, glad to see that you’re mostly fine now." 

“aww! do ya care ‘bout me?” he teases, his grin widening, revealing his pointy teeth peeking out mischievously. you don’t reply, your eyes glinting with the faintest hint of amusement dancing in them.

"boothill, we go through this every time, your memory card's still damaged. you forget things sometimes, so for the 5th time this week, yes i do care about you.”

boothill's expression shifts, a mixture of realization and sheepishness crossing his features. "right, right," he murmurs, scratching the back of his head with his metallic hand. "sorry 'bout that, sugar. guess i just keep forgettin'."

you chuckle and shake your head, finding the situation amusing. he feels like he might overheat from the sheer warmth radiating from your smile.

“you’re beautiful, date me.” (he didn’t mean to blurt that outloud)

you raise your eyebrows at the sudden compliment, “why thank you,” a surprised laugh escapes your lips.

“—and we’re already dating, silly.”

a shower of sparks erupts from his circuits, you can particularly hear the fans inside him sputter and whir. you rush to his side, concern etched on your face.

“wh- are you okay?! you’re short circuiting again!”

and this happens every time his memory lapses. you offer an apology to the mechanic on the next shift for the extra work required to fix yet another damaged wire after your visits. perhaps they should ban you from getting too close to boothill, lest he completely breaks down again like that one time where you told him, yes you actually kissed before.

jing yuan ୭ ˚.

"secret relationship" with jing yuan but he is completely unaware of how his public displays of affection towards you keep revealing the supposed secrecy of your relationship.

on the rare case that the general is found in his office, you are there too, beside him.

“pleeeease? just one kiss, really really miss you, darling”

“no jing yuan, not now…”

he wraps his arms around you as he leans in, caging you from the back. he rests his chin on your shoulder, “then how about a kiss on the cheeks?” he murmurs in your ear. you try to push him away, but he just chuckles softly against your neck, his arms still secure around you.

“no, and get off me before someone sees!” you protest, feeling your face flush from the close proximity, and the tightening of his arms suggests that he has no intention of releasing you just yet.

this stubborn man… you swear you’re gonna burst a blood vessel someday.

as if to echo your exasperation; he nuzzles his head into the crook of your neck, peppering it with nibbles and gentle kisses. jing yuan certainly knows how to test your limits, yet his affectionate gestures never fail to chip away at your resolve.

suddenly, a series of loud knocks come from the door, you freeze, and immediately attempt to wiggle your way out of his grasp. but he remains unfazed, his hold on you firm, and seemingly unbothered by the interruption.

the door bursts open, “general! there’s a situation at starskiff ha—ven...”  yanqing trails off as his eyes widen at your position. the room falls into a momentary silence as yanqing's gaze shifts between you and his general, his expression reflecting a blend of shock and embarrassment.

clearing his throat awkwardly, yanqing stammers, "i-im sorry for interrupting... i’ll t-take my leave now!” with a hurried nod, he practically sprints out of the room.

oh bless that kid’s poor eyes… 

you shoot a glare at jing yuan from the corner of your eyes, you just know that he has a shit eating grin on his face right now. nowadays, it’s probably common knowledge that the general’s most treasured person is you, evidently shown by how he latches himself onto you every time you’re within his vicinity. you wouldn’t be surprised if the entirety of xianzhou knows about your supposed “secret” relationship.

“so… can i have my kiss now?” 

aeons, he’s insufferable. (you love him tho!!!!!)

blade ؛ ଓ

"fake dating" with blade but you are actually dating —somehow everyone is convinced you aren't.

“blink twice if you need help.” march whispers-shout; dan heng leans against the doorway, blocking the way into your room, nods in agreement.

“this is absurd… i’m alright guys, really!” you try to reassure your friends, frustration edging into your voice. though no matter how many times you insist that no blade isn't holding you hostage and that you are indeed in a relationship with him, they seem convinced otherwise, somehow deducing that you're not able to speak freely.

you sigh in resignation, knowing that they aren’t going to relent anytime soon, and with blade idling in your room, you can't afford to keep him waiting any longer. “dan heng please, let me through, he’s been waiting for me for the past 10 minutes now…”

“good, let him wait.” dan heng responds curtly. (what a guy)

march takes hold of your hands, “do you owe the stellaron hunters something, and him out of everyone?! he looks scary…and totally not your type!” 

“not their type?” a low voice rings out from behind dan heng, the three of you turn immediately and see blade looming at your doorway, his arms crossed over his chest. 

“stellaron hunter. stay back.” dan heng furrows his eyebrows, his stance defensive as he pulls out his weapon, positioning himself to block you and march. sensing the growing tension, you step forward, reaching out to gently grasp at dan heng’s shoulder. 

(blade’s expression darkens at your hand resting on him)

“it’s okay dan heng, he means no harm.” dan heng hesitates, his grip on his weapon remains tight, but he doesn't move to strike. so you slowly move between him and blade, “see? i’m fine… he’s not gonna hurt me.” you smile reassuringly at your friends. 

just then, as if to further aggravate dan heng, blade settles his hand on your waist. dan heng’s hand is visibly twitching now. “what? can’t i touch what’s mine?”

dan heng’s eyes narrow, “...we still don’t believe you, leave now. before it’s too late.”

before you can interject, blade grabs your chin, silencing any words of protest with a sudden kiss. caught off guard, your eyes widen as the unexpected gesture leaves you momentarily stunned. but you soon reciprocate his kiss, his intensity drawing you in.

(march quickly covers her eyes with her hands)

“there. now leave us alone.” and with that, he pulls you into your room, slamming the door shut behind, pinning you against it. 

it’s just the both of you now, finally.

“did you really have to touch him.” his voice tinged with possessiveness. “blade, he would’ve hurt you, i didn’t mean—” he shuts you up with another kiss, more desperate this time, welp guess you’re stuck with him for the night.

though your friends might not believe that a person like you would “be in cahoots” with someone as dangerous as him; convincing them otherwise is a task for another time. tonight, he wants your attention focused solely on him, and him only.

✧.*

masterlist gepard aven sunday vers here!

[genderfluidneurodivergent]

Phases of the Moon Pt. 2

Remus had spent much of the last week in a makeshift window seat on the second floor. Although the cement he was sitting on was uncomfortable, it was better than running into Sirius, or interacting with anyone, really. He was able to get through a novel he’d been putting off reading, and he barely thought of Sirius. Barely. 

He watched through the window as Sirius and James chased each other on their brooms. They flew swiftly through the air, ducking and dodging each other, narrowly avoiding the walls of Hogwarts and the trees that seemed to be leaning away from them, more than the wind would allow.

They had made a few laps around the castle before Sirius came to a halt, in front of the window Moony was crouched in. 

“Hi,” he mouthed, his joy fading quickly, a sad smile replacing it. 

Remus wanted to reply, to fix things, but he also wanted to never see Sirius again, so he turned away, crawling out of the window and making his way back to his dorm. 

He staggered up the stairs, but they were always reluctant to let him up, instead leading him into the boys' dorms. This had always given Remus quite a bit of euphoria, but right now, he had somewhere to be. He willed the stairs to cooperate, making his way inside the dorm just before Sirius showed up. 

“You should really go talk to him,” Lily persuaded.

“You should go talk to him!” Remus shot back, standing at the counter.

“Why would that help anything?” Lily gave him a confused glare, continuing, “This is an issue you boys need to sort out on your own.” 

It’s times like these that Remus truly questioned whether Lily was actually twenty years older than the rest of them. 

Somehow, Sirius had once again reached the door to their dorm. Even Remus had to do some heavy bargaining with the stairs, and none of his excuses would work for Sirius.

“Let me in! Lils, I’m sober this time!” Moony raised an eyebrow in Lily’s direction as she reached for the door.

“You have to settle this, you can’t live the rest of your life wondering what could have happened.” Lily’s words struck a chord; as much as he really didn’t want to talk to Sirius, he’d thought about what he would have said or done differently quite a lot lately. 

The door swung open, Lily waved Sirius in, then retreated to her room. She mouthed “You got this” to Moony before closing her door. 

“Hello, Black,” Remus said, sitting in an armchair, leaving Sirius to take the couch, which was far too big for one person.

“Hello, Lupin,” he replied, looking from Moony’s platform boots, to their jeans, to one of their old jumpers, finally looking up at their face. They held an emotionless expression, moving their eyes to look slightly beyond Sirius.

“Moons, I really shouldn’t have said those things. I know that you wouldn’t cheat on me. And I would never think that you’d be shagging a Slytherin.”

“What, ‘cause you don’t think they’re dying to get their hands on me?” he fired back, and with a quick change in demeanour, he continued, “Why are you even here, Black? It’s not like you’re ever going to accept me as your boyfriend!”

“Well, I know damn well the Slytherins are dreaming of snogging you, and even more of them will want you when you show them who you really are,” Remus seemed shocked by this response, his eyes darting from Sirius to the floor.

He continued, “And I think maybe you’ll want one of them more than you want me,” he whispered, almost too quietly.

“I could never want anyone more than I want you,” Remus whispered back.

They sat in silence for a while, until Moony moved next to Sirius on the couch. He rested his head on Sirius’ shoulder, grinning.

[nereidprinc3ss]

i keep you clean; you surrounded me

in which husband!spencer reid spirals after realizing he can't be your daughter's hero forever.

angst, fluff warnings/tags: this fic is about spencer's past addiction, and how he's afraid it will impact his relationship with his daughter, conversation about alcohol, this is a fix-it fic for my life, ends on a hopeful/positive note, lots of self-loathing from Spencer, uses the phrase "shooting up", PLEASE do not read if this is going to upset you!! PLEASE!! fem!reader a/n: this felt healing in a way for me but that might not be your experience reading if you also have issues with a parent with addiction so please tread lightly and make the right choices for you. CHOOSE YOUR MENTAL HEALTH OVER MY DUMB FANFIC I CAN'T STRESS THAT ENOUGH!! and ily

“Daddy?”

Ada’s not asking for you, but you look to her anyway. She’s squeezed between you and Spencer on Rossi’s swing, and her cheeks are still feverish—remnants of a recent and rather hysterical fit of giggles. She has a glass of lemonade between her little hands (you’re trusting her with a big girl cup, if only because it’s not your glass or your house) and she peers into it intently. Her little grass-stained feet kick. Spencer pushes the swing back ever so slightly, for her entertainment. 

“Huh?”

She holds her glass up for him. 

“Our drinks are the same color.”

“They are,” he nods. “Do you like yellow?”

Ada shrugs. It’s exaggerated—one of her favorite moves as of late. “It’s okay.”

Spencer glances at you like he always does when he sees glimpses of you in your child, eyes sparkling as if her opinionated and bluntly honest nature is in any way reminiscent of you. 

“Yeah, I agree. Yellow is just okay.”

She leans against him and he’s quick to accommodate her, affectionately brushing his knuckles over your bare shoulder as he slings his arm across the back of the swing. 

“Daddy?”

“What, lovebug?”

You smile, letting your head fall back and your eyes close. The sun is warm on your face. 

“Mommy’s drink is red.”

Nothing gets past her. Rossi had pushed the drink into your hand almost the second you stepped through the door, insisting it would go well with lunch. It sits otherwise untouched on the glass table. 

Spencer hums. The swing rocks gently. 

“That’s because she’s not having lemonade like us. She’s having a grownup drink.”

“Oh.”

You think that’s the end of it, that she’s satisfied with the answer, until another moment passes, and her voice, sweet as the tinkle of little fairy bells, is posing a very loaded question. 

“Why don’t you ever have grownup drinks? Me and you always have the same.”

Spencer’s already looking at you, brows drawn as you sit up. Your eyes, open now, go wide, and you shake your head slightly to signal you have no idea how he’s supposed to respond either. 

His hand goes to Ada’s hair, gently scratching her scalp as his eyes dart over your face. You can see the gears turning in his head. This is one of very few things he clearly didn’t read about in any of the literature on raising kids when you were pregnant. 

“I… some people don’t like grownup drinks.”

It’s an inadequate answer, especially coming from Spencer—just this morning he explained to Ada why the sky is blue. Rayleigh scattering. Blue light scatters more than any other kind of light. Which then led to an impromptu lesson on oxygen molecules and other basic chemistry in the car on the way here. 

So there are standards. 

“Why not?”

You interrupt, unable to watch Spencer flounder any longer. “Ada, why don’t you go see what Henry and JJ and Uncle Dave are doing? That looks fun, right?”

You gesture down the yard to where JJ and Rossi are teaching Henry to play cornhole. 

She looks at you with big brown eyes—the set of them, the color—those are all Spencer.

“Can you and daddy come?”

You straighten out her dress and take the half-full glass from her little hands, setting it next to your own on the table. 

“In a minute. Go ahead.”

Spencer’s hand slips from her hair as she pushes off the swing and bounds down the yard. You make sure she arrives to her destination without incident, before scooting closer to your husband and taking his vacant hand. 

“Spence?” You ask quietly, leaning in to try and insert yourself into his eye line. He doesn’t look away from Ada. 

“That was bad.”

“It wasn’t. She doesn’t understand. It’s fine.”

“I didn’t—”

He looks down, lips pressed together, and your heart twists and drops like overripe fruit from the vine as you realize his eyes have glossed over. 

“Baby,” you whisper, relinquishing his hand only so you can rub his back. Your other finds his knee, drawing as close as you possibly can. “It’s okay.”

“How am I supposed to explain it to her?”

A tear falls, making a dark splotch on the fabric of his pants. 

“You don’t have to. She’s only five. I guarantee she’s already forgotten all about it.”

“I will. I’ll have to tell her one day. She thinks I’m perfect, how am I supposed to—”

He stops himself, voice tightening to a halt. You watch him hold back a cry like you haven’t seen in years. It’s an old, familiar ache for you. You can’t imagine how it feels for him. 

“Spencer,” you coo. “She adores you. She loves you so much. That’s never going to change.”

His nose twitches. 

“I’m going to disappoint her.”

“How? How are you going to disappoint her?”

“I think it’s pretty disappointing to find out your dad is a junkie.”

His tone isn’t particularly harsh but the words are like a slap anyway. 

“Spencer…” For a moment you don’t know what else to say. It’s not a secret that he’s ashamed of that chapter in his life, but you had no idea he was contending with this much self-loathing over it, even after all this time. It seems like such a distant point in the rearview mirror that the two of you almost never need to talk about it anymore. “You are not a junkie. It’s been, what—a decade?”

“I don’t want to have to tell her what drugs are, let alone that I... she thinks I’m the smartest guy in the world, and one day I’ll have to tell her that drugs are extremely dangerous, and I was shooting up for four months anyway. No matter how I try to explain it to her the ultimate takeaway is going to be that I’m weak and I wasn’t smart enough and she’s never, ever going to forget that. How am I supposed to—I can’t be a role model for her. I fucked up so badly.”

Your chest aches, somewhere deep and hollow, as he leans forward, pressing the heels of his palms against his eyes, only for a moment—before Ada shrieks and his head snaps back up. Henry is chasing her with a worm. Spencer watches on, tears still leaking from his eyes and expression otherwise neutral. It’s bittersweet to hear him express such deep insecurity about the thing he’s best at in the world, even as those parental instincts kick in and he’s setting aside his own feelings to keep an eye on her. He’s never trusted himself. He’s never seen himself the way you do. 

“Baby, you are her dad and she loves you. Her love for you is not contingent on your past. You are so, so good to her. That’s all she knows, okay? She doesn’t care what you were doing when you were 25. She cares about whether you’ll be home for dinner, and if you’ll play dolls with her, and if you’ll tuck her in. That’s all she needs to love you.”

JJ wrangles the kids and after a moment Spencer looks down again, brow furrowed deeply as drops like rain dot his lap, but he hardly makes a sound. You lay your cheek on his shoulder. “And until she’s old enough for the whole story, which involves a lot more violence than I am comfortable with her being subjected to right now, you don’t need to explain it to her. You have time.”

“She wants to know now.”

“She also wants icecream for every meal. But I can’t make her understand why that’s a bad idea. What she wants and what she needs and what she is capable of understanding are all different categories. I know you love answering all her questions, and you’re a really good teacher, but you can’t make her understand something as complex as addiction.”

Spencer sniffs. 

“Developmentally she’s only really capable of understanding the world as it exists in relation to herself.”

“Exactly. So give her some time, and give yourself some time.”

“What if she asks again?”

“Then… you say you don’t like how it makes you feel. And tell her to clean up her toys. Condition her to stop asking.”

Spencer stumbles over a teary laugh he hadn’t been expecting. You sit up straight, holding his face between your hands and encouraging him to look at you. His cheeks shine with tears, but you wipe them away tenderly. 

“You’re perfect to her,” you whisper, pressing a kiss to one cheek, “and you’re perfect to me.” He cups your elbow as you kiss the other and looks at you with so much sheer adoration you could get all choked up, too.

“Wow,” he sniffles, and takes a deep breath, pulling you into him, “I don’t deserve you.”

“Of course you do,” you mumble into his shirt, eyes fluttering shut as he presses three kisses to the curve of your neck where he’s buried his face. 

“I could be canonized as a saint and not deserve you.”

Sainthood. You ponder that. 

Saints have to live virtuously. They also have to be dead. 

You hold him a little tighter. You like him exactly how he is: technically imperfect. Probably not getting into heaven. Still venerable. Very much heroic. Alive, and with you.

“I’m really glad you’re not a saint.”

He chuckles. His hand slides up your back, and then side to side—a path it’s made time and time again which has only ever led you to wonderful, perfect places.

“Me too.”

[cottageivy]

anyways now im caught up on yellowjackets so i can browse the ao3 tag without fear of spoilers so ima do that and then sleep

[boxingcleverrr]

Popular Hades & Persephone "retellings" are, rightly, getting dunked on all over the socials right now and, as a Pagan who has an altar to the Queen, I could not be happier. But also, I feel like a lot of people miss WHY they're bad - aside from just plain bad writing and lazy tropes. Which are, yeah, also REALLY bad.

Pretty much all retellings try to wave away, or excuse, or twist the whole kidnapping bit. And I actually do have sympathy and understanding for why, when speaking from a modern perspective.

But honestly...you gotta get over it. There are other stories to play fix-it with, not this one.

The Abduction is The Thing.

Were I a little more sober I could bring up chapter and verse of the Hymn to Demeter but frankly, if you know even the middle school mythology curriculum version of the story, you SHOULD know the themes. The story of Persephone was one mothers and daughters in the ancient world held dear, because it was a reality: you will, one day, be swept away from your home to go cleave to a man you most likely know nothing about. You will miss your mother, but chances are very good that he will be a good husband, once you get to know him, certainly better than Zeus or Ares, and he will make you a queen of his home.

Leaving home to marry was often scary, and violent (look up the history of the tradition of Bridesmaids, if you don't already know it - they were originally decoys on the marriage road). Centuries later we'd have tales like Beauty & The Beast serving the same function: comfort, hope, you are leaving your safe loving home to figure life out with a (often older, powerful) stranger. Your trauma over this sudden ending of your childhood made manifest in a Beast, or a God of The Underworld.

It's wonderful that we don't NEED stories like this anymore to comfort us (here, at least, in this culture). But if you try to force them into modern vernacular it just will not work, not really, because you're gutting out the whole point just to have a more tidy romantic male hero.

I have read MANY very good ...novelizations? fanfic(? however you would frame them, but they're certainly not "retellings"), etc. that simply take advantage of the blank spaces in the myth, and there are many!

It's not explicit that sexual assault happens - "The Rape of Persephone" as a title was coined in much earlier eras, when the word was just as often used to simply refer to abduction.

"She was starving!" the gods didn't need to eat. So it's easy to read her eating the Pom seeds as a deliberate choice on her part. Like, shit, people, scholars have written whole papers on the symbolism of this moment, between marriage rites and even yeah, Seph choosing both worlds with her husband's knowing consent.

And that, I think, is the real heart of the thing. People want an utterly mundane, spelled-out story here, as opposed to what it really is, has always been, just like any other myth or religious parable: IT'S A METAPHOOOOOOR.

They don't need to be destined, or meet at a goddamned BALL and then CONSPIRE to fake her kidnapping, or shit, I once saw one where Hades got MIND CONTROLLED by Zeus?! Jesus.

Persephone was yoinked into the Underworld against her will.

That's how it went.

I don't mean this in a "stay out of my belief system!" way, shit I'm a white American chick with delusions of witchery. I mean this in a "stop stressing yourself out trying to make things palatable" way:

This is a very real, very precious myth to many people, BECAUSE for at least that one event, Persephone had no autonomy, BECAUSE for thousands of years most women had no autonomy. Erasing that, sanitizing the fact that a girl is ripped out of the spring, from her mother's arms, is erasing the thing that gave comfort to women for centuries. And people can and should still find power and healing in it now!

Fill in the blanks the story leaves in whatever manner seems fit to you, there's plenty of room, but. Come the fuck on.