#first time posting about justice and not having it be my wife

[blueribbs]

been in a justice league sorta mood recently. wanted superman to look like a friendly strongman, batman to be more angular and slim, and wonder woman to be big strong woman :]

[feelo-fick]

miscellaneous au doodles + a VERY self indulgent song lyric comic :D

+ extra evil comic below the cut :

"chil!" "don't look at me like that..."

[intheholler]

the appalachian murder ballad <3 one of the most interesting elements of americana and american folk, imo!

my wife recently gave me A Look when i had one playing in the car and she was like, "why do all of these old folk songs talk about killing people lmao" and i realized i wanted to Talk About It at length.

nerd shit under the cut, and it's long. y'all been warned

so, as y'all probably know, a lot of appalachian folk music grew its roots in scottish folk (and then was heavily influenced by Black folks once it arrived here, but that's a post for another time).

they existed, as most folk music does, to deliver a narrative--to pass on a story orally, especially in communities where literacy was not widespread. their whole purpose was to get the news out there about current events, and everyone loves a good murder mystery!

as an aside, i saw someone liken the murder ballad to a ye olde true crime podcast and tbh, yeah lol.

the "original" murder ballads started back across the pond as news stories printed on broadsheets and penned in such a way that it was easy to put to melody.

they were meant to be passed on and keep the people informed about the goings-on in town. i imagine that because these songs were left up to their original orators to get them going, this would be why we have sooo many variations of old folk songs.

naturally then, almost always, they were based on real events, either sung from an outside perspective, from the killer's perspective and in some cases, from the victim's. of course, like most things from days of yore, they reek of social dogshit. the particular flavor of dogshit of the OG murder ballad was misogyny.

so, the murder ballad came over when the english and scots-irish settlers did. in fact, a lot of the current murder ballads are still telling stories from centuries ago, and, as is the way of folk, getting rewritten and given new names and melodies and evolving into the modern recordings we hear today.

305 such scottish and english ballads were noted and collected into what is famously known as the Child Ballads collected by a professor named francis james child in the 19th century. they have been reshaped and covered and recorded a million and one times, as is the folk way.

while newer ones continued to largely fit the formula of retelling real events and murder trials (such as one of my favorite ones, little sadie, about a murderer getting chased through the carolinas to have justice handed down), they also evolved into sometimes fictional, (often unfortunately misogynistic) cautionary tales.

perhaps the most famous examples of these are omie wise and pretty polly where the woman's death almost feels justified as if it's her fault (big shocker).

but i digress. in this way, the evolution of the murder ballad came to serve a similar purpose as the spooky legends of appalachia did/do now.

(why do we have those urban legends and oral traditions warning yall out of the woods? to keep babies from gettin lost n dying in them. i know it's a fun tiktok trend rn to tell tale of spooky scary woods like there's really more haints out here than there are anywhere else, but that's a rant for another time too ain't it)

so, the aforementioned little sadie (also known as "bad lee brown" in some cases) was first recorded in the 1920s. i'm also plugging my favorite female-vocaist cover of it there because it's superior when a woman does it, sorry.

it is a pretty straightforward murder ballad in its content--in the original version, the guy kills a woman, a stranger or his girlfriend sometimes depending on who is covering it.

but instead of it being a cautionary 'be careful and don't get pregnant or it's your fault' tale like omie wise and pretty polly, the guy doesn't get away with it, and he's not portrayed as sympathetic like the murderer is in so many ballads.

a few decades after, women started saying fuck you and writing their own murder ballads.

in the 40s, the femme fatale trope was in full swing with women flipping the script and killing their male lovers for slights against them instead.

men began to enter the "find out" phase in these songs and paid up for being abusive partners. women regained their agency and humanity by actually giving themselves an active voice instead of just being essentially 'fridged in the ballads of old.

her majesty dolly parton even covered plenty of old ballads herself but then went on to write the bridge, telling the pregnant-woman-in-the-murder-ballad's side of things for once. love her.

as a listener, i realized that i personally prefer these modern covers of appalachian murder ballads sung by women-led acts like dolly and gillian welch and even the super-recent crooked still especially, because there is a sense of reclamation, subverting its roots by giving it a woman's voice instead.

meaning that, like a lot else from the problematic past, the appalachian murder ballad is something to be enjoyed with critical ears. violence against women is an evergreen issue, of course, and you're going to encounter a lot of that in this branch of historical music.

but with folk songs, and especially the murder ballad, being such a foundational element of appalachian history and culture and fitting squarely into the appalachian gothic, i still find them important and so, so interesting

i do feel it's worth mentioning that there are "tamer" ones. with traditional and modern murder ballads alike, some of them are just for "fun," like a murder mystery novel is enjoyable to read; not all have a message or retell a historical trial.

(for instance, i'd even argue ultra-modern, popular americana songs like hell's comin' with me is a contemporary americana murder ballad--being sung by a male vocalist and having evolved from being at the expense of a woman to instead being directed at a harmful and corrupt church. that kind of thing)

in short: it continues to evolve, and i continue to eat that shit up.

anyway, to leave off, lemme share with yall my personal favorite murder ballad which fits squarely into murder mystery/horror novel territory imo.

it's the 10th child ballad and was originally known as "the twa sisters." it's been covered to hell n back and named and renamed.

but! if you listen to any flavor of americana, chances are high you already know it; popular names are "the dreadful wind and rain" and sometimes just "wind and rain."

in it, a jealous older sister pushes her other sister into a river (or stream, or sea, depending on who's covering it) over a dumbass man. the little sister's body floats away and a fiddle maker come upon her and took parts of her body to make a fiddle of his own. the only song the new fiddle plays is the tale about how it came to be, and it is the same song you have been listening to until then.

how's that for genuinely spooky-scary appalachia, y'all?

[wonderjanga]

JL meets C.C.

So, the Justice League goes back in time to 1957 because some villain, let’s say Lex Luthor travelled to back then too for whatever reason. So now they have to stop him. Cue shenanigans and then while they’re trying to find Lex, John (I think this is my first post with John Stewart as GL) sees a newspaper that has C.C. and Marilyn on it. The newspaper talks about an Incan artifact they found. As they have literally nowhere to go, they go to see if C.C. can help them as they could use the extra firepower. (They think he’s Marvel and also literally everyone is against them, Lex turned the government against them by calling them foreign invaders. Remember this is both less than 15 years after WW2, and this is also two years into Vietnam.) C.C. would get dragged along because Lex thinks he’s Marvel so he’d also get shot at and all that. Here’s some interactions I think would happen:

Batman: *Takes off cowl because there’s no way Marvel should know him, and future Marvel already knows his identity*

C.C.: *stares at Bruce for a bit and thinks he’s Thomas Wayne* “Hey… you’re Patrick’s boy, right? Why’re you running around in a bat costume? Also how did you age thirty years in the two months since I last saw you?”

(Let’s say this is the same universe as the Great Grandpa Wayne and C.C. post)

Batman: *Gets flashbacks*

or

*Under heavy fire from robots because Lex teamed up with the government to mass produce robots for the war effort, money and so he could kill them. C.C., Flash, and GL are all kinda laying on the floor while bullets rain above them*

C.C.: (By the way, all of them are yelling over the sound of the bullets, cause bullets are really loud) “Can we wrap this up? I want to get back to my wife.”

Flash: “You have a wife?!” *completely shocked and betrayed one of his best buddies didn’t tell him this*

C.C.: *grabs some stuff from around them and starts making something* “Yeah.” *pauses his making his thing and sighs dreamily* “Marilyn.” (Bro really loves his wife) *goes back to making whatever he’s making*

GL: “What’re making?”

C.C.: “What?”

(Again, they’re yelling over a bunch of bullets)

GL: “What are you making?”

C.C.: “Oh! A shrapnel grenade!” *Finishes and throws it out of one of the many holes made by the bullets*

*loud explosion, guns stop. The three lay on their stomachs on the ground in silence*

GL: “Why do you know how to make that?”

C.C.: “I wasn’t able to dodge the draft.”

or

C.C.: “You’re an Atlantean?” *Slowly looks over to Arthur* “Tell me everything.” *pulls out pocket notebook that’s decorated with stickers, courtesy of a seven year old Mary*

Aquaman: *Happy to share anything about his culture and people* “I can tell you anything but its location.”

C.C.: “Fine by me! I just want to know everything.” *suddenly gets super intense*

*League looks at each other cause this is a rare time Marvel is actually actually serious*

[musicforastylesrestaurant]

Hi! I don't know if you already have an idea for the birthday post, if you do feel free to ignore this...my favourite trope is dad!harry too...what if H has to go for an emergency meeting somewhere else out the country even before his birthday and he has to spend his birthday there too and he is bummed about it...the fmc can fly out with their daughter/son and when he is back from his meeting his room is all decorated and stuff and she tells him she asked jeff to cancel everything...and they do a bunch of fun stuff but at night, after dinner she and the baby surprise him with another baby or something and he is like best birthday ever, 30 is already amazing

Happy 30th Birthday, Baby.

masterlist || ask me anything <3

authors note - thank you so much to @missbearforfun for sending in this request, ive had had a fun time writing this, ive changed a few things up, so i hope that ive done it justice.

i can’t believe that my boy is 30….like i swear he was just auditioning for the x-factor yesterday. 🥹

word count - 4.4k

in which, harry gets called to do a meeting in italy, two days before his birthday, which means that he’ll be spending his 30th out there with just his manager jeff, what he doesn’t realise is that you, his darling wife, fly out to surprise him and hopefully give him the best birthday he’s ever had.

You’ve been in Harry’s life for just over ten years.

You’ve spent five of those years as boyfriend and girlfriend, two of those years as his fiancé, and now, this year will be leading up to the third year being each other's husband and wife.

The first birthday of his that you spent with him, was his 20th all the way back in 2014. He had organised an intimate get together at a restaurant full of all of his closest family and friends, and it was the first time that you would be turning up together, as an official couple seeing as the only people who knew about the two of you were his band mates and his mother,sister, father and step father.

It was also the night that he confessed to you that he loved you, and that you were the one person that he couldn’t wait to spend the rest of his life with.

From that moment on, every birthday became a cherished chapter in your shared history.

Waking up in each other's arms has become a comforting tradition, marking the beginning of a day dedicated solely to celebrating Harry's existence. The warmth of those morning embraces symbolises the depth of your connection, a connection that has withstood the tests of time.

As the years unfolded, you've witnessed the evolution of Harry, both in age and character, yet the love between you two has remained unwavering.

From his 21st to his 30th birthday, you've made it a point to spend the day in a way that brings him joy. Whether it's exploring new places, indulging in his favourite activities, or simply relaxing together, the focus has always been on creating memories that reflect the essence of Harry.

Each birthday has become a canvas on which you paint moments of happiness and shared experiences.

You had spent every birthday with him, but for this one, it appeared to already be turning out in a way neither of you had expected.

A mere few days before Harry's anticipated birthday, an unexpected call from his manager, Jeff, sent ripples of disappointment through his plans. The urgency of an issue related to his beauty brand, Pleasing, required Harry's immediate attention in the Italy.

The brand we’re thinking of opening a pop-up shop over there, seeing as the country held so much adoration in both of your hearts, it was the place where you got married, the place where he proposed and where he now wanted his fans over there to have access to him and what he had to offer.

With flights already booked, he faced the heart-wrenching reality of having to leave just over two days before his special day. Devastation etched across his face as he contemplated the unforeseen disruption to the birthday celebration he had eagerly anticipated.

In a desperate attempt to reason with Jeff, Harry explained his deep desire to spend his birthday with you, sharing the disappointment that overshadowed the joy of the impending celebration.

However, the urgency of the matter prevailed, leaving Harry torn between personal desires and professional obligations. As his best mate and manager, Jeff empathised with Harry but emphasised the gravity of the situation, reinforcing the necessity of this unexpected journey.

Amidst the disappointment, you stepped in to comfort Harry, assuring him that celebrations could be postponed but his presence and well-being mattered most. You offered solace, reminding him that distance could not diminish the love and connection you shared.

The promise of a belated but equally meaningful celebration upon his return brought a glimmer of hope to the gloom that hung over his imminent departure.

You had promised him, that you would FaceTime him on his actual birthday and that you would both order the same takeaway that night and have a little over the phone date, just to celebrate this big milestone.

On the morning Harry was set to depart for Italy, the anticipation of his journey hung in the air. Dressed for travel, he stood before you with a small suitcase by the door.

Shoes on, cap snug, and sunglasses concealing his eyes, he exuded a mix of excitement and reluctance. Despite the January chill in London, the promise of Italy's warmth upon landing prompted him to prepare for a contrasting climate.

Your eyes held a silent plea as you stood before him, sorrow evident in your gaze.

"I wish I didn't have t’go," Harry admitted, his voice tinged with regret.

You nodded, understanding the weight of the situation, your silence echoing the unspoken emotions in the room.

Milo, your ten-month-old Rottweiler puppy, sensed the sombre atmosphere, wagging his tail as if trying to infuse joy into the moment.

Unable to contain your emotions, you wrapped your arms around Harry in a tight hug.

"I'll miss you so much," you whispered, your voice betraying the ache within. Harry's embrace tightened, and he placed a gentle kiss on your forehead.

"I'll miss y’more, m’love," he murmured, the sincerity in his words resonating with the depth of his emotions.

Crouching down to pet Milo, Harry spoke to the pup with a soft smile, "Take care of mummy for me, little buddy."

Milo responded with excited barks, seemingly understanding the impending absence.

Standing up, Harry looked into your eyes, his own reflecting a mixture of love and longing.

Your gaze locked with his, finding solace in the promise of a future reunion.

"We'll have the most amazing belated birthday celebration," you said, trying to inject positivity into the moment.

Harry smiled, his eyes reflecting gratitude.

"I can't wait f’that. Until then, stay strong f’me," he said, pressing a lingering kiss to your lips.

As the door closed behind him, the echo of his departure resonated through the silent space. Left with the imprint of his touch, the memory of his presence, and the anticipation of his return, you and Milo faced a home that suddenly felt emptier without him.

"I'll make sure t’send y’pictures from Italy," Harry called out from the hallway.

"And don't forget to spoil Milo a bit extra for me!" he added with a playful grin, the reassurance in his voice providing a small comfort amid the impending distance.

The day of his actual birthday, you woke up at seven am, which meant it was eight am for Harry.

It was a nice early face time call, in which you had called someone from the town near your shared beach house and got them to deliver flowers so they we’re scheduled to arrive whilst the two of you were calling, so you could see his face when he received them.

Little did he know, as the virtual celebration concluded, that you were already en route to Italy to surprise the love of your life.

His manager, Jeff, had orchestrated the clandestine journey, booking a flight that not only allowed your presence but accommodated Milo, your loyal puppy companion.

On the fairly empty flight, with just a few scattered passengers, you found solace in the quiet journey across the skies. Milo, nestled on the seat next to you, peacefully dozed off, completely unaware of the grand surprise awaiting his owner.

The hum of the plane engines provided a soothing backdrop as you envisioned the joy that would light up Harry's face when you appeared unexpectedly in celebration of his special day.

Upon landing in Italy, you and Milo were swiftly escorted off the plane by a discreet security team. The importance of maintaining the surprise for Harry became evident as the team efficiently navigated through the airport. The mission was clear: to whisk you away from the public eye, avoiding any chance of word spreading that Harry's wife had arrived.

Passing through passport control with just a carry-on bag in tow, the security team ensured a seamless transition. The anticipation heightened as you and Milo moved through the airport, surrounded by the subtle hum of secrecy. Every step taken was a careful manoeuvre to preserve the surprise and shield the unfolding celebration from prying eyes.

Exiting the airport, you were guided to a waiting jeep. The security team orchestrated a smooth transition, knowing that time was of the essence.

Jeff:

H just left for a meeting, so you’ve got at least an hour to get everything ready !!

As the jeep sped toward the villa, Jeff's text notification illuminated your phone screen. His message revealed that Harry was currently engrossed in a meeting, providing a valuable window of time to set up a birthday surprise.

The prospect of transforming the house into a beautiful haven of celebration filled you with excitement. Knowing you had at least an hour before Harry's return heightened the anticipation, and thoughts of his surprised expression fueled your determination.

The journey continued through the picturesque landscapes of Italy, the half-hour drive feeling like both an eternity and a heartbeat away from reuniting with Harry. Milo, sensing the energy, shifted restlessly in anticipation, adding an extra layer of warmth to the already charged atmosphere within the jeep.

The realization that the culmination of meticulous planning was drawing near only fueled your eagerness.

The mere thought of seeing Harry after two days of separation fueled your determination to make this surprise an unforgettable celebration of love and connection. The countdown to the reunion had begun.

"Here we are," the driver announced as the jeep came to a stop in front of the villa. You thanked him and handed over a ten-euro tip, expressing gratitude for the swift and discreet journey.

Grabbing Milo's leash and your bag, you stepped out into the Italian air, the scent of anticipation mingling with the promise of celebration.

As you approached the door, the distinct aroma of Harry's aftershave enveloped you, confirming his recent presence. A pair of his white vans neatly placed by the entrance hinted at the intimate details of his daily routine.

With a smile, you inserted the key into the lock, unlocking the door to a space filled with the essence of the man you dearly missed.

"Milo, we're home," you murmured to your furry companion, who eagerly bounded into the living room.

The atmosphere inside resonated with familiarity, and Milo, seemingly aware of the joyous occasion, leaped onto the sofa, his tail wagging in sync with the pulsating excitement in the air.

Upon stepping into the villa, you wasted no time. The suitcase that accompanied you served as a treasure trove of celebratory delights. With swift precision, you unzipped it, revealing an inflatable 3 and 0, along with vibrant banners that spelled out "Happy Birthday."

The living room became a canvas for your creativity, and the decorations unfolded in a dance of colors and joy.

Inflating the giant numbers, you strategically placed them to catch Harry's eye the moment he entered. The banners crisscrossed the room, creating a vibrant tapestry of celebration. The atmosphere transformed with each decoration, turning the space into a haven of love and festivity.

The decorating didn’t take long, maybe around half an hour, so that left you waiting, and each minute felt like hell.

You so badly just wanted him in your arms.

Seated in the midst of the festive setup, you pulled out your phone, eager to share the news of your safe arrival with your family. Fingers danced across the screen as you texted messages of reassurance and excitement, capturing the essence of this special moment.

The living room, now a symphony of color and joy, served as the backdrop to your messages, each tap echoing the anticipation of the grand birthday surprise awaiting Harry.

As you sat in the living room, engrossed in your phone, the jingling of keys outside signaled Harry's arrival. Swiftly, you rose from your seat, Milo by your side, his tail wagging in silent excitement.

Attempting to be as quiet as possible, you made your way to the entry hall, your heart pounding with anticipation. The festive atmosphere of the decorated living room served as a backdrop to the impending surprise.

Harry entered, shutting the door behind him with a sense of routine. His tote bag dropped to the floor, and in his initial distraction, he failed to notice the pair of women's shoes by the entrance.

His gaze scanned the surroundings briefly before turning away, only to snap back with wide eyes when he caught sight of you standing there.

His mouth parted in shock, a mixture of disbelief and joy washing over his face.

Time seemed to stand still for a moment as Harry processed the unexpected presence before him. The shock gave way to a radiant smile, his eyes lighting up with genuine happiness. Milo's tail wagged furiously, mirroring the palpable joy in the room.

Harry's initial shock dissolved into pure joy as he stared at you standing in the entry hall. Without a moment's hesitation, he rushed over, gathering you into a tight embrace. The warmth of his arms enveloped you, an unspoken reassurance of the love that bridged the distance between you two. Your eyes welled up with tears, mirroring the emotion evident in his gaze.

"Happy birthday," you whispered, the words carrying the weight of your love and the joy of this surprise.

As Harry lifted his head, his lips sought yours in a cascade of affectionate kisses. Each press was a testament to the depth of the connection shared, a celebration of love that transcended the days of separation.

The room, filled with decorations and the silent witness of Milo, became a sanctuary for this spontaneous reunion.

In the midst of the kisses, Harry's laughter bubbled up, the sheer delight of the unexpected surprise washing over him.

"M’can't believe you're here," he admitted, his eyes sparkling with gratitude. Milo, sensing the joy, wagged his tail energetically, completing the tableau of love and celebration.

“I couldn't not see you on your birthday," you admitted with a warm smile, still wrapped in Harry's embrace.

"Milo missed his daddy so much that we had to come and surprise you." You winked playfully, a cheeky smile tugging at your lips. "And, well, maybe I missed you a bit too."

Harry's eyes lit up with a mixture of surprise and delight.

"Y’really came all the way here just for me?" he asked, his voice filled with gratitude. Milo, sensing the joy in the room, barked in agreement, tail wagging enthusiastically.

Cupping his face in your hands, you responded, "Absolutely. Birthdays are meant to be celebrated with the ones you love, and we couldn't let a few miles keep us apart, now could we?"

“But I’ve got meetings the entire day,”he pouted, head getting thrown back slightly. “But I wanna spend the entire day with you.”

You played with the peach fuzz at the back of his neck. “Well it’s a good job I’ve cleared your schedule then, huh?”

“Wait,”he snapped his head over to yours from where he was staring lovingly at Milo. “So I’ve got the whole day with you?”

“We’ve got the whole day together, baby.” You confirmed, watching as his dimples appeared on his face.

In need of a refreshment, you and Harry migrated to the kitchen. As he poured himself an ice-cold glass of water, you settled at the kitchen island, nibbling on a cracker slathered with butter.

Looking at Harry, you asked, "Any cravings for today?"

He grinned and replied, "Actually, I've been craving a nice stroll around the town with Milo. Maybe we can stop for some ice cream and, perhaps, a cheeky bottle of rouge."

Harry's eyes sparkled with the prospect of a leisurely day. He reached for your hand, fingers intertwining, and continued, "What do you think, love?"

You offered a small smile, well aware that your current circumstances limited certain indulgences. "Sounds lovely," you responded, playing with the cross necklace around his neck. "I'm up for a walk and some ice cream.”

The wine….not so much.

/ /

As the day wore on, bathed in the warm glow of the Italian sun, you changed into a pair of comfortable denim shorts and one of Harry's shirts, embracing the casual charm of the town. The borrowed shirt hung loosely on your frame, carrying the familiar scent that provided a comforting connection to Harry.

Together, hand in hand, you and Harry strolled along the old streets, a timeless backdrop for the unfolding birthday celebration.

Milo, ever the enthusiastic companion, trotted alongside, his leash held firmly in Harry's hand. The cobbled streets echoed with the gentle sounds of your footsteps, creating a serene melody as you explored the charming corners of the town.

The quaint architecture and rustic charm of the surroundings added a picturesque touch to the shared moments of the day.

The narrow alleyways led you to hidden gems and inviting cafés, where the scent of freshly brewed coffee and sweet treats filled the air.

Each step carried with it the promise of discovery and the joy of simply being together. The sun dipped lower in the sky, casting a warm hue over the town, and the leisurely pace of the day allowed you to savor the simple pleasures of the moment.

As you continued your leisurely walk through the charming streets of Italy, Milo suddenly stopped in his tracks, his nose diligently sniffing around the ground. With an amused grin, you watched as he searched for just the right spot to do his business.

After a moment of consideration, Milo found the perfect place, and you turned to Harry with a playful expression.

"Happy birthday to you," you teased, handing Harry the poo bag with a grin. He laughed and fake gagged, taking the bag with a theatrical expression of horror.

Milo, seemingly oblivious to the lighthearted banter, continued with his canine duties, contributing his unique birthday gift to the day's events.

Continuing your walk through the enchanting town, you and Harry engaged in easy conversation, the cadence of laughter punctuating the air. The narrow streets echoed with the shared joy of the day, every step deepening the connection between you two. Silly anecdotes and playful banter flowed freely, turning the casual stroll into a delightful journey of shared moments.

As you meandered through the old streets, each corner unveiled new surprises, and every twist and turn became an opportunity for discovery. The simple act of being together, immersed in the charm of the surroundings, fueled the laughter and strengthened the bond between you and Harry.

As you continued your stroll through the charming town, the sight of a small bistro with a quaint outdoor seating area caught Harry's eye.

"How about we grab a bite there? it looks like a nice spot," he suggested, nodding toward the bistro. You agreed with a smile, appreciating the thought of a cozy meal in such a picturesque setting.

Heading towards the entrance, you were met by a friendly waiter.

"How can I help you?" he inquired. Harry responded,

"Just a table outside, please." The waiter, with a welcoming smile, gestured for you to follow, leading you to a charming table nestled in the outdoor seating area. The sun cast a warm glow, creating an inviting ambiance for a leisurely meal.

Seated at the quaint table, Milo by your side, the waiter handed you the menus. "Browse through these, a waiter will be over shortly, and let me know if there's anything else you need," he offered before leaving you to peruse the options. The aroma of delectable dishes wafted through the air, enhancing the anticipation of a delightful meal in the heart of the town.

Harry, glancing at the menu, looked up at you with a playful grin.

"What are you in the mood for, m’love?" he asked.

You.

Wait what?

As you and Harry enjoyed the cozy atmosphere of the bistro, another waiter, a friendly woman with a welcoming smile, approached your table.

"Good evening! Do you know what you'd like to order?" she inquired, pen poised above her notepad.

Harry, ever decisive, was the first to respond.

"I'll have a glass of y’house red wine, please," he said, glancing at the wine list.

Turning to you, the waiter asked, "And for you, ma'am?"

You flashed a smile and softly shook your head.

"I'll just go for a fresh lemonade, please." Attempting to steer away any suspicion, you added, "Feeling like something light today."

Harry, catching the cue, chimed in, "Just a light and easygoing evening, you know?"

He winked at you, his eyes filled with playful complicity.

The waiter jotted down your drink orders and nodded. "Certainly, a glass of red wine and a fresh lemonade. Now, what can I get for your main courses?"

You perused the menu, deciding on a chicken salad, and Harry opted for the salmon antipasto. You exchanged glances, sharing a silent agreement on the choices. As the waiter collected your menu choices, she remarked,

"Excellent choices! Your orders will be out shortly. Enjoy your evening!"

With the waiter's departure, Harry leaned in with a teasing grin.

"A fresh lemonade, m’love? Feeling like a saint today, are we?" he quipped, his playful banter laced with affection.

You chuckled, playing along. "Well, saints need a refreshing drink too, don't they? Besides, I'm saving room for that delicious chicken salad."

Harry laughed, raising an eyebrow in mock suspicion. "Alright, alright, I won't question y’saintly decisions. S’just enjoy this lovely evening and the meal to come."

The waiter returned with your drinks about five minutes later, placing a glass of red wine in front of Harry and a refreshing lemonade for you. As she walked away, leaving you two to enjoy your beverages, you lifted your glass and initiated a spontaneous toast.

"Cheers to your birthday, my love," you exclaimed, your eyes sparkling with affection. "I just wanted to take a moment to say how much I love you. I can't wait to spend eternity together, celebrating moments like these."

Harry's gaze softened, and he blinked his glass against yours.

"To eternity and beyond," he replied, his voice filled with warmth. "M’the luckiest person to have you by m’side. Here's to many more birthdays and unforgettable moments together."

The bistro's ambiance embraced the intimate exchange, and you continued to express your love and appreciation for Harry.

"You make every day special, but today, on your birthday, I want it to be extra magical for you," you confessed, your sincerity echoing in the quiet moments between sips of the refreshing lemonade.

Harry's smile widened, and he reached across the table to gently squeeze your hand. "Having y’here is the best gift I could ever ask for. Every moment with you is magical, and m’grateful for it all."

/ /

As the early evening settled around the villa, you found yourselves back in the comforting haven of your shared space. In the bathroom, bathed in a soft glow, you stood before the mirror, carefully removing mascara and eyeliner.

The simple act of cleansing away the day's makeup was a routine that marked the transition from daytime adventures to the quiet moments of the evening.

Meanwhile, in the bedroom, Harry lay on the bed, Milo nestled at his feet. He absentmindedly scratched at the short growth of hair on his head, a subtle reminder of a recent decision to shave it off.

The room radiated with a sense of tranquility as you each indulged in the rituals that marked the end of the day.

Wearing one of Harry's shirts that enveloped you in the familiar scent of him, you busied yourself in the bathroom, preparing a late evening birthday surprise.

The soft rustling sounds of your movements echoed against the backdrop of Harry's contemplative scratching, creating a harmony of shared space and intimate connection.

With a soft smile gracing your lips, you glanced at yourself in the bathroom mirror before deciding it was time to return to the bedroom.

Your hands were discreetly behind your back, holding a late evening birthday surprise for Harry. As you stepped into the bedroom, Harry, already seated on the bed, noticed your presence and sat up, beckoning you with open arms.

"I want a cuddle," he declared, his eyes twinkling with a playful warmth. Unable to resist his endearing request, you let out a soft giggle at his baby-like antics.

Playfully, you approached the bed as he beckoned you forward.

Crawling onto the bed next to him, you let yourself be enveloped in his arms. You laid your head on his chest, the rhythmic beat of his heart echoing comfort and love.

The anticipation of the surprise gift still hidden behind your back added an extra layer of excitement to the intimate moment.

"I missed you," Harry murmured, his voice a gentle caress. You pressed a kiss over his heart, savoring the warmth of the connection. His arms tightened around you, embracing the familiar comfort of being close.

Taking a deep breath, you looked at Harry with a warm smile, saying, "I've got one last present for you. Close your eyes."

Harry hesitated for a moment, a playful smirk tugging at his lips, before obediently shutting his eyes. With gentle steps, you moved towards him, the late evening's golden glow casting a soft ambiance around you.

In your hands, you held a delicate gift, and with a mix of hesitation and tenderness, you softly placed it in Harry's hands.

"Okay, open your eyes," you instructed, your heart fluttering with a secret that had the power to change your lives forever.

Harry blinked his eyes open, and as he glanced down at his hands, a flicker of confusion passed over his face. Then, his gaze landed on the small object nestled in his palms.

It took a moment for the realisation to sink in, and when he saw what it was, his eyes widened, and he gasped.

"What... is this?" Harry stammered, his voice shaky with emotion.

His trembling fingers picked up the small pregnancy test.

The room fell silent as the weight of the revelation settled in. Harry's eyes locked onto the test, and tears immediately welled up.

"S’this for real?" he asked, his voice barely above a whisper. "This isn't some sick joke, right?"

You shook your head, a mixture of joy and vulnerability in your gaze. Leaning forward, you pressed your forehead against his, tears streaming down both your cheeks.

"It's true, H. I'm eleven weeks pregnant," you whispered, the magnitude of the moment engulfing you both in a wave of overwhelming emotions.

Harry's breath caught, and he pulled back slightly to look into your eyes.

"I... we're going to be parents?" he uttered, a mix of disbelief and elation in his voice.

A tender smile graced your lips, and you nodded. "Yes, Harry. We're going to be parents."

Tears rolled down his cheeks as he pulled you into a tight embrace.

"I can't believe it. M’going to be a dad," he mumbled against your hair, his voice filled with a joy that echoed through the room.

Overwhelmed with emotion, Harry leaned forward, his hand gently pressing against your stomach as if trying to connect with the new life growing within.

The tender touch conveyed a depth of love that words could only strive to express. His lips found yours in a sweet, lingering kiss, and as he pulled back, he whispered, "I love you, I love you, I love you."

“This is the best birthday ever,”he spoke, chocking out a soft sob. “Thank you m’love, thank you, thank you for making us parents.”

You softly placed your hands on his cheeks to get him to look at you, and when his green eyes met yours, you smiled at him tenderly.

“Happy 30th Birthday, Baby.”

[paulic]

Ok this is what I think the biopics will be like for each Beatle:

John will be so troubled but in a really charming way and Julian will be mentioned but briefly and they’ll make it seem like John was just too busy to be a present father (Paul will make up for it in a vomit inducingly cheesy way). His eating disorder, heroin addiction and other internal struggles (self-esteem, sexuality, maybe even gender,…) will go unmentioned or brushed over jokingly like haha he tossed Brian off, don’t we all at that age. He’ll be the cool and funny older brother & later genius who just couldn’t be confined within a band. They won’t have the guts to call his bullshit and therefore will automatically brush over his kinder and vulnerable sides. He’ll be reduced to a knock off version of the tortured artist blueprint. They’ll never pick up on his pathetic wet dog vibe

Paul will be the charming good guy who’s all in with the band. No mention of how he fucked over Jane and every other girl until Linda; he’ll be a musical genius, too, but in a prince of the people sort of way. They’ll loooove that he stopped eating meat, woke king!!!! Linda will be brushed over by making her into his soulmate wifey who finally helps the charming playboy with a heart of gold settle down. His depression and alcohol problem won’t be mentioned/reduced to feeling a little sad. He’ll be a little bossy sometimes but they won’t ever get it right how fucking annoying he could be. Straighter than a ruler. John’s brother, almost biologically. No homo. They’ll find a way to make the twink who fucked the entire population and had an ego bigger than Neptune into a straight feminist

George will be the indie underground smart Beatle and people on tik tok will start posting thirst traps of the actor with the caption “they don’t make em like this anymore” and then complain about real-George’s teeth. He’ll be so spiritual and smart and he won’t have an affair with his best friend’s wife at all and if he does it’ll be because of some spiritual insight, not because that man couldn’t keep it in his pants for 5 seconds. I’m deadly afraid of the colourful drug scenes where he’ll hallucinate god. He’ll be the perfect boyfriend and Pattie will be played by Sidney sweeney or something. They won’t take a side with the whole George Or Paul debate during the breakup, but George will be too focused on other things to want to stay in the Beatles. They won’t mention the three billion songs John&Paul deemed unworthy. They’ll never do the grudges my man held justice. No one could

Ringo will be the funny guy who luckily survived his childhood and found his passion through a kind nurse giving him his drumsticks. He’ll play an incredible drum solo at 8 years old on his hospital bed frame the first time he ever holds those sticks. He won’t be in gangs, he won’t beat his wife half to death, he won’t have drugs and alcohol problems. He’ll be peace and love from age 0. He’ll be slightly stupid and he’ll mention octopuses too much. They’ll never get it right how he was truly the eldest and how much his vote and opinion actually counted within the band and how much the boys wanted him in the band and admired him. He won’t be a sort of glue to the band. He won’t marry a teenager he met when she was 16 and he 22. He’ll be a weird version of Ken from the Barbie movie, his job will be Drum. They’ll flatten a severely nuanced and layered man to a sheet of paper with the word ‘beat’ on it

I am too afraid to even think about what they will do to Eppy

Oh and each and every one of them will have way too pretty teeth and I am already furious. I want them to have British men in the 1960s teeth. Give me British teeth and jerking off together

[mydadleft471]

Carian Tea And Bitter Medicine

Summary: You've fallen ill and Messmer is deeply worried for his wife. Over the coming days, you slowly recover.

Spoilers for Elden Ring and Shadow of the Erdtree. No warnings other than talk of throwing up. (yuck)

This was a request from @writing-fanics! I'll link it here if you want to see the post. This was super fun! I love writing for the red-haired snake man (clearly that's literally all my blog is lmao). Thank you for requesting and I hope I did it justice!

As always, thank you all so much for reading, liking, commenting, and reblogging! It means the world to me and I'm so happy I've gotten back into writing!

Messmer had barely left your side for the few days. He was worried sick. No matter how much his servants and healers told him you’d be alright with some rest and medicine, he couldn’t seem to believe them. He thought you were dying, and he could only sit idly by while you suffered. Watching you writhe felt like a stab wound, searing and sharp, right to his chest.

You, his darling wife, looked terrible. A sheen of sweat covered your body even in your lightest nightgown, yet you stayed wrapped in blankets. Chills would wrack your body one minute, and the next you’d be pushing at the blankets because you were overheating. You��d refused almost all food except for a light broth, though it still threatened to come back up. Water wasn’t any easier, and your condition had seemingly gotten worse. Your skin was pale and your eyes didn’t shine like they usually did.

Messmer tried to keep himself busy to drive away the thoughts that plagued his mind. He’d fetch you a cold washcloth and lay it delicately over your forehead, or help you sit up when you’d request a drink of water. You were too weak to lift anything, so he’d carefully tip the glass back enough for you to take small sips.

You’d been confined to the bed for five days due to your sickness. Each morning he’d wake and hope to see you better and healthy once more, but it hadn’t happened yet.

He didn’t sleep well last night, jolting awake in response to any sound you’d make. Rubbing the sleep from his eyes, he saw you trying to sit up. He hurried to your side immediately, helping you.

“What bothers thee, wife?”

“I just wanted some water. I didn’t want to wake you. I know you haven’t been sleeping much these past few days.” You croak out.

“It bothers me little,” he says while moving to fetch you a glass of cool water. “How dost thou feel this morning?”

“I’m actually hungry, so I’d assume that’s good.”

“I am so very happy to hear that, beloved. Whatever thou wishest for, it shall be done.” He smiles for the first time in days.

“Right now,” you gesture towards him, “I’d love some water.”

He sits beside you on the bed and moves it towards your lips. Your hand finds his and, though shaky, you help tilt the glass back. After a few sips, you tap his wrist and he returns the glass to your bedside table.

“Thank you, husband.” You shoot him a weak smile and his stomach flips. Marriage did little to dull the butterflies you gave him.

“What dost thou desire for breakfast?”

“I don’t mind, really. If we have any left, I’d love to have some of that delicious spiced Carian tea Rellana gifted to us.”

“Of course, beloved.” He gently guides you to lay back down. One of his serpents nips at the blanket and brings it over you. You pat its head in thanks.

“Wilt thou be alright for a short while?” His heart twists uncomfortably thinking about leaving you alone, even if it is just to request food for you.

“Yes, my love. You never stay away for very long.” 

“It pains me to leave thee.”

You grab his hand and squeeze weakly.

“I know. But I’m hungry.” As if on cue, your stomach growls.

“I shall return shortly, my wife.” He kisses your forehead and makes his way towards the door.

Outside, he’s pleased to see a dozen of his most trusted knights. When you fell ill, he ensured you’d be safe from any outside threats. His men were fiercely loyal to both him and his beloved wife.

Noticing the creaking of the door, Fire Knight Salza bowed in greeting.

“How is our Lady, my Lord?”

“She is slowly recovering, though still sick.”

“Shall I send for a servant to bring her food?”

“Yes. She’s requested Rellana’s specialty Carian tea.”

“Ah, a personal favorite of mine. I’ll see her desire fulfilled, my Lord.”

Messmer nods and returns to you, shutting the door swiftly. You’re still laying down on the bed, the covers pulled over you. He sits on the bed and smooths a few rebellious strands of hair down.

“I probably look awful.”

“Never.”

You roll your eyes. “You always were a poor liar, Messmer.”

“I shall never utter a word of disgust or mocking towards thee, beloved.” Even like this, you were beautiful to him.

“I know.” You bring a hand up to cup his cheek and he moves forward, sighing into your touch.

“If I must describe thee, I would say thou lookest sick. Nothing more.”

“How sweet of you. I’m sure if I looked in a mirror, it would shatter.”

“Nonsense.” He kisses your knuckle. “I shall hear these false notions no longer.”

“Fine. But I could probably use a bath.”

“If that is thine desire.”

“Only if you bathe me.” You playfully wink at him. His face reddens.

“Dost thou know no decency?”

“No,” you reply, giggling. “Not around you, at least.”

A sudden knock at the door distracts him. He releases your hand and rises from the bed.

“Enter.” His voice sounds so different when he speaks to anyone but you.

A servant comes in with a small tray of food. They gently set it down on the table beside you and bow to you both before leaving as quickly as they came.

You push yourself to sit up. Messmer moves to help you, but you refuse and slowly get up on your own. He shakes his head at your stubbornness, but he’s happy to see you regaining some strength. Just yesterday you could barely lift your head.

You look over the tray of food and see a bowl of steaming broth with some noodles, a vial of medicine, and your Carian tea. Messmer brings the tray closer to you and you move to pick up the bowl of soup. You feel the worry radiating off of him at the prospect of you burning yourself.

“I’m alright, my love. Just a little weak.” 

You take an experimental sip of your broth and nausea doesn’t immediately make you want to spit it out. Pleased, you continue to take small sips and bites. You hadn’t realized how hungry you were, and soon, the bowl is empty. Messmer looks ecstatic that you’ve managed to eat something. 

“How dost thou feel?”

“Fine, actually. Can I have my tea?”

“Medicine first, beloved.”

“Yes, sir.” You tease. He bites his tongue and gives you a look.

He grabs the small vial and takes the cork off. It smells horrible.

“Tell me, does this concoction taste as badly as it smells?” His nose crinkles in disgust and his serpents hiss and recoil.

“Unfortunately.” Taking the vial and tilting your head back, you pour it all into your mouth at once and swallow as quickly as you can. The bitterness coats your tongue and almost burns. You will yourself to not gag and your face scrunches up in displeasure. You can’t wait until you’re better so you no longer have to taste this.

You gesture towards your tea and Messmer hands it to you. You drink some and the bitter taste of medicine slowly recedes to a soothing spice on your tongue. 

“Would you like some?” You gesture towards the tea.

“No, beloved. I would not steal thy favorite tea from thee.”

“You can steal my medicine.” You smile at him from behind your cup.

“I wouldst rather drown.” You laugh.

“Me too.”

“Thou art braver than I.” He refers to your medicine. He places the empty bottle back on the tray and his serpents eye it warily.

You finish your tea and set it down with the rest of your dishes. Messmer moves the tray back to the table for a servant to take away later. He smiles, happy that you’ve finished everything brought to you today. You seemed to be getting better, and for that, he was grateful. Some color had returned to your smooth skin and your eyes seemed more alert.

“Would you come hold me?” You shoot him a pleading glance.

“Thou knowest my weakness, wife. I shall never say no to thee.”

“You just did.” He gently scoots into bed beside you.

“Hmm?” He tilts his head.

“You said you wouldn’t steal my tea. You technically said no to me.” You pout.

He shakes his head, drawing you closer in his arms. His serpents wind protectively over you and you sigh, content.

“I am afraid thou art taking mine words too literally.”

“Maybe.” You mumble into his chest.

“Sleep. Exhaustion clings to thee.” He strokes your hair.

He expects a response from you, and a witty one at that. Perhaps something about how he’s confusing exhaustion for not bathing regularly. But he looks down and you’re fast asleep, tucked into him. He wonders if the Carian tea puts one to sleep. If so, he needs to have a plentiful supply.

His darling wife is getting better, and it did not even require him to pray to Mother. He will dwell on the implications of that later.

[solar-wing]

⚣ Idiots In Love 🤦‍♂️

⚣🤦‍♂️ A/N → This is a request that I got from my previous account. It's not a re-post though. This is freshly written and done. Here you are @alexanderstarhero! I hope you like it! Not one of my best, but I did get a similar request to this one, and I wanted to get it out. Warnings: Omegaverse | Oblivious Friends to Lovers | Jealousy | Canon-Typical Violence | Kissing and marking | etc.

⚣🤦‍♂️ Summary → Nothing is more frustrating than watching two people who are clearly in love with each other be completely oblivious and ignorant of each other's feelings. It's so obvious, like come on, how could they not see it? Wait, did Conner just protectively wrap his arm around Y/N when Wally got too close? And they're supposed to be "friends?" I can't take this anymore. I'm DONE! I'M OVER IT!

⚣🤦‍♂️ Words → 5.0k

REBLOGS & replies are greatly appreciated, please! 💛

Also, vote in my Omegaverse/Yandere poll here!

⚣ ENJOY 🤦‍♂️

It was so sweet, yet also so painful to watch. How could you two be that affectionate and cute with each other, and still have no clue of the feelings you both held? It had to be a screw loose in the brain or something because this was just getting ridiculous.

Shortly after Zatara became the new Dr. Fate, Zatanna, his daughter, reached out to his son and her adoptive brother, Y/N Zatara to come join her at Mount Justice and join the Team. He was more than thrilled at the offer and immediately packed up his things from his boarding school and joined his sister in Happy Harbor.

Y/N had always wanted to join the Justice League’s newest stealth and covert team when it was first formed, but Zatara would not allow it. He didn’t want either of his children to join the Team for various reasons. Specifically, he didn’t want to create any chance or risk of losing Zatanna, his only connection to his deceased wife, Sindella.

For Y/N, he knew the life of a superhero and its sometimes cruel and unfair conditions. The magician knew the already hard life the young omega was given early on and didn’t want to add to it.

When Y/N was very young, he’d become an orphan, his parents disappearing under mysterious circumstances. So, he was placed in foster care and moved between many different foster homes. As the story typically goes, he felt out of place and never really accepted in any of the homes his CPS agent would place him in.

Not just for his magical abilities, but sometimes also for his daily obvious submissive nature. Even if he hadn’t presented yet, Y/N always showed early traits of an Omega dynamic. And, just as many places in the world that had yet to move forward in modern times, there was an inherent bias in the foster care system that favored Alpha or Beta children over Omegas.

It wasn’t until his 5th or 6th foster home that he ran away, and happened to come across a battle between Zatara and Wotan. The magician’s curiosity had been piqued when this random child helped him in taking down the sorcerer. After hearing a bit of the young child’s story, he decided to take him under his wing and adopt him as his son.

Many jokes were made by different leaguers about how he needed to be careful or he’d turn into Batman 2.0.

The Dark Knight did not find the joke amusing.

When Zatara had brought Zatanna to the Team’s new base shortly after their creation as a stealth unit for the Justice League, Y/N wanted to join along, but Zatara insisted he stay at his school and focus on his studies. That’s why he was absent for the first adventures his sister got to join in.

Things changed though when Zatanna decided to use the Helmet of Fate in the battle against Klarion after he split the world into two dimensions with one only full of adults and the other only full of children. As fate would have it (pun unintended), Nabu, the spirit possessing the helmet refused to give up her body as he felt it necessary he establish himself permanently on Earth to prevent the world from falling into chaos.

A deal was made between Zatara and Nabu that he would trade places with his daughter, becoming the new Dr. Fate.

After that, Zatanna’s life was moved from New York to Mount Justice where she lived alongside Miss Martian and Superboy. M’Gann did her best to help her new comrade and roommate feel welcomed, excited at having another girl living at Mount Justice and being able to do all sorts of Earth girly stuff as she saw on TV, but it wasn’t enough.

Zatanna craved familiarity. She missed her home and her dad, and though nothing would ever be able to replace those feelings, she figured having her brother around would help her feel less alone after just a few months of living at the Cave

Yes, was it a bit selfish? Kind of, but, in her defense, Y/N had already wanted to join the Team the second he found out about it. It was their dad who wouldn’t let him, so of course, when he got the call from his sister, he wanted to immediately pack up his things and move himself to Happy Harbor.

But, of course, adults had to intervene. Their leaders suggested Y/N wait till he finished the semester at his current school and then transfer over in the new year after winter break was over. Not what they initially wanted, but knowing they would eventually be together in a few months was enough to hold them over.

After the entire mess with Vandal Savage and his scheme of taking the Justice League was over, Batman and Black Canary began the official process of transferring Y/N over to Happy Harbor. They handled all of the paperwork and administrative details on Zatara’s behalf, and soon, both the Zatara siblings became full-time members of the Team.

The day Y/N arrived was one to be remembered. His future teammates couldn’t think of a time they had seen Zatanna so anxious and excited. When the Zeta Tube machines began whirring up and the automated voice announced his arrival, she almost left skid marks on the floor from how fast she sprinted to the opening.

The very first moment Y/N came through, she immediately ran forward and tackled him into a hug with him returning the gesture as well, happy to see his sister. The other team members watched in silent awe, some a bit emotional than others (*cough* Wally *cough*).

After their tearful reunion, Zatanna introduced her brother to the rest of the team. Everything went smoothly until she got to Superboy, who Y/N immediately became nervous and flushed around the second he laid eyes on the Kryptonian.

Zatanna and Y/N always kept in contact through phone calls, emails, and letters while he was away, and that didn’t change when she met the Young Justice team. 

In her messages, she described the Team and its different members, the missions they went on, and all the different stuff about the Cave. She also went into very specific details about one particular member of the group, even going as far as to send pictures sometimes whenever the group took photos together.

Knowing her sweet, Omega brother, and his overly romantic way of thinking, she knew if he and Superboy had ever met, he’d more than likely fall head over heels. Zatanna herself was a Beta, so she wasn’t easily swooned by the sight and smell of Alphas and Omegas like her brother or other certain members of the team (*cough* Wally *cough*).

However, she didn’t expect the surprising (at least to her) relationship between Conner and M’Gann. That truthfully was the plot twist of the season. She was no relationship expert, but if you asked her, those two just didn’t make sense.

There was no chemistry, no connection or spark that even the strongest telescope could see between them. The most you could see was physical attraction if even that. So when it came down to their eventual split a few months later, Zatanta, out of everybody else on the team, was not even the slightest bit surprised.

M’Gann swore they were just on a small break and would be back together in no time, but the sorceress was almost positive it wasn’t happening. Conner showed no interest in wanting to get back with her, which was the entire reason she even started poking at the idea of him and Y/N together in the first place.

They would look so good together, and oh god, could you imagine their children? Cutest kids ever. She wasn’t biased at all, but seriously? Take one look at Y/N, then look at Conner who’s basically the standard of the attractive himbo– ahem, male. 

She could even remember her and her dad doing all the thinking of the world of who Y/N’s parents could be.

You didn’t get looks like those by wishing for it or casting a spell…

Hold up?

…

Nah.

Yet, the only issue getting in the way was their inability to confess their obvious feelings for each other. It was like that feeling you get when watching a Dora episode and the twitch but replacing it with a b kept asking for something that was literally RIGHT THERE.

Like, girl, ARE YOU BLIND?!

That had to be the case, considering both reactions from Y/N and Conner when they were introduced.

As mentioned before, Y/N became flustered and nervous, almost stuttering over his words when he went to shake hands with Superboy. He’d been smooth and charismatic with everyone else on the team, but, as Zatanna predicted, the Omega immediately grew a crush on the young superhero. And it definitely wasn’t one-sided.

You know in those cheesy romance novels and movies (Disney we’re looking at you), when the two lovebirds or soulmates first make contact, and there’s that ‘spark’ between them. Like long-lost lovers or some shit like that?

Let’s just say, this was a bit more, extra if you will.

Conner had only been out of his pod for a few months, and what he had yet to discover was that the human part of his DNA meant his genes were also subjected to Alpha/Beta/Omega biology, unlike M’Gann and her Uncle or even Clark. Not much study had been done yet on Kryptonian biology and if they were affected by a similar biological dynamic system like most homo-sapiens were. 

Martians were never known to have such a thing in their biology according to Martian Manhunter.

Therefore, it never occurred to anyone the possibility that Conner could very well end up presenting a dynamic at some point if he hadn’t already. When he met Y/N and shook hands with him, you could say his reaction was surprising, bordering on terrifying or hot. Your choice.

The Kryptonian’s nose had flared and he ended up yanking Y/N into his arms, aggressively sniffing at his neck. He also uttered the word ‘Mine’ while glaring and growling at anyone who dared take a step too close.

Hmm, does anyone else have the weirdest sense of Déjà Vu? Weird.

It became clear to everyone right there Conner’s biological dynamic; Alpha. And, considering meeting Y/N was his first time meeting an Omega ever, he reacted quite better than many before they’d seen, which was a bit shocking when you think about it.

The man literally came out of his pod swinging and punching, not to mention his less-than-tactical way of dealing with confrontational situations. Everyone chalked it up to his Kryptonian DNA and his isolation from society for his aggressive ways.

Nope, it was just regular Alpha-like temper tantrums. Typical.

Plus, most of the guys were either Alphas, except for Dick who had yet to present. Artemis and Zatanna were both betas, making Y/N the first and only Omega on the team.

The others managed to separate the two, and when Conner got himself back under control, he apologized embarrassingly before excusing himself. Everyone had brushed it off and wouldn’t hang it over his head, knowing from experience how bad those situations can get when you experience your first ‘hormonal instinct takeover’, or H.I.T. as most would call it.

Whoever thought of that must have considered themselves quite clever. Getting hit with H.I.T.? So corny.

That interaction all but confirmed Zatanna’s predictions that Conner and Y/N would end up together. Though, he didn’t score high in M’Gann’s favor at all.

She wasn’t pleased with that interaction at all and wanted to avoid the possibility of having any repeat mistakes in the future. Things would not go her way. In truth, they would go the opposite.

After they showed him the Cave, they let him get set up in his room which was conveniently right next to Conner’s room. Something else the Martian girl was 100% not happy about.

She tried to point out the fact that maybe if Conner was getting used to his new Alpha dynamic, having an Omega room right next to him wouldn’t be the best idea since it could be a trigger for the Kryptonian. It almost worked too, but once again, things did not go her way.

Surprisingly (not for Zatanna), it was Conner who shot down the idea, saying that he could control himself and didn’t think it necessary for Y/N to move rooms. Besides, the Omega had already started unpacking and getting comfortable, and he didn’t want to inconvenience him.

Which was half the truth…

Little did he or anyone else realize, Conner was already falling in sync with his natural Alpha instincts. And the most urgent of those at the moment was keeping the Omega he desired in a close enough place where he could protect and watch over him.

The thought of having Y/N in a room farther away where he couldn’t immediately get to him if something were to happen left a very sour feeling in the Alpha’s stomach. Thankfully, Batman and Black Canary agreed to let him keep the room. But, Conner would be working with the Dark Knight on controlling and understanding his new biological nature since that was something the G-Gnomes couldn’t telepathically teach him.

M’Gann was not happy.

Zatanna was ecstatic.

Y/N was nervous but also giddy. The Kryptonian was not alone in his feelings or instincts taking over as the second anyone suggested a room change, the Omega was prepared to fight (metaphorically speaking) to stay exactly where he was.

He wasn’t blind at all. Y/N caught on to M’Gann’s motives the second she opened her mouth, and he wasn’t going to let her win if he had anything to say about it. The more time Conner and Y/N spent around each other, the more protective and jealous each other became when it came to anyone else coming around them. Specifically, anyone they saw as a threat.

For Y/N, that was obviously M’Gann.

As time passed by and he got more acclimated into the team, he was not oblivious to the many attempts M’Gann would make to flirt and get back with Conner, even going as far as one day just blatantly asking him if he ever thought about her.

The Kryptonian was kind enough not to embarrass her in front of everyone and pulled her out of the room to explain his platonic feelings for her. Y/N heard everything though, thanks to a spying spell he secretly cast.

And Y/N is not shy about staking his claim on the Alpha, even though they’re only friends. He finds subtle ways to leave his scent on Conner, whether that’s giving him subtle touches where he knows his scent glands are, asking to wear his jacket when he pretends to get cold, or finding an excuse to hug or touch the boy.

Also, if the Alpha ever needs anything, Y/N is the first to grab and provide what it may be. Not only did it please his nature to know he was taking care of an Alpha, but it also satisfied his territorial side whenever M’Gann saw or heard Conner praising him for his assistance.

His biggest success though may have been after an incident where M’Gann tried to read his mind only to have her thoughts scattered by his defensive spell. Y/N was never a big fan of the telepathic link of communication they used on missions, giving M’Gann unlimited access to all of their thoughts.

He placed a protective spell over his and Zatanna’s minds with her permission that would only allow M’Gann access to communicating thoughts and nothing else. If she went searching for more, the spell would activate and deflect her signal right back to her mind, scrambling her head. Imagine a brain freeze or your worst headache, and then put it on steroids. Served her well.

He discreetly put one on Conner as well, but knew he would take it off eventually as he didn’t want to overstep boundaries.

Of course, this caught the attention of others when the Martian girl was more or less screaming in pain for a solid minute. The effect didn’t last long, so she wasn’t being tortured for an extended period, only long enough to teach her a lesson. 

When Aqualad asked what happened, Y/N simply explained his discomfort with having an open link into each of their minds and his protective measures in case someone decided to get a little nosy. M’Gann’s little reaction proved his concerns were justified.

The mage suggested that he could use the same spell which would allow them to communicate telepathically still, but just that. No reading one’s thoughts and mind.

Everyone readily agreed to this, of course, the only one protesting it was M’Gann, but considering she was outnumbered, she had no choice but to go along. Aqualad also requested he place that defensive spell on each one of their minds, just in case any of them were to have run-ins with a mind-reading villain like that time in Bialya.

When it came time for him to put the spell on Conner, Y/N decided to come clean and admitted he already placed a spell on him. He claimed it was because he heard how the G-Gnomes used to control him telepathically and figured he wanted to erase any chance of that, which was true, but not the only reason. 

Thankfully, the Kryptonian didn’t question him, finding comfort and admiration in the fact that he would go out of his way for him like that. His Alpha side was very happy.

Zatanna, of course, knew better and was very happy watching this entire thing unfold.

Now, on Superboy’s end, his threat was basically anyone who was not either a female, another Omega, or himself. Meaning he sees not just his enemies as a threat to claim over Y/N, but even some of his allies as well.

If he and Y/N were in the same room together and Kal, Wally, or Dick entered, Conner immediately would be on edge. He’d watch their every move like a hawk, especially if they came too close toward the mage for his liking. 

If any of them were to be talking to the Omega, they’d turn to find a very aggravated and tense Kryptonian glaring at them with a very clear message. One wrong move and their mentors would be looking for new mentees.

It was something he had to work hard on in his training with Batman and now Superman as well, taming his jealous and possessive instincts. He learned that while Kryptonians don’t share the same biological dynamics as humans do, they do still have stronger instincts and urges, which can amplify his already strong Alpha nature.

It proved easier said than done.

It was so easy for him to let his protective nature take over, even when Y/N was perfectly safe or in total control of a situation.

Many times on missions, Conner would all but demand that Y/N be paired with him if they were to split up. Even if it sometimes made sense for the mage to be paired off with a different person, he’d barely budge. With Artemis or Zatanna, he was lenient. M’Gann was just an automatic no. And any of the other guys, it’d be easier to ask Batman to not brood for one day.

That wasn’t even the worst part, though. Many times on missions or in battles, the Kryptonian would demand Y/N stay back and let him handle the fight, even if the mage was winning.

At one point, Wotan sought revenge against Zatara, Dr. Fate, and the Omega who defeated him so many years ago and had once again combined forces with Klarion to put many heroes in the Justice League under a spell. Similar to when that mind control thing happened with Vandal Savage, but this time, they were instructed to just destroy those three.

Of course, as Fate would have it (no pun intended), Superboy and Y/N ended up facing off against Superman. Now, given the last time the two Kryptonians faced off, you’d think Conner would have taken the back-pedal, considering they both shared a similar weakness to magic.

Nope.

Conner insisted that Y/N stay behind him and that he would take care of Superman himself. He held out for as long as he could, but, at some point, the mage just couldn’t continue to sit by and watch.

They won the battle, and Zatanna and Y/N were able to break the spell over the heroes, but Conner was not happy with the Omega at all. However, he couldn’t figure out if he was more upset about the fact he disobeyed him or that he put his life in danger for him. 

And, truthfully, he had to wonder if he was only upset and not also appreciative and grateful for the knowledge of knowing that if he truly was ever in trouble, he could count on Y/N to be there to help him when he couldn’t help himself.

Again, Zatanna was fully enjoying herself watching this play out.

Yet, the longer it went on, the more she and the others got tired of waiting. Even M’Gann was getting restless wondering when those two were going to man up and admit their feelings.

In the beginning, Y/N and Conner were both very awkward around each other, considering how they first met. The Kryptonian felt as if he didn’t know how to approach the Omega without humiliating himself again. And, the mage felt like he didn’t know how to talk to the Alpha without getting flustered and nervous and saying something embarrassing.

Truly, two peas in a pod.

But, their mutual affection and painfully obvious feelings for each other would bring them closer over time, and they soon became almost virtually inseparable. There weren’t many instances where anyone could say they saw one without the other. Especially Conner who always made it a point to be in the same vicinity as Y/N.

Zatanna and the others eventually got tired of waiting and cooked up a plan to get the two together so they could finally end this drawn-out torture. Since they were both so oblivious, they decided the best way to get them to admit their feelings was for lack of a better phrase, ‘forcing them in a corner.’

Some legitimate concerns did come up considering their plan consisted of Wally flirting with Y/N to irritate and make Conner jealous. The main one came from the speedster himself in how they would keep the Kryptonian from trying to essentially murder him.

Don’t get him wrong; Wally was no coward. But, he knew when he was outmatched in a fight, and considering how territorial and aggressive Alphas could get when they felt challenged since he was one himself, the possibilities were all too real in his mind.

Zatanna, Dick, and the others promised they wouldn’t let that happen, but it didn’t do much to alleviate the concerns in his mind. But, in a surprising twist of events, it turned out Conner wasn’t the one they had to worry about.

They put their plan into action early in the mornings, with Wally giving subtle one-liners and suggestive looks in Y/N’s direction. As predicted, Conner immediately became disgruntled, growing irritated and frustrated with every flirty line and look out of the speedster’s mouth toward his Omega (at least in his mind).

Y/N was surprised by this as well and did his best to ignore Wally’s advances, but not good enough in a certain Martain’s eye. 

M’Gann was not in on Zatanna’s plans for obvious reasons, and when she saw Wally’s attempts at flirting with the Omega took that as her golden opportunity to win Conner back. She found the Alpha in the training room by himself, a rare occurrence where Y/N was nowhere in sight.

He was busy sparring with the reinforced punching bag Batman created for him, doing his best to control and tame his anger like Superman and Batman taught him. But, his super hearing wouldn’t allow much of that since he could still hear every flirty line out of Wally’s mouth which just increased the intensity of his punches.

M’Gann took advantage of his angry state, trying to paint a false, negative image of Y/N that if he really cared about the Kryptonian, he wouldn’t entertain any of Wally’s behavior at all. She was laying hands on his hard, shirtless body doing her best to give her most alluring eyes while looking at his sweaty and angered face.

Conner was so in his head with his anger and frustration that he barely reacted or moved when M’Gann pushed herself closer, looking as if she was going in for a kiss. Of course, as fate would have it, that was the moment Y/N chose to walk in on them with Wally and the others in tow.

It was almost as if time had paused and then skipped a few seconds because before anyone could react, Y/N had cast a spell that blasted M’Gann to the other side of the room. No one had seen the Omega that angry before (besides Zatanna) didn’t know how to react when he stomped toward the Martian who was just getting herself off the floor.

When it looked like no one was going to do anything, Zatanna was about to step in until Conner intervened, grabbing Y/N, and holding him against his body while instructing the others to check on the Martian to make sure she was okay. He dragged the furious Omega out of the room, Zatanna subtly smirking as she watched before going to help M’Gann.

Conner marched them both toward his bedroom, shutting the door forcibly behind him before pushing Y/N against the surface, smashing his lips against him to silence the Omega’s angry shouts. Shocked, surprised, bewildered, all words you could use to describe Y/N's reaction to the sudden kiss, but resistant? Not in this universe or the next however many.

He immediately gave in to the Kryptonian’s demanding and rough lips, thoroughly enjoying the feeling of his hands squeezing and pulling his waist against his. They became a tangled mess of limbs as Conner moved them from the door over to his bed, carefully laying the Omega’s body onto the mattress while positioning himself on top.

Eventually, they broke their lips apart, but the Alpha wasn’t done yet. He greedily ran his lips up and down the Omega’s jaw and neck, giving into his possessive nature and leaving as many bites and hickeys as the eye could see. 

At that point, Y/N was begging for the Kryptonian to knot and mark him, seeing as how Conner wasn’t shy this time about letting the smaller male know who’s Omega he was. His Alpha nature and instincts were very satisfied seeing the mage so desperate and needy for him, wishing suddenly he could take a picture to capture this moment.

And while tempted to give in to the Omega’s cries and pleas, he opted to resist, wanting to save that moment for a more special occasion.

“Boo, you’re no fun,” Y/N pouted.

Conner grew a smug look at the bratty Omega before running his nose down his neck toward his scent gland. “That’s fine. Besides, why should I reward you after letting another Alpha flirt with you all day?” Conner asked, a crossed expression passing over his face.

“I wasn’t letting him flirt with me. I was trying to get him to stop and avoid him all day since I knew it would make you upset.” Y/N said in reply.

“How did you know I would be upset?”

“Dude, anytime one of the guys even breathed at me, you got angry. You were ready to break Dick’s arm that time he caught me falling from that stairway.” Y/N laughed.

“He shouldn’t have his hands that low on your waist. You can easily catch someone using their armpits.” Conner said, a childish ‘hmph’ leaving his lips.

“Yeah, okay Mr. I can lift a car with my pinky.”

Conner rolled his eyes, before using his hands to tickle the Omega’s sides, “You think you’re so funny.”

Y/N tried to fight against the laughs coming up his chest and push Conner away, but the Alpha was obviously stronger than him and easily held him down while continuing to tickle him mercilessly. Eventually, he released him and they both calmed down.

The Alpha continued to lay gently on top of the Omega, burying his face in the smaller male’s neck to breathe in his scent while Y/N rubbed his hands up and down the larger male’s back and through his dark hair. It was intimate and peaceful, the two lovebirds finally enjoying what they both had secretly been craving for so long.

Eventually, their friends came to check on them, interrupting the special moment. Wally apologized to Conner after he and Zatanna explained their plan, to which the Alpha and Omega gave unamused looks to their friends, though they both appreciated the gesture since it did help them finally get together.

Y/N also apologized to M’Gann for his behavior but did warn her that if ever tried something like that with his Alpha again, she’d realize just how creatively violent he could get with his magic. Surprisingly, she also apologized, but the Omega could tell that his friends probably forced her to do so.

Either way, he was happy.

He and his idiot Alpha were finally together.

☀️ | Conner Kent/Superboy | ☀️

☀️ | Masterlists | ☀️

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 琅琊榜/Nirvana in Fire.

Nirvana in Fire is a 2015 historical series best described as either a complicated succession drama set in the premodern Chinese imperial palace, or the story of a man who didn't die a decade ago and has decided to make it everyone else's problem.

And really, I almost feel silly giving my glib little summary, because Nirvana in Fire is so well-known of a property. It's a classic for a reason, and that reason is that it's legitimately very good. This show is what happens when you adapt a solid story, get a bunch of very talented actors, and throw a huge amount of money at it. It's incredibly popular and highly acclaimed, and it earned all of the hype.

Still, while I bet there are few people adjacent to c-drama stuff who've never heard of Nirvana in Fire, I'm sure there are plenty who haven't watched it. After all, it looks like one of those slow, serious shows with a lot of ponderous talking and no joy. If that's the impression you've been given, I could imagine looking at the 54-episode commitment and saying, I don't need that in my life.

I am here to tell you you're wrong. It is a banger of a show. It's tense. It's funny. It's heartbreaking. It’s exceptionally clever. It’s jaw-droppingly stupid. It’s romantic. It’s tragic. It has smart plots and bizarre subplots. And that's not even touching the thing with the yeti.

So in case you're one of those people who's heard of Nirvana in Fire, but has put off watching it for one reason or another, I'm here with five reasons I think you should try it.

1. Epic Shit

Did you like the Lord of the Rings? More specifically, did you really like the second Peter Jackson film? Great, then you're all set for this.

I guess I could have called this Game of Thrones without the dragons, but that's not actually the vibe at all. Game of Thrones is much more sensational and salacious, with all the blood and butts and what-not. The Tolkien comparison is more apt, I think, because Nirvana in Fire is equally about as wholesome as you can get in a property where dudes are still getting stabbed all the time.

This is a show about vengeance. And yeah, justice for the fallen, sure, that's fine too. But mostly it's about a bunch of good people joining forces to make sure the bastards who did wrong pay, with their lives as necesary.

The problem, though, is that these bastards are incredibly powerful, which means that a pure brute-force approach isn't going to work. Accordingly, this quickly becomes a story about the power of smart teamwork to exact retribution on some people who can (and did!) legally get away with murder -- and our heroes are some of the people with their necks most on the line if anything goes wrong.

Don't let the Middle Earth comparison fool you into thinking this is all epic swordfights. It's not. (I mean, for one thing, as well-funded as this project is, it doesn't have Peter Jackson Money.) The vast majority of the tension in the show comes from dialogue and slow, terrible realizations. The fight scenes are almost a relief from the nail-biting intensity of intimate conversations about getting a letter from somebody's ex-wife or returning a book.

All told, the show has that incredible almost-RPG vibe of going through all the little subquests and cutscenes you find along the way to defeat the final boss. The plot carefully unravels a multi-tendriled mystery told to you by people in incredible costumes. It doesn't get much more epic than that.

(Nirvana in Fire is also a cautionary tale about how you should be very careful with who gets invited to your birthday party.)

2. A chronically ill protagonist

Okay, right in the first episode, it is established that the main character has three whole completely different names and an old nickname. I'm going to call him Mei Changsu for the duration of this rec post, but let the record show that I could just have easily gone with one of the other three.

What you learn in that same first episode is that Mei Changsu used to be a palace insider, the cocky son of a noble family, only now nearly everyone he used to know thinks he's dead. Also, he's not far off from being actually dead -- he has an unspecified terminal condition that's mostly managed, provided he stays in his little mountain hideaway with his handsome doctor bestie and doesn't return to his old stomping ground and start kicking over hornets' nests.

So guess what he's about to do.

I have to make a note of how brilliant the casting is here: Hu Ge is an action actor! He is a kickpuncher of a man! And I think it's great that you can sort of see his frustration, as well as Mei Changsu's, at having to spend the whole series wrapped in countless layers of fabric and/or lying in bed while everyone around him gets to be the badass action heroes.

Mei Changsu's not faking it, either -- he's actually dying. He expends his energy where he thinks it's necessary, and sometimes that means he has to spend the following week in bed. He's constantly frustrated with himself for what he can't do anymore. He's racing a clock, and that clock is his own failing body. If he dies, the only hope anyone here has for justice dies with him.

He gets two love interests that the show treats pretty much equally. One's a lady general who wasn't even a love interest in the book. The other's the handsome prince who was initially going to be his textual romantic partner in same book, until the author hopped genres from danmei to general historical drama. I can't even call this a love triangle, because there's no competition. He just gets a wife and a husband -- in that he gets neither, because circumstances and his own illness keep him distant from them. He lies to both of then about his condition (among other things). He wants to be with them both and knows he can't be with either. And they in turn have to learn to accept what of him they can and can't have.

(Also, Nihuang (her) and Jingyan (him) are both incredibly gorgeous, which is exactly what bisexual genius Mei Changsu deserves.)

Obviously this isn't a perfect representation of life with chronic illness, largely because Mei Changsu is an incredily wealthy man who lives in a universe with what's basically magic medicine. However, I've seen the story's treatment of him and his condition resonate with a lot of chronically ill viewers, so even with the fantasy layer on it, there's definitely something there.

3. Dave

I have already told the story of how Meng Zhi became "Dave," but long story short, he's such a Dave that I legitimately forget his character's real name. He embodies Daveness. He's The Ultimate Dave.

Dave is an excellent fighter, a loyal friend -- and a terrible liar. He's possbly the only straightforward character in the entire show. When he's asked to be duplicitous, he's comically bad at it. Dave will never do a heel turn. I was misled at first by his semi-evil facial hair, but I have seen the error of my ways. Dave is pure lawful good.

And the reason I list Dave as such a selling point is that having a Dave means you always know what's going on. This is because Dave never knows what's going on, and he has no ego about that, so he asks questions, and other characters have to explain to him what just happened, and that is how you figure out what's going on.

It's an incredibly smart move on the drama's part, because some of the (very fun) schemes are so complicated that there's no way for you, the viewer, to understand them just by watching. Without the internal monologues and omniscent narration of a book, the machinations are opaque. You need things explained -- but why would the schemers explain their schemes? Well, Dave needs some exposition, so here you go.

So if you're worried that you might be left feeling stupid by a show where so many sneaky people are hatching so many complex plans, worry not! Like the good man he is, Dave has your back.

4. A Million Amazing Antagonists

If you like bad guys, this is a show for you. This show has brilliant bad guys all the way down. It has bad guys at every turn. It has bad guys for every taste. Welcome to Big Liang's Big Bad Guy Emporium, where we guarantee you'll walk out of here with a bad guy you like, or your money back!

(And yes, this set of pictures is also to say that their costume budget was entirely well-spent.)

Without getting too far into spoilers, I will say that the basic situation underlying the whole series is this: The emperor has done a lot of bad things, and he has enlisted a bunch of people's help in hiding those bad things, so much so that many of those other people have done even more bad things the emperor didn't even know about -- and then everyone has gone to great lengths to cover those up as well. Our protagonists spend the whole series unraveling this colossal shitshow and bringing people to task for their crimes.

So really, if you're going to spend 54 episodes taking down the baddies, they've got to be baddies you love to see taken down. And these are -- in part because all of them have crystal-clear, rock-solid motivations for their actions. Nobody here is a moustache-twirling comic-book-villain baddie. They're all bad for reasons that are very understandable in their individual contexts. And not a single one of them is going to go down without a fight.

5. World's Best Mom

(Sidebar: The fact that four out of five of my reasons to watch the show are individual or groups of characters should be your strongest indicator that this is an intensely character-driven story.)

This is not a Dead Mom Show. Okay, some moms are dead, but mostly this is a Moms Are Alive And Often Cause Problems Show, which is a lot of what makes the palace drama so delicious. But there is one Good Mom who stands out above all the rest: Consort Jing.

Played with perfect grace and devastating politeness by the stunning Liu Mintao, Consort Jing is a skilled doctor and excellent baker who starts the show with a low-level status among the women of the palace. She swallows down all kinds of mistreatment because she's not in a place to oppose it -- and when she can retaliate, it must only be through soft power. She loves her jock son with all her heart, but because of both their relatively poor positions in the hierarchy, she doesn't get to see him all that much. She wants to be an asset to him, while all the time she has to fear becoming a liability.

She is also the smartest person in any room that she's in, unless she's in a room with Mei Changsu, and even then it may be a tie.

There are lots of great characters in the show that I could have highlighted here, and plenty of them are women, but Consort Jing in particular never ceases to impress me. She is trapped in a gilded cage, married to a man who [lengthy list of spoilers that are traumatic to her in particular], and held hostage by how every time she even looks like she's out of line, it puts both her and her boy in danger. She's the most vulnerable of any of our good guys. Kind of like Wang Zhi, she's got to be clever or she's dead.

Consort Jing is not part of Mei Changsu's original plan. She figures out his plan and makes herself part of it -- and entirely remotely, as she and he aren't even in the same room until episode 40 or so. She puts herself in great danger to make sure he succeeds, not because it will necessarily do her any good, but because Jingyan needs him. This woman has been captain of the Mei Changsu/Jingyan ship for like twenty years already.

Oh, and did I mention her outfits?

I love you, Consort Mom.

Are you ready to watch it yet?

Get it on Viki! Get it on YouTube! Get it on YouTube but in a different playlist! (And also maybe get it on Amazon? Not in my region, but maybe in yours.)

I will warn you that it does take off running -- I think I saw someone say it introduces nineteen characters in the first episode? I was worried that I'd be too innundated by situations and flashbacks and names to be able to follow. By the second or third episode, though, I was rolling with it. So if you feel like you're struggling at the beginning, stick with it a bit. See if you don't feel it start to click.

...Man, reading over this post has left me going, oh, but I missed that! and that! and that guy! And yeah, the truth is that there are just so many great things about the show that limiting myself to only five (and being limited to only thirty images) was tough. I'm sure that people reblogging will add their own must-see elements.

Truly, this is a show that deserves its reputation. It may not be for everyone, but if this is the kind of thing that you like, it is a shining example of that thing.

Besides, you have to love a production where everyone was clearly having just a whole lot of fun being big ol' costumed dorks.

[elspethdekarios]

I have thoughts about Anders

So I just finished Dragon Age: Awakening (I’ve played through all 3 main games, went back to do the DLC) and I have so many thoughts about how different Anders is pre- and post-Justice sharing his body. I think part of this is the voice actor change in DA2, but his personality seems so different, too. Awakening Anders is sarcastic, always cracking jokes, mostly light-hearted even after everything he’s been through. DA2 Anders has moments like this, but he’s much more intense and brooding. Awakening Anders has a few lines about wanting to settle down with a pretty girl or have a plump wife waiting for him at home, but DA2 Anders is PINING. And with the time skip, it’s a slow burn. Awakening Anders doesn’t strike me as the slow burn type—he’s very flirty and even a little raunchy at times. But Anders in DA2 doesn’t really act like that. He’s got a tortured, romantic soul. He’s much more serious. And maybe it’s just because he’s grown up a little bit, but now that I’ve met Justice as a character before he and Anders become one, I wonder how much of that change is Anders maturing vs. Justice’s personality coming through.

I know this game has been out forever and I’m probably not saying anything new, but Anders is so fascinating to me. More rambling and dialogue analysis under the cut:

The very first thing that struck me as different about Anders in Awakening (other than his general personality) was his response to Wynne telling the Warden Commander that the Libertarians in the Circle want to pull away from the Chantry, and Anders says that it’s a recipe for disaster. SIR! WHO ARE YOU?

Awakening Anders also doesn’t seem particularly interested in justice for mages or revenge for how he and other mages have been treated. He wants his freedom, and I’m sure he wants freedom for other mages too, but he’s not exactly radical like he is in DA2. In fact, it’s Justice who seems to inspire Anders to, well, seek justice. I’m emphasizing some of this dialogue to analyze it below:

Justice: I understand that you struggle against your oppression, mage. Anders: I avoid my oppression. That's not quite the same thing, is it? Justice: Why do you not strike a blow against your oppressors? Ensure they can do this to no one else? Anders: Because it sounds difficult? Justice: Apathy is a weakness. Anders: So is death. I'm just saying.

Justice: I believe you have a responsibility to your fellow mages. Anders: That bit of self-righteousness is directed at me? Justice: You have seen oppression and are now free. You must act to free those who remain oppressed. Anders: Or I could mind my business, in case the Chantry comes knocking. Justice: But this is not right. You have an obligation. Anders: Yes, well... welcome to the world, spirit.

Now, look at this conversation between Anders and Isabela in DA2:

Anders: I don't know how you live the way you do, blithely ignoring the consequences of your actions. Isabela: This is about the Qunari thing, isn't it? I'm not ignoring it. I just recognize that it happened years ago. Isabela: There's this fantastic thing called "moving on." You should try it sometime. Anders: Has it occurred to you that Kirkwall is only just recovering from the Qunari attack? Isabela: And you want me to... what? Flog myself daily? Isabela: Has it occurred to you that maybe there's no justice in the world? Other than that voice you keep in your head.

Isabela sounds more like Awakening Anders than Anders himself does in this conversation. Justice accuses Awakening Anders of ignoring the oppression of other mages like DA2 Anders accuses Isabela of ignoring the consequences of her actions (for the record, I don’t think either of these assumptions are 100% true, but I digress). In Awakening, Anders is cynical when Justice tells him he has an obligation. What can he change? He has to worry about his own survival as an apostate before risking his life even more to save others. Hence the line “welcome to the world, spirit.” Anders is pragmatic, even a little pessimistic, where Justice is idealistic.

But then, the conversation with Isabela! Like Justice tried to convince Anders of his obligation to other mages, Anders now is trying to convince Isabela to take responsibility for her actions. She’s ignoring the unrest that was caused by her stealing the Qunari tome instead of doing something to help—just like Awakening Anders is ignoring his oppressor. 

When Anders and Justice merge, Anders starts to see the bigger picture, the oppression that reaches far beyond himself. From the short story Anders:

I always knew I wouldn't submit. I could never be what they wanted from me -- compliant, obedient, guilty. But before Justice, I was alone. I never thought beyond my own escape: Where would I hide? How long before they found me? Now, even that thought repulses me. Why should so many others live with what I will not? Why must the Circle of Magi stand? Just because it always has, just because those who read Andraste's words twisted them to mean that mages must be prisoners? Why has there never been a revolution? … They will all die. Every templar, every holy sister who stands in the way of our freedom will die in agony and their deaths will be our fuel. We will have justice. We will have vengeance. And suddenly I'm alone, standing in a burning forest, with the bodies of templars and wardens at my feet. So many, and I didn't even know they were there. Didn't even know I had killed them, but the evidence is all around me. Not the aftermath of a battle as I've known it, but a bloody abattoir of rent limbs and torn and eaten flesh. This is not justice. This is not the spirit who was my friend, my self. What has he become? What have I become? We must get out of here. There is no place for me in the Grey Wardens now. Is there a place for me anywhere?

First of all, ow, my heart. But the point is: before he becomes part of Anders, Justice doesn’t feel a personal connection to mages’ freedom—he only cares because of the injustice. But once he and Anders become one, the source of injustice that Anders cares about the most, that he has deep resentment for, that has caused him great harm, becomes Justice’s cause. We know that Justice can sense/feel memories of the body he inhabits because he remembers some of Kristoff’s past, or at least feels connections to certain objects or people even if he can’t explain it. Kristoff was dead, though, so those memories were only fragments. I imagine that with Anders, he can experience those memories more clearly, including, of course, the injustice he and others have suffered at the hands of the templars. Justice is able to integrate into Anders fully, whereas with Kristoff, the body was an empty vessel with remnants of the past soul that was within it. 

Now, let’s talk about where Anders ends and Justice begins, something that even Anders himself is unsure of. Here are some DA2 banters about the division (or lack thereof) between the two of them:

(Outside The Hanged Man, Act 3) Anders: Justice doesn't let me get drunk anymore. I kind of miss it.

(in Legacy DLC) Anders: I've tried to forget about this side of myself. Justice is... so strong. Sometimes the Wardens seem insignificant. But seeing that poor bastard brings it all back. The Darkspawn taint. The call of the archdemon. It's inside me, as much a part of me as Justice.

Anders: Justice once asked me why I didn't do more for other mages. I told him it was too much work. Anders: But I couldn't go back after that. Couldn't stop thinking about it. Anders: Sometimes, I miss being that selfish.

Varric: So, the knight-commander... Boiling in oil? That one never gets old. Anders: This is past time for joking. Varric: I'm helping you indulge in elaborate revenge fantasies. I think it's good for you. Anders: Meredith will die. Do not doubt that. Varric: Go away, Justice. Can Anders come out and play? Anders: [Justice voice] Stop. Varric: You are no fun anymore.

(if Anders was taken to the Fade) Anders: I have tried to avoid the Fade since Justice. It's disturbing when he takes over.

The above dialogues imply that Anders and Justice are two separate entities in one body. The one from Legacy is tricky, since he compares it to the taint, but he still refers to Justice as separate from himself, which is why I included it. And that’s not even touching on the fact that Justice has a different voice than Anders. But these:

Aveline: So you're two people, Anders and... Justice? Anders: That's not strictly accurate. Aveline: But you are of two minds. Anders: Many people are.

Isabela: Hello? Is Anders there? Can I speak to Anders? Anders: You can stop yelling. It's always me. Isabela: Oh, good. I didn't want to talk to that other guy. You know, the stick-in-the-mud. Anders: He can still hear you. Justice and I are one. Anders: Anyway, you wanted to talk to me? Isabela: Not really. I just wanted to make sure it was you.

(If Hawke convinces Anders to give up his plan) Vengeance: Leave! This does not concern you! Hawke: This is Anders's decision, not yours! Vengeance: I am Anders! You have given into sloth. You would stand by while mages are abducted and tortured. Go. Anders has no need of you.

There’s not a clear answer either way. And I didn’t expect to find one. I think a lot of this back and forth is Anders trying to understand who he is now that Justice is part of him. He clearly still feels like he has some level of agency and individuality apart from Justice, but he struggles with it. This feels very anticlimactic, but I guess that’s just the nature of it all.

If you read this far, wow thanks. Now to not leave off on a sad note, here are some DA2 banters that feel very Awakening Anders to me - please enjoy <3

Anders: I keep thinking I know you from somewhere... Isabela: You're Fereldan, right? Ever spend time at the Pearl? Anders: That's it! Anders: You used to really like that girl with the griffon tattoos, right? What was her name? Isabela: The Lay Warden? Anders: That's right! I think you were there the night I— Isabela: Oh! Were you the runaway mage who could do that electricity thing? That was nice... Hawke: Please stop talking. Now. (Or if Varric is in the party) Varric: I don't think I need to know this about either of you.

Anders: So, I never expected to be palling around with the captain of the guard. Aveline: We're not "pals." Anders: We're not? What about that time we painted each other's toenails? Aveline: Do you want something? Anders: Love, life, and liberty. What more does a man need?

Anders: Nice day to be planning a trip into the Deep Roads, don't you think? Anders: The Blight, the dampness, the festering darkness filled with tainted rats... Carver: Shut up. Anders: You've got a real chip on your shoulder, you know? Carver: I've got a big blade on my shoulder, magey. Anders: Right. Wonder what you're compensating for.

Fenris: Is there something you want, Anders? Anders: You really don't have the temperament for a slave. Fenris: Is that a compliment or an insult? Anders: I'm just wondering how your master didn't kill you. Fenris: How have the templars not killed you? Anders: I'm charming.

Anders: Is that supposed to be Andraste's face on your crotch? Sebastian: What? Anders: That... belt buckle thing. Is that Andraste? Sebastian: My father had this armor commissioned when I took my vows as a brother. Anders: I'm just not sure I'd want the Maker seeing me shove His bride's head between my legs every morning.

(All dialogue found on the Dragon Age fandom wiki.)

[angel-of-the-moons]

I haven’t stopped thinking about that Hobie baby fever fic ever since you posted it. Many thoughts. Many thoughts many many thoughts and ideas many many little ideas.

You have people saying ‘Oh good luck lol kids are SO hard!’ ‘He’s definitely gonna regret it you’re gonna be a single parent’. But Hobie’s probably been WISHING from a young age he could be a parent, the only thing he didn’t prep for is your little one grabbing his wicks and him nervously calling out “Luv, luv help me LUV-”. He learnt very quickly to tie his hair back when he’s holding them. If you have a little girl, everyone always thinks it’s you who’s done her hair for the day or for school. NOPE. Hobie’s been with her in the bathroom since 6 in the morning putting her in braids and buns. Your baby is his whole world and he’ll be DAMNED if he won’t be the absolute best dad EVER ‼️

Oh my godddddddddd my ovaries went 💥💥

The Pitter Patter of Little Feet Pt. 2

Dad!Hobie x Wife!Reader

TW/CW: A lil angst at the start, Fluff. So much fluff.

A/N: I'm basing all my baby prep off of the things I had to do for my nephew. I am unsure the proper care that goes into textured hair but I hope I can do it justice!

🎸🎸🎸🎸🎸🎸🎸🎸🎸🎸

You remember what people told you, how "someone like him" wouldn't be able to handle being a dad, how he'd leave you. The words said by your mother hurt the worst, the things she said about Hobie. Your father was no better, especially when they found out you two agreed to get pregnant before anything else.

Especially after you put the positive pregnancy tests, the test results from blood work with your doctor, and some baby booties on the table as a surprise.

It was supposed to go like you imagined, right? Happy jubilant crying, hugs, congratulations...

You got the exact opposite, with your parents criticizing everything about your boyfriend, the father of your unborn baby. The man you loved.

"What kind of father would he be? A bad one, just look at how he's dressed! You think he can help dress your child?" Your mother scoffed. "And those awful piercings! I bet your baby will be running around with holes in their face by the time they're six!"

"And what about a job? You can't be the only one to support your family. He's a man, he needs to step up and quit it with that "punk lifestyle". It's not suitable to raise my grandchild in!" Your father grunted.

After your baby was born, you cut them off and had a courthouse wedding, and a little get-together with his friends from the Spider Society. A mix of a reception and baby shower.

Joke's on them! Hobie was an amazing father, and an amazing husband. The moment he found out you two were having a little girl?

Pink. And. Purple. Her style would be all punkish of course.

He got stuffed instruments that crinkled for when she would teethe, some guitar-shaped rattles...

And he would never admit it, but Hobie actually cried, when he got to hold your baby girl for the first time. You guys named her Selena. Selena Brown.

She came out angry, wailing, as if she was pissed off at the world she had only been in for a few moments.

"Already got the spirit! Make a big noise, a big statement. That's my girl!" Hobie laughed, playing with her tiny feet.

After that, Hobie was very attentive. From you working from home, he would help. He'd fetch the breast pump when you needed it, would prep the bottles, and keep Selena occupied while you worked. He would even take the late shifts at night to make sure you got your rest.

As Selena got bigger, her hair became a bit unruly, and at times you had no idea what to do with it. Hobie? He came in clutch. The proper ties, hair masks, grease (if needed), oils, brushes...

The trick was getting the rambunctious one year old to hold still while her father attempted to tame the poofy mass.

It was one day, you got up from your computer only to hear Hobie shout your name.

"Babe! Babe!" He cried out, grunting.

Of course, you made a dash for the living room, only to see your husband with your toddler. Apparently she had moved behind him, her hands clinging to his shirt to help keep her balanced as she bounced on her little chubby feet.

Her big brown eyes gleamed as she giggled, her bottom teeth poking out in the most adorable way.

Well... it wasn't from where Hobie sat.

Selena's little fist had a tight hold over one of his wicks, tugging his head back sharp.

"A lil' help, luv?!" He winced, hissing at you as you covered your face to try and keep from laughing.

"Come on, Bug, give daddy's poor head a rest. He's got enough problems with that mess he calls hair." You tease, scooping up your little girl.

But... even though her grip loosened, Hobie's wick stayed attached to her hand.

"Oh... ohhhhh..." You said, clicking your tongue.

"What! What!" Hobie groaned, trying to tug his head free.

"You made me have a spider baby."

[grifonecoronato]

Mae-ho Aniseya: Film Noir Protagonist

(Spoilers for The Acolyte)

As I've said in another post, Mae and Osha are binary opposites in their personalities and motivations.

Mae has a kind of "first child syndrome": a desire to exhibit perfection in the eyes of her mothers, so that they can shower her with praise. She loves being in her community of witches, learning and using the Thread, and indulging in the daily activities of life on Brendok.

She thrives when she is surrounded by her people, but Osha doesn't want the same things, which is something that confuses Mae deeply.

In this scene from Episode 3: Destiny, the two sisters as children talk about what they want:

MAE: "It isn't fair. I share everything with you, and you hide things from me or run off alone." OSHA: "I want to have my own things." MAE: "Why?" OSHA: "Because I don't want to do everything together all the time." MAE: "But why?" OSHA: "Because we're not the same." [...] OSHA: "Don't you wonder what else could be out there? Besides Brendok?" MAE: "No. Everything I need is here."

For Osha, her arc in The Acolyte has all the trappings of a dark romance. But from Mae's perspective, she's the heroine of her own Film Noir.

Film Noir Themes in The Acolyte

Beyond its aesthetics, Film Noir has three (3) major thematic characteristics with regard to its protagonists:

Its protagonist has an idyllic past where they were happy and life was good;

Their idyllic past is ripped away from them, often violently, in a single moment that they relive again and again in the present;

The inciting incident is an opportunity to reclaim their idyllic past, or if that's impossible, to get justice for what was lost... because to do nothing is to be haunted by it forever.

For example, we can look at the seasonal arc of Veronica Mars (2004): she's a happy high schooler and best friends with Lily Kane, then Lily is murdered and Veronica is ostracised from her former friends, and now she is seeking opportunities to solve her friend's murder, while being haunted by the memories of her.

Or consider the video game Max Payne (1998): he's a cop with a happy wife and daughter, then his wife and daughter are murdered by drug addicts high on Compound V, now he joins the DEA in an effort to find and destroy the source of Compound V, and finally stop feeling haunted by the memories of his family.

Mae's story is very similar: she was a happy kid living with a family and community that gave her everything she wanted, then the Jedi came and massacred everyone she loved, and now she's joined up with a powerful ally who will teach her to get bloody justice.

Mae's Fatal Flaw

Mae's biggest problem is that she's impulsive and frequently enters situations without a clear plan. However, this bullheadedness shows that she trusts herself to get out of any situation she finds herself in.

(Qimir once said to Osha "you should learn to trust yourself", but I doubt this is a lesson he had to teach Mae.)

Detractors often say that Mae's motivations don't make sense, or that she's "flip flopping" all the time. But this criticism -- like most criticisms from the fandom menace -- is unfair. Mae's motivations are very clear, and her shifting tactics are done as a response to new information that comes her way.

In Episodes 1 and 2, her goal is two-fold:

Hunt down the four guilty Jedi

Keep The Stranger satisfied in her progress as his apprentice

But in Episode 4 and 5, after she learns that her sister lives, her goal changes to "reunite with Osha." But when Osha refuses to listen to her, Mae's slightly modifies her goal, to "find a way to de-program Osha from her Jedi brainwashing, by exposing Sol."

Viewers that understand what drives Mae see that not flaky; she's adaptive.

The Fatal Lesson of Film Noir

The thing about Film Noir protagonists is that most of the time (not always, but most of the time), their quest for reclaiming their idyllic past is a fool's errand: they either sacrifice a big part of themselves in the attempt, or they learn to heal form the past, let go, and move on.

Mae opts for the former. When she finally succeeds in revealing that Sol has been lying for sixteen years, Osha murders him. Afterward, Osha bargains for Mae's life, which the Stranger accepts but only if he be permitted to erase her memories.

So Mae recaptures her idyllic past by being able to reconnect with her sister... only to lose her sense of self in the process. The quest consumed her.

But was it worth it?

[beauty-and-passion]

Lore Olympus: a golden mine of bad writing

As I said, one post wasn’t enough.

There is still a lot to say about this webcomic and in this post I would like to talk about how Zeus, Apollo and Kronos have been treated. Here I will focus on the first two acts only, because the third act is not over, as well as the story. And yes, that means I will write another post when this whole thing is over.

I wanted to focus on these three gods in particular because are treated in a way that baffles me and makes me question what did they ever do to Mrs. Smythe. Tell me, Rachel: was it something personal? Did they do something to your family? What happened?

But maybe you don’t understand my point, especially if you haven’t read the Greek myths at all and you think that these three are just “Unfaithful Guy”, “Rapist” and “Evil Villain Har Har Who Also Wants To Rape”. Seriously, what’s with this weird obsession with raping everyone and with sex? Did Mrs. Smythe ever see anything else in myths, besides sex?

So please, allow me to explain why their characterizations are wrong and boring - and no, not just from a mythological point of view. 

_______________________________

Zeus: the walking clichè

Making Zeus an asshole is understandable, even if utterly boring and clichè. Oh wow, he's an unfaithful husband and he's vain. Very original. Groundbreaking, I'd say. I’ve never read about him being unfaithful to his wife, not even once in all the 200 million retellings made during the history of mankind.

It's a shame because Zeus is much more than that. He's a mighty ruler with a strong sense of justice: in several myths, he punished the assholes for their wrongdoings. He's very clever and strong. He's also associated with xenia, the custom of offering protection to strangers, which means Zeus is also a protector of foreigners.

I mean, this information alone offers so many new perspectives about him! Just imagine if, instead of hanging around and doing nothing useful aside from being everyone’s favorite punching bag, Zeus fought against every corrupt system of the mortal realm, in order to protect the foreigners and the innocents. It would’ve been so cool to see a different side of him, instead of the same thing over and over again!

But nope, Zeus = unfaithful husband only. Let’s ignore all the other aspects of him, to focus on the one everyone focuses on. Let’s make him the umpteenth version of the same guy, instead of offering a new vision. This will surely make the story worth everyone’s time!

Rachel, this could’ve worked if I was 12 and had never read a retelling in my entire life. But since I’m more than twice that age, seeing Zeus as an unfaithful husband again doesn’t get my interest. And I’m sure this doesn’t only apply to me, but to everyone who already saw at least two retellings of him. Isn’t this story supposed to be new and original? Then why are we still picking from the same old clichè visions of these gods? Where is the writer’s personality and ability?

_______________________________

Apollo: king of wasted potentials

I am absolutely, completely, 100% baffled at how Apollo has been treated in this story.

It's insulting to see the most beloved Greek god treated as a bidimensional piece of shit. Not only because he doesn't make any sense in the story (why is he here in the first place? Did Persephone and Apollo even interact in any myth?), but also because there are so many different possibilities for him, that seeing him being this is the biggest waste of potential I’ve ever seen.

A brief recap of who Apollo really is: Apollo is the embodiment of the sun. He is the god of arts and crafts. He's the most beautiful god, he embodies the concept of perfect Greek beauty. And he is associated with a lot of cool stuff, like medicine, truth and oracles. Also, like most of the other Greek gods, Apollo had many male and female lovers.

Now, look me in the eye and tell me that, with all of this, your first idea about him is "yeah, let's make him a stupid rapist, so stupid to not realize that hey, maybe forcing a girl to sleep with you will not make her fall in love with you". Oh and let's not forget he randomly decided he wanted Zeus' throne just after the fertility plot point had been introduced Because Yes. And he’s running for president of Whatever-Land Because Yes. Also, he’s currently involved again in another evil plot Because… yeah, you got it.

It’s just so frustrating to see him being the biggest loser of all time, considering how much cooler he could’ve been. Just think about it: we could've had a bisexual musician, who does concerts with his band (the Muses) and has a shit ton of lovers. We could’ve had a heartbroken doctor, who does his best to save everyone because he has not been able to save his own son from death (Asclepius). We could've had a mysterious advisor who can see the future because of his foresight powers.

What did we get instead? A fucking rapist.

Apollo is nothing but wasted potential. He’s an insult to himself, the story, common sense, and the Greek culture. Of all the incredible things he could've been, he became the most insulting of them all. I really cannot bear to see this fucking idiot and his punching-bag face, pretending to be Apollo. He’s not Apollo.

But if there is a guy I can see less than him, then let me introduce you to…

_______________________________

Kronos: Supreme Master of Wasted Potential

First of all: why is Kronos here? Why does this love story need Persephone to defeat a big bad guy? Just to show how cool and badass she is? Considering that their fight was a joke, it didn't work very well.

But okay, let's say we need a villain Because Yes. Kronos is still a huge waste of potential, probably the biggest waste of potential of the whole series until now. He could’ve been an interesting, multifaceted character, but he became a cartoonish supervillain har-har I want power.

Sigh.

But let’s take a step back and talk about the real, mythological Kronos. His story starts with his parents, Uranus and Gaia. The two had a lot of sons, including Titans (like Kronos) and Hecatonchires (monsters with fifty heads and one hundred arms). Disgusted by their monstrous nature or maybe just out of fear of being overthrown, Uranus chained his sons away into Gaia's womb (aka the Tartarus) so that they could never come out again.

Gaia suffered from this decision, so she devised a plan: she made a stone sickle, gathered her sons and tried to persuade them to castrate Uranus.

All of her sons were afraid of Uranus, Kronos was the only one brave enough to do it. And he was successful: he overthrew his father and became the new ruler of the universe, along with his wife/sister Rhea.

However, after becoming king, he didn't free all of his brothers as his mother wanted, but locked Hecatonchires and Cyclopes away once again. And so, Gaia told him that, one day, he would meet his father’s same fate and be overthrown by one of his own children.

Scared by these words, Kronos devised a plan: every time he had a new child, he took the baby from Rhea and swallowed them. Rhea was desperate and, in order to save her last son Zeus, she sought Gaia's help.

So Rhea gave birth to Zeus in a secret place, then handed Kronos a stone wrapped in clothes: he swallowed it, thinking that it was his son. This way, Zeus managed to escape the same fate as his siblings and was raised in secret, away from his father, until he was old enough to come back and fulfill his destiny.

And now, you may think Zeus overthrew his father with a sword and killed him and nah nah nah, myths are not that stupid and predictable. Zeus didn’t use violence to overthrow his father, but intelligence. He disguised himself to reach Kronos' court and, at the right time, he gave him a drink. That drink was an emetic (given by Gaia), that forced Kronos to throw up everything he swallowed, in reverse order: first the stone he thought was his last son, then Zeus' brothers and sisters.

After freeing his siblings, Zeus did what his father would've never done: he released the Hecatoncheires and the Cyclops to help him in the following battle against Kronos and the other Titans, a battle known as Titanomachy.

The war ended with the victory of the Olympians (i.e. Zeus and his siblings). Many Titans were confined in Tartarus, under the Hecatonchires' control, others were not imprisoned and kept appearing in other myths.

And Kronos? His fate differs depending on the myths. In some versions, he was imprisoned in Tartarus. But according to other, more interesting versions, Zeus forgave him after years, freed him and Kronos became king of the Elysian Fields: the famous earthly paradise reserved for the greatest Greek heroes.

Now. Just look at all of this beautiful, beautiful potential.

We have Gaia, a powerful goddess who overthrew two rulers of the universe, without moving a finger. A goddess strong and clever, but also a mother who wanted all of her children to be free - even the most hideous ones. She could’ve been a tragic figure, a master manipulator, or an evil schemer. Or all these things!

We have the Hecatonchires: fighters so powerful, to turn the tide of any battle. They could’ve been scary and intimidating, but also tragic monsters who just wanted to be accepted. They could’ve taught a beautiful lesson about the importance of accepting the ugly and giving everyone a chance to prove themselves.

Then we have Kronos. And Kronos had everything to be the greatest character.

Think about this concept: Kronos has always been afraid of Uranus, just like his brothers. He was just better at hiding his feelings. And that visceral fear is still inside him, it still haunts him after centuries, just like the memory of how he overthrew his father. And that fear takes the shape of paranoid thoughts about his father coming back to take the throne.

Kronos could’ve seen his father haunting him, but he could’ve also dissociated and seen himself as his father. In his altered state of mind, he could’ve been both the king and the one who overthrows him.

That could’ve made him a truly dangerous, unhinged character. A god who can’t see what’s real anymore, obsessed with the ghosts of his past. A god with nothing to lose and everything to gain. After all, if he kills his children again, the throne would be his once more. And, since he sees himself as himself and as his father at the same time, he would think that he is the "true king" coming back to take his throne.

That could’ve been awesome. Kronos could've been complex, desperate and multifaceted, a villain to pity and to be afraid of. A truly new, interesting version to know and love.

And do you have any idea how incredible Zeus could’ve been in this version? We could see him facing Kronos again, still as strong and determined as when he was young. And while everyone would expect him to kill Kronos, he would use his intelligence once again. He would prove to Kronos (and to everyone else) how intelligence is always superior to violence and how he's a good leader, despite his thousands of flaws.

Also, we could've seen Zeus talking to the defeated Kronos and making him the ruler of the Elysian Fields. We could've had a meaningful ending, in which Zeus understands Kronos' fears and shares his own.

I would’ve adored this, because according to the myth, Zeus was also supposed to be overthrown by a son! Hence why he swallowed Metis (his first wife) while she was pregnant.

The myth never truly clarifies who this supposed "son" is, but according to the different versions, Metis was pregnant not with a son, but with a daughter. A daughter who, one day, would be born, full grown, from Zeus' head. A daughter who would become Zeus' favorite child: Athena.

Honestly? I ADORE the idea that there was never a son to overthrow Zeus, but a daughter. And she would not overthrow his father by violence like her grandfather or by intelligence like her father, but by love. Athena doesn't need to take the throne from her father physically, she doesn't even need to sit on that throne: not when her father loves her more than anything else.

And I love the idea that Zeus is aware of that. He knows his daughter is his weakness. He knows that, if she asks, he will willingly give her that throne, because he loves her too much. And I would've loved to see him sharing these thoughts with the defeated Kronos. It could've been a beautiful moment, to see Zeus talking with the fatherly figure he always missed from his life. It could've led to a beautiful, meaningful ending for a dramatic story.

But can you see the problem here? This concept works for a story about Zeus, not about Hades and Persephone! These two have nothing to do with Kronos! Heck, even Rachel Smythe knows it, considering she had to pull a stupid plot point out of thin air, to explain why Kronos would give a damn about Persephone!

In case you were wondering: yes, the fertility-magical-power-battery-thing is bullshit. Gods don’t need a magical battery to be powerful. And no, fertility goddesses are not rare either: Aphrodite, Demeter, Hera, even Artemis are just a few of the fertility goddesses in Greek mythology. Kronos could’ve picked his favorite from a large pool, instead of becoming an absolute creep with Persephone in the stupidest fight of all time.

And speaking of that, two words on the supposed “fight”. First of all, apologies to all fights for being associated with this thing, because this was anything but a fight: it was a cartoonish conversation accompanied by the umpteenth sexualization of Persephone, who first appeared fully naked, then with a dress so stupid to defy the laws of physics and perspective.

And if you don’t believe me, please see it by yourself: this is how the dress was supposed to be, according to episode 75

This is how it ended up. Apparently, the Fates didn’t predict how huge Persephone’s boobs would be and the neckline didn’t grow accordingly: I feared to see one of them slipping out from it anytime during the “fight”

Also, please appreciate how Persephone is turned to the side, but the dress’ stupidly huge neckline is shown from the front, otherwise we would’ve seen her full naked boobs.

And that stupid neckline kept bothering me throughout the whole “fight”, because it kept changing size. Check the episodes and see it by yourself: sometimes it’s smaller, other times it’s wider and it keeps moving in impossible ways. It drove me insane.

But since we’re talking about drawings, please allow me a very brief parenthesis about them too.

_______________________________

The drawings are a joke

I am not an artist. I can barely draw a straight line by hand. But I studied art history, perspective, proportions and colors, so I’m not completely clueless.

But you don’t need to be clueless, to notice how bad the drawings became. If you have two eyes and saw another human being in your life before, then you can notice by yourself how bad they are.

It’s not a secret that Lore Olympus’ art style changed over time. In the beginning, this comic was characterized by a lot of straight lines and geometric shapes, alternating and mixing with gentle curves. There were blur effects, colored outlines, a lot of details that gave an overall dreamy, ethereal vibe to every chapter (like the soft glow that accompanied the gods).

But as the story progressed, these elements disappeared. The geometric shapes gave way to an overall “softness” and roundness. The dreamy vibes and blur effects were replaced by sharper, clearer drawings. A distinct black outline now marks every character.

And speaking of characters, they were the ones who changed more. Lore Olympus always had funny, silly faces but the characters were also able to be serious and look natural. Now all we have are grotesque faces: the characters are a collection of caricatures and no one has a normal expression anymore. Check by yourself, by confronting a random episode of the third act with the first one: they’re two different worlds.

The disproportions were common too, since episode one. But at least they were somehow plausible, while now they’re completely absurd. It’s as if Mrs Smythe completely forgot what a human being looks like.

And this is pretty evident in how all characters became a rough draft of the two protagonists: all women got Persephone’s face, all men become buff and huge, with wide-ass shoulders and teeny tiny heads. This is particularly obvious at the end of season 2 / start of season 3, when we see some of the funniest images ever, like Hades with a tiny head and shoulders as wide as the entire USA

Or this hilariously bad image of Zeus with clown shoes and a head as big as his deformed hand.

No excuse can justify these drawings: no one is running after Mrs Smythe, nor forcing her to draw, and people are paying her real money to work on this webcomic. The least she can do is draw something that doesn’t look like a bad distortion of a human being.

Unless this isn’t her drawing, but her staff’s work. In that case, they are still paid to do their job, right? Or do they think this story is a joke and decide to show how much of a joke it is, by turning everyone into a grotesque caricature?

_______________________________

In conclusion

Lore Olympus is hilarious because of how bad the writing is. It’s a manual example of how not to write a climax for your story. It’s a perfect demonstration of how you can still fail, even with great characters with endless possibilities. It’s a list of all the mistakes you can make as an artist.

If you’re a writer or an artist in general, please check Lore Olympus and study it. Here you will find everything you should never do and all the mistakes you should never make.

As a writer myself, I appreciate Lore Olympus, because I need works that teach me what I shouldn’t do. Good teachers are useful, but bad ones are even more useful, because it’s thanks to them that I can learn and grow and make better stories. Lore Olympus might be a failure from an artistic and writing point of view, but it might also serve as a foundation, from which other people can develop better ideas.

Actually, it already did it! Do you want to read a better story, rose from the disappointing ashes of Lore Olympus? Then check Lore Rekindled and @genericpuff: you will find their work here on Tumblr. They planned everything ahead and it’s pretty clear by reading it. The characters make more sense, the events have a more logical explanation. And the art style is much, much better than the last Lore Olympus.

We will meet again for the third and (for now) final post about this series, a much-needed post about the protagonists of this story: Hades, Persephone and Demeter.

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(How about a coffee? ☕)

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[celticcrossanon]

BRF Reading - July 26, 2024

This is speculation only

Cards drawn on the 26th of July, 2024

Question: Why is Harry disparaging Prince William (saying nasty things about him, putting him down all the time, invading his privacy etc)?

Interpretation: Because Prince William's life is not what Harry wants it to be.

Card One: Justice

Justice is the card of fairness, truth, balance, consequences etc. The energy from this card is that in Harry's mind, it is only fair that Harry continually puts down and hurts Prince William because Prince William has hurt him. It is a twisted, nasty, tit for tat energy - you warned me against marrying my wife so I will destroy your marriage, you're the first born and I'm not so I will make sure you are never King, you won't let me use your children for money and PR so I will hurt them in other ways etc. and all these actions on my part are only fair because you hurt me first (by warning me, saying No, being born before me etc). I have no words for how ugly this energy is and how twisted the sense of 'fairness' is.

A very small part of this energy is envy that Prince William has succeeded in his court cases and Harry has not, but the majority of it is that twisted energy described above.

Card Two: The Chariot

The Chariot is the card for Cancer, the sun sign of Prince William, and as such it represents Prince William. The Chariot is also the card of getting things done. It is a card of success, of having ambition and using that ambition to make things happen in the world, of going around obstacles to your goal instead of sitting down and whining and waiting for someone else to take them away, of focused willpower and the self discipline to do what has to be done to achieve your goals.

This is what is frustrating Harry - that Prince William is successful. He gets things done. He has a vision of something (e.g. Earthshot) and he gets off his behind and works and uses all the resources he has to make that vision happen. Harry can't do that. He can't make things happen. He needs a lot of people propping him up to achieve anything, and even then it will be a copy or imitation of someone else's work. Harry is envious of Prince William's ability to take an idea and turn it into a successful enterprise, and he resents his brother for his successes. He wants Prince William to be a failure like him, so they can be equals. The more Prince William succeeds, the more Harry feels that he is being left behind in the wake of that chariot, and the more he resents his brother for being successful while he is not.

The fact that Harry has his own strengths does not occur to him. The idea of being happy for his brother's success does not occur to him. He is frustrated by his lack of success and envious of his brother's success, and he takes out his frustration and envy by saying nasty things about Prince William and his family. Anything that hurts his brother makes Harry feel better about himself.

The figure on the card in the chariot is Ares, the god of war. I don't want to go into Harry's feelings about his military career - that is a different post - but Harry knows that Prince William was more successful in the armed forces and that burns him up inside.

Card Three: Nine of Cups

This is the card of emotional contentment, success, recognition, and wishes coming true.

One part of this energy focuses on Prince William and his family. Harry sees his brother having a wonderful family life and it makes him unhappy that he does not have that for himself. Again, instead of being happy for his brother and doing something about his own situation, the energy is of self pity and envy. The energy seems to be saying 'Why can't I have that? I'm better looking and more fun than Willy. Yet he gets the adoring wife and the perfect kids and I don't. It's not fair. He doesn't deserve them, I do.' and then we get the envy and resentment and the need to hurt his brother to feel better about his own situation.

Note that in all of this, Harry is seeing an idealised view of his brother's life. He fails to recognise or refuses to recognise the sheer hard work that goes into making a relationship work, and raising a happy family, and all the other successes that we saw in The Chariot card. Harry seems to think that someone has just waved a magic wand and given Prince William everything that Harry wants, and he is upset and angry and bitter and twisted that the magic wand was not waved for him as well.

The bottom line is that Harry is envious of his brother's happiness. He would be far nicer to his brother if Prince William was miserable in his marriage. As Prince William has a happy marriage, Harry is angry and upset about it and is trying to destroy it with his mean words and mean actions, so Prince William will be the same as him.

Underlying Energy: The Lovers in Reverse

The Lovers is a card about relationships and choices - choosing to renew a relationship, let it move to a stage where you are closer, or to cut it off. In the reverse the relationship has failed, it s broken or distant, and this is by the choice of one or both parties.

Harry is continually picking on his brother because Prince William has distanced himself from their relationship and will not let the relationship grow any closer. The energy I am getting is whiny and petulant. It feels like Harry is saying something along the lines of 'You won't let me be close to you. You won't let me use you and your family for my advancement. You won't let me make money off you. You won't lie for me. You won't cover up for me. You won't coddle me. You won't do anything that I expect from you as a brother and I hate you for it'.

The energy is that of a spoilt brat toddler throwing a full-on temper tantrum because his parent has said No to him. Harry sees this as coming entirely from Prince William and refuses to acknowledge that his actions and his choices might be the reason why Prince William has pulled away from their brotherly bond.

The Lovers is the card for Gemini, and Prince Philip was a Gemini. I'm thinking of the recent articles that Prince William has taken over Prince Phillip's role as Head of the Family, i.e. managing the family dynamics. With this comes the energy that Harry expected special treatment because Prince William is his brother, and Harry is outraged that the expected special treatment is not forthcoming and he is being treated like any other family member in his position.

Conclusion:

Harry is envious, angry, bitter and resentful about his brother's life. He hates that Prince William's ideas are new and creative and successful, while his are not. He hates the Prince William gets things down and builds successful projects, while Harry does not (the closest Harry has come to this is the Invictus Games and he knows how much help he had with that, even if he won't acknowledge the help). He hates that Prince William has a happy marriage and he does not. He hates that Prince William won't let him use Prince William and his family for Harry's own money making schemes. He hates that Prince William won't bail him out of his troubles. He hates that Prince William won't lie for him or pander to his ego by e.g. pretending that Harry was the only force behind the Invictus Games.

All this envy and resentment and anger and bitterness makes Harry lash out at Prince William to feel good about himself, and he justifies it to himself by saying it is only fair that he hurts Prince William as his brother has hurt him (by not going along with his lies, not bailing him out of trouble etc). What he wants is to reduce Prince William to his level, so he (Harry) can feel that they are equals, instead of (in his mind) seeing Prince William get the good things in life handed to him while Harry does not.

[snikt111]

hi hi hi hi I found out about Hal Jordan TODAY and am going so autistic over him it’s insane can you please give me a rundown on what his deal is I think you’re the Tumblr Green Lantern guy

omg hi, insane compliment btw, tysm! i'm glad to give you a rundown!! also definitely check out @katmaatui for more hal info, red is SUPER knowledgable abt him. @rillette, @catboyollie, @halcarols, @starsapphire and @yellowcorps (along with so many others that i cant think to tag off the top of my head) have some great hal takes too! (edited the post just to tag more ppl)

apologies if this is a bit rushed/messy, i'm doing this while i smelt stone in minecraft LMAO

that being said... i think this will be a long one, so more below the cut :3

(cw for light mentions of pedophilia, abuse, canon typical violence)

okay, so hal jordan is the first human green lantern of the GREEN LANTERN CORPS. it's important to note that there was technically a human green lantern before him (alan scott, originally from earth two/the justice society, but integrated into main DC canon after crisis), but his power comes from a different source- which is a whole different ballpark that would take ages to explain, lol, so i'll move on from that.

hal was originally introduced in a showcase issue in 1959, but ended up getting a solo run in the mid 60s because of his showcase issues doing well. he's been a test pilot, middle brother, compassionate, rule follower (although being surprisingly liberal for the time) with an interesting relationship with star sapphire carol ferris since those first appearances. for the first 20 odd years of his appearances we had no information on his parents, but we got a lot from other family members, such as uncle titus, cousin hal jr (aka airwave), younger brother jim jordan and older brother jack jordan. through the 60s and 70s those members of his family were developed along with him; with the audience learning that jim's wife sue thought jim was green lantern, rather than hal, and hal himself training his cousin, hal jr.

the most known version of how hal got the ring in the first place is probably based off of geoff john's rewrite in the mid 00s, reiterating the original story of abin sur crashing onto earth and dying, leaving hal with his ring to be trained by sinestro and the rest of the glc, while also changing miniscule details that had been developed in emerald dawn 1 & 2 (which was released in the 90s, more on that later). the main premise of abin sur's crash has stayed the same, but the story around hal's current life, job, family and stability keep changing. for instance, the original comic with abin sur in showcase only showed hal getting the ring, the guardians choosing him. the first rewrite i can think of was emerald dawn volume 1, published in 1989 and continued in emerald dawn v2 (1991). here we get the classic hal watches his father die in a plane crash with carol ferris beside him as a pre adolescent, and some of the biggest implications of the mistreatment from his father. we also get introduced to hal, despite his stick to the rules, straight edge attitude, making some serious mistakes and putting people in danger and even death- with the implication of alcohol abuse. the audience HAS known hal used to be in the air force since sometime in the late 60s or early 70s (sorry, i don't remember the exact issue!), but emerald dawn shows us that hal's moved on from the air force and into test piloting, and that his mother keeps having to bail him out for making mistakes. emerald dawn vol 1 shows the abin sur moment, followed by fights that cost hal's friends life, and is followed up by sinestro training hal in emerald dawn vol 2, where we get to see the iconic scenes of hal finding out about sinestro and his... dictatorship.

along with that; how the guardians and rings are treated and hal and the glc's perception of them is vastly changed over time. in the early days of gl in the 60s, the guardians were really never to be seen. hal was repeatedly summoned to them and then had his memory almost fully wiped- only leaving a vague notion of his orders. the guardian's called hal to them at seemingly the worst times, ending up with him almost getting injured, getting in trouble at work, and even ending up jobless and homeless. the chaos of being a green lantern has been around the WHOLE time, but originally, the green lanterns didnt really... fight it. the guardian's were their masters (and even father figures, to hal) and not to be questioned. the rings in the 60s were also much more powerful, despite the yellow weakness (the yellow weakness is the notion that from about the 60s to the mid 90s the green lantern rings were completely unable to be used against anything yellow). time travel, phasing, teleporting, etc were all very viable and common things- as well as forceful shapeshifting, invisibility, mind control, mind reading, etc etc. these days, writers have dampened these powers down to mostly shooting light and constructs.

okay, it's parallax time. the emerald twilight arc from the mid 90s wasn't an arc that was as thoroughly planned out over a long period of time as it probably should have been. a lot of fans at the time (and even now) hated what happened there, and claimed it ruined hal's character entirely. i can understand why! but, at it's core, the parallax arc is a story about a broken man pushed to the limit, fully grieving his home and family (originally, he lost his brother jim in the destruction of coast city, along with a lot of other family members) and being goddamn fed up with how his "masters" treated him and the rest of the corps. the so called "perfect lantern" (no, he wasn't that much of a rebel, despite what johns wants you to think) snapped and essentially tried to gain as much power as he could to bring back coast city. when the guardians stripped him of his powers so he couldn't, hal became enraged and took down every lantern in his path, just to get to the guardians and that power. long story short, he kills the guardians and absorbs all the energy from the central power battery on oa, becoming parallax- essentially a god. this marks the start of zero hour, an event made by dc to restructure and reset; giving the comics a new generation of heroes. hal destroys the world and remakes it, but is ultimately taken down by kyle rayner, the new green lantern, with the help of the jla, jsa and associates. there are a few more run ins with parallax after this, before kyle convinces parallax/hal that he can make up for all of this by reigniting the sun after it went out- aka killing himself. hal does it, is stuck in limbo for awhile and then becomes the spectre to continue to make up for the horrible things he did as parallax. the spectre is the spirit of god's wrath and vengeance, a weapon used to drag sinners to their very own, self made hells, and scare the shit out of people. the spectre, from it's very first appearance, is a ghost like spirit that takes on a host, and is primarily described using christian terms and is used in a very... christian ideology. HOWEVER, the spectre 2001 confirms that hal is jewish (jewish mom, catholic dad) and that belief system, plus his personality as a whole, literally makes him change the spirit of vengeance into the spirit of redemption, for at least as long as they are bonded. the whole parallax to spectre arc is about grief, pain, cycles of abuse and terror, redemption and guilt. it is NOT about a fear bug that possess hal. (im so serious though, the spectre 2001 is one of the best comics ive ever read. amazing. changed my world view) but... geoff johns changed all of it, decanonized the spectre, and ruined the legacy of parallax and hal's growth as a person by releasing green lantern: rebirth in 2004/2005. this retcons hal's breakdown and journey through grief into him BEING POSSESSED BY AN ENTITY CONTROLLED BY SINESTRO THAT FULLY CHANGES PREVIOUS GREEN LANTERN CANON AND IMPLICATIONS. also, fucks up the importance of kyle becoming ion, but whatever. geoff johns writes hal (and even more so, carol) so very wrong, and change their stories so vastly in ways that go against the stories very meanings.

SIGH.

now... time to get started on some rougher stuff. hal jordan misconceptions. i'm saving that arc for last.

- hal jordan wasn't much of a rule breaker or rebel until the 70s/80s, where he BEGAN (very slowly, mind you) to be radicalized by oliver queen during denny o'neil's green lantern/green arrow. hal was painted as more of a conservative during this period (which, admittedly, kind of goes against previous canon... he's always been relatively central to liberal, not to any extremes like ollie though, lol) but gets more and more understanding of how power structures work and how lower classes are mistreated during this time- which ends up opening his eyes a bit to how shitty the guardians are. (this is helped by the guardians literally just. leaving. the green lanterns and kind of disbanding them so they can go fuck the zamarons, lmao). geoff johns tried to change this narrative into making hal a very... maverick-from-top-gun type of character, who punched his way out of the military (when, in reality, the original story during emerald knights in the late 90s was that hal had been framed for stealing a jet and was dishonorably discharged, which he took the punishment for because he knew someone had to) and hits on women constantly and gets ladies and allat (which, funnily enough hal was awful at getting carol to like him for a long time, since carol fell for green lantern rather than hal. not to mention the awkwardness of carol's proposals or hal's many, many failed relationships). hal has always been insecure and lowkey boyfailure, he is NOT a top gun maverick tom cruise sorta guy! fuck you jeremy adams!

- hes not that much of an idiot asshole. hal can be a real dick, he's had that going for him since the beginning, but he isn't what you read in batfam fics. he's not stupid and shouldn't be the laughingstock of the justice league. i assume this idea started from the obsession with batfam and the fact that the jla has quite the history of ignoring hal and his issues (as well as. all of their issues. theyre not so great at work life balance), but it's gone too far. hal isn't making fun of the robins and pissing bruce off bc of that. hal isnt fooling around on the job 24/7 (he takes being a gl and pilot VERY seriously, although he does enjoy some danger and high stakes) or slacking off to get girls. again. not top gun maverick.

- hal has not been a creep since the beginnings. hal was not weird with carol in the 60s. things were weird between them, yeah, but that's based off circumstance and the craziness of star sapphire and green lantern. he was NOT being horribly sleazy! i hate that i even need to say this, but i see this take too much not to

- going off of what was said above, lets discuss the arisia arc. if you want to be a real hal fan, this is unfortunately something you need to know about. in action comics, after crisis and the guardians left to go fuck the zamarons, most of the green lanterns fell apart and seperated. a small group went to earth- led by hal and consisting of hal, john stewart, katma tui, kilowog, salaakk, ch'p and arisia rrab. (also sometimes guy gardner, but that's complicated) previously to this arc, hal treated 14 year old arisia like a beloved little sister, welcoming her and leading her into the corps just like everyone else. things started to change once the timeline gets closer and closer to crisis, where arisia starts showing that she has a crush on hal (who is roughly 30s at this point). any advances made by arisia are shut down by hal at the beginning, because she's a child. now, it's unfortunately a common thing to just call hal a "pedophile" because of what happens in this arc- but it really isn't that simple. still weird and icky, but definitely not to the degree of which some fans like to act like it is- esp to attack hal fans for, which is... an odd choice regarding how many fucked up things every character (esp male characters) did back in the day. arisia ends up using her power ring to artifically age herself up, making her body AND MIND into that of a young adult (the comic makes this very clear). once this happens... hal stops rejecting her. they get together, they kiss. the only person in the group of green latnerns who actually has an issue with it is john (salaakk is meh about it, but he just doesn't like human-esque romance no matter what), and katma even directly encourages their relationship. kilowog ends up crushing on arisia as well, and guy gardner hits on her repeatedly throughout the whole period. eventually, hal and arisia break up, but this legacy (thank so much englehart, for wrtiting this. /sarc) is a big controversy among the comics crowd. "is hal jordan a predator?" personally, and i know a lot of friends/mutuals/other gl fans choose to erase the arisia arc entirely (versus how canon ended up retconning it to be 14 earth years is equal to that of an adult and she didn't really get super ages up, or whatever) and go with the familial relationship between hal and her. that's my preferred version! i know red (@katmaatui) has explored that version as well as an alternate version where the arisia arc did happen, and how it affects arisia in particular, which is really depressing but super interesting. anyway, it's complicated and weird and nuanced, but that whole occurence doesn't mean hal's a bad character or person (cause yk. retcons) and it's certainly not bad to like his character. (definitely ignore any guy gardner fans who try to bitch about this arc. cough cough. guy was ALSO into her and hit on her repeatedly. smfh) most people who bring this up to demonize fans didn't even read the arc, and don't know the nuance or the other weird shit that happens in it. (hal is not a horse, sigh)

OVERALL NOTES!

hal jordan is a super complicated character with an extensive history spanning from the 60s to his worse written appearances in modern age. it's okay to like any version of the character, but it is important to note the changes that have been made, the storylines butchered and lost, and more. he has quite the legacy, and he's particularly interesting as from a moral standpoint. hal's a real sweetie though, when it gets down to it! he's neurodivergent coded (imo at least.. his dad very much gets onto him for being disrtracted, hes kinda shit at social interaction (and then amazing at it the other half of the time) etc etc. "spacecase") and his dad is an abusive asshole, who he desperately doesnt want to be like but thinks he NEEDS to be like!

[hotvintagepoll]

Gregory Peck is not only a certified hunk of a man but a great actor and a genuinely good person.

He starred in the film version of the novel Gentleman’s Agreement which was “Hollywood’s first major attack on anti-semitism” which features Peck as a magazine writer who pretends to be Jewish so he can experience personally the hostility of bigots and then calls out and exposes antisemitism and this film was made in 1947 like only two years after the end of World War II so historically an important film(I love this film and think its underated like its great and like Greg looks amazing as he rails against bigots). I could make an argument, and I have honeslty thought about writing a paper on it, that a majority of his films tackle some important issue whether it be antisemitism (Gentleman’s Agreement), racism (To Kill a Monckingbird), nuclear war (On the Beach), post-war discontent and PTSD (The Man in the Gray Flannel Suit), the futility of war (Pork Chop Hill) etc.

His daughter Cecilia said “ My father was a champion of stories that needed to be told, like To Kill a Mockingbird, Gentleman’s Agreement, and On the Beach. He was not afraid of films that championed diversity, equality, and tolerance. He was deeply intelligent, and also very funny in real life.”

He was against the House Un-American Activities Committee and their investigation of “alleged communists” in the film industry and signed a letter deploring their actions in 1947. He was outspoken against the Vietnam War, while at the same time supportive of his son who was fighting there. He produced the film version of the play The Trial of the Catonsville Nine about the prosecution of a group of Vietnam protestors for civil disobedience. Peck said “I decided to make the film because the play confirmed my thinking that the Vietnam War [was] an abomination.” His outspoken-ness against the Vietnam war and general political activism put him on Nixon’s “enemies list” (honestly what an icon).

He was a vocal supporter of a worldwide ban on nuclear weapons and was a lifelong advocate for gun control.

He and his wife Veronique often hosted dinners at their home in support of the arts and humanitatian or social justice causes. His daughter

He was Catholic but took a pro-choice stance on abortion and supported gay rights.

He was the president of the Academy of Motion Pictures Arts and Sciences (1967-1970) and postponed the awards following the assasination of MLK.

He was honored with the Presidential Medal of Freedom in 1969 for his lifetime humanitarian efforts and he also won the Jean Hersolt Humanitarian Award.

He didnt just play the handsome hero on the big screen he was one in real life.

Now some photos of him looking good:

Gregory Peck vs Paul Robeson